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00:05Welcome to the Henry Manor.
00:08A gilded age tale of mystery and murder.
00:13But first...
00:15You're lucky.
00:16Power's on the dining room again.
00:17But trying to hoard it while I'm talking.
00:23Mr. Henry made his fortune as a junk man.
00:27Something he was quite proud of, actually.
00:30But it wasn't until a chance encounter with Mr. Thomas Edison
00:35that he became truly revelant.
01:16This should be good.
01:19Oh, shit.
01:22At this exact spot is where Thomas Edison
01:27accidentally slipped on a rug,
01:29hitting his head right here on this second step.
01:58And as we all know,
02:00Mr. Henry is widely credited with saving his life.
02:06It is the dawn of...
02:08The hobbyist.
02:09One day, I'm going to be an inventor.
02:21Dear reader,
02:23this is not a story in the conventional sense.
02:27You see, nothing is neat and tidy.
02:31Nor is it laid out with ease for a dim-witted pony.
02:34Which I hope you are not, for both our sakes.
02:39No, this story in particular is a cautionary tale.
02:47My husband is dead.
02:50Killed in the dead.
02:51Anything to sabotage a deal with Thomas Edison.
02:54Looking back now, I can admit I was rooting for her.
02:57His fate could be sealed for a portrait of poodles.
03:05When I was a child,
03:07I had foolish dreams of what I might become.
03:10I saw the world differently.
03:24I don't get it.
03:25What does it do?
03:26It's not about that.
03:28What do you mean?
03:29It's not about the trap.
03:31If the entire contraption is used to cage poor Beatrice here...
03:34But look what I built.
03:36Look at all the intricacies of it.
03:40It's interesting.
03:42One day, I'm going to be an inventor.
03:46I wanted to invent something that might have saved our mother from her untimely fate.
03:50Do you both understand why God created you to reside together on this earth?
03:56She would say that her destiny was written, but ours was not.
04:00Slightly ironic sitting here now, right into you.
04:04Before our mother died, she would instill a sense of connection that would bond us to our core.
04:17We had promised our mother that we would come together on this day each year.
04:22No matter where life might take us, we would find each other.
04:26Again.
04:26When you become one, together, you see the world for what it truly could be.
04:43And today, the day that Norman died, would be the day that I see clearly again.
05:16I'm going to be the day that I see clearly again.
05:35I see clearly again.
05:36But I...
05:47Oh, my God.
06:09Someone gets around.
06:28While Norman and I had become infatuated with one another all over again,
06:35the rest of our world, so it seemed, was at a standstill.
06:42That's the funny thing about love.
06:44It's quite indulgent.
06:47What have you done, Lily?
06:49I've done nothing.
06:51He has not called on you, not in days.
06:56I don't care.
06:59Read between the lines, this isn't good.
07:03Maybe we should leave.
07:05Huh.
07:05Leave where?
07:08Lilith.
07:10Leave to go where?
07:14I didn't see it then, but we had become frozen in time with no money.
07:19Fuck!
07:20And no way out.
07:26Finito!
07:27Duke are on Tuesdays.
07:29But it's Wednesday.
07:31And like any caged elf, you become fidgety.
07:34I say, old maid.
07:36Who are you calling an old maid?
07:39She's gonna make that joke until she's dead.
07:41I was afraid to reveal the truth about Edison to my husband.
07:45Afraid of what it might do to us.
07:51Afraid yet again.
07:55And as our world grew more insular by the day, I grew more tepid.
08:02Car!
08:03You're so hot!
08:04You know what that?
08:04You're just such a cheese, always.
08:07How are we supposed to hold this?
08:10She's so perfect, the head, me.
08:12Oh my God!
08:13What are you all doing?
08:14Are we playing cards or are we not?
08:16I could not shake the feeling that something was not right between us.
08:20Can't we just play?
08:21And it was all a charade.
08:23Every single time.
08:29And then, like clockwork, she arrived.
08:37Right on schedule to break us free from this insanity.
08:59Okay?
09:01I'm not sure we was expecting you.
09:07Were the Henrys expecting you?
09:14Lovely to see you're still kicking, Gretch.
09:20Oh, the stench of rotting paper bills.
09:30How I have missed you.
09:40Gretchen, can you be lighter underfoot?
09:43I've been saying that for many years.
09:45It's as if you're a direct descendant of Napoleon himself.
09:48Mr. Henry.
09:49A choleric.
09:50Stomp, stomp, stomp.
09:52Yes, Gretchen.
09:52I do know the word choleric.
09:54Thank you very much.
09:55Mr. Henry.
09:55She has me reading now.
09:57Mr. Henry.
09:58Yes.
09:58We have a visitor.
10:02Is he coming for me?
10:04Now?
10:04You're not going to lie.
10:05Damn it, woman!
10:06Rosy!
10:08Rosy Morsh.
10:14Oh, no.
10:17Did she die?
10:19Not yet, sir.
10:22She's here.
10:25How the fuck does she find us?
10:28How the fuck does she always find us?
10:36Will you be greeting her?
10:38Relax, Norman.
10:39I do believe you should.
10:41She is your sister.
10:42She is, yes.
10:43Yes, she is your sister.
10:45Yes, yes.
10:46It's a terrible time to entertain company, though.
10:49She isn't company.
10:51She is my sister.
10:52It's just not a good time for us right now.
10:53We've got an artist wandering the halls.
10:54He's asking for money everywhere he goes.
10:56It's fine.
10:56It's fine.
10:57It's fine.
10:57It's fine.
10:58All right?
10:59It's fine.
11:00It would not be fine.
11:01My sister had a way of making Norman feel exposed.
11:05I'll have the chef cook the remainder of the pheasant.
11:08This pheasant's old.
11:10Oh, I knew that pheasant wasn't old.
11:13I knew it!
11:16When Norman got nervous, he would laugh uncontrollably.
11:20Get out!
11:20Get out!
11:21The doctors called it manic hysteria, previously only diagnosed in women.
11:30He was unable to form cohesive thoughts.
11:33Tonight we'll be hosting Marian's sister.
11:35That means our finest linens and our holiday china, please.
11:40Lily, I shall need you to dance this evening.
11:42No, you do not.
11:42Yes, I do, I do.
11:43I said I will not.
11:44Cebu, play!
11:45Cebu, play!
11:46I will not!
11:46Oh, please!
11:48How much of that pheasant do we have left?
11:51It's not left.
11:52Oh, please.
11:52No.
11:53That's impossible.
11:54No.
11:55Chickens.
11:56Do a chicken or a hen.
11:57She's a sculptor.
11:58She won't know the fucking difference.
12:00Where are you going?
12:02This is for the mess in the great room.
12:04What's this for?
12:05Where's the ice?
12:06We don't have ice.
12:08No ice.
12:12We need to ration our supplies appropriately.
12:16We need to do a much better job rationing our supplies appropriately.
12:20You hear me?
12:22Goes for every single one of you.
12:26What are you standing there for?
12:27Why is there anybody working?
12:30Yes, sir, yes, sir.
12:31What do you mean, yes, sir?
12:32Nobody's working?
12:33No, no, sir.
12:33I meant yes, sir to the other.
12:35Give me some fucking ice.
12:36Yes, sir.
12:36Chip it off the rocks.
12:37I don't care.
12:39You leave her parched.
12:40You leave her parched until you get a coffer full of fucking ice.
12:44Fuck her.
12:45How are you doing, sweetheart?
12:47I can't wait to taste it.
12:48I cannot wait to have your lovely, horrible fucking food.
12:58Rosie.
13:00Marion, my darling.
13:02What?
13:03You look gaunt.
13:05As if the wrath of judgment day hath pummeled you across a cliff's edge.
13:10Oh, how I've missed you.
13:13Oh, I've missed you.
13:13Mwah, mwah, for sake.
13:15Sit down, sit down.
13:20Are you remodeling?
13:22What?
13:22It appears as if you're remodeling in this room specifically.
13:25What?
13:26No.
13:26You're missing art.
13:28Oh, uh, no, you know, it's just a room in our house.
13:33You haven't responded to my letters.
13:35I thought you were dead.
13:37Every day I'd wait and wait with a renewed sense of dread.
13:41It's a bit dramatic, isn't it?
13:46I've been holding a tenancy in a small boarding house in the city while I prepared my new show,
13:50which you'd have been to if you cared about art anymore.
13:53Anyway.
13:54I wandered over to you brownstone by the park.
13:57You know, I'd never come uptown unless I felt the need of some suffocating masochism.
14:02Yes!
14:03Oh, my God.
14:03But as I knocked down the door, an entirely different, rich old drab man answered,
14:08not Norman, a different one.
14:11He said you sold the house and moved up to the country on some sort of exclusive basis?
14:14No, that's not exactly what happened.
14:16Mary, I think it's fabulous!
14:17Finally away from the druthers of status and free to think, think, think, and tinker.
14:22A free tinker, thinker again, at last!
14:25That rhymes.
14:26It does.
14:31So is it difficult?
14:32Hmm?
14:33To finally leave Norman?
14:35I have a current work entitled The Menstruation of the Lonesome Mistress.
14:39I thought of you.
14:41Oh, yeah.
14:41I have not left Norman.
14:45Oh.
14:46I'm sorry about that.
14:48No.
14:50In actual fact, we are experiencing a sort of renaissance.
14:52I think you'd be quite surprised by Norman.
14:54A renaissance are you creating?
14:56You must be creating something meaningful to declare a renaissance.
14:59No, no, that's not what I'm...
15:00Otherwise, you're just blissful.
15:01Then we're blissful.
15:02We're just fucking blissful, okay?
15:05Blissful with a tinge of defensiveness, I see.
15:09Still your sissy here, Mary.
15:13You give this note directly to Nora Bays.
15:16You tell her she can have whatever she wants.
15:18You heard that directly from me, yes?
15:20Yes?
15:21Yes, sir.
15:218 p.m. sharp.
15:23Tell her, 8 p.m. sharp.
15:24I don't think Nora Baez winter's in the country, sir.
15:27She's having an affair with the gardener next door.
15:29She's having an affair with more than just the gardener.
15:32See, she's having an affair with all sorts of people.
15:34Good for Nora Baez, huh?
15:36Great for us tonight.
15:39Sir, I have but a single working appendage at the moment.
15:42Oh, my God.
15:43Oh, Ferdinand, you shouldn't worry about me.
15:44I'm not entirely sure.
15:45I'll make the walk from this Baez, this residence, in time for 8 p.m.
15:48Ferdinand, please.
15:49Sir?
15:49Put it away, Ferdinand.
15:50I'm begging you, please put it away.
15:52Put it away.
15:53Okay.
15:54I don't bite you.
16:02It's pond water.
16:03It's fucking pond water.
16:05Pond ice tripped from the rocks.
16:10I'm having a panic attack.
16:15I don't think I'm having a panic attack.
16:17Stop it, stop it, stop it.
16:20Please.
16:22Please, please.
16:24Somebody get my wife.
16:25Please get my wife.
16:27She's with her sister.
16:28I'll go fetch her.
16:28No, no, no, no, no, no.
16:30No, no, no, no, no.
16:31No, she's with her fucking sister.
16:34Please, please, please help me.
16:37Please, please.
16:38Help me, please.
16:43Okay.
16:43Where are you going?
16:45Nowhere.
16:45I'm just going.
16:46Let me come with you.
16:47No, no, no, no.
16:47You stay here.
16:48I'll have them bring you some refreshment, you know.
16:51I can fetch my own glass of water, Mary.
16:53I'm a single woman living in the village.
16:54I know, I know, but not here.
16:56Go, sit down.
16:57I hate this room.
16:58Shut up.
17:03One more.
17:08All right.
17:13My, my, my, my, my chest, my chest feels like,
17:18my chest is cold, doctor.
17:20Please help me, help me, please.
17:22Please, I'm so sorry.
17:23It's not a heart attack.
17:24You're not having a heart attack.
17:25You're feeling something you called, doctor?
17:27A bucket!
17:28I don't want to die.
17:30I don't want to die, please.
17:31Oh, wait.
17:43I'm so, I'm so sorry.
17:47I'm so sorry, I'm so sorry.
17:49I can't do it.
17:51I can't do it.
17:51I can't do it.
17:52I'm so sorry.
17:53I'm so sorry.
17:56I'm sorry, please.
18:01Oh, my God.
18:05You seem to be in a bit of a state.
18:08Oh, Lord, is that your, um, your professional assessment?
18:16I worry for you.
18:17Uh, are you lurking in the halls now?
18:20I said I worry for you.
18:21Yes, yes, I heard you, but then instead of answering your question,
18:24I sort of pivoted to one of my own.
18:26I do not lurk.
18:29You're scaring us.
18:31Because I feel things.
18:33Because I'm a man who, who stinks with his heart.
18:37A man that will, who will devote every second of every day to setting you free.
18:42Oh, God, you're an imbecile.
18:45No, stop, stop.
18:47Stop.
18:49My Marianne.
18:50No, no, no.
18:52Mrs. Henry.
18:54Dammit, Echo, come on, it's Mrs. Henry.
18:57Please, let me approach you a few steps.
19:00So that I may make out your figure in the light.
19:04Yes.
19:06I will say this once, and then I shall leave.
19:11Yes, yes, you need to leave.
19:13Echo, you need to leave.
19:14Look, I, I will arrange a promissory note.
19:17That's, you know, it's, it's as good as cash on the Henry name,
19:20but you must leave.
19:21You really, you must leave.
19:23Please, hear me.
19:24Oh, oh, I hear you, my God.
19:27I do, I hear you.
19:29Please hear me.
19:30Shh, shh, shh, shh, shh, shh.
19:32I have never, ever felt my heart, soon so.
19:37Never, ever, in my life.
19:42It is quite concerning.
19:45My passion has always come from the control of my stroke.
19:51I have always been in control of my stroke.
19:56Marianne.
19:57Yes, thank you, thank you, thank you.
19:59Yes, yes, yes.
20:01Halt, halt.
20:02No, halt, halt.
20:06I suddenly realized that the Buddhas are a metaphor for my life.
20:14I am but a, but a trained hound in the hand of their master.
20:21I am.
20:22I am not your master.
20:24I do not love you.
20:25I do not have secrets that only you can decipher.
20:27I, I, I, I, I, you've created this narrative of delusion.
20:31And that's what artists do, right?
20:33So, congratulations, Freethought.
20:35But I am a married woman.
20:37And, you know, we, I mean, we, we, we, we shared a moment in, in, in a,
20:41you know, a bedroom where you were as blind as a band.
20:44You couldn't even make out the contours of my fucking cheekbones.
20:47So, it's over, all right?
20:49It's over.
20:53Stop.
20:54I will not accept a promissory note.
20:57Mama, and they are.
20:58I explained to your husband that I will not say ah.
21:01Halt, halt.
21:02Please hear me.
21:03Halt.
21:03Do you hear me?
21:04Come, come.
21:06Yes.
21:06I will not accept it.
21:08I'll be right back.
21:10Um.
21:10What you mean?
21:11Just go away.
21:12It appears as if you're being chased by a gardener.
21:15No, no, no, it's, it's just the help.
21:18It's.
21:18Or a murderer.
21:19Oh, God.
21:20Chip.
21:21You shall have me cast you as a wicked witch, huh?
21:25En contraire.
21:26En contraire.
21:27Will you leave us alone?
21:30Ah, I'd rather be a widow than you set us free.
21:34A widow, did you say?
21:40Yeah.
21:42I trust it, you free.
21:48We're very sorry for your loss, but golly, it's the winter months, and the ground's frozen solid.
21:53What do you do?
21:54Introducing the new temporary receiving vault system.
21:57This state-of-the-art design allows your local cemetery to store up to five bodies with limited decomposition, just
22:03until the ground thaws.
22:04No more burning pyres or formaldehyde.
22:07The receiving vault system, coming to a cemetery near you.
22:21Norman.
22:23Norman.
22:24Wake up.
22:25It is time to go to your party.
22:28Norman!
22:30Norman!
22:36Norman.
22:36Norman.
22:45You have your party.
22:54Norman.
22:54Norman.
23:01Service!
23:03Service!
23:06Service!
23:10I'm tired.
23:11Fake it.
23:12Eh.
23:13Oh, my God.
23:14Oh!
23:14Which is what they don't tell you about a two-hung cowboy.
23:21Positively orgasming!
23:23Do you remember the bath house?
23:25No!
23:26No!
23:26You don't see the bath!
23:28No!
23:28You shut your mouth!
23:30Um, may I produce Mr. Norman Henry?
23:34Normy!
23:37Normy!
23:38Normy!
23:40You look positively tempestuous!
23:42Look at this one!
23:43Tempestuous!
23:43Am I right?
23:44Very good.
23:44Hello, Rosie.
23:45Hello.
23:46Loosen up.
23:48God.
23:48Do you know what your problem is?
23:49Do you meditate?
23:50No.
23:51You need to loosen up.
23:52It'll bring back that old Henry charisma.
24:00May I present the one, the only, fresh-off-her-world tour?
24:06Who is Brooklyn?
24:06Brooklyn.
24:08Hello.
24:09Hello, hello.
24:10Hello.
24:13It's Nora Baez.
24:14Yeah, she's fabulous.
24:16She has fabulous tits, am I right?
24:18Rosie.
24:18She's straight-off-her-world tour.
24:20I've heard, Norman.
24:22Your geriatric maid just told me.
24:25She told everyone here in this room.
24:31Shall I begin?
24:33Lord have mercy.
24:34Yes, yes, begin.
24:37Il buono.
24:38Come la mamma.
24:40This is art.
24:42Don't let anybody tell you otherwise.
24:45Ah.
24:47I see clearly.
24:49Tonight,
24:51vedo chiaramente.
24:52I will set her free.
24:54Come dia vuole.
24:56One day we will all be free.
24:58Tonight?
24:59Tonight is her night.
25:08There was a certain lawyer in a certain town.
25:12You're flat.
25:13You're flat!
25:14I'm always snooping round.
25:16Higher.
25:17He was the most peculiar man I'd ever seen.
25:21I'll give you my description of the man.
25:23I'll give you my description of the man.
25:25Oh, there it is!
25:27Right drugger.
25:27Did you shut up and let her sing?
25:30Well, if you're going to spend money on an act,
25:32might as well have her put the diaphragm into it.
25:34Rosie, it's no appliance.
25:36Are you having a stroke?
25:37Do you even know what a diaphragm is?
25:39Oh!
25:40That's a diaphragm.
25:41What is wrong with you?
25:43Never wore a collar. Snow, the lawyer, never spent a dollar.
25:52Oh, my God. Dizzy. Dizzy. I'm dizzy.
25:55Did you get him some ice? No, no, no, no. No ice for me.
25:58No ice for me. Don't be so silly.
25:59Suddenly a man of the people.
26:00Rosie, would you please just simmer? He has anxiety.
26:03I'm not anxious. I don't suffer from anxiety.
26:05He's right open, darling. Let's just call it what it is. He's stressed about money.
26:09Norman. Rosie, Rosie, don't do this.
26:12Clearly this is a fucking charade.
26:16Rosie, right fucking here.
26:32You're to have me believe that you willfully moved up to the country.
26:35We have not moved up to the country.
26:36To hear Nora Bay sing bedtime stories.
26:38We have not moved up to the country.
26:55You are broke, Norman.
26:57Rosie, don't do this.
26:59You just bend over and take it. You always have.
27:03I do not bend over. You don't talk to my wife that way.
27:05I do not bend over and take it.
27:06I do not speak to my wife that way.
27:08Come on. What was I supposed to do?
27:09It's not what they expected you to do.
27:11It's what you expected of yourself, Mary.
27:13We are not broke.
27:15Yes, we are, Norman.
27:16Yes, we are, Norman.
27:17Will I be paid?
27:18You'll be paid.
27:18Probably not.
27:19We are Henry's. I can assure you, you will be paid, my darling.
27:24You know she was a genius.
27:25She built things. Contraptions. Did you know that?
27:29Your stupid name means nothing compared to what she could have been.
27:36I've worked very hard for my stupid name, Rosie.
27:40A junk man.
27:42I've built my fortune through diligence and hard work.
27:46I have built it out of absolutely nothing.
27:50And you still have nothing.
27:52You're a middleman with nothing.
27:54No skills. No talent.
27:56Nothing.
27:59Nothing.
28:00Well, that's not what Thomas Edison said.
28:02Oh, really?
28:04Thomas Edison? Oh, really?
28:07Yes, Thomas Edison and I are changing the world because I mean something.
28:14You understand?
28:16I mean something.
28:17What did you say?
28:17Wow.
28:18I don't know what I said.
28:19What did you say?
28:20Shut up, Rosie.
28:21I don't know.
28:21I don't know what I said.
28:22What did you say?
28:23I made a deal.
28:23I made a brilliant deal.
28:29A brilliant, brilliant deal.
28:46I made a blow to thee.
28:47Marien.
28:48Marien.
28:51Marien, please.
28:54Please, Marien, let me.
28:55Can you please, can you, can you just let me explain?
29:03You...
29:06Oh, God.
29:16Well, it seems my work here is done.
29:30That's how you take a bow, honey.
29:33Gretchen!
29:34Gretchen!
29:38Get my valise, my hatbox, my easel, my luggage, and call my carriage!
29:45Yes, ma'am.
29:48Marriott, Marriott.
29:51Don't have that spike.
29:52Spike, Marriott.
29:56Don't have that spike.
30:02I'm sorry.
30:05I'm sorry.
30:12Oh, God.
30:15You don't have any?
30:19Will you let me explain?
30:21Please, will you let me explain?
30:27I wouldn't do this to you!
30:30I don't know what to say.
30:39I forgave you.
30:42I've forgiven you our whole life.
30:47Nothing's equal.
30:50How could I have been so stupid?
30:53Not fair!
30:56The cast aside all inhibitions and believe that something might have changed within my husband.
31:02He left Marriott.
31:05He can quit the charade.
31:06He's gone about his business.
31:07There'll be other deals, I promise.
31:09No.
31:10He still saw me as a pawn.
31:14That was eventful.
31:16Always is.
31:17So, are you ready to make more money than God?
31:21A chess piece that he could simply move aside for the betterment of the Henry name, of course.
31:27Oh, my God.
31:29I prayed for you, Marian.
31:31I prayed for this deal.
31:33I prayed for this deal every day.
31:35I don't think I made a mistake, Marian.
31:38You just have to trust me, for God's sake.
31:53I'll wait you out, girl.
31:57I'll wait you out.
32:02I'm standing there trying to make a meal.
32:04Now I'm trying.
32:05He comes in and he says, oh, you are an artist.
32:07I'm an artist.
32:08Oh, the stupid idiot.
32:09And I say to him, look, what, what?
32:11He takes the knife.
32:12He says, I'm going to save her.
32:14I'm going to save my Marian.
32:15And he stands up there and he goes walking away.
32:18And I say, que cretino.
32:20Who's this?
32:21Who?
32:21Who?
32:22The fucking French artist.
32:23You know who.
32:24He's on his way, madame.
32:39He's on his way.
32:54He's on his way.
33:06He's on his way.
33:09Shut up! Shut up!
33:13Like with the painting.
33:15You stop feeling sorry for yourself.
33:17You are not the fucking victim.
33:19Just because you had an onslaught of guilt
33:22doesn't mean that you get to make this moment about you.
33:26Darling, take your time. Take your time.
33:27Norman, this is not about that.
33:30Whatever this is, it's not that.
33:31And I am not forgiving you. Could you just...
33:33Your robe, Norman!
33:35Please, could you have a...
33:38It was unintentional, Norman.
33:39Tell you something. Of course it was unintentional.
33:41Everything you do is unintentional, Norman.
33:43That's not true, Marianne. That's the problem.
33:45That's not true. Just because, you know, you've...
33:47Take it out.
33:48Yes!
33:55Of all the nights you could have snuck your whore
33:57into your bedroom?
33:59Oh, my God, I...
34:04Mary.
34:06You look quite queasy.
34:08I bet you are, Norman.
34:09I bet you are.
34:11Oh.
34:13I think I need to call on the doctor.
34:19Call on the doctor.
34:21I think I need to call on the doctor.
34:24It doesn't work.
34:26Look.
34:27Doctor.
34:27There.
34:28Gretchen!
34:29Gretchen!
34:31Gretchen!
34:32Gretchen!
34:32Gretchen!
34:34Get the doctor!
34:36Get the doctor!
34:38Get the doctor!
34:39Take your hands off her!
34:42You co-sucker!
34:47Get out!
34:49Get out, mate!
34:50Gretchen!
34:52Gretchen!
34:55Gretchen!
34:56Gretchen!
34:57Gretchen!
34:57Get the doctor!
34:59Get the doctor!
35:27Help.
35:31Get out, man.
35:35I'm sorry.
35:37I'm sorry.
35:39I'm sorry.
35:40Gretchen!
35:41I'm sorry.
35:41I'm sorry.
35:41I can't feel my legs.
35:42Fuck's sake, don't you fucking die on me.
35:44Don't you dare.
35:45Norman, don't you dare die on me.
35:47You were a coward.
35:48Don't you dare.
35:50You know, no, no, no, no, no.
35:52You know, I am, I'm going to speak the truth, Norman,
35:56if it is the last thing that I ever say to you.
35:58I am going to say this to you.
36:00Yes, I am.
36:01Norman Henry.
36:04I'm your wife.
36:06And I invented the fire.
36:09I do see you.
36:12Yes, I do.
36:18Is he fucking dead?
36:20Did you fucking die?
36:22Did he die on me?
36:23Did he?
36:24Norman, you fucking louse.
36:26How could you die on me right then?
36:28You fucking hell.
36:30I just, this, this, this right here,
36:35this is worse than Edison.
36:37You know that?
36:38You, you had the last laugh, didn't you, Norman?
36:42You laugh, you just, oh, Norman.
36:52Oh, Norman.
37:03Oh, Norman.
37:15Oh, Norman, you can't.
37:30Do you ever imagine your life a hundred years from now?
37:36Oh, of course.
37:40What young lady doesn't?
37:41Well, you're different than most young ladies.
37:49Oh, because I'm educated or?
37:51No.
37:53Because you're different than most young ladies.
38:00Oh, Norman, you're different than most young ladies.
38:11A cantankerous painter once said that the bones of an artist
38:14would live on forever.
38:15Hal, ha, ha, ha, ha, ha.
38:20Ha, ha, ha, ha, ha, ha, ha, ha.
38:21Or the butter of a rich man like you shall fade to dust.
38:25Ha, ha, ha, ha, ha!
38:26Ha, ha, ha, ha, ha, ha, ha!
38:43The ground was frozen solid, too frozen to dig even the shallowest of graves.
38:50And so I would sit and contemplate what was to become of my husband after he would fade to dust.
38:57And in turn, what would become of me.
39:04My name is Mary.
39:19As I told you on the first page of this journal, this was never a story of murder.
39:27It was always a cautionary tale.
39:44You see, if you're lucky enough to have ideas and passions, you must embrace them at all costs.
39:56Because it is these ideas and passions that push the world around.
40:00You see, there's a big, tall, tightrope, right?
40:03And I'm at a circus.
40:05And I'm wobbly up there in the sky.
40:09I know I'm going to fall.
40:11And on one side of the tightrope, there is a beautiful life as a mother.
40:17And on the other side of the rope, a career.
40:25Both very hard.
40:29In different ways, I imagine.
40:31Exactly.
40:32I mean, I, for one, I don't believe in compromise.
40:43Yes, well, you're not a woman.
40:53Now, I'll have you know that while I am indeed a woman,
40:57I will no longer be compromising.
41:04You see, I am a woman of invention.
41:09I always have been, and I always will be.
41:14Hi, I'm looking for the records of a student you had here in 1867.
41:20This would be it.
41:21It's very delicate works.
41:54It's very delicate works.
41:59What I have learned, dear reader, is that against all odds, you must stay true to who
42:05you are, or risk fading to dust.
42:35For a moment in time, I had forgotten my very name, and like all those around me, the artists,
42:49the craftsmen, the creators.
42:59While sometimes we might lose our way, we will never, ever lose our sense of purpose.
43:10I am Marian Worsh, college graduate, loyal wife, and the one and only inventor of the lightbulb.
43:41Now, perhaps, take a moment and imagine what I might do next.
44:14I am Marian Worsh.
44:17Oh, my gosh.
45:09To be continued...
45:28What's he digging for?
45:39Oh, my God.
45:42Come on.
45:44Come on.
46:00Janice!
46:02Janice, look at this.
46:04Oh.
46:07Those look like your poodles.
46:10Dolores, would you rest in peace?
46:12Oh, God, too soon.
46:14Hey, you should get this.
46:17Can you see that?
46:19It says Degas.
46:23Degas.
46:24What a sense of humor you all have.
46:26But we're not paying $5 for this.
46:28Okay, what you want to do?
46:31I have $3 left on me.
46:34Will you take that?
46:35Three bucks?
46:37It's a picture of poodles.
46:38This is not a Degas, honey.
46:41I'm an art history professor.
46:42It's not a Degas.
46:47Three bucks?
46:48Yeah, three bucks.
46:49Just whatever.
46:51Enjoy.
46:52Thanks.
46:54So cute.
47:00Do you want to do it?
47:11Do you want to do it?
47:12Do you want to do it?
47:12Do you want to do it?
47:12Do you want to do it?
47:13Do you want to do it?
47:13Do you want to do it?
47:14Do you want to do it?
47:14Do you want to do it?
47:15Do you want to do it?
47:16Do you want to do it?
47:17Do you want to do it?
47:18Do you want to do it?
47:24Do you want to do it?
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