00:00So I just watch Durandar 2
00:05What do I say?
00:07I don't understand. I feel like I've worked for so many years
00:10and I have to work with a little bit. I have to get so much older.
00:15So I have to talk about the world in my life.
00:17But how?
00:19If something that feels so good, what's your age?
00:24What's your experience?
00:26It doesn't come to me.
00:26It doesn't come to me. It is outstanding.
00:31Right from writing, direction, acting, technician, music.
00:37It's outstanding.
00:39And it's a film which makes you feel so proud of your own country.
00:45So proud of Bharat.
00:47So I'm not getting it.
00:49I have talked about Aditya Dhar and I have said so much
00:52that I'm exhausted but I needed to put this review
00:56not review my thoughts.
01:01So because the first time when you see Durandar 1
01:05because it comes as a complete surprise
01:10that I see the film also can be made.
01:13So second time when you watch the film
01:15you are prepared for the world
01:17but still it's nice that you have to do for one second.
01:22I was in the hall and I was in the hall and I was in the future.
01:25I was in the hall and I was in the future.
01:25I was in the age group.
01:26People sitting on the hall & ground.
01:30They were so engrossed.
01:33People who are saying it's about egoism
01:35it's about its proponent.
01:38I feel so sad for them.
01:40I feel actually pity for them.
01:43Initially, before I watched the film, I thought that I get angry because they tried to call Kashmir Files also
01:49propaganda film.
01:51They tried Baramulla propaganda film.
01:54Maybe not Baramulla, but Dharundar 1, Dharundar 2.
01:58But it is so, they should be ashamed of themselves who call it propaganda film.
02:07If you don't have a bad idea, then you also make a film like this.
02:13Put some money, add some writers.
02:17It's a film which talks about modern India.
02:20Apart from the drama of it, how brilliant our system is, how brilliant our people are, how brilliant our agencies
02:30are.
02:31Whether it is secret service agencies of IB and RAW and everything.
02:36How meticulously they are doing their job without, today we are, I must say that we are the most fortunate
02:48people to be living in this country.
02:52Today, Dharundar, I mean, which part of the film you are, and when I watch you on TV or on
02:59TV, or I see you in personal life, I don't think.
03:02But I think Kashmiri Pandit ka taklif, gussa, because we don't pick up hathyar, we don't pick up weapons, we
03:13give answers.
03:14We, I am including myself, so we give answers with our work, with our intellect.
03:23How brilliantly is demolished the neighbouring country, demolished, and tark deke, how brilliantly Aditya has mixed the past and the
03:40happenings of our country in the recent years.
03:43And logically told us this must have happened.
03:50Writing is superb, dialogues are superb, music is outstanding, camera work is outstanding, action is, oh my god, the last
04:00half an hour of action is breathtaking.
04:04Meera muh khula tha, aur speech he dekha to sab ke muh khule tha, and performance, Ranveer Singh, I am
04:14a teacher of acting, means I run an acting school.
04:17For me to really salute somebody, it takes a lot of time and sort of conviction.
04:25You are outstanding.
04:27You are outstanding.
04:28You are, I am using one word every time, outstanding, because I think in my Hindi medium vocabulary, outstanding is
04:37a word that I think is Kamal's word.
04:40Shabd jab adhoore padh jayain, shab jab kam padh jayain, to your body language, your simmering anger, understanding, your pain,
04:52oh my god.
04:53But in one or two scenes, your pain is so, so visible and so, so sad and my heart went
05:03out to you.
05:05Sara Arjun is remarkable, most of her film is, she's shot on close, close ups in this film.
05:14And Arjun Rampalo, my god, he was outstanding.
05:19He was remarkable, especially in two scenes, I don't want to give you any spoilers.
05:27And Madhwan, R. Madhwan, what a mature performance.
05:32No, no attempt to sort of say ki, is role me asani se asa ho sakta tha ki, I am
05:41the boss.
05:42But you believe in that person.
05:45Of course, the writing has helped, the direction has built.
05:48But only our Madhwan could do that role.
05:51And my friend and my darling Rakesh Bhedi.
05:56Oh, you are, you are, you are, you are, you are jise kate na, sone pe suhaaga.
06:05Aapke seen per, end wale seen pe toh itni taaliyan padhti hain.
06:09Maina seetee bhi maari thi.
06:11Kitna kamal ka ka kaam ki hai.
06:12I am so happy that you have got this role and you have done it amazingly.
06:22Kya mein bolta ja sakta ho?
06:24Bolta ja sakta ho?
06:25Kisthana se happenings of the film and happening in the, in our country ko kaise juxtapose kiya hai?
06:34I felt so proud.
06:36I'm, I, I easily feel proud of my country.
06:39But, uh, because I always say that I'm eight years younger to India.
06:44But I thought that, yaar, we are so happy.
06:50Audience members in the audience.
06:51People are singing, jai hind, taaliyan.
07:10You, you, you sort of root for India, you root for Bharat.
07:17Hindustan ki film hai.
07:19Aur koi compromise ni hai technicalities ke saath.
07:23Koi compromise ni hai brilliance ke saath.
07:27It is absolutely international.
07:29Uh, we don't need to say international.
07:31But international, you say that when we won, when we win an Olympic medal, because we are represented by our
07:40team.
07:40Uh, if we were, if I was to give an international award to this, Aditya, it will go to you.
07:49Uh, it's hats off to you.
07:53God bless you.
07:55Nadal uthaar lena apni mere dost.
07:57Aur, uh, baut puja ki.
07:59Maynay aap ke liye ghar peya kar.
08:01Maynay aap ke taraf se, uh, kuch mantr bhi pade.
08:07Thank you for making this film to make every Indian proud of India.
08:12Jai Hind, Jai Ho.
08:15Baut kuch boulsakta ho, baut kuch boulsakta ho, but already, uh, saadha aat minitka ho gya.
08:20Jaa ke dhekho Durandar.
08:23Bheer me dekho, bheer me dekho.
08:24Duh tín baar dekho, mai bhi dekho.
08:25Duh tín baar dekho, mai bhi dekhoen ga.
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