غموض وتشويق في البرنامج الدرامي النادر "خطأ صغير"، قصة مثيرة لم تنشر من قبل حصرياً على راديو زمان.
#راديو_زمان #مسلسلات_إذاعية #تشويق #راديو #دراما_إذاعية
#راديو_زمان #مسلسلات_إذاعية #تشويق #راديو #دراما_إذاعية
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PeopleTranscript
00:02music
00:33The clock is a glorious one
00:35Ten and a quarter, Mr. Hamer
00:37Are you sure?
00:39Is this alarm clock working correctly?
00:42That's right, sir.
00:43Time
00:44Time
00:47actually
00:49music
00:51music
00:52music
00:53music
00:54music
00:55music
00:57music
00:58Please, go ahead
00:59Professor Ra'afd
01:03Alok
01:04Welcome to time
01:08Get up, my brother, and you'll be fine.
01:11Of course, the printing press's editor is just like the old days.
01:15Of course, of course, because you are the constant pursuer of the newspaper's writers.
01:20God, God, God, God
01:21You don't understand me
01:23What's your name?
01:24Never mind the similes of the blindfold
01:26Let's focus on the important stuff.
01:28The title of the story you have, if any
01:30yeah
01:32The title is as follows
01:33Write
01:36Time
01:36He doesn't return
01:38Yes
01:39What does "Ma lis nzoum" mean?
01:41The editor-in-chief has no say in this statement.
01:43How could he reject the story?
01:46I know, I know, it's none of your business.
01:48Please forward this to the editor-in-chief.
01:50like this, like this, like this
01:54Okay, please be kind and keep the newspaper at home.
01:56I beg him to call me on the phone.
02:00Amazing
02:01How could they reject the story, Professor?
02:03Now we know the opinion of the esteemed editor-in-chief
02:13Hello
02:15Good morning, Mr. Hamel
02:17Wait, but don't celebrate before you know my opinion.
02:21How can I not have an opinion on the stories, Professor?
02:25The story isn't just about art.
02:27In art and distribution, after art, Professor
02:32Take it easy on me, just a little
02:33Yes, the story is rejected because it is unrealistic.
02:38Ha
02:41Where does reality come from?
02:43Amazing, my brother!
02:45You're living in a fantasy world, not in reality.
02:47Yes
02:48Write your personal impressions of reality
02:53who
02:54The art of the camera remains
02:56What's wrong with him?
02:58With a little bit of shade, it remains dusty.
03:01Indeed, Red
03:02Write, teacher, your signature word by word
03:07Ready?
03:08Did the phone fill them in letter by letter?
03:11But beware of coincidence, understood?
03:14Beware of chance
03:16Goodbye, immerse yourself in reality, Professor.
03:19Immerse yourself in reality
03:22Immerse yourself in the present
03:25I'm immersed in it.
03:27I'm also ready to get humiliated in reality
03:30But I find a story
03:33Yes
03:35O Majila
03:37It's there, sir.
03:38Badi'
03:39But how does it exist?
03:41Like every day
03:42What does that mean, sir?
03:44That means there's nothing new.
03:46Do you see anything?
03:48No, there isn't
03:49You are the active secretary
03:51And you, the profound writer
03:54The office cat is the office cat.
03:57And the typewriter is in the same place.
04:00But why stay in this monotonous situation?
04:03Move it from here, Majila
04:05Put it here so we can make a move
04:07action
04:08Any movement
04:10Don't be surprised, Majila
04:11What is necessary for a true story in terms of action?
04:14From movement
04:15Temporal movement in space
04:17Yes, by God
04:18This is the dangerous contradictory condition
04:21And the editor-in-chief
04:23Write, O Majila
04:26Write while I carry the phone to the printer
04:29present
04:32Hello
04:34Hello
04:35Write, sir
04:36Time
04:39September 17, 1950
04:43A cloudy autumn morning
04:46The story's author is in his study behind the glass.
04:51There is nothing new, actually.
04:54Change the typewriter setting
04:56The writer moved it from its familiar place
05:00To an unfamiliar place
05:04But he plants the room
05:07He clasped his hands behind his back.
05:11He walks
05:36Walks
05:37Are we the ones who create good and evil?
05:40Or that power
05:42She is the one who is misled
05:44Oh, we're back to illusion.
05:45Good money, sir
05:48Sometimes
05:49I think about the existence of this power
05:52I see it as a form of illusion or consolation.
05:56With which we cherish ourselves
05:58If we get involved in a great evil
06:01But I cannot bring myself to return and acknowledge it.
06:05And then, Professor
06:07We'll get away from reality again
06:09Because this power
06:11It imposes itself on us individually
06:13For example, he was forced to travel in Qatar
06:17To accomplish an important task
06:19No, sir, it's not like that.
06:21This is an unacceptable form of expression now.
06:24Imagination rejected
06:25I won't say anything.
06:27She says that all the time
06:29Important work required me to travel to Qatar
06:32And then
06:33Then you tell the details of what happened to you in the train
06:37But I didn't get anything that would make a good story
06:40Fay Atram Al-Qatrat
06:42Keep waiting
06:44What are you waiting for?
06:45A trip, not trips in the future
06:47The trip isn't important, sir.
06:50The important thing is to wait for any real-life incident.
06:53Wait for anything
06:55Beck is immersed in reality
06:57present
06:59Wait for any accident
07:01I'm immersed in reality
07:03What kind of accident is this, people?
07:07Freegate
07:11Freegate
07:14Who are you
07:16Yes, the floor is yours, Professor.
07:17good
07:20Dr. Hosni
07:21Also
07:23I'm sorry
07:24Isn't it the number too?
07:27What?
07:28Oh, the small mistakes!
07:31One girl separated
07:33Yes sir, I was asking for sixty-two and this is sixty-three
07:38yeah
07:39You can say "Arovar," but please give me an appointment for the interview.
07:42Hahaha
07:43O wearer of the woolen cap
07:46And the green glasses
07:47yeah
07:49I am Saeed Abu Al-Hamed
07:52Where are you, Hamed?
07:53The gang's philosopher too
07:56He is Mahmoud Abdel Hamid
07:58What was it that made us see you?
07:59Huh?
08:01And what do you think he's doing now that he's passed?
08:04You don't see it
08:06Amazing
08:06You're being treated the same way.
08:11I don't want anyone to visit me
08:13So that no one sees his wife
08:14Oh wow, oh wow
08:16Aman, if he hadn't obtained his doctorate
08:19His is from Europe
08:20What was he doing?
08:22Anyway, it was a pleasure meeting you, Hamed.
08:24Listen
08:26Why don't you come tonight for a bit?
08:28yeah
08:30Dr. Hosni and all the boys
08:32What place is outside?
08:34In the pyramid
08:36By God, you're not coming, Hamed?
08:38enough
08:39Tonight at eight o'clock
08:41Abu Rabar
08:50happy
08:53Look
08:54Look
08:55Look, Hosni, there's good in it, a new entrance.
08:57What is it, you blind one?
08:59Unbelievable
09:01Unbelievable
09:02This is a box of sweets
09:05It's true, I swear to God, it's true
09:07He hides it in a well, not in a house either.
09:10This sweetness needs to be hidden, Mahmoud.
09:12Mahmoud
09:13Mahmoud, who are you, Grandma?
09:15Mahmoud Abdel Habib, you're not foolish enough to be following her around.
09:17Oh, that's Mahmoud, right?
09:20You neither persevered nor achieved, O Abu Hanifa
09:23God
09:24Where are you going, Saeed?
09:25Stay where you are.
09:26I'm going to say hello to him
09:28I missed him so, so, so much, I swear!
09:30Oh, very intelligent
09:31Mahmoud will be upset, Saeed.
09:32Welcome, welcome, welcome!
09:35Long time no see, Abu Hanafi
09:37Hello Saeed, hello, hello, how are you?
09:40Hello my dear friend Saeed Abu Al-Hamd
09:42Hello, my dear wife, Madam
09:45Hello, it's an honor, a pleasure to meet you.
09:47Hello, excuse me, Saeed, excuse me
09:49See you soon
09:49Hello, let's find another place, ma'am. Let's go.
09:54It was an honor, Mr. Saeed.
09:56Anyway, hello
09:59We saw the bride he was hiding
10:01Let's go
10:02Where to?
10:03On the side of the gang's philosopher
10:04We tell Hamid about the miracle.
10:11Ha
10:11Written by Aya Majida
10:13And so
10:15Reality forced Mahmoud Abdel Hamid
10:17To show his wife to society
10:18enough
10:19The end is near for the newspaper.
10:27What is this?
10:29Honestly, is this the end of Professor Hamed?
10:31The end of a true story
10:32So what did he do, sir?
10:33That's exactly what happened.
10:35Okay, brother, drop this whole thing.
10:37And immerse yourself in a new reality
10:39Yes sir
10:40We will immerse ourselves in a new reality
10:42What is necessary to immerse oneself in?
10:44Hello
10:45Where to, sir?
10:46I'll stay home and wait for my call.
10:58Hello Hamed
11:02What day was yesterday?
11:03Today is September 18, 1950
11:07Time has advanced by ten years, maybe twenty, and the mess might be all over again.
11:12Past, present, and future all converged in a single moment.
11:15Don't be surprised or shocked, Hamed.
11:17Don't worry about Ghali
11:19There is nothing
11:21A simple need
11:23Madam Mahmoud, no, no, no, I wish
11:26Anyway, wait for another call.
11:28But make sure
11:30Hosni sees the casino
11:36Yes, indeed, Saeed
11:38And I found out who the young man with her was.
11:39No, but I took a number in the red car that they drove off with.
11:43And then, Hosni
11:44What should I do?
11:45What should I say?
11:46It's not necessary, we have nothing to do with it.
11:48How come, Hosni?
11:49Mahmoud is a dear friend
11:51I can't leave him in the dark, my brother.
11:53Hey lady, does anyone know who's blind?
11:55Maybe we're the ones
11:56Never ever
11:57I just saw her with Mahmoud Al-Marah
11:59You mean you think you can cut it with a tool?
12:02Even the dress is the same
12:05I'm telling you
12:05Let's tell the story to Professor Han
12:20Wonderful, wonderful
12:21And then, pregnant woman
12:22Milli Milli
12:24The surprise was harsh for Saeed.
12:28It didn't shake his heart or his mind.
12:31As happened to him when he first saw her
12:34Rather, it shook his entire being violently.
12:39The ground almost shook beneath him from the shock of the surprise.
12:43He felt he wanted to act quickly.
12:47And then what, Mr. Pregnant?
12:49And on the way, the tragic Saeed materialized
12:54She explained the bitter details to him.
12:57This friend whom we all love like a brother loves his brother
13:04This is ridiculous
13:05What is this nonsense, Mr. Hamed? Get to the point!
13:07What is this nonsense?
13:08There's no story, my friend.
13:10There's no story without us, Mr. Hamed. Goodbye.
13:16What do you think, Majida?
13:17I really don't know, Mr. Hamed.
13:20But I feel it's a dangerous story.
13:23Okay, six of you
13:25We immerse ourselves in other things and write something else.
13:28No, Mr. Hamed, I didn't mean the written story.
13:31I mean, the situation we're in is really serious.
13:34Okay, Six, please beg Saeed Abu Al-Hamd to drop this whole thing.
13:43No, Hosni, no, Hosni, it's impossible, absolutely impossible.
13:46I must track its dangers
13:48Hajiba, what's with this fever you have, Saeed?
13:51Hey, did you get a sunrise attack?
13:52Don't abandon the Creator, my love.
13:54Imagine, Hosni, imagine
13:56Yesterday I asked about Mahmoud Abdel Hamid
13:58What did they tell me at the casino?
13:59any
14:00He's been living in Buqs Buqs for two days.
14:02for him
14:03Because the six protected ones and the hidden jewel
14:05Because my wife caught a very bad cold
14:08May God heal him
14:09And imagine
14:10God
14:11Mahmoud
14:11Mahmoud Abdel Hamida is
14:13God
14:13Mahmoud
14:15Who is happy?
14:16Welcome, welcome
14:17Hello
14:18And Dr. Hosni too
14:19What is all this happiness?
14:21You
14:22Are you happy, Mahmoud?
14:24Unbelievable happiness, Saeed
14:26Imagine, I haven't slept for two days!
14:28I have no desire to sleep.
14:30Wow
14:31Thank God
14:33May God grant us peace
14:35By a miracle
14:36God wanted good for me, Saeed
14:38Poisonous, Mr. Said
14:40So that you stop defaming marriages and homes.
14:43And she'll find you a bride who loves you and whom you love.
14:46But we ask Mahmoud the First
14:48So, what's your opinion, Abu Hanafi, on domestic love?
14:53God has granted me success, Saeed
14:55You can't imagine how much happiness this love brings.
14:58Yeah yah
15:01You love your wife like a sheep, Abu Hanafi!
15:03Because she loves me more than I love her, Saeed
15:06Oh Sheikh, but tell me
15:08The husband possesses proof of his wife's love for him.
15:12naturally
15:12I mean you
15:14Of course, of course, of course
15:15I swear to you, if I were to leave her for even one day
15:17She doesn't even close her eyes, nor does she eat.
15:20Two days
15:22Two days is something that can never happen, Saeed.
15:25How
15:26No, it didn't happen even once.
15:27From a year ago, when he was still our only son and five months old
15:30Imagine me when I came back
15:32How did you find it?
15:33How
15:33I'm telling you, sir
15:35I rang the bell from here and
15:38Mahmoud
15:39Mahmoud
15:40Why?
15:41You were in my life these past two days, Mahmoud
15:44You still do this to us?
15:46Look what happened to the boy, Mahmoud
15:49What is his?
15:49He has no blessing
15:50Tell me, Dad, what happened to you, my love?
15:54What did he say to you?
15:55Shame on you, Dad
15:58forbidden
15:59Mom can't answer for me, and you're different.
16:04Don't worry, my love
16:05It's okay, my love, it's okay
16:08Dad won't be gone from our sight again.
16:10Dad
16:11Enough is enough, a blessing.
16:24adequacy
16:25adequacy
16:26Suhaid
16:27Yeah, I
16:28I don't know, Hosni, I don't know
16:29I am the one who will deliver me
16:31I sense from the name Nasteen
16:33Sweet, sweet
16:34Is this the conflict that Professor Hamed is talking about?
16:36What's gotten into you, you arrogant fool?
16:38Congrats
16:39Congrats
16:40Leave me alone, Hosni, please leave me alone
16:41Finn's condition
16:42I am Hamed's office
16:50sweet
16:50The link is complete, Hamed.
16:52And then she is full
16:54And after
16:55So what does poor Saeed do?
16:58Does he say to Mahmoud Abdel Hamid
17:01Your wife, whom you love so much
17:05And she trusts her completely
17:08I saw her walking with another man
17:12good
17:12Or does he leave him in this ignorance?
17:15And he leaves his fate with him.
17:19And a happy heart speaks
17:21He says to him
17:22You will kill him
17:25If you tell him the truth
17:27And Saeed's mind speaks
17:30He says to him
17:31It is good for Mahmoud Abdel Hamid
17:34to die
17:35How could he live like this?
17:37And so
17:39Happy days
17:41Why not?
17:42Torn between the two opinions
17:45As for him
17:47He sits before the two opinions
17:49As if he had been embodied in the two pans of a scale
17:54He hopes that one side will prevail over the other.
17:58Until he finds the end
18:03And then
18:04And then
18:05What is this? The end
18:06end
18:08The end, Professor
18:09the end
18:11Open end
18:12As the famous critic says
18:15No, uncle, God will provide.
18:16This is a story, sir, this is a story
18:18It's not a problem that readers can collaborate to solve.
18:21So what now?
18:22I said, "Is this your friend Saeed?"
18:24He's trying harder.
18:35Saeed Saeed Bab Bab Bab
18:37What is the red Arabic?
18:38Tax Tax
18:39Come on, Hassan, follow him!
18:49They went into the cinema, Saeed
18:51We're after them, we're after them
19:01God
19:01door, door, door
19:03She asked permission from the owner of the red car and left.
19:05Behind her, behind her
19:07She walked down the bend that leads to the main explanation
19:09And behind her, too, behind her
19:10Wow, that's a black car!
19:13Tax Tax
19:16Ride the crowd
19:17We're after them, we're after them
19:25This is the building we were thrown into.
19:27God
19:28The black Arabian flashed, O Saeed
19:30Oh my, oh my
19:31And the woman paused, fixing her hair.
19:33And we look in the mirror
19:35any
19:36Oh, I entered the building.
19:37Batmaakhter like the goats
19:39There's no phone nearby.
19:41In it
19:42When the cashier gets a phone
19:43Okay, behind me
19:44Behind me
19:47The phone, please.
19:48With you, Ershet
19:49Ersht
19:50With me
19:51Alo
19:52Alo
19:54Mahmoud
19:55Azak ya Bahanifi
19:57You were in it yesterday
19:59What's wrong with you?
20:01Aren't you going to stop?
20:02Never, by God, Saeed, never.
20:04There's nothing like what's in the block at all.
20:06Because I was in the office yesterday until 12 o'clock at night
20:09And today
20:10And today I haven't gone yet
20:12imagine
20:13Even my wife had to go to the cinema alone.
20:15I've been studying with you for two days now.
20:19What can we do? The whole world is full of troubles.
20:22God
20:22What happened on the line?
20:24happy
20:25happy
20:26God, no, no
20:26You're not with me, Saeed
20:30So what do you think now, Hamed?
20:31The family will come
20:33They will come now
20:34who
20:35Mahmoud
20:35I sent the driver to him.
20:38This text should be written for the story, sir.
20:39No, Majida
20:40The story is over, they've ruined it.
20:42We are truly alive now.
20:43But ah
20:44What are the fields of Al-Mahmoud?
20:45the truth
20:46The truth, in all its harshness
20:49From Maraha
20:53Mahmoud
20:53Come here
20:54Come here
20:55Good, Hamed, there's something wrong with it.
20:56Get ready, Mahmoud
20:57Prepare to bear the news of the chair
20:59chair
21:00Good, Hamed
21:01God, I heard something from the house
21:02no
21:03But about the house
21:04What about
21:05I don't understand anything at all
21:06Speak, Saeed
21:07I speak with all the harshness of truth
21:09From justice
21:10no
21:10no
21:11Majida
21:12If Saeed spoke one word
21:14Please accept my resignation.
21:15Majida
21:15Just stay where you are
21:17A secretary who types on a typewriter
21:19concept
21:19You're a typewriter, but
21:21No no
21:22I'm not just a typewriter, sir.
21:24I am a human being.
21:26Don't listen to them, Mr. Mahmoud, they're just tweeters.
21:28Shut up
21:29I swear to you, they are tweeters
21:30They talk about justice, yet they are the most unjust of people.
21:33Professor Saeed, because he has neither a home nor a wife, wants to ruin all homes.
21:37Professor Hamed's entire mission is to find the end.
21:40Any ending to the story
21:41Get out! Get out!
21:44What's going on, everyone?
21:46What's up?
21:47Ready to listen
21:48What do you mean, "listen"? What's going on?
21:49I'm telling you, chair
21:50ready
21:51Not at all
21:53Sir, I am ready to speak.
21:54Speak, Saeed, what should I say?
21:57Let me tell you, Mahmoud
21:58any
21:58I'll tell you
21:59My affair is with God.
22:03You're a disgrace to the first history
22:05yeah
22:06The date is in the papers
22:07I was actually traveling to Adiya
22:10The red Arabic has the same number as the first one you mentioned.
22:12Amazing
22:13You know this car and its owner.
22:15yeah
22:16This is a young man from Warsin who lives in the same building as us.
22:19Afrah Al-Salma attended the same day you saw her there.
22:24Hamed
22:25Yes
22:25My current state is known to be prostration, except for you.
22:27No, Mahmoud, don't worry.
22:29Make sure that there's no one else but me and Hamed.
22:31Yes
22:31Yes
22:33Mahmoud
22:33Mahmoud
22:34Let him cry
22:36Tears wash away the heart
22:38Tomorrow he will be rid of all the pain and suffering.
22:41early
22:42early
22:43And then
22:44Glory be to God! Isn't that enough, sir?
22:47How is that enough?
22:48Who accepts the end of Zaid?
22:49Who would leave Mahmoud alone without making a scene, Professor?
22:53It happened
22:54Stay behind him
22:55Yes, sir.
22:56We'll keep him waiting until he does what you want.
23:27This is the value of the furniture
23:29We plant it and rest
23:30No, no, no, Tiza, no, Ne'ma didn't make a big mistake.
23:33I made a small mistake, and who knows?
23:36Perhaps what happened was just punishment.
23:39no
23:39This is gas, my son.
23:41I don't understand gas
23:43No worries
23:43All these mysteries will be solved tomorrow, Tiza.
23:46Excuse me
23:47Come here
23:48Where to, sir?
23:49What do you think it is?
23:50The game "If Life is Mercy of Her Father"
23:52Don't move around before you know what's going on.
23:55That's it
23:55yeah
23:56Okay, if you'll excuse me, let me talk to Na'ma for a bit; she'll tell you everything.
24:00Okay, sir
24:01blessing
24:03Oh blessing
24:04Come here, my daughter
24:05Come and see this new story with Maan
24:08So that's how it is, Mahmoud?
24:11And then
24:12What should I do now?
24:14What should I do to get revenge on him?
24:17She's taking revenge on me.
24:19It's very possible, ma'am.
24:21You might make me live my whole life like a dead person
24:24How, Mr. Mahmoud?
24:25Why do you want us?
24:26Tell the truth
24:27You're saying that what I heard, they took it, happened.
24:29That's it
24:30Okay, Mahmoud, that's settled.
24:32any
24:32He got
24:32He got
24:33Come listen to her, my daughter
24:35Come listen to your daughter
24:37Unbelievable
24:39Unbelievable
24:40God
24:41I can't believe it, Saeed.
24:44It wasn't Mahmoud who sat there, under the tree.
24:46Yes
24:46And that's his side, Hosni.
24:48How so?
24:49He didn't divorce her
24:51yeah
24:52God
24:52But one side is correct
24:54Listen, Hosni
24:56God
24:57Countries that are talking
24:59Run
25:00Run
25:01Call Hamed and tell him to speed up.
25:03This is Mahmoud's wife, the one who says you saw her with someone else.
25:06yeah
25:07Are you sure about what you're saying?
25:08naturally
25:08I'm sure this is the one I saw.
25:10yeah
25:11And she was wearing the same dress
25:12May God destroy your house, Saeed
25:14God
25:14May God destroy your house
25:16God
25:16God
25:17May God destroy your house
25:18But he's truly crazy
25:20Get up, Hosni, and see what's going on.
25:27Please, sir
25:28Go ahead and flirt
25:29Where is the end?
25:30Write
25:31Is this how fate entangles us all in this great mistake?
25:35mistake
25:35She is not his wife.
25:37But a friend of his
25:38She lived in the same building as him.
25:40She is also friends with many other men.
25:44I saw the story in the magazine, Ne'mat
25:47I showed it to her, Mama
25:48she
25:48And I wonder if Samhoud sent you the magazine at the stall?
25:53So I can read the story and describe it to him
25:55What's wrong, my daughter?
25:57Forgiveness from the generous Shyam, my daughter
25:59Forgiveness for what, Mama?
26:00About the small mistake that caused all this
26:03Regarding his presentation of this girl as the accused
26:06As if it were you
26:07I wish I could, Mom
26:09I wish
26:10You're welcome, Ne'mat
26:13Because of this you can
26:17That's a different story, Professor Hamed.
26:20Let's stick to the story we're in.
26:22What's left in it?
26:23What's the solution?
26:24Nemat returned to Mahmoud
26:25It's not the end either.
26:27And what do you think the ending will be like?
26:28Ask the fire chief
26:30Reality and nothing but reality
26:34And I know the reality that they are in my hands at this time, how
26:36Ask her
26:38Ask her, ask her in which direction, teacher?
26:40With the same stern face, the face of reality
26:43Yes sir
26:44Ask her
26:45Hatakal
26:46actually
26:48You could say it's the end
26:50happy ending
26:52If you were going to write it for the cinema
26:55If the story is based on reality
26:56All these events remain
26:59beginning
27:00beginning
27:00What's the beginning?
27:01The beginning of the tragedy
27:03I will live through her nights without a beat
27:05Without events
27:07The beginning of my long life
27:09I'll spend time with Mahmoud
27:10Under one roof
27:12God
27:12What tragedy, Madam?
27:13The wife's tragedy
27:15The one destined to live with a husband
27:17Accusing her without due consideration
27:19Without investigation
27:20Without patience
27:21Just to spread a rumor
27:23And then
27:23In this way, there is no story of destruction.
27:25On the contrary, sir
27:26Now there are two stories
27:28A story that ended
27:30And the story begins
27:31My hopes mean a happy ending
27:33naturally
27:34Medicine and address
27:35the address
27:36Imagine that, teacher
27:38Imagine what title you wrote for the story
27:40Ha
27:40I wrote the title as you can see.
27:44The title is
27:45The address
27:48Show me
27:48Ha
27:50small mistake
27:52Badi'
27:53This is the address
27:56small mistake
28:03You were with the story of Amin Youssef Ghorab
28:14Participate in acting
28:16Abdul Rahim Al-Zarani
28:17Mohamed El-Toukhy
28:19Naeem Wasfi
28:21Tawfiq Al-Din
28:22Abdul Moneim Ibrahim
28:24Aida Abdel-Jawad
28:25Mahmoud Farag
28:27And the seven prophets
28:28Unpublished story
28:30A program prepared by Mohamed Ali Maher
28:33It is directed by Mustafa Sadiq
28:39Subscribe to the channel
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