- 2 days ago
Doctor Who (2005) S03E02
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00:01This was like a winter moon that lights the traveller's way.
00:11Her smile was like a summer bloom that bursts then fades away.
00:21My love is night, my love is day. My love, she is my world.
00:31Such sweet music shows your blood to be afire. Why wake me on stale custom for consummation?
00:38Oh, yes. Tonight's the night.
00:47Would you enter, bold sir?
00:50Oh, I would.
00:57Lilith, this cannot be the home of one so beautiful. Forgive me, this is foul.
01:04Shhh. Sad words suit not upon a lover's tongue.
01:15Your kiss transformed me.
01:18A suitor should meet his beloved's parents.
01:21Mother Doomfinger.
01:25And Mother Bloodtide.
01:41Soon, at the hour of woven words, we shall rise again, and this fleeting earth will perish.
01:50Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:54ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:55ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:55ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:56ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:58ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
02:07ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
02:07ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
02:09ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
02:11ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
02:11ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
02:11ha ha ha
02:37Oh, let's take the fun and the mystery out of everything.
02:39Martha, you don't want to know.
02:40It just does.
02:41Hold on tight.
02:42Hold on tight.
02:42Hold on tight.
02:46Hold on tight.
02:47You just have a test to drive the stick?
02:48Yes, and I failed.
02:49Now, make the most of it.
02:51I promised you one trip and one trip only.
02:53Outside this door.
02:56Brave new world.
02:58Where are we?
03:00Take a look.
03:03After you.
03:11Oh, you're kidding me.
03:13You're so kidding me.
03:16Oh, my God, we did it.
03:17We've travelled in time.
03:21Where are we?
03:22No, sorry.
03:23We've got to get used to this.
03:25A whole new language.
03:26When are we?
03:27Mind out.
03:28Oh, no, no!
03:30John, where before they mentioned the toilet?
03:33Sorry about that.
03:34I've seen worse.
03:35I've worked late night shift, eh, Annie?
03:37But are we safe?
03:39I mean, can we move around and stuff?
03:41Of course we can.
03:42Why do you ask?
03:43It's like in the films.
03:44You step on a butterfly.
03:45You change the future of the human race.
03:47I'll tell you what, then.
03:48Don't step on any butterflies.
03:50What are butterflies ever done to you?
03:52What if...
03:53I don't know.
03:54What if I kill my grandfather?
03:56Are you planning to?
03:57No.
03:58All right.
04:00And this is London.
04:01I think so.
04:02Right about, um...
04:051599.
04:06Oh, but hold on.
04:08Am I all right?
04:09I'm not going to get carted off as a slave, am I?
04:11Why would they do that?
04:13I'm not exactly white, in case you haven't noticed.
04:15I'm not even human.
04:15Just walk about how you are in the place.
04:17It works for me.
04:18Besides...
04:18You'd be surprised.
04:20Elizabethan England.
04:21Not so different from your time.
04:24Look over there.
04:26We've got reciting.
04:31Water cooling a moment.
04:33And the earth will be consumed by flames.
04:35And global warming.
04:37Oh, yes.
04:38And entertainment.
04:40Popular entertainment for the masses.
04:42All right.
04:44We've just done the river by Southwark.
04:46Right next to...
04:50Oh, yes.
04:52The Globe Theatre.
04:54Brand new.
04:55Just opened.
04:56No.
04:56Strictly speaking, it's not a globe.
04:58It's a tetradecagon.
04:59Fourteen signs containing the man himself.
05:02Whoa.
05:03You don't mean.
05:05Shakespeare, isn't there?
05:06Oh, yes.
05:08Miss Jones, will you accompany me to the theatre?
05:10Mr. Smith, I will.
05:12When you go home, you can tell everyone you've seen Shakespeare.
05:15Then I could get sectioned.
05:39That's amazing.
05:40Just amazing.
05:42It's worth putting up the smell.
05:46And those are men dressed as women, yeah?
05:48London never changes.
05:51Where's Shakespeare?
05:52I want to see Shakespeare.
05:54Author!
05:55Author!
05:56Do people shout that?
05:57Do they shout author?
05:58Author!
05:59Author!
06:00Author!
06:02Author!
06:04Author!
06:05Author!
06:06Author!
06:06Author!
06:07They do now.
06:08Author!
06:11Author!
06:12Author!
06:13Author!
06:17Author!
06:29It's a bit different to his portraits.
06:52Genius.
06:53He's a genius, THE genius, the most human human there's ever been.
06:57Now, we're gonna hear him speak to him.
06:59Oh, as he chooses the best words, new, beautiful, brilliant words.
07:05Ah! Shut your big fat mouth!
07:12You should never meet your heroes.
07:15You've got excellent taste. I'll give you that.
07:17Oh, that's a wig.
07:21Mind the craft of ancient home.
07:25Time approaches for our charm.
07:27I know what you're all saying.
07:29Love's labor's lost. That's a funny ending, isn't it?
07:32It just stops.
07:34Will the boys get the girls?
07:36Well, don't get your hose in a tangle. You'll find out soon.
07:41Yeah, yeah. All in good time.
07:44You don't rush a genius.
07:51When?
07:55Tomorrow night.
07:59The premiere of my brand new play.
08:02A sequel, no less.
08:04And I call it...
08:05Love's labor's won.
08:15I'm not an expert, but I've never heard of Love's labor's won.
08:20Exactly. The lost play.
08:22It doesn't exist, only in rumors.
08:23It's mentioned in lists of his plays, but it never ever turns up.
08:26And no one knows why.
08:28Have you got a mini disc or something?
08:30We can tape it, we can flog it, sell it when we get home, make a mint.
08:34No.
08:36That would be bad.
08:37Yeah.
08:38Yeah.
08:39How come it disappeared in the first place?
08:42Well...
08:44I was just going to give you a quick little trip in the tardies.
08:48But I suppose you'll stay a bit longer.
09:05Here you go, Will.
09:07Drink up.
09:08There's no fear in this lodging's house to see the Spanish.
09:11Golly, Bailey, you've saved my life.
09:14I'll do more than that later tonight.
09:17And you, girl, hurry up with your tasks.
09:19Talk of gentlemen's best not overheard.
09:22Yes, ma'am.
09:22Sorry, ma'am.
09:23You must be mad, Will.
09:24Love's labor's won.
09:25I mean, we're not ready.
09:26It's supposed to be next week.
09:28Why may I just say that?
09:29You haven't even finished it yet.
09:30I've just got the final seat to go.
09:32You'll get it by morning.
09:33Hello.
09:34Excuse me.
09:34No interrupting, are I?
09:36Mr Shakespeare, isn't it?
09:37Oh, no.
09:38No, no, no.
09:39Who let you in?
09:40No autographs.
09:41No, you can't have yourself sketched with me.
09:43And please don't ask where I get my ideas from.
09:45Thanks for the interest.
09:46Now be a good boy and shove.
09:50Hey, Nonny.
09:51Nonny.
09:52Sit right down here next to me.
09:54You two get sewing on them costumes.
09:56Off you go.
09:57Come on, lads.
09:59Think how William's found his new muse.
10:01Sweet lady.
10:05Such unusual clothes.
10:07So fitted.
10:10Um, verily, forsooth, he gads.
10:13No, no.
10:15Don't do that.
10:17I'm Sir Doctor of Tardis, and this is my companion, Miss Martha Jones.
10:21Interesting.
10:22That bit of paper.
10:23It's blank.
10:24Oh, that's...
10:27Very clever.
10:27That proves it.
10:29Absolute genius.
10:30No, it says right there, Sir Doctor Martha Jones.
10:33It says so.
10:33I say, it's blank.
10:35Psychic.
10:35Psychic paper.
10:37Um...
10:37Long story.
10:38Oh, I hate starting from scratch.
10:40Psychic?
10:40Never heard that before.
10:41And word to my trade.
10:42Who are you, exactly?
10:43What's the point?
10:44Who is your delicious blackamoor lady?
10:47What did you say?
10:48Oops.
10:48Isn't that a word we use nowadays?
10:50An Ethiopian girl?
10:52An Ethiopian girl?
10:52A Soir?
10:52The Queen of Africa?
10:54I can't believe it.
10:55It's political correctness gone mad.
10:57Um, Martha's from a far-off land.
11:00Fredonia.
11:01Excuse me.
11:02Hold hard a moment.
11:03This is abominable behavior.
11:06A new play with no warning.
11:08I demand to see a script, Mr. Shakespeare.
11:10As master of the revels.
11:13Every new script must be registered at my office and examined by me before it can be performed.
11:19Tomorrow morning, first thing, I'll send it round.
11:21I don't work to your schedule.
11:22You work to mine.
11:24The script.
11:24Now!
11:25I can't.
11:26Then tomorrow's performance is cancelled.
11:29It's all going round here, innit?
11:30I'm returning to my office for a banning order.
11:32If it's the last thing I do, Love's Labour's One will never be played.
11:41Oh!
11:42Sorry, sir.
11:43Begging your pardon, sir.
11:45Why don't you don't have that handsome head of yours?
11:47Oh, hard, wanton woman!
11:50I shall return later.
12:02Oh, my mother, sir.
12:04As one seeks to stop the performance tomorrow.
12:06As one seeks to stop the performance tomorrow.
12:06Oh, my mother, sir.
12:07But it must be tomorrow.
12:10Love save as one must be performed.
12:12Fear not.
12:14Chant with me.
12:17Water damns the fiercest flame.
12:20Drown sound girls and boys the same.
12:35Well then, mystery solved.
12:37That's love's labour's want over and done with.
12:39I thought it might be something more, you know, more mysterious.
13:02Is that Lindley, bloke?
13:03What's wrong with it?
13:05Leave it to me. I'm a doctor.
13:06So am I.
13:07New enough.
13:11Now to hot the vital part.
13:14Suck the flesh.
13:16Suck the heart.
13:21Eternal sleep is mine.
13:27I can't get the heart coming.
13:28Mr. Lindley, come on.
13:31Can you hear me?
13:33Can you hear me?
13:34You're going to be all right.
13:36What the hell is that?
14:06I've never seen a death like it.
14:07Tell me the truth.
14:08I'll panic and think it was witchcraft.
14:10Okay.
14:10What was it then?
14:12Witchcraft.
14:14The potion is prepared.
14:17Now, take it.
14:20Magic words for the playwright's fevered mind.
14:24Shakespeare will release us.
14:26The mind of a genius will unlock the tide of blood.
14:31Upon this night, the work is done.
14:34A moose to pen loves labor's work.
14:50I got you a room, sir, doctor.
14:52You and Miss Jones are just across the landing.
15:05And you, sir, doctor, how can a man so young have eyes so old?
15:09I do a lot of reading.
15:11I try to reply, yeah.
15:13That's what I do.
15:16And you, you look at him like you're surprised he exists.
15:20He's as much of a puzzle to you as he is to me.
15:24I think we should say goodnight.
15:30How much to work?
15:31I have a play to complete.
15:35I'll get my answers tomorrow, doctor.
15:37And I'll discover more about you and why this constant performance of yours.
15:43All the world's a stage.
15:45Hmm.
15:46I might use that.
15:48Goodnight, doctor.
15:50Nighty-night, Shakespeare.
16:01It's not exactly five-star, is it?
16:04Oh, it do.
16:05It's been worse.
16:05I haven't even got a toothbrush.
16:07Oh, um...
16:10Contains Venusian spearmint.
16:13So, who's going where?
16:15I mean, there's only one bed.
16:16Well, man, it's come on.
16:22So, magic and stuff.
16:23That's a surprise.
16:24It's all a bit Harry Potter.
16:27Wait till you read book seven.
16:29Oh, I cried.
16:31But is it real, though?
16:32I mean, witches, black magic and all that, it's real?
16:34Of course it isn't.
16:36Well, how am I supposed to know?
16:37I've only just started believing in time travel.
16:39Give me a break.
16:40It looks like witchcraft, but it isn't.
16:43Can't be.
16:43You're going to stand there all night.
16:51Podge up a bit, then.
16:54Sorry.
16:55There's not much room.
16:56Us two here.
16:57Same bed.
16:59Tongues all wag.
17:00There's such a thing as psychic energy,
17:02but a human couldn't channel it like that.
17:04Not without a generator the size of Taunton,
17:06I think we'd have spotted that.
17:07No.
17:11There's something I'm missing, Martha.
17:15Something really close.
17:18Staring me right in the face, and I can't see it.
17:25Rose had known.
17:28A friend of mine, Rose, right now,
17:30she'd say exactly the right thing.
17:39I'll take you back home tomorrow.
17:42Great.
17:54went home tomorrow.
18:04Let's come back.
18:04Come on.
18:09We'll go.
18:10We've got to go.
18:36Bind the mind and take the man.
18:40Speed the words to writer's hand.
19:30We'll finish cleaning just in time for your special treat.
19:34All right. Not the first thing.
19:39I'll take that to aid my flight, and you shall speak no more this night.
19:50What? What was that?
19:59Your heart lay down. She died of fright.
20:03Doctor?
20:05What did you say?
20:07A witch.
20:15Oh, sweet Dolly Bailey.
20:17She set out three bouts of the plague in this place.
20:20We all ran like rats.
20:22But what could have scared her so?
20:23Oh, she had such enormous spirit.
20:26Rage, rage against the dying of the night.
20:29I might use that.
20:31You can't. It's someone else's.
20:33But the thing is, Lindley drowned on dry land.
20:35Dolly died of fright, and they were both connected to you.
20:39You're accusing me.
20:40No, but I saw a witch. Big as you like. Flying, cackling away.
20:44And you've written about witches.
20:46I have. When was that?
20:47Not. Not quite yet.
20:49Peter Street spoke of witches.
20:50Who's Peter Street?
20:51Our builder. He sketched the plans to the Globe.
20:53The Architect.
20:56The Architect.
20:57The Architect! The Globe! Come on!
21:01Columns there, all right?
21:03Fourteen sides.
21:05I've always wondered, but I've never asked.
21:06Tell me, well, why fourteen sides?
21:08It was the shape Peter Street thought best, that's all.
21:11Said he carried the sound well.
21:12Fourteen.
21:14What does that ring a bell? Fourteen.
21:16There's fourteen lines in the sonnet.
21:18So there is.
21:19Good point.
21:20Words and shapes following the same design.
21:23Fourteen lines, fourteen sides, fourteen facets.
21:25Oh, my head.
21:26For a decade.
21:27Think, think, think.
21:27Words, letters, numbers, lines.
21:29This is just the theatre.
21:30Oh, yeah, but the theatre's magic, isn't it?
21:33You should know.
21:33Stand on this stage.
21:35They're the right words.
21:36They're the right emphasis at the right time.
21:38Oh, you can make men weep.
21:41Or cry with joy.
21:43Change them.
21:46You can change people's minds just with words in this place.
21:52And if you exaggerate that.
21:54It's like your police box.
21:55Small wooden box with all that power inside.
21:58Oh.
22:00Oh, Martha Jones.
22:01I like you.
22:02Tell you what, though, Peter Street would know.
22:03Can I talk to him?
22:04We'll give an answer.
22:06A month after finishing this place, he lost his mind.
22:08Why, what happened?
22:09He started raving about witches, hearing voices babbling.
22:12His mind was addled.
22:14Where's he now?
22:14Bedlam.
22:15What's Bedlam?
22:15Bedlam Hospital.
22:17The madhouse.
22:17We've got to go there.
22:18Right now.
22:19Come on.
22:19Wait.
22:20I'm coming with you.
22:21I want to witness this at first hand.
22:23Ralph!
22:23The last scene is promised.
22:25Copy it, hand it round, learn it, speak it.
22:27Back before curtain up.
22:28And remember, kid, project eyes and teeth.
22:31You never know.
22:32A queen might turn up.
22:34As if.
22:35She never does.
22:38So, tell me of Fredonia, where women can be doctors, writers, actors?
22:42This country's ruled by a woman.
22:44Ah, she's royal.
22:44That's God's business.
22:46Though you are a royal beauty.
22:48Whoa, Nellie.
22:49I know for a fact you've got a wife in the country.
22:51But Martha, this is town.
22:53Come on.
22:53We can all the good flirt later.
22:55Is that a promise, Doctor?
22:58Oh, 57 academics just punched the air.
23:01Now move!
23:05Love's Labour's won.
23:07I don't think much of sequels are never as good as the original.
23:09Have you seen this last bit?
23:11Must have been dozing off when he wrote that.
23:13I don't even know what it means.
23:14Yeah, well, that goes for most of his stuff.
23:16Ah!
23:16But, at least it's my speech.
23:18Ha ha!
23:19I get sent to stage.
23:22The light of Shadmok's hollow moon
23:25doth shine on to a point in space
23:28betwixt Dravidian shore.
23:33What was that?
23:36Dravidian shore's linear five,
23:389-3-0-1-6.
23:41A spirit stirs the ether.
23:45Too soon.
23:47Too soon.
23:48Not to fear, my mothers.
23:51It is merely a rehearsal of what's to come.
23:56And strikes the fulsome grove of Rexel IV.
24:03By all the saints.
24:06It's a spirit.
24:09It's a vile shade.
24:18I think we should never speak of this again.
24:21Else we'll end up in Bedlam ourselves.
24:30Please.
24:31Please.
24:32Does my Lord Doctor wish some entertainment while he waits?
24:35Ah!
24:36I'd whip these madmen.
24:37They'll put on a good show for you.
24:39Bandog and Bedlam.
24:40No, I don't.
24:42They'll wait here, my Lord,
24:43while I, er, make him decent for the lady.
24:47So this is what you call a hospital, yeah?
24:49Where the patients are whipped to entertain the gentry?
24:52And you put your friend in here?
24:53No, it's all so different in Fredonia.
24:56But you're clever.
24:57Do you honestly think this place is any good?
24:59I've been mad.
25:00I've lost my mind.
25:01The fear of this place set me right again.
25:03It serves its purpose.
25:04Mad in what way?
25:05You lost your son.
25:07My only boy.
25:08The Black Death took him.
25:09I wasn't even there.
25:11I didn't know.
25:12I'm sorry.
25:13You made me question everything.
25:14The futility of this fleeting existence.
25:16To be or not to be.
25:18Ooh.
25:20That's quite good.
25:21You should write that down.
25:23Maybe not.
25:24Bit pretentious.
25:26This way, Lord!
25:44They could be dangerous, my Lord.
25:45They don't know their own strength.
25:47I think it helps if you don't whip them.
25:48Now get out!
25:54Peter?
25:57Peter Street?
25:59He's the same as he was.
26:01You'll get nothing out of him.
26:05Peter.
26:05Peter.
26:12What is this?
26:14I must see.
26:22That stranger.
26:24He was at the inn with Shakespeare.
26:27I thought then he smelt us something new.
26:30Now he visits the madhouse.
26:32You're the architect.
26:42Peter, I'm the doctor.
26:45Go into the past.
26:48One year ago.
26:50Let your mind go back.
26:53Back to when everything was fine and shiny.
26:58Everything that happened in this year since happened to somebody else.
27:02It was just a story.
27:04A winter's tale.
27:07Let go.
27:10That's it.
27:11That's it.
27:12Just let go.
27:19Tell me the story, Peter.
27:22Tell me about the witches.
27:24Who is this doctor?
27:26Why does he come now at our time of glory?
27:30Doomfinger.
27:31Transport yourself.
27:33Doom the doctor.
27:35Doom his hide.
27:40The witches spoke to Peter.
27:44The witches spoke to Peter.
27:45In the night, they whisper.
27:46They whisper.
27:47They whisper.
27:52God, Peter, to build the globe to their design.
27:55Their design.
27:57The fourteen wars.
28:00Always fourteen.
28:03When the work was done.
28:07They...
28:08They snapped poor Peter's wits.
28:11But where did Peter see the witches?
28:13Where in the city?
28:16Peter, tell me.
28:18You've got to tell me.
28:19Where were they?
28:23All Hallows Street.
28:25Too many words.
28:26What the hell?
28:27Just one touch of the heart.
28:32No!
28:33No!
28:36No!
28:37Witch.
28:38I'm seeing a witch.
28:40Now, who would be next?
28:42Just one touch.
28:48Oh, I'll stop your frantic hearts.
28:52Poor, fragile mortals.
28:55Let's go!
28:56Let's go!
28:57Well, that's not gonna work.
28:58The whole building's shouting there.
28:59Who would die first?
29:02Well, if you're looking for volunteers...
29:04No, don't!
29:05Doctor, can you stop her?
29:06No mortal has power over me.
29:09No, but there's a power in words.
29:11If I can find the right one, if I can just know you...
29:14None on Earth has knowledge of us.
29:16Then it's a good thing I'm here.
29:17Now, I think they think humanoid female uses shapes and words to channel energy.
29:21Ah! Fourteen!
29:23That's it! Fourteen!
29:25The fourteen stars of the Rexel planet!
29:27You're gonna take configuration!
29:28You!
29:29Creature I name you!
29:31Carionite!
29:38What did you do?
29:40I named her.
29:41The power of the name.
29:42That's all magic.
29:44But there's no such thing as magic.
29:46Well, Alice, it's a different sort of science.
29:48You lot, you chose mathematics.
29:49Given the right string of numbers, the right equation, you can split the atom.
29:52But Carionites use words instead.
29:54Use them for what?
29:56The end of the world.
30:06He knows us.
30:08He spoke our name.
30:11Then he will know death.
30:13He will perish at my hand.
30:16My mothers, the time approaches.
30:19You must await the globe.
30:20Go.
30:21I will join you.
30:22As soon as this doctor screams his last.
30:26The Carionites disappeared way back at the dawn of the universe.
30:30Nobody was sure if they were real or legend.
30:32Well, I'm going for real.
30:33But what do they want?
30:34A new empire on Earth.
30:38A world of bones and blood and witchcraft.
30:41But how?
30:43I'm looking at the man with the words.
30:46Me?
30:47But I've done nothing.
30:49Hold on, though.
30:49What were you doing last night when that Carionite was in the room?
30:52Finishing the play.
30:54What happens on the last page?
30:57The boys get the girls.
30:58They have a bit of a dance.
30:59It's all as funny and thought-provoking as usual.
31:03Except those last few lines.
31:06Funny thing is, I don't actually remember writing them.
31:10That's it.
31:12They used you.
31:14They gave you the final words.
31:16Like a spell.
31:17Like a code.
31:17Love's labor's one.
31:18It's a weapon.
31:19The right combination of words, spoken in the right place,
31:21with the shape of the globe, is an energy converter.
31:23The play's the thing.
31:25And yes, you can have that.
31:36We left the lovers of Navarre by cruel chance separated.
31:40None, to claim his heart, their labor's lost.
31:43Now, will they find?
31:46Love's labor's one!
31:55All Hallow Street, there it is.
31:57Martha, we'll track them down.
31:58Will, you get to the globe.
31:59Whatever you do, stop that play.
32:00I'll do it.
32:01All these years, I've been the cleverest man around.
32:03Next to you, I know nothing.
32:05Oh, don't complain.
32:06I'm not.
32:06It's marvelous.
32:08Good luck, Doctor.
32:09Good luck, Shakespeare.
32:09Once more, after the breach.
32:11I like that.
32:12Wait a minute.
32:14That's one of mine.
32:15Oh, just shift!
32:16What?
32:17The eye should have contentment where it rests.
32:23Patience, my sister.
32:25Patience!
32:27Mewling poor, drooped men in stench-
32:29Not the play!
32:30I'm sorry.
32:31Ladies and gentlemen, but stop.
32:34This performance must end immediately.
32:36Oh, everyone's a critic.
32:38Watch me.
32:39See not.
32:40I have the dome.
32:42I'm sorry.
32:43You'll get a refund.
32:44But this play must not be performed.
32:51Is he drunk or what?
32:52Get him out of the range!
32:58And you must forgive our irksome Will.
33:02He's been on the beer and feeling ill.
33:11There is naught that can stop us now.
33:16Oh!
33:17Ball Hallow Street.
33:18Which house?
33:20Thing is, though, am I missing something here?
33:23The world didn't end in 1599.
33:25It just didn't.
33:26Look at me.
33:26I'm living proof.
33:27Oh, how to explain the mechanics of the infinite temporal flux.
33:30I know.
33:31Back to the future.
33:33It's like back to the future.
33:34The film?
33:35No.
33:35No, the novelization.
33:36Yes, the film.
33:37Martin McFly goes back and changes history.
33:39And he starts fading away.
33:41Oh, my God.
33:42Am I gonna fade?
33:43You and the entire future of the human race.
33:45What?
33:46It ends right now in 1599 if we don't stop it.
33:50Witch house.
33:58Make that witch house.
34:12I take it we're expected.
34:14Oh, I think death has been waiting for you a very long time.
34:18Right, then.
34:19It's my turn.
34:20I know how to do this.
34:22I name thee...
34:25Carionite!
34:28What did I do wrong?
34:29Was it the finger?
34:30The power of a name works only once.
34:32Observe.
34:33I gaze upon this bag of bones and now I name thee Martha Jones.
34:39Where'd you go?
34:41Only sleeping, alas.
34:43It's curious.
34:45Name has less impact.
34:46She's somehow out of her time.
34:49That's for you, sir Doctor.
34:53Fascinating.
34:56There is no name.
34:57Where would a man hide his title in such despair?
35:03Oh, but look.
35:06There's still one word with the power of the days.
35:08The naming won't work on me.
35:10But your heart grows cold.
35:12The north wind blows and carries down the distance.
35:17Rose.
35:19Oh, big mistake.
35:21Because that name keeps me fighting you.
35:24The Carionites vanished.
35:25Where did you go?
35:26The Eternals found the right word to banish us into deep darkness.
35:30And how did you escape?
35:32New words.
35:33New.
35:34Glittering.
35:35From a mind like no other.
35:36From a mind like no other.
35:37Shakespeare.
35:40His son perished.
35:43The grief of a genius.
35:46Grief without measure.
35:48Madness enough to allow us entrance.
35:50How many of you?
35:51Just the three.
35:53But the play tonight shall restore the rest.
35:56Then the human race will be purged as pestilence.
36:00And from this world we will lead the universe back.
36:03Into the old ways of blood and magic.
36:06Mmm.
36:07Busy schedule.
36:08But first, you've got to get past me.
36:13Oh, that should be a pleasure.
36:16Considering my enemy has such a handsome shape.
36:21Now, that's one form of magic that's definitely not going to work on me.
36:25Oh, we'll see.
36:28What was that for?
36:28What did you do?
36:30Souvenir.
36:31Well, give it back!
36:37Well, that's just cheating.
36:39Behold, Doctor.
36:40Men to Carionites are nothing but puppets.
36:46Now, you might call that magic.
36:48I'd call that a DNA replication module.
36:51What use is your science now?
36:59Oh, my God, Doctor!
37:01Don't worry.
37:02I've got you.
37:07Hold on, mister.
37:09Two hearts!
37:10Am I going to have it, are they?
37:15I've only got one heart working.
37:18How do you people cope?
37:20I've got to get the other one started.
37:22Hit me.
37:22Hit me on the chest.
37:24Gah!
37:25Other side!
37:27Oh, on the back!
37:28On the back!
37:30Left a bit.
37:31Gah!
37:33Lovely!
37:34There we go.
37:35Ba-da-boom!
37:36What are you standing there for?
37:37Come on!
37:38Go!
37:42They blocked it.
37:44Dead.
37:45The ladies have prepared a show.
37:47Maria means to present Isis descending from the Dewey Org of Heaven.
37:52Ah!
37:52Here comes Costard!
37:58Masters!
38:02We're going the wrong way!
38:04No, we're not!
38:06We're going the wrong way!
38:09Oh, we're not!
38:10We're going the wrong way!
38:11Behold the Swedish sight of woman's love.
38:14Pish!
38:15It's out of season to be heavy disposed.
38:16It is now, my mothers.
38:18The final words to activate the Tentatakakon.
38:22Betwixt Dravidian Shores and Linear 5, 930167.02, and strikes the fulsome grove of Rexel 4, co-radiating crystal, activate!
38:35The portal opens!
38:37It begins!
38:38It ends!
38:39Where will your heads?
38:43Tell me, he'll lose!
38:44I've told you!
38:45I've told you!
38:47I've told you!
38:48I've told you!
38:49Stand up!
38:51Staled up!
38:55Dнем up there!
38:57Steve!
38:58Wow!
39:01Steve!
39:11Stop the play. I think that was it. Yeah, I said stop the play.
39:14I hit my head. Yeah, don't rub it. You'll go bald.
39:17That's my cue.
39:21Now begins the millennium of blood.
39:26Yes!
39:30Doctor, he lives.
39:32Then watch this boy become a blasted heath.
39:35They come. They come!
40:12Come on, world. History needs you.
40:14But what can I do?
40:16Reverse it.
40:16How am I supposed to do that?
40:18The sake of the globe gives worse power, but you're the wordsmith.
40:21The one true genie is the only man clever enough to do it.
40:23But what words I have got ready?
40:25You're William Shakespeare.
40:28These Karenite phrases, they need such precision.
40:31Trust yourself. When you're locked away in your own words just can't hurt.
40:34They're like magic.
40:35Words with the right sound, right shape, the right rhythm.
40:38Words that last forever.
40:39That's what you do, Will. You choose perfect words.
40:42Do it. Improvise.
40:51Close up this din of painful dying decay.
40:55Decomposition of your witch is rot.
40:57You feed my brains.
40:59Consider me your toy.
41:00My dirty doctor tells me I am not.
41:03No.
41:04It breaks the power.
41:06Fall, Karenite's bastards.
41:08Cease your show.
41:10Between the poings.
41:12Seven, six, one, three, nano.
41:14Seven, six, one, three, nano.
41:17Man is like Antikus' cast.
41:20I say to thee.
41:26It's Meliarmus.
41:27It's Meliarmus.
41:28It's Meliarmus.
41:29It's Meliarmus.
41:29We're all JK.
41:35These bastards, they are confused.
41:38Come on, vessel.
41:55Wrap line was won.
41:57There it goes.
41:59No.
42:32I think it was all special effects.
42:34Your effect is special indeed.
42:37It's not your best line.
43:10And I say, a heart for a heart, a dear for a dear.
43:15I don't get it.
43:17Then give me a joke from Fredonia.
43:19Okay.
43:20Shakespeare walks into a pub and the landlord says,
43:24Oi, mate, you're bod.
43:27That's brilliant.
43:28Doesn't make sense, mind you, but never mind, I'll come here.
43:31I've only just met you.
43:33The doctor may never kiss you.
43:35Why not entertain a man who will?
43:38I don't know how to tell you this, oh great genius, but your breath doesn't half stink.
43:44Good prop store back there.
43:47Not sure about this, though.
43:49Reminds me of a sycorax.
43:51Sycorax.
43:52Nice word.
43:53I'll have that off you as well.
43:55I should be on 10%.
43:56How's your head?
43:56Still aching.
43:58Here.
43:59I'll go write you this.
44:01Neck brace.
44:03We'll have that for a few days till it's better, although you might want to keep it.
44:07It suits you.
44:08What about the play?
44:09Gone.
44:10I looked all over.
44:11Every single copy of Love's Labour's One went up in the sky.
44:14My last masterpiece.
44:15You could write it up again.
44:17Yeah, better not, Will.
44:19There's still power in those words.
44:21Maybe it's best I've forgotten.
44:23Oh, but I've got new ideas.
44:25Perhaps it's time I wrote about fathers and sons.
44:27In memory of my boy, my precious Hamnet.
44:30Hamnet?
44:30That's him.
44:32Hamnet.
44:32What's wrong with that?
44:34Anyway, time we were off.
44:35I've got a nice attic in the TARDIS where this lot can screen for all eternity.
44:40And I've got to take Martha back to Fredonia.
44:43You mean travel on through time and space.
44:46You what?
44:46You're from another world like the Carrionites, and Martha is from the future.
44:50It's not hard to work out.
44:52That's incredible.
44:53You are incredible.
44:55You're alike in many ways, Doctor.
44:58Martha, let me say goodbye to you with a new verse.
45:01A sonnet for my dark lady.
45:06Shall I compare thee to a summer's day?
45:09Thou art more lovely, more temperate.
45:11Will!
45:12Will!
45:13Will, you never believe it!
45:14She's here!
45:15She's turned up!
45:16We're the talk of the town.
45:19She heard about last night.
45:20She wants us to perform it again.
45:21Who?
45:22Her Majesty, she's here!
45:28Elizabeth the past!
45:30Doctor!
45:31What?
45:32I swore my enemy.
45:34What?
45:35Off!
45:35With his head!
45:37What?
45:37Well, never mind what!
45:38Run!
45:39Stop it!
45:40Stop it!
45:40And thank you!
45:41Stop!
45:41That pernicious stop!
45:47Stop!
45:48The name of the Queen!
45:51What have you done to upset her?
45:52That's your own home?
45:53You know, yeah, that's time travel for you.
45:55Still, can't wait to find out.
45:56Well, that's something to look forward to.
46:06We're slant bagged in the middle of new New York.
46:09He has arrived.
46:10Help her!
46:14Are you out?
46:15You've got to let her go!
46:19I need to talk to the police.
46:22Do you want some happy?
46:24Fine!
46:24It's all my anger.
46:25How much you want forgetting?
46:26Very well dressed for a hitchhiker.
46:28They say people go missing on the motorway.
46:31Some cars just vanish, never to be seen again.
46:33Because there's something living down there.
46:36What the hell are they?
46:37Yeah!
47:01It's okay.
47:04Yeah!
47:24I'm sorry.
47:27You
47:56You
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