- hace 2 días
The Cycle Savages (1969) is an adventurous drama film that follows a group of motorcycle enthusiasts as they navigate exciting journeys, friendships, and unexpected adventures on the open road. Through their experiences, the story highlights teamwork, creativity, and the importance of loyalty and camaraderie.
With engaging storytelling, dynamic characters, and scenic outdoor settings, The Cycle Savages (1969) offers an entertaining and inspiring experience for viewers of all ages. The film emphasizes adventure, friendship, and personal growth, making it a fun and uplifting story for families and fans of classic action-adventure films.
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With engaging storytelling, dynamic characters, and scenic outdoor settings, The Cycle Savages (1969) offers an entertaining and inspiring experience for viewers of all ages. The film emphasizes adventure, friendship, and personal growth, making it a fun and uplifting story for families and fans of classic action-adventure films.
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00:03:18Oh, stop.
00:03:22There are animals.
00:03:25What? I think I'm hearing some bad kind of noises.
00:03:30Beat that.
00:03:31Nobody said nothing. Forget it.
00:03:35Somebody objecting to something?
00:03:37Would it matter if they do?
00:03:39Maybe.
00:03:40What you do is your business.
00:03:43Maybe what you do is my business, too.
00:03:48I don't think so.
00:03:51Just take a look at these.
00:03:53I don't think they'll be of interest to you.
00:03:56Maybe not.
00:04:04Except I've been hearing about some wiseass running around here drawing pictures of people.
00:04:10My fame precedes me.
00:04:15Is that how you get your kicks?
00:04:18Picking up on other guys?
00:04:27What do you mean by that?
00:04:30You know what I mean by that.
00:04:34My friends and I, we don't like people watching us.
00:04:38And that includes drawing pictures.
00:04:42Is that clear to you?
00:04:44Oh, yeah, that's perfectly clear.
00:04:47Well, that's very good, because you're going to stop drawing them right now.
00:04:50I've got to go and, uh, if you don't mind, I've got some pictures to draw.
00:05:00I'm going to do this.
00:05:02Well, I'll go.
00:05:03There's no trouble in here.
00:05:05Got that?
00:05:05No trouble, or I'd call the cops.
00:05:09I'll see you, friend.
00:05:11Yeah, man.
00:05:14I'll give you a good warning, Kig.
00:05:16I wouldn't mess with that boy
00:05:17if I was you.
00:05:19Hold this.
00:05:27You're not me, are you?
00:05:31He's been drawing pictures, all right.
00:05:33Plenty of them.
00:05:35You give him any trouble,
00:05:36he's got pictures of you
00:05:38and your whole gang
00:05:38he can take to the cops.
00:05:40No kidding.
00:05:42Is that the truth?
00:05:44You heard me.
00:05:46I don't know.
00:05:49We're just going to have to see
00:05:50about that, aren't we?
00:05:52I wouldn't advise it.
00:05:55You wouldn't advise it?
00:05:58Well,
00:05:59supposing you tell me where he lives?
00:06:03I don't know.
00:06:04You don't know.
00:06:05Didn't I tell you
00:06:07I wanted to know where he lives?
00:06:08I told you I don't know.
00:06:10I know where he lives.
00:06:12Same place as Leah.
00:06:13Right upstairs, in fact.
00:06:14Come on, let's get out of this toilet.
00:06:30Come on, let's get out of this toilet.
00:06:34Wake up.
00:06:35Drink up.
00:06:36Drink up.
00:06:44Drink up.
00:06:58Drink up.
00:06:59¡Suscríbete al canal!
00:07:29¡Suscríbete al canal!
00:08:29¡Suscríbete al canal!
00:08:59¡Suscríbete al canal!
00:09:29¡Suscríbete al canal!
00:09:31¡Suscríbete al canal!
00:09:33¡Suscríbete al canal!
00:09:35¡Suscríbete al canal!
00:09:37¡Oh, no!
00:09:49¡Oh, bueno!
00:09:52¡I think it is my business!
00:09:55¡I think you're a very uncool man!
00:09:57¡As a matter of fact, I'm going to show you just how uncool you really are!
00:10:07¡Oh!
00:10:37¡I'm going to show you just how uncool you are, man!
00:10:41¡I'm going to show you that I can do a little artwork, too!
00:10:59Nelson.
00:11:00How is he?
00:11:02He'll be out for another few minutes.
00:11:07¡Oh!
00:11:15Thanks.
00:11:16Out just long enough to let me refuel.
00:11:20What am I going to say to him?
00:11:22I don't even know him.
00:11:24It's your problem, don't mind.
00:11:26Is he hurt bad?
00:11:27No.
00:11:28Just an outside cut.
00:11:30I put in a few stitches.
00:11:31He'll be okay as long as he takes it easy.
00:11:33I can't imagine what he did to make Keeg one of...
00:11:37Oh.
00:11:39It's Keeg again.
00:11:42I should have known that bastard.
00:11:45One of these days, somebody's going to blow the whistle on him.
00:11:48Yes.
00:11:49But not you.
00:11:51And not me, either.
00:11:52Oh.
00:12:13Oh.
00:12:14¡Suscríbete al canal!
00:12:44¡Suscríbete al canal!
00:13:14¡Suscríbete al canal!
00:13:44¡Suscríbete al canal!
00:13:46¡Suscríbete al canal!
00:13:48¡Suscríbete al canal!
00:13:50¡Suscríbete al canal!
00:13:52¡Suscríbete al canal!
00:13:54¡Suscríbete al canal!
00:13:56¡Suscríbete al canal!
00:13:58¡Suscríbete al canal!
00:14:02¡Suscríbete al canal!
00:14:04¡Suscríbete al canal!
00:14:06¡Suscríbete al canal!
00:14:08¡Suscríbete al canal!
00:14:10¡Suscríbete al canal!
00:14:12¡Suscríbete al canal!
00:14:14¡Suscríbete al canal!
00:14:16¡Suscríbete al canal!
00:14:18¡Suscríbete al canal!
00:14:20¡Suscríbete al canal!
00:14:22¡Suscríbete al canal!
00:14:24¡Suscríbete al canal!
00:14:26¡Suscríbete al canal!
00:14:28¡Suscríbete al canal!
00:14:30¡Suscríbete al canal!
00:14:32¡Suscríbete al canal!
00:14:34¡Suscríbete al canal!
00:14:36¡Suscríbete al canal!
00:14:38¡Suscríbete al canal!
00:14:40¡Suscríbete al canal!
00:14:42¡Suscríbete al canal!
00:14:44¡Suscríbete al canal!
00:14:46¡Suscríbete al canal!
00:14:48¡Suscríbete al canal!
00:14:50¡Suscríbete al canal!
00:14:52¿Puedo ir a un tiempo?
00:14:55No puede ser.
00:14:56No quiero que él me conoce.
00:15:00¿Qué hago si quiere llegar?
00:15:02No se preocupa si se mueve.
00:15:03Puedo tomar mi palabra.
00:15:05Bueno, estoy en el camino.
00:15:07Buenas tardes, Florence Nightingale.
00:15:09Gracias, Doc.
00:15:11Sí, gracias por nada.
00:15:14Oh, si me hubiera que me acceder a mi camino a mi casa,
00:15:17carrying this,
00:15:18just send cigarrillos.
00:15:19Estoy seguro que no.
00:15:20No.
00:15:22No, no, no.
00:15:22You watch out, Leo.
00:15:24They can make you take care of his knife victims.
00:15:27He can make you join his pack.
00:15:30Never.
00:15:32That's sort of the way I say never
00:15:34when I'm treating cigarette burns
00:15:35where cigarettes ought not to be.
00:15:37I said never.
00:15:40Good night, Leo.
00:15:41Good night, Doc.
00:15:50¿Qué?
00:16:04Hola.
00:16:09¿Lieve?
00:16:10¿Dónde estoy?
00:16:12¿A esta tu casa?
00:16:14Sí, esta mi casa.
00:16:16¿Dónde?
00:16:18Yo, mi número 12,
00:16:20¿Dónde estáis de la casa?
00:16:22Ahora, tienes que estar ahí.
00:16:24El doctor te dijo.
00:16:26¿Dónde está?
00:16:29Sí, él sepabla.
00:16:32No me he olvidaron cuántas partes.
00:16:34Pero él dijo que no está muy profundo.
00:16:37Sé que yo creo.
00:16:40Esté en tu foto.
00:16:45Sí, yo vi.
00:16:47¿Eres una persona?
00:16:50Sí.
00:17:05¿Toré lo que?
00:17:09El artista te va a dejarme.
00:17:12No entiendo.
00:17:14No, no.
00:17:15¿Estás malo porque he visto las fotos?
00:17:18No.
00:17:19¿Porque me dijo el doctor?
00:17:20No, no tiene nada que ver conmigo.
00:17:22No, no tengo nada que ver conmigo.
00:17:26Es un gran rato.
00:17:30Si no te preocupes, ¿puedes decirme quién te cortó?
00:17:34¿Puedes decirme quién es?
00:17:36¿Puedes decirme su nombre?
00:17:38Uno a la vez, ¿vale?
00:17:41¿Puedes decirme?
00:17:42No, no, no, no, no.
00:17:44¿No?
00:17:46¿Qué pasa conmigo, señor?
00:17:54¿Freitas fotos?
00:18:00¿Qué pasa cuando el hombre tiene estos?
00:18:04Los miembros tienen sus fotos, bueno, nos tienen los fotos, pero no tienen los que así.
00:18:09El hombre tiene nuestras fotos y yo como si estuvieramos haciendo esto.
00:18:12No, no, no, no.
00:18:42Look, so you cut him, so what stops him from going to the cops?
00:18:45He won't go to the cops, and don't touch me again.
00:18:47What makes you so sure?
00:18:51It doesn't matter what makes me so sure. I got that taken care of.
00:18:54The man will not talk.
00:19:00I think it would be bad for you to call the police.
00:19:04I mean, maybe if you did, this man who cut you might come back and do something worse.
00:19:08I'm not going to pretend that I'm not afraid of him.
00:19:10He's a maniac.
00:19:12Somebody's got to do something.
00:19:14I don't think you know these boys around here.
00:19:18They're like a club, and if you call the police on one, the others will get even.
00:19:21Leah, you can't let people get away with something like this.
00:19:23Now, somebody's got to have the guts to speak up.
00:19:28Here, I told the doctor I'd take care of you, and I will.
00:19:31So eat your soup, and don't call the police, and...
00:19:34Hey, look, look, look, look.
00:19:36You don't have to feed me.
00:19:37I mean, there's nothing wrong with my hands.
00:19:39That is the bit, his hands.
00:19:42Now, we all got to find a way to get his hands and wreck them.
00:19:49Because without any hands, the man ain't going to make no drawings.
00:19:52How do you see the same?
00:19:55There's an accident.
00:19:57Some kind of an accident.
00:19:59Yeah, like he could fall into a lawnmower.
00:20:01Let's just slam his fingers in the car door and forget him.
00:20:03Yeah, the guy's hands and him and the artist.
00:20:06That's worse than killing him.
00:20:08Oh, does that make you afraid, my darling?
00:20:11Hey, give the guy a chance.
00:20:12Maybe he's scared off now, and you don't have to do nothing.
00:20:15What kind of a chance do you recommend I give him?
00:20:17Well, you cut him up.
00:20:18Maybe he took the hint.
00:20:20Maybe he won't draw no more.
00:20:22At least wait and see one way or the other.
00:20:25Gee, that's...
00:20:27real good thinking.
00:20:28Yeah, no sense in trouble if you don't have to.
00:20:30You're showing a lot of potential, man.
00:20:35That was very intelligent.
00:20:38That's exactly what we're going to do.
00:20:40Isn't that wonderful?
00:20:42We're not going to touch the man now.
00:20:44But if he picks up one pencil to make one drawing of any kind,
00:20:49then we're going to get him.
00:20:50And that means we're going to get his hands.
00:20:52Ah, you scared him pretty good already, so he'll probably split.
00:20:56Besides, how are you really ever going to know what he'll do?
00:20:58I'm going to know what he's going to do.
00:21:00I'm going to know what he's going to do every single minute.
00:21:06Because I've got a pair of eyes watching every move that man makes.
00:21:20What are you doing?
00:21:22Do you want to draw me again?
00:21:24Oh, yeah, do you mind?
00:21:25No.
00:21:26No.
00:21:27You're a very pretty thing.
00:21:32As long as you don't make me like the others.
00:21:35What others?
00:21:38The ones in your book.
00:21:41They're just making love.
00:21:42That's what I'm doing, illustrating a book and the different ways people make love.
00:21:45I see.
00:21:48And in your pictures, it's only surface.
00:21:52That isn't love.
00:21:53It's only sex.
00:21:54Yeah.
00:21:56Well, there's a difference.
00:21:58Well, there is a difference, that's all.
00:22:03Now, how should I look?
00:22:04Anyway, that's comfortable for you.
00:22:06Thank you.
00:22:34¡Gracias!
00:23:04Oh, no, no, no, dear.
00:23:08Please stay.
00:23:09I got plans for you, honey.
00:23:11That's right.
00:23:18Yeah.
00:23:21Finished.
00:23:23May I see?
00:23:24Oh, you like it?
00:23:34I sure am a pretty thing, aren't I?
00:23:37Indeed you are.
00:23:48I think it's about time that I, uh,
00:23:51hobbled back to my own humble little hub.
00:23:54No, you can't.
00:23:55Well, I guess I can.
00:23:57I've got to get a shirt.
00:23:58It's getting cold.
00:24:00You can't go walking all over town with stitches in your middle.
00:24:03Oh.
00:24:04I'm staring.
00:24:07Stay and draw me again.
00:24:09Lee, it's getting late, and I'm afraid with this,
00:24:12and I feel a little tired.
00:24:13Please.
00:24:15Just do one more of me.
00:24:17I'll do one more of you tomorrow when I feel a little better.
00:24:20No, no, please.
00:24:24I mean, unless...
00:24:27Unless what?
00:24:29Unless I'm not pretty enough.
00:24:31Are you kidding?
00:24:34You're the most beautiful girl I've ever sketched.
00:24:39I bet you've sketched lots of pretty girls.
00:24:41Professional models, too.
00:24:43Not a few.
00:24:45Some are pretty.
00:24:47And some are too fat.
00:24:51They still use fat girls for figure studies.
00:24:55Figures?
00:24:56Nudes.
00:24:57I guess you get to where...
00:25:03Well, I guess you get to where you don't even...
00:25:08You know.
00:25:10Maybe that's why they use fat girl.
00:25:13I'm not fat.
00:25:15If you'll stay and draw me again, right now...
00:25:21I'll let you draw me with no clothes on.
00:25:26I mean, you can draw me naked if you want.
00:25:30Loudly, it's wonderful that you want to entertain me, but...
00:25:36Look, soup and sympathy are more than enough.
00:25:39No, I'm serious.
00:25:41I mean, I don't think I'd feel funny being in front of you naked.
00:25:47Well, it's not something dirty.
00:25:49Lots of girls sit that way for artists, don't they?
00:25:51Of course, and there's nothing dirty about it.
00:25:55Shall I take my clothes off now?
00:25:57Hey, I...
00:25:58Do you have any idea of how much and who a model gets paid?
00:26:01Someday, when you're rich, you can pay me.
00:26:08I wonder if this ever happened to Row Ram.
00:26:21Are you getting cold?
00:26:35No.
00:26:38I'm not cold.
00:26:42Yeah.
00:26:51I'm not cold.
00:26:57Here we go.
00:26:59You got the rip there?
00:27:04This is the stuff you want.
00:27:06This is the one, baby.
00:27:08I thought I'd send this one home to Mama, huh?
00:27:10Let's take these back.
00:27:11Let's go.
00:27:35I'd better go.
00:27:36Awful.
00:27:39Awful.
00:28:06See, I'll take them.
00:28:13You can try.
00:28:16You can try and machu sparking.
00:28:19See, that one.
00:28:23See.
00:28:25Ah, no, I think.
00:28:27Been that ready?
00:28:29Wait a minute.
00:28:31See?
00:28:33If she Games just fired.
00:28:36oye
00:28:42i told you guys not to bring that stuff back here i told you go to the man's place and rip it up and
00:28:48destroy it oh he tore the whole joint apart but i thought you'd want to see these
00:28:52what the hell does this man do anyway look through keyholes huh look at this look at sandy the dandy
00:29:06I hope none of you have a soft spot for the man anymore in your hearts
00:29:12It's quite obvious we're gonna have to hurt him
00:29:14You know, pictures like these
00:29:17The man comes in here and gets hold of these
00:29:19And he's gonna bust us all right under the jail
00:29:21This man keeps sounding off with his hands
00:29:23And that's exactly what we're gonna do
00:29:25We're gonna make the punishment fit the crime
00:29:26We're gonna hurt his hands
00:29:27Well, how so he doesn't talk?
00:29:32Uh, my friend, we just went through that a little while ago
00:29:34We decided that it was gonna be an accident
00:29:37This man made the suggestion, do you remember?
00:29:40What kind of an accident?
00:29:42Oh, right
00:29:43Another country heard from, right?
00:29:46Don't worry about it
00:29:47I'll tell you what we will do, okay?
00:29:49I'll tell you what we will do
00:29:50Give me your hand
00:29:50We'll have a party
00:29:51And we'll have a party for you
00:29:53Dougie Wuggie's party, okay?
00:29:56And then we'll have a wonderful time
00:29:58And then we'll blast off to Idealand
00:30:00And that's how we'll worry about what we do to his hands
00:30:02Okay?
00:30:03Look who got your ass
00:30:04Are you gonna burn his hands, man?
00:30:05Oh, burn his hands with acid?
00:30:07No, my darling
00:30:07No, my darling
00:30:08We're going to drop it in our mouths
00:30:09We're going to eat it
00:30:10Wild
00:30:10Like people, okay?
00:30:11And trip out
00:30:12And then decide, okay?
00:30:14All right
00:30:14As a matter of fact, I think that I have a pocket full of miracles for some of you people
00:30:19Not you, darling
00:30:20But the rest of the people
00:30:21The people, the grown-up people
00:30:22Will have
00:30:23Oh, that's right
00:30:26I have some lawnmower scraps from south of the border
00:30:29Oh
00:30:30Isn't that wonderful?
00:30:31Oh, that's right
00:30:33You still on your yellow kick, man?
00:30:35Very good
00:30:36And then we'll put it in a pot
00:30:38And we'll mix it all together
00:30:39And the witch woman can stir the pot
00:30:41Won't that be wonderful?
00:30:43And then we'll blast off to Idealand
00:30:45You girls, I'll take your pills
00:30:46Not you
00:30:47You take your pills?
00:30:49Smile, darling
00:30:50We're having a party
00:30:51A party
00:30:52You're going to get some like the big women do
00:30:55Look, there won't be any trouble
00:30:57I just want my saber back
00:30:58It means a lot to me
00:31:00All right
00:31:01All right
00:31:02I've told you where they hang out
00:31:04But don't say I didn't warn you
00:31:06They're a dangerous bunch of guys
00:31:08I can take care of myself
00:31:11I know what I'm doing
00:31:13Thanks
00:31:15I know what I'm doing
00:31:45What do you want, artist?
00:31:54I just came for my sword
00:31:55Figured you guys had it long enough
00:31:57Hey, man, what you talking about?
00:31:59I don't see any sword around here
00:32:00You?
00:32:02Well, if you don't see one
00:32:03I don't think you'll mind if I take this
00:32:06I wouldn't
00:32:07You're too welcome
00:32:15But don't say he's right
00:32:16He's here
00:32:17I don't think he's
00:32:21Oh
00:32:22Oh
00:32:22Oh
00:32:23Oh
00:32:23Oh
00:32:24Oh
00:32:24I'm
00:32:25Oh
00:32:25Oh
00:32:26Oh
00:32:28Oh
00:32:29Oh
00:32:30Oh
00:32:31Oh
00:32:32Oh
00:32:34Oh
00:32:35Oh
00:32:35Oh
00:32:38Oh
00:32:38Oh
00:32:38Oh
00:32:39Ah
00:32:39Oh
00:32:40Oh
00:32:43Oh
00:32:43ah
00:32:46ah
00:32:49ah
00:32:52ah
00:32:55ah
00:32:58ah
00:33:01ah
00:33:04ah
00:33:08ah
00:33:12what makes you think i can even handle him
00:33:29because i know what you do to me
00:33:34hey
00:33:37now i think if you were to try real hard
00:33:43you might be a real champion at it honey
00:33:48you know that offer i once made you about getting out of this dump still holds
00:33:53sure you'd take me out of here wouldn't you
00:33:55right into a plush las vegas apartment
00:33:57my sister fell for that line but not me
00:34:00why is it darling that you always bring up your sister whenever we talk
00:34:03huh
00:34:04your sister isn't anything like you
00:34:06it would be entirely different between you and me than it was between me and your sister
00:34:10my sister would have been all right if you and your brother had stayed out of our lives
00:34:14i think i'll go upstairs perhaps the artist will give me a warmer reception
00:34:29no wait
00:34:31what
00:34:32huh
00:34:33what
00:34:34what
00:34:35what
00:34:56leah
00:34:57¿Estás bien?
00:35:05Sí, estoy bien.
00:35:10¿Puedo entrar?
00:35:12Sí, perdón.
00:35:20Pensaba que escuchaba uno de esos chicos de la noche a un par de minutos.
00:35:23Pensaba que debía entrar y ver si estás bien.
00:35:26¿Qué es lo que me hacía?
00:35:28Oh, I'm fine. I'm really...
00:35:32I saw you come in a little while ago, but I wasn't dressed.
00:35:42You left your pad and pencil here last night. Do you want to finish your sketch?
00:35:48Yes, I'd like that.
00:35:50I don't know.
00:35:52I'm fine.
00:35:53I'll sit.
00:35:54Why don't you sit over here? I think the light's a little better.
00:35:56Why don't you sit over here? I think the light's a little better.
00:35:58Why don't you sit over here? I think the light's a little better.
00:36:28Well, I think the light's a little better.
00:36:32It's the light's a little better.
00:36:33You just go in a little instead.
00:36:34Let's do it.
00:36:35I think the light's a little better.
00:36:36You don't live here.
00:36:37You can do it.
00:36:38It's all right.
00:36:39I'm fine.
00:36:40You could do it.
00:36:41You're not good.
00:36:42I'm fine.
00:36:43I'm fine.
00:36:44Gracias por ver el video.
00:37:14Gracias por ver el video.
00:37:44Gracias por ver el video.
00:38:44Gracias.
00:40:45Gracias.
00:40:46Gracias.
00:40:47Gracias.
00:40:48Gracias.
00:40:49Gracias.
00:40:50Gracias.
00:40:51Gracias.
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00:40:55Gracias.
00:40:56Gracias.
00:40:57Gracias.
00:40:59Gracias.
00:41:00Gracias.
00:41:01Gracias.
00:41:02Gracias.
00:41:03Gracias.
00:41:04Gracias.
00:41:05Gracias.
00:41:06Gracias.
00:41:07Gracias.
00:41:08Gracias.
00:41:09Gracias.
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00:41:15Gracias.
00:41:16Gracias.
00:41:17Gracias.
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00:41:19Gracias.
00:41:20Gracias.
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00:41:28Gracias.
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00:41:32Gracias.
00:41:33Gracias.
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00:41:35Gracias.
00:41:36Gracias.
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00:41:38Gracias.
00:41:39Gracias.
00:41:40Gracias.
00:41:41Gracias.
00:42:10Gracias.
00:42:40Gracias.
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00:43:11Gracias.
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00:43:27Gracias.
00:43:28Gracias.
00:43:29Gracias.
00:43:30Gracias.
00:43:31Gracias.
00:43:32Gracias.
00:43:33Gracias.
00:43:34Gracias.
00:43:35Gracias.
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00:43:39Gracias.
00:43:40Gracias.
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00:43:42Gracias.
00:43:43Gracias.
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00:43:46Gracias.
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00:43:49Gracias.
00:43:50Gracias.
00:43:51Gracias.
00:43:52Gracias.
00:43:53Gracias.
00:43:54Gracias.
00:43:55Gracias.
00:43:56Gracias.
00:43:57Gracias.
00:43:58Gracias.
00:43:59Gracias.
00:44:00Gracias.
00:44:01Gracias.
00:44:02Gracias.
00:44:03Gracias.
00:44:04Gracias.
00:44:05Gracias.
00:44:06Gracias.
00:44:07Gracias.
00:44:08Gracias.
00:44:09Gracias.
00:44:10Gracias.
00:44:11Gracias.
00:44:12Gracias.
00:44:13Gracias.
00:44:14Gracias.
00:44:15Gracias.
00:44:16Gracias.
00:44:17Gracias.
00:44:18Gracias.
00:44:19Gracias.
00:44:20Gracias.
00:44:21Gracias.
00:44:22Gracias.
00:44:23Gracias.
00:44:24Gracias.
00:44:25Gracias.
00:44:26Gracias.
00:44:27Gracias.
00:44:28Gracias.
00:44:29Gracias.
00:44:30Gracias.
00:44:31Gracias.
00:44:32I guess we're gonna see right away.
00:44:33Would that be okay with you?
00:44:35Sure.
00:44:36I told you I can take care of myself.
00:44:38Oh, okay.
00:44:39Well, then we won't waste any more time, will we?
00:44:42There's just a couple things you should know, okay?
00:44:44Now, first of all, you have to have a sponsor.
00:44:47And the sponsor's choice has to be improved by all these wonderful people.
00:44:51Now, we're just like a country club, you see?
00:44:55Rules and regulations just like them.
00:44:58We keep all the undesirable people out.
00:45:01And with all the desirable people, we don't let them out, honey.
00:45:05Until we feel it's time.
00:45:07You got that?
00:45:09So far.
00:45:10Okay.
00:45:11Now, just one more thing.
00:45:13There's only one person around here that says what can happen and what can't happen.
00:45:18And I'll bet by now that you've guessed that that's big old kiggy-weeggy, haven't ya?
00:45:23Yeah, that's a good girl.
00:45:26Now, before you waste any more time with that stupid grin on your face, why don't you just take that dress off that you got on?
00:45:33Now, wait a minute, you guys.
00:45:35Get in there and take it off!
00:45:37You understand me?
00:45:38You had a chance to walk up the stairs and you didn't take it.
00:45:40Now, stand there and take it off.
00:45:42You're serious?
00:45:43No, let her do it herself, man.
00:45:44Let her do it herself.
00:45:45You gonna take it off or not?
00:45:46Huh?
00:45:47All right.
00:45:48All right.
00:45:52Yes, dear, you want to mumble something?
00:45:59You don't what?
00:46:00Mm-hmm.
00:46:01Mm-hmm.
00:46:02Mm-hmm.
00:46:03Ooh.
00:46:04Wow.
00:46:05Let's have a hand.
00:46:06Walter!
00:46:07Walter!
00:46:08Walter!
00:46:09Very good.
00:46:10Walter did a wonderful job.
00:46:11I think you really passed those preliminaries, my darling.
00:46:12Now, come up here where old kiggy-weeggy can take a look at ya.
00:46:15Very good.
00:46:16Now, there's just one more thing here.
00:46:17And that is that your sponsor personally recommend you.
00:46:18Now, Walter, my boy, do you think that you can show this girl where it's at, son?
00:46:20Sure think, Kig.
00:46:21I'll change my mind.
00:46:22Oh, honey, you can't change your mind.
00:46:23You can't change your mind.
00:46:24I told you to be here.
00:46:25I told you to be here.
00:46:26I told you to be here.
00:46:27Oh, my gosh, Walter!
00:46:28I told you to be here.
00:46:29I told you to be here.
00:46:30I told you to be here.
00:46:31I told you to be here.
00:46:32Walter!
00:46:33Very good.
00:46:34Walter, Walter did a wonderful job.
00:46:35I think you really passed those preliminaries, my darling.
00:46:36Now, come up here where old Kiggy-weegy can take a look at ya.
00:46:39Go to it.
00:46:40I'll change my mind.
00:46:41Oh, honey, you can't change your mind.
00:46:43You can't change your mind.
00:46:44I told you to go up the stairs one minute ago and you didn't go up.
00:46:47Now, you're going to do it when you want to do it.
00:46:48Now, just shut up and stand there.
00:46:50You come nervous.
00:46:51Oh, come on, man.
00:46:52Just get on her and do it.
00:46:53That's it.
00:46:54Come on.
00:46:55Undo your belt, sir.
00:46:57No!
00:46:59Hey, hey, hey.
00:47:08All right, now, everybody get this.
00:47:20You understand?
00:47:21Now, just listen.
00:47:22Everybody just listen for one second.
00:47:23There is really only one purpose to this entire thing that we're doing, and that is to come up with one idea.
00:47:30You understand that?
00:47:31A way in which to chop off that artist's hands.
00:47:38Bye.
00:47:39Oh, man.
00:47:40...
00:47:45...
00:47:47...
00:47:50...
00:47:51...
00:47:57¡Suscríbete al canal!
00:48:27¡Suscríbete al canal!
00:48:57¡Suscríbete al canal!
00:49:27¡Suscríbete al canal!
00:49:57¡Suscríbete al canal!
00:50:27¡Suscríbete al canal!
00:50:29¡Suscríbete al canal!
00:50:31¡Suscríbete al canal!
00:50:39¡Suscríbete al canal!
00:50:41¡Suscríbete al canal!
00:50:43¡Suscríbete al canal!
00:50:45¡Suscríbete al canal!
00:50:47¡Suscríbete al canal!
00:50:49¡Suscríbete al canal!
00:50:51¡Suscríbete al canal!
00:50:53¡Suscríbete al canal!
00:50:55¡Suscríbete al canal!
00:50:57¡Suscríbete al canal!
00:50:59¡Suscríbete al canal!
00:51:01¡Suscríbete al canal!
00:51:03¡Suscríbete al canal!
00:51:05¡Suscríbete al canal!
00:51:07¡Suscríbete al canal!
00:51:09¡Suscríbete al canal!
00:51:11¡Suscríbete al canal!
00:51:13¡Suscríbete al canal!
00:51:43¡Suscríbete al canal!
00:51:45¡Suscríbete al canal!
00:51:47¡Suscríbete al canal!
00:51:49¡Suscríbete al canal!
00:51:51¡Suscríbete al canal!
00:51:53¡Suscríbete al canal!
00:51:55¡Suscríbete al canal!
00:51:57¡Suscríbete al canal!
00:51:59¡Suscríbete al canal!
00:52:01¡Suscríbete al canal!
00:52:03¡Suscríbete al canal!
00:52:05¡Suscríbete al canal!
00:52:13¡Ah!
00:52:22¡Hey, man, that's too much!
00:52:24¡No, that's beautiful!
00:52:26¡No, that was right!
00:52:29¡Let's see how she handles this!
00:52:38¡Hi there, Goldilocks!
00:52:40¡It's the big, bad Wolfie, Wolfie!
00:52:43¡It's coming to wake you up!
00:52:47¡Come on, have a little drinky-dinky!
00:52:50¡Huh?
00:52:51¡Oh, you don't need to jerk!
00:52:53¡Nobody's going to jump on you!
00:52:55¡I'm going to help you out!
00:52:57¡Like in the movies, when you're in the desert!
00:52:59¡You take a drinky!
00:53:00¡And finish it up!
00:53:02¡That's right!
00:53:04¡It was very good!
00:53:06¡See that!
00:53:07¡I hope you all were paying attention instead of being in your own bags!
00:53:13¡No, Uncle, I want you!
00:53:16¡Yes!
00:53:17¡Ah!
00:53:19¡There's no a pause!
00:53:24¡Ah!
00:53:25¡No, Uncle!
00:53:26¡Gracias!
00:53:56Hey, you're crying.
00:54:17I'm not crying because I feel guilty.
00:54:20Not at all.
00:54:22I wanted you, and you shouldn't feel guilty either.
00:54:26I'm crying because I'm stupid, Romko, that's all.
00:54:34Romko, I like that name.
00:54:37Don't cry.
00:54:41You should cry from the pain in your stomach.
00:54:44Men aren't supposed to cry.
00:54:47That's stupid. They'd feel better if they did.
00:54:50Oh, they do.
00:54:52When nobody's looking.
00:54:56Romko, I'm not a nice person.
00:55:00Are you going to start that again?
00:55:02It's true.
00:55:05Soon tomorrow, maybe, you're going to realize that.
00:55:09You'll hate me.
00:55:11That's impossible.
00:55:12No. No, it's possible. Very possible.
00:55:15You'll love me until you hate me.
00:55:21You're a nut, you know that.
00:55:27Open up, police.
00:55:29Open up, police.
00:55:31I don't have to let them in.
00:55:33No.
00:55:34No, they mustn't find you here.
00:55:35He'll come back and kill us both.
00:55:37Ain't nobody, but...
00:55:39All right.
00:55:41Just be quiet. Don't be frightened.
00:55:49I've got to pass, Kim. I won't have to let them in.
00:55:52Just a minute.
00:55:53Just a minute.
00:56:09I know.
00:56:33Well, this is cozy.
00:56:35Looks like we interrupted something, Sam.
00:56:37You, I know.
00:56:40What's your name?
00:56:42Romko Pietro Andrei.
00:56:44Where were you born?
00:56:45Warsaw.
00:56:46My parents went there from Hungary.
00:56:47We came here as refugees, and my papers are in order.
00:56:50I asked your name, not your life story.
00:56:54That's how you jumped the Berlin Wall, huh?
00:56:56Yeah.
00:56:59Took guts.
00:57:01How are your guts now?
00:57:04What do you mean?
00:57:05How were your guts yesterday?
00:57:07Huh?
00:57:10Okay.
00:57:11Who cut you?
00:57:15It was an accident.
00:57:17Oh, an accident.
00:57:18That's what Doc he said at first.
00:57:20But he changed his mind after he spent a night in jail.
00:57:22All right.
00:57:23Now, who cut you?
00:57:24I don't know.
00:57:25A stranger.
00:57:26Now, why would a stranger want to cut you?
00:57:28He got mad when I did a sketch of him.
00:57:30Maybe he doesn't like artists.
00:57:31I don't know.
00:57:35Oh, here's some familiar place.
00:57:36Is that Sam?
00:57:39Well, well, well.
00:57:44Got any more of these around?
00:57:45Like maybe a sketch of that stranger that cut you.
00:57:51Yeah.
00:57:53Yeah, I had one of him and lots of us.
00:57:57Somebody broke in my apartment yesterday and destroyed everything.
00:57:59Where's your apartment?
00:58:00Upstairs.
00:58:01Sam, get him up there fast.
00:58:02Look around.
00:58:02Then bring him back down here.
00:58:04Look, have him make a sketch of that man that stabbed him.
00:58:06All right.
00:58:12All right, Leah.
00:58:13What do you got to say to yourself, huh?
00:58:15Real part in all this.
00:58:16Look, she had nothing to do with it.
00:58:17She found me bleeding in the hall.
00:58:18Never mind about her.
00:58:20Get going.
00:58:21I want to see those pictures.
00:58:22Sam, help him upstairs.
00:58:30I don't know anything.
00:58:31It's just the way he says it is.
00:58:35It's Keeg, isn't it?
00:58:38Keeg.
00:58:39He's threatening you if you don't cooperate, isn't he?
00:58:44He told me to keep the artists here
00:58:45and to keep him from calling the police.
00:58:46That's all I know, and I don't know who cut him.
00:58:49Oh, come on, Leah.
00:58:50Fight back, will you?
00:58:51You've got to help me get the evidence
00:58:52I need to lock up that rotten bum.
00:58:54Why me?
00:58:55Because I know you're involved.
00:58:57What do you mean?
00:58:59Tell us about it.
00:59:00I'm taking you both in.
00:59:02On what charge?
00:59:03We haven't done anything.
00:59:06Oh?
00:59:07Wow.
00:59:08Then what did we just interrupt here?
00:59:12Look, we're in love.
00:59:14We're engaged.
00:59:15Sam, they're in love.
00:59:20Well, that may be just dandy over in Europe, my boy,
00:59:22but in this country, it's against the law.
00:59:25You see, in the USA,
00:59:26you cannot legally sleep with anyone
00:59:28unless you have a license,
00:59:30a marriage license.
00:59:32That's a ridiculous law.
00:59:33Write to your congressman.
00:59:35Why are you doing this?
00:59:36Leah, I'm booking you on a charge of prostitution
00:59:38by means of contributing.
00:59:39Prostitution, you bullock.
00:59:41She is no prostitute, you bastard.
00:59:43Don't you call me a bastard, son.
00:59:45Listen.
00:59:46When a girl gives herself as a decoy
00:59:48to help somebody else commit a crime,
00:59:49she's just as guilty as they are.
00:59:51And she's guilty of prostitution,
00:59:52and it'll stick.
00:59:55What do you mean?
00:59:55I mean that your little girlfriend here
00:59:59is right in the thicket,
01:00:01right with that bunch that sliced you open
01:00:02and tore up your artwork.
01:00:05Look, she kept you busy here
01:00:07so they could break into your apartment.
01:00:09Not to mention the fact
01:00:09she kept you from calling the police,
01:00:11and she got you an unlicensed doctor.
01:00:13You see?
01:00:16The hate comes.
01:00:20Yeah, how could you?
01:00:22Even a whore would...
01:00:24The world's full of the sun,
01:00:25that's why they got vice cops like me.
01:00:26Get your clothes on.
01:00:27Vice.
01:00:28That is it, a vice.
01:00:30That's right, sweetheart.
01:00:31Vice.
01:00:32A vice.
01:00:35Hey, a vice.
01:00:37That's it, a vice.
01:00:39Vice?
01:00:40Vice, yeah, you know,
01:00:40in Woodshop at the end of the bench.
01:00:44We had a vice, you know.
01:00:45Where's he gonna find one this time of night?
01:00:46Don't worry about find a vice.
01:00:48They're all over town.
01:00:49You can go any high school that has a vice.
01:00:51Now go help him find a vice.
01:00:52Go on.
01:00:52Now listen to everybody else.
01:00:53Later on, we're gonna have us a party.
01:00:55You understand that?
01:00:56We're gonna invite the artist to the party,
01:00:58and then we're gonna give him
01:00:58the old squeeze play, my style.
01:01:00I finally came up with the idea, okay?
01:01:03Everybody else, I'm very tired.
01:01:05Please, just get the hell out of here, okay?
01:01:08Come on, right now.
01:01:09Let's go.
01:01:09Everybody up.
01:01:11Let's go, up.
01:01:12Let's get out.
01:01:15Doctor.
01:01:17Doctor.
01:01:19Oh, ma'am.
01:01:21You gotta have that doc to you.
01:01:22You were talking to me.
01:01:23Look, if you gotta have doc,
01:01:25he's at the flower shop.
01:01:27You gotta go find him yourself.
01:01:28I can't help you now with that.
01:01:29I'm sorry.
01:01:31It's almost morning.
01:01:33He'll be there very soon.
01:01:35Put it in, you know.
01:01:52You're welcome.
01:01:53You're welcome.
01:01:53I'm sorry.
01:01:54¿Qué pasa?
01:02:24¿Qué pasa?
01:02:54¿Qué pasa?
01:02:56¿Qué pasa?
01:02:58¿Qué pasa?
01:03:00¿Qué pasa?
01:03:02¿Qué pasa?
01:03:04¿Qué pasa?
01:03:06¿Qué pasa?
01:03:10¿Qué pasa?
01:03:12¿Qué pasa?
01:03:14¿Qué pasa?
01:03:16¿Qué pasa?
01:03:18¿Qué pasa?
01:03:20¿Qué pasa?
01:03:22¿Qué pasa?
01:03:24¿Kara?
01:03:26¿Qué pasa?
01:03:28¿Qué pasa?
01:03:30¿Por qué?
01:03:32¿Qué pasa con ti?
01:03:33Nada.
01:03:34Si te haces, me llamas a la doctora.
01:03:36Nada está mal.
01:03:37¿Qué?
01:03:38¿Dónde vas?
01:03:41La doctora.
01:03:42No puedo encontrar.
01:03:43Tengo que encontrar alguien.
01:03:46Doctora.
01:03:47No, no.
01:03:48No, no.
01:03:48No, no.
01:03:48No, no.
01:03:51¿Dónde estás hablando?
01:03:53¿Dónde lo que pasa?
01:03:55¿Qué pasa ahora?
01:03:57No, no.
01:03:58No, no.
01:03:59No, no.
01:04:00No, no.
01:04:01No, no.
01:04:01No, no.
01:04:02No, no.
01:04:02No, no.
01:04:03No, no.
01:04:03No, no.
01:04:03No, no.
01:04:03No, no.
01:04:04No, no.
01:04:04No, no.
01:04:05No, no.
01:04:08Hey, Doug.
01:04:09What's going on around here?
01:04:12She just had little acts of himself.
01:04:15She acts pretty sick, wanting Dockey and all.
01:04:18How come Dockey?
01:04:19Why not a legit Doc?
01:04:22Dockey got busted.
01:04:23It makes Leah in the arms.
01:04:25Let her check on that.
01:04:26Hey, wait a minute.
01:04:27Wait in hell, big man.
01:04:31What the hell?
01:04:32Yeah.
01:04:34Okay.
01:04:36What the hell?
01:04:37Who couldn't do it?
01:04:43Who knows?
01:04:47Love.
01:04:48I do.
01:04:49I don't know.
01:04:51I do.
01:04:51Hold on.
01:04:52¡Suscríbete al canal!
01:05:22¡Suscríbete al canal!
01:05:52¡Suscríbete al canal!
01:06:22¡Suscríbete al canal!
01:07:22¡Suscríbete al canal!
01:07:24¡Suscríbete al canal!
01:07:26¡Suscríbete al canal!
01:07:28¡Suscríbete al canal!
01:07:30¡Suscríbete al canal!
01:07:32¡Suscríbete al canal!
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01:07:38¡Suscríbete al canal!
01:07:40¡Suscríbete al canal!
01:07:42No, no, no!
01:07:44¡Suscríbete al canal!
01:07:46¡Suscríbete al canal!
01:07:48¡Suscríbete al canal!
01:07:50¡Suscríbete al canal!
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01:07:54¡Suscríbete al canal!
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01:08:00¡Suscríbete al canal!
01:08:02¡Suscríbete al canal!
01:08:04¡Suscríbete al canal!
01:08:06¡Suscríbete al canal!
01:08:08¡Suscríbete al canal!
01:08:10¡Suscríbete al canal!
01:08:12¡Suscríbete al canal!
01:08:14¡Suscríbete al canal!
01:08:16¡Suscríbete al canal!
01:08:18¡Suscríbete al canal!
01:08:20¡Suscríbete al canal!
01:08:22¡Suscríbete al canal!
01:08:24¡Suscríbete al canal!
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01:08:34No me, I do the hiring, the teaching, and the firing, and you're graduating, and that's it.
01:08:38Now shut up.
01:08:39Oh, King, if I gotta go, then...
01:08:41Are you ready? You know what she's asking for?
01:08:43Give us a minute. She's asking for a kiss.
01:08:45One more time, please.
01:08:46I told you to get your clothes off. You shut up.
01:08:48Oh, come on, man. Really, I don't want to. She wants you.
01:08:51I'm gonna tell you something.
01:08:52Wait just a second, man.
01:08:54There's a couple things you're gonna have to learn around here before I go.
01:08:57And the first thing is that there's only one person around here that says what goes, and that's me.
01:09:01And when I say to strip, that's exactly what I mean.
01:09:04No strip?
01:09:06You're okay.
01:09:10Okay.
01:09:11You're okay.
01:09:12No, King, no!
01:09:13No, I want you not here.
01:09:15Forget it.
01:09:16I got something. I can give you something.
01:09:19You can give me what? What can you possibly give me?
01:09:22Well, I know this girl, and she's coming for kicks and fun, and she's got two younger sisters, two of them.
01:09:27I'll give you her name.
01:09:28That's exactly right. She'll give me her name.
01:09:30I hope she doesn't clutch me as much as you do, either.
01:09:32Please, Keith, I'll give you your name and all of you just, just one last time.
01:09:35Don't make me do it with him, please.
01:09:37Please, please.
01:09:37No.
01:09:38Please, please.
01:09:38Please, please.
01:09:38Please, please.
01:09:38Please, please.
01:09:39The last time.
01:09:39Now sit down and shut up.
01:09:41And I am not kidding.
01:09:42Now I'm going to teach you a lesson.
01:09:45I'm going to teach both of you a lesson.
01:09:46I'm going to teach it to you right now.
01:09:48This is going to be the most important lesson either one of you ever learned in your lives.
01:09:52Now I may split this set up very soon, man.
01:09:54But before I do, you're going to have to learn something.
01:09:57You're going to have to learn about that.
01:09:59A woman.
01:10:00And you're going to have to learn what women are good for.
01:10:03They're good for one thing.
01:10:04You know what that is?
01:10:06That's for being a whore.
01:10:08Because that's all you are, baby.
01:10:10And that's all any woman is good for.
01:10:11Making money off poor, dumb Johns.
01:10:14I don't get you, man.
01:10:15You'll get me, man.
01:10:17You just hang on a second.
01:10:20Now let me ask you a question.
01:10:22Huh?
01:10:23Would you like to lead this place one time?
01:10:25Be the head man here?
01:10:26Oh, sure, man.
01:10:27Would you like to know how to handle women as well as I do?
01:10:30Oh, yeah, Keek.
01:10:31You would, right?
01:10:32Yeah.
01:10:33Okay, then I'm going to give you a lesson right now.
01:10:36I'm going to show you that women also are good for only one other thing.
01:10:41You know what that is?
01:10:43Hmm?
01:10:45Can you take a guess?
01:10:48Sure.
01:10:49That's right.
01:10:50That's to cry.
01:10:52And when you can learn to make them cry, then you can learn to make money off them.
01:10:57Leah?
01:11:10Leah?
01:11:10Leah?
01:11:12Leah?
01:11:15Leah, please, wait.
01:11:17Leah!
01:11:18You shouldn't be running.
01:11:19You'll pull your stitches.
01:11:21I'm sorry.
01:11:23me escucharía mi bien
01:11:26que usted
01:11:27siempre lo que me
01:11:30Turkey
01:11:30no pienso
01:11:32lo que estoy
01:11:33leí
01:11:34lo que bien
01:11:37lp
01:11:37ya que tu Deus
01:11:38eso no importa
01:11:40digamos
01:11:41noda
01:11:42no isses
01:11:43seguiré
01:11:44cuando zapejedok
01:11:45si estuviese
01:11:45de mas de todo
01:11:45te la
01:11:45la
01:11:46mira
01:11:46puedes
01:11:46no
01:11:47no
01:11:48no
01:11:48no
01:11:48no
01:11:49mañana
01:11:49줄
01:11:50m
01:11:51me
01:11:51am
01:11:51m
01:11:52mama
01:11:53Love, I spin on you.
01:11:56No, no, no.
01:11:57You are stupid.
01:12:00Can't you see that I am a whore?
01:12:03Besides, do you think I'd waste my time on you?
01:12:06Well, you don't have enough money.
01:12:08Look, you made my bail.
01:12:09Well, that's what you owe me for last night.
01:12:11Now, now go away and leave me alone.
01:12:23Let's go.
01:12:53Let's go.
01:13:23Put them on.
01:13:29Just put them on.
01:13:36Mercy, goodness gracious.
01:13:37He wants mercy.
01:13:38Give him a little mercy.
01:13:39Crank it.
01:13:41You're insane.
01:13:42You're sick, all of you.
01:13:43Do you need help?
01:13:46Pitchfuzz, go see who it is.
01:13:53Who is it?
01:13:55It's Leah.
01:13:56Let her in.
01:13:56I want to see Kig.
01:14:01No, no.
01:14:01I just told you, not now.
01:14:05Can't you see we have a very special guest here?
01:14:07We're giving him special guest treatment.
01:14:10What are you doing to him?
01:14:16You'd think of something like this, wouldn't you, Kig?
01:14:19Just this sort of...
01:14:20You come here for your payoff, Leah?
01:14:22You think she'd do for nothing?
01:14:23Think?
01:14:24I told you to get out of this neighborhood.
01:14:26Do you see what happens?
01:14:28Do you see where it gets you to hang around with whores?
01:14:30Now do you see where we are?
01:14:33Bitch.
01:14:34There's no way to speak to your lady, love.
01:14:39Do you hear what he called me?
01:14:40I guess he just don't like you anymore, dear.
01:14:43Well, why don't you give it a crank?
01:14:48No, wait.
01:14:50I want to watch him suffer a little first.
01:14:53I want to feel his hands.
01:14:56Are they hot now?
01:14:58Do they want to grab me now?
01:14:59Were you doing a little grabbing there, artist?
01:15:04All you have to do with Leah is ask.
01:15:06Isn't that right, Kig?
01:15:12Leah.
01:15:15Maybe you'll make me feel like I'm...
01:15:17Hey, Kig.
01:15:18Why don't you let him sit like this for a while?
01:15:20He's fun to watch.
01:15:21Come on, I don't have all day.
01:15:22You're going to crank it or not?
01:15:24Isn't it more fun to watch him hurt for a while?
01:15:25You're going to shut your mouth and crank it?
01:15:27No.
01:15:27Well, that's exactly why you came here, then, was to help him out.
01:15:30No, I didn't mean that.
01:15:32I came here to see you alone the way you've always wanted.
01:15:35Look, I came to see you, Kig, not him.
01:15:38Forget about him.
01:15:39Let him go.
01:15:40You said you always wanted me.
01:15:42If we could only be alone.
01:15:45Are you listening, artist?
01:15:46Now, just one minute, honey.
01:15:50Aren't you the broad that always says you've got to be in love with somebody before you can ball with them?
01:15:54Hmm?
01:15:56And now, all of a sudden, you're in love with me?
01:15:59Come on.
01:16:00Tell the others to go and you'll find out.
01:16:02Oh, honey, come on.
01:16:04You're not fooling me.
01:16:05Why, Kig, why don't you?
01:16:11What is that?
01:16:12Now, take care of her right now, and I'm not kidding.
01:16:14And put a little muscle and finish this punk off.
01:16:17I want to hear some bones crap.
01:16:23Hey, Leah, want to make a bet when he passes out?
01:16:26All right, get back, all of you.
01:16:38Move it.
01:16:40Oh, now, look who's turned into a Bonnie Parker.
01:16:44Leah.
01:16:47Now, this is a bad scene, Leah.
01:16:49Leah, really, it's, this is no good.
01:16:51Don't, Kig.
01:16:52I'll kill you if I have to.
01:16:53Don't let him get close, Leah.
01:16:54I don't want to, but I will.
01:16:57You guys, just spread out real slow, slow.
01:17:00Spread out.
01:17:01Keep him back.
01:17:03Don't let him close in, Leah.
01:17:05Everybody just stop.
01:17:06Stop.
01:17:08I'm going to show you something real funny.
01:17:10Look at her hand, the one that's holding the gun.
01:17:13See how it's shaking?
01:17:14Look at your hand, dear.
01:17:15You can't even pull that trigger.
01:17:17You got no guts.
01:17:19Just like all women.
01:17:21What are you backing up for?
01:17:23You trying to get away?
01:17:25You move a couple more steps, you're going to bump right into peach fuzz.
01:17:28Over here, Leah.
01:17:28Behind you.
01:17:29Not that way.
01:17:30Over here.
01:17:31Stop it!
01:17:31Stop it!
01:17:32Just a minute, dear.
01:17:33You point a gun at somebody and you better keep your eyes on them and not take them off them.
01:17:36You understand that?
01:17:37And that means me.
01:17:38Now, this man here wasn't going to hurt you at all.
01:17:41You were the one that was trying to hurt him.
01:17:42I was trying to keep him from you stepping on his toes.
01:17:45Now, I'm going to teach you a real lesson, dear.
01:17:47We're all going to spread out real slow.
01:17:50And I mean really spread out.
01:17:51And you eat.
01:17:52What?
01:17:53It's the heat, man.
01:17:54Where?
01:17:55Everywhere.
01:17:55Oh, come on.
01:17:56They don't know about this place.
01:17:57Yeah, but what if...
01:17:58Just cool it.
01:17:59It was Janie, man.
01:18:00She couldn't find Doccy.
01:18:02They picked her up in a police ambulance.
01:18:04She started babbling away and told him everything.
01:18:05Sandy, come on.
01:18:09Stand up.
01:18:11I want you to walk over there and take the gun from the woman.
01:18:15She's not going to hurt you.
01:18:20Now, just reach your hand out, dear.
01:18:22That's an order.
01:18:23Back off.
01:18:24Back off me.
01:18:25Back...
01:18:25Don't move, baby.
01:18:28I couldn't.
01:18:33I'll go.
01:18:35You're right.
01:18:36I couldn't do it.
01:18:38That's your trouble, Leah.
01:18:39You can't do the kind of things I can do.
01:18:42Well, you don't even know how to hold a gun.
01:18:45That's right.
01:18:45Now, everybody else, just listen to me.
01:18:47I am the only person here that they want that they have anything on.
01:18:50So just everybody relax and be cool.
01:18:52Pick up all the stuff on the floor, any roaches or grass, and flush it down the toilet.
01:18:56Dana, come here.
01:18:56Go make some coffee.
01:18:57Now, everybody else, stay here and just be very natural.
01:19:01Pick up the rag there and wipe up all the blood.
01:19:03Get it all up.
01:19:05All right?
01:19:05Now, let them just walk in on a perfectly square coffee clutch.
01:19:09It's nothing more than that.
01:19:09Just stay relaxed and keep cool.
01:19:13Nobody's seen or heard from me in the last few days, either.
01:19:16I've been in Las Vegas.
01:19:16What about them?
01:19:17They'll talk.
01:19:18Shut them up so they don't talk.
01:19:23King, I'm going with you.
01:19:25King, I said I'm going with you.
01:19:26What the hell if it's the only place left?
01:19:29Well, then why don't you take care of her, too?
01:19:33All right, I don't want you to get it back there.
01:19:34He's got five of these left and I'll let you have it.
01:19:45Hey, they're pretty close.
01:19:46Grab what you can.
01:19:47Let's get out of here.
01:19:47Let's get out of here.
01:20:16¡Gracias!
01:20:46¡Gracias!
01:21:16¡Gracias!
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