- 6 hours ago
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00:03Something's over, please!
00:04Here!
00:05Oh, we gotta get to a boat!
00:07Go, go, go, go!
00:08Get to a boat!
00:09Oh, God!
00:26You all right?
00:33Hey!
00:34Hey!
00:35Hey!
01:13Oh, my God.
01:22Okay, hurry up. Come on.
01:27Poor Billy.
01:28Poor Billy, poor Billy. What do you mean?
01:30He missed it.
01:31Yeah.
01:34Well, that's not all he missed.
01:40Shit.
01:41Shit, shit, shit.
01:43I lost my gun in there.
01:45Come on, let's go.
01:52Lee!
01:55Hey!
01:56Where do you think you're going, gringo?
01:57Okay, okay.
02:00Easy. Where's the camera?
02:05Do you really think he's going to let us go if we give it to them?
02:08What?
02:09No.
02:09Dale's the camera.
02:11Sorry.
02:12Look, let's go.
02:13No one will believe them.
02:15They'll think they're crazy.
02:17Yes, someone will believe them.
02:19They'll come.
02:20They'll see what these crazy crazy say is true.
02:23Yes!
02:24They'll profane our land,
02:26our land, our village.
02:29No, it's not true.
02:30What's going on, then, when Kokai doesn't return?
02:33What's going on with our lives?
02:35With our fishing?
02:36With our food?
02:37With our fish?
02:38Nuestros secretos are going to stay in this village.
02:46Give me the camera.
02:51Get down!
02:53Get down!
02:53Get down!
02:53Get down!
02:53Get down!
02:54Get down!
02:55Get down!
02:59Get down!
03:02Run!
03:03Get down!
03:04Get down!
03:05Get down!
03:06Get down!
03:29Get down!
03:31Get down!
03:33Get down!
03:34Get down!
03:36Get down!
03:42Get down!
03:44Get down!
03:45Get down!
03:46Get down!
03:47Get down!
03:48Get down!
03:49Get down!
03:50Get down!
03:50Get down!
03:51Get down!
03:52Get down!
03:53Get down!
03:53Get down!
03:54Get down!
03:54Get down!
03:55Get down!
03:55Get down!
03:55Get down!
03:56Get down!
03:56Get down!
03:57Get down!
03:58Get down!
04:42Hey, I'm assuming you're going out to grab a bite.
04:45I need to go home.
04:48Yeah.
04:50You were going to leave without saying anything?
04:52I'm only causing trouble here.
04:54I don't belong.
04:55No, I don't believe that.
04:57I think you have a purpose here.
04:58No, I don't.
05:00I bought into all of Dad's crap about this being my legacy.
05:04Yeah, maybe this is your legacy.
05:07Kate, you look Godzilla in the eye.
05:10You went to Axis Mundi and back.
05:11I saw you.
05:13Yeah.
05:14And what happens when people find out I'm the person that released a new Titan into the world?
05:18I think this is just what's best for everyone.
05:25Well, then you don't know what's best for me.
05:34Any idea how long it'll be before this ship can get underway?
05:37We're not going to know how much damage was done to the engines until we get engineers on board.
05:41In the meantime, it's been three years since Godzilla, and we have our first Titan loose in the world.
05:46Barriss and the rest of the board want to keep things under wraps to avoid panic.
05:49Now, the last thing we need out there is mass hysteria.
05:51And exactly how are we supposed to hide a Titan?
05:54What if we could?
05:59You two have something?
06:01Well, what if instead of waiting for it to appear, we could lead it where we wanted to go?
06:08Away from population centers, while we work on a strategy to deal with it.
06:13The Titan turned to follow us because the scarab emitted a sound.
06:17That's what the Titan responded to.
06:19If we could replicate the sound, I believe that can reconfigure the emulator coils on the Suzuki device to emulate
06:25the frequency.
06:26Waxup Kong destroyed your device on Skull Island.
06:32I have another one.
06:36It's a prototype in my workshop here in Tokyo, just outside Shibuya.
06:41What? That's amazing.
06:42Okay, okay, so we build a Titan dog whistle, and we lure it out here into the southern ocean somewhere,
06:49and then what?
06:51One thing at a time, but the first thing we need to do, obviously, is get to that prototype.
06:57Excuse me, sir. We need you in the command center.
07:01Uh, excuse me.
07:15We need a command override access to the whole system.
07:17Uh, hey, excuse me. Hi.
07:19Can I help you?
07:21Ah, I'm guessing by the air of command in that bed, you must be Tom.
07:25Tim, actually.
07:26Tim, right.
07:26Uh, Jason Trissett, head of special projects, Apex Cybernetics.
07:30Wait, wait, wait, wait, wait, wait, wait, wait, wait, Apex.
07:32We weren't expecting you.
07:33Oh, yeah, we need to get a jump on the situation, so I hopped a chopper.
07:36There is a Titan on the loose. Take a look at that, mate.
07:40Yeah, we're aware.
07:41But I don't know, you guys are upgrading the sensor system?
07:44Well, you could call it an upgrade if you'd say that dropping a Ferrari engine into a Pinto is a
07:49tune-up.
07:50Whoa.
07:51I...
07:54What we're developing is an ultra-long-wage sonar system that can piggyback to your arrays and extends their range
08:00and sensitivity.
08:01This is the best chance you have of finding that Titan.
08:05Okay, see, great. Just try to stay out of our way. I'll have somebody let you know we're the coffee
08:11machine.
08:12I'm afraid that's more than that.
08:15Um...
08:15Since you lost Trail of the Titan, my team's been granted operational control of our post-A team on a
08:21temporary basis only.
08:22What?
08:23No, no, no, no, no. That doesn't make any sense.
08:29I'm gonna call Director Barrett. This is not the right...
08:32Give him my regards, yeah?
08:36They are a private corporation. How is Apex in charge of a monarch operation?
08:41You had orders to track down that Titan.
08:43Which I followed. But then I had to decide between that and saving those ships.
08:48So now we don't know when or where that thing's gonna turn up.
08:50I made the right call.
08:51You did? Or was it Leland Shaw?
08:54Sir, whether Monarch wants to admit it or not, Colonel Shaw has a lifetime of experience.
09:02We would be idiots not to listen to him and Dr. Randa.
09:05Do I need to remind you what happens when there's a Titan rampaging through a city?
09:08Are you through?
09:10I don't know. You tell me. Am I?
09:15The jury's still out.
09:17But here's the deal, Tim.
09:19Um, Apex is offered us access to technology that may allow us to find that Titan before the public finds
09:25out what's happening here.
09:26And to that end, I'm gonna need you to support them and give them any kind of assistance they need.
09:31And to hand over Leland Shaw and Dr. Keiko Randa before they create yet another catastrophic event for Monarch in
09:36the entire world.
09:37Like Dr. Randa's?
09:38Without delay.
09:41And I trust that message didn't come through Garbled.
09:45Wait, so who are Apex Cybernetics?
09:48They're a technology corporation.
09:51Bio-medical research, neural implants, real bleeding edge stuff.
09:54So Monarch's farming out its mission to big tech now?
09:58No, no, no. Not the mission. Just the hardware.
10:00Apex has deep pockets.
10:02They're what we need to fund the operation on Skull Island.
10:04We wouldn't have gotten you guys back without them.
10:06Well, so far I love these guys.
10:08But I don't know what's in it for them.
10:10Well, I can tell you that it's not for humanitarian reasons.
10:12But if there's money to be made in the Titan business, they're all in.
10:16And Monarch can't afford the mass panic.
10:18They gotta keep this under wraps.
10:21Be careful out there.
10:22As soon as they know you're gone, they're gonna have half of Tokyo looking for you.
10:27Hey, do you really think this Titan sound playing ears is gonna work?
10:34Outstanding.
11:11That didn't take Monarch long.
11:12What?
11:18If we get this thing going, we can lead it to the middle of the ocean so Monarch can deal
11:22with it.
11:26No one has to know the Titans out there.
11:28How'd you get this through customs?
11:30Many bribes.
11:31You built this?
11:32Based on Dr. Suzuki's original designs.
11:35His Titan phone.
11:36It's so much smaller than his.
11:38But considerably more powerful.
11:41He used it to awaken Godzilla.
11:44You called Gojira?
11:45Godzilla was more of a side effect.
11:47I was trying to open the rift to build up on yours and build all theories about the Titan network.
11:53All right, so we know that this thing can call in Godzilla.
11:55But what's, what's the process here?
11:56We'll need to modify the gamma ray emulator to broadcast the Titan's acoustic signature we picked up on our Poseidon.
12:02Titan's song.
12:03It's a pretty extensive modification.
12:06You say extensive and I hear time consuming.
12:09You know, we've got Monarch on our tail and a Titan on the lamp.
12:12So how can we help move things along here?
12:14Kentaro and I need to collect some components.
12:16But, uh, I could use the original wiring diagrams for my office.
12:19Think you guys can handle it?
12:20Just need an address.
12:22We've handled worse.
12:30Come on, come on, Kent.
12:31Go, go, go, go, go.
12:32Come on.
12:35Wait, hold on.
12:36Stop.
12:37Give me the camera.
12:38We have to keep moving.
12:39Give me the camera.
12:39Give me the camera.
12:40We need that film, Lee.
12:41The camera.
12:42Give it to me.
12:42I'll give you the film.
12:43I'll get you the film.
12:44They're coming.
12:45I know.
12:45Look at this.
12:48There's your camera.
12:50Goodbye.
12:51Goodbye.
12:51Soon, Trevor.
12:51I'll be right back.
12:57I'll be right back.
13:46I'll be right back.
13:49Let's go there, because there's nothing here.
14:26Let's go.
14:48Everything's fine, okay?
14:50We're gonna be okay.
14:57Come on, let's go.
15:04Excuse me, my son.
15:15Hi.
15:16Hi.
15:20Thanks for meeting me.
15:21Seems like a cool place.
15:24So, shouldn't you be at Outpost 18,
15:27monitoring GTAS or whatever?
15:30Um, most likely the only thing
15:32they're gonna need me for anytime soon
15:34is an exit interview.
15:35Let me guess.
15:36You devoted your life to something,
15:39poured your heart and soul into it,
15:40just to wake up one day and realize
15:42you might have made a bad bet.
15:45To disappointment.
15:47The only thing that never fails is disappointment.
15:50Come by, loser.
15:55So what are you gonna do now?
15:57Eat noodles, get drunk.
16:01Is there a phase two?
16:02Uh, I mean, there's an opening at Monarch,
16:04but I haven't checked out the perks package yet, so...
16:08Well, I'm sure it's not nearly as good as Apex.
16:10No, Apex has a barista.
16:13We have the pods.
16:14Mm-hmm.
16:14Listen, maybe we shouldn't be looking past him.
16:19I mean, maybe we should be looking at it.
16:22This whole technical makeover of Outpost 18,
16:26I mean, if we can use their tech, great.
16:29But handing over a Monarch asset to a private company,
16:33that does not make sense.
16:35Yeah, I know.
16:36Welcome to the free market.
16:38Look, I'm telling you they are up to something,
16:42and we are just seeing the tip of the iceberg.
16:46I just think it would be nice to know someone
16:51on that particular iceberg.
16:53All right, I'm feeling, like, a little drunk,
16:54so you need to stop talking and get metaphors
16:56and you can tell me what you want.
16:57What I want is for you to ask Brenda Holland for a job.
17:01I want you to be a mole at Apex.
17:06So, what, you think that they're up to something?
17:09That...
17:09I don't know.
17:10But they seem pretty damn invested in it.
17:13If they're up to something,
17:14it could start another G-Day.
17:20So how would this work?
17:26How'd you get a job in the first place?
17:31Well, I mean, the best way to get a job
17:36is to have something that they need.
17:39And that, I have.
17:53Have a good day.
18:02The best way to look at her is for her.
18:04So, let me set up her and see
18:05the station's hours.
18:06Yeah, it'll be good.
18:27Has that been better out of not knowing how it düşer?
18:28Since I the night этого is heavy,
19:04Hi, Mom.
19:07Oh, my God.
19:17I'm back. It's okay.
19:19All right, here it is.
19:21Wow.
19:22You sure I can't help?
19:23Yeah, you can do the dishes.
19:24I can't believe that you didn't let us pick you up at the airport.
19:28Yeah, come on. It's my specialty.
19:30Yeah.
19:31I got an earlier flight and wanted to see the city.
19:36Cheers.
19:36Cheers.
19:46So, can you tell us anything about where you were, or is it all top secret?
19:50I'm sure that Kate will tell us all about her adventures in her home time.
19:55It doesn't even feel real.
19:58For me, I've only been gone a few days.
20:01And there's really another world where those creatures live.
20:06And you were there.
20:08There and back again.
20:12Wow.
20:14So what now?
20:16I don't know.
20:18Hey, go see, do whatever you need to.
20:24You know what?
20:25I saw Martin and a couple of your teacher friends the other day.
20:28Maybe you should all get together?
20:35Whatever happened to you, Kate, it's over now.
20:38It's in the past.
20:41This is the new normal, right?
20:47All right, let's find those wiring diagrams for Hero and get out of here as quick as possible.
20:51I'm going to get the blinds.
20:55Oh, man.
20:56Well, that'd be a big help if Hiroshi ever labeled anything.
21:02Hasn't changed.
21:16Wait, did Kate and Kentaro, do they have different mothers?
21:23Yeah.
21:27Was Hiroshi a widower?
21:31Divorced?
21:36This is not my story to tell.
21:40Lee, I just want to know, is he all right?
21:44Is he happy?
21:46Ask him.
21:48I guess we all have our secrets.
21:59Hold on.
22:00Hold on.
22:01Wait, hold on.
22:03What now?
22:03What now?
22:05We could take cover in there.
22:07I can dress that for you.
22:09Come on.
22:17Come on.
22:27All right, let me see.
22:30Oh, yeah.
22:33You got to get it.
22:34I got to dress that.
22:36Come on.
22:47Worst comes to worse.
22:49You can get these photos back to Billy.
22:51Yeah.
22:52That ought to go over well.
22:54Perfect.
22:55I, uh, lost your girl, pal, but hey, here's some glamour shots of the thing that killed her.
23:08This is gonna hurt.
23:16You ready?
23:21You ready?
23:24Ready?
23:25Say what?
23:30Good job.
23:34How's it look?
23:37Not so good. I don't think you're going to make it, Kay.
23:43Impressive. That's not a matter.
23:46Well, I am not the doctor, doctor.
23:54Lee.
23:55Huh?
23:56What happened back there?
23:59I don't know.
24:00It looked like that creature came for those scarab things,
24:04and then we just got caught in the middle.
24:06You know what I mean.
24:11And we danced.
24:12Yeah, we danced.
24:15I thought we were both past that.
24:17I know.
24:18We both agreed. I know.
24:22Look, I don't know what you thought you felt.
24:24But it wasn't real.
24:26We were with Billy.
24:28We love each other, and that's the way it was.
24:32It was the wine.
24:38No more wine.
24:41No more wine.
24:59This is it.
25:16You know what?
25:18I think I want to go somewhere else.
25:20Straight ahead, please.
25:33Hello, Cora.
25:34Hey.
25:35How are you?
25:35I have to admit, I was surprised to get your call.
25:39Have you finally decided to start taking yourself seriously?
25:44Yeah, I want to, I want to try.
25:46Try won't cut it, Cora.
25:48I'm serious.
25:49After everything that I've been through,
25:50I feel like I need to have some type of purpose.
25:54I want to use what I know to stop tight necks.
25:57The last time we worked together,
25:59you tried to burn my house down.
26:02That can't happen again, Cora.
26:05I understand.
26:06You erased all the copies of the code.
26:08No?
26:10No.
26:11I erased all of your copies of the code.
26:18Come inside.
26:20Monarch can't keep their secret hidden forever, Cora.
26:23The world will find out.
26:24It's about what happens next.
26:26I don't have to contact with Kate.
26:28No.
26:29I don't know.
26:32Kate is a family.
26:34He thinks it's all my responsibility.
26:36That's also Kate's decision, right?
26:39KENTARO,
26:40there's no one wrong thing.
26:42But I don't have to take that responsibility.
26:45What can I do?
26:46What can I do?
26:47Hey, what are you waiting?
26:49Did you take a hat from my office?
26:51I said he with 40 million cameras, you know what I mean?
26:53So you got him?
26:54I'll take us a little round of the cipher for your filing system, but...
26:56Yeah.
26:57You?
26:57Yeah.
26:58We have what we need.
26:59I'm kind of exposed out here.
27:01Let's get back to the shop.
27:02I think we should split up.
27:04All right.
27:04KENTARO, why don't you come with me?
27:06We'll scout up ahead.
27:07Come on.
27:09Hey.
27:09Hey.
27:16Your office reminds me so much of your father's.
27:21How he kept his space.
27:24I don't really remember.
27:27You used to drive me crazy, remember?
27:29It's impossible to find anything.
27:33I miss it more than anything.
27:36This must be difficult for you.
27:38I saw photos of Kentaro's mother and Kate's.
27:47You were married twice.
27:50This isn't really the time.
27:57I know I left you a long time ago, but...
28:01I'm here now.
28:04And I want to know you.
28:08About your life.
28:10Your family.
28:11Your children.
28:14Everything I missed.
28:15I wasn't married twice.
28:18I loved two women.
28:21Kentaro's mother here.
28:23Kate's in San Francisco.
28:26I gave in to what my heart wanted.
28:29I don't expect you to understand.
28:51Hey.
28:52Hey.
28:53How you feeling?
28:55How long was I out?
28:57No, a while.
29:01Maybe we should get going.
29:05Did you get any rest?
29:08The army teaches you to sleep with your eyes open.
29:12No.
29:14It's a little flesh wound.
29:18Ow!
29:19Honestly, you'd rather sit here and bleed to death than admit you need help.
29:24What good are you to me if you can't move?
29:26Bleeding stopped.
29:28Mostly, but it could get infected.
29:29Give me a knife.
29:39I'm going to perform surgery.
29:42Don't.
29:43Okay.
29:44Jesus Christ, go easy on me.
29:46Who's the tough guy now?
29:53Okay.
29:54Enough.
29:55Okay.
29:55I got it, Kay.
29:56We gotta go.
29:57Okay.
29:59Why do you always do this?
30:00Do what?
30:01Take care of everyone else but yourself.
30:03What I always do is follow you into every situation against my better judgment.
30:07But you run right into danger every goddamn time.
30:10I was saying I'm reckless.
30:11Yes, Kay.
30:11We almost died out there.
30:12But don't you understand about that?
30:13Yes, we almost died.
30:14But there's always been a possibility.
30:15And if you can't handle it, you can leave.
30:20I can't leave you.
30:22You, we're in Israel.
30:23No.
30:37You have to go?
30:38No.
30:39No.
30:42No.
30:43No.
30:44No.
30:51Well, you know the earth is dead.
31:17Wow, I gotta admit I was surprised to get your text.
31:21So what do you want to drink?
31:23Hey, two beers.
31:27I never could resist that smile.
31:30That was the problem.
31:31You were the problem.
31:33You know that.
31:35Okay.
31:37So, welcome back.
31:39Thanks.
31:40How's, uh, Hannah?
31:42Danny.
31:43Long time ago.
31:44Good.
31:48There's something different about you.
31:52Hey, two, three.
31:54Hey!
31:55Hey!
31:56Hey!
31:58Hey!
32:00Hey!
32:06Hey!
32:11Hey!
32:13Hey!
32:18Stay active.
32:47Jesus Christ.
32:51They've been following us since the beginning.
33:16I love her girl, Brenda.
33:55It's fine.
33:56No, I don't think it is.
33:57It's fine. It's just a watch.
33:59Just a watch?
34:02Do you have an evac clear?
34:04No, I don't.
34:06It doesn't matter, okay?
34:07It was me. It was all my fault.
34:09What are you talking about?
34:13Okay, you know what?
34:14Forget it.
34:15Um, we gotta go. Let's go.
34:17Let me go!
34:19No, please, let's go.
34:20No!
34:23You need help.
34:25I'm gonna go home.
34:27I think that you should, too.
34:32Once again, you types have been spotted in the Pacific Ocean.
34:56Wee.
34:57Huh?
34:58What do we do now?
34:59Well, we can't go back to the village, obviously.
35:02We gotta find a boat,
35:03a way to get a message off the island.
35:05No.
35:05No.
35:10What are we gonna do now?
35:16No.
35:19Keiko!
35:21Keiko!
35:26Keiko!
35:42We're so lucky we found you. We've been looking everywhere.
35:47I'm sorry.
35:49No, it's okay.
35:51No, it's not.
35:51It's okay.
35:51I shouldn't have left.
35:53I shouldn't have left.
35:54You were right.
35:56You were right.
35:58We stick together.
36:04What is it? Are you okay?
36:07You okay?
36:08What happened?
36:09Nothing.
36:10Nothing.
36:11Everything's fine.
36:11Okay.
36:12Everything's fine.
36:12Oh, God.
36:15Oh, God.
36:30Oh.
36:44I don't want to lose anymore.
36:46Stop! Stop!
36:47Everybody get out of here!
36:48But if you open that rift again,
36:50you don't know what you're gonna lose.
37:01We should be never pushed out, huh?
37:04Keiko!
37:05Okay, go, go, go, go, go!
37:16Whoa, whoa, whoa, whoa, whoa.
37:31See ya?
38:01Dear Li,
38:03first things first. I do love you. I realized it that night. I always have. And I always will.
38:14But Billy has my heart. So what happened between us can never happen again.
38:21It would destroy everything we have built together. It would destroy a good man who we both love.
38:28I won't allow that to happen. And I don't believe that you want that either.
38:34In another lifetime. In another world. This could have been about us.
38:41Maybe in the next lifetime, we will find each other again. Until then, I remain your Kay.
38:48Oh, God.
39:16I don't see you.
39:21We'll find another way.
39:24We'll build another device and use it to get the Titan safely away from the world.
39:28It took me six years to build that one.
39:30We'll do it together.
39:32We have the blueprint.
39:33And the time it will take to even get the components.
39:35The Titan could have killed Ghanos how many.
39:38Now the world knows.
39:40The panic it will cause.
39:41We'll go back to Monarch.
39:43Monarch.
39:45Monarch.
39:47Monarch.
39:48In the end you guessed it?
39:52Monarch.
39:56Shin.
40:00Why should this beless?
40:02My mother is with her.
40:03Don't worry about this mission,
40:04but it's important for us to get out of camps.
40:09Greater than I have to be more important than the one else.
40:12Why are you telling us that?
40:13How do you feel like my ego is natural?
40:17When I was my age,
40:19I was pushing me up to my aunt.
40:22I left Bill Lander.
40:27That's not true.
40:29I never saw him again.
40:32Billy would never leave you, no.
40:34I was just a child.
40:35But I do remember.
40:37Well, there must be some other reason.
40:39Tell me. What is it?
40:41What makes a man abundant?
40:44An 11-year-old boy?
41:17You're up? You up there? Your dinner's ready.
41:24What's going on, buddy?
41:27My knife got dull.
41:29I was hoping Uncle Lee would have something to help.
41:32Yeah, he was always good like that.
41:35I miss him.
41:43Yeah, me too.
41:47Yeah, I miss them both.
41:51Hey, why don't you, uh, go pour yourself a glass of milk.
41:54I'll clean all this up, all right?
41:55Okay.
41:56All right, come here.
41:59All right.
42:00Come on.
42:07Bye.
42:10Oh, my God.
43:03Oh, my God.
43:37Oh, my God.
43:39Oh, my God.
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