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00:04In Toronto's War on Crime, the worst offenders are pursued by the detectives of the Specialized Criminal Investigations Unit.
00:12These are their stories.
00:38Barbara, you should have brought flowers for her birthday.
00:42I don't need flowers.
00:43I need news, Detective Michaels.
00:46I can't go on like this.
00:49We've run out of leads.
00:53If I knew once.
01:02Let's go.
01:03Looking good, Ainsley.
01:05All right.
01:07Love that post.
01:11I think we're done.
01:17You stay for a drink?
01:18Thanks, Riley.
01:19I think I'm just going to go.
01:23Everything okay?
01:24Sure.
01:27Never going to be hotter than I am now, right?
01:30I think I'm just going to be hotter than I am now.
01:31You're going to be the last girl about to party.
01:38You're going to be the last girl about to party.
01:41You're going to be the last girl about to party.
01:44You're going to be the last girl about to party.
01:46I might need a smoke, babe.
01:48I'm missing out on the shots.
01:50Darling.
01:51The clothes are the ladies, Frank.
01:54Wendy, there's only one lady in this room for me.
02:00no open drinks near the samples hey ainsley is that your name the girls need to get ready for
02:06the finale help them be helpful hold this are you even in the right look it's the last favorite
02:17this is not what i expected hey ladies eyes on me please remember what we talked about
02:23powerful and fluid let's have some fun mr sharp excuse me
02:56you wish you were out there no i appreciate this job but yeah
03:04look we will have lunch on monday and we'll talk about your future
03:10you can still get me to the after party right oh my god
03:21i'm leaving and you should too it's about to become hunting hour the plus one remains
03:30oh oh sorry it's okay let me get you another you designer cosmetic surgeon
03:37and the reason why everyone here looks so good
03:51my friend found this online i don't know what you're talking about you lied to me you said
03:56it was for your part oleo take this down i am working right now okay hey what are you
04:01oh don't touch her whoa riley let's get back to work right now
04:13hey i think it's time you called it a night okay
04:18frank take care of this
04:21come on let's get you in
04:22come on let's go
04:26no
04:27no
04:28no
04:29no
04:29no
04:30no
04:31no
04:57Stop, stop, wait, wait, stop, stop.
05:02Stop, stop, stop, stop, stop.
05:57Stop, stop, stop.
06:02Stop, stop, stop, stop.
06:46Stop, stop, stop.
06:58Stop, stop, stop, stop.
07:53Stop, stop, stop.
08:12Stop, stop, stop.
08:32Ainsley called last week.
08:36Excited.
08:36Daddy, I think I got my big break.
08:38Said she needed $700 for headshots.
08:41I told her I didn't have it.
08:43Maybe your birthday, sweetheart.
08:45So she said she'd find another way.
08:47Is this why this happened to her?
08:49Because she found another way?
08:53Did she tell you what that big break was?
08:57I didn't want to jinx it.
09:02Here.
09:04I'll give you a moment.
09:11If Ainsley's body was dumped here, she was picked up on Friday.
09:26I got it here.
09:37Sorry, detectives.
09:38She wasn't dumped at her building.
09:40She's only been dead three days, tops.
09:43Well, there's no collection on Sundays,
09:44so wherever she was dumped, she was picked up on Monday.
09:48Judging by the way her larynx was fractured,
09:50the killer most likely used his elbow or forearm
09:53and put his entire body weight on top of her to close her airway.
09:56Vaginal injuries, tearing, abrasions,
09:59all consistent with sexual assault.
10:00But in absence of seminal fluid,
10:02the killer wore a condom as residue.
10:04But no DNA.
10:05Now, we know that sexual murders are committed
10:08by one of two kinds of people with pathological disorders,
10:11those who kill to hide the sexual assault
10:13and those who find gratification in the act of killing itself.
10:17The latter are planters, harder to catch,
10:21and explains the condom and the clipping
10:23and cleaning of the fingernails.
10:25What about those, uh, those blue marks on her skin?
10:29Results aren't back yet.
10:30Most likely some sort of dye.
10:32Is this the trash from iDent?
10:34Yeah.
10:35They appear to be mostly fabric swatches.
10:42See how the light passes through?
10:45It's pilling.
10:46It's cheap.
10:47It's dispersed blue.
10:48A derivative dye often used in outdoor textiles.
10:51Exactly.
10:52Outdoor blank.
10:53It's tablecloths when, uh,
10:55clothing manufacturers use it to cut costs.
10:57Given the right moisture conditions,
10:59it can stay skin.
11:01Um, okay.
11:02So these swatches were caught up in the tarp
11:05she was wrapped in.
11:05So what are we thinking?
11:06Dumpster from the fabric store?
11:08Clothing manufacturer, textile mill,
11:11somewhere that has its trash collected on Mondays,
11:14and no doubt a, uh, CCTV dead zone.
11:20Well, the killer,
11:22he keeps telling us that he's smart.
11:26Let's believe him.
11:31Four down, two to go.
11:32There's no security cameras.
11:34This could be it.
11:35Remote, not much traffic.
11:38Calling the iDent team?
11:39Well, before we waste their time,
11:41let's see if we're wasting ours.
11:57Baiteman.
12:05Call him in.
12:06We found our dumpster.
12:08The owner of Walsh's textile mill is in France.
12:11He's been there for the last five months.
12:13Must be nice.
12:14What about an employee?
12:15No, they didn't recognize Ainsley from the photographs.
12:18They're mostly older women, new Canadians.
12:20Probably don't want to get on the wrong side of the law.
12:22And it doesn't really fit the profile, does it?
12:24No, our killer took his time.
12:26He's entitled.
12:27Plus, the land isn't fenced in.
12:28Anyone could have driven in there and dumped the body.
12:30Anyone who knew there weren't any security cameras.
12:33Which is why we're looking into ex-employees
12:35and anyone in the neighborhood on the sex offender registry.
12:38You're a visitor.
12:39Blood in the dumpster from the textile mill
12:41is from our victim in the landfill.
12:43But that's not the only DNA I found.
12:46Ainsley might not be the only victim.
12:50This is where your first victim would have been
12:51before the loader dragged her off.
12:53So, anything from Walsh's textile mill
12:55would have been dumped here.
12:57Yeah, if it's from that dumpster one month ago
12:59or one year ago,
13:00then it's in the cell.
13:03You sure your dogs can smell a body
13:05through all this trash?
13:06Up to 15 feet.
13:0730 in water.
13:21We've got another one deeper down.
13:24Most of one, anyway.
13:26This isn't just a crime scene.
13:29It's a graveyard.
13:36Victim number two, Freya Klein,
13:38killed a month ago,
13:39still in possession of a German driver's license.
13:41Freya was killed in the same way Ainsley was,
13:43asphyxia with a fractured larynx.
13:46There's no ID yet on our Jane Doe.
13:48Her DNA was found in the textile mill dumpster
13:50with the others,
13:51and a broken hyoid bone
13:52indicates the same cause of death.
13:54She must have been in pretty bad shape
13:55if we needed a computer
13:56to tell us what she looked like.
13:58Yeah.
13:59That Silva places her body
14:00in the landfill for about a year.
14:01All three were sexually assaulted.
14:03All three had their fingernails clipped.
14:05Same ammo, same killer.
14:07A year ago, a month ago, and now,
14:09as the pen cycle is speeding up,
14:11we know that serial killers
14:12would find their methods over time,
14:14but this guy, no mess, no DNA.
14:16We haven't found his first kill.
14:18Anything else connecting these three women?
14:21Well, Freya Klein's parents said
14:22she mentioned something about an ad campaign,
14:24and Ainsley just got new headshots.
14:26Now, Ainsley's headshot, though,
14:28that's full body.
14:29That could indicate fashion model.
14:30Fashion models do ad campaigns.
14:33Yeah, and Jane Doe's got a gap in her teeth.
14:34That's a thing.
14:35Just like supermodel Laura Stone.
14:38Yeah, and it's fashion week.
14:39Okay, I'm sorry.
14:40Did I miss that you're both fashion buffs?
14:42Oh, human beings have been decorating ourselves
14:44since the beginning of time.
14:46Yeah, that's fascinating.
14:47Do we change our outside
14:48to match what's within
14:49or to, uh, to express it?
14:52What's this?
14:52Little black dress.
14:54This was in Ainsley's purse?
14:55Yeah.
14:56Perhaps we hit the run
14:57when we see if they're serving drinks
14:58with swizzle sticks like these.
15:03They were giving these out and drinks backstage
15:05opening night.
15:06And we'll be finding them
15:07in the bellies of our brand Zeno
15:09for decades.
15:10Walk and talk.
15:11Next model!
15:13I have five designers a night.
15:15Five nights a...
15:16No, no!
15:17Can we try to have a heartbeat?
15:19Excuse me.
15:20Uh, do you recognize this woman?
15:23No.
15:24What about her?
15:26Ainsley was a PA opening night.
15:29Dorian Sharp's big show.
15:30Did you hire her?
15:32No.
15:33Ainsley is what happens
15:34when someone uses their status
15:36to make you hire help with no experience.
15:38I see.
15:39And who of status imposed Ainsley Scott on you?
15:42A modeling agent?
15:43Sonoya Lee?
15:45She's around somewhere.
15:47Check the bar.
15:51This is awful.
15:52Yes, I knew her.
15:54Ainsley wanted me to rep her.
15:55She was persistent.
15:58I just wasn't sure if I could sell her.
16:01But you went out on a limb for her.
16:02You got her job backstage?
16:03Yeah, she reminded me of me when I was young.
16:05How so?
16:06Small town.
16:07Starry-eyed.
16:08When was the last time you saw Ainsley?
16:10The party on Saturday night.
16:12After I left,
16:12I heard that she got into an altercation
16:15with a photographer named Riley Chan.
16:18I heard it got really ugly.
16:20Does Riley Chan have a reputation
16:21for having altercations with young women?
16:23I don't know.
16:24But he did Ainsley's headshots.
16:26Well, Ainsley's dad said she couldn't afford headshots.
16:30Maybe Riley Chan has a side hustle?
16:36She attacked me.
16:37I just turned her headshots.
16:38For free.
16:39Well, I mean, they weren't entirely for free.
16:42There was, uh, a price.
16:44An exchange.
16:46Trades East?
16:46Yeah, we, uh, found other women
16:48on your quiet night page, too.
16:50Was it Trades East with them as well?
16:52I took her photos down.
16:53Well, we found them.
16:54No, I mean, I felt bad.
16:56I even went to Ainsley's place to apologize.
16:58What?
16:58An argument broke out.
17:00One thing leads to another, and...
17:01No, there were cops at the apartment, so I left.
17:03Well, I hope you have someone to corroborate that,
17:05because as far as we know, you're the last person
17:07to see Ainsley alive.
17:09Me and a bunch of other people.
17:10She was drunk.
17:12Dorian Sharp kicked her out himself.
17:13Well, I mean, you being such a nice guy,
17:15but you walked her out and got her a cab?
17:17I was working.
17:17You got proof?
17:19Photos from the after party.
17:20Well, let's see them.
17:24Signed an NDA.
17:25Oh, well, then.
17:26Riley, you're going down for distributing pornography
17:29without consent.
17:30That's sex offender registry.
17:32Worry about us, not the NDA.
17:37That necklace.
17:39She wasn't wearing that when she was found.
17:41Who's the guy?
17:42Frank Maddox, cosmetic surgeon to the elite.
17:46He walked her out of the party and never came back.
17:48Yeah, I was chatting with her until the altercation.
17:50I offered to get her a cab, but she wanted to walk.
17:52Where'd you go after that?
17:54Home.
17:55To my wife.
17:56Good boy.
17:57I'm not stupid.
17:58The sort of girls at these things,
18:00it's a child support lottery.
18:01Gosh, all these poor, wealthy men
18:03getting taken advantage of in VIP rooms
18:05all across the nation.
18:06Well, that's the epidemic of our times.
18:09These Sharp parties sure look wild.
18:11Wilder than the ones that TPDs throw at Christmas.
18:14That's how we got wild.
18:16Yeah, no, we don't get that wild.
18:18These girls know what they're signing up for
18:19when they walk through that door,
18:21and they're pulling each other's hair out to get in.
18:23And your wife is cool with that?
18:24You staying so late at these parties all by your lonesome.
18:27I met my wife at a Sharp party.
18:29Oh, yeah?
18:29Years ago.
18:30He flew me down when he had his place in Honduras.
18:32Introduced me to a pretty girl from back home.
18:35She was a model.
18:36Oh, so you and Sharp are close.
18:39I'm his doctor.
18:40An artist with a Botox brush.
18:43Sharp doesn't like aging.
18:44Oh.
18:45And what else stops aging?
18:48Seriously, I'd like to know.
18:50You know, what do you do for these guys?
18:52You do the, uh, PRP hair regrowth?
18:55Testosterone.
18:56Uh-oh.
18:57Looks like we hit a nerve.
18:59What are the side effects of testosterone treatment?
19:02Uh, aggression?
19:03Hyper sex drive?
19:04Not at a legal dose.
19:06Right.
19:06Because if you were to inject a man
19:08with more than a legal dose,
19:10and that man were to, say, uh,
19:13hurt a woman, that would make you, uh...
19:15An accomplice.
19:18Can you ever inject yourself?
19:22Puzzleark.
19:26Do I need to call a lawyer?
19:27No.
19:28That one's on me.
19:30I crossed the line.
19:31All right, bring it in.
19:32I'm sorry.
19:36Yeah?
19:37Okay.
19:39So we giving out hubs now?
19:41It ain't that he fought back.
19:43Why else would the killer have clipped and cleaned her fingernails?
19:46There's no scratches on his face and neck,
19:48and given how she was pinned down,
19:50the only place she could reach would be there, or...
19:53His back, and he didn't even wince.
19:55Not once.
19:57Only when I mentioned the testosterone treatment.
20:00So who are you thinking?
20:01Grandiose sends itself
20:02as the trait of the power-control serial killer above the rules.
20:06We've been looking at the players.
20:08It might be time to consider who built the playground.
20:10You're talking about Dorian Shaw.
20:11Mm-hmm.
20:14There he is.
20:16Dorian.
20:18I didn't see you on the schedule.
20:20Yeah, the girls fit me in.
20:21Fashion week's really doing a number on my energy.
20:23Need a little pick-me-up.
20:24Sure.
20:25We can do a milligram of B12.
20:26Yeah, B12.
20:27That's not really what I was thinking.
20:30Well, if you want to do testosterone,
20:31we're going to need to stay below 200.
20:33Why is that?
20:35I'm concerned
20:37about your heart, your liver.
20:39Oh.
20:39Okay, well, I appreciate the concern, Frank.
20:42I really do.
20:43But let's just stick with the regular doses, okay?
20:45We can discuss cutting back another time.
20:52Here, a girl was killed after your party?
20:55Same girl you asked to leave.
20:58I did.
20:59Yeah.
20:59Jeez.
21:00Cops brought me in to talk about it.
21:05I think you had something to do with it, or...?
21:07They didn't say that, but it's...
21:12It's how they make me feel.
21:19Frank and his friends party with part-time babysitters
21:22like a gang of delusional vampires.
21:25But...
21:26Frank is harmless.
21:28What about Sharp?
21:29Is he harmless?
21:30I met Sharp when I was down in New York on a shoot.
21:34And did he ever...?
21:36No.
21:37At, uh, 22.
21:39I was a little long in the tooth for him.
21:42But I heard stories about the kind of sex he was into
21:44that it could get rough.
21:46Are we talking consensual?
21:48You know, we used to let men tell us
21:50that truly liberated women
21:51were down with anything they wanted,
21:53but, uh, consensual
21:55wouldn't be the first word that comes to mind.
21:57You think Sharp's capable of murder?
22:01Oh, Wendy.
22:03Dorian Sharp has a life
22:04that gives him access
22:05to an unlimited supply of young women.
22:07When we enable men like that,
22:08they lose perspective.
22:10When we enable him,
22:12women are as victims,
22:13detective.
22:15And then it's up to us to come forward,
22:17even when that's a very dangerous thing to do.
22:20We can offer you protection.
22:22We can protect anyone you connect us to
22:23who corroborates your story.
22:25There is no protection
22:26against that kind of money and power.
22:28You know, I always got a bad vibe
22:30off Sharp,
22:31but he wasn't dangerous
22:34until he was in an expensive suit.
22:37An expensive suit?
22:39And what was he wearing before that?
22:41Cup rolls, I suppose.
22:42He started out in some textile mill
22:44on the north end of the city.
22:46Crawled his way off the factory floor.
22:52Your first job in the industry
22:54is right here in Toronto
22:55at Walsh's textile mill.
22:57Was that a tough job?
22:58We drove past it on the way here.
23:00What a dump.
23:02Right.
23:02Well, I wasn't there long.
23:04No, you were poached by Atelier X
23:06off to the Big Apple.
23:08Five years later,
23:09you were creative director,
23:10so why'd you leave?
23:11Atelier stripped my designs
23:13of their most interesting aspects,
23:15so, uh, yeah, I left.
23:17Came home.
23:18Started my own empire.
23:19Do you know this woman?
23:22No, I don't think so.
23:23No?
23:24Because you asked her
23:24to leave your party.
23:25Well, I asked lots of young ladies
23:27to leave my parties.
23:28There's a certain decorum
23:29that I think might have skipped
23:30this generation.
23:31Huh.
23:32What about her?
23:33Have you ever seen her before?
23:37Doesn't look like a model, huh?
23:39No, I don't think so.
23:40Her name is Freya Klein.
23:41She was also found in the landfill.
23:43Are you sure?
23:44Detectives.
23:44A bead?
23:46What, from a necklace?
23:48Yeah, probably from a dress,
23:50I would imagine, yeah.
23:51Seamstresses aren't what
23:52they used to be, I guess.
23:53Seamstresses?
23:54Young ladies?
23:55I bet you long for the good old days
23:57down in Honduras.
23:59Your botulism guy, Frank,
24:01he told us that you used to fly people
24:02down there quite a bit
24:03for some pretty wild parties.
24:06Did those women display
24:08appropriate decorum?
24:10He flew Frank down to Honduras
24:12to help set up
24:12his stem cell research center.
24:14Anti-aging research center.
24:16That's right, yeah.
24:17Is there a problem with that?
24:20Looking for more beads, detective?
24:24You know, buttons.
24:27See, I love buttons,
24:28and what would happen
24:29if I pushed that one?
24:31Well, if I push that button,
24:33it locks my office door,
24:34so people can't come in
24:35and bother me.
24:36So you don't want people
24:37to come in?
24:39Or to get out.
24:40Tell you what, detective,
24:42I'll wait to push that button
24:43until after you leave.
24:45How's that?
24:52You think that's our killer?
24:54I think we just walked
24:56out of the crime scene.
24:59You found this bead
25:00in Sharp's office?
25:01Yeah, we did.
25:02We believe it matches
25:03the necklace Ainsley Scott
25:04was wearing the night she died.
25:06Well, anyone with an RBC Cub card
25:08can buy one of those
25:09on Instagram.
25:10And no CCTV footage
25:11from the night of the murder.
25:13No.
25:14What about your first kill theory?
25:16What does our timeline tell us?
25:17In 2010,
25:19after his career
25:20took off in New York,
25:21Sharp bought an estate
25:23on Roatan Island
25:24in Honduras.
25:24It was fast becoming
25:25a medical tourism destination
25:27for the wealthy.
25:28In 2013,
25:30he funded an anti-aging lab there
25:32that was doing some pretty
25:33questionable legal things
25:34with stem cells.
25:35He even bragged
25:36to the New Yorker
25:36that he discovered
25:37the fountain of youth.
25:38But no missing women
25:39in Honduras.
25:40Ah, please say no,
25:42but we're gonna keep digging.
25:43Then in May 2021,
25:44Sharp leaves New York
25:46and returns to Canada
25:48to go out on his own.
25:49But we haven't found
25:50any other murders
25:51that match his MO,
25:52at least none connected to fashion.
25:53Wait, wait, wait.
25:54I was wrong.
25:55We do have murders
25:56that match his MO?
25:57No, about when
25:58he came back to Canada.
26:00According to this article,
26:02after he left Atelier X,
26:03he leased a building
26:04in Manhattan
26:05for his new headquarters.
26:06In May 2021.
26:10May 2021?
26:12When did he start
26:13his operation in Toronto?
26:14Not until...
26:16August 2021,
26:17three months later.
26:18Oh.
26:18So why the sudden
26:20change of plans?
26:21Why'd he cut and run
26:22for the border?
26:23Because she's there.
26:25Our primary victim
26:26is in New York.
26:28These are the unsolved
26:29homicides in New York City
26:30from 2021.
26:31Remove anything
26:32after August 21.
26:35Remove anyone
26:36under 16.
26:38Remove all the men.
26:40Remove any females
26:41over 30.
26:43And narrow it to deaths
26:44that occurred in the month
26:45before Sharp left
26:46his New York City headquarters.
26:49If one of these women
26:50were his first victim,
26:51there's a chance
26:52he left DNA.
26:54Detective Sergeant Michaels,
26:55thanks for meeting with us.
26:56Laura was found
26:57on the lower level
26:58of the plaza.
26:59We have no idea
26:59how she got there
27:00or who she was with.
27:01Were there any parties
27:02or events at the hotel
27:03that night,
27:04Detective Michaels?
27:04Uh, yeah,
27:05there was a bar mitzvah
27:07and a fashion show reception.
27:08We couldn't find anyone
27:09who remembered seeing her.
27:10Crime scene was a mess.
27:11She had a bloody nose
27:12and a crushed larynx.
27:13Tell us she got DNA.
27:15Male DNA blood sample
27:16coming your way.
27:17Obviously,
27:17we have no match.
27:19Look,
27:20Detective Sir,
27:20her mother,
27:21Barbara,
27:23she's been,
27:23um,
27:25yeah.
27:26I'd love to find
27:26this guy for her.
27:27Of course,
27:28Detective Michaels.
27:29You'll be your first call.
27:31Appreciate it.
27:31Okay,
27:31we need a warrant
27:32for Sharp's DNA.
27:33This is bound to be a match.
27:34To get a DNA warrant
27:36on someone like Sharp,
27:37you'll need at least
27:38one woman
27:39to corroborate
27:40Wendy Maddox's
27:41sexual assault
27:41implication.
27:42We're going to be dealing
27:43with fear,
27:44intimidation,
27:44and be up for it.
27:45Stop, stop, stop.
27:46I have complete faith
27:48that if anyone
27:49could cause
27:49that first domino
27:50to fall,
27:51it is you guys.
27:58No,
27:58I haven't heard
27:59that Sharp assaults women,
28:01but maybe I wouldn't.
28:02Your clients
28:03wouldn't come to you?
28:04They might be afraid
28:05that what I would do
28:05would cost them work,
28:06like get him arrested,
28:08which I would.
28:09Miss Lee,
28:10of all the models
28:10we contacted,
28:11there were three
28:12that we couldn't reach,
28:13and they were all
28:13your clients.
28:15Anna tried in
28:16and Joy Williams
28:17and Lucy George.
28:19Becca, remember,
28:20in the fridge, okay?
28:21Not in the bin.
28:23Uh, yes, Anna.
28:24She got canceled.
28:25Poor thing.
28:26Uh, Joy,
28:27she tragically
28:28took her own life
28:29and Lucy George.
28:31Uh, I haven't heard
28:32from her in ages.
28:34I'm really sorry,
28:35detectives.
28:36Should I cancel
28:36your call it, too?
28:37Rebecca, would you
28:38happen to have
28:39an emergency contact
28:40for Lucy George?
28:41I would have that.
28:43Give me a minute.
28:48Lucy wanted to tell
28:49the world
28:49what a creep
28:50that Sharp was,
28:51but I warned her
28:52against it.
28:53I mean,
28:53she was saying
28:54some wild stuff,
28:55and I was wondering
28:56if she was hearing
28:56stuff right,
28:57you know?
28:57Lucy has pills,
28:59but she doesn't
28:59always take them.
29:00Wild things like
29:01what?
29:06Doris,
29:06anything you say
29:07might help us.
29:09Oh, Lord.
29:09Uh, stuff like
29:12he was forcing
29:13pregnant women
29:13to get rid
29:14of their babies
29:15so he could steal
29:16the fetus's stem cells?
29:17I told her Lucy
29:18to sound crazy
29:19as a loon.
29:21And you didn't
29:22want her to speak out?
29:23I wanted her to talk
29:24to a psychiatrist,
29:25but instead,
29:26she stopped talking
29:26to me,
29:27said she was going
29:28out to California,
29:29try her luck out there,
29:30you know,
29:30get in the movies.
29:32I don't have
29:33a Los Angeles phone number.
29:34I keep looking for her
29:35on the TV,
29:35but I haven't seen her yet.
29:37No, she's not
29:38on social media.
29:38No, she shut
29:39all that down.
29:40She thought Sharp
29:40was stalking her.
29:42You know,
29:42if you find her,
29:43you might want to tell her.
29:44Her mother would love
29:45to hear from her.
29:46Of course.
29:47Do you have a photo
29:48of Lucy that we can see?
29:49Yeah.
29:56Gap,
29:57those crooked old tees.
29:58Couldn't afford braces.
30:00Wouldn't you know
30:00it's the look now?
30:01I'll get the kettle.
30:06It's quite the smile.
30:07We've seen her cat before.
30:10Lucy is our Jane Doe.
30:13I'm sorry.
30:14Lucy George's mother
30:15is not an eyewitness.
30:17Theo.
30:18There's just not enough
30:18for a DNA war.
30:19Come on,
30:20the dental records prove
30:21that Lucy George
30:22is our Jane Doe.
30:23Lucy knew what Sharp
30:24was all about.
30:25She wasn't afraid to talk
30:26and then she's just gone.
30:27It's a credible theory,
30:28but I need this to be tight,
30:30airtight.
30:31This guy has a huge
30:32team of lawyers.
30:33Yeah, well,
30:33our laws apply
30:34to the rich as well.
30:35We all seem to forget
30:36that billionaires
30:37get a free pass
30:38yet over and over again.
30:39We bear witness
30:40to the horrific
30:42misconduct
30:42of unchecked wealth.
30:44That's why I'm
30:44being extra careful.
30:45Which is why
30:46I'm done with careful.
30:47We don't need a DNA
30:48warrant for Sharp.
30:49Frankie.
30:49We need to get this guy.
30:50Frankie.
30:51Frankie.
30:54Well,
30:55you're about to be
30:55very, very busy.
30:58Cheers.
30:59Roach will talk
31:00to your agent
31:00and we'll start
31:01booking you.
31:02Hey, kid.
31:03Take your break.
31:07Put
31:08that
31:08down.
31:10Oh,
31:11my goodness.
31:12What's, uh,
31:12what's happening
31:13here, folks?
31:14Detective Graff
31:15was just about
31:15to forfeit his career.
31:16Ah,
31:17you really should
31:18listen to my lawyer.
31:19That tracks.
31:20Do not spend time
31:21alone with this man.
31:22Tell your friends.
31:22What do you mean?
31:23Oh, it's all right.
31:24She has a contract.
31:26He likes the invisible
31:27ones that nobody
31:28will miss.
31:28The ones with
31:29big dreams
31:30and no chance.
31:31But you know
31:32what's got me wondering
31:33is what happened
31:34in New York.
31:36Huh?
31:36What pushed you
31:37over the edge
31:38of the murder?
31:39Did something
31:39humiliate you
31:40to make you
31:41want to go further?
31:42Did Laura Johnson
31:43reject you?
31:44Tell you that, uh,
31:46you're old enough
31:46to be your dad?
31:48Or maybe
31:49he had some
31:50performance issues.
31:51Is that why
31:51you started
31:52taking testosterone?
31:53Whatever it is
31:54that made you snap,
31:56it awoke something
31:57in you, didn't it?
31:58Something dark,
31:58something you like.
31:59Oh, please.
32:00You know,
32:01you really didn't
32:01need to resort
32:02to, uh,
32:03burglary here,
32:04detectives.
32:05If you want
32:06my DNA,
32:06I'll give it to you.
32:09I don't know
32:10any Laura Johnson
32:12and I have
32:13nothing to hide.
32:23Huss, huss, huss, huss!
32:25Sharp, we need to talk.
32:27I'm listening.
32:28The cops are asking
32:29questions about
32:29angels.
32:31Come on.
32:39Sharp, get off him.
32:43Sharp, get off him!
32:44Hey!
32:45What?
32:47What the hell, man?
32:48Good job, bro.
32:56Sonoya, you need to
32:57stop worrying.
32:59Worrying causes
32:59wrinkles.
33:02Look at me.
33:03I feel like a teenager.
33:04You know why?
33:05Because I have
33:06nothing to worry about.
33:08Okay?
33:12I think we should
33:13get down there.
33:13He knows where
33:14we're coming from.
33:14It's okay.
33:15I just parked
33:15a spin team
33:16outside his headquarters
33:17the second we get
33:18confirmation that the DNA
33:21bought.
33:22It's not a match.
33:24How is that possible?
33:26Blood sample
33:27from the body in New York
33:28didn't match
33:28Sharp's cheek swab.
33:30Come on, you can't be
33:32serious.
33:32I reviewed your evidence.
33:34You have no
33:34prosecutable case
33:35at this time.
33:36Dio, everything
33:36points to Sharp.
33:38Sharp willingly gave you
33:39a cheek swab and the
33:40DNA did not match
33:41the blood left at the
33:42murder scene that
33:43you claim was his
33:44first kill.
33:45He did, didn't he?
33:46Did what?
33:47He gave us a cheek
33:48swab, willingly.
33:50Handed it right over.
33:54Yeah, Lucy, you in
33:55the building?
33:56Okay, can you meet us
33:57in the kitchen ASAP?
33:59Hey, you, uh,
34:01you want to fill me in?
34:02Well, this is going to
34:03sound a little weird,
34:03but just bear with me.
34:04I always do.
34:05Doris George's statement
34:06to fetuses, um,
34:08they're full of stem cells.
34:10Yeah, I'm not so sure
34:11how reliable
34:11Sharp willingly gave us
34:12his DNA.
34:13Why?
34:15Because he knew
34:16it wouldn't match.
34:17Wait, so you're saying
34:19it wasn't Sharp's DNA
34:20at the crime scene
34:21in New York?
34:22Well, it was his DNA,
34:24his blood DNA,
34:25because Sharp is a
34:26chimera from Greek
34:28mythology, the lion
34:29and the serpent
34:29together, two beings
34:30in the same body.
34:32Chimerism in humans
34:33refers to somebody
34:34who's had a stem cell
34:34transplant, something
34:35that Sharp was
34:36experimenting with
34:37in his fight against
34:38aging.
34:39Okay, I'm with you.
34:40Just take it back
34:40a little bit.
34:41Here.
34:44When somebody has
34:45a stem cell transplant,
34:46their DNA is,
34:48may I replace?
34:50By the donor's DNA.
34:52Take it away,
34:53this hill.
34:54It's true,
34:56but only the DNA
34:57and the blood.
34:58He has two sets
35:00of DNA.
35:00The other cell's
35:01skin or saliva
35:02from a cheek swab
35:03won't change.
35:04So he gave us
35:06his saliva
35:07because he knew
35:08it wouldn't match
35:09the blood found
35:09on Lord Johnson
35:10in New York?
35:11Which contained
35:12his donor's DNA,
35:13and that's why
35:13he cut and cleaned
35:14their fingernails,
35:15because the skin
35:15cells underneath
35:16would have Sharp's
35:17original DNA.
35:18Like that lab
35:19in Honduras.
35:20He took the stem cells
35:21and changed his blood.
35:22We need to find
35:23the donor or the records.
35:25At least he's got
35:26to prove it.
35:28You can start
35:28in the hallway.
35:29Thanks.
35:29Oh, and mix some bleach
35:31into the floor cleaner
35:32for me.
35:33That's oddly nostalgic
35:34for me.
35:35My mother used to use it
35:36to keep the neighbor's
35:37pig farm at bay.
35:39You know we could have
35:40bought the DNA.
35:41Are you kidding me?
35:43I miss all the fun.
35:44I wish I could see
35:45the look on that
35:46detective's face
35:46when he saw the results.
35:48I mean, priceless.
35:49You know, if I thought
35:50I was going to live forever,
35:51I'd try to avoid
35:52life in prison, Sharp.
35:54Well, here's an idea.
35:55Why don't you fix it, Roach?
35:57Or don't.
35:57Whatever.
35:58I'm on a plane
35:58in a few hours anyway.
36:00It says here
36:00the lab burnt down
36:02nine years ago.
36:03The records were incinerated,
36:05it was arson,
36:06and they never solved it.
36:08What about permits?
36:09I mean, he must have
36:10detailed the procedures
36:11he'd be doing.
36:12Well, I'm getting the impression
36:12that Honduran law
36:13is lax to those with means.
36:19Wait a minute.
36:21We had a sexual assault complaint
36:23against Sharp from 2012,
36:25but Graf,
36:26look who testified
36:27on his behalf
36:28to quash the charge.
36:29I knew she was
36:29hiding something.
36:30You think she knows
36:31what happened to the lab?
36:32I think she knows everything.
36:37Ah, Miss Lee,
36:38thanks for coming.
36:40Hey, would you like
36:41to finish that at all?
36:43The rest of your meal?
36:44Yeah, my eyes
36:45were bigger than my stomach.
36:46It's just I noticed
36:47how you saved that salad.
36:50It was a bit of a tell.
36:51My grandfather,
36:52he grew up during
36:53the Depression.
36:54He never left anything
36:54on his plate.
36:56Even the way dentures
36:57were back then,
36:58it wasn't a pretty sight,
36:59let me tell you.
37:00No, he knew poor,
37:02just like you.
37:04Excuse me?
37:04No hint of an accent.
37:06I never thought
37:07to look for you
37:08in Honduras.
37:13One second, sorry.
37:15It's my partner.
37:18She says there's a,
37:19there's a cleaning van
37:20outside Sharp's office.
37:21I wonder what that's about.
37:22You said you had information
37:23on Lucy George?
37:25Oh, yes, I do.
37:26Please take a seat.
37:33Uh, first, I would, uh,
37:35I'd like to talk to you
37:36about, uh,
37:38your home in, uh,
37:39Honduras, sir.
37:40Well, your lack thereof.
37:42Detective,
37:42I don't like your tone.
37:43What about Dorian Sharp?
37:44You like him?
37:46I mean, he,
37:46he hired you
37:47from off the street.
37:48You were homeless, correct?
37:50Sleeping rough?
37:51Yes, actually.
37:52I was.
37:53At that point in my life,
37:54I was lucky
37:55if I could sleep
37:55in a public bathroom.
37:57And then you had
37:57your own bathroom.
37:59Sharp lifted you
37:59out of poverty
38:00and offered you
38:01opportunities
38:01beyond your wildest dreams.
38:03How could you say no
38:04to him,
38:05to anything he asked?
38:07So when he needed you
38:08to, uh,
38:09discredit a woman's
38:10sexual assault allegation...
38:12I told the truth.
38:13That woman was lying.
38:14I understand.
38:15You were just a kid
38:17and you cared about him
38:19and he was more
38:19than just an employer.
38:21He was a savior of sorts.
38:22But that does not
38:23give him the right
38:24to exploit you,
38:25to abuse you.
38:26Detective Graf,
38:27the relationship
38:28that I have
38:29with Dorian Sharp
38:30is purely professional.
38:31It's okay, Sonoya.
38:32I know what happened
38:33in Honduras.
38:36Dorian Sharp's
38:37the bad guy here
38:38and for that,
38:38I'm sorry.
38:42Does this feel familiar?
38:44What's happening here?
38:46What I just did.
38:47A couple of low blows
38:48and build you back up again
38:50and make you feel safe.
38:51Because that's what
38:52monsters like Sharp do.
38:54They break you down
38:55and then they put you
38:56back together.
38:57Okay, I want my lawyer.
38:58Oh, what, Vincent Roach?
39:00Yeah, sure.
39:01Isn't he on Sharp's payroll too?
39:03I mean, he's a paid servant
39:05just like you.
39:06I'm not a servant.
39:07No, what are you then?
39:07I'm a survivor.
39:08No, you're a chimera
39:10just like Sharp.
39:11Except for you,
39:12it's part predator,
39:13part prey.
39:14It's how you survived.
39:15You needed those young women
39:17to shoulder the burden
39:18of what he was doing to you.
39:20I didn't know such thing.
39:21I'm sure you did.
39:23No, you didn't write the menu,
39:25but you served those women
39:26up on a plate.
39:28You fed the beast.
39:29And as the world changed,
39:30as women's eyes were opened
39:31to the horrors
39:32that waited for them,
39:33behind closed doors,
39:35you were the lure
39:36Sharp needed.
39:37A false beacon
39:38calling vulnerable
39:40young women
39:41to their deaths.
39:42Laura Johnson,
39:43brutally murdered
39:44in New York.
39:45And bingo,
39:46you have your own
39:47modeling agency.
39:48Freya Klein,
39:49a stranger to this country,
39:51tossed into a dumpster.
39:52He met Freya
39:53about an ad campaign.
39:55Campaign that,
39:55poof,
39:57magically disappeared
39:58along with her.
39:59And where's Lucy George?
40:02Lucy went to California.
40:04No, Lucy went into landfill.
40:06And it broke her mother's heart
40:07when we identified her remains.
40:09Take a look.
40:10How did you describe
40:12Ainsley Scott again?
40:14Starry-eyed.
40:15Reminded you of yourself.
40:17He said he saw spirit in her.
40:21So I drove her to his office.
40:23I was helping her.
40:25Oh, you were helping her.
40:26You drove her to a meeting,
40:27a go-see,
40:28in the middle of the night.
40:29Didn't she find that a little odd?
40:31Was she scared?
40:32What did you tell her to ease her fears,
40:35to get her to cross
40:36that dark threshold?
40:38Imagine those, uh,
40:41whose starry eyes, yeah?
40:43As he pushed his elbow
40:44down onto her throat
40:46and stole her last breath.
40:47Stop it!
40:48Oh, that man,
40:49he loves a pattern.
40:50I didn't know what he was doing.
40:51You gonna bring on the waterworks?
40:53Sure, go ahead.
40:54Hey, okay.
40:55There's one for Lucy,
40:56there's one for Laura,
40:57and there's one for Freya.
40:58And, oh, damn it.
40:59Take them all.
41:00You earned them.
41:00I was helping them.
41:03Were you?
41:05I was helping them.
41:07No, you weren't.
41:09But you can't.
41:10You can't help them.
41:12Right now,
41:12I need to know
41:13how Sharp changed his blood.
41:15It was a stem cell transplant,
41:17wasn't it?
41:17At the lab in Honduras.
41:20I...
41:21Sonoria, I need proof.
41:22I need the name of the donor.
41:23I don't have...
41:24It's the only way
41:25we can connect Sharp
41:26to the bloody left on Laura Johnson.
41:27I can't.
41:28Why?
41:28Because...
41:29Because what?
41:29Because the donor died!
41:35He made me get rid of my baby.
41:42And he used the stem cells
41:46to heal himself.
41:54I'm sure.
42:00But you can't help
42:02those women now.
42:04You can bring them justice.
42:06You can bring justice
42:07to the women he killed.
42:10Sonoria,
42:12your blood is your testimony.
42:21Toronto police.
42:22I need you to stop
42:23what you're doing.
42:24Now!
42:27Dorian Sharp,
42:28you're not going anywhere
42:29this time.
42:30Are we really gonna go
42:31through this charade?
42:33Excuse me,
42:34I'm late.
42:39How's that feel?
42:41We're gonna need
42:42another sample.
42:43Blood,
42:44this time.
42:46should be a 50% match
42:48for Sonoya.
42:58I updated
42:59Detective Michaels
43:00in New York.
43:00Thanks.
43:02Sharp made his fortune
43:03making women's clothes,
43:04and he used it
43:05to steal their voice.
43:08Well,
43:08for those women,
43:09finally got a chance
43:11to say something
43:11about it.
43:12Anoop.
43:16No.
43:16No.
43:17Yes.
43:18No.
43:19No.
43:20Yes.
43:21No.
43:21No.
43:21No.
43:21Yeah.
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