- 8 hours ago
Doctor Who (2005) S01E03
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00:12Sneed and company offer their sincerest condolences, sir, in this most trying hour.
00:21Grandma Ma had a good innings, Mr. Sneed.
00:24She was so full of life.
00:27I can't believe she's gone.
00:28Not gone, Mr. Redpath, sir.
00:31Merely sleeping.
00:36May I have a moment?
00:38Yes, of course.
00:40I should be in the next room, should you require anything.
01:11Oh, no.
01:14Oh, no.
01:15Oh, no.
01:17Oh.
01:21Oh.
01:23Oh.
01:23Oh, no.
01:24We've got another one.
01:36Oh, my God.
01:55Oh, my God.
02:31Hold that one down.
02:32I'm holding this one down.
02:34Hold it both down.
02:36It's not going to work.
02:37I promise you a time machine.
02:38That's what you're getting.
02:39Now, seeing the future, let's have a look at the past.
02:421860.
02:43How does 1860 sound?
02:44What happened to 1860?
02:45I don't know.
02:46Let's find out.
02:47Hold on.
02:47Here we go.
02:58Where are you, girl?
03:03Where have you been?
03:05I was shouting.
03:06Been in the stable, sir, breaking the ice for old Samson.
03:09Well, get back in there and harness him up.
03:11Whatever for, sir.
03:13The stiffs are getting lively again.
03:16Mr. Redpath's grandmother, she's up and on her feet and out there somewhere on the streets.
03:20We've got to find her.
03:21Mr. Snead, for shame.
03:23How many more times?
03:24It's ungodly.
03:25Don't look at me like it's my fault.
03:27Now, come on.
03:28Hurry up.
03:29She was 86.
03:30She can't have got far.
03:31What about Mr. Redpath?
03:33Did you deal with him?
03:36No.
03:38She did.
03:40That's awful, sir.
03:43I know it's not my place.
03:45And please forgive me for talking out of turn, sir.
03:49But this is getting beyond now.
03:54Something terrible is happening in this house.
03:56And we've got to get help.
03:58And we will.
03:59As soon as I get that dead old woman locked up and safe and sound.
04:03Now, stop prevaricating, girl.
04:05Get the hearse ready.
04:06We're going body snatching.
04:22Sorry.
04:23You tell me, you all right?
04:24Yeah.
04:25I think so.
04:26Nothing broken.
04:27Did we make it?
04:28Where are we?
04:29I did it.
04:29Give the mud a metal.
04:31Naples.
04:31December 24, 1860.
04:35That's so weird.
04:36It's Christmas.
04:38All yours?
04:41But it's like, think about it, though.
04:44Christmas. 1860.
04:47Happens once.
04:48Just once, and it's gone.
04:51It's finished.
04:52It'll never happen again.
04:55Except for you.
04:57You can go back and see days that are dead and gone
05:00a hundred thousand sunsets ago.
05:04No wonder you never stay still.
05:06Not a bad life?
05:09Better we're two.
05:14Come on, then.
05:15Where do you think you're going?
05:171860. Go out there, dress like that.
05:18You'll start a riot, Barbarella.
05:20There's a wardrobe suit there. First left, second right,
05:22third on the left, go straight here, under the stairs,
05:24past the bins, fifth door on your left. Hurry up!
05:32Not a sign.
05:35Where is she?
05:37She's vanished into the ether,
05:39so where can she be?
05:45You tell me, girl.
05:47What do you mean?
05:48Could nothing you know full well?
05:51No, sir, I can't.
05:52Use the sight.
05:54It's not right, sir.
05:56Find the old lady, or you're dismissed.
06:01Now, look inside, girl.
06:04Look deep.
06:06Where is she?
06:12She's lost, sir.
06:15She's so alone.
06:18Oh, my lord.
06:19So many strange things in her head.
06:21But where?
06:23She was excited.
06:26About tonight.
06:28Before she passed on, she was going to see him.
06:31Who's him?
06:32The great man.
06:35All the way from London, the great, great man.
06:41Mr. Dickens, Mr. Dickens.
06:43Excuse me, sir, Mr. Dickens, this is your call.
06:48You quite well, sir?
06:50Splendid.
06:51Splendid.
06:51Sorry.
06:53Time you were on, sir.
06:54Absolutely, yeah.
06:56I was just rooting Christmas Eve.
07:01Not the best of times to be alone.
07:04Did no one travel with you, sir?
07:05Had no lady wife waiting out front?
07:08Afraid not.
07:09You can have mine if you want.
07:11Oh, I wouldn't dare.
07:15I've been rather, let's say, clumsy with family matters.
07:20I got too old to cause any more trouble.
07:25You speak as if it's all over, sir.
07:27No, it's never over.
07:31On and on I go.
07:33The same old show.
07:35I'm like a ghost.
07:38Condemned to repeat myself through all eternity.
07:43It's never too late, sir.
07:45You can always think up some new turns.
07:46No, I can't.
07:48Even my imagination grows stale.
07:55I'm an old man.
07:56Perhaps I've thought everything I'll ever think.
08:01The lure of the limelight.
08:04As potent as a pipe, boy.
08:13Oh, the motley.
08:25Blimey.
08:26Don't laugh.
08:27You look beautiful.
08:31Considering?
08:32Considering what?
08:34That you're human.
08:37I think that's a compliment.
08:39Aren't you gonna change?
08:40I've changed my jumper.
08:41Come on.
08:42You stay there.
08:43You've done this before.
08:45This is mine.
09:06Ready for this?
09:10Here we go.
09:12History.
09:22Good cheer.
09:34Here we go.
09:38Here we go.
09:40Good cheer.
09:45name this is
09:46Nothing Oh, It
09:46was not
09:46splurved.
09:54She's in there, sir. I'm certain of it.
10:07I've got the flight a bit wrong.
10:09I don't care.
10:10It's not 1860. It's 1869.
10:13I don't care.
10:14It's not Naples.
10:15I don't care.
10:16It's Cardiff.
10:19Right.
10:22Now, it is a fact that there was nothing particular at all about the knocker on the door of this
10:30house.
10:31But let any man explain to me, if he can, how it happened that Scrooge, having his key in the
10:40lock of the door,
10:41saw in the knocker, without its undergoing any intermediate process of change, not a knocker, but Marley's face.
10:58It looked at Scrooge as Marley used to look.
11:07It looked like...
11:12It looked like...
11:13Oh, my lord.
11:15It looked...
11:19like that.
11:23What...
11:24What...
11:24...Cantasmagoria is this?
11:36That's more like it.
11:40...I...
11:41You...
11:41I...
11:43... którym...
11:44...I beg you...
11:44...it is...
11:45...a lantern...
11:46...shame...
11:46...same...
11:48...someone...
11:50...lose...
12:07...lose...
12:17Did you see where it came from?
12:18Ah, the wag reveals himself, does he?
12:21Trust your satisfied chair.
12:24Oi, leave her alone.
12:25Doctor, I'll get him.
12:27Be careful.
12:28Did it say anything?
12:30Can it speak?
12:31I'm a doctor, by the way.
12:32Doctor, you look more like a navvy.
12:34What's wrong with this jumper?
12:37What are you doing?
12:37Oh, it's a tragedy, miss.
12:39Don't worry, sir, me and the master will deal with it.
12:41Fact is, this poor lady's been taken with a brain fever,
12:44and we have to get her to the infirmary.
12:47Oh, she's dead.
12:49Oh, my God, what did you do to her?
12:53Oh, you're wrong.
13:01What did you do that for?
13:02She's seen too much.
13:04Get her in the hearse.
13:05Legs.
13:10Gas.
13:11It's made of gas.
13:13Gas.
13:14Oh, she's dead.
13:23Move!
13:24Not this kid.
13:25We can eat, sir.
13:26What do you know about that hobgoblin?
13:28Mm-mm.
13:30It'll project on glass.
13:32I suppose who put you up to it now?
13:34Yeah, mate.
13:34Not now, thanks.
13:36Why you?
13:36Follow that hearse.
13:38Well, it's done, now, sir.
13:39Why not?
13:40Tell me why not.
13:41I'll give you a very good reason why not, because this is my coach.
13:44Well, get in, then.
13:47Move!
13:48Yeah!
13:48Yeah!
13:50Come on, you're losing them.
13:51Everything in order, Mr. Dickens?
13:53No, it is not.
13:54What did he say?
13:56Let me see this first.
13:57I'm not without a sense of humor.
13:58Dickens?
13:59Yes.
14:00Charles Dickens?
14:01Yes.
14:02The Charles Dickens.
14:03Should I remove the gentleman's hand?
14:04Charles Dickens?
14:05You're brilliant, you are.
14:07Completely, 100% brilliant.
14:08How about them all?
14:09Great Expectations, Oliver Twist.
14:11And what's the other one?
14:11The one with the ghost?
14:13Christmas Carol?
14:13No, no, no, the one with the trains.
14:15The signalman, that's it.
14:17Terrifying.
14:17The best short story ever written.
14:19You're a genius.
14:20You want me to get rid of him, sir?
14:22Uh, no, I think he can stay.
14:24Honestly, Charles, can I call you, Charles?
14:25I'm such a big fan.
14:27Yeah, what?
14:28Big what?
14:29Fan.
14:29Number one fan, that's me.
14:32How exactly are you a fan?
14:34In what way do you resemble a means of keeping oneself cool?
14:37No, it means fanatic, devoted to you.
14:38Mind you, I've got to say, that American bit of Martin Chuzzlewick,
14:41what's that about?
14:42Was that just padding and what?
14:43I mean, it's rubbish, that bit.
14:44I thought you said you were my fan.
14:46Oh, well, if you can't take criticism.
14:48Go on, do the death a little now.
14:49It cracks me up.
14:50No, sorry, forget about that.
14:52Come on, faster.
14:57Who exactly is in that purse?
14:59My friend.
14:59She's only 19.
15:00It's my fault.
15:01She's in my care.
15:02Now she's in danger.
15:03Why are we wasting my time talking about dry old books?
15:05This is much more important.
15:07Driver, be swift.
15:08The chase is on.
15:09Yes, sir.
15:10Is that a boy, Charlie?
15:11Nobody calls me Charlie.
15:12The ladies do.
15:13I didn't know that.
15:14I told you, I'm your number one.
15:16Number one fan.
15:17I know.
15:21The poor girl's still alive, sir.
15:23What are we going to do with her?
15:25I don't know.
15:26I didn't plan any of this, did I?
15:29Is it my fault if the dead won't stay dead?
15:32Then whose fault is it, sir?
15:35Why is this happening to us?
15:50I did the bishop a favor once, made his nephew look like a cherub, even though he'd be in a
15:55fortnight in the weir.
15:57Hey, perhaps he'll do us an exorcism on the cheap.
16:02Say I'm not in.
16:04Tell them we're closed.
16:05Just get rid of them.
16:24I'm sorry, sir, we closed.
16:26Nonsense.
16:26It's when did an undertaker keep office hours?
16:28The dead don't die on schedule.
16:30I demand to see your master.
16:32He's not in, sir.
16:33Wait to me, child!
16:35Stop it, Mum.
16:36I'm awfully sorry, Mr. Dickens, but the master's indiscosed.
16:40Having trouble with your gas?
16:43What?
16:44Shakespeare is going on.
16:52Are you all right?
16:57You're kidding me, yeah?
16:58You're just kidding.
17:00You are kidding me, aren't you?
17:02Okay, no kidding.
17:08You're not allowed inside, sir.
17:10There's something inside the walls.
17:16The gas pipe.
17:18Something to live in inside the gas.
17:25Oh, let me out!
17:26Open the door!
17:28That's all.
17:29Please, let me out!
17:33Oh, dear, you're sure!
17:35This is my house!
17:37No, you're not allowed.
17:40Let me out!
17:41Sorry, open the door!
17:46Open the door!
17:54I think this is my dance.
17:58It's a prank.
18:00Must be.
18:01We're under some mesmeric influence.
18:03No, we're not.
18:04The dead are walking.
18:05Hi.
18:05Hi.
18:06Who's your friend?
18:07Charles Dickens.
18:09Okay.
18:10My name's the doctor.
18:11Who are you, then?
18:12What do you want?
18:12Thelen, open the rift.
18:14We're dying.
18:16This form cannot sustain.
18:18Help us.
18:36First of all, you drug me.
18:37Then you kidnapped me.
18:38And don't think I didn't feel your hands up in a quick wonder, you dirty old man.
18:42I won't be spoken to like this.
18:43Then you sent me in a room full of zombies.
18:45And if that ain't enough, you swan off and leave me to die.
18:49So come on, talk.
18:50It's not my fault, it's this house.
18:54It always had a reputation.
18:57Haunted.
18:58But I never had much bother until about three months back.
19:01And then the stiffs, the, um, the deer departed.
19:08Started getting restless.
19:10Tommy rod.
19:11You witnessed it?
19:13Can't keep the beggars down, sir.
19:15They walk.
19:17And it's the queerest thing, but they hang on to scraps.
19:20Two sugars, sir, just how you like it.
19:23Well, no fella used to be a sexton, almost walked into his own memorial service.
19:27Just like the old lady going to your performance, sir.
19:29Just as she planned.
19:32Morbid fancy.
19:33Oh, Charles, you were there.
19:34I saw nothing but an illusion.
19:38If you're going to deny it, don't waste my time.
19:40Just shut up.
19:43What about the gas?
19:45Oh, that's new, sir.
19:47I've never seen anything like that.
19:48It means it's getting stronger.
19:49The rift's getting wider and something's sneaking through.
19:52What's the rift?
19:53A weak point in time and space.
19:54A connection between this place and another.
19:56That's the cause of ghost stories most of the time.
19:58That's how I got the house so cheap.
20:01Stories going back generations.
20:05Echoes in the dark.
20:06Queer songs in the air and this feeling like a shadow passing over your soul.
20:14Mind you, truth be told, it's been good for business.
20:17Just what people expect from a gloomy old trade like mine.
20:35Impossible.
20:37Impossible.
20:37Impossible.
20:37Impossible.
20:38Impossible.
20:38Impossible.
20:39Impossible.
20:39Impossible.
20:40Impossible.
20:40Impossible.
20:41Impossible.
20:41Impossible.
20:44Impossible.
20:54Checking for strings?
20:56Wires?
20:58Perhaps there must be some mechanism behind this fraud.
21:01Oh, come on, Charles.
21:03All right.
21:04I shouldn't have told you to shut up.
21:06I'm sorry.
21:07But you've got one of the best minds in the world.
21:09You saw those gas creatures.
21:11I cannot accept that.
21:12And what does the human body do when it decomposes?
21:15It breaks down, produces gas.
21:17Perfect home for these gas things.
21:19They can slip inside, use it as a vehicle.
21:21Just like your driver and his coach.
21:22Stop it.
21:24Can it be that I have the world entirely wrong?
21:29Not wrong.
21:29There's just more to learn.
21:31I've always railed against the fantasist.
21:34Oh, I loved an illusion as much as the next man reveled in them.
21:36And that's exactly what they were.
21:38Illusions.
21:39The real world.
21:40It's something else.
21:43I dedicated myself to that.
21:46Injustices.
21:47The great social causes.
21:49I hoped that I was a force for good.
21:53Now you tell me that the real world is a realm of spectres and jack-o'-lanterns.
22:01In which case, have I wasted my brief span here, Doctor?
22:09Has it all been for nothing?
22:16Please, miss, you shouldn't be helping.
22:18It's not right.
22:19I'm daft.
22:20That sneed, Warcher to death.
22:25How much do you get paid?
22:28Eight pound a year, miss.
22:30How much?
22:31I know.
22:32I would have been happy with six.
22:36So, did you even go to school or what?
22:39Of course I did.
22:41What do you think I am?
22:42An urchin?
22:44I went every Sunday.
22:45Nice and proper.
22:47What?
22:47Once a week?
22:49We did summons and everything.
22:52To be honest, I hated every second.
22:56Me too.
23:01Don't tell anyone.
23:04But one week...
23:05I didn't go on a rundown a heath all on my own.
23:08I've got plenty of that.
23:09I used to go around the shops with my mate Shireen.
23:12We used to go and look at boys.
23:16Well, I don't know much about that, miss.
23:19Come on.
23:20Times haven't changed that much.
23:22I bet you've done the same.
23:23I don't think so, miss.
23:25Gwyneth, you can tell me.
23:28I bet you've got your eye on someone.
23:31I suppose there is one lad.
23:36Butcher's boy.
23:37He comes by every Tuesday.
23:40Such a lovely smile on him.
23:42Like a nice smile.
23:44Good smile.
23:45Nice bum.
23:46Well, I have never heard the like.
23:50Ask him out.
23:52Give him a cup of tea or something.
23:54That's his heart.
23:55I swear it is the strangest thing, miss.
23:59You've got all the claws and the breeding,
24:01but you talk like some sort of wild thing.
24:05Maybe I am.
24:09Maybe that's a good thing.
24:12You need a bit more in your life than Mr. Snead.
24:15Oh, no, that's not fair.
24:17He's not so bad, old Snead.
24:19He was very kind to me to take me in,
24:22because I lost my mum and dad to the flu when I was 12.
24:24Oh, I'm sorry.
24:28Thank you, miss.
24:30But I'll be with them again one day.
24:32Sitting with them in paradise.
24:34I shall be so blessed.
24:37They're waiting for me.
24:39Maybe your dad's up there waiting for you too, miss.
24:42Maybe.
24:46And who told you he was dead?
24:51I don't know.
24:52He must have been the doctor.
24:54My father died years back.
24:57You've been thinking about him lately more than ever.
25:00It's me so.
25:03How do you know all this?
25:06Mr. Snead says I think too much.
25:09I'm all alone down here.
25:11I bet you've got dozens of servants only, Mr. Snead.
25:15No, no servants where I'm from.
25:17And you've come such a long way.
25:19What makes you think so?
25:24You're from London.
25:27I've seen London in drawings, but never like that.
25:31All those people rushing about half naked for shame.
25:38And the noise.
25:40And the metal boxes racing past.
25:44And the birds in the sky.
25:46No, they're metal as well.
25:49Metal birds with people in them.
25:53People are flying.
25:55And you, you've flown so far further than anyone.
25:59The things you've seen.
26:02The darkness.
26:05The big bad wolf.
26:10I'm sorry.
26:10I'm sorry, miss.
26:11I'm sorry.
26:12I can't help it.
26:12Ever since I was a little girl.
26:14My mum said I had the sight.
26:15She told me to hide it.
26:16But it's getting stronger.
26:18More powerful.
26:18Is that right?
26:21All the time, sir.
26:24Every night.
26:27Voices in my head.
26:28You grew up on top of the riff.
26:30You're part of it.
26:32You're the key.
26:33I've tried to make sense of it, sir.
26:36Consulting with spiritualists.
26:40Table wrappers.
26:41All sorts.
26:42Well, that should help.
26:44You can show us what to do.
26:46What to do where, sir?
26:49We're going to have a seance.
26:54This is how Madame Mortlock summons those from the Land of Mists.
26:58Down in Boottown.
26:59Come.
27:00We must all join hands.
27:01I can't take part of this.
27:03Homburg.
27:03Come on.
27:04Open mind.
27:05This is precisely the sort of cheap mummery I strive to unmask.
27:10Seances.
27:11Nothing but luminous tambourines and a squeeze box concealed between the knees.
27:17This girl knows nothing.
27:18Now, don't antagonize her.
27:19I love a happy medium.
27:21I can't believe you just said that.
27:24Come on.
27:24We might need you.
27:29Good man.
27:31Now, Gwyneth.
27:33Reach out.
27:38Speak to us.
27:42Are you there?
27:44Spirits, come.
27:48Speak to us that we may relieve your burden.
27:56Nothing can happen.
27:58This is sheer fog.
28:00Look at her.
28:00I see them.
28:03I feel them.
28:18What's it saying?
28:19I can't get through the rift.
28:20Gwyneth, it's not controlling you.
28:22You're controlling it.
28:23Now, look deep.
28:24Allow them through.
28:25I can't.
28:25Yes, you can.
28:27Just believe it.
28:28I have faith in you, Gwyneth.
28:30Make the link.
28:34Yes.
28:43Great God.
28:46Spirits from the other side.
28:48The other side of the universe.
28:50Pity us.
28:53Pity the girls.
28:54There is so little time.
28:56Help us.
28:56What do you want us to do?
28:58The rift.
28:59Take the girl to the rift.
29:01Make the bridge.
29:02What for?
29:02We are so very few.
29:05The last of our kind.
29:07We face extinction.
29:09Why?
29:09What happened?
29:10Once we had physical form like you.
29:13But then the war came.
29:15War?
29:16What war?
29:17The time war.
29:19The whole universe convulsed.
29:22The time war raged.
29:25Invisible to smaller species.
29:27But devastating to higher forms.
29:30Our bodies wasted away.
29:33We're trapped in this ghastly estate.
29:37So that's why you need the corpses.
29:39We want to stand tall.
29:41To feel the sunlight.
29:44To live again.
29:45We need a physical form.
29:48And your dead are abandoned.
29:51They go to waste.
29:52Give them to us.
29:53But we can't.
29:54Why not?
29:57I mean it's not...
29:58Not decent.
29:59Not polite.
29:59It could save their lives.
30:01Open the rift.
30:03Let the girls through.
30:05We're dying.
30:07Help us.
30:08Pity the girls.
30:11Pity the girls.
30:16We'll be at home.
30:18We'll be at home.
30:20I'll be at home.
30:33It's all right. You just sleep.
30:36But my Aunt Jasmus, they came, didn't they? They need me.
30:40They do need you, Gwyneth. You're their only chance of survival.
30:43I've told you, leave her alone.
30:45She's exhausted and she's not fighting your battles.
30:52But what did you say, Doctor? Explain it again.
30:56What are they?
30:58Aliens.
30:59Like foreigners, you mean?
31:01Pretty foreign, yeah. From up there.
31:03Brecon?
31:04Close.
31:05And they've been trying to get through from Brecon to Cardiff, but the road's blocked.
31:08Only a few can get through. Even then they're weak.
31:11They can only test drive the bodies for so long.
31:13Then they have to revert to gas and hide in the pipes.
31:16Which is why they need to go.
31:17They're not having her.
31:19But she can help.
31:20Living on the rifts, you've become part of it.
31:22She can open it up, make a bridge and let them through.
31:25Incredible. Ghosts that are not ghosts, but beings from another world
31:29who can only exist in our realm by inhabiting cadavers.
31:35Good system. It might work.
31:38You can't let them run around inside the dead people.
31:41Why not? It's like recycling.
31:42Seriously, though, you can't.
31:44Seriously, though, I can.
31:45It's just wrong.
31:47Those bodies were living people.
31:49We should respect them, even in death.
31:51Do you carry a donor card?
31:54It's different, Les.
31:55It is different. Yeah, it's a different morality.
31:57Get used to it or go home.
32:00You heard what they said. Time's short.
32:02I can't worry about a few corpses when the last of the gelf could be dying.
32:06I don't care. They're not using her.
32:08Don't I get a say, miss?
32:10Well, you...
32:11No.
32:12You don't understand what's going on.
32:14You would say that, miss.
32:16Because that's very clear inside your head that you think I'm stupid.
32:20That's not fair.
32:21It's true, though.
32:23Things might be very different where you're from.
32:25But here and now, I know my own mind.
32:30And the angels need me.
32:32Doctor, what do I have to do?
32:35You don't have to do anything.
32:37They've been singing to me since I was a child.
32:40Sent by my mum on a holy mission.
32:43So tell me.
32:45We need to find the rift.
32:48This house is on a weak spot, so there must be a spot that's weaker than any other.
32:52Mr Sneed, what's the weakest part of this house?
32:55The place where most of the ghosts have been seen?
32:57That would be the morgue.
33:01No chance if you're going to say gazebo, is there?
33:16Oh, talk about bleak house.
33:20The thing is, Doctor, the Guelph don't succeed.
33:23Because I know they don't.
33:24I know for a fact that corpses weren't walking around in 1869.
33:28Time's in flux, changing every second.
33:30Your cosy little world can be rewritten like that.
33:32Nothing is safe. Remember that. Nothing.
33:35Doctor, I think the room is getting colder.
33:42Here they come.
33:46You've come to help. Praise the Doctor. Praise him.
33:50Promise you won't hurt her.
33:51Hurry.
33:52Please.
33:53So little time.
33:54Pity the Guelph.
33:56I'll take you somewhere else after the transfer.
33:58Somewhere you can build proper bodies.
34:01This isn't a permanent solution, all right?
34:03My angels.
34:04I can help them live.
34:07Okay, where's the weak point?
34:09Here, beneath the arch.
34:11Beneath the arch.
34:13You don't have to do this.
34:15My angels.
34:17Establish the bridge. Reach out of the void. Let us through.
34:20Yes.
34:21I can see you.
34:24I can see you.
34:26Come.
34:27Bridgehead establishing.
34:29Come to me.
34:30Come to this world, poor lost souls.
34:34It has begun.
34:35The bridge is made.
34:38She has given herself to the king.
34:43The bridge is open.
34:46We descend.
34:47We descend.
34:48We descend.
34:51You have to come through in force.
34:54You said that you were few in number.
34:57A few men.
34:58And all of us in need of corpses.
35:04Oh, Gwyneth.
35:07Stop this.
35:09Listen to your master.
35:11This has gone far enough.
35:12Stop gnappling, child.
35:14Leave these things alone.
35:16I beg of you.
35:17Mr. Seekivest!
35:35I think it's gone a little bit wrong.
35:37I have joined the legends of the Gathom.
35:43Come, march with us, don't worry.
35:48We need bodies, all of you, dead.
35:53You will raise, dead.
35:56Ridd, stop them, send them back now.
35:58Give your bodies to the battle, make them vessels for the gout.
36:02I can't, I'm sorry.
36:05This new world of yours is too much for me.
36:13Give yourself to glory, sacrifice your lives to the gout.
36:18I've trusted you, I've pitied you.
36:20We don't want your pity, we want this world and what it's flesh.
36:24Not while I'm alive.
36:26Then live, then walk.
36:49I can't die.
36:50Tell me I can't.
36:53I haven't even been born yet.
36:54It's impossible for me to die.
36:57Isn't it?
36:59I'm sorry.
37:17It's 1869, how can I die now?
37:20Time isn't a straight line, it can twist into any shape.
37:23You can be born in the 20th century and die in the 19th, and it's all my fault.
37:28I brought you here.
37:32It's not your fault.
37:33I want you to come.
37:35What about me?
37:36I saw the fall of Troy, World War V.
37:39I pushed boxes at the Boston Tea Party.
37:42Now I'm going to die in a dungeon.
37:44In Cardiff.
37:47It's not just dying.
37:50It's going to become one of them.
38:07We'll go down fighting, yeah?
38:08Yeah.
38:10Together?
38:10Yeah.
38:14I'm so glad I met you.
38:17Me too.
38:20Doctor, Doctor.
38:21Turn off the flame.
38:22Turn up the gas.
38:24Now fill the room, all of it, now.
38:26What are you doing?
38:27Turn it all on.
38:29Slap the place.
38:31Brilliant.
38:31Gas.
38:32What, so he choked to death instead?
38:35Am I correct?
38:35Doctor, these creatures are gaseous.
38:39Fill the room with gas, it'll draw them out of the host.
38:41Suck them into the air like poison from a wound.
38:46I hope, oh Lord, I hope that this theory will be validated soon, if not immediately.
38:55Fancy more!
39:08It's working.
39:10Brilliant, send them back alive.
39:12They're not angels.
39:15Liars.
39:16Liars.
39:18Look, if your mother and father could look down and see this, they'd tell you the same.
39:22They'd give you the strength.
39:23Now send them back!
39:25I can't breathe.
39:26Charles, get around.
39:27I can't breathe.
39:28I'm not leaving her!
39:30They're too strong.
39:31Remember that world you saw?
39:32Rose's world, all those people.
39:34None of it will exist unless you send them back through the rift.
39:37I can't send them back.
39:41But I can hold them.
39:43Hold them in this place.
39:44Hold them here.
39:47Get out.
39:50You can't!
39:51Leave this place!
39:52Rose, get out!
39:53Go now!
39:53I won't leave her while she's still in danger.
39:55Now go!
39:57Come on, leave that to me.
40:03Get free!
40:11I'm sorry.
40:24Bye.
40:25Bye.
40:27Bye.
40:29Bye.
40:31Bye.
40:34Bye.
40:36Bye.
40:52she didn't make it i'm sorry she closed the rift
40:59at such a cost the poor child i did try rose but gwyneth was already dead
41:05she had been for at least five minutes what do you mean
41:10i think she was dead from the minute she stood in the arch
41:13but she can't have she spoke to us she helped her she saved us
41:19how could she have done that there are more things in heaven and earth
41:25than i dreamt of in your philosophy
41:29even for you doctor
41:34she saved the world
41:37a servant girl no one will ever know
41:55right then uh charlie boy i've just got to go into my um shed
42:00won't be long
42:02what are you gonna do now i shall take the mail coach
42:05back to london quite literally post haste this is no time
42:09for me to be on my own i shall spend christmas with my family and make amends to them
42:14after all i've learned tonight there can be nothing more vital
42:19you cheer up exceedingly
42:22this morning i thought i knew everything in the world now i know i've just started
42:27all these huge and wonderful notions doctor i'm inspired i must write about them
42:34do you think that's wise
42:35i shall be subtle at first
42:37the mystery of edwin drood still lacks an ending
42:42perhaps the killer was not the boy's uncle
42:46perhaps he was not of this earth
42:51the mystery of edwin drood and the blue elementals
42:55i can spread the word tell the truth
42:58good luck with it nice to meet you fantastic
43:01bye then and thanks
43:06oh my dear how modern thank you but i don't understand in what way
43:15is this goodbye where are you going you'll see in the shed
43:20oh my soul doctor it's one red laugh for another with you
43:24but after all these revelations there's one mystery you still haven't
43:30explained answer me this who are you
43:39just a friend passing through but you have such knowledge of future times
43:45i don't wish to impose on you but i must ask you
43:50my books
43:53doctor do they last
43:55oh yes
43:57for how long
44:00forever
44:05right
44:06shed
44:07come on rolls
44:09in the back
44:11both of you
44:11down boy
44:14see ya
44:19doesn't that change history if he writes about blue ghosts
44:21in a week's time it's 1870 and that's the year he dies
44:25sorry
44:26he'll never get to tell his story
44:28oh no he was so nice
44:30but in your time he was already dead we've brought him back to life
44:34and he's more alive now than he's ever been old charlie boy
44:38let's give him one last surprise
45:07he's more alive and i'll move on to the end of the night
45:09Merry Christmas, Mr. Unified.
45:11God bless us, everyone.
45:26Big Ben destroyed as a UFO crash lands in central London.
45:31You are under a bridge.
45:34Step away from the bottom.
45:35Raise your hand above your head.
45:38What is it, then? Are they invading?
45:40The only way to invade, putting the world on red alert.
45:43By God, I'll put this country under martial law if I have to.
45:49Defense Department Delta, come on.
45:51Move, move!
45:53Come on!
45:55Come on!
46:04Come on!
46:07Come on!
46:12Come on!
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