- 10 minutes ago
Young Sherlock S01E04 (2026)
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00:09Mr. Holt
00:18Brother, stand back from the door
00:22Shut up, you're in trouble, Daddy
00:28Oh
00:30What a good idea
00:31Sit down
00:35The man with the bird's claw
00:36Did you say those words to anyone else?
00:39No
00:39You didn't tell anyone apart from me and Mycroft
00:42I tried to tell you, he's coming back for me
00:46Who's he?
00:47They're listening
00:50The whirring, always the whirring
00:55I couldn't understand why you wouldn't believe me
01:08Can you hear it now?
01:19I do
01:21I hear it
01:28Shut up
01:32What in God's name
01:36Oh, what fun?
01:50What is it?
01:54Some sort of listening device
02:00You were right, Papa
02:03Someone has been recording you
02:08Open the door
02:09Time to move
02:11Open up
02:17It's the house
02:18Wait
02:26Shut up
02:27Shut up
02:28Shut up
02:47No
02:48No
02:48I never was very good at this
02:49You did try to teach me
02:52You always had two left feet
02:54Still do
02:551, 2, 3
02:571, 2, 3
02:581, 2, 3
02:591, 2, 3
02:591, 2, 3
03:00Look at me, Mother
03:01Just us
03:03You
03:04Me
03:04Look at me
03:04I'm the music
03:05Here
03:06Come to
03:06Oh
03:07Oh
03:09No
03:09No
03:09No
03:09No
03:10No
03:10No
03:11No
03:12No
03:13No
03:14No
03:41See how you like it.
03:44I think he likes it.
03:54Are we making an escape?
03:58Yes.
04:07You have got an appointment, Princess.
04:29Two bottles.
04:31What?
04:32Your wine.
04:33Just approximate.
04:34To the drop.
04:36Because if the rope's too short, then your neck won't snap and then you'll be left slowly choking.
04:41It's a rather undignified way to shuffle off this mortal coil, wouldn't you agree?
04:45Einstein, I'd guess.
04:47Seven-foot-ten-inch drop.
04:49Did you know that the first account of execution by hanging is in Homer's Odyssey?
04:53No, I did not know that, sir.
04:55Fascinating.
04:55Is this supposed to intimidate me?
04:57No.
04:58I was supposed to kill you.
04:59I know about British justice.
05:01You're not allowed to play boss judge and executioner.
05:04No.
05:10In five.
05:12In four.
05:13Are you counting down?
05:14Why are you killing my scientists?
05:18In three.
05:20Handler!
05:21I work for a handler.
05:24Who he works for?
05:25Not my place to ask.
05:27Only my place to light defuser.
05:28Walk away.
05:29In two.
05:30I receive instructions.
05:32I'm a hired gun.
05:34That is all.
05:35Then you're of no better use to me.
05:37In one.
05:37What the hell are you doing?
05:39I think you'll find I don't answer to you, Mycroft.
05:41We don't torture prisoners, sir.
05:44There are rules.
05:45Protocol.
05:46This woman is trying to destroy me and I will have my satisfaction.
05:51And you have every right, sir.
05:53Every right.
05:54But consider this if you would.
05:56You're out of favor with the foreign secretary, are you not?
05:59Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
06:04May I remind you, she is our only link to whoever is killing your scientists, sir.
06:12I was merely endeavouring to loosen her lips.
06:14But we are Englishmen.
06:17It has to mean something.
06:18And in a changing world, how much do you think you're going to achieve with your Queensbury rules?
06:22Your absurd sense of fair play, hm?
06:29Listen to Rose.
06:42Listen to Rose.
06:43Listen to Rose.
06:45Listen to Rose.
06:48Listen to Rose.
06:50Listen to Rose.
06:52Listen to Rose.
06:53Listen to Rose.
06:53Listen to Rose.
06:53Listen to Rose.
06:53Listen to Rose.
06:53Listen to Rose.
06:54Listen to Rose.
06:55Listen to Rose.
06:56Listen to Rose.
07:04Alas, poor Yorick, I'm a man, Horatio.
07:37I'm afraid there's going to have to be some changes around here.
07:42I'm needed abroad, on an expedition, Mycroft.
07:46I've arranged a government clerkship for you in London.
07:50Thank you, Father.
07:54Sherlock, I know you're not going to want to hear this,
07:57but your mother and I think it's best if you went to boarding school.
08:06I don't want to leave!
08:11Be strong, my boy.
08:24Mother?
08:26We're here.
08:33You're safe, Al.
08:37Oh, you brought me home.
08:45You're safe, Al.
08:56You're safe, Al.
08:58Yes, let's get you sat down and I'll light the fire.
09:00Oh, who's that?
09:01No, no, mother, mother.
09:02This is James, James Moriarty.
09:04He's a friend of mine.
09:05Hello.
09:06Oh, I'm so glad.
09:08Oh, I'm so glad.
09:09Darling, Sherlock never had any friends.
09:11Oh, really?
09:14Well, it's a pleasure to meet you, Mrs. Holmes.
09:17Darling, can you hear that music?
09:20Oh, that sound.
09:24That's you!
09:35You!
09:36Bea?
09:38Oh, Beatrice.
09:41Oh, my darling.
09:46Bea?
09:53That's so beautiful.
09:55Bye, sweetheart.
09:57Bye, sweetheart.
09:59Why are you running away from me?
10:03Bea?
10:04Where are you running off to?
10:07I want to crown you.
10:11I want to crown you.
10:13I want to crown you.
10:14Come.
10:19Beatrice!
10:20Bea?
10:22Beatrice?
10:25Perhaps...
10:26Perhaps we should sit down for a moment, mother.
10:29All right.
10:30Let's take a seat.
10:43She is absolutely exhausted.
10:45Will you like fire?
10:46She needs warmth, rest, and food.
10:48Yes, Sherlock.
10:49Where is your father in all of this?
10:51This shouldn't all be on your shoulders.
10:53He's in Vienna.
10:54He's a busy man.
10:55It's all right.
10:56I'm here, and I'm dealing with this.
10:59What?
11:00We're breaking her over the asylum.
11:03They were recording her in there, James.
11:05They were listening to every single word she said.
11:07I had no choice.
11:08And Shuan knew about it.
11:09There's a man with a bird's claw.
11:10He's coming back for me.
11:13How did she?
11:17Sherlock!
11:21Mother!
11:28Mother!
11:29Mother!
11:29Mother!
11:44Mother!
11:51No. No. No. No. No, Charlie.
11:53I have to find her!
11:55She's not him!
11:57She's not him!
11:58No, she's gone!
11:59She's taking her!
12:00I think she's taking her!
12:01She's taking her!
12:03All right, let's get you warm and dry.
12:20Stop right there!
12:21You are not taking her past our homes!
12:24Crowell!
12:26I do apologise.
12:27I heard the commotion.
12:28Yes.
12:29Mrs Holmes!
12:31Mr Crowell, it's so delightful to see you.
12:34Oh, you too, Mrs Holmes.
12:35We weren't expecting you, or we would have had the house ready.
12:38Tell me, does Dr Maltby still live in the village?
12:41He does, yes.
12:42Would you fetch him, please?
12:43How is Mrs Crowell?
12:44Oh, she's well, thank you.
12:45Right away, please, Crowell. I rather need his help.
12:47Of course.
12:54For your head.
13:01What trouble is she's worth?
13:04The electric shock has clearly fried your faculties, Philbot.
13:07No Cordelia Holmes, no money.
13:11I rather like money.
13:13Do you follow her?
13:20Find her, and quickly.
13:23As you wish, sir.
13:34Razor talons.
13:37Sharp as knives.
13:40So vivid.
13:44Sweetheart, there is nothing you can do.
13:46He is coming back for me.
13:47The man with the bird's claw.
13:49Who is it you talking about, Mrs Holmes?
13:53Right, stand by, please.
13:54Let's, um, not quite patient.
13:57Aha.
13:59Hello, Cordelia.
14:01I can't tell you how pleased I am to see you again,
14:03even in such circumstances.
14:05But don't you worry, we're going to get you writer's reign.
14:08Do you know what she was prescribed earlier, Simon?
14:11Alkaloids, I believe.
14:13Ah, right, yes.
14:13Well, she's obviously suffering from withdrawals.
14:16Perhaps I could give you something else,
14:18something to clear the fog a little.
14:19It's all right, Mother.
14:20He's not like the others.
14:21He's here to help you.
14:22Right, Cordelia.
14:24I want you to take two of these with some water, please.
14:30Here we go.
14:31Down the hatch.
14:37Your mother's in trouble, Sherlock.
14:39She'll get better.
14:40Yes, I believe that she will,
14:41but that's not what I'm referring to.
14:43Joanne knows about those recordings.
14:45Now, we don't know whether she's responsible for them,
14:46but either way, this does connect your mother
14:48to the murders in Oxford.
14:50So how can we say that she's safe here?
14:54We can't.
14:55The man with the bird's claw.
14:56You have no idea what she means.
15:01My mind is blank.
15:04Well, then maybe it's not a person, hmm?
15:06Bird's claw, it's a phrase, or a place, or a thing.
15:17Perhaps it's some sort of crest, the bird's claw.
15:20Good, good.
15:21So whose crest?
15:23Someone at the asylum?
15:25Or someone at Oxford.
15:33I've got nothing.
15:36Perhaps I was wrong.
15:37Words I never thought I'd hear you say.
15:39No, perhaps I was wrong about the crest.
15:41Perhaps it's some other sort of symbol.
15:44The answers to many of life's problems
15:45lie at the bottom of the glass.
15:51The best thing in nature for drowning your sorrows
16:11God knows I wonder if light and thunder were made from the mother of whiskey.
16:31I've seen it somewhere.
16:33Where am I seeing it?
16:37Where am I seeing it?
16:45It's Professor Malik.
16:46Well, go on.
16:47Professor Malik has a cane.
16:50Yes.
16:50And his cane.
16:51Yes.
16:52Has a bird's claw.
16:55All right.
16:57Bravo.
16:58So if I am correct, if it is Malik, what's his business with my mother?
17:02What's his why?
17:03What's his incentive?
17:04Well, Shuan knows about those recordings.
17:07So perhaps she can answer that.
17:09So perhaps you need to ask her.
17:12I took the liberty of rustling a little something up, Master Holmes.
17:16I thought you'd be hungry after the night you've had.
17:19Yes, thank you, Mrs. Crow.
17:21That's very, very thoughtful, but we need to pop into town for a few hours,
17:24so I'll need you to look after my mother.
17:25She'll want for nothing, Master Holmes.
17:29There's ammunition in my father's study.
17:31Don't let anyone into this house.
17:34Understood.
17:36And if you need to send word, you can reach us at Oxford Police Station.
17:40James?
17:42A man can't think on an empty stomach.
17:45Thank you, Mrs. Crow.
17:46Thank you, O'Hatcombe.
17:47Thank you, Mrs. Crow.
17:49Stolen.
17:51Four Road.
17:53It's lovely.
17:54From the asylum.
17:56I'm starting to appreciate your thieving ways, Sherlock.
17:58Get on!
18:00It's a far away from my pocket, watch.
18:08Would you stop creeping up on me?
18:11Well?
18:13What is it?
18:17You did what?
18:18She is at home and she is safe.
18:20Mrs. Crow is looking after her.
18:22They were recording her, Mycroft.
18:23I don't know what you expected me to do.
18:24How about not breaking her out of the asylum, for starters?
18:28How about going one single day without breaking the law?
18:31Sounds a very disappointing life.
18:33I can't imagine what my father's going to say.
18:34I would imagine he'd be pleased at one of us showing some initiative.
18:37We should wire him.
18:38He could sort this out.
18:39Are you quite well?
18:40Hm?
18:40Have you fallen down and bumped your head on something hard?
18:43Professor Malick was at the asylum.
18:45He must have been the one recording her.
18:46Mother gave me a description.
18:48Of him?
18:49Of his cane, the man with the bird's claw.
18:50You were there, Mycroft.
18:51Sherlock, she rambles.
18:53There's always an outside chance.
18:54She's going to accidentally say something half plausible.
18:57Apis melephora.
18:58No, no, no, no.
18:58The honeybees.
18:59Yes, I know about the honeybees.
19:00The honeybees.
19:00Yes, I know about the honeybees.
19:01I don't.
19:09When we were little, we had a hive, Apis melephora.
19:12I watched the bees and I told Mycroft that I'd seen them dancing.
19:16And you called me foolish.
19:17Witless was the word I used.
19:18I then went and checked with father.
19:20And he said that honeybees do a little circling dance to communicate with each other.
19:24It's called the tarantella.
19:25And you called me a half-wit.
19:27Witless was the word he used.
19:30Well, I wasn't witless because I was right.
19:32Glad you're not holding onto a grudge there, Sherlock.
19:34This is the honeybees all over again, Mycroft.
19:37Just because something appears to be random, it doesn't mean that it is.
19:40Mother said that they were listening to her.
19:42They were.
19:43She's mentioned the man with the bird's claw.
19:45Professor Malik has a cane with a bird's claw.
19:48Yes, but it's not exactly case closed, is it?
19:51Tell me.
19:54Where is Professor Malik now?
19:58Well, we are not exactly sure.
20:00He seems to have vanished after last night's events.
20:03Why would he vanish?
20:04If Shuan is in a cell.
20:07If the threat is gone.
20:11Then why would he vanish?
20:21Ten minutes with Shuan.
20:25No, nine minutes.
20:33Sherlock.
20:34Mr. Patton.
20:35What are you in for this time?
20:36I'm just visiting today.
20:38Remember, prison is in here.
20:41He's very, I don't know, Mycroft, what's the word?
20:45Bothersome.
20:48Vexatious.
20:51Unbarrow.
20:52I could empty the dictionary.
20:53Oh, no, no, no.
20:54I was thinking he's very intense.
21:00What was he like as a small boy?
21:04Well, growing up in the same house.
21:09Yes, I can only imagine.
21:15No, actually, I can't.
21:18Tell me.
21:19Put it this way.
21:21I took a job in the foreign office in pursuit of an easier life.
21:26Wars, famine, that sort of thing.
21:31I wondered when you and I would be seeing each other again.
21:34I must admit, life has become somewhat tepid without you.
21:40Do you mind if I sit?
21:40Please, take the royal throne.
21:45Thank you, princess.
21:52What game are we playing today?
21:54What game would you like to play?
21:55I'll let you decide.
21:56How very kind.
21:57Why don't we start by you telling me how my mother is involved?
22:00Ah, English boys and their mothers.
22:03Very touching.
22:04How did you know what she said to me in the asylum?
22:06First principles.
22:07The likeliest explanation is always the simplest.
22:10The likeliest explanation would be that you heard her say it.
22:16The recordings.
22:18You had access to them.
22:19Oh, lightning fast.
22:23Professor Malick.
22:25Is there a question there?
22:26Why did he visit my mother?
22:28How do you know it was him?
22:29The man with the bird's claw.
22:31Clearly a reference to his walking cane.
22:34That was Malick.
22:38There's a place where I met my handler.
22:40A safe house.
22:51Do you think it's possible Malick is still there?
22:54Imagine if we combined our talents.
22:57You want Malick?
22:58I want him too.
23:00For very different reasons.
23:03I want to find out why he was recording my mother.
23:06You, on the other hand, want to kill him.
23:11Then let's help each other.
23:14The final act we can debate later.
23:19Where is this safe house?
23:23You are going to have to give up something.
23:27I very much doubt Hodge is going to let you out of here until you do.
23:31But that is preposterous.
23:34Slanderous.
23:34Professor Malick works for me.
23:35Why on earth would he be at this...
23:37Safe house, sir.
23:38Safe house.
23:39There was nothing in Malick's file to suggest any nefarious activity.
23:43All I know is what I saw.
23:44Should have hanged you this morning.
23:45Get her out of here.
23:46Hold on.
23:49I didn't see him at the gala.
23:51Who?
23:52Professor Malick.
23:53When I came through the wall at the gala, I didn't see him.
23:56All of the other professors were there at the table except him.
24:02He left.
24:10Of her majesty's empire.
24:12Don't take the empire for granted.
24:15We may live to regret it.
24:17Sharing your speech, sir.
24:19I thought it odd at the time.
24:20Why would anyone leave my speech?
24:23Assume the poor fella had bladder issues.
24:25Were you given an exact time to carry out the explosion?
24:28Eight o'clock.
24:29My instructions were quite explicit on that point.
24:32Unless Malick had a conveniently life-saving desire to urinate,
24:36I think it's fair to say he knew the bomb would go off at it.
24:38If he is in this safe house, sir, and if he is indeed working against your interests,
24:43wouldn't you rather know?
24:46Let's go, Councillor.
24:48Front and back doors are sealed with plate metal.
24:50Baths on the windows half an inch thick.
24:52Basement has a coded lock.
24:53I want an officer by her side at all times.
24:56I'll take Sherlock.
24:57You think she gets to choose who babysits her?
25:00No, sir.
25:01No, sir.
25:02Sherlock or no one.
25:05Or send me back to my cell.
25:06And you can find Malick yourself.
25:24Why are you doing this?
25:26Because there's a chance he keeps me alive.
25:28No, why are you after Malick?
25:30Why are you killing professors?
25:32It's what I'm paid to do.
25:35I don't believe that.
25:36Do you trust me?
25:38Of course I don't trust you.
25:39You know I don't trust you.
25:42And nor I you.
25:47The code is Hydrus.
25:50Seventeen stars in the southern sky.
25:52It's my way.
25:58I'm gonna keep this.
26:05Mom?
26:07No, if I can.
26:10I can't do it.
26:10I can't do it.
26:12I can't do it.
26:12No, I can't do it.
26:18Wait!
26:18I can't do it.
26:19I can't do it.
26:21I can't do it.
26:28All yours.
26:34Don't force my hand.
26:38Right. Come on.
26:43No, thank you.
26:45Malik.
26:57Malik!
26:58Malik.
27:01Malik!
27:01Malik!
27:02Malik!
27:02Malik!
27:03Malik!
27:03Malik!
27:03Malik!
27:04Malik!
27:04Malik!
27:05Malik!
27:07Malik!
27:08Malik!
27:12Your Highness.
27:14May I present to you the real Princess Shua.
27:18Your Highness Serbucephalus Hodge,
27:21which I only wish that our first meeting had been under more salubrious circumstances.
27:25Trust me when I tell you that I have spent no expense in my search for you.
27:29O'Shea.
27:30I'll send a wire immediately to the Foreign Secretary.
27:33O'Shea.
27:34Be sure to tell him I found her.
27:37Yes, sir.
27:38This is where I saw Professor Malik listening.
27:45Sherlock?
27:47Your mother.
27:49All of her recordings.
28:02I had a little pony.
28:04His name was Dampel Grey.
28:06I lent him to a lady to ride a mile away.
28:08She whipped him.
28:10And she slashed him.
28:11And she slashed him.
28:13And she slashed him.
28:14And she slashed him.
28:27I'm so sorry.
28:29Why would anybody want to do this?
28:32While you were detained by these nefarious individuals, did you by any chance happen to see this man?
28:43No.
28:44You see, I knew he would never have been embroiled in this unsavory business, Mycroft.
28:49You see, unlike you, Professor Malik understands the meaning of loyalty.
28:52Yes.
28:53You recognize his name?
28:54Yes, they mentioned him.
28:55Perhaps you misheard.
28:56I did not.
28:57Only yesterday they talked of visiting him.
29:00Your Highness.
29:01Did they say where?
29:03At Abton.
29:04Behind the locks.
29:07That's all I heard.
29:12Sherlock, all of these are transcripts of the recordings.
29:17Her entire life is laid out in here.
29:20This is a record of her visitors.
29:22Myself.
29:23My brother.
29:24My father.
29:27There's a Lawson Jaggers.
29:29A lawyer.
29:30Is that someone you know?
29:31No.
29:32When did Jaggers' last visit?
29:34Friday, August 11th, 10 o'clock.
29:37Sure, look.
29:37That page has been torn out of the transcriptions.
29:41August 11th, 10 o'clock?
29:44Yes.
29:51Mr. Jaggers here to see you.
29:55Mrs. Holmes.
29:57Good charming to see you again.
29:59I'll meet you to talk.
30:02Hmm.
30:04Good rooms I see.
30:06Very nice.
30:08Now, we're going to continue with our previous matter upstairs.
30:21It's been scratched.
30:22The cylinder.
30:23It's sabotaged.
30:24Someone must have been rather keen to make sure we don't find out what's on there.
30:28Ah, Sherlock.
30:29What's all this?
30:37They're recordings.
30:39Of our mother.
30:41All of them.
30:46Well, why would someone do this to us, Sherlock?
30:49We are working on that.
30:50We have a lead here on the potential whereabouts of Professor Malick.
30:54Um, obviously, Hodge wants to pursue it himself, but...
30:57No, you find Professor Malick.
30:59Right.
30:59You find out why he's been doing this, Mycroft.
31:01You have my word.
31:02And we will pay a visit to this Lawson Jaggers fellow and see what business he's had with our mother.
31:07Wait, who's...
31:07Where is she?
31:09Shuan.
31:10Not the hell her real name is, was she?
31:16She...
31:16She was here just a moment ago.
31:18Tell me, Holmes, if she's escaped, she will be held personally responsible.
31:21When I have men and all the doors, there's no way she would have got out.
31:24How could she have possibly slipped away?
31:27O'Shea, consider yourself my hunting hound.
31:30Don't bring her back.
31:46This is why she brought us here.
31:48You're an idiot, Holmes.
31:50She duped you.
31:52Get out of the way!
31:55Wait!
31:56Stop!
31:59No!
32:00Out of the way!
32:03Oh my God!
32:11Stop right there!
32:41There is no Abdon on the map.
32:43She said behind the locks.
32:44Now, could it be somewhere on the canal?
32:46Could Abdon be the name of the boat?
32:49We keep a register of boats and vessels somewhere.
32:51But where is O'Shea?
32:52Well, he hasn't reported back yet, sir.
32:53This is becoming a bloody fiasco!
32:55Find Professor Malick!
32:57Damn it, man!
32:58Thinks he can betray me or rip his bloody head off?
33:00Might I ask exactly what the princess said, sir?
33:02She said they were meeting Professor Malick at Abdon, behind the locks.
33:08Abdon and Sennin.
33:10They're ancient Catholic martyrs.
33:13If I may.
33:15There's a ruined medieval abbey not far from Oxford.
33:17It was once dedicated to them.
33:18Behind the locks?
33:20The locks of Marian.
33:23An old relic believed to have been kept at the abbey.
33:26According to legend, it was the hair of Mary, mother of Jesus.
33:29Well, I know very dear. How did you know this?
33:32My father encouraged me to read, sir.
33:34Hm.
33:36Why don't you know this, Mycroft?
33:38Our little scratchy on my esoteric Christian martyrs, sir.
33:43Hm.
33:44Where is this ruined abbey?
33:47There, sir.
33:48Shuan's making a good hammer beating you.
33:50Nonsense.
33:51As a matter of fact, I think you'll find I helped her to regain her liberty.
33:56Oh, I see.
33:56So you knew about the passenger?
33:58You knew she was going to escape?
33:59I simply decided the world was a more interesting place with her in it.
34:04Mm-hmm.
34:06What a lot of shite.
34:13Ah.
34:14Narsim Jagras, I swear.
34:23Ah.
34:25Smells interesting.
34:35Are you all ready?
34:43There's more than one way to skin a cat, James.
34:46Well, this is how I like to skin my cats.
34:49Hmm.
35:07Oh, dear lord.
35:10Mr. Larson Jagras, Esquire.
35:12This is her charming scene.
35:19What's that blood?
35:22Sign of a struggle.
35:25You got in the scrap.
35:31So someone erases his conversations with my mother.
35:34And then he finds himself unceremoniously erased.
35:37A rather convenient suicide, don't you think?
35:41Diaries.
35:42I tell you what business he had with your mother.
35:45I am going to report this.
35:46To the police?
35:47Yes.
35:48And do their jobs for them?
35:49Because I have been suspected of murder before.
35:51And I would rather it didn't happen again.
35:53Syndicate says the problem with this life is not that it's short.
35:58It's that we're wasting an awful lot of a dick in a boat.
36:30I'd like to report a death.
36:33Lawson Jaggers.
36:35Solicitor?
36:36For Alba Lane.
36:38And you are?
36:40Sherlock Holmes.
36:41Holmes?
36:42We have a wire for you.
36:46Sherlock?
36:52Sherlock.
36:56Sherlock!
37:03Sherlock!
37:04Sherlock!
37:05Sherlock!
37:06Sherlock!
37:06Sherlock!
37:06Sherlock!
37:07Sherlock!
37:08Sherlock!
37:09She requires help.
37:10She needs to be somewhere she can be cared for.
37:12I'm so sorry Sherlock.
37:13I was only gone for a moment.
37:14You do worry, Carl.
37:15They won't be taking her anyway.
37:15I believe you'll find I have jurisdiction over her.
37:19And I believe you'll find I have jurisdiction over this.
37:29Is the double barrel 12-bore hammer gone not persuasive enough for you?
37:34Let her go.
37:36We're only acting in her best interests.
37:41You knew, didn't you?
37:43You knew about the recordings about Professor Malick.
37:47Why did he do it?
37:48You'll have to ask him.
37:50I was merely paid to look the other way.
37:54I am so sorry, Mother.
37:56I am so sorry Sherlock.
37:57I am so sorry Sherlock.
37:59Can I respectfully suggest that you'll fuck off?
38:22You're quite sure this is the place?
38:24Quite sure, sir.
38:32You're quite sure this is the place?
38:33Mr. Strahd, I wanted on the record that I was the one who blew this case wide open.
38:37Yes, of course, sir.
38:40I think I saw movement by the church, sir.
38:50I wish to be the one to apprehend him.
38:52Very good, sir.
38:53I'm sorry.
39:42The Dirty Persephalus, Kishore Malik.
39:46Oh, it's true. My very own personal Judas.
39:50There is nothing that can't be sacrificed in the pursuit of science.
39:54Knowledge is the wing wherewith we fly to hell.
39:57Don't quote the bard at me, sir.
39:59Don't dress up your grubby greed in noble sentiment.
40:01You were going to sell my project to the highest bidder.
40:04What was it? I wasn't paying you enough?
40:07Greed.
40:08Very simple.
40:09As if you stand for anything else.
40:10I stand for queen and country, sir.
40:12To be an Englishman is to win the lottery of life,
40:15something I remind myself of each and every day.
40:17Can I help it if I stand to make the odd penny from my tireless dedication to the court?
40:21I did not betray you, sir, for money.
40:23I betrayed you because what I discovered could change the world entirely.
40:28And I couldn't bear to see you take credit for my discoveries.
40:32For history to forget me.
40:34Nobody will, sir.
40:35No, I will go down as the man who built the empire.
40:36You, on the other hand, will be forgotten even by your own mother.
40:42Oh, just one request before I bid you adieu.
40:47I mean, if you'd be so accommodating.
40:48Who did you betray me for?
40:50The Russians?
40:51The Ottomans?
40:54Take your hand out of your pocket, man.
41:06Rod.
41:08Rod.
41:10Rod.
41:14Man out.
41:15The mallet can't have gone far.
41:18Hang out.
41:20Is he being shot?
41:21Oh.
41:23There's, there's, there's no blood.
41:24Uh.
41:25Uh, there's no bullet hole, nothing.
41:28So be yourself, Alice.
41:30Oh.
41:33He's not, he's not breathing.
41:38He's dead.
41:45Guns and hot toddies.
41:47Jesus, you're a woman after my own heart, Mrs. Crone.
41:51Mrs. Crone, thank you.
41:54You're welcome.
41:58It must have felt very good, that slap.
42:01Oh, James.
42:04It was such a tonic.
42:07So what now?
42:10There's still no closer to figuring out why you were involved in any of that.
42:17The likeliest explanation is always to suppose.
42:20Son, you're right there.
42:21He's coming back.
42:21Previous matter of business.
42:23I was merely paid to look the other way.
42:34Donnie.
42:40Sherlock.
42:41Sherlock.
42:42My boy.
42:43I...
42:44Heard you had a spot of bother.
42:47There's a man...
42:48You're going to just see one.
42:48...
42:48But...
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