- 7 minutes ago
Young Sherlock Season 1 Episode 7 (2026).
The story continues as young Sherlock dives deeper into a complex mystery that challenges his intelligence and instincts. With every clue uncovered, the case becomes more dangerous and unpredictable.
In Episode 7, unexpected twists and hidden motives push Sherlock closer to the truth while putting him at greater risk. His sharp mind and determination are tested like never before.
Young Sherlock delivers another gripping episode filled with suspense, mystery, and clever storytelling.
Watch Young Sherlock S01E07 (2026) full episode in HD.
The story continues as young Sherlock dives deeper into a complex mystery that challenges his intelligence and instincts. With every clue uncovered, the case becomes more dangerous and unpredictable.
In Episode 7, unexpected twists and hidden motives push Sherlock closer to the truth while putting him at greater risk. His sharp mind and determination are tested like never before.
Young Sherlock delivers another gripping episode filled with suspense, mystery, and clever storytelling.
Watch Young Sherlock S01E07 (2026) full episode in HD.
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TVTranscript
00:03It's not your fault, Sherlock. It's not your fault.
00:30Find me Sherlock, and find me.
00:35Ones for sorrow, twos for joy,
00:41Threes for a girl, and fours for a boy,
00:51Fives for silver, six for gold,
00:58To fall, to fall, to fall.
00:59No, no, no, no, no, no, no, no, no, no, no.
01:02Find me Sherlock, and find me Sherlock.
01:06Letters, letters, letters, come on.
01:12Come on!
01:17You're all right. I got you.
01:21You're all getting shot, eh?
01:23It's a terribly stupid thing to do.
01:26Here, let's get your-
01:26No, no, no, no, no, no, no, no.
01:28She directs a shoot, my father.
01:30We have to stop her.
01:32I'm not leaving you, don't, yeah?
01:33Sherlock!
01:35Oh, he's bleeding.
01:36So I think that has something to do with the bullet in his head.
01:38Yes.
01:39I'm sorry to be a burden, brother, dear.
01:40No burden, brother, dude.
01:41Come on, let's get a walk.
01:43If she gets to my father, we may never find Beatrice.
01:46Go.
01:46Drop him.
01:47Go, James, go!
01:49Now, you listen to me, we are going to get this fixed up.
01:52Are you crying?
01:53No.
01:55Why not?
01:56One, two, three.
01:58Up!
02:02He's been shot.
02:03Oh, my poor boy.
02:05We have to find our hospital.
02:07A dash of open would be great, dear.
02:18This way.
02:19Why?
02:20How do you know?
02:20Because only one hospital is still open.
02:22Sadly, it's where the gunfire is coming from.
02:33Right, put him down.
02:35Take him, take him.
02:55What are you doing?
02:57Give me that.
02:57I'm stopping you from shooting that man.
02:59Why?
02:59Because that's Sherlock's father.
03:03That's his father.
03:04I didn't know.
03:05Is he?
03:06Is he?
03:09Oh, I'll be taken there.
03:12Thank you kindly.
03:16Up we go.
03:17Over the top.
03:21Right in the back.
03:22Where are we going?
03:23I'm afraid we're going to have to go the long way round, brother.
03:26All aboard.
03:27Off we go.
03:29You may be in my way, James.
03:30But I have no wish to see you dead.
03:32A mind of fear, everyone, huh?
03:34Because you shot Sherlock.
03:36Not intentional.
03:37Oh, right.
03:38It wasn't intentional.
03:38I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:44He's alive.
03:46You'll be glad to hear.
03:48His brother's looking after him.
03:50Is Sherlock looking for his father?
03:52Yes.
03:53Where are you going?
03:54To find Sherlock.
03:55He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:00There's only one hospital still open in Paris.
04:03That's where my crotch will take him.
04:06Come in.
04:07Hey, the professor!
04:08Look at my car!
04:34You had no choice.
04:36There'll be more of them.
04:38We need to go.
04:45James!
04:46We need to go!
05:10We need to go!
05:19Oh, my God!
05:23I found out my wound.
05:27Monsieur.
05:28Monsieur.
05:29Doctor.
05:30Je vous en prie.
05:31On a tiré sur mon fils.
05:33Regardez autour de vous, madame.
05:34Tout pareillait blessé par malin.
05:36Oui, oui, mais je vous en supplie.
05:38Oh, come on, I wish to make my life bloody impossible.
05:40I'm around there.
05:41Et moi,
05:43si vous me le soignez pas.
05:47C'est de l'or, c'est de l'or.
05:49Prenez-les pour la révolution, oui.
05:52Mais vous devez vous, vous devez vous en couper immédiatement, par pitié.
05:57Monsieur, s'il vous plaît.
05:58Vite, vite.
05:59Monsieur, ici, ici.
06:00Laissez-moi voir.
06:03Infernière.
06:05Préparez-les pour une opération chirurgicale.
06:07Allez, il faut le partir, s'il vous plaît.
06:09Vous pouvez pas rester.
06:11Allez-moi, mettez-moi.
06:12Laissez-moi faire mon travail.
06:13Merci, monsieur.
06:14Merci, monsieur.
06:36Sous-titrage ST' 501
07:01Sous-titrage ST' 501
07:45Sous-titrage ST' 501
07:45Sous-titrage ST' 501
07:52Sous-titrage ST' 501
08:06Sous-titrage ST' 501
08:10Sous-titrage ST' 501
08:10Sous-titrage ST' 501
08:11Sous-titrage ST' 501
08:23Oh, can I get you some water?
08:26Yes, yes.
08:28Ah!
08:29He's too stubborn to die.
08:31James, where on earth have you been?
08:33Are you all right?
08:35Are you all right?
08:41I'm fine.
08:43James.
08:44I'm fine.
08:46I'm fine.
08:48You're still lazing about, I see.
08:50Up you get. What?
08:52There's work to be done.
08:53Oh, I'm only missing Mrs. Holmes.
08:57It's good to see you.
09:01Did you?
09:03Stop her.
09:05I did.
09:09And I brought her here.
09:10Now don't piss your bedpan.
09:13She's so loud.
09:18Hello, Sherlock.
09:19What on earth are you doing here?
09:22I need to speak with you.
09:23An inch to the left, my brother would be dead.
09:25I wasn't aiming at him.
09:27I was aiming at your father.
09:29Ah! Well that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:34James,
09:35why is she here?
09:37Because I think you need to hear what she has to say.
09:39Because I think you need to hear what she has to say.
09:43My name is Showei.
09:46I come from the village of Taian in Gansu.
09:50High in the hills.
09:54This is the effect of what the scientists in Oxford were working on.
09:59What you saw in that tunnel.
10:01They first tested on my village.
10:06On my parents.
10:10There is a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:17And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:24But Professor Malik betrayed him.
10:26Sold it at the highest bidder.
10:28A private buyer.
10:31My father.
10:34Yes.
10:39I'm so profoundly sorry.
10:43It's not your pity I need, but your help.
10:46To ensure this can never happen again to anyone.
10:49Anywhere.
10:50You want to stop our father.
10:52And you want to find him.
10:53Yes.
10:54I propose we combine our talents.
10:56Double our chances of tracking him down.
10:59Yes.
11:00But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:06So you cannot touch him until we have that information.
11:09And after that?
11:11Oh, after that you can do whatever you like to him.
11:13And provided my sons don't have any objection, of course.
11:16Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:25But if that's what it takes to find Beatrice.
11:28That's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:34His name is...
11:35Esad Kashkali.
11:37At the demonstration, the boys were told to follow the usual channels at the two corners.
11:42For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:46two corners.
11:47Two corners?
11:50An intersection?
11:51Doesn't exactly narrow it down, Sherlock.
12:03Matchboxes.
12:05What do you mean, darling?
12:06On the table where Father was sat, they were matchboxes.
12:10With a design on the front of two corners.
12:15Is there an address in it?
12:20I wasn't close enough to get a good look.
12:23I can't be sure.
12:24Well, it's as good a place as I need to start.
12:28I'll get going.
12:31I'll go with him.
12:34Well, I'd be delighted to have your company.
12:42Hello.
12:43You're going to make me immensely rich.
12:49Yes, I'm not ready.
12:59It's no juice.
13:02Excuse me.
13:04Have you used this one?
13:06No.
13:08Sorry.
13:10Impossible is a word.
13:12Only found in the dictionary of fools.
13:16That's what Silas said.
13:19Why that quote? Maybe it means something.
13:22Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon.
13:38It's Napoleon's hat.
13:41Famous bi-corn. It has two corners.
13:44Leg l'olive.
13:45What?
13:46The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:52It's only fitting that we should meet at the famous two corners where you can contact Mr. Esart Kashgar.
14:00You have no idea.
14:05I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:09About a year ago, father asked me what I was working on.
14:13Yes.
14:14Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:19I didn't know any details at the time, but I told him that I was working for the government.
14:22It was secret.
14:25He obviously set about making his own inquiries.
14:27The only person who can be blamed for what has happened is your father.
14:32Oh, let's let Mycroft torture himself, mother.
14:36At least for a while.
14:41Righto.
14:43Where are you going?
14:44I need to get a message to London and warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:54Try not to die in my absence, would you?
14:57Reasonable request, mother?
14:59Thank you, darling.
15:03No sign of Esart.
15:13You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:21You're not nearly as mysterious as you assume.
15:29When you killed for the first time.
15:34How did you feel?
15:36A great weight on my chest, pressing harder every day so I can hardly breathe.
15:43And now I live with it.
15:49Strange.
15:52I don't feel any of that.
16:04Strange.
16:20Esart Kashkali has a regular table at a brasserie called the Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke Dermont.
16:29Still no sign of silence?
16:32No, I'm afraid not.
16:33This is awesome.
16:35So we will need to lure him out of the shadows.
16:37But how, darling?
16:40By posing as customers.
16:43Hmm.
16:45Please don't mind your stitches.
16:47I am all right.
16:47I am all right.
16:53This is what we are going to do.
17:11Hello.
17:13Sorry, madame. It's occupied. I'm expecting something.
17:16Yes. Oui. Madame Dormant.
17:19Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:23Enchanté.
17:24What if he recognizes you with them with thunk?
17:31Meanwhile, the actual buyer will be redirected by the Eagle and Olive's newest waiter to me.
17:38Excusez-moi monsieur, the Duke Dormont.
17:41Cecil Fillemont.
17:42I'll give him the sales pitch.
17:44Then the Duke will duly hand over his money,
17:47which James will deliver to my mother,
17:49allowing us to finance stage two of the operation.
17:58What is stage two of the operation?
18:01I'm so glad you asked.
18:03I have something for you.
18:05You will ask to meet the bigwig himself.
18:08Excuse me, madame.
18:12Unable to resist so intriguing an offer,
18:14Silas will then agree to meet with them a day.
18:17Here's a little music to get in front.
18:19I don't know, something like...
18:21Talking about my...
18:24Generation.
18:26Keep moving.
18:27Well, it's not exactly like that.
18:29I'm going to take my breath in.
18:31Bonjour.
18:32And here we go.
18:33Now tell us where Beatrice is.
18:35Yeah. That's it.
18:38What could possibly go wrong?
18:40The key to being successful, confidence men...
18:42And women?
18:44The key to being successful, confidence men and women...
18:47is confidence.
18:51I love the eyepatch.
18:56Hello.
19:00Hello.
19:02Hello.
19:04Hello, Monsieur.
19:05Excuse me, Monsieur.
19:07Excuse me, Monsieur.
19:07The Duke Dermont.
19:10Cecil Fillemont.
19:15So...
19:18Where is Mr. Casgalli?
19:20I do hope you understand, Duke.
19:21The unexpected events of our demonstration have forced us to change our plans.
19:26My instructions were to hand the money only to Mr. Casgalli himself.
19:31I don't deal with the monkey.
19:33Only with the grinder of the organ.
19:35Speaking as a monkey, I concur.
19:39More common sense is what is needed in this topsy-turvy world of ours.
19:42But, if that is your instinct, you will have to come back another day, understood?
19:47Understood.
19:48Then I shall take your advice.
19:51It'd be remiss of me not to inform you that the incident in the tunnels has only, in fact, proven
19:57the potency of our product.
20:00We're selling out fast.
20:01Not right, Monsieur.
20:04If you delay, you would risk missing out altogether.
20:12Have a great day, Sir.
20:27Let's go.
20:46Burgundy 57, some people say that I prefer 62, but for me, if I wanted that much oak, I would
20:52eat a tree.
20:56So, tell me what you think of my proposal.
20:59You introduce me to your boss, and in return, I furnish you with a finder's fee.
21:09Voilà.
21:13You carry your money in a plant pot.
21:21Mr. Holmes is in the back.
21:25Perhaps Mr. Holmes could come here?
21:27You will be able to talk to him more freely and privately.
21:34If you wish to meet him, there it is.
21:37I will not see you in the back.
21:59Monsieur?
22:00Can you please?
22:04Monsieur...
22:09So...
22:12We both know you're not the Duke's wife.
22:16Who are you really, madame?
22:20Do you doubt my monies?
22:24Pardon?
22:25Do you doubt the value of my money?
22:27Do you believe it's real?
22:29It looks real.
22:31You are correct. I am not Madame Dormand.
22:34And I do apologize for the deception.
22:37But now that I have your attention, I should like to inform you
22:41that I am working on behalf of a very prominent British investor
22:46who wishes to make a significant purchase from Mr Silas Holmes.
22:51And if you play your part in arranging this,
22:55I can assure you that the money in that pot is merely the tip of the iceberg.
23:01Purely for your own pockets, you understand.
23:04So, as I see it, you have two options.
23:09You can either continue to insult me and let this golden opportunity slip through your fingers,
23:15or you can simply introduce me to Mr Silas Holmes.
23:21And this is taking too long.
23:26Patrona haber gönder.
23:30Baron, acil görüşmemiz gerekiyor.
23:33Esad.
23:36Come back here tomorrow at the same time, and I will have an answer for you, Madame.
23:42Thank you, sir. I am much obliged.
24:05Who's sending a telegram to Silas?
24:29I'll go ahead. Of course it is.
24:30Oh shit. All destruction.
24:32How about this time we don't do one of your clever little scams, or pickpocket dances?
24:37I'll go ahead. Of course it is.
24:38Just let me try something.
24:44Hello, sir.
24:46Hello, sir. What is this for you?
24:47This man was here for a few moments.
24:51I will see what he sent them.
24:55Hello, sir.
25:00For your bag.
25:04How about you?
25:06How about you?
25:14How about you?
25:16How about you?
25:21Mr. Holmes.
25:21How about you?
25:22How about you?
25:23How about you?
25:25What's up?
25:25How about you?
25:27This is Holmes.
25:29Your husband is Constantinople.
25:40I need to see the ambassador.
25:42My Croft host.
25:45The point is, ambassador, I now know who sabotaged our government's secret weapons program.
25:50And indeed, I know who stole the weapon.
25:53Yes, yes, well, go on.
25:55Regretfully, sir.
25:59It was my father.
26:01Silas Holmes.
26:04Are you certain of those?
26:05I'm afraid so, sir.
26:07And it appears that the government's interests are now aligned with my own.
26:11We must find my father and bring him to justice.
26:14Yes.
26:16Well, quite, quite, quite.
26:19I shall wire the foreign secretary immediately.
26:21Yes, sir.
26:22Please wait here.
26:23Will do.
26:33Oh.
26:54Apologies for the way.
26:55Not at all, sir.
26:57I have a reply from the Foreign Secretary.
26:59He informs me that you are in disgrace,
27:01and in fact no longer work for Her Majesty's government.
27:04Yes, well, it's a little more nuanced than that.
27:06There is, however, a path to redemption,
27:09if you are prepared to walk it.
27:13Now listen.
27:14Carefully.
27:22Train leaves in an hour.
27:33It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:40My body has changed.
27:41It's changed because you shot me in the stomach.
27:45The details, are you relevant?
27:48Not for me.
27:52You think strength is something physical.
27:55It's body mass,
27:57and muscle,
28:00and reach.
28:03All of which you have over me,
28:05and yet I've bested you in every encounter.
28:07Why?
28:11Because the real strength comes from here.
28:16And here.
28:22James.
28:23Mother.
28:24You found him.
28:26I did.
28:29But he found his ornithole.
28:33Mother.
28:35Have you met with success?
28:36I was.
28:37The British government
28:39has offered her full support
28:40in helping to bring fathers to justice.
28:43Excellent.
28:45So this is what it's come to.
28:47It would certainly seem that way.
28:49Wonderful.
28:50Right, then.
28:52Constantinople.
29:07Where are we going, exactly?
29:09To meet a friend of mine.
29:16This is Emine.
29:18She has agreed to help us.
29:20Welcome to my city.
29:22Oh, my God.
29:28Oh, my God.
29:32Show her the photo.
29:43Have you seen this man?
29:45No.
29:46I love you.
29:51Oh, my God.
30:02That small child is going to find our father, is he?
30:05The lowly status of the street urchin is what makes them the most useful of allies.
30:10They can go anywhere. They are invisible. They're irregulars.
30:39Sir, they are looking for you.
30:51I am very thankful for you, Burak.
30:54I have been waiting for you.
31:24They have found your father. He knows you're here with me.
31:29How?
31:30It seems our street telegraph works both ways.
31:35He wants to see you alone.
31:38Well, darling, I have to come with you.
31:40He was quite specific.
31:43If you want to see your sister, you come alone.
31:47Very well.
31:52Sherlock.
31:54Good luck.
32:13Do you know why magic is so beguiling, Sherlock?
32:18No.
32:19When something seems to defy rational explanation.
32:28Wonder.
32:29Wow.
32:30The impossible.
32:32Made possible.
32:46Is she still alive?
32:47Please sit.
32:48I'd rather not.
32:50But you did back in England.
32:52Solving all this.
32:53Finding me here.
32:54So...
32:55clever.
32:56I'm proud of you, my son.
32:57Not natural for a father to leave his boy for dead now, is it?
33:01Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:06You ran.
33:08I ran because that crazy woman was trying to kill me.
33:12I was the one under attack, remember?
33:15You really think I'd want any harm to come to you?
33:23Harm.
33:26You've done nothing but harm.
33:29Look at me.
33:30You broke my heart.
33:32You broke my mother's heart.
33:34And only God knows what you've done with my sister.
33:36So I ask you politely, please, tell me.
33:40Is my sister still alive?
33:48Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
33:59I still love you, you know.
34:01I'm still the man who raised you.
34:03You're a monster.
34:04Oh, Sherlock.
34:07Don't be so...
34:08simple.
34:09We're all of us capable of good and evil,
34:11even if it helps to call it that.
34:14You included, whether you realize it or not.
34:16Tea?
34:17No.
34:19I acted...
34:21in my best interest.
34:23Of course I did.
34:24But I also acted in yours.
34:27You think you would have become the man you have,
34:29had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave.
34:33Can you?
34:34I can't leave.
34:36Because you won't tell me where my sister is.
34:38Where is she?
34:41She's here.
34:43In Constantinople.
34:44With me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:56So that's his price?
34:58That's his price.
35:01Sure.
35:01What?
35:01She wants me dead, and...
35:03If she kills me, well then you'll never find Beatrice.
35:06Our futures...
35:08are intertwined.
35:10Bring Juan tomorrow...
35:12the square, same time, and I'll give you your sister.
35:15Well then, their choice is not choice at all.
35:18You really find it that easy?
35:20Condemning someone to death?
35:21You all sure are nothing.
35:23No, I don't find it easy, but if it was my sister,
35:26then I wouldn't have the slightest breath of hesitation.
35:28I don't think you should either.
35:31Am I interrupting?
35:32Not at all.
35:34No cracks a noble hat.
35:36Good night, sweet prince.
35:40And flights of angels sing thee to thy rest.
35:53I'm pleased for you.
35:55That your journey ends well.
35:57That you're your sister.
36:03Afterwards, your father is mine to do with, as I see fit.
36:07I realize this is hard for you, but we had an agreement.
36:10I want what's mine.
36:11And you shall have it.
36:14You have my word.
36:20The porter and the princess.
36:29Scout.
36:32Never made it to the illustrious position of porter.
36:35And I was never princess.
36:36Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:52How do you want to feel?
36:53However I'm supposed to.
36:58How do you feel?
36:59You are a work in progress, Sherlock.
37:08I wish I had to get it.
37:30I think there's me and mother from here.
37:45There he is.
37:50She's not with him.
37:51Let me talk to you.
37:52I don't trust him.
37:53I'll be fine, mother.
37:54You wait with Michael.
38:11Silas?
38:13Why do you call me father?
38:17I can't see my sister.
38:20Do you know this city was built to rival the majesty of Rome?
38:25It had the most sophisticated defense fortifications in antiquity.
38:30It has survived foreign empires, brutal wars, disease.
38:39Just about anything human history could throw at it.
38:43This city has endured.
38:47A lovely lecture.
38:49Is it finished?
38:52She doesn't exactly look ready to surrender, Shirley.
38:55She is.
38:57She just doesn't know it yet.
39:00What are they talking about?
39:06You, I expect her.
39:11Now, as you can see, I'm ready to deliver.
39:14So, where's my sister?
39:18Madam.
39:41Bee?
39:43Bee?
39:44Oh, mother!
39:45I'm back.
39:51My darling.
39:55Your move, Magdalene.
39:57I've missed you.
40:01Skylops.
40:02Son.
40:05You know what troubled me the most about killing that soldier?
40:09I might have got a dance for him.
40:12Move.
40:21Let me see your face.
40:23Sherlock!
40:30I find myself not lost for words, which will be a first.
40:37What's the matter, Mother?
40:39It's not her.
40:41Mother.
40:45Silas.
40:46Trust me.
40:48It's not Beatrice.
40:51How about him, Princess?
40:52Thank you, James.
41:00I found her.
41:01Oh no, my God, no!
41:03Oh no, my God, no!
41:08Come on!
41:10Come on!
41:12Finder!
41:13You! I knew you'd betray me, Sherlock.
41:19Are you not my son, after all?
41:24Hello, Mother.
41:28Me?
41:30Me?
41:39Sherlock.
41:41Mycroft.
41:43Raise your hands.
41:47If you'd be so kind.
41:51You too, brother dear.
41:59Isn't this nice?
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