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00:03this is a safe place what do you mean safe just what your mum used to call it it's all
00:08over socials
00:09that you killed her it's all your fault and it's literally all being taken out on me what are you
00:13gonna do get your dad to kill me probably get his dad shaggy alana hasn't gone to her grandparents
00:19to help them she's gone to get away from me sarah's death is my fault the 24th 25th and the
00:2526th can
00:26anyone explain where michael was alana i don't know i saw polly in a fight with one of the boys
00:32fight is in handbags like grabbing and shoving this wasn't just handbags as you call it it was
00:36violent abuse craig listen to me do not come here i am at work please is that him i can't
00:43speak to
00:43him now he just gets so bloody angry angry do yourself a favor and go back inside take your
00:48hands off me is that what you want craig please stop no one's saying he did it that's not what
00:55i said
00:56but they're asking questions i'll solve questions past behavior rory said he saw him in some kind
01:03of fight on the rugby pitch i'm just telling you what i heard alana let's get your stuff and come
01:11stay
01:11with me
01:27get him inside the house it's all right it's all right calm down
01:43I've done nothing wrong.
01:46You should be arresting him, not me.
01:49Charlie, x-ray 356. Can I get an ETL net backup, please?
01:53What the hell was that?
01:54You had your hand around his neck, Michael.
01:57People are going to think you were trying to strangle him.
02:06Charlie, x-ray 356. Can I go to the next station?
02:12Charlie, x-ray 356. Can I get an ETL level?
02:33When it comes to the next station,
02:35accounts of what happened here. What's conflicting about them? Well, D.I. Stanhope says that he came
02:41to see you. Something about your Tina Bradley review. I actually asked him not to come. Andy,
02:47Mutch, who's the sergeant on duty at the house, said it looked personal. Not something I'm
02:52particularly comfortable about, Annie, given your past relationship and given you were meant to be
02:56working. That's exactly right. And that Michael Polley came out of the house and tried to assault
03:00him. That's not quite what happened. He was forced to restrain Michael. Yes. There's also the fact
03:06that Michael Polley took D.I. Stanhope by the neck. It was more fending him off. Sorry, who was fending
03:11who off? Michael was fending off Craig, D.I. Stanhope. So he didn't put his hand around his neck.
03:20It's obviously relevant, Annie. Yes. Given how Sarah died. It wasn't like that, Ivan. Michael Polley is
03:26our prime suspect in the murder of his wife. We've spoken to D.I. Stanhope and he's decided
03:32not to press charges. But, Annie, if an incident such as this occurs during your time as a family
03:39liaison officer, we need to remove you from that role. You're going to remove me from the role?
03:46Why? What did I do? It's standard practice. You need to step back. You've compromised your
03:51position. I thought you didn't want to be a fellow. I didn't. But he started talking.
03:57Men like that find it hard to talk at the best of times. But he started opening up to me.
04:01Annie.
04:01You need me in there. I even recorded some of it. Our conversations. Well, you shouldn't have. I'll
04:04pray them for you now. I know he's not alibi, but I don't think he's done it. Not by the
04:10way he's
04:11talking. Let's come back to this later. No, let's come back to this now. Okay? I'm the only one
04:15you'll speak to. Why won't this bloody thing open now? Typical. Annie, we're not removing
04:19you from the case. There are still actions to be carried out from here. I don't want to
04:24work here. Annie, you will do as you're told.
04:49What? What was your ex doing there? Craig? Was that who sent you the flowers? You said
05:03to scream at you if you ever went back. Why didn't you tell me? Annie. Annie.
05:17They want me to stop and say I fell low because it will happen. Just as he started to talk,
05:23they'd take him away from me.
05:38You have no choice. You need to tell the police about the diary.
05:45Your mum was scared. That's what she wrote. What if the victim wasn't your mum and the man you
05:51must suspicious of wasn't your dad? Would you go to the police then? So the only thing stopping
05:58you from telling the police is the fact that it's your dad? That is a thing, Paul. Obviously,
06:03you love your dad, but not to the point of letting him get away with hurting your mum.
06:11I don't know what it's about. She just said she wanted to see us after school.
06:33Everyone's very excited about the last game of the season. And nobody's trying to look past the
06:38events of the past few weeks. Absolutely not. The things that must have been happening at home. But
06:43we need to discuss Dylan's academic work. In English and biology, he's just about on course,
06:50but his history is, well, we're not where we need to be. We'd like Dylan to take a test to
06:56assess his
06:56progress. On Monday after school, that's what, three days from now, push him to make an improvement in his
07:03essay writing. Otherwise... Otherwise, we're not sure about the rugby, about him playing in the match.
07:09We all want him to play, but he's way behind in terms of his grasp of the current module.
07:17Rugby is Dylan's best thing. It's how he burns off energy. It's how he expresses himself. Why would
07:22you do that? It's an incentive. No, it's just cruel. Mrs. Sedgwick, if Dylan doesn't improve,
07:29he'll fall behind in terms of his predicted grades, university choices. This is for him.
07:36I've spoken to Mr. Whitchurch and he agrees. And Mr. Polly? Mr. Polly is currently suspended from the school.
08:14Hello, you've reached Alana Polly's phone. Please leave a message and I'll get back to you.
08:39D.I. Stanhope doesn't wish to press charges. The incident with Simone and Michael outside,
08:44when you accosted him. I accosted him? Is that how you're choosing to remember it now, yeah?
08:49Either way, it's not so relevant now, as he doesn't want to press charges.
08:53You should also note DS Cassidy will no longer be your FLO. DC Hammond will remain in place and
08:58we'll find someone to replace Annie. Who? That's all to be worked out.
09:02And what if I don't want this person? If it's not Annie, I don't want anyone. In fact,
09:06I don't want anyone here. I'm still going to update you, whenever there's a development.
09:11You can show yourselves that.
10:04I just wanted to check on you.
10:08I'm worried I got a bit heavy. I just didn't like the way you came charging out of that house.
10:12I told you not to come. I said I couldn't talk.
10:15I know. Thanks to you, I'm no longer a FLO.
10:17I know. And nobody was charging anywhere, Craig.
10:21Look, I'm sorry if I misread it. I just didn't want him to hurt you.
10:24Would you listen, please? I don't want us to mess this up.
10:28And we won't. Annie. Annie. I promise you.
10:42You made promises before.
10:50Please. Oh, please just let me book the table again and pretend like the day never happened.
11:05Why didn't you just come over and I'll burn you that lasagna like I always used to?
11:11You'd do that for me. I'd do that for you.
11:13Shh.
11:17Shh.
11:29Shh.
11:33Shh.
12:52I know how hard you work.
12:54That bag, by the way, Ivan says it's in the evidence room.
12:57Bag?
12:58Bag of evidence.
12:59It needs logging.
13:01Stuff found at the outer cordon of the murder site.
13:03Ivan's asked if you could check it.
13:06Just so you know, if you have time.
13:07Hello?
13:08Yeah, what is that?
13:09I'm away.
13:10I love to eat.
13:54What are you doing here?
13:55Sir, they're making me do a history test.
13:58I'm going to fail it.
13:59Sorry, what's this got to do with me?
14:01They teach history.
14:04Me and my coach, sir.
14:06If I fail the test, then my season's over.
14:11Can't play in the final match.
14:15Shoes.
14:17Well, they're not wrong.
14:18You do need to improve.
14:19Who plays in that match?
14:21That's still my decision.
14:24He said you're no longer at the school, sir.
14:32So what's it about, this essay?
14:35The Munich Agreement.
14:36Mr. Bowman says he wants an essay on Chamberlain.
14:39The mistake of trusting Hitler.
14:41Nobody wants an essay on why it was a mistake to trust Hitler.
14:44Isn't that what happened?
14:46And they certainly don't want an essay just relating what happened.
14:48What they want is to find out what you think.
14:50They want an argument.
14:51An argument?
14:52Yes.
14:52Pick a line, just like in rugby.
14:55Pick an angle, and the harder the angle,
14:58the more impressive it is.
15:00So how about this?
15:01How about that he was right to trust Hitler?
15:03Was he?
15:04Well, that doesn't matter.
15:05That's what you claim.
15:06What I'm trying to, well, what Mr. Bowman is trying to do
15:10is test your ability to make us see history differently.
15:13In a new way.
15:15See it in your way.
15:17But that's not what I'm doing here, and you need to leave.
15:20Please, sir.
15:25Our focus stays on one man.
15:28Where was Michael Polley in the three days before Sarah's body was found?
15:32Before we had eyes on him at all times.
15:35We know he left the house on the night she went missing.
15:38But could he have moved the body on another night?
15:41Seems possible.
15:43He's got gaps in his timeline,
15:45knowledge of his wife's affair,
15:46propensity for reacting physically.
15:51Anything from the CCTV,
15:52and any doorbell cameras in the area?
15:55No.
15:56Footage is patchy because it's such a rural area.
16:09All done?
16:11What's he want me to do with these?
16:13Just logged and bagged up properly
16:15and taken down the evidence store.
16:16Oh.
16:37Hello?
16:37Have you seen it?
16:38In the Mercury.
16:40The Mercury?
16:41Bradley family claims no new lead in over a decade,
16:44as more attention has turned to the unsolved murder of a headmaster's wife.
16:49Brother Gareth bemoans lack of progress.
16:52Talk of well-intentioned detectives and...
16:55Yeah, go on.
16:57And never feeling like Tina is the priority.
17:01Jesus.
17:03Is this in today's?
17:05Yeah.
17:06After everything you've done.
17:08Hmm.
17:12I don't know.
17:40I can't get a hold of you.
17:41Well, that's bollocks for starters.
17:43Where's Carol?
17:44She's not in.
17:44She's never nodding, Gareth.
17:46That's what she tells me to say when there's someone at the door she doesn't want to see.
17:49She's got no choice.
17:50Out the way.
17:57How did I get to this?
18:03Never feeling like Tina is priority.
18:06Carol, I'm around you every week.
18:08I think about her every day.
18:10She was my friend.
18:11When did Tina go missing?
18:13What date?
18:15You know the date.
18:19July 17th, 2004.
18:22Between the hours of midnight and 1am.
18:25It's etched on my brain, Carol.
18:27It's a long time ago.
18:31It's getting that way.
18:34And I love you as a friend.
18:38But I can't help thinking, as a detective,
18:44if you were going to find her,
18:47you'd have done it by now.
18:56Good for you.
19:09Good for you.
19:53What we need to remember is, for us, these events are historical.
19:57He didn't have the benefit of hindsight.
20:00And would we think about Chamberlain the way that we think about him today if we'd lost that war?
20:05No. No, sir.
20:06So what are we saying?
20:09We're saying...
20:10That Chamberlain was...
20:11Right?
20:12Well, we can't use that word, but...
20:14Unlucky?
20:16Yes, he was certainly that.
20:19And maybe...
20:20Honorable.
20:21Because sometimes it's more honorable...
20:23Not to fight.
20:26To try and find compromise and...
20:31A peaceful solution.
20:34And everything is pointing towards conflict and confrontation and the loss again of millions of lives.
20:42Maybe the wisest or the bravest choice is not to engage.
20:48And that's, um...
20:51An active choice in itself.
20:56And so that can be our argument.
20:58That's how we get you to play in the match.
21:00We explain the choices that Chamberlain was facing then, not with the benefit of hindsight.
21:06Yes, sir.
21:07Except it's...
21:08It's not us saying it.
21:11It's...
21:11I'm writing the essay.
21:13Yes, that's what I meant.
21:17What time's the test?
21:185pm.
21:19Before prep.
21:20Well, let's make some final notes, shall we?
21:34Dylan?
21:35Is he in there?
21:36One of his mates said he saw him come up here.
21:38Dylan!
21:39Out!
21:40Do you hear me?
21:41He's helping with my history exam.
21:43Well, he shouldn't and he knows it.
21:45It's totally inappropriate.
21:46Come on.
21:46It's not inappropriate.
21:47Dylan!
21:49Thank you, sir.
21:50Come on.
22:31They're getting closer to proving it's Polly.
22:36Apparently, his mother-in-law reckons he did it.
22:40I know you're not sure, but even Alana's starting to wonder.
22:43I can see it on her face.
22:52Really?
22:53You're not talking to me now.
22:57Annie?
23:04Okay.
23:05Anyone ask someone to put this stuff in the store.
23:08Okay?
23:25Okay, Dylan.
23:26It's five o'clock.
23:27Test starts now.
23:45Do you want to get a coffee?
23:47Do you want to get a coffee?
24:04One day, I'm going to look back on all this.
24:08And I'm going to ask myself, did I do the right thing for the kids?
24:14Saying nothing.
24:17Doing nothing during all this shit you've put us through.
24:23No, I do not want to get coffee.
24:48No, I do not want to get coffee.
24:54I don't know.
25:25I don't know.
25:54I don't know.
25:54Can I help you?
25:58Sorry.
26:00Boring.
26:01Routine check.
26:04I'm looking for Edward Lamont.
26:06Edward or Eddie?
26:07If you want Eddie, you've found him.
26:08And if I want Edward?
26:10I don't mind waiting.
26:11You're going to be waiting a while.
26:13Dad died.
26:14Just before Christmas.
26:18I'm sorry.
26:18No, don't be.
26:19All these women come out of the woodwork.
26:22All this other stuff.
26:25In, in, shh, in, in.
26:26Spend all your time thinking you know a guy.
26:29Taking his word for things.
26:30Turns out he's capable of all sorts.
26:33Do you, um, want to see the death certificate?
26:36I don't mind if it helps you with...
26:38Sorry.
26:39In, go.
26:40Go.
27:06Before we tell you what we think,
27:08I want to say well done to you.
27:11Mr. Bowman showed me your essay
27:12and it's clear you did a lot of reading on the subject
27:14so we first want to commend you on that.
27:17What do you say?
27:19Thank, thank you.
27:20He put a lot of work in.
27:22Didn't he, mate?
27:23It's, it's very important to him
27:25playing in the rugby.
27:26And getting better at history.
27:28Absolutely.
27:29That's the point of this.
27:32We both took a look at your essay
27:34and there was a lot of great work in it
27:36but neither of us felt
27:38that we saw the improvement
27:39that we were after.
27:42Chamberlain hesitated.
27:43I'm saying the opposite.
27:44Failed to stand up.
27:46What I'm saying is that
27:47he didn't want a war in a faraway country.
27:50Yes, exactly.
27:51We went through that in class.
27:52A man who fails to address his problems.
27:55You try and make the argument
27:56that it's honourable.
27:57It's probably easier to argue that it's weak.
28:00Hold cowardly.
28:11So does this mean
28:12I can't play in the match?
28:2325 grand a fucking year.
28:26And for what?
28:27Get the fuck off!
28:28I don't know what you've done to her!
28:29My mum!
28:30Stop it!
28:31I mean, this isn't about me!
28:32It's not about me!
28:33They're not punishing me!
28:35You don't get it!
28:36Stop!
28:36Okay, they're punishing you!
28:38I'm angry because of you!
28:41Taylor.
28:45Come on.
28:52I want to know what you're saying.
28:54I love you!
28:57I love you!
31:46Do you want to see it or not?
31:55Hello?
31:56I know you can see me.
31:59I'm doing everything right here.
32:01To the letter.
32:04This is bullshit.
32:05Fuck this.
32:08Fuck this.
32:58I love you.
32:59I love you.
33:00I love you.
33:03I love you.
33:03I hate it when you make us fight like this.
33:06It triggers me.
33:07You know it does.
33:08Why would you do that?
33:13No wonder they end up going to the papers.
33:18I love you.
33:19Yeah.
33:21Oh, my God.
33:27Please.
33:29I love you.
33:38Here you are.
34:00She'll talk to you, but not in the house.
34:24Paul says I need to go to the police.
34:28It says some of that stuff in Mum's diary is stuff they need to be aware of.
34:34But before we go, Dad, I need to ask you a question.
34:39I need you to turn around and look me in the eyes so I can ask you the question, and
34:47I
34:48need you to tell me the truth.
34:57Turn around.
35:05Did you kill Mum?
35:20Couldn't you have just let her go?
35:46I need you to turn around.
35:51I need you to turn around.
35:57Sorry, sir.
35:58They didn't want it.
36:00They didn't want what you had to say.
36:02Sorry, what does that mean?
36:03Well, they didn't like my essay.
36:04They didn't like the fact that I came to you and I asked you for help.
36:08You couldn't.
36:09You didn't teach me.
36:10You messed it up.
36:11Dylan, I'm sorry you feel like that, but that's not what...
36:13You were teaching me for yourself.
36:17You were thinking of yourself when you were talking to me.
36:23You're best player, and you still, you fuck it up!
36:25Don't use that word.
36:26Why?
36:27You're going to take it out of me again.
36:30What your wife did with my dad!
36:33That's your fault, it's not mine!
36:44You wouldn't pick yourself, sir.
36:51Because you're a pussy.
36:52Don't use that word.
36:53You're a pussy!
36:54Just watch your mouth.
36:55No, sir!
36:56You watch my mouth!
36:57You don't fight!
36:59You give everyone this speech about how everyone should have each other's backs, yet you don't
37:03do shit for anyone!
37:07No wonder people are pointing fingers.
37:09No wonder everyone's gone.
37:14What are you going to do about it?
37:17Go on, sir.
37:18What are you going to do to fix it?
37:34That's what I thought.
37:57That's what I thought.
38:14Right, let's widen the screen...
38:15I'm sorry.
38:16If he makes you happy, who am I to judge?
38:20I'm going to back off.
38:27Gov?
38:27Gov?
38:28Gov, the daughter's here.
38:29Wants to give us a new statement.
38:31Yeah.
38:32I'll tell you.
38:38Gov?
38:51Gov, the daughter's here.
38:57Gov.
38:57Gov.
38:58Gov.
38:59Gov.
38:59Gov.
39:02Gov.
39:03Gov.
39:03Gov.
39:03Gov.
39:04Gov.
39:05Gov.
39:05Gov.
39:06Gov.
39:06Gov.
39:07Gov.
39:08Gov.
39:25Hello, you've reached Alana Polly's phone.
39:27Please leave a message and I'll get back to you.
39:56I want to tell you everything but I want Wal to stay.
39:59Alana, this is all on your terms.
40:13There have been a lot of fighting between Mum and Dad.
40:16That's the first thing.
40:18In the evenings, one time after they thought I was teaching
40:22but I was still in the house, she was scared of him.
40:29You think she was scared?
40:30I know she was.
40:31But she told you.
40:35She wrote it in her diary.
40:39We had Mum's diary.
40:42They took the pages out because they were private.
40:46And where are those pages now?
40:53They burned them, her and Michael.
40:57She's worried that she's going to get in trouble for that
40:58but I've said that she shouldn't be.
41:01It's best to tell you everything.
41:04That's right, Alana.
41:08Alana, as long as you tell us the truth, you've nothing to be worried about, OK?
41:15She was scared of him.
41:18That's what it said.
41:20I've been thinking about it ever since.
41:24How I've lived with him all this time.
41:27That he loves me.
41:31But I don't really know him.
41:32You know what he feels?
41:36What he felt about your mum.
41:40And what he feels about you.
41:43About anything.
41:47They don't.
41:49Do they?
41:51Men like that thing.
41:52They tell you the practical stuff but...
41:54They can never let you in.
41:58They can't.
42:02Then we went to see him this morning, didn't we?
42:06Yeah, I wanted to ask him.
42:10To his face.
42:12If he killed your mum.
42:17You asked him that.
42:22He didn't say anything.
42:41He failed.
42:43Oh my God.
43:08He remember me again.
43:11I was...
43:11Oh, my God.
43:41Oh, my God.
44:32Oh, my God.
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