- 6 days ago
A suspenseful journey unfolds as danger and mystery collide on foreign soil. Trail of the Hidden Enemy (1938) brings the thrills of espionage, hidden plots, and daring pursuits in a classic adventure style.
Originally released in the golden age of cinema, this restored version captures the timeless charm of vintage storytelling and the intrigue of secret missions across distant lands.
Preserved and remastered for modern audiences, this film remains a treasure for lovers of mystery, drama, and classic adventure.
Originally released in the golden age of cinema, this restored version captures the timeless charm of vintage storytelling and the intrigue of secret missions across distant lands.
Preserved and remastered for modern audiences, this film remains a treasure for lovers of mystery, drama, and classic adventure.
Category
🎥
Short filmTranscript
00:00THE END
00:30THE END
01:00I took the liberty of putting a little bread
01:29It wasn't a liberty, Tenney, that was an act of Christian kindness
01:33I rather thought you might say so, sir
01:34Well, Tenney, this is our last day as a bachelor
01:37Yes, sir
01:38After today, we'll be a married man, sir
01:41And if we're not, it won't be our fault this time
01:43Now, let's see
01:47We've done everything Miss Phyllis asked us to
01:49We've stayed shut up in the house for days
01:51No newspapers, no letters, no guns
01:53Tenney, you did dispose of all the guns
01:55Oh, yes, oh, yes, all the guns
01:59Tenney, I believe you're con-
02:00Take it, take it
02:02We're not catching cold now, are we, sir?
02:08You can blame Elsie if we are
02:10It was his idea of taking away our trousers
02:11So we couldn't leave the house
02:12It was a very effective idea, if I may say so, sir
02:15Tenney, he didn't leave a pair by any chance?
02:17Not even rompers, sir
02:19They've all gone with the luggage
02:20Except, of course, the ones that Mr. Longworth's bringing with him
02:24And no money, either
02:25I hope Colonel Nielsen won't forget to bring that when he comes
02:27Oh, I think Colonel Nielsen can be relied upon for that, sir
02:30And the tickets to Nice, who has them?
02:31Mr. Longworth, sir
02:32What, Algie?
02:34Tickets and trousers both?
02:35Oh, that's quite a responsibility for one man
02:37Especially for Mr. Longworth, if I may say so, sir
02:39Now, I think I'd better check up on him, Tenney
02:41Oh, pardon me, sir
02:42We promised Miss Phyllis that we wouldn't use the telephone
02:45Except in emergency
02:46But this is an emergency, Tenney
02:48Now, supposing Algie brought the tickets and forgot the trousers
02:51Can you imagine a honeymoon under circumstances like that?
02:53I can, sir
02:54Rather awkward, I'd say, sir
02:56Then we're agreed that this is an emergency?
02:58Oh, definitely, sir
03:00That is, it has all the year marks of one
03:02Hello, exchange
03:04Get me, uh, four, four, four, four, sir
03:07How's he long worth this end?
03:13Hello, are you there?
03:15Oh, it's you, old fellow
03:17Wedding? What wedding?
03:20My wedding, you blithering idiot
03:21Now, listen, Algie, pay strict attention
03:23Have you got the tickets?
03:25You bet I have
03:25Right here in my pocket
03:27Good
03:27Now, listen carefully, Algie
03:29Have you got my trousers?
03:32He has them
03:33May I suggest, sir, that you inquire about mine?
03:36Yes, and have you got Tenney's trousers?
03:39Yes, he has them, too
03:39Thank you, sir
03:41Well, Algie
03:42Algie, have you got your own trousers?
03:44Have I got my own trousers?
03:46Now, you, old boy
03:47I...
03:47Uh-oh
03:48Hugh!
03:48I forgot to put them on
03:50What'll I do?
03:58Captain Drummond is on the wire, sir
04:00All right, put him through
04:02Hello, Hugh, what do you want now?
04:08Yes, of course I've got your money
04:10And the marriage license
04:11Yes
04:12I simply thought it might be a good idea to...
04:14All you have to do is to stay inside that house of yours and keep out of trouble.
04:20What?
04:21I simply asked if you were certain this wedding isn't dragging you away from some important case.
04:25No, there's not a thing on my desk you can stick your long, unwanted, interfering nose into, Hugh Drummond.
04:32And you're supposed not to talk on the telephone. Goodbye.
04:35Hello? Of course it's Phyllis.
04:42Hugh, darling, you promised not to use the telephone.
04:46Has anything happened?
04:47No, no, no, darling. I just wanted to know if...
04:49If she has the rings, sir.
04:51Yes. Have you got the rings?
04:53Of course I've got the rings.
04:55Now, will you behave yourself and do as you've been told?
04:57Oh, but, sweetheart, I am. She has the rings.
05:00And if I don't get out of this place soon, I'll go crazy.
05:02Pardon me, sir. We shall go crazy.
05:04Yes, we shall go crazy.
05:07I'm leaving right now to pick up Colonel Nielsen at Greystone Manor.
05:10We'll be there in no time at all.
05:13Of course I love you.
05:16Bye.
05:17Goodbye, sweet.
05:19Well, Tenny, she's on her way. Nothing can stop us now.
05:22This time we're going to be married.
05:24It would seem so, sir, sir.
05:25It's self-sacrifice it's done it, Tenny.
05:27Staying shut up here for days, weeks, years, centuries.
05:30But it's worth it, Tenny. It's worth it.
05:32I dare say, sir.
05:34May I make a suggestion, sir?
05:35Certainly. What is it?
05:36The telephone, sir.
05:37Yes, what about it?
05:38It might be the one weak link in an otherwise invincible chain, sir.
05:43You're right, Tenny. We might be lured into something over the wire.
05:46Precisely, sir.
05:47Ah, thank you.
05:54Now we are protected.
05:55And not holy, sir.
05:57Hmm?
05:58Obviously.
06:01May I further suggest so?
06:05Oh, an excellent idea, Tenny.
06:06I'd rather like it, sir.
06:07Hey, how is the Miss Mark?
06:08Thank you sir.
06:09I'd rather like it, sir.
06:10Ha'
06:13Ha'
06:15ha.
06:24Ha'
06:29Ha'
06:30ha'
06:32Phillips!
06:42Phillips, where are you?
06:44Colonel Nielsen.
06:50Good evening, Colonel.
06:52Ah.
06:54And who are you?
06:56I'm afraid Scotland Yard is slipping.
07:00You didn't wear a beard when you ran away and your face is darker.
07:04The African sun.
07:06The African sun.
07:08I see.
07:10The photographs on our files were a much younger man.
07:12Richard Lane.
07:14Some kind of an ex-diplomat.
07:16Decorated by the Crown during the war for services of unusual merit.
07:22The Crown made a mistake.
07:24So you do remember me?
07:26Scotland Yard never forgets a spy until he's shot.
07:28Oh, Colonel, let's avoid the unpleasant words.
07:30Won't you join me?
07:32Oh, how nice of you.
07:34May I suggest the sherry? You'll find it excellent.
07:36Oh, fine.
07:38Aren't you a bit curious as to why I'm here?
07:40No, no, no, no, no.
07:42You've undoubtedly come all the way from Africa to give yourself up.
07:44Ha, ha.
07:45Scarcely that.
07:46Well, perhaps you've come to return the plans of the Brenton bomber.
07:49Which you auctioned off to an enemy government twelve years ago.
07:52My, you have an excellent memory, Colonel.
07:54So they tell me.
07:58I suppose it surprises you that the fox comes hunting for the hound.
08:01You doubtless expect to get away?
08:03Oh, yes, yes, of course.
08:04You see, had I called upon you at the yard,
08:06the odds would have been too great, even for me.
08:08How dare say.
08:09Oh, yes, yes.
08:13Will you excuse me for a moment?
08:15Oh, no, wait a moment.
08:16I'm sorry, Colonel.
08:17I'm going to kindly help you.
08:19Here's the key.
08:20Oh.
08:21My apologies.
08:30Luck seems to have turned against me.
08:32You ought to know that all important papers are kept in the yard.
08:35Yes, I should have thought about that.
08:39You were preparing to attend Captain Drummond's wedding, weren't you?
08:42How do you know about Drummond's wedding?
08:44Your man Phillips was quite informative.
08:46It will simplify things a great deal if you are equally so.
08:49And if I retain my clam-like silence?
08:52Won't you sit down?
08:57You servicemen are all alike.
08:59Very much the same in spirit.
09:01Admirable, too, in a way.
09:02Now you, for example, remind me of Commander Knox,
09:05when I requested information about the 18-inch coast gun.
09:08So you were responsible for his disappearance?
09:11Yes.
09:12Many great nations will pay money for each other's war secrets.
09:16Really?
09:17A great deal of money.
09:21Now, isn't it a fact, Colonel,
09:23that your government has designs for radio wave disintegrator
09:26which will make it impossible for an enemy to intercept your signal during time of war?
09:30I hadn't heard of it.
09:33Oh, come, come.
09:34The Burton signal apparatus.
09:36Invented by one of the yard's own radio technicians.
09:39You know all about it.
09:40You're going to tell me.
09:42And just how do you propose to make me tell you?
09:47If you persist in being obstinate, Colonel,
09:49I'm afraid you'll be late for Captain Drummond's wedding.
09:54Good evening.
09:55Good evening.
10:00Good evening.
10:01Good evening.
10:02I've called for Colonel Neilson.
10:03And you are?
10:04Miss Clavering.
10:05Oh, yes, yes, of course.
10:06Miss Clavering.
10:07Where's Phillips?
10:08Well, this is Phillips' night off.
10:09His night off?
10:10Yes, cinema, I believe.
10:11I talk to him a little while ago.
10:13It must have been rather sudden.
10:14It was rather sudden.
10:15Well, I'm in a frightful hurry.
10:16I wonder if you would be good at what to do.
10:18First of all, he's going through the window.
10:19Yes, he's going through the window.
10:20Take care, desperd Look.
10:21It looks good at mine, Joslyn.
10:22Thinkard?
10:26No, come on.
10:28Good evening.
10:30Good evening.
10:31Good evening.
10:32Good evening.
10:33I've called for Colonel Neilson.
10:34And you are?
10:36Miss Clavering.
10:37Oh, yes, yes, of course.
10:39I'm in a frightful hurry. I wonder if you'd be good enough to tell the colonel I'm here.
10:43Miss Clavering, perhaps I'd better explain. You see, I'm the new tenant of Greystone Manor.
10:48The new tenant?
10:49Yes.
10:50But I talked to the colonel only this morning.
10:53And he didn't tell you?
10:54No.
10:55Well, that's strange.
10:57Of course, the colonel's a busy man, but he turned the place over to me today.
11:02Then he's not here?
11:04No. He's gone to Rockham Lodge to be with Captain Drummond.
11:08Then I must hurry.
11:11Well, Miss Clavering, since we're going to be neighbors, I do hope to see more of you and Captain Drummond.
11:17You know about the wedding?
11:18Yes, the colonel told me, and might I offer my good wishes.
11:25Do you mind if I ask you something?
11:27No, not at all.
11:28I have the strangest feeling of having known you before.
11:31No, I hardly think so.
11:33I couldn't have forgotten so charming an acquaintance.
11:36That's very nice of you.
11:38Good night.
11:39Good night, Miss Clavering.
11:41I have no warning you.
11:43Who are you, Michel?
11:44Yes.
11:45Good night.
12:53Hello?
12:55Give me Captain Drummond at Rockingham Lodge.
12:57Hurry, please.
13:04But they must answer. Someone's there, I know. Try again.
13:16Louder, Penny. Louder.
13:25Oh, I know, sir. I know. A wish for the halen nectar.
13:30Oh, Penny, you anticipate my every wish.
13:32With the perfume of the purple heather in every drop, sir.
13:35Well, I do believe you're a poet.
13:37Thank you, sir. And a good fellow.
13:39Well, you're not so bad yourself, sir.
13:44Well, Penny, since it's our last day as a bachelor, shall we drink to...
13:47Miss Phyllis, sir?
13:48Aye.
13:49And tis a bonnie last year, sir.
13:54That's Algie.
13:55Our pants.
13:59Ready, Penny?
14:01Well, not.
14:02Sounds are coming.
14:03I know who I know is.
14:04I know who I know is.
14:05I know who I know is.
14:06Darling!
14:07Hugh, something terrible.
14:08Who, me?
14:09It's the colonel. He's gone.
14:10With my money, the scoundrel.
14:11He's been kidnapped.
14:12Do you hear that, Penny?
14:13Somebody stole the colonel.
14:14Great Scots, sir.
14:15What will he be taking next? Generals?
14:16A man with a beard.
14:17And a cast in one eye.
14:18Oh, Hugh, please be serious.
14:19There were two men.
14:20One with a beard.
14:21I couldn't see the other.
14:22Oh, now, darling.
14:23You've got things all mixed up.
14:24I'm the one who finds bearded villains, not you.
14:25Oh, Penny, you believe me, don't you?
14:27Oh, that is, uh...
14:29We stay in the house and try to keep out of mischief.
14:31And now you come along.
14:33I know you've got them hidden in the car.
14:36I know you've got them hidden in the car.
14:40Hugh!
14:41Well, where is he?
14:42I told you.
14:43I stopped at Greystone to pick him up.
14:44And the man with a beard said he was the new tenant.
14:46Now, Colonel Nielsen wouldn't let Greystone to anyone.
14:47He said the colonel had come on here.
14:48But I went back and watched.
14:49Good work, darling.
14:50They brought Colonel Nielsen out unconscious.
14:51And took him away in his own car.
14:52Away?
14:53Where?
14:54I don't know.
14:55I tried to phone you.
14:56I cut the wires.
14:57Penny!
14:58Cummings on.
14:59As usual, Cummings on.
15:00Your head's off.
15:01What's going on?
15:02You've got him hidden in the car.
15:03You've got him hidden in the car.
15:04Hugh!
15:05Well, where is he?
15:06As usual.
15:07Cummings, sir.
15:08Your head's off.
15:09What's that?
15:10Mr. Longworth removed our firearms, sir.
15:13So I took the precaution of hiding these.
15:16Penny, you said there were no guns in the house.
15:19Pardon me, sir.
15:20These are not guns.
15:21These are pistols.
15:22You see, darling, we kept our word.
15:24Good work, Penny.
15:25I rather like it, sir.
15:26Hurry, Hugh.
15:27Hurry!
15:28I said Hugh, Phyllis.
15:29I've got your pants.
15:30I mean, where are you going?
15:31Greystone Manor.
15:32Greystone Manor?
15:33Uh...
15:34Greystone Manor?
15:35I mean, where are you going?
15:36Greystone Manor.
15:37Greystone Manor?
15:38Uh...
16:04You look in there, Penny.
16:05I'll look in there.
16:06You'll come with me.
16:11There's the colonel's briefcase.
16:16Hello, operator.
16:17This is Captain Drummond speaking from Colonel Nielsen's residence.
16:20Will you get me Scotland Yard immediately?
16:22Yes.
16:23Yes, you can call me here.
16:25Hugh, look!
16:47Tony!
16:48Coming, sir!
16:49Easy now.
16:51Easy now.
16:53Captain Drummond.
16:55Phillips, old man. Who did this?
16:57It was...
16:59Richard.
17:01Yes?
17:03This may help, sir.
17:10Drummond speaking.
17:11Yard? Yes, get me Inspector Blair, quickly.
17:14Who was it, Phillips? Can't you tell me?
17:16It was Richard Lane.
17:19Richard Lane.
17:21Now I know why his face was so familiar.
17:23I remember his picture in the papers, without a beard.
17:25Well, Nielsen's been after him for years.
17:27Hello, Blair. This is Drummond.
17:29I'm at Nielsen's. He's been kidnapped.
17:31I said kidnapped.
17:33Yes, by Richard Lane.
17:35I don't care if Lane hasn't been in England for years.
17:37He was here half an hour ago.
17:39Captain Drummond. Hold on a minute.
17:41Yes, Phillips.
17:43Got an aeroplane.
17:45Near him and he.
17:47They're taking him to...
17:49Where, Phillips? Where?
17:51To Africa.
17:53Somewhere near Arby.
17:55Morocco.
17:57Hello, Blair.
17:59The butler says Lane has a plane on Hampton Heath.
18:01Yes, they're taking Nielsen to Morocco.
18:03Somewhere near Arby.
18:05Yes, Morocco.
18:07Now, you send some men to the Heath.
18:09I'll try to stop him.
18:10Right.
18:16Isn't there something we can do?
18:17We can get the man who killed him.
18:19Come on, dummy.
18:39Now, where are you going?
18:43Hampton Heath, sir.
18:45Hampton Heath?
18:47I wish you make up your mind where you are going to get married.
18:49Do you think he'll be all right?
19:05Yes, of course he'll be all right.
19:07Hey, look.
19:09There's a plane.
19:12Say penis.
19:14Say penis.
19:18Well, it wasn't a bad idea.
19:20There's a plane on.
19:21Well, here's a plane.
19:23Right.
19:25I'll go.
19:26Well, it wasn't a bad idea, Tenny.
19:40It wasn't a good one, sir.
19:43Hugh!
19:45Hugh, you're crazy.
19:47I mean, are you crazy?
19:48Are those my friends, Algie?
19:49Yes, but I...
19:50Never mind, later.
19:51Oh, but listen, never mind, Algie.
19:53Here you are, Tenny.
19:54Excuse me, darling.
19:55But Hugh, I'm in a dither.
19:57Have you gone slightly barmy?
19:58I'm mad, if that's what you mean.
20:00Mad?
20:00Oh, oh, you mean angry, annoyed, irritated, as it were.
20:03What about you?
20:04Plain, Algie.
20:04Colonel Nielsen's been in.
20:05What's he doing up there?
20:06Kidnapped, Algie.
20:07Kidnapped.
20:08Kidnapped?
20:08Nielsen?
20:09I say, oh, well, you're sure you're quite all right.
20:11I mean, the wedding, the excitement, and all that sort of thing.
20:13Of course I'm all right, Algie.
20:14I'm going to kill us for this.
20:15She started it.
20:15Kill us?
20:16I saw the man put Colonel Nielsen in his car.
20:18What for?
20:19We're going to follow and find out.
20:21Who's that?
20:21Police, don't say anything about trying to follow Nielsen.
20:27They might try to stop us.
20:31Captain Drummond.
20:32Hello, Sergeant.
20:33The yard calls on the Waza.
20:34Yes, it's too bad you didn't get here five minutes earlier.
20:36There's your man up there.
20:37There's the card I used to abduct Colonel Nielsen.
20:39You better take a look at it.
20:40Right, sir.
20:46Now's our chance to get away, Algie.
20:48Tenney.
20:48Tenney, sir.
20:49I say, Hugh, but where do we go?
20:51Possibly Africa.
20:52Africa.
20:53Africa?
21:12Tenney, get those doors open, be it good, sir.
21:16Algie, you better check that reserve tank in case we need it.
21:18Right post.
21:19Captain Drummond.
21:23Captain Drummond.
21:24Just a moment, sir.
21:25Sir.
21:26Well, Sergeant.
21:27I see we're just in time, sir.
21:29Time for what?
21:30To carry out orders, sir.
21:31Orders, Sergeant?
21:32Aye, sir.
21:33To see if you do not leave England tonight.
21:35You mean to tell me I can't take my plane for a flight if I want to?
21:37Orders, sir.
21:38The yard wants no interference in handling a certain case.
21:41Oh, well, we're just going for a pleasure flight.
21:42A few friends, you know.
21:43Up in the clouds.
21:44You know, good for asthma and all that sort of thing.
21:48Yes, you see.
21:49Sorry, sir.
21:50Orders, disorders.
21:51Jenkins, you remain here until we leave.
21:52Very good, Sergeant.
21:53This plane is not to be taken out.
21:54Understand?
21:55This plane is not to be taken out.
21:56Understand?
21:57This plane is not to be taken out.
21:58Excuse me.
21:59Excuse me.
22:06I say choose.
22:07Move later, Alty.
22:25Alty, open the parachute box.
22:26But the chutes are in the box where they belong.
22:27Yes, Elsie. In the box. Locked in the box.
22:31Oh, that's right. Locked in the box.
22:34Yes. I see if they're still there.
22:37Goodbye, darling.
22:38Q, don't try anything. He's the Lord.
22:40I've got to, darling. It's our only chance.
22:42If you're that crazy, I'll be crazy too. I'm going with you.
22:45You're staying here.
22:46I'm not. This was supposed to be our wedding night.
22:49In case you've forgotten.
22:50I know, darling. I'm sorry, but I love you and I want to marry you
22:53and I'm going to marry you, but not tonight.
22:55Now, will you please get in the car and run along?
22:58Oh, all right. I suppose I don't have to.
23:01Goodbye.
23:03Be careful.
23:05Good girl.
23:11Smoke, constable?
23:12Not when I'm on duty, sir.
23:13Oh, I beg your pardon. I only meant sure there were no hard feelings.
23:16Oh, I understand, sir. Thank you, sir.
23:18You wouldn't mind if we inspect our parachutes as long as we're here.
23:21Well, I suppose it'll be all right, sir.
23:24If you have any doubts, you can come and watch us.
23:26Oh, that's all right, sir. It's not that I don't trust you, but...
23:29The orders is orders.
23:30That's right, sir.
23:31The orders is orders.
23:38What's the matter, Algie?
23:39Oh, there's something stuck down there. I simply can't get them out.
23:42I'm ashamed of you, Algie. A big, strong fellow like you.
23:45Well, I guess you're right, Algie. You seem to be stuck.
23:46Blimey your hand.
23:47Oh, I suppose we ought to give it up.
23:48Oh, don't say give up, gentlemen. Let me give you a hand.
23:49Oh, no, no. Don't bother, constable. You might strain yourself.
23:50Oh, nonsense. They used to call me Little Goliath.
23:51No.
23:52Now you watch me.
23:53here. Here. Here you are. I'll say you can't do that. Here. What are you doing?
24:09I saw you gone, dear lady.
24:11What are you doing?
24:15Beautiful, Alty.
24:17Penny! Penny, sir.
24:19What's the hat here?
24:21And this, Alty, was to have been my wedding night.
24:40Why, Joe, if you, that reminds me.
24:42Of what?
24:43This must still have been your wedding night.
24:45That's what I said.
24:46But that's when I heard it.
24:48There are times, Alty, when silence is...
24:51Golden?
24:52Yes, when silence is golden.
24:54That's what Penny said.
24:55Oh, I see.
24:56And you mean that this is one of those times, huh?
24:58Emphatically.
25:00I hated running out on Phyllis like that, but we couldn't bring her with us.
25:03Of course not.
25:04Danger and all that sort of figure.
25:06Pardon me, sir.
25:07Your guns, sir?
25:08Oh, yes, certainly.
25:09Why?
25:10Jolly business, what?
25:12It depends upon the point of view, sir.
25:18I see you.
25:21Yes, Alty?
25:22Can we depend on that thing?
25:24Yes, Alty?
25:25Alty, it's about 1,200 miles.
25:32We should reach the African coast by dawn, parting accidents.
25:35Accidents?
25:36Hugh, you haven't had a crash yet, have you?
25:38It can always be a first time, Alty.
25:40Of course, it can always be a first time.
25:42What?
25:43Don't worry, old boy.
25:44I think we'll get through, all right?
25:45I hope.
25:46Miss Harlan.
25:47Miss Harlan.
25:48My Phyllis.
25:49I know I shouldn't, but here I am, and here we are.
25:53This is a surprise.
25:54Here, sit down.
25:56Well, darling, now you're in the soup with the rest of us.
25:58Nice soup.
26:00I've often wondered about it, and now I know.
26:02What?
26:03Why I love you.
26:04Do you think we could be married in Morocco?
26:06Or would they make us use a Mohammedan priest?
26:08Well, then we'd be Mohammedans, and I could have a heron.
26:11That would be lovely.
26:12But don't try it.
26:16Well, here we go.
26:17Better fasten your belts.
26:21Well, here we go.
26:22Better fasten your belts.
26:23Well, here we go.
26:24Better fasten your belts.
26:28Well, here we go.
26:29Better fasten your belts.
26:31Well, fair enough.
26:32Well, thank you, and here it is.
26:33Let's see, my neighbors.
26:34I'll take a little further, Captain.
26:35Take a little further.
26:36I'll take a little further.
26:37I'll take a little further.
26:38I'll take a little further.
26:39I'll take a little further.
26:40I'll take a little further.
26:41C'mon, will I?
26:42Good evening, sir.
26:47Good evening, sir.
26:52Good evening, sir.
26:55Good evening, sir.
26:57Welcome to the Surcalarbee.
27:00Have you a landing permit?
27:03A landing permit, old boy.
27:06Oh, landing permit!
27:09Well, you see, we left England rather hurriedly and...
27:12Oh, you must have a landing permit, sir.
27:14We will arrange for it at the British Consulate.
27:16Oh, the Capitani is attached to the Consulate?
27:18Well, not exactly, but I'm sure that they'll see that everything is in order.
27:21The Consulate will not open its doors for several hours, sir.
27:24In that case, we'll take a look around the town, what?
27:26Oh, that will not be possible, sir, until later.
27:28Oh, I see. Not until later.
27:30Uh, shall we, Algie?
27:33I don't think so.
27:40Ah, we're losing our grip, Algie.
27:43Uh, Arby has a hotel, Nadal.
27:45Hotel?
27:46Si, senor, the Hotel de Maroc.
27:48We'll escort you there.
27:49Yes, I thought perhaps you would.
27:51After you.
27:52Oh, after you, senor.
27:54After you.
27:55Welcome to Arby, darling.
28:03Romantic, isn't it?
28:08If the heat of an African sun can be classed as, uh, romantic, sir.
28:15Right you are.
28:16Right you are.
28:17Right you are.
28:18Right you are.
28:19Come on.
28:20Come on.
28:21Come on.
28:22Come on.
28:23Come on.
28:24Come on.
28:25Come on.
28:26Come on.
28:27Come on.
28:28Come on.
28:29Come on.
28:30Come on.
28:31Come on.
28:32Come on.
28:33Come on.
28:34Come on.
28:35Yes.
28:36Mr. Baker can see you, sir.
28:37Let him come in.
28:38Yes, Major.
28:39Ah.
28:40Good morning, Charles.
28:41Major.
28:42Sit down.
28:43Sit down.
28:45You're quite a stranger.
28:46Yes, I rarely leave my place, you know.
28:48Pretty much of a hermit.
28:49Don't you find life a bit dull in that country place of yours?
28:51As a matter of fact, Major, that's why I'm here.
28:53I've decided to have a little fling.
28:54London.
28:55Paris.
28:56Paris.
28:57Yes.
28:58It's been over a year since I was away.
28:59I'll enjoy it, I think.
29:00I wish I could go with you.
29:01I wish you could, Major.
29:02And, oh, yes, uh, by the way, of course, I'll need a visa for my passport.
29:05Oh, that's easy.
29:06Just see McAllister across the street.
29:07Come on.
29:08Come on.
29:09Come on.
29:10Come on.
29:11Come on.
29:12Come on.
29:13Come on.
29:14Come on.
29:15Just see McAllister across the hall.
29:16Fine.
29:18Well, good-bye, Major.
29:19Good-bye, sir.
29:20And I wish you a pleasant journey.
29:27Yes?
29:28Captain Drummond is here to see you, sir.
29:30Oh, send him in.
29:31Yes, sir.
29:32That door, Captain.
29:34Would you mind waiting here?
29:36Certainly not, senor.
29:38Captain Drummond.
29:39I'm glad to know you, Major Gray.
29:40Sit down.
29:42Drummond.
29:43You stand in danger of arrest by the local authorities for landing here without a permit.
29:44Yes, it's about arranging for a permit that I'm here.
29:45Consulate regulations state that all subjects of the Empire shall receive any assistance of
29:46which they may stand indeed.
29:47The Scotland Yard has cabled me to assist you according to the regulations.
29:48That's very decent of them.
29:49Furthermore, the Yard has ordered me to assist you back to England in double-quick time.
30:00But Major, you don't understand.
30:01I understand perfectly.
30:02I've ordered your plane's service.
30:03From the moment it's ready, off you go.
30:05You're lucky we're not leaving you in a Moroccan jail for a few weeks.
30:10But deixar was Esker.
30:11Legal Moshe is not moving over here.
30:12He went back home and
30:15to work at that pace.
30:16You're lucky we're not leaving you in a Moroccan jail for a few weeks.
30:19But, Major, if you... Just a moment, please.
30:21Yes, Major?
30:22Did the guard accompany Captain Drummond?
30:24Yes, Major.
30:25Ask him to step into the hall.
30:26Very good, sir.
30:27Major, when I left England...
30:28I know all about you, Drummond.
30:30You left England in defiance of an official order.
30:32After resisting an officer of the Crown.
30:34That constable didn't know I was coming to Arby.
30:36The Scotland Yard did.
30:38Captain Drummond is returning to England.
30:39He's not to leave his hotel without authority from me and under escort.
30:43Si, Senor. Si, Major.
30:44I tell you Colonel Nielsen was kidnapped.
30:46Rubbish, Drummond.
30:47The Yard warned me you'd say something like that.
30:49Cable him again. Ask him if he's in his office.
30:52Well, Major, I'm off.
30:53Well, goodbye, sir, and good luck.
30:55Just a moment. You're Richard Lane.
30:57You're mistaken, Drummond.
30:58Mistake in my eye. Major, this man is Richard Lane.
31:00He's murdered Nielsen's butler and kidnapped Nielsen.
31:02This is the man I followed in my plane.
31:04That's enough, Drummond.
31:05But, Major, I...
31:05This gentleman is Mr. Charles Maeger.
31:07To my knowledge, he hasn't been out of Arby for a year.
31:10My apologies, sir. I hope you'll overlook this.
31:12Perfectly all right, Major.
31:14Good day, sir.
31:16Major, that man was in England last night.
31:18Captain Drummond, you will be notified when your plane is serviced.
31:22Good morning.
31:23Yes, good morning.
31:24After you, Senor.
31:28Do you think Lane knows wrong to him, sir?
31:42I'm certain he doesn't.
31:44Is MacTurk back yet?
31:45No, not yet, sir.
31:51Well, what do you want?
31:52I'm afraid these will have to be burned.
31:55MacTurk.
31:56That's a perfect disguise.
31:58Too perfect, Major.
31:59Well, what did you find out?
32:01They've got Nielsen all right.
32:03I wasn't a hundred yards away when that plane came down.
32:05Lane's place, of course.
32:06Right.
32:07I flashed Nielsen a heliograph message.
32:10And scouted around the house about a quarter of a mile away.
32:13And I waited for three or four hours, and just as I was about to give up, I caught a flash of light.
32:19Heliograph signaled from one of the upper windows.
32:21What did his message say?
32:23Safe so far, Lane expecting three of his agents.
32:28Delay raid until tonight.
32:30I don't like it.
32:32These are his orders.
32:33He's gambling his life, and I won't risk it.
32:35Fourteen, you made arrangements with the local police for the raid, as I told you.
32:39No, Major.
32:40Well, why haven't you?
32:42Because there will be no raid.
32:44What's the meaning of this?
32:45Will you gentlemen please raise your hands?
32:47Sir.
32:48I wouldn't try that if I were you.
32:50There's a car in the rear, Major.
33:12Ah.
33:13Well, you, uh, found your quarters comfortable, Guino?
33:17Quite.
33:18The confinement is becoming a little monotonous.
33:21Yes.
33:22Yes, I understand perfectly.
33:24If you come with me, perhaps I can relieve that monotony.
33:29You may.
33:30Are you, uh, wondering about your chances of escape?
33:32Naturally.
33:33Of course you're too smart.
33:34At least I hope you are to attempt it.
33:35Oh, thank you.
33:36After you, Colonel.
33:37As you say.
33:38A little kingdom of my own, Colonel.
33:39You know, far from the maddening crowd.
33:41Mm.
33:42Hello, Boo Boo.
33:43Mimi?
33:44How's Mabel over there?
33:45Is that Mabel?
33:46Yes.
33:47Yes.
33:48Yes.
33:49Oh.
33:50Oh.
33:51Oh, it's a little kingdom of my own, Colonel.
33:53Oh, no.
33:54You know, far from the maddening crowd.
33:56Mm.
33:57Hello, Boo Boo.
33:58Mimi?
33:59How's Mabel over there?
34:00Is that Mabel?
34:01Yes.
34:02Oh.
34:03Oh.
34:04Oh.
34:05Oh.
34:06Oh.
34:07Oh.
34:08Oh.
34:11Oh.
34:12Oh.
34:13Oh.
34:14Oh.
34:15Oh.
34:16My pets, Colonel.
34:19Your pets?
34:20Yes, I find them extremely useful.
34:23Yes, I imagine they do discourage visitors.
34:26Oh, no, no, on the contrary, they welcome visitors.
34:29They follow me.
34:31Yes, I'll follow you.
34:32I thought you would.
34:33Now, this fellow over here, he's a favorite.
34:35But, uh, we mustn't go too close.
34:38Oh, don't worry, I won't.
34:46Gentlemen, I have a surprise for you.
34:56Allow me to present our old opponent, Colonel Nielsen.
34:59How do you go?
35:00Colonel Venenda Ackley.
35:02Charles.
35:03Delighted.
35:04Ackley's is the agent who obtained from your government the plans for the Sudan.
35:09Which were changed immediately, rendering them valorous.
35:11Yes, but not before we sold them.
35:14Had a very nice figure.
35:14Really?
35:16Very clever, I know, Charles.
35:18And this is Dr. Sturm.
35:19Doctor?
35:22How do you do?
35:24Baronewski?
35:27Oh, uh, have all arrangements been made for Captain Drummond's departure?
35:30Yes, sir, all arrangements.
35:32Drummond's plane will explode in midair.
35:34That means that, uh, Captain Drummond and his party will vanish at about a hundred miles at sea.
35:40Have you nothing to say, Colonel?
35:41You underestimate Captain Drummond's ability.
35:45You know, Nielsen, I rather admire you.
35:50I think under different circumstances we could get along well together.
35:53The circumstances would, as you say, have to be different.
35:57Oh, yes, yes, yes, of course, different, uh, Colonel.
36:05To a very courageous opponent.
36:08Courageous even in defeat.
36:10And may I, in the depth of my defeat, offer a toast?
36:15Why, surely.
36:17To men who have lost all sense of honor.
36:21To men who have disgraced the countries that gave them birth.
36:26To you, gentlemen.
36:27After dinner, we will discuss Colonel Nielsen's toast.
36:38In detail.
36:40Have a chair, Colonel.
36:42Thank you so much.
36:48I'd hate to be in this plane when this thing goes off.
36:51What time am I receding it for?
36:52For Dinsed at nine o'clock.
36:54Oh, I say, Hugh, those dancing fellas are doing some pretty nifty tailspin.
37:14Alfie, now is not the time to become analytical about the toxic-arramed peculiarities of some derling wervishes.
37:19Derling wervishes?
37:20Yes, swirling dervishes.
37:21Here, lend a hand with those sheets.
37:23Oh, yes.
37:23Be sure to tie the knots double because we can't use broken legs.
37:26But, Hugh, how are we going to find Lane's place after which...
37:29Well, that is, if we do get out of here.
37:30Then we'll worry about that when we get out.
37:32Yes, but then...
37:33If Lane has a place, Alfie will find it.
37:34And Colonel Nielsen, too.
37:35Right.
37:38That's Phyllis, I hope.
37:39Don't you hear?
37:50Yes.
37:51They are up to something.
37:53Caporal, you are the most suspicious one.
37:57Good work, darling.
37:58I'd rather like it, sir.
37:59I still don't think it's long enough to reach the ground.
38:01Well, as if we can work our way along that ledge, it'll reach from the balcony.
38:04Yeah.
38:04And only 50 feet to a nice stone courtyard below.
38:08Now, if you want to know what I'm in favor of doing...
38:10What, Alfie?
38:12I'm in favor of trying it.
38:14Yes, that's what I thought.
38:16Now, darling, promise me something.
38:17Yes, sir.
38:18Promise me that you'll stay here.
38:19But...
38:19And not try to follow us.
38:20But...
38:20Let me no buts, darling.
38:21You stay here or else...
38:22Or else what?
38:23Or else I'll thrash you.
38:24Yes, Captain, darling.
38:26But don't try it.
38:28Goodbye, darling.
38:29Here we go.
38:36You next, Alfie, and then Tenny.
38:37Be careful, Hugh.
38:40Come back here.
38:41There's someone at the door.
38:42Deliver.
38:42Tell him I'm in the bar or something.
38:53Why do you take so long, senor?
38:55I was attending Captain Drummond.
38:57And the captain is...
38:58In his bar.
39:00Ah, then we will wait.
39:02Si, senorita, senor, senor Fordy of the British Conque.
39:07How do you do?
39:08Good evening.
39:09If you don't mind, I'll wait for the captain.
39:12Yes, of course.
39:13We were just listening to the music.
39:15Yes, and jolly good music, too.
39:17Yes, sounds just like...
39:18Just like music.
39:20And the music.
39:22It should come in much better if I open the window.
39:24He'll get me out.
39:25Get me out.
39:30You too, Cosmo boy.
39:31Have a good drink.
39:31I'm just going to pour one.
39:34We saw Captain Drummond go into that room, did we not?
39:37Si, here we're the other.
39:38Did we see him come out?
39:39No.
39:40Yes.
39:41The gentleman said he was in his bed.
39:42Does he so?
39:43It cannot be so.
39:45Why?
39:46There is one bedroom on each floor, empty bedroom.
39:49It is not in there.
39:50It is down there.
39:52Then if he's not there, he must be there.
39:55And yet they say he is not.
39:58Then is he or is he not in his room?
40:02Something very, very strange.
40:04So, we shall see.
40:08Pardon, senorita.
40:09Senores.
40:10Where is Captain Drummond?
40:11I've already told you Captain Drummond is in his bath.
40:12Bath?
40:13It is not all right if my guest desires a bath.
40:15There is no bath, senor.
40:16There is no bath?
40:17Not in here.
40:18Over there.
40:19Search that room.
40:20Seek a bath.
40:21Here, here, here, here.
40:22Stand aside.
40:23Ha!
40:24So.
40:25Quite so.
40:26Yes.
40:27Quite so.
40:28Ah.
40:29Ah.
40:30Ah.
40:31Ah.
40:32Ah.
40:33And what, senor, is this for?
40:34To climb an hour.
40:35Well, let's go.
40:36Yes.
40:37Yes.
40:38Yes.
40:39Yes.
40:40Yes.
40:41Yes.
40:42Yes.
40:43Yes.
40:44Yes.
40:45Yes.
40:46Yes.
40:47Yes.
40:48Quite so.
40:57And what, senor, is this for?
41:00To climb an hour.
41:01Well, darling.
41:02Good evening, Captain Drummond.
41:04Well, I can't agree with you, but we won't argue the point.
41:06I have major great instructions.
41:08Yes, I know.
41:09Mr. Fordeen, Miss Clavering, this gentleman has come to escort us to our plane and out of Morocco.
41:14I'm sorry, sir.
41:15Well, here we go.
41:16But, Hugh, we can't leave without Colonel Nielsen.
41:18Oh, you need have no fears about Colonel Nielsen who's clevering.
41:21I suppose he's safe at his office in London?
41:23Yes.
41:24We received a cable grant from Scotland Yard assuring us that Colonel Nielsen did spend the day in his office.
41:28As usual.
41:29As usual.
41:30But he couldn't.
41:31I saw those men carry him out of the house.
41:33Yes, I know, darling, but this gentleman says he spent the day in his office as usual.
41:36But, Hugh.
41:37We have no choice, darling.
41:38And my ship is in order?
41:39Oh, perfect order, Captain.
41:41Get your coat, darling.
41:46Captain Drummond, you will fly directly to England.
41:51Well, there seems to be no point in doing anything else if Colonel Nielsen is there.
41:54Well then, goodbye.
41:55Goodbye.
41:56Goodbye, senores.
41:57Come along, Alty.
41:58Goodbye.
41:59Oh, goodbye, old boy.
42:00I hope I don't see you again.
42:01Oh, that is.
42:02Unless we have to breathe.
42:03Adios, senores.
42:04Adios, senores.
42:30Nice peoples.
42:31Too bad they could not get a landing permit.
42:32Ah, they'll forget about it in an hour or so.
42:53You don't believe Nielsen's in England?
42:55Course I don't.
42:56Then why have we been flying out to sea for the past half hour?
42:59Monkey business, Algie.
43:00Monkey business?
43:01In case our Mr. Fordeen decided to follow us.
43:04No, we're turning back.
43:05Turning back?
43:06Right now.
43:07We're caught engine trouble.
43:08They wouldn't ask us to come down at sea in a land plane, would they?
43:11Well, let's not ask them, huh?
43:23If we're returning, sir, might I suggest that we land somewhere near Mr. Richard Lane's place?
43:28That's easier said than done, Tony. We don't know where it is.
43:30What will we do, sir?
43:31I need inquiries among the hotel staff as to the residents of Mr. Charles Meagher.
43:37Mr. Richard Lane to us, sir.
43:39Good work, Tony.
43:40I rather thought you might like it, sir.
43:42I've indicated it on this travel folder.
43:45Hex marks the spot, eh?
43:46Yes, sir.
43:54The place is just there, sir.
43:55The men to the west is fairly level.
43:57Good.
43:58Here go the flares.
44:00If anyone's watching, those flares will be a dead giveaway.
44:12Take that chance, darling.
44:13The moment we land, everybody get out and run.
44:15We'll soon know if they've spotted us.
44:17No!
44:18You're not.
44:19No!
44:20No!
44:21No!
44:52You were supposed to be well out at sea when that happened.
45:03Instead of which, we're less than a mile from Lane's house.
45:05That's as close as you're going to get, my love.
45:06Penny, you stay here with Miss Phillips.
45:08May you go, Tom.
45:08You.
45:09Right here.
45:09But.
45:10No arguments now.
45:11Yes, sir.
45:12That's better.
45:12Take my gun.
45:13Our guns, if you will remember, my love, were confiscated by the police.
45:16Not all of them, Miss.
45:18If you wouldn't mind just turning your head to a second.
45:22I carried this just in peace.
45:28Good work, Penny.
45:29Brilliant idea.
45:30I'd rather like it, Tom.
45:32Goodbye, darling.
45:33Somehow or other.
45:34We're always saying goodbye.
45:35Let's hope this will be the last time.
45:36Let's hope it won't.
45:39Take good care of it, Penny.
45:40With my life, sir.
45:42Right outside, darling.
45:42Come along, Elsie.
45:43Be careful, Hugh.
45:44Sit down.
46:11Transmit this in cold for our London agents.
46:16Well, you enjoyed your dinner?
46:19The condemned man ate a hearty meal.
46:23Let Colonel Nielsen, the gentleman, serve as a model.
46:26A sense of humor in the face of death.
46:29Now I suppose you are ready to tell us about the radio wave disintegrator?
46:32Well, if I have to die, I don't see that I'd gain much by it.
46:36That's right.
46:37Doubly right to make it more emphatic.
46:39Are you suggesting a bargain?
46:42For my life?
46:43Most decidedly.
46:45Well, now, of course, if I were to turn you loose, that would mean that I have to establish new headquarters.
46:50Very difficult thing to do.
46:52I have something you want.
46:56Now, you can sell this disintegrator idea for millions.
46:59Enough to buy a dozen places like this.
47:01Yes, that's true.
47:02But what assurance have I that you're telling the truth?
47:06Well, what assurance have I that you'd turn me loose if I did?
47:10That's a chance you'll have to take.
47:13Is that final?
47:15That's final.
47:17You may proceed.
47:17The radio wave disintegrator is a means by which the signals, either voice or dot and dash code, are reversed in transmission.
47:35The low frequencies becoming high frequencies, and vice versa.
47:39There's nothing new to that, Colonel.
47:41On the contrary, a single word, transmitted in normal code, informs the receiving station of the carrier wave combination being used in this special transmission.
47:56How does it sound, Doctor?
48:00I'll ask a few questions, please.
48:02And let's hope, Colonel, that you have the correct answers.
48:06He promised not to follow them, miss.
48:08Well, I just can't stay here doing nothing.
48:09Of course, miss, if you, uh, decided to have a little scout around, I'd have to follow you, wouldn't I?
48:16An excellent idea, Teddy.
48:17Come on.
48:29Why, dear.
48:30And you cannot explain the means by which the transposed signals are separate from the fluctuating carrier wave?
48:46Unfortunately, no.
48:48Doctor, what do you think?
48:52The gentleman is lying.
48:54Yes, I was afraid so.
48:55Yeah, I'll wait.
48:57Never chance, Algie.
48:58Wait.
48:59You put very little value on your life, Colonel.
49:01It was worth a try.
49:03I'm wondering if you'd tell the truth to save three lives.
49:06I have only one.
49:09I'm referring to your friend Major Gray and his assistant, McTurk.
49:13What do you know about Gray and McTurk?
49:15I have them upstairs.
49:17Their lives depend on you.
49:20Now, I'll drive the bargain.
49:23Furnish us with the information Dr. Sturm says you're withholding,
49:25and I guarantee that you and your friends will be released within a week.
49:30By whom may I ask?
49:32The local police.
49:33They'd be informed.
49:36May I think it over?
49:37May, you have exactly five minutes.
49:43Five minutes.
49:44Five minutes.
50:07Hugh, Hugh, I don't think you're going to go that way.
50:10Quiet, Algie.
50:11The man's chained.
50:12Come on.
50:12I say, Hugh.
50:38He's not at all bad-looking when he's asleep, is he?
50:40Quiet, Algie.
50:41Let me in here.
50:42Yes, help him.
50:42Yes, help him.
50:54They go to hold him, huh?
50:56I think so, Algie.
50:57He'll use this.
51:11You! You!
51:13Close the door, Alcee.
51:19Major!
51:21What's the matter?
51:23You!
51:25You!
51:27You!
51:29You!
51:35Close the door, Alcee.
51:37Major!
51:39Major!
51:41Major Cray! Major Cray!
51:43Still disobeying all those troubles.
51:45Carry on.
51:47This chap's in pretty bad shape.
51:49See if there's some water around here, Alcee.
52:03Your pets seem a little restless tonight.
52:07Yes.
52:09At Hungary.
52:16Well, Colonel, have you decided?
52:19Not yet.
52:21In that case, perhaps we can assist you.
52:23This way, please.
52:37Come on.
52:45Back.
52:58All right, Colonel. Stand back.
53:07I am full bend, Colonel.
53:23You can still save yourself by telling the truth.
53:25All right.
53:27Come on.
53:28Come on.
53:29Up.
53:35Up.
53:48Up the back of the desk. Get up!
53:49Up, let's get him.
53:51Get up.
53:52Get up.
54:01Get up.
54:03Get up.
54:05Get up.
54:07firmly.
54:09Get up.
54:12Get back!
54:15Come on.
54:26I'm going to let my kids survive.
54:31See, Algie, I'm going through that.
54:32Sneak up a little.
54:33Right on, old boy.
54:45Where did he get you?
54:47I have a hob.
54:49Come on, let's get out of here.
54:51Come on out, Garland.
54:53Come on.
54:55Come on, let's get out of here.
54:57Come on out, Garland.
55:01Come on out.
55:15Come on.
55:45Come on.
56:15Come on.
56:17Come on out.
56:20Come on out.
56:22Come on out.
56:28Get in.
56:38Come on out.
56:40Pick up.
56:42Come on out.
56:44Captain Drummond.
56:46Captain Drummond.
56:48Captain Drummond.
56:50Captain Drummond.
56:52Come. Come. Come.
56:57Fine fellow, Drummond.
57:00Captain Drummond.
57:02Captain Drummond.
57:12Fine fellow, Drummond.
57:15I rather like him, sir.
57:30I might have a bow to you.
57:45Just going to SRW kör,
57:59Amen.
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