## 🎬 In Old Mexico (1938) – Public Domain – Western | Action | Adventure
**In Old Mexico** is a classic 1938 Western directed by **Edward D. Venturini** and starring the legendary **William Boyd** as the iconic hero **Hopalong Cassidy**. This film is part of the long-running and immensely popular "Hoppy" series, known for its higher production values and more sophisticated storytelling compared to many other "B-Westerns" of the era. The film is a perfect blend of rugged frontier justice and sweeping cinematic charm.
As a 1938 production that has entered the **Public Domain**, it is a prized piece of Western history, celebrated for its stunning outdoor cinematography and William Boyd’s definitive portrayal of the silver-haired lawman.
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## 📖 Plot Summary
Hopalong Cassidy and his loyal companions, Lucky Jenkins (Russell Hayden) and Windy Halliday (George "Gabby" Hayes), travel south of the border to visit an old friend, only to find themselves embroiled in a deadly conspiracy involving land swindles and a mysterious "phantom" killer.
**The frontier mystery features:**
* **The Mexican Outpost:** The setting shifts from the usual dusty plains to the atmospheric landscapes of "Old Mexico," providing a fresh visual backdrop for the action.
* **The False Accusation:** Hoppy’s friend is falsely accused of a crime he didn't commit, forcing the trio to work outside the law to uncover the real culprit.
* **The "Phantom" Menace:** The film incorporates elements of mystery as a masked rider terrorizes the local rancheros, leading to several tense nighttime skirmishes.
* **The Comedy Relief:** George "Gabby" Hayes delivers his signature performance as the cantankerous but loyal sidekick, balancing the film's serious stakes with frontier humor.
* **The Final Stand:** The narrative builds to a high-speed horseback chase and a climactic gunfight where Hoppy’s superior marksmanship and tactical mind save the day.
---
## 🎥 Style & Legacy
* **William Boyd’s Hopalong Cassidy:** Unlike the gritty anti-heroes of later decades, Boyd’s Hoppy is a paragon of virtue—dressed in black but always fighting for the light—a portrayal that made him a massive star.
* **Gabby Hayes’ Performance:** As the definitive Western sidekick, Hayes provides essential comic relief, using his trademark persona to balance the film’s more intense moments.
* **Cinematic Landscapes:** The film features wide-angle, high-contrast photography of the rugged terrain, ensuring 100% visibility of the intricate stunt riding and large-scale ranch sets.
* **Action Choreography:** *In Old Mexico* is noted for its clean, well-staged action sequences, focusing on the grace of the horses and the precision of the shootout timing.
* **The "Hoppy" Formula:** This film solidified the elements that fans loved: a mystery to solve, a beautiful location, and a thrilling conclusion that restored order to the frontier.
---
#InOldMexico #HopalongCassidy #WilliamBoyd #1938Film #PublicDomain #ClassicWestern
**In Old Mexico** is a classic 1938 Western directed by **Edward D. Venturini** and starring the legendary **William Boyd** as the iconic hero **Hopalong Cassidy**. This film is part of the long-running and immensely popular "Hoppy" series, known for its higher production values and more sophisticated storytelling compared to many other "B-Westerns" of the era. The film is a perfect blend of rugged frontier justice and sweeping cinematic charm.
As a 1938 production that has entered the **Public Domain**, it is a prized piece of Western history, celebrated for its stunning outdoor cinematography and William Boyd’s definitive portrayal of the silver-haired lawman.
---
## 📖 Plot Summary
Hopalong Cassidy and his loyal companions, Lucky Jenkins (Russell Hayden) and Windy Halliday (George "Gabby" Hayes), travel south of the border to visit an old friend, only to find themselves embroiled in a deadly conspiracy involving land swindles and a mysterious "phantom" killer.
**The frontier mystery features:**
* **The Mexican Outpost:** The setting shifts from the usual dusty plains to the atmospheric landscapes of "Old Mexico," providing a fresh visual backdrop for the action.
* **The False Accusation:** Hoppy’s friend is falsely accused of a crime he didn't commit, forcing the trio to work outside the law to uncover the real culprit.
* **The "Phantom" Menace:** The film incorporates elements of mystery as a masked rider terrorizes the local rancheros, leading to several tense nighttime skirmishes.
* **The Comedy Relief:** George "Gabby" Hayes delivers his signature performance as the cantankerous but loyal sidekick, balancing the film's serious stakes with frontier humor.
* **The Final Stand:** The narrative builds to a high-speed horseback chase and a climactic gunfight where Hoppy’s superior marksmanship and tactical mind save the day.
---
## 🎥 Style & Legacy
* **William Boyd’s Hopalong Cassidy:** Unlike the gritty anti-heroes of later decades, Boyd’s Hoppy is a paragon of virtue—dressed in black but always fighting for the light—a portrayal that made him a massive star.
* **Gabby Hayes’ Performance:** As the definitive Western sidekick, Hayes provides essential comic relief, using his trademark persona to balance the film’s more intense moments.
* **Cinematic Landscapes:** The film features wide-angle, high-contrast photography of the rugged terrain, ensuring 100% visibility of the intricate stunt riding and large-scale ranch sets.
* **Action Choreography:** *In Old Mexico* is noted for its clean, well-staged action sequences, focusing on the grace of the horses and the precision of the shootout timing.
* **The "Hoppy" Formula:** This film solidified the elements that fans loved: a mystery to solve, a beautiful location, and a thrilling conclusion that restored order to the frontier.
---
#InOldMexico #HopalongCassidy #WilliamBoyd #1938Film #PublicDomain #ClassicWestern
Category
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Short filmTranscript
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00:03:21Come on, boys.
00:04:01Come here, Burke.
00:04:02I want to talk to you.
00:04:04Did anything happen, Chief?
00:04:06Plenty.
00:04:06Everything's working just as I planned.
00:04:10I met Cassidy on the trail, and I even directed him to the Gonzales Rancho.
00:04:15Get the men together and have them cover the pass from the south.
00:04:18We can be expecting Gonzales along any time now.
00:04:33Con su permiso, Señor Coronel.
00:04:35Is it your pleasure to stay here during the heat of the day?
00:04:37No.
00:04:38My father's rancho is still a long ride to the north.
00:04:40And when one receives a message from Hopalong Cassidy to meet him there on a certain day of this month,
00:04:45Chris, sin falta one meets him there.
00:04:48Especially when he says it is a matter of life and death.
00:04:51Vamanos.
00:04:58You men cover the pass.
00:04:59Whatever you do, take the Colonel alive.
00:05:19Let's go.
00:05:20Domingo, where will we find Senor Gonzales?
00:05:36Gentlemen, I am Carlos Gonzales.
00:05:39My name is Hopalong Cassidy.
00:05:41Welcome to the rancho Gonzales, Senor Cassidy.
00:05:43My son the Colonel has spoke of you so much that I feel I already know you.
00:05:47Thank you, sir.
00:05:48These are my friends, Wendy Halladay and Lucky Jenkins.
00:05:51Caballeros, my home is yours.
00:05:54Pancho, encárgate de los caballos.
00:05:56Well, you better not put those horses away till I have a talk with the Colonel
00:05:58and see why he sent for me.
00:06:00My son sent for you to come here?
00:06:02Yes.
00:06:04But I do not understand, Senor Cassidy.
00:06:06My son is on duty in San Luis.
00:06:08Many days ride to the sand from here.
00:06:10And he's been there for months.
00:06:12That's funny.
00:06:13I got a note from him at the bar 20 about a week ago,
00:06:16asking me to meet him here on the 15th.
00:06:18I said it was a matter of life or death.
00:06:24A matter of life or death indeed, Senor.
00:06:27This countryside for so many years has been so peaceful
00:06:30that one almost wishes the return of the good old days
00:06:33when there was fighting to be done.
00:06:34Maybe there will be.
00:06:36Senor Cassidy, I want you to meet Elena.
00:06:38How do you do?
00:06:40Elena is the self-appointed guardian of the Gonzales family.
00:06:43We greatly appreciate the very interesting issue.
00:06:46And your friends, please.
00:06:47This is Lucky.
00:06:49And where are you?
00:06:50Oh, this is Wendy.
00:06:52It's a pleasure.
00:06:54Senors.
00:07:03ığıill gauge
00:07:13Hi!
00:07:15Find them!
00:07:18Come on, Claudia.
00:07:22Come on, Claudia.
00:07:23Come on, Claudia.
00:07:26Elena, tobaccos.
00:07:28Uh, you will have a smoke, Senor Castillo.
00:07:30No, thanks, I never smoke.
00:07:32Senor Lucky?
00:07:32No, thank you.
00:07:33Well, you will a smoke, no?
00:07:34Yeah, I'll try one.
00:07:38Oh, stogie.
00:07:39Yeah.
00:07:41You know, my son is always speaking about this wonderful horse that you have.
00:07:45Yeah, would you like to see him now?
00:07:47Oh, I would very much.
00:07:48May I?
00:07:49Sure.
00:07:50Chalpipa.
00:07:51Yes, father?
00:07:53Oh, you call her Pugnose.
00:07:54Yes, my pet name.
00:07:56Her name is Anita, my daughter.
00:08:02Anita, I want you to meet the very good friend of your brother's, Senor Hopalong Casati.
00:08:07I am more than delighted to know you, Senor.
00:08:10For hours I have sat and listened while my brother talked of your exploits.
00:08:15He said you were wonderful.
00:08:17Oh.
00:08:20Never has he known such a man.
00:08:23Well, I'm afraid he'd give me a lot the best of it.
00:08:28Oh, no.
00:08:29Oh, yeah.
00:08:31Senora Leeds.
00:08:34And this is the Senora Janet Leeds, a companion of my daughter.
00:08:38She is an American like yourself.
00:08:40How do you do, Mr. Cassidy?
00:08:42How do you do, ma'am?
00:08:44These are my friends, uh, Wendy Halliday and Lucky Jenkins.
00:08:48How do you do, ma'am?
00:08:50How do you do?
00:08:54I don't know what we're down here for, miss, but I'm sure glad we came.
00:08:58He's starting again, Hoppy.
00:09:00Looks like we'll have to rope and hog tie him.
00:09:03Don't pay any attention to him, miss.
00:09:04Well, I mean, Hoppy just brought him along because there wasn't anyone to play nursemaid that can take her so
00:09:08cuss back on the ranch.
00:09:10Well, nursemaid you...
00:09:11Stop it, both of you.
00:09:14Please don't pay any attention to them.
00:09:16This goes on all the time.
00:09:19It don't mean anything, though.
00:09:21They're really the best of friends.
00:09:24Why, Wendy practically raised Lucky.
00:09:27Begins to look like I didn't do a very good job of another.
00:09:30We'd better go see the horse.
00:09:32Would you like to come?
00:09:33Oh, I would love to.
00:09:35Oh, but I'm exchanged for dinner.
00:09:37Perdonenme?
00:09:37Can you, Senora Leeds?
00:09:39Will you come with us?
00:09:40If you don't mind, I think I'll rest a while.
00:09:43I'm not used to strenuous riding.
00:09:46I'll see you all at dinner.
00:09:51Señores?
00:10:06You're wonderful, Elena.
00:10:08Most wonderful, Senorita.
00:10:10Muyo simpatico.
00:10:12He fuma el cigarrozo.
00:10:14Like my first husband.
00:10:15He's just like the Colonel said he was.
00:10:18Big and strong.
00:10:20And handsome.
00:10:22Fine.
00:10:23Strong.
00:10:25Handsome.
00:10:26Even the beard alike.
00:10:28So distinguished.
00:10:29Very beautiful.
00:10:32Very beautiful.
00:10:32Beard?
00:10:33Senor Cassidy has no beard.
00:10:36But Chiquita, I'm not talking a Senor Cassidy.
00:10:40It's a Singaporean.
00:10:42Oh, Elena, otra vez.
00:10:48He reminds me of my fourth husband, Jose.
00:10:53The same pig.
00:10:55See?
00:10:55The same crotch.
00:10:57El mismo valor.
00:11:01Oh, Elena.
00:11:02Oh, why don't you get to me?
00:11:06Michael, don't unsaddle my horse.
00:11:09I've got to ride out again.
00:11:10I, uh, I lost something on the trail.
00:11:28What makes you so sure this Mexican colonel's going to show up?
00:11:31Colonel Gonzales wouldn't ignore a message from Cassidy.
00:11:33And since this is the day of the meeting,
00:11:34we can expect Gonzales along any time.
00:11:36Who can that be?
00:11:39That's my sister.
00:11:58You've come to tell me that Cassidy's arrived at the rancho, haven't you?
00:12:03Yes, I...
00:12:03How did you know?
00:12:05Spoke to him on the trail hours ago.
00:12:06If he'd recognized you, he'd have killed you.
00:12:09My gun was covering him every minute.
00:12:10Well then, why didn't you shoot and get it over with?
00:12:12My dear sister, I refuse to go over that again.
00:12:15We're here because I have a personal score to settle with Cassidy and young Gonzales.
00:12:19And I intend doing it in my own way.
00:12:21Is that understood?
00:12:22Yes, my dear brother.
00:12:23But I do wish you wouldn't make me go through with this.
00:12:27So you're weakening?
00:12:28Please listen to me.
00:12:29What I asked you to do is only for your own good.
00:12:33Have you forgotten the last time you encountered Mr. Cassidy?
00:12:37Reminding me of how close it came to putting a noose around my neck seems to please you.
00:12:40You're mistaken and you know it.
00:12:43Just for revenge, you're willing to sacrifice not only your future but mine.
00:12:46This time I'm not making any mistakes.
00:12:49And while we're on the subject of advice,
00:12:51see that you don't fall for that manufactured smile of Cassidy's.
00:12:53My only interest in Mr. Cassidy is to help you.
00:12:56No, let's do what we have to as quickly as possible and get out of this country.
00:13:02I'm getting so I can't look the Gonzales family in the face.
00:13:05I'll start with young Gonzales first.
00:13:07If you're so anxious to get away, your job is to get Cassidy to my cabin.
00:13:11But don't whatever you do underestimate him.
00:13:13He's very, very smart.
00:13:14I was smart enough to help you escape from prison after he put you there.
00:13:19Just leave my part of the job to me.
00:13:32Let's go.
00:13:32Anything wrong?
00:13:33No.
00:13:34Step by step, I've been making my plans for a year.
00:13:37But suppose this Mr. Cassidy don't stick around?
00:13:39I know Cassidy.
00:13:41When he learns his friend Gonzales has been killed,
00:13:43he'll stay at the rancho until he finds the killer or dies himself.
00:13:46And I'm very sure it will be the latter.
00:13:48You got everything all figured out.
00:13:50You got him?
00:13:54Yeah.
00:13:58That's the Colonel.
00:13:59Come back here.
00:14:19That's the Colonel.
00:14:37Take him out.
00:14:43Take his gun.
00:14:52I've waited almost a year for this meeting, colonel.
00:14:57So, it is the fox who rides again, huh?
00:15:00But this time I hold the trump cards.
00:15:02See? See, it is the fortunes of war.
00:15:05Are you wondering why I didn't kill you when you first rode in?
00:15:08Perhaps I can guess, senor.
00:15:10It was because you wished me to know who was my executioner.
00:15:13Is it not so?
00:15:14Exactly.
00:15:15You see, you and Cassidy outsmarted me once,
00:15:17and I want you to know that I was the smartest after all.
00:15:20Well, who knows, my friend?
00:15:22Even though Gonzales died,
00:15:24there may be others who will prove more smart than you in the end.
00:15:28If there are, you won't be alive to see it happen.
00:15:30It's the luck.
00:15:32The Mexicans, my people, have a saying, senor.
00:15:37Every man he dies sometimes.
00:15:39What difference does it make when?
00:15:42Or where?
00:15:45Or how?
00:15:50Get it over with, senor.
00:16:04Al, come here.
00:16:08As soon as it's dark, you'll ride to the rancher.
00:16:18I'll see.
00:16:52You are divine, when the stars do shine.
00:17:13You are divine, when the stars do shine.
00:17:21You are divine, when the stars do shine.
00:17:33You are divine, when the stars do shine.
00:17:57Oh
00:18:13Oh
00:18:42That is really a beautiful
00:18:46And who is the man you're in love with?
00:18:49Oh, well, that is only in the song.
00:18:57Yes, Father?
00:18:58You must not hire a guest with these songs.
00:19:01Oh, but they're such nice songs, senor.
00:19:04Ah, Elena is calling it. Senora Leeds.
00:19:07Senor Cassidy, you please.
00:19:09It would be a pleasure to have you escort me to dinner.
00:19:12Oh, senora Leeds, oh, you're welcome.
00:19:14Father should have the honor of escorting you together.
00:19:17Senor Leeds, will you please do me the honor?
00:19:20Anita, my daughter.
00:19:30Don Carlos tells me you're from the east.
00:19:33I was raised there. I came down here for my help.
00:19:37You like it here?
00:19:39After six months, I don't think I ever want to go back again.
00:19:42Oh, this part of the country does kind of get under your skin.
00:19:46That's an odd ring you're wearing.
00:19:50It is rather unusual.
00:19:53It's an heirloom.
00:19:54It's been in my family for generations.
00:19:57I've never seen another quite like it.
00:19:59Oh, it is pretty.
00:20:07Senor Leeds.
00:20:09Senor Leeds.
00:20:12I hope my guests will forgive the dinner, the poor dinner we're about to serve.
00:20:17Well, if you will forgive us for the clothes we're wearing, we certainly forgive you.
00:20:21Oh, very well.
00:20:22Then we meet on a 50-50 basis, as you Americanas say.
00:20:25Friendship.
00:20:28Where is your friend, senor Leeds?
00:20:31Why, he's...
00:20:33He's coming.
00:20:36What are you doing?
00:20:37What have you been up to?
00:20:38Who, me?
00:20:38I haven't done anything.
00:20:40Someone took his clothes while he was taking a bath and forgot to bring back his pants.
00:20:47Looks like Wendy's gonna have to eat his dinner in his room.
00:20:51That's what you think.
00:20:51If he says pants or no pants, he's coming down here to find out who took his clothes.
00:20:55Oh, Lucky.
00:20:56Go on, stop him before he...
00:20:59Oh, it's too late now.
00:21:00Here he comes.
00:21:11Look at him, Hoppy.
00:21:12I'm afraid to.
00:21:13Wait a minute.
00:21:14Excuse me, senor.
00:21:15Please.
00:21:21Bless you, Wendy.
00:21:23Do not bless the ears.
00:21:25I'm the guilty one.
00:21:27It was I who took your hands.
00:21:28You took them?
00:21:29Where for?
00:21:30To clean them.
00:21:32I thought it would be nice.
00:21:33They were so dirty, so dusty.
00:21:38Well, bring them back.
00:21:40That is impossible, senor.
00:21:41That I can not do.
00:21:43While I was washing, they fell in the creek.
00:21:46Senor Blowy.
00:21:48Look.
00:21:48My name is Blowy.
00:21:50It's Windy.
00:21:51Windy Holiday Esquart.
00:21:54Senor Windy.
00:21:56You look nice with those clothes.
00:21:58They have a pillow.
00:21:59To my adult husband, Pedro.
00:22:02Pedro, look nice.
00:22:04I feel like a blasted idiot.
00:22:08What did he use this shawl for?
00:22:10A cold night.
00:22:12A mirror.
00:22:14A cold night.
00:22:14Oh, a mother.
00:22:16Why didn't he say so?
00:22:18Senor Windy.
00:22:20You must not feel this way.
00:22:21Oh, look at yourself in the mirror.
00:22:24Oh, I don't want to look in no looking glass.
00:22:31See?
00:22:32This close your arms, Watson.
00:22:40Hey, I look pretty slick, don't I?
00:22:43Just like the Grand Caiero.
00:22:45Yes, sir.
00:22:46You give me a guitar, and I'll be a regular Don Juani,
00:22:50or whatever you call it.
00:22:52A regular Don Juani.
00:22:54Yes, Elena?
00:22:54Yes, sir.
00:22:56Looks more like something that goes with an organ grinder.
00:22:59Hey, are you trying to incinerate nothing?
00:23:01Oh, come on, sit down and eat your dinner.
00:23:04Come on.
00:23:15And now, my American friends, to you I dedicate this toast.
00:23:20May we all know each other a long time, in peace and in happiness.
00:23:27To your health and happiness, sir.
00:23:29Gracias, senor.
00:23:55Windy!
00:23:55Lucky, get on the horse's saddle.
00:23:57And call out Don Carlos' men.
00:23:58Well, what's the matter, senor?
00:23:59What is wrong?
00:24:00I don't know.
00:24:00It might have something to do with the note I got.
00:24:04Ah, senor Cassidy.
00:24:07Well, I do not understand.
00:24:08What is the matter?
00:24:09That's what we're going to find out.
00:24:20I'm all ready for you, happy.
00:24:21All right.
00:24:26Let's go.
00:25:19Now, let's go.
00:25:40My son, he's dead, Senor Cassidy.
00:25:49My son, he's dead, Senor Cassidy.
00:25:51Don Carlos?
00:25:53I'll never rest till I find the man that did this.
00:25:59Wendy?
00:25:59Yes?
00:26:01You ride back to the ranch over Don Carlos?
00:26:03Yes, honey.
00:26:05Lucky.
00:26:06You and some of the boys come with me.
00:26:07We'll see if we can pick up a trail.
00:26:10I think it is useless tonight, Senor Cassidy.
00:26:13In the nearby mountains, there are many places
00:26:15an army could hide from once.
00:26:19It won't work to have a look around anyhow.
00:26:47You only had a little bit of a trail.
00:26:50What a lot of me!
00:26:51We had a little bit of a very good night.
00:26:52They were really good.
00:26:55They were really good.
00:27:05You, Captain.
00:27:07Hoppy?
00:27:08You go ahead, I'm going to pick my saddle.
00:27:10All right.
00:27:31Mr. Gargioli, I'm going to take a look at him.
00:27:38Mr. Gargioli...
00:27:44You have found the trail?
00:27:47No, senor.
00:27:50The work that lived up was too smart to leave in the tracks.
00:27:53But we're not beaten yet.
00:27:56I found a note to the colonel, like the one I got,
00:27:59telling him to meet me here.
00:28:02I didn't send that.
00:28:03Oh, but they can tell you nothing.
00:28:06They know it.
00:28:12It tells me this.
00:28:14That whoever got the colonel is out to get me too.
00:28:19Your boy was trying to tell us something last night
00:28:22when he wrote those letters Z-O-R in the sand.
00:28:27Did you ever know anyone whose name started with Z-O-R?
00:28:32No.
00:28:35Are there a lot of Spanish words that start with Z-O-R?
00:28:39Z-O-R?
00:28:40Yeah, I know that one.
00:28:43Some kind of a bird, like a thrush.
00:28:46But I don't see whether they have anything to do with that kid.
00:28:49Z-O-R and G-O-R is meaning heavy and lazy.
00:28:54And there's Z-O-R, meaning fox.
00:28:57Wait a minute.
00:29:00Z-O-R.
00:29:02Fox.
00:29:06I wonder...
00:29:09Have you seen any strangers in this part of the country lately?
00:29:12No.
00:29:21How well do you know the people in your household?
00:29:24That is, I mean, all of them.
00:29:26Oh, as well as I know myself.
00:29:28They've been with me for years.
00:29:33This Mrs. Leeds, uh...
00:29:37Oh, Senora Leeds, no.
00:29:39She can well recommend it.
00:29:41Good letters.
00:29:42But about a year ago,
00:29:43while your boy was still working for the Mexican Secret Service,
00:29:48he came north across the border.
00:29:50And between the two of us, we tracked down a killer called the Fox.
00:29:59And the Fox had a sister.
00:30:16And the Fox had a sister.
00:30:26There's a girl who came out of school,
00:30:27Oh, hello.
00:30:31These flowers are lovely.
00:30:35Your being here this time is such a blessing for these poor people.
00:30:43How is Miss Anita?
00:30:45I haven't seen her lately.
00:30:47The poor Char is heartbroken.
00:30:50But she's sure you'll bring in the man who killed her brother.
00:30:53I do hope you can do something about it.
00:30:56I don't know.
00:30:58So far, I haven't a single lead to follow.
00:31:02I guess about the only thing to do is to investigate the people that work for Don Carlos.
00:31:07One of them might have had a personal grudge against the colonel.
00:31:11The colonel might have had enemies in some other part of Mexico.
00:31:15Maybe they trailed him as he rode north.
00:31:17That's an idea to work on.
00:31:21You know, sometimes you women have funny hunches at that.
00:31:25We women call it intuition.
00:31:27If I can help you in any way, Mr. Cassidy, I'll be glad to do so.
00:31:31I might call on you at that.
00:31:33I like the way you figure things out.
00:31:36You can depend on me if you need me.
00:31:39Thanks.
00:31:41Maybe between the two of us, we can figure a way to get a rope around the neck of the
00:31:46man that killed the colonel.
00:31:50I'll do all that I can.
00:31:54I'd bet on that.
00:31:57And, uh, if you'll excuse me now, I think I'll go and see how neat it is.
00:32:17I'll go and see how you feel.
00:32:18Now then, Senora Cassidy, that you have spoken with the Senora Leeds,
00:32:21are you not convinced that she had nothing to do with the killing of my son?
00:32:24I'm not convinced one way or the other yet.
00:32:27But I've got a hunch that she knows more about this than any of us.
00:32:30Well, then let's go and make a talk.
00:32:31Just a minute.
00:32:33He promised to let me handle this my way.
00:32:36Now, she is the fox assistant.
00:32:38He's hiding around here someplace.
00:32:40You'd only be sending him a warning if you started anything with her.
00:32:43I'm beginning to see where you are right.
00:32:46But how then do you expect to drag down the fox?
00:32:48In this country, it's almost impossible.
00:32:49I know that.
00:32:50That's why I've got to play a waiting game and watch every move she makes.
00:32:54And if my guess isn't too far wrong,
00:32:56sooner or later, she'll play me right into the hands of the fox.
00:33:10I've kept a lookout across from the ranch for the last four days.
00:33:14And nobody's left the place.
00:33:15Better get back.
00:33:21Watch ten days if you must.
00:33:22Something will happen.
00:33:26Say, you don't think this sister of yours has slipped up in some way?
00:33:29Slip up?
00:33:30Janet?
00:33:31Maybe she's sweet on him.
00:33:33She's smarter than any of us.
00:33:35You just get back on your horse and keep your eye on the ranch house.
00:33:38When Janet's sure the time's ripe, you'll get the signal.
00:33:51Now, my advice is to do like we've always done.
00:33:54Get a bunch together, comb the country, and find out who done it.
00:33:58But, Wendy, we're playing a different kind of a game this time.
00:34:07Don't let anybody have a horse with that ass can be first.
00:34:10That goes for everybody.
00:34:12Understand?
00:34:12Si, senor.
00:34:13Of course, he means everybody but me, Pancho.
00:34:15Yeah, and me.
00:34:17That goes for everybody.
00:34:19Oh, yeah.
00:34:20Especially you two.
00:34:23Since when can I take a horse without asking somebody if I can?
00:34:26Since right now.
00:34:27How do we know that what the man that got the colonel is still hiding out there in the brush
00:34:31waiting to take a pot shot at us?
00:34:33Now, think that over.
00:34:38Yeah, well, I can take care of myself.
00:34:41I'm afraid of nobody taking a pot shot at me.
00:34:43Now, let me tell you something, you young squirt.
00:34:45When Hoppy starts to get worried about something, it's time for everybody to get worried.
00:35:17Elena, I do not understand this Americano Cassidy.
00:35:20First, he tells me no one must have a horse without first telling him.
00:35:24Then, tonight, he tells me if the senora Liz wishes a horse, I should let her have a horse.
00:35:30Maybe he wishes to ride with her alone in the moonlight.
00:35:36Perhaps, great love comes to him.
00:35:39He thinks I don't see.
00:35:40But all night is there where he can watch the window of senora Liz.
00:35:47My love is so nice, and no one knows more than me.
00:35:52Maybe so, Bedwin, but when one is out to revenge the murder of one's friend, love must be forgotten.
00:35:59Si, seguro, Panchito, but the love is much better.
00:36:10Why not, Panchito?
00:36:49It's all very pleasant having you with me so much.
00:36:52It's not helping your reputation around here, Hoppy.
00:36:55Maybe I find it more interesting being here with you
00:36:57than running around the country on a wild goose chase.
00:37:00Is that supposed to be a compliment?
00:37:01You can take it any way you'd like.
00:37:08Siento en mi corazón, lilla de umbranquiereo.
00:37:19Oye mi nebra linda, escúchame cantar.
00:37:32Oye mi corazón, lilla de umbranquiereo.
00:37:42Oye mi corazón.
00:37:42Your friend Cassidy is a far better Romeo than a hunter of men.
00:37:50I feel just like a bull in a china closet.
00:37:53You look more like a lamb doing this.
00:37:55Don't ever say that to a cattleman.
00:37:57Oh, I forgot.
00:38:00Hoppy, I've got something I want to say to you.
00:38:02Go right ahead and say it.
00:38:05All right, I will.
00:38:08How much longer are we going to sit around here without doing anything?
00:38:11What are you trying to say?
00:38:13Well, just us people on this ranch are talking about it.
00:38:16They say we're quitters. We're laying down on the job.
00:38:18Yeah, so I've heard.
00:38:20What do they expect me to do? I've done about everything I can.
00:38:23Well, you could at least be out trying instead of sitting around here talking to her.
00:38:26You'll shed your little piece now.
00:38:27No, I ain't, Hoppy.
00:38:29If you ain't willing to try, I'll see what me and Wendy can do.
00:38:32Lucky, come here.
00:38:36You'll do nothing of the kind.
00:38:37You're going to stick right with me until I tell you different.
00:38:40We're giving up and heading back for home.
00:38:44Hoppy, you don't mean that.
00:38:45I mean just that.
00:38:47That's the trouble with you, kid.
00:38:48You never know when you're up against something that's got you beat.
00:38:51Well, if you think I'm going to stay here...
00:38:52That's enough. Now get.
00:38:58Kids are so excitable.
00:39:00I say they're all alike.
00:39:02And you don't think it's worthwhile continuing the search?
00:39:05Is that it, Hoppy?
00:39:06Well, it amounts to about that.
00:39:08I hate to admit it, but I know when I'm beat.
00:39:10You're not admitting that, are you, Hoppy?
00:39:12Just like I told Lucky.
00:39:13No sense in me sitting around pounding my head up against a blank wall.
00:39:17We might just as well head for home.
00:39:20Get back, get back, get back, get back.
00:39:23Oh, it's those Americans, maybe my little homing-e-purgerset.
00:39:27Oh, the senor...
00:39:27Ah, pobrecita.
00:39:29Los americanos están malos, están perversos.
00:39:31The senor Cassidy doesn't know to...
00:39:43Now you tell me.
00:39:44The senor Cassidy does not care whether I sing or not.
00:39:48Or whether he finds a man who killed my brother or not.
00:39:52But the coroner was very fond of the senor Cassidy.
00:39:56And you must not lose the confidence on him.
00:40:01I'm afraid it's too late.
00:40:04Marquis.
00:40:11Now, go wash your little face and be a fruity again.
00:40:16All right, Elena.
00:40:18I remember, the world was not made for one man alone.
00:40:23All right.
00:40:24But I'm still afraid it's too late.
00:40:28Well, maybe we could, uh,
00:40:31take a last ride together and talk things over.
00:40:33I was hoping you'd say something like that.
00:40:36We'll leave right off to lunch.
00:40:38Good.
00:40:38You know, I think I'll change into my riding clothes now,
00:40:40and then I'll be ready.
00:40:41All right.
00:40:42Goodbye.
00:40:48Get a saddle on your horse, Wendy.
00:40:49They talk about Hoppy if they want to,
00:40:51but they're not going to talk about me.
00:40:52We'll do a little trailing of our own.
00:40:54Take it easy, son.
00:40:55Hoppy give orders.
00:40:56Yeah, well, orders are no orders.
00:40:57Just because he's laying down on his job,
00:40:59it's no sign I'm going through.
00:41:00Oh, he knows what he's doing.
00:41:02He's smarter than we are.
00:41:03Yeah, well, maybe so.
00:41:05But I never saw a man yet that was so smart
00:41:06that some woman couldn't make a fool out of him.
00:41:08Well, I hate to admit it,
00:41:10but it looks like you're right for once in your life.
00:41:14Senor Cazari!
00:41:17Senor Cazari!
00:41:25What is it, Pancho?
00:41:26Senor Lucky is standing in the horse.
00:41:35Senor Cazari!
00:41:35Well, he's not telling me what to do.
00:41:42Where do you think you're going?
00:41:43I don't know past where they got the colonel.
00:41:45I might be able to pick up a trail.
00:41:47I got my own reasons for not wanting you to go out there.
00:41:49Why don't you stick with me and play the game my way?
00:41:51We have seen how you play the game your way, Senor Cazari.
00:41:55It is fortunate for my family there is one man among you.
00:41:59That's just what I was thinking.
00:42:01I don't care what you think.
00:42:02You're not going out there.
00:42:03Who says I'm not?
00:42:04I say you're not.
00:42:05Now get off of that horse.
00:42:07Senor Cazari is very brave.
00:42:09When he comes to ordering his own men around.
00:42:11Well, he's not ordering me.
00:42:13I said you're not going.
00:42:14Now get off of that horse.
00:42:15Try and make me.
00:42:19You try that again.
00:42:20Hop in, I'll knock you down.
00:42:34And I'll get the saddle off of that horse.
00:42:40So the great Cassidy has made a coward even of you.
00:42:44Well, he can tell everybody else what not to do,
00:42:46but he can't tell me.
00:42:49If there's no one else to find a man who killed my brother,
00:42:52I will do it myself.
00:42:55Anita, stop!
00:43:03I'm sorry.
00:43:03I'm sorry.
00:43:10I just got in.
00:43:15I'm sorry.
00:43:17I am sorry.
00:43:17I'm sorry.
00:43:18I'll go ok.
00:43:18You can't go out there.
00:43:24I'll go down there.
00:43:31That's the Gonzales girl.
00:43:34And that's Cassidy riding after him.
00:43:37What's up?
00:43:38I don't know yet.
00:43:47Well, I had to go away like this.
00:43:49You're riding into danger.
00:43:50The man we're looking for is hiding out here somewhere.
00:43:58Come on, sit down here.
00:44:04Sit down.
00:44:12Never mind that.
00:44:16I'm doing the best I can, but I've got to do it in my own way.
00:44:20How?
00:44:20By waiting and making love to the Signora Leeds?
00:44:24If it were you who had been killed,
00:44:26my brother would not sit idly by letting a woman make a fool of him.
00:44:30Oh, I... I hate you.
00:44:34I'm not letting your brother down.
00:44:36I got an idea we're gonna have the man we're looking for before the day is over.
00:44:39How?
00:44:40By sitting on the veranda with the Signora Leeds until it is time to leave for your home?
00:44:44Listen, Anita, I know the way I'm handling this job don't look right to anybody.
00:44:48But the Colonel trusted me to do my best.
00:44:51Won't you?
00:44:53Please.
00:44:55Oh, oh, I do trust... I want to trust you.
00:44:58But I'm... I'm all mixed up.
00:45:00You tell the Signora Leeds one thing and you tell me another.
00:45:03Well, never mind what I say or what I do.
00:45:05You keep right on trusting me.
00:45:07And don't you say anything to anybody.
00:45:09You have an idea it was someone at the rancho?
00:45:12No, we won't find him there.
00:45:13I got an idea he's hiding out someplace around the past here.
00:45:16Then why don't you take my father's men and hunt him down?
00:45:20But he's too smart to be taken that way.
00:45:22He'd only burrow in deeper here and we'd never find him.
00:45:24That's why I got to play a lone hand.
00:45:27I do trust you.
00:45:29I'm sorry for all those things I said to you, Signor.
00:45:33Signor Hopi, please forgive me.
00:45:37Oh, forget it.
00:45:38Now what did I tell you to remember?
00:45:39Oh, you told me to forget to say... not to...
00:45:42What to say? Nothing to anybody.
00:45:44That's right. Come on.
00:45:47Hey, what about your horse?
00:45:49Oh, he's gone, but he'll come back.
00:45:51I go with you.
00:45:52Oh, no. Is that what you said?
00:45:54Oh, it's well done. Come on up.
00:45:57I can pick him off without any trouble, Chief.
00:46:00It'd be safer all around.
00:46:02I can't miss from here.
00:46:03Yes, it would be safer.
00:46:06But there's a few things I want to say to Cassidy before I settle with him.
00:46:10And I won't even let's go this way unless I have to.
00:46:19I told you there's no use riding all over the country for nothing.
00:46:22If I couldn't pick up a trail, it's a sure thing you couldn't.
00:46:26I will never forgive you for making me come back this way. Never.
00:46:42You've turned that child against you, Hoppy.
00:46:45Why didn't you let her go if she wanted to?
00:46:48Well, I gave orders that nobody was to do any riding without my permission.
00:46:52And no one's heard me change that order.
00:46:55Then do you still think that the killer might be hiding nearby?
00:46:59No, it's not that.
00:47:01It's just that when I give orders, I like to have him obeyed.
00:47:04Now that everybody understands that, they can do all the riding they want, wherever they want.
00:47:09You always insist on having your own way, Hoppy?
00:47:12Well, mostly.
00:47:14You know, I'm beginning to understand why you always accomplish whatever you set out to do.
00:47:20Fine.
00:47:21And don't forget we're going riding right after lunch.
00:47:23Are we ready whenever you are?
00:47:25You know, if I had my way, I'd like to go right now.
00:47:28All right.
00:47:29I'll go get my riding clothes on.
00:47:31Fine.
00:47:35Come on.
00:47:36Where are you going, Signor Locky?
00:47:38Back home.
00:47:39He'll think I'm going to stay here and let Hoppy treat me the way he's doing.
00:47:42Come.
00:47:44Come.
00:47:46We're both the same kind of food, Locky, you and I.
00:47:50What are you doing? Siding in with Hoppy now?
00:47:52Well, you can if you want to. I'm through.
00:47:55Listen to me.
00:47:56We promised not to tell, but Signor Cassidy is playing a game.
00:48:01I should not tell you this.
00:48:03Well, I mustn't let you leave this way.
00:48:06What do you mean?
00:48:09Signor Cassidy told me what he's doing.
00:48:11Now I understand.
00:48:13You see, it's this way.
00:48:18It's this way.
00:48:23It's this way.
00:48:26It's this way.
00:48:26Gosh, Anita, I feel like a darn fool.
00:48:29I should have known Hoppy was doing the right thing.
00:48:31I'm going with him.
00:48:33Oh, no.
00:48:33Senor Cassidy says he must go alone.
00:48:36Yeah.
00:48:37Maybe so.
00:48:39But I'm going to keep an eye on him.
00:48:40Back him up just in case he needs me.
00:48:43Oh.
00:48:44There's an old Adobe overlooking the past.
00:48:47We can hide there and watch in case he needs us.
00:48:50We?
00:48:51Of course.
00:48:52You and I.
00:48:53I guess you'd have gone.
00:48:56I just didn't have you back me up as anybody.
00:48:58But, but, suppose Hoppy finds out.
00:49:00Oh, he need not know.
00:49:01We can sneak into the barn and get the horses and sneak out the back way.
00:49:05Come on.
00:49:05Let's go.
00:49:09Come on.
00:49:09So you think that scar from the window is the signal, eh?
00:49:13Yeah.
00:49:14Let us get started.
00:49:15You follow it.
00:49:16I'll keep out of sight.
00:49:18I'll be hearing a shooting, come or running.
00:49:20You can depend on me, Hoppy.
00:49:22I know I can, old timer.
00:49:24That's why I left this part of the job for you.
00:49:30There's the signal.
00:49:34Hurry back the cabin, tell the men to take up their positions.
00:49:37Warn them I want Cassidy taken alive.
00:50:10Let's go.
00:50:11You know more about this part of the country than I do.
00:50:13Is there any particular place you'd like to ride?
00:50:15You won't think I'm foolish, Hoppy, if I ask you to do something, will you?
00:50:18Anything you say is all right with me.
00:50:20Go ahead and ask.
00:50:21If only for appearance sake.
00:50:23I wish you'd have one more look around and see if you can pick up some clues.
00:50:26I don't want the people at the rancho looking down on you.
00:50:29And, uh, they think you're giving us a chance.
00:50:31I don't think you're getting up too easily.
00:50:32Well, so long as you feel that way about it, I'm willing.
00:50:35Say, maybe if you'd use some of that intuition stuff you've been telling me about,
00:50:39I might be able to pick up a trail.
00:50:41Where do you suggest I start looking?
00:50:43Well, you can laugh at woman's intuition if you want to.
00:50:46But if I were you, I'd head south through the pass.
00:50:49Well, it's south through the pass we go.
00:50:51I'm not banking on finding anything, yet, uh, maybe you're right.
00:50:55Maybe we will find something.
00:51:10uh, .
00:51:10Um, I, , seems loose, hoppy.
00:51:13Would you pick the piece?
00:51:14Oh, sure.
00:51:29Hoppy.
00:51:30Yeah.
00:51:31Look, what might have made a good hideout for the killer?
00:51:34Did you ever investigate it?
00:51:36Why, of course not.
00:51:37You don't think anybody be fooling up to hide there.
00:51:41Why not have a look at it now?
00:51:43Perhaps we can pick up some crew.
00:51:46I'm going to, as soon as I take you back to the rancho.
00:51:49Oh, I'm not afraid of danger, as long as you're with me.
00:51:55Well, it's not just that.
00:51:57It's, uh, well, it's just that I'm
00:52:00not hankering to get down there.
00:52:03The fox's sister holding a gun at my back.
00:52:05Get your hands up.
00:52:09You're clever, Cassidy.
00:52:11Almost as clever as my brother said you were.
00:52:14How did you know I was the fox's sister?
00:52:16That ring you're wearing belongs to the wife of a friend of mine
00:52:20whose ranch was raided with a fox a couple of years back.
00:52:23You never overlook a bet, do you?
00:52:26Not if I can help it.
00:52:28That's why I didn't chance this thing alone.
00:52:31All right, boys.
00:52:32Keep her covered and grab that gun.
00:52:39Can I put him down now?
00:52:41All right, Cassidy.
00:52:42You win.
00:52:44What's your next move?
00:52:46Well, I'm going to take you back to the rancho,
00:52:48then I'm coming back and have a look at that adobe.
00:52:50I feel quite sure that the fox is down there waiting for me.
00:52:54And I suppose you'll fix it so that I'll spend the rest of my life in a Mexican prison.
00:52:58Oh, no.
00:53:00I never make war on women.
00:53:03Then you'll give me a chance?
00:53:06Well, maybe if you made up your mind to head back north across the border,
00:53:11that is, after everything is settled,
00:53:13I'd be looking the other way.
00:53:15If you'd been anybody else, Cassidy, I...
00:53:19Yes.
00:53:21I might have taken a great liking to you.
00:53:24But all your courage and your cleverness...
00:53:27won't help you any.
00:53:31Now my brother has a gun aimed at your back.
00:53:34You wouldn't expect me to fall for the same trick, did you?
00:53:37This is not a trick, Cassidy.
00:53:38Don't move.
00:53:40Why didn't you shoot while you had the chance, Fox?
00:53:42I wanted to be sure you knew it was I who was evening things between us.
00:53:46Well, now that I know, you might as well get it over with.
00:53:48It won't be as simple as all that.
00:53:51Once you almost put a rope around my neck,
00:53:53this time I'm going to put one around yours.
00:53:56Johnnett, get down and take his guns.
00:54:14I'm looking the other way.
00:54:15You better head for the border.
00:54:24All right, get up on your feet.
00:54:31Take your time, Fox.
00:54:34I hear the shot, Hoppy, and I've come running.
00:54:37So you got him, eh?
00:54:38Yeah.
00:54:39And look what I got him with.
00:54:45Well, I'll be doggone if it ain't the Fox.
00:54:48I thought they hung you up in Arizona a year ago.
00:54:51Well, you got away from him, Wendy,
00:54:52but we'll get a rope around his neck this time.
00:54:55Eh, it's better late than never.
00:54:57Get a rope.
00:54:58He's going back to the ranch.
00:55:00Yeah, if he makes one false move,
00:55:01he ain't going to live to hang.
00:55:03Get going.
00:55:16Put down that gun.
00:55:17Cassidy will be heading this way in a minute,
00:55:18and the shot would warn him that something's wrong.
00:55:22We can watch the pass from that old adobe.
00:55:24And if anything happens, we can warn Hoppy by shooting.
00:55:27We'd better leave our horses here.
00:55:29You think you'd make it?
00:55:31Ha!
00:55:31You just try and beat me.
00:55:40We'll grab them when they get down here.
00:55:45Somebody lives here.
00:55:46No, no, it's just the place for my father's work.
00:55:49My niece, no.
00:55:49What is it?
00:55:50There's somebody in that brush.
00:55:52Come out of there, you with your hands up.
00:55:54Steve, with your hands up.
00:55:56Mike!
00:56:05Wait a minute.
00:56:11But you need unlucky.
00:56:12So you haven't won yet, Cassidy.
00:56:15It's my life against that of Miss Gonzales and your friend.
00:56:18Oh, no, it ain't.
00:56:19Come on, Winnie.
00:56:20We've got to help them.
00:56:21And you're coming with her.
00:56:37Winnie!
00:56:38Oh, I'm all right, Hoppy.
00:56:40Just pick me a little.
00:56:41Keep on going.
00:56:44This is another one added to your score.
00:56:47You've got to get that thing tended to.
00:56:48You think you can make it back to the ranch, all right?
00:56:50Are you worried about this?
00:56:51I'm going around with you.
00:56:53You're doing nothing of the kind.
00:56:54You're riding back and going to Don Carlos.
00:56:56Now, get.
00:56:56Listen, Hoppy, I don't...
00:56:58Wendy, you've got to do this for me.
00:56:59Get back and tell Don Carlos we need help.
00:57:02Come on.
00:57:15Hold it.
00:57:16Until you get a better shot at Cassidy, you might hit the boss.
00:57:22Say, how about the old man that whispers?
00:57:46We better make a run for him.
00:58:06Go on, it's plenty of your own flesh, you ought to like them.
00:58:32I'm sorry for the way I acted, Hoppy, now I know why you didn't want me riding out here.
00:58:37Oh, forget it, we all make mistakes once in a while.
00:59:03Hoppy, they've got us almost surrounded.
00:59:04This time, your number's up.
00:59:07Don't go betting on it.
00:59:22Don Carlos, Don Carlos.
00:59:29Don Carlos, Don Carlos!
00:59:37You're wounded, you are wounded.
00:59:39Never mind me, Cassidy surrounded in them hills up to the old Adobe.
00:59:44Get your men and ride.
00:59:45Uh, Pancho.
00:59:47Well, that's all the men.
00:59:51Now, guys, let's go!
01:00:07It's just a scratchy thing.
01:00:17Let's go!
01:00:40Oh, I hit him!
01:00:47Let's go!
01:01:0144.
01:01:02Why don't you give up? You've only four shots left.
01:01:07I'm willing to drive a bargain.
01:01:09If you surrender, I promise to let Miss Gonzales and your friend go safely back to the ranch.
01:01:13And as you already know, I keep my promises.
01:01:15Keep quiet, you or I'll let you have it.
01:01:18All right, Fox, it's a deal.
01:01:20Call up your men and I'll untie you.
01:01:22No, you don't, Hoppy.
01:01:23This time I'm not taking orders from anybody.
01:01:25I'm sticking right with you.
01:01:27Might as well go down fighting.
01:01:30I know you want to stick with me, Lucky.
01:01:33If there's somebody else, then I'll miss the deal.
01:01:34I'm staying here with you, Senior Cassidy.
01:01:38Nothing could make me leave you here alone.
01:01:40That makes everything worthwhile, Anita.
01:01:42But just the same, you're both going back.
01:01:48All right, Fox, tell your men to quit firing.
01:01:51Hoppy, look!
01:01:59Hold it, Lucky.
01:02:17Hold it,worth.
01:02:18Customers!
01:02:23Move people.
01:02:30The End
01:02:54The End
01:03:22The End
01:03:29The End
01:03:31The End
01:03:42The End
01:03:50The End
01:04:04The End
01:04:06You are men
01:04:07And we certainly owe Wendy a vote of thanks too
01:04:09It hasn't been for him getting through
01:04:10To the game old cuss
01:04:11They will get through bragging about this
01:04:13As far as I'm concerned
01:04:14He can brag all he wants to
01:04:15I'm afraid, Senor Lucky
01:04:17He may not live long enough to tell of this
01:04:19What?
01:04:20Has he hurt that bad?
01:04:21When we left the rancho
01:04:23He was more dead than alive, Senor
01:04:25Lucky, come on!
01:04:40Please be quiet in three weeks, you'll be all right
01:04:44Oh, be quiet, nothing
01:04:46I've got to find out what happened to Hoppy and Lucky
01:05:15I'm glad to see you
01:05:18I'm glad to see you
01:05:26Oh, I've seen you worse off than this, and you pulled through all right.
01:05:29Oh, shucks, Hoppy.
01:05:32They call them scratchy wounds?
01:05:34Why you seen the time when I was a darn full of lead that didn't dare win swimming?
01:05:41Well, Hoppy, as long as he can talk like that, I guess he's worried about him dying.
01:05:46What's the matter? You disappointed?
01:05:48Yeah.
01:05:49Kind of hope maybe I wouldn't have to look after you anymore.
01:05:51You look after me?
01:05:53Why, you young...
01:05:57Just as spiky, I wouldn't die now if it's the last thing I ever do.
01:06:03That's telling him, ain't it, Hoppy?
01:06:05Yeah, that's telling him, old-timer.
01:06:08But it's going an awful long way to get even with him.
01:06:28Now I'm not.
01:06:30Rest, Marcus, let me see you, Andrew.
01:06:30Ha toccy!
01:06:40Ha toccy!
01:06:43Ya toccy!
01:06:47Hey, boy!
01:06:47Hey, Ghana!
01:06:48Yeh, because you bought me it!