## 🎬 The Americano (1954) – Adventure | Western | Full Movie
**The Americano** is a rugged 1954 adventure film that blends the classic American Western aesthetic with the lush, exotic landscapes of Brazil. Directed by William Castle and starring the quintessential man of action, **Glenn Ford**, the film is a vibrant **Technicolor** production that stands out for its unique South American setting and high-stakes ranching drama.
The film is noted for its high-visibility cinematography, capturing the bright tropical sun and the sweeping plains of the Mato Grosso region, offering a fresh take on the "stranger in a strange land" trope.
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## 📖 Plot Summary
Sam Dent (Glenn Ford) is a tough Texas cowboy who arrives in Brazil to deliver a shipment of prize Brahman bulls to a wealthy rancher. Upon arrival, he discovers that his employer has been murdered and the region is embroiled in a violent, bloody land war between powerful cattle barons and determined squatters.
Stranded in a foreign country where he doesn't speak the language or understand the local customs, Dent must rely on his wits and his six-shooter to survive.
**The adventure features:**
* **The Jungle Trek:** A grueling journey through the Brazilian interior, where Dent must protect his valuable herd from predators, rugged terrain, and human saboteurs.
* **The Land War:** Dent finds himself caught between a corrupt, power-hungry landowner and a group of farmers fighting for their lives.
* **A Double Romance:** Dent is drawn to two very different women—the sophisticated Manuelo (Abbe Lane) and the fiery, courageous Marianna (Ursula Thiess).
* **The Final Showdown:** A climactic battle where the "Americano" must decide where his loyalties lie, leading to a fast-paced shootout to restore justice to the valley.
---
## 🎥 Style & Legacy
* **Glenn Ford’s Heroism:** Ford delivers a quintessential performance as the stoic, capable American who brings frontier justice to a new territory.
* **William Castle’s Direction:** Before he became the "King of Gimmicks" for horror films, Castle proved his skill as a versatile director of high-energy action and adventure.
* **Technicolor Brilliance:** The film utilizes a bright, saturated palette to showcase the Brazilian flora and fauna, ensuring 100% visibility in every frame.
* **Cultural Fusion:** Combines the tropes of the Hollywood Western—horse chases, gunfights, and ranching rivalries—with the specific cultural and geographical backdrop of South America.
* **The Brazilian Score:** Features a rhythmic, atmospheric musical score that integrates local sounds, adding to the film's sense of place and excitement.
---
#TheAmericano #GlennFord #1954Film #ClassicAdventure #Technicolor #FullMovie #BrazilAdventure #WesternMovie #GoldenAgeOfHollywood #VintageCinema #ActionAdventure #WilliamCastle #FrontierJustice #SouthAmericanWestern
**The Americano** is a rugged 1954 adventure film that blends the classic American Western aesthetic with the lush, exotic landscapes of Brazil. Directed by William Castle and starring the quintessential man of action, **Glenn Ford**, the film is a vibrant **Technicolor** production that stands out for its unique South American setting and high-stakes ranching drama.
The film is noted for its high-visibility cinematography, capturing the bright tropical sun and the sweeping plains of the Mato Grosso region, offering a fresh take on the "stranger in a strange land" trope.
---
## 📖 Plot Summary
Sam Dent (Glenn Ford) is a tough Texas cowboy who arrives in Brazil to deliver a shipment of prize Brahman bulls to a wealthy rancher. Upon arrival, he discovers that his employer has been murdered and the region is embroiled in a violent, bloody land war between powerful cattle barons and determined squatters.
Stranded in a foreign country where he doesn't speak the language or understand the local customs, Dent must rely on his wits and his six-shooter to survive.
**The adventure features:**
* **The Jungle Trek:** A grueling journey through the Brazilian interior, where Dent must protect his valuable herd from predators, rugged terrain, and human saboteurs.
* **The Land War:** Dent finds himself caught between a corrupt, power-hungry landowner and a group of farmers fighting for their lives.
* **A Double Romance:** Dent is drawn to two very different women—the sophisticated Manuelo (Abbe Lane) and the fiery, courageous Marianna (Ursula Thiess).
* **The Final Showdown:** A climactic battle where the "Americano" must decide where his loyalties lie, leading to a fast-paced shootout to restore justice to the valley.
---
## 🎥 Style & Legacy
* **Glenn Ford’s Heroism:** Ford delivers a quintessential performance as the stoic, capable American who brings frontier justice to a new territory.
* **William Castle’s Direction:** Before he became the "King of Gimmicks" for horror films, Castle proved his skill as a versatile director of high-energy action and adventure.
* **Technicolor Brilliance:** The film utilizes a bright, saturated palette to showcase the Brazilian flora and fauna, ensuring 100% visibility in every frame.
* **Cultural Fusion:** Combines the tropes of the Hollywood Western—horse chases, gunfights, and ranching rivalries—with the specific cultural and geographical backdrop of South America.
* **The Brazilian Score:** Features a rhythmic, atmospheric musical score that integrates local sounds, adding to the film's sense of place and excitement.
---
#TheAmericano #GlennFord #1954Film #ClassicAdventure #Technicolor #FullMovie #BrazilAdventure #WesternMovie #GoldenAgeOfHollywood #VintageCinema #ActionAdventure #WilliamCastle #FrontierJustice #SouthAmericanWestern
Category
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Short filmTranscript
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00:04:00$3.75
00:04:01That'll just give you 25 bucks eating money.
00:04:04Twisted mom.
00:04:06Right at a check. I've got to get into town and do some shopping.
00:04:13Everything all right?
00:04:14You bet.
00:04:15Where'd you get the money?
00:04:16I went in a crap game.
00:04:17Oh.
00:04:17I've got a present for you.
00:04:19I've got a present for you, Sarah.
00:04:19Oh, Sarah.
00:04:20Go ahead, open it up.
00:04:21Can you, Sarah?
00:04:22Can you, darling?
00:04:23Put it on.
00:04:24Yeah.
00:04:26Yeah.
00:04:27It looks real pretty.
00:04:28It sure does.
00:04:30Thanks, Sarah.
00:04:31Thanks, Uncle Sam.
00:04:32You bet, your darling.
00:04:34You know, you know, it seems funny.
00:04:36You know, it seems funny.
00:04:36You know, it seems funny.
00:04:36Man works all his life and winds up with three bulls.
00:04:39Winds up with the finest strain of rum in Texas.
00:04:41$25,000 ain't bad.
00:04:44You know, if that boat sinks, we'll all go on relief.
00:04:47The boat ain't gonna sink.
00:04:49I'm gonna deliver the bulls and come back with the money.
00:04:52What do you say when I'm in that boat?
00:04:54You go to the boat, Steve.
00:04:56Barbossa.
00:04:56Barbossa, yeah.
00:04:58All right, here we go.
00:04:59So long, Barney.
00:05:00Take care of yourself, brother.
00:05:01Go on, Steve.
00:05:02Bye-bye, Sarah.
00:05:03Bye, Sam.
00:05:03Take care of your mama, huh?
00:05:04Watch yourself in that jungle.
00:05:06Bye-bye, son.
00:05:09Goodbye, Anderson.
00:05:11Bye.
00:05:12Bye.
00:05:13Bye, Sam.
00:05:13Goodbye.
00:05:18Goodbye, Sam.
00:05:48Goodbye, Sam.
00:06:19Sometimes you act like that man of war in that hole.
00:06:22Yeah, I got 15 years of work there.
00:06:25800 miles by rail with another 150 over the wildest country on earth.
00:06:30Metagrossa.
00:06:32Think those beauties of yours will make it?
00:06:34Rambas are tough.
00:06:35That's why the rancher's buying them.
00:06:36Well, cheer up.
00:06:37They say it's good cattle country.
00:06:39You might wind up staying.
00:06:41What?
00:06:42Me?
00:06:42No, no, sir.
00:06:44With that money, my brother and I will make a down payment on a section and start an outfit
00:06:48of our own.
00:06:54Big country.
00:06:56Big country, Brazil.
00:06:58Brazil.
00:07:00Big country.
00:07:01Big country.
00:07:09Everyone.
00:07:10Oh, my God.
00:07:15Oh, my God.
00:07:19Mm-hmm.
00:07:23Whoa.
00:07:26We'll make a seasick.
00:07:27Oh, my God.
00:07:287 Это будет или нет мой.
00:07:32Say, uh, this fella's supposed to meet me here.
00:07:35Maybe you know him.
00:07:37His name's Barbossa.
00:07:38No, no, sure.
00:08:05Uh, I'm looking for a man named Barbossa.
00:08:26Now, maybe you can help me.
00:08:29Uh, buonoiti.
00:08:31I...
00:08:32Say, I'm looking for a man named Barbossa.
00:08:35No.
00:08:37You don't know him, huh?
00:08:41Ah, well, thanks.
00:08:43Thanks, anyone.
00:08:47You sure you don't know Barbossa?
00:09:17Any of you know Barbossa?
00:09:24What's the matter with everybody around here?
00:09:36Why do you ask everything for Barbossa, senor?
00:09:40That's my business.
00:09:43I, Manuel, might help.
00:09:47If I like.
00:09:52I have a business deal with him.
00:09:56The business of the bulls.
00:09:59What do you know about the bulls?
00:10:01I know many things, many secrets.
00:10:03But I never tell secrets.
00:10:05And where Barbossa is, that's a secret too, huh?
00:10:08Small secret, no important.
00:10:10Everybody know where it is Barbossa.
00:10:14But you...
00:10:17How about taking me to him?
00:10:24I think I like you.
00:10:26I take you to him.
00:10:28Short distance.
00:10:42You have the match.
00:10:43You have the match?
00:10:55Barbossa.
00:10:56He's dead.
00:11:00No longer is he interested in the bulls.
00:11:17What you drink?
00:11:22How about some American beer?
00:11:24We had the Brazil beer.
00:11:25All right.
00:11:27Do us services.
00:11:36Who killed him?
00:11:37Who knows?
00:11:39He have powerful enemies.
00:11:42What about the police?
00:11:43Where are they?
00:11:44Oh, the word has gone.
00:11:45But the nearest place at the Capitura is 100 miles.
00:11:49This, uh...
00:11:50This is Barbossa.
00:11:52Anybody come here with him?
00:11:54No.
00:11:55He have no family.
00:11:56Well, who runs his ranch for him?
00:11:59Well, who runs his ranch for him?
00:11:59One bent or money.
00:12:01The Capitaz.
00:12:02What you call for him.
00:12:04Well, how can I get in touch with him?
00:12:06Well, only the mayor, senor.
00:12:07Sometimes she go every week.
00:12:14Hey, uh...
00:12:15Maybe Hermione take the bulls?
00:12:17You know how to get to his ranch?
00:12:21How about taking me, man?
00:12:25No.
00:12:27Give you a thousand creseros.
00:12:35And the way is a horrible beast of the name of Gato.
00:12:37The beast of the seven heads.
00:12:39He is said to eat men alive.
00:12:421,200 creseros.
00:12:44This bandit, they say, he cut off the ears for the souvenirs.
00:12:48I have heard he have a sack full of ears.
00:12:501,800 creseros.
00:12:51That's $100 American money on delivery.
00:12:54You have the guide.
00:12:56Hey, these bulls must be of much value, huh?
00:12:59Much value.
00:13:01All right, we start tomorrow, huh?
00:13:02Tonight.
00:13:03I get the truck.
00:13:04What's the matter with tomorrow?
00:13:05Tonight.
00:13:06Tonight.
00:13:06Tonight.
00:13:18It's a little trick I learned.
00:13:20Don't try that on your head.
00:13:21No.
00:13:22No.
00:13:24No.
00:13:24No.
00:13:26Think this El Gato killed Barbosa?
00:13:28Oh, no, senor.
00:13:29But have no worry.
00:13:30I am not of the chicken liver.
00:13:31I alone and sufficient to take care of El Gato.
00:13:34I, Manuel, José, Antonio, Denise, Felipe, Carlos,
00:13:36Sebastiao, Francisco Silva.
00:13:38Man, you're a regiment.
00:13:40What do you do for a living?
00:13:41Me, I'm a rubber chaser.
00:13:43When a man have from him stolen a sack of flour, a pig, a wife, a cow,
00:13:48he pay money to me and I chase the rubber.
00:13:50Okay.
00:13:51Private detective.
00:13:52Si, si, that is correct.
00:13:54Private detective.
00:13:55It's good.
00:13:56Ha, ha, ha, ha, ha, yeah.
00:14:27This is as far as we go with the truck.
00:14:32Oh, nice bulls.
00:14:34Yeah.
00:14:36Now what?
00:14:37Come on.
00:14:38Come on, I fix.
00:14:41How far is it to the Barbosa place?
00:14:43Oh, about 50 miles.
00:14:44We leave as soon as we eat.
00:14:46We buy cigars.
00:14:47We buy beer.
00:14:54What's the matter with her?
00:14:56Oh, amigo.
00:14:58Everyone is afraid for Manuel, the private detective, huh?
00:15:01Ha, ha, ha, ha.
00:15:02Hey, man.
00:15:03Put it on the dog dog.
00:15:07Hi.
00:15:28Take it easy, son.
00:15:29Nobody's going to hurt you.
00:15:34If I could talk to you, you'd know that there was nothing to be afraid of.
00:15:37Come on.
00:15:42There's gum.
00:15:44For you.
00:15:47Come on.
00:15:50Chew it up.
00:15:52It's good, huh?
00:15:56Amigo?
00:15:57That's right.
00:15:59Amigo.
00:16:01Shit.
00:16:04Amigo.
00:16:05You like the kids, huh?
00:16:07Yeah.
00:16:07It was my first friend in Brazil.
00:16:10Your first friend?
00:16:11What's the matter with Manuel?
00:16:13All right, my second.
00:16:14Yeah, that's better.
00:16:15Hey, the cold beer waiting for you in the store.
00:16:17I'll be back soon.
00:16:18Come on.
00:16:33Nice horses.
00:16:34Where'd you get them?
00:16:35I borrowed them.
00:16:37Yeah?
00:16:37How long?
00:16:38Ah, senor.
00:16:39When Manuel borrowed something he loved, he usually get to keep it forever.
00:16:43That figure.
00:16:44Yeah.
00:16:45Yeah.
00:16:49Yeah.
00:16:50I don't know.
00:16:52I don't know.
00:16:54Yeah.
00:17:00Yeah.
00:17:10THE END
00:17:43Hey, you want to know something?
00:17:45If they not cut this path every two weeks, they grow over.
00:17:59Hey, you want to know something?
00:18:21Let him rest a while.
00:18:26It's a great country for cattle with all this grass.
00:18:29Yes. I have one day count up to 18 different kinds of grass.
00:18:34What?
00:18:34With the good, grow easy. Also grow the bad.
00:18:38The jungle back there can become your worst enemy.
00:18:56Those dog-bellied cows we call Criolas, they very bad need new blood.
00:19:02It looks like my bulls have their work cut out for them.
00:19:27But it's not going to be the one that's going to be the one that's going to be the one
00:19:30that's going to be.
00:19:30What are you talking about?
00:19:32In this river, senor, lives the tigerfish of Brazil, the piraña.
00:19:35Only so long, but half of them is teeth.
00:19:38How are we going to get across?
00:19:39We fooled the piraña. I'll show you.
00:19:40I don't know.
00:19:42These bulls are worth $25,000.
00:19:46$25,000?
00:19:49Yeah.
00:19:51That gives great value to Manuel, no?
00:19:54Without me, the bulls may die, no?
00:19:58Huh?
00:19:59Ah, don't worry. Don't worry.
00:20:01Now, listen.
00:20:01When I give you the signal to go, you cross with the bulls.
00:20:04Fast, huh?
00:20:05All right.
00:20:06Cut! Cut!
00:20:27Go! Go!
00:20:29Go!
00:20:30Ah!
00:20:36Oh, my God.
00:21:09You know I have a gun?
00:21:11I have one in my bedroom.
00:21:13Why? What's wrong?
00:21:14We are now on the Fazenda Figueredo.
00:21:16May be trouble.
00:21:18We're not hurting their land.
00:21:19The family of the Figueredos do not love Ventormani.
00:21:25My amigo!
00:21:52All right, Huber.
00:21:58Lady, I want those bulls back.
00:22:00You're my property.
00:22:02Get them back now.
00:22:04What'd you stampede those animals for?
00:22:06For trespassing.
00:22:08I didn't cut any fences.
00:22:10I wouldn't be here if I wasn't looking for a man named Ventormani to sell my stock to.
00:22:13Then you're twice as unwelcome.
00:22:15You folks aren't very hospitable around here, are you?
00:22:17It is normal to protect one's own interest, no matter the country, senor.
00:22:20What did I do wrong?
00:22:21You're here to help Ventormani.
00:22:23That is enough.
00:22:24Look, lady, I don't know what I've got myself into here.
00:22:26All I want to do is sell my stock and get home as soon as I can.
00:22:30You want to run cattle here? Fine.
00:22:31I want to run cattle in Texas.
00:22:33But perhaps I was hasty.
00:22:35But Barbosa and Hermani make my life very difficult.
00:22:38They're trying to steal my land.
00:22:40Barbosa's dead.
00:23:08I want to run cattle here.
00:23:34I'm glad you've got such a good eye.
00:23:37I'm Ventormani.
00:23:39Sam Dent.
00:23:41You're the man I'm bringing the Brahmas to.
00:23:44You're the man from Texas.
00:23:47I'm glad to see you.
00:23:51Where's Senor Barbosa?
00:23:54He's dead.
00:23:57Yeah, left him murdered at a saloon back in Boa Vista.
00:24:01He's dead.
00:24:03It ain't possible.
00:24:06One of your neighbors stampeded my bulls.
00:24:08I hope one of those cats don't get at him.
00:24:10Of course.
00:24:10Silver.
00:24:11Silver.
00:24:14How'd you find your way here?
00:24:16I had a guide.
00:24:18A fella by the name of Manuel Silveira.
00:24:21What do you look like?
00:24:22A big fella.
00:24:24Kind of dark.
00:24:25Speak pretty good English?
00:24:27Pretty good.
00:24:28Smoked cigars?
00:24:29Yeah, a little white.
00:24:31He's a man that murdered Barbosa.
00:24:33What makes you say that?
00:24:36That's the exact description of the bandit.
00:24:39El Gato.
00:24:48Hello, Marianna.
00:24:49I see you two have met already.
00:24:51Yeah.
00:24:52Lucky for me, we did.
00:24:53He shot a cat off my back.
00:24:56Oh, I'm sure you'll be devoted friends.
00:24:58Well, once we were friends.
00:25:00That was a long time ago.
00:25:02What has changed?
00:25:04You have.
00:25:06Good day, gentlemen.
00:25:10Shoulder hurt?
00:25:11A little.
00:25:13You're not as tough as I thought, even for a woman.
00:25:17As a mere woman, I suppose that should make me feel inferior.
00:25:20As a mere woman, you shouldn't go around dressed like a man.
00:25:24You look pretty good as a woman.
00:25:33Came, will ya?
00:25:35What does that mean?
00:25:36Much woman.
00:25:37Yes, sir.
00:25:39Is she a big rancher, too?
00:25:41No, no.
00:25:42She has a few acres and runs a handful of wretched cattle.
00:25:45It's what you call in the United States a shoestring operation.
00:26:22Well, Cristino, there are my throats.
00:26:23darlings. What do you think? Nice. This is my foreman, Cristina. I'll meet Sam Dent. Hi. How's
00:26:32you? Oh, they're beautiful. They're magnificent. From them, my cows will issue cattle with size,
00:26:43strength, and vigor. My brother and I raised them like they were kids. I understand. To me, a bull
00:26:49like that is the fountain of life. From him comes the meat to feed the world. He's the
00:26:55real source of power. I'd like a good steak myself. He must be hot and thirsty. How about
00:27:02a cold glass of beer? That was said real good. Teresa? Sit down, please.
00:27:24Teresa, do you have any beer on ice? Si. It's very cold. Well, bring us two glasses.
00:27:34She work for you? My housekeeper.
00:27:42Pretty nice ranch. You're a foreman here, aren't you? Foreman? Yeah. What is it? Capita?
00:27:51That's what the man said. Oh, I see what you mean. No, I was more than a foreman to Barbosa.
00:27:56I was his partner. He was in delicate health. I ran the ranch for him. In that way, I was
00:28:00a foreman, yes.
00:28:04Bill?
00:28:16It tastes good. American beer, huh? No, Brazilian. Sao Paulo. Pretty good beer.
00:28:45As far as you can see. The first time I saw it, I felt I'd been here before. It was
00:28:52like
00:28:53coming home.
00:28:54There's everything a man could ask for. Everything. A blessing. Room to grow. Here a man can dream.
00:29:06Do you know what I'm trying to say? Sure. I dream, too. Only I don't dream as big as you.
00:29:14That's all.
00:29:29Well, you know, eventually you'll want to crossbreed a Hereford strain in your herd.
00:29:33Oh, I thought of that, but Herefords can't stand this country.
00:29:35Well, you take four or five generations of the Brahma hybrid till you get a cow that's used to conditions
00:29:39down here,
00:29:40then you crossbreed in Hereford. Take things real slow and easy, and before you know it,
00:29:44you have yourself a good beef machine. Now, you know, Brahmers are all right for strength and stamina,
00:29:48but you can't beat Hereford for beef on the hoof.
00:29:51It can be done?
00:29:52Oh, sure it can be done. We do it all the time down in Texas.
00:29:55The Santa Gratrudis breed. They say blackleg can't touch them.
00:29:59You've certainly studied cattle, haven't you?
00:30:01A little.
00:30:04That's a mighty generous offer. In fact, I appreciate it very much, but I...
00:30:08No, no, I can't see myself going into the cattle business down here in Brazil.
00:30:12Why not? It's one of the few open ranges left in the world.
00:30:17Together, you and I could make that King Ranch in Texas look like a dairy farm.
00:30:21No, I have other plans.
00:30:23You mind telling me?
00:30:24No.
00:30:25I have a brother, Barney, at home. We have...
00:30:28Oh, we dream, too, just like you.
00:30:31With that $25,000, we can make a down payment on a section and start an outfit of our own.
00:30:37Take it over, Sam. Stay with me.
00:30:38I'll give you a small piece of the ranch and increase your percentage every year.
00:30:42You tempt me.
00:30:44No, no thanks.
00:30:50Look, I'll be honest with you.
00:30:54Barbosa was my friend, but I don't grieve for it.
00:30:57My father brought me here when I was six.
00:31:00I went to work for Barbosa, but he had no... he had no aggression.
00:31:04I built this ranch with my own hands and my own sweat.
00:31:07When the world thinks of coffee, they think of Brazil.
00:31:11Coffee.
00:31:12The future of this country is cattle, I tell you.
00:31:16Now I own all this ranch and I need help.
00:31:19You have ideas and imagination.
00:31:21You love the cattle business as I do.
00:31:26What do you say, amigo?
00:31:28You with me?
00:31:35I think I'll turn in.
00:31:36I want to start back in the morning.
00:31:38I'm sorry.
00:31:40I hear Ogato has just crossed the river.
00:31:43Ah, now we'll catch that cattle thief.
00:31:45You want to go with us?
00:31:45I promise you some excitement.
00:31:48It's not my fight.
00:31:49I'll see you later.
00:32:08Hello, amigo.
00:32:14Oh, brother, you got a nerve coming here.
00:32:17What do you want?
00:32:18I've come for my money.
00:32:20What for?
00:32:22Fine protection you gave me?
00:32:23I'm paid for the guy, not for the fighter.
00:32:26All right.
00:32:28Here you are.
00:32:31Now you better hightail it out of here.
00:32:33Central Hermann and his men are looking for you.
00:32:35They want to stretch your neck.
00:32:37Seems that as a private detective, you pick up a stray cow now and then.
00:32:42I make the loan of a cow sometime.
00:32:45All right.
00:32:46That's your business.
00:32:48Right now, that bad interest made you mine.
00:32:58Hermann, you offer you the job?
00:33:03That's my business.
00:33:05Don't take it, amigo.
00:33:07Why not?
00:33:09I like you.
00:33:11I do not want to have to kill you.
00:33:13Like you killed Barbosa?
00:33:16Do not believe everything you hear.
00:33:19You take the job?
00:33:23Believe me, Hermann is not a good man for you.
00:33:27I'm going to Texas tomorrow.
00:33:36The ride with the Bulls was good, no?
00:33:40It wasn't bad at that.
00:33:49Good-bye, amigo.
00:33:54All ready?
00:33:55All set.
00:33:56Got your money?
00:33:57Yeah.
00:33:57In the bank.
00:33:59You won't change your mind?
00:34:01No.
00:34:02Thanks for everything.
00:34:04The guide's name is Eduardo.
00:34:06He's a good man.
00:34:09Sorry to see you leave.
00:34:11But go with God.
00:34:13So long, amigo.
00:34:24So long, amigo.
00:34:48Let's go.
00:34:49Isn't that all?
00:34:51I'd hate to see what you call a big one.
00:34:58Let's go to camp.
00:35:18Hey, this is real good.
00:35:19You like?
00:35:20Yeah.
00:35:23This is for you, senor.
00:35:25What for?
00:35:26This is fine right here.
00:35:27Now, because of snakes.
00:35:32Go over.
00:35:33Shh.
00:35:36Great.
00:35:37All right.
00:36:11All right.
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