- 18 hours ago
Embark on a timeless journey with Journey Across the Open Roads, a classic adventure film that captures the spirit of travel, discovery, and life on the open road. Follow the characters as they navigate challenges, unexpected encounters, and unforgettable moments along their path.
Set in a simpler era, this film delivers a heartwarming and nostalgic experience filled with exploration, freedom, and adventure. A perfect watch for fans of classic cinema and road journey stories.
This film is presented for historical appreciation and entertainment, preserving the charm of vintage filmmaking.
Set in a simpler era, this film delivers a heartwarming and nostalgic experience filled with exploration, freedom, and adventure. A perfect watch for fans of classic cinema and road journey stories.
This film is presented for historical appreciation and entertainment, preserving the charm of vintage filmmaking.
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Short filmTranscript
00:00:00The End
00:00:37The End
00:01:23Dancy, how do you do?
00:01:30How do you do?
00:01:31I never thought that I'd live to see the day that a girl could get Drogo Gaines with all his
00:01:36millions to the altar.
00:01:37My Helen has done it.
00:01:39I'll believe it when I see it.
00:01:41My Helen is a very smart girl.
00:01:44My Agnes was in the running, but what chance did she have when he never kept her out after ten
00:01:49o'clock at night?
00:01:49Well...
00:02:15I'll see you next time.
00:02:35What's the matter?
00:02:36We'll come and see.
00:02:42Look.
00:02:42Young man, what is all this nonsense?
00:02:47My goodness.
00:02:48Maybe I'd better get a doctor, quick.
00:02:49Yes, yes, of course.
00:02:58Dr. Johnson, will you come in, please?
00:02:59Yes, I can.
00:03:00Of course.
00:03:01Listen to me, Drogo Gaines.
00:03:02What do you think you're doing?
00:03:07What's the matter with him?
00:03:08I think he's nuts.
00:03:10Here he is, doctor.
00:03:11My goodness.
00:03:13We'd better put him on the couch.
00:03:14All right.
00:03:15Lend me a hand.
00:03:15Okay.
00:03:17There we go.
00:03:25There appears to be no fever, and the pulse is normal.
00:03:28It must be a mental collapse.
00:03:30I'll phone for some assistance.
00:03:33Hey, Drogo, come on, wake up out of this thing.
00:03:37Well, what now?
00:03:39Well, of all things, to happen to me.
00:03:41Yeah, happen to you.
00:03:42If you had married the dope two weeks ago, we'd have had the ten million, and we wouldn't
00:03:45care whether he did go goofy.
00:03:47Ma, it's all your fault.
00:03:48If you'd only let me marry Jerry Van Sniven, he had plenty of dough, and besides, I might
00:03:52have learned to love him.
00:03:52How did I know?
00:03:53Look at all the money Drogo's got.
00:03:55What are we going to do?
00:03:57We can't let those people eat all that food and stuff.
00:03:59Who's going to pay for it?
00:04:00You go out there and tell them it's been postponed.
00:04:02All right.
00:04:09Are you all right?
00:04:11Oh, yes, I'm all right.
00:04:13You mean to say that you heard everything we said?
00:04:15Yes.
00:04:15Well, but I didn't do this for that reason.
00:04:17I was afraid to go out there.
00:04:19I realized what a momentous step I was taking.
00:04:22But now that I know where your affections really are, it's probably all for the best.
00:04:26Oh, for the best?
00:04:28You're making a monkey out of me, leaving me at the altar?
00:04:30Well, I'm very sorry.
00:04:32Wait a minute.
00:04:34Everybody in this house thinks you're crazy.
00:04:36Now, listen to me, Drogo Gaines.
00:04:37You're going to marry me, or they're going to think you're crazy for the rest of your life.
00:04:40Oh, I don't understand.
00:04:42Helen, how are you going to influence those people?
00:04:44Help!
00:04:44Help!
00:04:45What's the matter with you?
00:04:46Let me up!
00:04:47Let me go!
00:04:48Let me go!
00:04:49Helen, what are you doing?
00:04:50Ah!
00:04:51Help!
00:04:52Help!
00:04:52Don't let him come!
00:04:53He's crazy!
00:04:55Help!
00:04:55Help!
00:04:56Help!
00:04:56Let him!
00:04:57Somebody come and help me!
00:04:58He's gone violent!
00:05:00Help me!
00:05:00What's the matter here?
00:05:01My poor child!
00:05:16Good morning, Mr. G.
00:05:20Would you mind telling me where I am?
00:05:22The Hopedale Club.
00:05:24The Hopedale Club.
00:05:32I can't stay in a place like this.
00:05:34I'm sorry, Mr. G., but I'll have to refer your complaint to Dr. Thorndyke.
00:05:38Now, eat your breakfast like a good boy.
00:05:40I don't want any breakfast.
00:05:41Please, Mr. G., you mustn't.
00:05:48Dr. Thorndyke, I'll have to refer you to Dr. Thorndyke.
00:05:55Dr. Thorndyke.
00:05:56Oh, pardon me.
00:05:57Have you the time?
00:05:58No, I'm sorry.
00:05:59I had my watch.
00:06:00Here.
00:06:01Take mine.
00:06:02Oh, no.
00:06:03But listen, I-
00:06:15I want to see Dr. Thorndyke.
00:06:17Just have a seat.
00:06:19Oh, no.
00:06:21Oh, no.
00:06:24Oh, no.
00:06:28Oh, no.
00:06:41Okay, you're a progressing splinter.
00:06:44Now drop in and see me any time you like.
00:06:46Always glad to have you.
00:06:47Thank you, Doctor.
00:06:52Mr. N., do you mind if I send Mr. G. in ahead of you?
00:06:55Not at all.
00:07:06Well, well, Mr. Gaines, glad you dropped in.
00:07:09We'll call you Mr. G here.
00:07:11Are you feeling better?
00:07:13No, I'm not.
00:07:15I mean, I never felt bad.
00:07:16I mean...
00:07:17Now, don't excite yourself.
00:07:18I'm not exciting myself.
00:07:20I just want to get out of here.
00:07:22Of course, they all do at first, but you'll soon learn to like us.
00:07:26We like you.
00:07:28That's just dandy, Doc.
00:07:30And I'm sure that you and I and all the lads would become great chums.
00:07:35But really, I've got to get back to New York.
00:07:37What have you there, Mr. T.?
00:07:39Oh, that?
00:07:41A little man outside fastened a flower that he didn't have with a pin that isn't here.
00:07:47Would you mind letting me have that again, please?
00:07:50Oh, that is...
00:07:51He thought he had a pin that he put in a flower that I haven't got.
00:07:58Now, look, I was just...
00:07:59I understand perfectly.
00:08:01Wait a minute.
00:08:02A fellow simply gave me a flower.
00:08:05And a very pretty flower it is, too.
00:08:09Look, Doctor.
00:08:10There's nothing wrong with me.
00:08:19Of course, there's nothing wrong with you, Mr. G.
00:08:22Now, Doctor.
00:08:32Ooh!
00:08:35Cute.
00:08:36Listen, Dr. Thorndyke, I've had enough of this foolishness.
00:08:39You've got to let me go.
00:08:44But...
00:08:44Mr. Gaines, I hope you'll appreciate my position in this matter.
00:08:47I've no alternative but to keep you here until your conduct improves.
00:08:51But listen...
00:08:51Now, don't make it hard for yourself.
00:08:53Finish dressing and go out in the sun.
00:08:55We're allowing you the full run of the grounds.
00:09:03Ah!
00:09:04Ah!
00:09:06Ah!
00:09:27Oh, I'm sorry.
00:09:29I didn't know you were fishing.
00:09:30What did you think I was doing?
00:09:36Good fishing?
00:09:38Excellent.
00:09:40Caught many?
00:09:41Nope.
00:09:42Never catch any.
00:09:44It's a sort of new idea when it comes to fishing.
00:09:48Yeah, sure.
00:09:49Brighter than I thought you were, Mr. Gaines.
00:09:51Sit down.
00:09:52Oh, you know me?
00:09:54Know all about you.
00:09:56Carraway's my name.
00:09:57Colonel Carlton Carraway.
00:09:58You've heard of Carraway Seeds?
00:09:59Well, I'm the whole corporation.
00:10:01I didn't like the business, so I came here on my own accord.
00:10:04I like it here.
00:10:05I don't.
00:10:07I'm going to escape.
00:10:08Oh, no, you're not.
00:10:09The walls are too high.
00:10:11Why'd you come here if you don't want to stay?
00:10:12I didn't come.
00:10:14I pulled a little stunt in self-defense.
00:10:16Oh, yes.
00:10:17That Newton girl.
00:10:19While you were looking at her eyes,
00:10:21she was looking at your checkbook.
00:10:23Well, I didn't know.
00:10:24And Agnes.
00:10:25She kissed you when you bought her a yacht.
00:10:28You'd have done better with a canoe.
00:10:31And that Argentine tomato.
00:10:33What was her name?
00:10:34Conchita Watmazuma.
00:10:36You bought her bracelets and called her angel.
00:10:38And she said,
00:10:40Mi pichoncito eres mi todo.
00:10:42Sounded sweet, didn't it?
00:10:44Just mean sucker.
00:10:47You certainly know a lot.
00:10:49Yes, that's why I'm here.
00:10:51Tell me, Colonel.
00:10:54How does a fellow know when he's found the right girl?
00:10:58The signs.
00:11:00Signs?
00:11:01Yeah.
00:11:01I don't understand.
00:11:03Well, now, uh, supposing a girl, uh, crossed her fingers,
00:11:08and you crossed yours at the same time.
00:11:11That's a sign.
00:11:13Go!
00:11:14Go on, Ed.
00:11:14What's the matter?
00:11:15Oh, I caught a fish.
00:11:18Well, I'll never be able to fish here anymore.
00:11:20Come on, young Drogo.
00:11:21What are you going to do now?
00:11:22I'm going to photograph the fish.
00:11:23Everybody does that.
00:11:24Are you leaving, Colonel?
00:11:25Yes, this place is no good.
00:11:27There's too many fish.
00:11:34Something I could do for you?
00:11:37No.
00:11:40Now, this, Mr. G., is the broom and daisy.
00:11:42The what?
00:11:43The broom and daisy.
00:11:44Probably the finest camera ever invented by the human mind.
00:11:48Now, uh, don't let her frighten you,
00:11:49and don't ask how she works or you'll spoil all the fun.
00:11:52Now, take one step forward.
00:11:55Two backward.
00:11:57Just a mite forward.
00:11:58Now, what are you playing?
00:12:00That's another invention of mine.
00:12:02I never focus the camera.
00:12:04Anyone can focus the camera.
00:12:05I focus you.
00:12:06Now, are you ready?
00:12:08Hold it.
00:12:09There you are.
00:12:10That merely takes the photograph.
00:12:12Now, we develop it.
00:12:20Come in.
00:12:23Good morning, Colonel.
00:12:24Good morning, Harry.
00:12:25Meet Mr. G.
00:12:27How do you do?
00:12:28How do you do?
00:12:31And now we shall see what we shall see.
00:12:35We release the Gadget A,
00:12:39seize the Dingus B,
00:12:40and grasp the photograph.
00:12:42See, and there you are.
00:12:44It's blank.
00:12:45Yes, that's the wonderful thing about the broom and daisy.
00:12:48You never can tell what's coming out.
00:12:50Sometimes I get the most amazing pictures.
00:12:52Not very often.
00:12:55Uncle Carlton, you're going to stay with me at the country place.
00:12:58Dr. Thorndike and I think you'll be much happier there.
00:13:01Oh, but Harry, I like it here.
00:13:02I know, but you've got to leave here sometime.
00:13:04You've been here long enough.
00:13:05People are starting to ask embarrassing questions.
00:13:07Oh, Harry.
00:13:08Not another word.
00:13:09I know what's best for you.
00:13:10You get your things together, and I'll call for you in the morning.
00:13:13You understand?
00:13:13Yes.
00:13:14Well, goodbye.
00:13:16Goodbye, Mr. G.
00:13:18G.
00:13:18I hope you have fun playing with your fish.
00:13:25I'm embarrassing him, that crackpot.
00:13:28He seemed all right to me.
00:13:29Oh, he did, did he?
00:13:31Come here.
00:13:35Look at that.
00:14:00What's the matter with that?
00:14:01He's a member of the fire department.
00:14:02That's just it.
00:14:03He isn't.
00:14:04Well, most likely the whole thing's my fault anyway.
00:14:07When he was a little lad, I bought him a toy fire engine to play with.
00:14:10Said he wanted to be a fireman.
00:14:11He never outgrew it.
00:14:12He's been playing fireman ever since.
00:14:14Oh.
00:14:15Go to his country place.
00:14:17Why, the whole thing's nothing but a big fire department.
00:14:19He'll not get me up there.
00:14:20I'll run away.
00:14:22That's what I'll do.
00:14:23I'll escape.
00:14:23You said you couldn't escape.
00:14:25No, I didn't.
00:14:26I said you couldn't.
00:14:27Didn't say I couldn't.
00:14:28If I had enough money to finance the Blooming Daisy, I'd escape tonight.
00:14:31I have a hundred and twenty dollars.
00:14:33A hundred and twenty dollars?
00:14:35Say, that's enough to put the Blooming Daisy on a paying basis.
00:14:38But the Blooming Daisy won't even take a picture.
00:14:40Shh.
00:14:40You know that.
00:14:41And I know that.
00:14:42But the people we photographed wouldn't know it.
00:14:44Now, look.
00:14:44You meet me at the woods near the river at nine o'clock tonight.
00:14:47Boy, we'll hit the open road.
00:14:49We'll meet people.
00:14:50Real people.
00:14:51None of the money-grabbing kind.
00:14:52And don't forget to bring the money.
00:14:59Yoo-hoo!
00:15:02What kept you so long?
00:15:03The fool guard didn't show up in time.
00:15:05It couldn't escape unless a guard was there.
00:15:07It wouldn't be strategic.
00:15:08Here, take that pole and knock those rocks off.
00:15:09The equipment's there.
00:15:11What for?
00:15:12The boat, of course.
00:15:13We've got a launcher.
00:15:14I knew this life would be too good to last.
00:15:16So I part of this escape years ago.
00:15:17You call this thing a boat?
00:15:19Yeah, stop all that fiddle paddle.
00:15:20Get this stuff on board.
00:15:22There they are.
00:15:24Here.
00:15:26Here, now, give me a hand.
00:15:29Fall ashore.
00:15:30Let's go on ashore.
00:15:31Shh.
00:15:32How far do you expect to get in this thing?
00:15:34Who wants to get far?
00:15:35We just want to get.
00:15:36Steve, ho, over, Hardy.
00:15:46Low breeze.
00:15:47Low breeze.
00:15:53Have Mr. Gaines, then, to my office right away.
00:15:55Thank you, Dr. Thorndyke.
00:15:57As Mr. Gaines' secretary, I can assure you there's absolutely nothing wrong with him.
00:16:00As his fiancée, I can assure you that there is.
00:16:03Why, this whole thing is preposterous.
00:16:05I demand that he be released at once.
00:16:07And I demand that he be kept here.
00:16:08Why, the very light.
00:16:09Dr. Thorndyke.
00:16:09Yes?
00:16:10Mr. Gaines has escaped.
00:16:11Escaped?
00:16:12Yes, and so has Colonel Carraway.
00:16:14This is terrible.
00:16:15Hello, Miss White.
00:16:16What?
00:16:16Miss White, notify the police.
00:16:18Mr. Gaines and the Colonel have escaped.
00:16:19Fine night for sailing.
00:16:21Sea's as smooth as glass.
00:16:22We're not at sea.
00:16:23We're in the middle of the river.
00:16:25My feet are getting wet.
00:16:26Well, a little salt water never hurt anybody.
00:16:29That's not salt water.
00:16:30I never said it was.
00:16:32I made a stake without stick by it.
00:16:34A little salt water never hurt anybody.
00:16:36Oh, you're impossible.
00:16:38Miss Rat's impossible.
00:16:39It's probably sinking.
00:16:41The server's right if we both drowned.
00:16:43I never should have listened to you in the first place.
00:16:45Oh, playing the coward, eh?
00:16:46Why, this silly river's so shallow you could wait ashore at any time.
00:16:50It is?
00:16:52Well, I'm going to wait.
00:16:57This must be the wrong river.
00:17:03Silly old river's shallow, huh?
00:17:05Well, you must have hit an air pocket.
00:17:10Listen, what's that?
00:17:12Waterfalls.
00:17:13Waterfalls?
00:17:14Give me that thing.
00:17:15We'll go over.
00:17:16That's a silly statement.
00:17:17People don't go over falls and rats.
00:17:19They only go over in barrels.
00:17:21Oh, stop that driveling.
00:17:22Give me a hand.
00:17:36Well, that was just enough, you hope.
00:17:38I can't even broke my neck.
00:17:47Well, all's well that ends well.
00:17:48Say, what's the idea of throwing things and destroying people's property?
00:17:52I'll have you know, madam, that I have just perpetrated the most magnificent escape in my long and brilliant record
00:17:57of achievement.
00:17:58Escape?
00:17:59So that's it, eh?
00:18:00I might have known.
00:18:02Well, now that you know, would you mind telling me how to get to a telephone?
00:18:05Listen, you're not going anywhere to pay for what you broke.
00:18:07And a case of Kewpie dolls cost nine bucks.
00:18:10Well, here's twenty dollars.
00:18:13Keep the change.
00:18:13I said nine bucks.
00:18:15No more, no less.
00:18:16That's the smallest I've got.
00:18:18You mean you don't want the extra money?
00:18:19No, why should I?
00:18:20Oh, what a girl.
00:18:22Come on, come on.
00:18:22Pay up or I'll call the police.
00:18:23I have nothing smaller than a twenty.
00:18:26Ah, shoot!
00:18:29Say, you're soaking wet.
00:18:31Sure, I've been waiting.
00:18:32Here you are, my lad.
00:18:34Change into something of mine.
00:18:35I always carry extra equipment.
00:18:36Oh, no, I'm all right.
00:18:38Now, go ahead.
00:18:38We can't carry on with sick troops, you know.
00:18:40You can change behind the car.
00:18:42Make it snappy.
00:18:48Say, uh, what's he done?
00:18:51It isn't what he's done, gal.
00:18:53It's what he might do.
00:18:55His instincts, you know, are all bad.
00:18:58He's been a terrible trial to me, but I've done the best that I could.
00:19:01If he but had the love of a good woman,
00:19:04someone to bring out the finer things in him,
00:19:06to restore his self-respect,
00:19:09then again he could become a man among men.
00:19:23Oh, ho, Moore's Carnival.
00:19:26Yeah, Penguin Moor.
00:19:27That's me.
00:19:28You own this?
00:19:29Yeah, the hall works.
00:19:31Bright lights, music, the gay pleasure-mad throngs.
00:19:34What throngs?
00:19:35Merring a figure of speech, my girl.
00:19:37Merring a figure of speech.
00:19:39Oh, ladies and gentlemen, right over this way.
00:19:42Come on, fellas.
00:19:43Why, hello, Penguin.
00:19:44Glad to see you back.
00:19:45Hi, Alice.
00:19:46Uh, you got change for 20?
00:19:48Are they still making those things?
00:19:52It won't make you fat.
00:19:53It'll make you thin.
00:19:54Come on.
00:19:57Yum, yum, you're so delicious.
00:20:02You're sweeter than an angel cake.
00:20:06I'll bet an even baker's dozen
00:20:09that every bee that's buzzing
00:20:11tells its pretty flower you're his long-lost cousin.
00:20:16When you promise me kisses
00:20:20The filling in my sweet tooth face
00:20:24Because your lips are more enticing
00:20:27Than Grandma's chocolate icing
00:20:29Yum, yum, yum
00:20:37I keep a pantry full of sugar and spice
00:20:44Strawberry jam and everything nice
00:20:51But what could be much sweeter
00:20:55Than someone like yourself
00:20:59You belong on my top shelf
00:21:07Yum, yum, yum
00:21:11You're so delicious
00:21:13You're sweeter than an angel cake
00:21:16I'll bet an even baker's dozen
00:21:20That every bee that's buzzing
00:21:22Tells its pretty flower you're his long-lost cousin
00:21:27When you promise me kisses
00:21:31The filling in my sweet tooth face
00:21:35Because your lips are more enticing
00:21:38Than Grandma's chocolate icing
00:21:40Yum, yum, yum
00:21:51You are the first lucky lady
00:21:53To get the dollar for trade for 25 cents
00:21:55Right down that way, lady, after you're left
00:21:58As soon as we get changed to the $20, we're on our way
00:22:04Now listen, young lady
00:22:05I've been waiting long enough
00:22:07Either you give me $120
00:22:09Or this show is the tax
00:22:10Now, patience, sheriff
00:22:12Patience
00:22:13I do not like to be rushed while I am bathing
00:22:15In fact, I like to soak
00:22:17After 47 minutes, you ought to be waterlogged
00:22:28Oh, you come right out of there, young lady
00:22:31Or I'm going to come over there and pull you up
00:22:34Well, sheriff, police, after all
00:22:43What's going on here?
00:22:44I was waiting for the head of this year's show to get out of the shower
00:22:47Well, I'm the head of the show
00:22:49Oh, you are
00:22:50You blew Brownville last night
00:22:52Owing money to several citizens of our community
00:22:54For use of the lot, gas, electricity, water
00:22:57Matter of fact, you didn't pay for nothing
00:23:01Just a minute, sheriff
00:23:02What is the attachment on this show?
00:23:04$120
00:23:05$120
00:23:05Well, there's your $100
00:23:07And here's your $20
00:23:08Now, thank you very much, sheriff
00:23:10That fixes up everything
00:23:11Wait a minute, mister
00:23:12I never ask anyone to pay off anything on my show
00:23:14Who said I was paying off anything on the show?
00:23:16I merely want to buy the photographic concession for the colonel
00:23:19You mean, you want to pay $120
00:23:21So the colonel can use that bloom and daisy around here?
00:23:24That's right
00:23:25Well, let me tell you, mister
00:23:26It ain't worth it
00:23:27It's worth a lot more than that to me
00:23:28Now, goodbye, Miss Moore
00:23:29And thank you very much
00:23:33Say, not a bad guy
00:23:36And cute, too
00:23:37Well, goodbye, colonel
00:23:38And lots of luck with the bloom and daisy
00:23:40Where are you going?
00:23:41Back to New York, of course
00:23:42That's my suit you got on
00:23:44Oh, it is
00:23:45Well, I'll send it back to you
00:23:46Which money you wish Penguin Moore?
00:23:48I am, why?
00:23:49Well, I'm Clem Prouty
00:23:51Owner of this flat
00:23:51And I want that $20 rental in advance that she promised me
00:23:55Well, say, can't you give us a little while?
00:23:57Nothing doing
00:23:58I'll give you just 10 minutes to get the money
00:24:00And either you'll put up or pack up
00:24:02And I'll be waiting right here
00:24:12Wait a minute
00:24:13I'll get $20 from these yokels for my Indian remedy
00:24:16If it's the last act of my life
00:24:21Now, where do you think you're going?
00:24:23Well, with you, of course
00:24:25Nowhere else to go now that the source of livelihood's been cut off
00:24:27What a pity
00:24:28And to the lack of only $20
00:24:30Oh, I never saw such a mess
00:24:32There must be some way to make $20
00:24:35Say, I've got another attachment on the bloom and daisy
00:24:37That I saved for just such an emergency
00:24:39Now, you put one here
00:24:40One here, one here, and one here
00:24:47Well, I'll try anything once
00:24:52Here you are, young lady
00:24:53Take care of my bag for me
00:24:54Sure, bud
00:24:57Beg your pardon, stranger
00:24:59You look like an intelligent person
00:25:00One who'd be interested in making a little easy money
00:25:03Sure, who's going to mind me?
00:25:04I am
00:25:05But in order to accomplish this feat
00:25:06I shall have to secure a portion of your chewing gum
00:25:08What good gum going to do you?
00:25:10Ah, that's a secret
00:25:11I've made hundreds of dollars that way
00:25:14Now, we attach the little pea to the chewing gum
00:25:16We attach both to the interior of the shell
00:25:19It's whole
00:25:21Follow me, stranger
00:25:22I'll show you how it works
00:25:27Well, well, well
00:25:28The shell game, eh?
00:25:30The object of this game
00:25:31Is to find out which shell the little pea is under
00:25:33I've had a lot of experience along that line
00:25:35Say, your shoelaces untied, young fella
00:25:39Tell you what I'll do, young man
00:25:41I'll bet you twenty dollars
00:25:42That I can tell you where the little pea is
00:25:43I'll bet you twenty, too
00:25:44Twenty's all I want
00:25:46Twenty's the limit
00:25:46Hey, limit
00:25:47Take your money back
00:25:47It was my idea
00:25:48Oh, no, you don't
00:25:50I had my money up first
00:25:51You're unfair, sir
00:25:52Took it in fact
00:25:53Just a minute
00:25:54Just a minute
00:25:55Say, young fella
00:25:55Didn't I have my money down first?
00:25:57Yes, I guess you did
00:25:58That gives you the first chance to play
00:25:59Sorry, mister
00:26:00What, it's an outrage
00:26:01Money went that way
00:26:02It'll do you no good
00:26:03Now, gentlemen
00:26:04Which shell hides the little pea?
00:26:06That one
00:26:08It ain't there
00:26:09No
00:26:09Too bad, gentlemen
00:26:11Too bad
00:26:12Better luck next time
00:26:13It's amazing
00:26:14The man must be a wizard
00:26:16I'm glad I didn't bet any of my own money
00:26:17And there you are, ladies and gentlemen
00:26:20The great Indian princess Yo-Yo in the flesh
00:26:23She speaks not a word of anything
00:26:25But her native tongue
00:26:26Now she brings this tonic to you
00:26:27From the sands of the desert
00:26:29The rocks of the mountains
00:26:30The land of the mighty red man
00:26:32Now you've never seen a sick Indian
00:26:37They're all big, strong, mighty men of nature
00:26:40And why are they all big, strong, mighty men?
00:26:43Because they use Princess Yo-Yo's Indian tonic exclusively
00:26:47And now, my good people
00:26:49This wonderful remedy is worth five dollars a bottle
00:26:52But we're not going to charge you five dollars
00:26:54Oh, no
00:26:55Nor two dollars
00:26:56Nor one dollar
00:26:57No, sir
00:26:59You're going to buy this wonderful tonic for just 25 cents
00:27:03And because of the great affection the princess has for the people of this community
00:27:07With every two-bit purchase
00:27:09We're going to give you a bow
00:27:11Made by the princess's own brother, Eagleby
00:27:14Now you say to yourself
00:27:16What will I do with just a bow?
00:27:19Well, we'll tell you
00:27:20With every 25-cent purchase of the Princess Yo-Yo's tonic
00:27:24We're going to throw in an arrow
00:27:26So that you have the tonic
00:27:27And the bow and arrow
00:27:29All for the trifling sum of 25 cents
00:27:32Come on now, folks
00:27:33Step up and get that first bottle
00:27:35Don't miss this amazing opportunity
00:27:37To buy this great tonic
00:27:38For 25 cents a bottle
00:27:40Or five bottles for one dollar
00:27:42Let me just take one bottle
00:27:44And pass it down among you
00:27:45Just pull the fork out of that, my friend
00:27:47And take a smell
00:27:47And don't forget, ladies and gentlemen
00:27:50That you get a bow and an arrow
00:27:52Free with this purchase
00:27:53Miss Jinx
00:27:55Here's the 20 dollars you need
00:27:58Would you mind keeping an eye on the colonel's camera for me?
00:28:00Why, sure
00:28:01Thank you
00:28:02Okay
00:28:03And now, folks
00:28:04Step right up and get your bottle
00:28:06Well, colonel
00:28:07Where's he going?
00:28:09He thinks he's going to New York
00:28:11He's the constable now
00:28:12I'm constable
00:28:13Constable, there's your man right there
00:28:15And I am as guilty as he is
00:28:16You come along with me, too, then
00:28:18You can't finagle me out of money, you city slickers
00:28:20First, you make me look ridiculous with that fish
00:28:23Then, you almost drown me on that silly raft of yours
00:28:27Next, we become entangled with a broken-down carnival
00:28:30And you get a bright idea on how to acquire 20 dollars
00:28:34And we land in jail
00:28:35If you'd kept your mouth shut
00:28:37I would have been on my way to New York right now
00:28:39Are you sure you told that girl to take good care of the Bloomin' Daisy?
00:28:45A couple of tough fellas
00:28:47They put up a great struggle
00:28:48But I took them
00:28:49Single-handed
00:28:51Nobody ever gets away from me
00:28:57Gee, Hosserpads
00:29:00I told you they was desperate
00:29:02They must have dynamited
00:29:04Well, this looks like an outside job
00:29:13Do you realize we've broken the law
00:29:15Of leaving the jail in that manner?
00:29:17Well, let's go back
00:29:18Maybe you can think of a better way
00:29:19I guess Morris is liable to get herself in serious trouble
00:29:23If we're cops, he'll be as guilty as we are
00:29:25Don't think she doesn't know it
00:29:27She's one of those regular people I've been telling you about
00:29:32Better go
00:29:43Ah, howdy, Colonel
00:29:44Well, ho, girls, how are you?
00:29:47Jinx
00:29:47Yeah?
00:29:48Take him in with you
00:29:49Cops might be here any minute
00:29:50You know what to do
00:29:51Right
00:29:52You come with me
00:29:52Oh, Miss Moore, don't you think
00:29:53Don't awed you, come on
00:29:54Oh, Miss Moore
00:29:56If you get a chance to talk with him
00:29:57Keep your fingers crossed for me, will you?
00:29:59Okay, Colonel
00:30:03She sure isn't giving herself the worst of the deal, is she?
00:30:06Come on, snapshot, Willie
00:30:07Give me your hand
00:30:09Welcome home
00:30:15Sit down and make stuff at home
00:30:17Oh, thanks
00:30:22Miss Moore, I want you to know that I appreciate what you've done for us
00:30:25Oh, skip it
00:30:26You got my show out of a jam and I got you out of a piece of pie
00:30:29Thank you
00:30:33Do you always put salt on your apple pie?
00:30:35Sure, why?
00:30:36Well, I put salt on mine, too
00:30:37So what?
00:30:39Now, Miss Moore, don't you think that could be a sort of a sign?
00:30:42Sure it is
00:30:42It's a sign we both like salt in our apple pie
00:30:48You know
00:30:50You're not a bad-looking guy
00:30:53Talk like you've been to school
00:30:54Oh, it's the kind of a fellow that any girl might fall for
00:31:00Nothing wrong, though, is your instincts are all bad
00:31:02My instincts?
00:31:04Yeah, they're kind of crooked if you ask me
00:31:06Why, Miss Moore?
00:31:07I want you to know that my business integrity has never been questioned
00:31:11Oh, stop talking like a gentleman of circumstance
00:31:13You mean you don't like gentlemen of circumstance?
00:31:16I should say not
00:31:18Gentleman is just a polite word for loafer, if you ask me
00:31:22Oh, why don't you get an honest job and go to work?
00:31:26You might make something out of yourself
00:31:28I'll keep my fingers crossed for you
00:31:30You did it
00:31:31Did what?
00:31:32You crossed your fingers
00:31:34So what?
00:31:35Well, Miss Moore, that is a sign
00:31:37Wait a minute, what is the sign language?
00:31:39Well, when a boy and a girl both cro-
00:31:42What's that?
00:31:43It ain't the curfew
00:31:52This is it, Moore's Carnival
00:31:55All right, Sheriff, you go that way, I'll go this way
00:31:57We'll search every truck
00:31:57Right
00:31:58Come on
00:32:03Get down
00:32:04What?
00:32:04Get down
00:32:05I don't
00:32:05Come in
00:32:10What do you mean by breaking in on a lady's privacy?
00:32:13I'm looking for a couple of jailbreakers
00:32:17There ain't no privacy when desperate criminals is at large
00:32:22I got every reason to believe they're right with this carnival
00:32:26Well, you don't think I'd have them in here, do you?
00:32:30You never can tell
00:32:39Pardon, ladies, but I'm looking for a couple of fugitives
00:32:41Fugitives?
00:32:42Mmm
00:32:42Oh, if you find anybody, you save the prettiest one for me, will you?
00:32:46Very funny
00:32:55Well, any success?
00:32:56No, not a trace of them
00:32:57What'll we do now?
00:32:58Well, I think we'd better get to a telephone and notify every sheriff in the state
00:33:00That's a good idea
00:33:01Excuse me, sheriff
00:33:31I'd like to suggest my remaining here and keeping an eye open, just in case
00:33:33That's it
00:33:33That's it
00:33:34There you are
00:33:34There, here
00:33:35That's it
00:33:36Straighten up
00:33:37Now, how do you feel?
00:33:37Oh, I'm fine
00:33:38You sure?
00:33:38Oh, fine
00:33:39I have three or four more
00:33:40Oh, no
00:33:42Miss Moore, I've caused you a lot of trouble
00:33:44I'd like to be of some help
00:33:46If there's anything I can do
00:33:47Why, sure you can be a help
00:33:49There's a roustabout in this show, you probably won't be worth your salt
00:33:52But at least it's an honest job
00:33:54Go back and tell the girls to come up here and you bunk with the colonel
00:33:57A roustabout?
00:33:58Yeah, a roustabout
00:33:59Oh, thank you
00:34:14Dang it!
00:34:15Get it!
00:34:16Hold it!
00:34:16Try it!
00:34:17Swing it!
00:34:18Hit it!
00:34:18So, let's try it
00:34:20Swing it
00:34:20Hit it!
00:34:21Hold it!
00:34:22Try it!
00:34:23Swing it!
00:34:24Hold it!
00:34:25Try it!
00:34:25Swing it
00:34:26Hit it
00:34:27Pull it
00:34:27Tie it
00:34:28Swing it
00:34:29Hit it
00:34:29Pull it
00:34:30Tie it
00:34:31Swing it
00:34:31Hit it
00:34:32Pull it
00:34:33Tie it
00:34:33Put on your bonnet and Bl precaine
00:34:40Oh, when you go
00:34:43I'm happy the live long day
00:34:45You're the talk of the town
00:34:47Calliope Jane, put on your bonnet and bloop again
00:34:51Oh, when you go bloop, bloop, you bloop all my cares away
00:34:56Last week a bloke in the derby named Diger
00:35:00Said he could tame a cat
00:35:02Just then I played hold that tiger
00:35:05The tiger now holds the guy's hat
00:35:07So, Calliope Jane, put on your bonnet and bloop again
00:35:12Oh, when you go bloop, bloop, you bloop all my cares away
00:35:17Oh, oh, oh, Calliope Jane, Calliope Jane, put on your bonnet and bloop again
00:35:35Blue, blue, happy the live long day
00:35:38Oh, oh, oh, Calliope Jane, Calliope Jane, put on your bonnet and bloop again
00:35:45Blue, blue, blue, blue all my cares away
00:35:50Last week a bloke in the derby named Diger
00:35:53Said he could tame a cat
00:35:55Just then I played hold the tiger well
00:35:59The tiger holds the guy's hat
00:36:01Put on your old sun bonnet
00:36:04While we swing this sonnet
00:36:07When you bloop, you bloop
00:36:09You bloop my cares all away
00:36:16Good morning, gentlemen
00:36:18Morning
00:36:18Ready for breakfast?
00:36:20Oh, breakfast servant right here
00:36:22No hurry
00:36:22We usually work a little around here before we eat
00:36:25Work?
00:36:26Yeah, put those on
00:36:27I protest
00:36:28I'm a concessionaire with this carnival and I wear what I please
00:36:31I don't care how you dress so long as you pound those tent stakes
00:36:39A little work never hurt anybody
00:36:43Good morning, Miss Moore
00:36:44Oh, hiya, Joe
00:36:46Oh, Miss Moore, I've had a pretty good offer from the Jones show
00:36:49It isn't that I want to leave
00:36:50But I have a wife and kid back in Connecticut
00:36:53Oh, I understand, Joe
00:36:54I don't blame you
00:36:55Well, your pay's been a little slow, but
00:36:57Well, we'll get along all right
00:36:59I'll send you back pay as soon as we have a few good days
00:37:01Oh, forget it any time
00:37:03Oh, trooper's nothing
00:37:04If I could ever get paid, I'd quit this dump in a minute
00:37:06What are you crabbing about?
00:37:08Crabbing?
00:37:08She hasn't paid me a dime in months
00:37:10Don't you ever think of anything else besides money?
00:37:12Why don't you try smiling once in a while?
00:37:14You know
00:37:16Laugh and the world laughs with you, you know
00:37:17Oh, baloney
00:37:18Oh, why don't you try being like me?
00:37:20Oh, that's too much
00:37:21Very funny
00:37:22Well, at least I like everybody
00:37:24I'm a little happy
00:37:25Did you ever see any
00:37:27Oh, now, wait
00:37:29Let's not go through all this again
00:37:30Really, I have enough trouble
00:37:32Bye
00:37:35Oh
00:37:37Oh, now, wait a minute
00:37:38Let's get this thing straight
00:37:39You see, I'm really not an Indian
00:37:42Only kidding with that yo-yo stuff
00:37:43You know, just kidding
00:37:44In fact, I was born in Brooklyn
00:37:46You know, Brooklyn
00:37:48Mr. Gaines
00:37:51Oh, good morning, Stan
00:37:52Oh, good morning to you, sir
00:37:53I've been dreadfully worried about you
00:37:55A man of your position in an environment of this kind
00:37:58Don't worry about me, I'm all right
00:38:00Well, I'm glad to hear that
00:38:02Is there something I can do for you, sir?
00:38:04No, nothing at all
00:38:05Well, if you're not too busy, you might try pounding some stakes for me
00:38:07No, Colonel, that would never do
00:38:08Just stay around in the background, I'll see you later
00:38:11Yes, sir
00:38:11Come on, Colonel
00:38:16Oh-ho, what an invigorating morning
00:38:18I'm ready for an order of scrambled eggs
00:38:20A rationer of bacon and a huge pot of coffee
00:38:23All right, you guys
00:38:24Start pounding this row of stakes
00:38:25And that row of stakes over there
00:38:27Then you can eat breakfast
00:38:28I protest, I'm a concessionaire
00:38:30So am I a concessionaire
00:38:31But we pound stakes around here before we eat
00:38:33I said that I would
00:38:34I said pound that stake
00:38:37Yes, sir
00:38:41Oh, say, just a minute
00:38:42What's on your mind?
00:38:44How would you like to be the head man of the best carnival in the world?
00:38:47Who wouldn't?
00:38:48How much would it cost?
00:38:49About 200 grand
00:38:50I'd like to have you pick one up for me
00:38:52Wouldn't you like a nice new electric train set, too?
00:38:55No, wait a minute, you don't understand
00:38:57Stand up!
00:38:58Where would a punk like you get 200 grand?
00:39:00Yes, sir
00:39:00A blank check, please
00:39:02Yes, sir
00:39:03I want you to accompany this gentleman
00:39:04I'm going to buy a carnival
00:39:05A carnival, sir?
00:39:07Yes
00:39:07Let's fill this check in for any amount necessary
00:39:09I want the very best, you understand?
00:39:11Yes, Mr. Gaines
00:39:12Say, listen, if this check bounces back on me
00:39:14I'm going to bounce right back on you
00:39:16I beg your pardon
00:39:17You're speaking about Mr. Gaines
00:39:18We never have check trouble
00:39:20Now, if you'll just come with me
00:39:21We'll attend to everything
00:39:22Hey, this is all over my head
00:39:23I don't understand
00:39:24Let me know when it's ready
00:39:26Yes, sir
00:39:32Take care of your own stake
00:39:33I'm having trouble enough with this one
00:39:40You pound this row
00:39:41I'll pound the other one
00:39:42Okay
00:39:59That's good
00:40:10Okay
00:40:12Okay, boys
00:40:32Hey, Colonel
00:40:33Come on over and help with these
00:40:35You'll do no such thing
00:40:37It's a fine job, Colonel
00:40:38Your steaks are all down
00:40:39You go ahead and have breakfast
00:40:40Thank you, Miss Foote
00:40:42Thank you
00:40:44Oh, good morning, Miss Moore
00:40:46See, you can't even pound a few steaks
00:40:47Without Holland for help, huh?
00:40:48Oh, I didn't mean
00:40:49You notice the colonel finished all of his, don't you?
00:40:51Oh, yes, but he
00:40:52Don't interrupt
00:40:53Look, you pound these steaks before breakfast
00:40:55And if you can't do that, well, you'll just be right on your way
00:40:58Oh, hi, officer
00:41:05Hope you like our show this year
00:41:06All right, can that
00:41:08As sheriff of this town, I order you to pack up your troop and get moving
00:41:12And the sooner the better
00:41:13Well, but why?
00:41:14Well, I got word from the last town that you hit
00:41:17That you're carrying a couple of crooks with you
00:41:19So come on, get going
00:41:20Oh, now, look, sheriff
00:41:21I said get going
00:41:24Okay
00:41:25All right, boys, pack it up
00:41:30I beg your pardon, sheriff
00:41:32But I believe if you give me a moment
00:41:33I can straighten out this little misunderstanding
00:41:35Can that stuff?
00:41:36Oh, no, no
00:41:36I want to present you with a portrait to take home to your wife
00:41:39Oh, well, that sounds all right
00:41:40There you are
00:41:41You stand right there
00:41:42Not too far away
00:41:43Here
00:41:43While I extend the lens
00:41:44Turn the little wheel
00:41:46Yes
00:41:46And pull above
00:41:47Are you ready?
00:41:48Yes
00:41:48Hold it
00:41:49That's it
00:41:50I've had great success with these family portraits
00:41:52If you will bear with me just a moment
00:41:53As we go through the developing process here
00:41:56And pull the little string here
00:41:58I believe I'll show you something
00:42:00That your wife's going to be very happy about
00:42:09So you're a fresh guy, huh?
00:42:11Now you grab that thing and get out of town
00:42:13Before I run you in
00:42:18Swing it, hit it, pull it, tie it
00:42:20Swing it, hit it, pull it, tie it
00:42:23Swing it, hit it, pull it, tie it
00:42:33I hope the new carnival will be the finest thing on wheels
00:42:37I want to make Penguin really happy
00:42:39Now listen, young Drogo
00:42:40Your idea of romance is a yacht here, a bracelet there
00:42:43An ermine coat thrown in, and now a new carnival
00:42:46Why, you're just a checkbook lover
00:42:48Don't you know by this time that this girl is different?
00:42:58All together now, hoosh
00:43:00That's it
00:43:02All right, that's going to do you no good in the mud
00:43:04Get up out of the mud there, young Drogo
00:43:06We can't have this kind of species
00:43:08Move over the way
00:43:19Take care of themselves
00:43:38Say, you're getting to be an expert at this.
00:43:40Oh, thanks.
00:43:41As a matter of fact, you've been doing so well lately that I've decided to promote you to a better
00:43:45job.
00:43:45Oh, that's great.
00:43:47Well, what's it going to be?
00:43:50Here's your new outfit.
00:43:51Put it on tonight and you'll understand.
00:44:02Oh, no.
00:44:03You again.
00:44:04How?
00:44:05Listen, for the last time, I am not an Indian.
00:44:14Please, what is this?
00:44:17You and...
00:44:18Oh, here, look.
00:44:19No comic valentines.
00:44:20Now, go away.
00:44:21I'm busy.
00:44:23Colonel, I can't go out there like this.
00:44:25Why not?
00:44:26You look beautiful.
00:44:27That's just the trouble.
00:44:28Now, ladies and gentlemen, the feature free attractions of the show.
00:44:32The world's greatest aerial artiste.
00:44:34So, one and only, Miss Penguin Moore, assisted by Don Cavalero.
00:44:44No, I...
00:44:45No, I...
00:44:46I...
00:45:02Take off your robe.
00:45:04I...
00:45:09I...
00:45:10There...
00:45:11I...
00:45:13...
00:45:29You feel me?
00:45:33See you.
00:45:33See you.
00:45:34I...
00:45:42The End
00:46:19Ladies and gentlemen, I...
00:46:23Well, okay, officer. We'll be on our way.
00:46:28But listen, girl. Can't you see your way to give them another chance?
00:46:32Well, you saw what happened tonight, Colonel. I gave him a chance, but he just doesn't belong in show business.
00:46:38Oh, that's funny.
00:46:39What's funny about that?
00:46:41Doesn't belong in show business. Well, I don't suppose you ever heard of the great Drogo.
00:46:45The great Drogo?
00:46:46The future act of every show he ever played in.
00:46:49Drogo?
00:46:51Drogo?
00:46:54Aerialist?
00:46:54Mm-mm.
00:46:56Drogo.
00:46:57Oh. Equestrian?
00:47:00Mm-mm.
00:47:01Well, there was a Rogo.
00:47:05Rogo's Lion Act.
00:47:08Or was it Drogo?
00:47:11Drogo's Lions.
00:47:13Was that it?
00:47:13I didn't say it, girl. Now remember, I didn't tell you.
00:47:18Drogo's Lions.
00:47:20That was the greatest act that ever played under the big top.
00:47:23Well, I can see it now.
00:47:25London, Paris, Vienna.
00:47:26The applause of thousands.
00:47:29What made him give it up?
00:47:31What's that?
00:47:32Boy, there he stood.
00:47:33Night after night.
00:47:34With guns in his hands.
00:47:36Then came a time when the animals weren't enough.
00:47:39Oh, forget the past.
00:47:41He'll come back, girl.
00:47:42He'll come back.
00:47:44I feel like a fool, Colonel.
00:47:47Imagine me making him pound steaks in a silly two-by-four show like this.
00:47:52Making out like I was a big shot.
00:47:55I gotta talk to him, Colonel.
00:48:01Drogo, come here.
00:48:03Oh, I'm very busy, Miss Moore.
00:48:04I want to talk to you.
00:48:05Well, Miss Moore, I want you to know that I'm sorry about what happened in your act.
00:48:11Well, I'll try to make up for it in any way I can.
00:48:13Oh, forget about it, Drogo.
00:48:15And stop tiring yourself out with the stuff around here.
00:48:18Oh, that's very nice of you, Miss Moore.
00:48:21I didn't ever expect you to speak to me again.
00:48:23Don't talk like that, Drogo.
00:48:25You make me feel so foolish.
00:48:27I think I've been making you pound steaks and do things around here that any kid could do.
00:48:32I want to learn all I can and help.
00:48:34You're going to.
00:48:36You're going to go right back to the top and move along.
00:48:38Oh, you won't get in with the wrong people this time, because I'll take the guns out of your hands
00:48:42every night.
00:48:44Guns?
00:48:45That's certainly nice of you, Miss Moore, but I don't...
00:48:47Now, you don't have to say anything.
00:48:49I know we're going to get along swell together from now on.
00:49:00Colonel, what do you think?
00:49:01What?
00:49:02Miss Moore just spoke to me and forgave me for what I did to her act.
00:49:05But she was so sweet, I can't get over it.
00:49:08She said we'd get along swell together.
00:49:10But certainly you'll get along swell together.
00:49:11Why shouldn't two great showmen get along swell together?
00:49:14What do you mean?
00:49:15I don't know anything about the show business.
00:49:16Well, I know you don't and you know you don't, but...
00:49:19But what?
00:49:20Well, I told her you were a great showman.
00:49:22Oh, Colonel, why did you tell her a thing like that?
00:49:25Well, you're an imposter, aren't you?
00:49:27Well, isn't it better to be a good imposter than a bad one?
00:49:32What kind of a showman did you tell her I was?
00:49:34Well, I, uh, I told her you were a lion tamer.
00:49:37A lot.
00:49:38A lot?
00:49:38Colonel, come back here.
00:49:41Why did you tell her that?
00:49:43Well, there are no lions with this show.
00:49:45No.
00:49:45Well, what have you got to worry about?
00:49:52Oh, boys, put this stuff in the truck over there.
00:49:55Willie, you come with me.
00:49:56Yes, ma'am.
00:50:13Here, come in.
00:50:15You sit right down here and stay out of my way.
00:50:18I'm missing.
00:50:22Look, stay there and don't move.
00:50:42Glad to see you, Penguin.
00:50:43How are you?
00:50:44Oh, fine.
00:50:45Sorry to get you up at this hour.
00:50:47Oh, that's all right.
00:50:48We couldn't sleep anyway.
00:50:49What's on your mind?
00:50:50Well, I got a spot in my show for your lions.
00:50:52You still got them, haven't you?
00:50:53Sure.
00:50:54Oh, there they are.
00:50:55Come on.
00:50:56Say, I got the best lion trainer in the business.
00:50:58How about letting me take them and then the season will split?
00:51:01Well, it's okay with me if it's okay with Moe.
00:51:03It's okay with me, Joe.
00:51:05Matter of fact, I'm glad you came.
00:51:06We were just talking about turning them over to the zoo.
00:51:09Business has been so bad, we can't even feed them.
00:51:11Take a peek.
00:51:16They don't look underfed to me.
00:51:17Me either.
00:51:18In fact, they look powerful and healthy.
00:51:22There's nothing to worry about.
00:51:24All you got to do is follow the instructions in this book.
00:51:26Gives you their names, the tricks they do and everything.
00:51:29Well, that's swell.
00:51:31Hey, Willie, read it over carefully.
00:51:32Now on, you're taking care of them.
00:51:34Come on, let's go.
00:51:35Okay, we'll give you a hand.
00:51:36You mean...
00:51:38I guess you do.
00:51:41Nero rolls over.
00:51:45Nero?
00:51:48Nero?
00:51:52Nero, roll over!
00:51:58That did it.
00:52:06Good morning, Miss Moore.
00:52:07Morning, Drogo.
00:52:08I think you ought to know, though, what the colonel said was...
00:52:10Oh, don't blame him.
00:52:11I'm happy to know that you're one of us.
00:52:13Well, I certainly do want to be one of us.
00:52:16There's something I want you to have.
00:52:19Belonged to my dad.
00:52:20He was a lion trainer, too.
00:52:22Oh, thanks.
00:52:25Drogo, I want you to know how I feel about your scenes.
00:52:28We're both showmen.
00:52:29I liked you from the start, but that was as far as could ever go,
00:52:33because, well, I had no idea you were my kind.
00:52:36Miss Moore, I think you ought to know the truth.
00:52:38Never mind.
00:52:39It's what's going to happen that counts.
00:52:41I'll certainly do my best.
00:52:43You had any scratches on you.
00:52:45Didn't the lions ever claw you or jump you?
00:52:47Tell the truth they never did.
00:52:49Gosh, you must have been great.
00:52:52Wouldn't you like to take up where you left off,
00:52:54cracking the whip and hearing the applause?
00:52:57Wouldn't you do it for me?
00:52:59I guess I'd do just about anything for you.
00:53:03Well, here they are.
00:53:04Not much after what you've had, but it's the beginning.
00:53:07They're lions.
00:53:08Don't expect too much of them,
00:53:10because they haven't been worked for quite a while.
00:53:19Is you going to train them loud?
00:53:22Uh-oh.
00:53:36Oh, it's no use, Colonel.
00:53:39I can't go through with it.
00:53:41Now, don't be silly.
00:53:42Now, look, you're a millionaire, aren't you?
00:53:44What's that got to do with it?
00:53:46Everything.
00:53:46Why, you'd be the first millionaire lion tamer in the world.
00:53:49Think of the honor.
00:53:50And besides, I'm sure that nothing will happen to you.
00:53:53Those lions are easy to work with, aren't they, Willie?
00:53:55That's what it says here.
00:53:56There, you see?
00:53:57Now, look, I'm going to show you once more.
00:53:59You need have no fear.
00:54:01Why, no lion has ever been known to pass a chair.
00:54:04Now, you advance boldly.
00:54:06Chair in one hand and whip in the other.
00:54:27All right, ladies and gentlemen, step right up and buy yourself a ticket to the greatest thrill of your life.
00:54:33Thank you, fearless folks, the one and only, the world's greatest lion tamer, is going to face fire of the
00:54:41most ferocious.
00:54:42How's it going?
00:54:43Oh, couldn't be better.
00:54:44Step right up, ladies and gentlemen, here you are.
00:54:47You got the smilting salts?
00:54:48Yes.
00:54:48The bandages?
00:54:49Yes.
00:54:50The iodine?
00:54:51Yes.
00:54:53I forgot something.
00:54:54What?
00:54:55I forgot to feed.
00:54:56Shh.
00:54:59What's the matter, boy?
00:55:02Colonel, I can't go through with it.
00:55:04Well, you love her, don't you?
00:55:06All you've got to do is to remember what I told you.
00:55:08When you get in that cage, keep chatting with that chair and cross with your whip.
00:55:13Listen, looking boy, listen.
00:55:14What a crowd.
00:55:19Hurry up, Joker.
00:55:20We can't hold them much longer.
00:55:21They're waiting for you.
00:55:22The lions?
00:55:23No, the people, silly.
00:55:25Gosh, you look wonderful.
00:55:26Now, go on out there and knock them cold.
00:55:29Tell me, Colonel, is he thrilled?
00:55:31Thrilled is not the word for it.
00:55:33He's trembling.
00:55:34With anticipation.
00:55:36You want to go in now?
00:55:38You know.
00:55:38Oh, I've got a better idea.
00:55:42There.
00:55:43Up.
00:55:44Places.
00:55:44Zero.
00:55:45Caesar.
00:55:46Hut.
00:55:47Renanity.
00:55:48Toby.
00:55:52What's he trying to do, Colonel?
00:55:53He's working the cats from the outside.
00:55:55Yes.
00:55:56Well, you wouldn't expect the great Drogo to do the usual thing.
00:55:59Anybody can work lions from the inside of a cage.
00:56:02What a man.
00:56:03He's working them from the outside.
00:56:05That may be swell, Colonel, but I don't think these yokels understand that.
00:56:10I'll tell them to do it the easy way.
00:56:16Drogo, I think you'd better do it the regular way.
00:56:18Oh, I'd do it fine from out here.
00:56:20I know, but these people don't understand.
00:56:22I think you'd better work on the inside.
00:56:24Okay, folks.
00:56:25Everything will be fine in just a minute.
00:56:31Oh, this would have to happen to me.
00:56:33What's going to happen to you?
00:56:35Well, can't you see?
00:56:35The rain is going to ruin the act.
00:56:37We can't put it on.
00:56:39Ow.
00:56:39Willie, put him away.
00:56:41Yes.
00:56:48It's just a little shower.
00:56:49All right, my head.
00:56:51All right, my money.
00:56:55How am I going to get back to my trailer?
00:57:06There you are.
00:57:06I was waiting for you, Drogo.
00:57:08Oh, no business.
00:57:17Did you do that on purpose?
00:57:18What do you think?
00:57:27Did you do that?
00:57:28You figure it out.
00:57:29Why, you.
00:57:31Now, wait a minute.
00:57:32If you hadn't let your snooping instincts get the better of you,
00:57:34all this wouldn't have happened.
00:57:35And after all I've done for you,
00:57:38why, for two pins, I'd...
00:57:41Oh, you poor kid.
00:57:43Never mind.
00:57:44Someday you'll have a fine new carnival.
00:57:46I don't want a new carnival.
00:57:48All I want is good business for this one.
00:57:51You mean you don't want a new carnival?
00:57:53No.
00:57:53I don't want a new carnival.
00:57:55I don't want a new carnival.
00:58:02I don't want a new carnival.
00:58:07I don't want a new carnival.
00:58:08I don't want a new carnival.
00:58:09I don't want a new carnival.
00:58:12I don't want a new carnival.
00:58:13I don't want a new carnival.
00:58:14I don't want a new carnival.
00:58:15I don't want a new carnival.
00:58:17I don't want a new carnival.
00:58:19I don't want a new carnival.
00:58:24I should have known you years ago
00:58:30Where on earth were you long years ago
00:58:37I miss so much and dreamed so little
00:58:44Before you set my heart aglow
00:58:51I should have known the way you smiled
00:58:59As I traveled each long lonely mile
00:59:07For memory lane should seem much sweeter
00:59:14If I had known you all the while
00:59:21Oh, I'm so jealous of the flowers in spring
00:59:28For they know more than I about you
00:59:35They heard your laughter and the songs you sing
00:59:45Through all the years I spent without you
00:59:53I wish that I could truly say
01:00:02That I knew you long before today
01:00:09But we'll go home
01:00:18From here together
01:00:25And I shall love you
01:00:32All the way
01:00:41Wonderful girl, Penguin
01:00:43Real
01:00:45Sincere
01:00:46Different
01:00:47Yes, the others are all alike, but she's different
01:00:50I know, my boy, I know
01:00:53Love, love
01:00:54What follies are committed in thy name
01:00:58That's Francis Bacon
01:01:00Speak love
01:01:01If you speak love
01:01:02That's William Shakespeare
01:01:05Love is like hash
01:01:06You've got to have confidence in it
01:01:09To enjoy it
01:01:10That must have been Bob Hope
01:01:13Well, go to sleep, my boy
01:01:15Or, uh, how are you?
01:01:29Good morning
01:01:31Oh, yes, uh, Miss Newton
01:01:34Oh, Mr. Whitman
01:01:35Yes, Bates, what is it?
01:01:37Begging your pardon, sir
01:01:38But I'm afraid we have gypsies on the ground
01:01:40Gypsies?
01:01:43Well, Bates, do something
01:01:45Get rid of them right away
01:01:46Yes, sir, right away, sir
01:01:48Oh, wait a minute, Bates
01:01:49Do you speak gypsy?
01:01:50Oh, no, sir
01:01:51Oh, never mind
01:01:52I'll go myself
01:01:53Order the chief's car right away
01:01:55Yes, sir
01:01:55Come on, boys
01:01:57Hurry, hurry, hurry
01:01:58Up this way
01:01:59Hear all about the big surprise, I promised you
01:02:01Come on, everybody
01:02:04This way, everybody
01:02:06What's going to happen
01:02:08Now, listen, boys and girls
01:02:10I told you I'd bring you to the land of plenty
01:02:12Well, here it is
01:02:13Why, the food lies on the ground for the taking
01:02:15Did you say food?
01:02:16Right
01:02:17Groceries
01:02:17Grub
01:02:18Middles
01:02:19Now, some of you go that way
01:02:20And pick the berries from the vines
01:02:21The peas, beans, cabbages, and other vegetables
01:02:24Are that way
01:02:24Let your stomachs be your guide
01:02:26Begone
01:02:29And the watermelons
01:02:31Are that way
01:02:34Oh, Willie
01:02:35Yes, Mr. God
01:02:36And the chicken house
01:02:37Is over there
01:02:38Chicken house?
01:02:40Uh-huh
01:02:40What am I waiting for?
01:02:41I don't know
01:02:42Me either
01:02:43Tally-ho
01:02:51Say, Joe
01:02:52What's the idea of pitching here?
01:02:54Colonel's orders
01:02:56Colonel's orders?
01:02:58Well, what are we going to get for customers here?
01:03:00Feel, Mice?
01:03:02Quiet, quiet
01:03:03Ain't no use to squawking
01:03:04We all got to go someday
01:03:06It's either going to be you or me
01:03:08And it ain't going to be me
01:03:17Take your time
01:03:18Take your time
01:03:18Don't rush me
01:03:20The man's right
01:03:20Thank you
01:03:21You're welcome
01:03:22Now, will you fix the flowers, please?
01:03:24First
01:03:24Oh, wait
01:03:25I
01:03:27Say, Red, where'd you get these?
01:03:32Well, the colonel told us
01:03:32We could pick anything we wanted to
01:03:34Oh, he did, eh?
01:03:36Well, I'm still giving orders around here
01:03:37I think
01:03:39Oh, Jerry, George
01:03:41You heard the boss breaking up
01:03:43Get this stuff out of here
01:03:44Yes, Miss Moore
01:03:45But the colonel said
01:03:45I don't care what the colonel said
01:03:47We're not taking anything
01:03:48That doesn't belong to us
01:03:49Now, put it back where you got it
01:03:50Yeah, make it snappy
01:03:51We'll all be thrown in the clink
01:03:53Sound like we'll crackle in the clink
01:03:56All right, fellas
01:03:56Get rid of it quick
01:03:58All right, you heard the boss
01:03:59Get rid of it
01:04:00Come on
01:04:00Put a move on
01:04:01What's going on around here?
01:04:03Come on, get going
01:04:05Come on, get going
01:04:06Well, well
01:04:07It's a shame
01:04:08I put back these tender boys
01:04:09Wait
01:04:11Are they very tender?
01:04:12Mm-hmm
01:04:14Hmm
01:04:14Well, that would be kind of a shame
01:04:16Wouldn't it, uh, uh
01:04:18In that box
01:04:19Come on
01:04:19Be careful
01:04:20But hurry
01:04:22Come on
01:04:22Get going
01:04:24Now sit down
01:04:25My hand
01:04:27Now, uh, back on your arm
01:04:38What do you mean
01:04:38Trespassing on private property?
01:04:40Now, don't get excited, mister
01:04:41You've got us all wrong
01:04:42Oh, have I?
01:04:43Mm-hmm
01:04:44Well, then, I'm very sorry
01:04:46You see, I'm Pinguin Moore
01:04:48And this is my carnival
01:04:49We got lost last night
01:04:50And wound up here
01:04:51We didn't know it was your property
01:04:53But we didn't take anything
01:04:54Well, if you didn't take anything
01:04:55I guess there's no harm done
01:04:57You've got quite a display
01:04:58Would you like to look around?
01:05:00Oh, I'd love to
01:05:00Do you mind?
01:05:01Oh, not at all
01:05:02It's a pin game over there
01:05:04I hate pins
01:05:05Oh, well
01:05:06Here's a merry-go-round
01:05:07No, that makes me dizzy
01:05:08Well, we've got a lot of other things here
01:05:09What's this contraption?
01:05:12Oh, this is a taffy machine
01:05:13Would you like to see it work?
01:05:15Oh, may I?
01:05:15Okay, Bob
01:05:16I'll take care of it
01:05:17Okay, mechanical devices
01:05:19Intrigue me
01:05:19Well, here's the switch here, you see
01:05:20And you put it down
01:05:22The machine goes around
01:05:23With the taffy on it
01:05:29Uh-oh
01:05:34What'll they take up next?
01:05:38Most interesting parts down there with the motorists
01:05:45You're right
01:05:46It's a dandy
01:05:47My favorite gear ratio
01:05:4915 to 1
01:06:13You see what I saw?
01:06:15Why, did you see something?
01:06:17Let's forget it
01:06:19Farmers in the Dell
01:06:21Farmers in the Dell
01:06:23Hey, na-dee-na-dee
01:06:24Boop-boop-ba-doop
01:06:25The farmers in the Dell
01:06:28Farmers in the Dell
01:06:30Farmers in the Dell
01:06:31Hey, holy, oh
01:06:33The farmers in the Dell
01:06:35Well
01:06:35Drop that tool, thief
01:06:38Thief?
01:06:39Oh, pardon, a Jew
01:06:40Well, certainly it's me
01:06:42Who did you expect?
01:06:43I can't tell you how happy I am to see you
01:06:45I've been quite worried
01:06:46Well, Harry, your worries are over
01:06:47Come over here
01:06:48I want you to meet a friend of mine
01:06:49Oh, Penguin
01:06:51Uh
01:06:52This is my nephew
01:06:53Harry Whitman
01:06:54I'm one of his poor relations
01:06:55How do you do?
01:06:56Oh, we've met
01:06:57Fair good
01:06:57Then we can get down to business
01:06:58How many weekend guests have you?
01:07:00Oh, we have a whole house full
01:07:01There's the Vance Wiggins
01:07:02The Mortons
01:07:03The Dumont
01:07:04That's enough
01:07:04Graham
01:07:05I said that's enough
01:07:06Have them all come down here
01:07:07I guarantee they'll have a better time
01:07:09Than they had in days
01:07:10Weeks
01:07:10Years
01:07:11If it's that good
01:07:12I'll tell them
01:07:14Gangway
01:07:16Tell them not to forget their wallets
01:07:18Here, hear that sign, son
01:07:19Yes, sir
01:07:20That's it
01:07:21Now go right ahead with your work
01:07:22Two little pieces of business to do here
01:07:26De-dee-da-dum
01:07:28De-dee-da-dee-da-dum
01:07:29They'll never know the difference
01:07:30De-dee-dee-da-dum
01:07:31And I'm dee-dee
01:07:32Ten cents to a dollar
01:07:33They'll never know the difference
01:07:34Whenever you hear them holler
01:07:35De-dee-dee-dee
01:07:53Well, our troubles are over
01:07:54Happy days are here to end
01:07:56Don't you think you're very surprised
01:07:58It's too much
01:07:58Too much?
01:07:59Why, these people couldn't have a good time
01:08:01Unless they paid too much
01:08:02All right, boys
01:08:03Go to work
01:08:04All right, everybody
01:08:05Hurry, hurry, hurry
01:08:07Right, sir
01:08:14Play ball for the small fellow
01:08:16One got a hurry, hurry, hurry
01:08:17Step right up, play ball
01:08:19There you are
01:08:19Hurry, hurry, hurry
01:08:20Play ball
01:08:21Call your master
01:08:22Hurry, hurry, hurry, hurry
01:08:24Oh, she went again
01:08:26She went again
01:08:26How was that?
01:08:27Step right up, try to
01:08:29Hurry, hurry, hurry
01:08:30Now, two steps forward, please
01:08:32Two steps backward
01:08:33Now, another one forward
01:08:35Get away from me, son
01:08:36You're annoying me
01:08:37Hey, Colonel, it's me
01:08:38Well, thank you
01:08:39Hello
01:08:40How's business?
01:08:41Mom
01:08:42Well, how did that happen?
01:08:44Never mind
01:08:44Step right this way, folks
01:08:45And we'll go through
01:08:46The developing process
01:08:47There you are
01:08:48Passes through the little hill
01:08:49And the little handle
01:08:50And the photograph
01:08:51Drops in the little tank
01:08:52There's a charming portrait
01:08:53Of yourself and family
01:08:54And the price is five dollars
01:08:56Right this way, folks
01:08:56But it's blank
01:08:57That may surprise you
01:08:58But it doesn't surprise me
01:08:59The price remains the same
01:09:00Thank you
01:09:00Do you mind getting out
01:09:01Of the leave, please?
01:09:02How about that man over there
01:09:03With that
01:09:04Small water taffy here
01:09:06Having fun?
01:09:07Oh, yes
01:09:08And I appreciate you
01:09:08Letting me run the machine
01:09:09Oh, that's all right
01:09:10I say you can sell the taffy, too
01:09:12If you like
01:09:12Oh, may I?
01:09:13I'd be delighted
01:09:14Coffee, toffee
01:09:15What do you mean
01:09:15We ain't got no right here?
01:09:17The panels are still
01:09:18Three for a dollar
01:09:18A dollar?
01:09:19What?
01:09:19A dollar for a ten cent game?
01:09:21Oh, Bob
01:09:21Come with me
01:09:24Anybody else?
01:09:26Coffee, toffee
01:09:28Listen, buddy
01:09:28You don't have to get toffee
01:09:29Well, who's getting toffee?
01:09:30Just a minute
01:09:31I'm sorry, boys
01:09:32But we're putting the show on
01:09:33For a private party
01:09:34I'll have to ask you to leave
01:09:35Oh, be nice, baby
01:09:37You wouldn't want us to go now
01:09:38Would you?
01:09:39Oh, so it's one of those things
01:09:41Okay, do it the hard way
01:09:42That's all I wanted to know
01:09:44All right, just a minute
01:09:45Wait a minute
01:09:47Oh, you ain't heard the last of this
01:09:49Can you?
01:09:49No
01:09:49Here you are, ladies and gentlemen
01:09:51Three strikes
01:09:52One dollar
01:09:53One dollar
01:09:53One dollar
01:09:54Thirteen hundred
01:09:54You can do better than that, man
01:09:55Let's try it again
01:09:56Come on
01:09:57Three strikes for a dollar, folks
01:09:58Why, you'll never do it that way, mister
01:09:59Stand back and I'll show you
01:10:01No muscles needed
01:10:06Amazing
01:10:08Introducing
01:10:09The one
01:10:10The only
01:10:12Fearless Strogo
01:10:13Can't have a little of the arena
01:10:15Fearless Strogo, huh?
01:10:17It couldn't be
01:10:18No waiting, no delay
01:10:19Purchase your tickets right away
01:10:21Excuse me
01:10:22Think of it, folks
01:10:23A beer
01:10:23Two dollars and fifty cents
01:10:25Here we go, folks
01:10:26Don't rush
01:10:26Don't crowd
01:10:27Hurry, hurry, hurry
01:10:29Come on, folks
01:10:30You'll see one of the best shows
01:10:31You ever saw in your life
01:10:32Get in and out
01:10:32Give them everything you've got
01:10:33But listen, Penguin
01:10:34You don't know this
01:10:35But I really
01:10:35This is your chance to get back on top
01:10:37And you're gonna take
01:10:38Good action
01:10:46Hope everything goes all right
01:11:06See, sir, when the lounge gets mad
01:11:08He riffles up
01:11:11He's mad
01:11:24Well, well, Mr. Drogo Gaines, the millionaire playboy, is more cuckoo than I thought he was.
01:11:36Hey, boss, that ain't in the booth.
01:11:40Look out, Mr. Drogo, here comes the lion.
01:11:57The lion can run 40 miles an hour.
01:12:00I'm sorry, Ridley.
01:12:07I told you I'd lead you to the land of plenty.
01:12:09Ha, ha, ha.
01:12:11Huh?
01:12:11Ha, ha, ha, ha, ha, ha, ha, ha.
01:12:35Willie.
01:12:36Yes?
01:12:36Get that lion back in the cage before I scare someone.
01:12:38Put what lion in a loose cage for?
01:12:40It scares who?
01:12:43Rushing here, rushing there.
01:12:45Nowhere to go. What's going on in there?
01:12:47The lion's loose.
01:12:48Lions!
01:12:50If I'm a hunt for lion, I gotta get me some bait.
01:12:55Chasing lions all the time.
01:13:01He ain't dead.
01:13:03Kitty, kitty.
01:13:03I sure hope I don't find him.
01:13:06There's more sugar gonna be made.
01:13:08That lion's chasing all them people.
01:13:10Hey!
01:13:14Kitty, kitty, kitty.
01:13:15Where's that lion at?
01:13:37I'm putting you a cord in that time.
01:13:39I gotta be more careful.
01:13:43My blood pressure won't stand it.
01:13:48Kitty, kitty, kitty.
01:13:52Kitty, kitty.
01:13:58Whoa, whoa, whoa.
01:14:08Kitty, kitty. Come on.
01:14:10Nice baloney. Come on, kitty, kitty.
01:14:11Kitty, kitty.
01:14:12Nice baloney.
01:14:15Get in there.
01:14:21Was that me talking?
01:14:32All right, folks.
01:14:34Everything's taken care of.
01:14:35Nothing to worry about.
01:14:42Toffee, toffee.
01:14:44Toffee, toffee.
01:14:45Dollar a bag.
01:14:45Dollar a bag.
01:14:46We don't want no toffee.
01:14:48Come on, boys.
01:14:49Toffee, toffee.
01:14:51Toffee good.
01:14:52Hey, Roof!
01:14:54Hey, Roof!
01:14:55Hey, Roof!
01:14:57Hey, Roof!
01:14:57Hey, Roof!
01:14:58Hey, Roof!
01:14:59Hey, Roof!
01:14:59Hey, Roof!
01:14:59Hiya, beautiful.
01:15:00Now, listen.
01:15:01I told you we're putting the show on for a private party.
01:15:04Well, this is my private party.
01:15:06How about it, boys?
01:15:07Yeah!
01:15:08Wait a minute.
01:15:09You heard what the lady said.
01:15:10Now, get going.
01:15:11Oh, glamour boy, huh?
01:15:13Ooh!
01:15:14Oh!
01:15:31Oh, my God!
01:15:32Hey, Roof!
01:15:33Hey, Roof!
01:15:36Hey, Roof!
01:15:37Let's break this joint!
01:15:40Oh!
01:15:44Oh!
01:15:44Oh!
01:15:47Oh!
01:15:48Oh, it ain't me.
01:15:49Oh!
01:15:53Oh!
01:16:01Oh, dear, dear, this is good.
01:16:03Something ought to be done.
01:16:08Oh, dear, dear, dear.
01:16:12Kendra, about that lying act.
01:16:13You don't understand.
01:16:16I understand more than you think I do.
01:16:21Hey, so that hurts.
01:16:25Now is the time for all the good men to come to the aid of the party.
01:16:30Don't shoot, boys.
01:16:33Just tell them, sir.
01:16:34Hey, well, come on.
01:16:39Sorry, chief.
01:16:43Aha, a bull's-eye.
01:16:55Captain Glogo, reinforcement.
01:17:03Get her out of here.
01:17:05Set.
01:17:07Go.
01:17:21I've been looking all over for you. I got the new kind of a park at Portersville. What should I
01:17:27do with it?
01:17:28Go back and take care of it. I'll get in touch with you later. Yes, sir.
01:17:39I'll pull him out!
01:17:43Ow!
01:17:51Ow!
01:17:58Hey!
01:18:08No!
01:18:11No!
01:18:12Help!
01:18:15Hey!
01:18:26There you go!
01:18:32Give it all! Give it all! Give it all!
01:18:35That is Phil!
01:18:36That is Phil!
01:18:38Oh, you've had enough, huh?
01:18:42That's Phil!
01:18:50Sorry, Chief! Sorry!
01:19:01Hey!
01:19:02Victory is ours!
01:19:05Victory is ours!
01:19:07But my circus is ruined!
01:19:08Well, now, don't let that worry you! My rich nephew will pay for everything!
01:19:11Oh, Harry! Harry, where are you?
01:19:13Here I am!
01:19:17Oh!
01:19:19Oh, pardon my appearance!
01:19:21Hey, it's quite disarranged!
01:19:22Well, never mind! I'll have everything fixed!
01:19:24There you are!
01:19:25What more can you ask?
01:19:26Meantime, let's celebrate by coming up to my house and having dinner!
01:19:29Oh, I'd be delighted, sir!
01:19:30But I haven't a thing to air!
01:19:31But that the house is full of clothes!
01:19:33May I?
01:19:34Why, certainly!
01:19:40I'm in an awful predicament! The new carnival's over at Portisville! What am I going to do?
01:19:44The new carnival?
01:19:45Yes!
01:19:45Good! Good! Now, you run along with the rest of them and leave everything to me!
01:19:49Yes, but I've got...
01:19:49Go right ahead now! Don't you worry!
01:19:54Say, George!
01:19:55Yes, Colonel?
01:19:56Do you still burn the barn down every weekend?
01:19:59Yes, sir!
01:19:59Tonight?
01:20:00Nine o'clock sharp!
01:20:01Fine!
01:20:02Fine!
01:20:03Hey, boy!
01:20:04Come here!
01:20:05Hurry, hurry, hurry!
01:20:07Now, wait a minute!
01:20:08I want you to wrap up this carnival and put it in that big barn down the road about a
01:20:11half a mile!
01:20:12Then I want you all to go over to Portisville!
01:20:14There's a new carnival over there, bigger and better!
01:20:17I want you to help set it up! Now, come on, get going!
01:20:29Say, hello!
01:20:30Penguin, you're beautiful!
01:20:32Well, I'm charmed, Miss Boyd!
01:20:35Dinner is served, sir!
01:20:36Thank you, Bates!
01:20:37Right this way, everyone, for the victory dinner!
01:20:54Oh, no! Keep your hands off that chair! I've had that one pulled on me before!
01:20:58As you wish, madam!
01:20:59Okay!
01:21:06You know, I'm awfully happy that they have chicken tonight! I never eat anything but chicken!
01:21:12That's water!
01:21:14One, two, three, four!
01:21:18A four-legged chicken!
01:21:21That's cute!
01:21:22A four-legged chicken!
01:21:28Three-legged chicken!
01:21:30Three-legged chicken!
01:21:32Three-legged chicken!
01:21:35What's the idea?
01:21:37Oh, you wouldn't like that!
01:21:38That's no good!
01:21:39No good!
01:21:40Well, here we are!
01:21:41Back to normal again!
01:21:45That's kind of muscular, isn't it, huh?
01:21:47It's nearly nine o'clock, sir!
01:21:49Oh, so it is, Bates!
01:21:51Shuffled well?
01:21:51Yes, sir!
01:21:52All right, everyone, let's hurry with the usual drawing for positions on the firetrucks
01:21:56to see who the lucky people are!
01:21:58Will you draw, Uncle Carlton?
01:21:59Yes!
01:22:00Oh, mine's a blank!
01:22:02Better luck next time!
01:22:04I'll drive the chemical truck!
01:22:06That's nice!
01:22:06I'll just ride along with Mr. Gaines!
01:22:08Why, Colonel, this is not a blank!
01:22:10You two ride on the chemical wagon!
01:22:12By the way, Harry, what are you burning tonight?
01:22:14Oh, the same old barn!
01:22:15Oh, that's terrible!
01:22:17What's the matter, Uncle Carlton?
01:22:18Well, how was I to know that you're still burning the same old barn?
01:22:21In order to save the carnival from the hoodlums, I have the boys hide at the barn!
01:22:24You mean the carnival's on fire?
01:22:26I mean exactly that!
01:22:27My carnival?
01:22:28Well, how was I...
01:22:29She said the carnival was on fire!
01:22:32Come on!
01:22:33Come on!
01:22:34Come on!
01:22:35Come on!
01:22:35We're gonna have a fire!
01:22:36Come on!
01:22:41Take it easy!
01:22:45Don't you think I ought to do the driving?
01:22:47Don't be silly!
01:22:48I've been pushing trucks around all my life!
01:22:49All right, let it go!
01:23:09There we go!
01:23:10Let it go!
01:23:10What a little luxury!
01:23:14Where is the fire?
01:23:16never mind the fire
01:23:17we're not going there
01:23:19what do you mean
01:23:20keep going straight ahead
01:23:21and we'll lead them
01:23:22into Porter'sville
01:23:23and the new carnival
01:23:24and what about the fire
01:23:25well you told me
01:23:26to get rid of her carnival
01:23:27didn't you
01:23:28maybe when she sees
01:23:29the new one
01:23:29she'll forget the old one
01:23:30oh
01:23:40oh me
01:23:47oh
01:23:48oh
01:23:49oh
01:23:49oh
01:23:50oh
01:23:51oh
01:23:53oh
01:23:55oh
01:23:55oh
01:24:09Take it easy!
01:24:14Go away!
01:24:15Somebody's flying to me, huh?
01:24:17It'll be me!
01:24:23Hey!
01:24:24Hey, come move them!
01:24:27Hey!
01:24:39Get off the road!
01:24:40That's not fair!
01:24:43Red!
01:24:45Red!
01:24:48Ah!
01:24:56Ah!
01:24:57Hey, let me just...
01:24:58Oh, hey, cut it out!
01:25:00Please, fellas, please!
01:25:03Ah!
01:25:05Ah!
01:25:08Ah!
01:25:08Oh, now, what a smoke!
01:25:10Hey!
01:25:11Whoa!
01:25:13Pretty tricky!
01:25:14Hey, get me out of here!
01:25:17Do something!
01:25:18Get her down!
01:25:19Oh, oh, yes!
01:25:20Take, take, take, take, take,
01:25:22Hey!
01:25:26Oh!
01:25:40Hey!
01:25:42Oh!
01:25:43Oh!
01:25:44Oh!
01:25:44Oh!
01:25:45Oh!
01:25:45It's all for the love of a girl.
01:25:47If the world's fared on wheels, I couldn't have picked a better one myself.
01:25:53Ah, it's beautiful.
01:25:55More in games.
01:25:57That's you and me.
01:25:58Do you really mean?
01:26:00Yes, for keeps.
01:26:01What?
01:26:02Well, so what?
01:26:12Hey, maybe you got something there.
01:26:38The End
01:26:39The End
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