- 17 minutes ago
Category
📺
TVTranscript
00:00:30Good evening and welcome to The Great Inn and Kappali Show.
00:00:36Shukriya, please, gharaj ma'am, go ahead.
00:00:41Arshana Ji, Siddhupa Ji.
00:00:43Yes, yes.
00:00:44Today's episode of our fourth season is the final episode.
00:00:48Yes.
00:00:49Today's episode is dedicated to the relationship of father and father.
00:00:54It's a great relationship because it's such a great relationship.
00:01:27It's a great relationship.
00:01:27Hey, if a child is a father and is a father, he is a father, he will teach his father.
00:01:32But today technology is so high that he has to say himself,
00:01:36he doesn't teach his father, how do they do it?
00:01:43Then the son teaches his father that,
00:01:45Papa, what you follow him on Instagram for 2 months,
00:01:49he is not the real thing, he is the AI.
00:01:51Oh man!
00:01:55We took this, look at it,
00:01:56we have all our lives,
00:01:58about the father's son,
00:01:59that's what we have taught about.
00:02:01Babur's son is Hamayu,
00:02:02Hamayu's son is Akbar,
00:02:03Akbar's son is Jahangir,
00:02:04Shah Jahangir's son is Shah Jahangir,
00:02:06Shah Jahangir's son is the Orang Jeb.
00:02:07Because of these sons,
00:02:09our mother's mother's son was born.
00:02:12He didn't write a video,
00:02:13he was given a Christian with a history teacher,
00:02:15only one day he answered,
00:02:16the person who told him,
00:02:17he said Malenga.
00:02:20This guy says,
00:02:21This guy, he was a kid.
00:02:22He'll have to ask菴 if you can.
00:02:24He says,
00:02:24What was wrong with you?
00:02:27With that, I just said that you've taken a lot of money.
00:02:29Yes,
00:02:30He was no mistake,
00:02:31Sharma,
00:02:34Sharma,
00:02:35I will see him.
00:02:40You saw Sharma,
00:02:43He's dead,
00:02:44He has子 born.
00:02:47You've got 5 bucks.
00:02:48I am a child.
00:02:48I am a child.
00:02:50I am a child.
00:02:52And the child is still after retirement.
00:02:55When my father is growing, I will kill him.
00:02:59After retirement, I have done this for the government to know that the man should retire in his age.
00:03:09The way the father is different.
00:03:12If the father is different, he gives me a bowl.
00:03:14He gives me a bowl of tea.
00:03:14He gives me a bowl of tea.
00:03:15He gives me a bowl of tea.
00:03:17The father is different.
00:03:18The father is different.
00:03:18The father is asking, drink, drink, drink.
00:03:20If you drink cold drinks tomorrow, I will drink your mouth and your mouth.
00:03:25I will drink your mouth.
00:03:26The way the father is different.
00:03:29And we, the generation, we have not only the iPhone, but the father's version.
00:03:34The oldest model, you know, Baoji.
00:03:36So, this is also Baoji.
00:03:38The child is coming, he will be out of his mouth.
00:03:40He also gives a smile on his face.
00:03:42He gives a smile on his face.
00:03:43He gives a smile on his face.
00:03:45And he also gives a smile on his face.
00:03:51He gives him a smile on the face.
00:03:56He gives a smile on his face.
00:03:58Then Baoji will be up to be to be to make my father's face.
00:04:01He gives a smile on his face.
00:04:01Then he gets the age of his face.
00:04:04After the father's face, he gives a smile on his face.
00:04:07After his face, he gives a smile on his face.
00:04:14Oh man, what's happening?
00:04:17The father is scared of his daughter, the children are scared of his daughter.
00:04:22This is the generation.
00:04:23Either their hands go towards their father's hand,
00:04:26or even the father's hand on their hand.
00:04:28They get to meet them somewhere.
00:04:30And they're taking them together.
00:04:33They're cheering. Let's see, it's a good thing.
00:04:35The way changes are changed,
00:04:36but today, if you have a dream,
00:04:39you can see that one day,
00:04:40I will become so big as my father.
00:04:41I will become so big as my father.
00:04:46I will become so big as my father.
00:04:46Today, here,
00:04:47I will be a father-in-law.
00:04:49I want to invite you all to be a leader.
00:04:53Please welcome Mr. David Dhawan and Mr. Varun Dhawan.
00:04:58Where is your hero?
00:05:01Where is your hero?
00:05:02Where is your hero?
00:05:04Where is your hero?
00:05:05Where is your hero?
00:05:06Where is your hero?
00:05:11Where is your hero?
00:05:14Where is your hero?
00:05:16Where is your hero?
00:05:19Where is your hero?
00:05:20Where is your hero?
00:05:21Where is your hero?
00:05:21Where is your hero?
00:05:22Where is your hero?
00:05:26David sir, you don't know how many years you've grown up.
00:05:30How do you feel about your eyes in front of your children?
00:05:32It's so public.
00:05:33It's crazy.
00:05:34I think this is what we live for.
00:05:37I think this is what we live for.
00:05:41David sir, you came to our show a lot of years ago when Varun's first film launched.
00:05:45Correct, correct.
00:05:45I love you, sir.
00:06:18You came to our show a lot of years ago.
00:06:27You're a hero.
00:06:30You're a hero.
00:06:32You're a hero.
00:06:32You're a hero.
00:06:38David sir, you were a hero.
00:06:40You were a hero.
00:06:41You were a hero.
00:06:43You're a hero.
00:06:43You're a hero.
00:06:45And who was the picture?
00:06:47You're a hero.
00:06:48You're a hero.
00:06:49Sir, when you were in the parliament, you were running.
00:06:53Absolutely.
00:06:54You will come to the shooting for Sidhu.
00:06:56You won't come to the shooting.
00:06:58You won't come to the shooting.
00:06:58You won't come.
00:07:01You won't come.
00:07:01Then we needed a stadium.
00:07:04We needed a commentator's box.
00:07:07He didn't get in Delhi.
00:07:08Then we brought you to Ghaziabad.
00:07:10Correct.
00:07:11Correct.
00:07:11Yes, exactly.
00:07:12Yes.
00:07:13There was Sajid Khan with his other commentator.
00:07:16He gave this scene.
00:07:17He gave this scene.
00:07:17Sir, he gave a dialogue to him.
00:07:19He gave a dialogue to him.
00:07:20He gave his dialogue to him.
00:07:21He gave a dialogue to him.
00:07:24He gave a dialogue to him.
00:07:26Come on, David sir.
00:07:27Thank you very much.
00:07:32He also worked with me.
00:07:34Yes, David.
00:07:35How can I forget?
00:07:36With Sunny Dol.
00:07:38Which film was it?
00:07:39Aakka Gola.
00:07:40With Sunny.
00:07:46Yes.
00:07:47Yes.
00:07:52Yes.
00:07:54Aakka Gola.
00:07:55Yes.
00:07:57Yes.
00:07:59Yes.
00:08:01Yes.
00:08:02Yes.
00:08:02Yes.
00:08:05Yes.
00:08:06Yes.
00:08:07Good.
00:08:07He did another film too.
00:08:09That's Sholar, Shabnam.
00:08:10Yeah.
00:08:11Outstanding.
00:08:13All the people who killed him.
00:08:17Okay, you know the relationship between the father and the father.
00:08:20Now this is the relationship between the director and the actor.
00:08:22Because Varun has been filmed in the direction of the direction.
00:08:25Now there is another film coming, very quickly.
00:08:27David Sir, you say that the meat of the house is coming together.
00:08:30We often listen to a question.
00:08:31How much is it difficult to work with a man at home?
00:08:35This is my question from both of you.
00:08:36I have to satisfy him also.
00:08:38It doesn't happen so quickly.
00:08:39I ask questions everywhere.
00:08:41Why do I do this?
00:08:43I have to say that because I am going to say that.
00:08:49David Sir, you have worked with so many actors.
00:08:53Very much.
00:08:53I also heard that when David Sir gave a narration for the children,
00:08:58he said that there are two dogs,
00:09:01one of the dogs and one of the dogs.
00:09:03And there are two police officers, one of the dogs and one of the dogs.
00:09:05So this is a film. You will come.
00:09:08So people told me that if they are making something good for David.
00:09:12So Varun, do you tell us about this film?
00:09:14Or do you say that when we go to Pornedas?
00:09:16Pornedas is very late.
00:09:17It is set at 7 o'clock.
00:09:19Okay.
00:09:20But do I ask too many questions?
00:09:23You don't get convinced.
00:09:25How can this happen?
00:09:26Because sir, I am just saying for example.
00:09:29I am just saying for example.
00:09:29I am just saying for example.
00:09:30I am just saying for example.
00:09:43Oh.
00:09:44Talk to the audience.
00:09:45I am just saying for the heroine,
00:09:47this is the tale of the lady.
00:09:48I am just saying for the audience.
00:09:49I am just saying for the audience.
00:09:51Lala Lala Lory, the dog is cuttory.
00:09:53I am just saying for my love story.
00:09:55I am just saying for the love story.
00:09:58How do I go from it?
00:10:00So this cinema actually is very important.
00:10:03I am sure couples will agree with me.
00:10:05because it's very difficult for someone to hurt someone.
00:10:08Sir, and my gurus were Manmohan Desai, king of entertainment.
00:10:16And they taught me this scene,
00:10:20you feel this, it's convincing, audience will get convinced,
00:10:24you feel it is okay, it's okay.
00:10:26First of all, they told me when I was making Anthony,
00:10:30my mother was in the hospital,
00:10:32three children were given to him.
00:10:35And Chintu said,
00:10:37Manmohan, what are you doing?
00:10:38How will it happen?
00:10:40Amish ji also said something.
00:10:41He said, man, you shot it.
00:10:43And they said this scene,
00:10:45when it comes to the screen,
00:10:46the most important thing will be done.
00:10:49What a joke.
00:10:49And he also has done it.
00:10:52So I always give these references.
00:10:54But who wins then?
00:10:55Who is convinced, Varun?
00:10:57Do you get convinced by David?
00:10:58No, no.
00:10:59He gives me a rehearsal.
00:11:00If I like it, it's fine.
00:11:02I have to satisfy him.
00:11:05I have to satisfy him.
00:11:05He's a director, I have to satisfy him.
00:11:06And he's a legend.
00:11:07I mean, forget that I am his son.
00:11:09Absolutely.
00:11:10You are an actor on the set.
00:11:10You are an actor.
00:11:11You are the most violent I eat.
00:11:12That's all.
00:11:13You ask anyone.
00:11:15Yeah.
00:11:17But artistically,
00:11:18I also have a way to do this scene.
00:11:22How many films have done Govinda sir?
00:11:25How many films have done?
00:11:2617 films.
00:11:28Unbelievable.
00:11:28Wow.
00:11:29And they were all amazing.
00:11:31And they were all amazing.
00:11:3117 films.
00:11:32And I think one of the best actors I've worked with is Govinda.
00:11:36Absolutely.
00:11:39I think one of the best actors I've worked with is Govinda.
00:11:45That's all.
00:11:46I think one of the best actors I've worked with is Govinda.
00:11:48I think one of the best actors I've worked with is Govinda.
00:11:55I think one of the best actors I've worked with is Salman, Chichi, Anil.
00:12:02So, I have to find myself.
00:12:04How will I do Varun?
00:12:06See, but I'll tell you one thing.
00:12:08One actor I've worked with is a brilliant actor.
00:12:12And he has learned a lot.
00:12:13His name is Rishi Kapoor.
00:12:15Wow.
00:12:16Wow, sir.
00:12:17His name was the only one question.
00:12:18Nothing.
00:12:19He said, okay, why can I do this?
00:12:22I have to convince him that I have to do this.
00:12:25He has to do this.
00:12:26Okay.
00:12:28I'll tell you that.
00:12:30And his name was,
00:12:327,
00:12:33or...
00:12:34...it's done.
00:12:36He said, my time is done.
00:12:38No.
00:12:39I want to listen to his story.
00:12:42He came to the director to listen to the story.
00:12:45He said, come to the shooting.
00:12:47Then, sit in my van and go to the house.
00:12:49And you're going to listen to the story.
00:12:51He sat in the car and started the story.
00:12:54He said, the first shot,
00:12:56he said, this is the time of night.
00:12:57This is the time.
00:12:58He said, stop it.
00:13:00One minute, stop it.
00:13:01He said, stop it.
00:13:03He said, stop it.
00:13:03He said, I don't do this at night.
00:13:05He said, I don't do this at night.
00:13:05He gave it.
00:13:07He gave it.
00:13:08That's right.
00:13:10But today's generation of actors,
00:13:12he said, no.
00:13:13He asked a lot.
00:13:15He asked a lot.
00:13:16He said, yeah, yeah.
00:13:16He said, yeah.
00:13:18I want to go through the script.
00:13:20He said, he gave me a script.
00:13:22You understand?
00:13:24We're old people on the phone.
00:13:26Yes.
00:13:27I'm doing it.
00:13:28He said, okay.
00:13:29Sanjid said, what do you want to do?
00:13:31Leave it.
00:13:31Tell you later.
00:13:32Send it.
00:13:41Don't tell me.
00:13:42Don't say it or not.
00:13:43I also work with the directors,
00:13:45I work with that,
00:13:46this is a very polite time.
00:13:48You cannot give anyone more
00:13:50Say it.
00:13:51You don't have friends and take it.
00:13:52Yes, such and such.
00:13:54Yes.
00:13:55But if someone has helped to make good acting,
00:13:57and you can tell me a mic on the mic.
00:13:58This is a nasty actor.
00:14:00What is happening?
00:14:01I mean, if you're wrong acting, then you're done.
00:14:04And you can do anything.
00:14:06What happens sometimes?
00:14:07The hero is the line.
00:14:11The character artists, they are the best.
00:14:14Kadir Khan, Shakti Kapoor, Anupam Kher, Satish Kausik,
00:14:18you know, Paresh Rawal.
00:14:20Unbelievable.
00:14:21Ian, I want to tell you about Govinda.
00:14:23Sir, people say it's late.
00:14:25Who is late today?
00:14:26Let's leave.
00:14:27When he comes, he goes to finish the work.
00:14:29And you won't believe it.
00:14:31The scene came.
00:14:32It's a scene camera.
00:14:33It's a 4-panne page.
00:14:34I saw it.
00:14:36So I was shooting the shot.
00:14:37Don't shoot the shot.
00:14:39So do this work.
00:14:40Give it to the scene.
00:14:41But he said, look.
00:14:42I'll give it one shot.
00:14:44He was in a partner.
00:14:46Where he goes.
00:14:47He goes up.
00:14:47He sits on the table.
00:14:48What he does.
00:14:50You can't imagine.
00:14:52He said, take the cuts.
00:14:54Unbelievable.
00:14:55What about Govinda Sir?
00:14:59He goes up.
00:15:00What about Govinda Sir?
00:15:02What about Govinda Sir?
00:15:02This is my favorite film.
00:15:04The film was released.
00:15:06When he released a new film.
00:15:11Something.
00:15:11Something.
00:15:11So Varun left his father's film and left his father's film.
00:15:16Varun had the reason that he said,
00:15:18''Go, now you're going to launch, Karan Johari will launch you.''
00:15:22I want to know that you have such a legendary director in your house.
00:15:27David Sir, what was the reason that this film came from the first time of Varun?
00:15:31He was studying abroad.
00:15:33He was studying abroad.
00:15:35And I asked him to ask him,
00:15:40''What is he going to do?''
00:15:42We thought,
00:15:43''Give him a job in his bank and he will do something.''
00:15:46Oh my God!
00:15:47Really?
00:15:48Yeah, I swear on you.
00:15:49He said that I want to assist Karan.
00:15:52I didn't even know.
00:15:53He said his mother.
00:15:54And he went and met him.
00:15:56Then Karan assisted him.
00:15:58Which film was it?
00:15:58''My name is Khan''.
00:16:00He did that.
00:16:02I was very busy.
00:16:05I was working on two or three times.
00:16:09So what happened one day?
00:16:12Karan came to the house.
00:16:14And he said, ''I want to launch him.''
00:16:17Okay.
00:16:19The next time he came,
00:16:20he took photos.
00:16:21He took Siddharth and his photo session.
00:16:24He took photos.
00:16:25And this is the pair.
00:16:27Alia was also.
00:16:27This is the people.
00:16:28Now the director doesn't know who he is.
00:16:30He said that he will produce.
00:16:32Right.
00:16:33And in the end he came,
00:16:34he said, ''I am going to direct this.''
00:16:36Okay.
00:16:37So he was so happy.
00:16:38I mean, he's got a break from the right place and all.
00:16:41But this story,
00:16:43they just told themselves.
00:16:45His twist is,
00:16:46that when I was an actor,
00:16:48I was in the 8th or 9th.
00:16:49I knew that my dream was
00:16:51to go to Times of India's front page.
00:16:53Oh!
00:16:54What happened?
00:16:56My birthday is April 24th.
00:16:58And you know who's born on 24th April.
00:17:00I know, Satchin Tanduka.
00:17:01Exactly.
00:17:02So,
00:17:03Satchin Sir's photo always came,
00:17:04he was cutting cake.
00:17:05And I always told my mom,
00:17:07that my mom,
00:17:08my photo will come,
00:17:09cut cake.
00:17:10So,
00:17:11my brother always liked it.
00:17:12Either you go to jail,
00:17:13he will come,
00:17:14he will come.
00:17:16Or,
00:17:16you will do something.
00:17:18It's fun.
00:17:19So,
00:17:20my mom told me,
00:17:22that they never launched anyone.
00:17:25Whether it's a hero's son,
00:17:26or a big man,
00:17:28he doesn't believe in that.
00:17:30I need to be ready for me.
00:17:33They kept a very high standard.
00:17:35So,
00:17:35I said,
00:17:35how did I break this?
00:17:37No, you broke it, Guru.
00:17:38I tell you,
00:17:39that children,
00:17:39young children,
00:17:41who are teenagers,
00:17:43their heartthrob,
00:17:44their heartthrob,
00:17:46I guarantee them.
00:17:48Youngsters adore you.
00:17:49Adore you.
00:17:51Sir,
00:17:53I can't take any credit.
00:17:54Like my mom,
00:17:55that's the same.
00:17:56Only,
00:17:57I learned that
00:17:59in my school,
00:18:01comedy,
00:18:01entertainment,
00:18:02scenes,
00:18:03that's the same.
00:18:05What the hell?
00:18:06I always challenged me
00:18:07things.
00:18:08You can't do this.
00:18:10It's not going to happen.
00:18:10You're too spoiled.
00:18:12You're my father,
00:18:12you can do this.
00:18:14So,
00:18:14all these lines
00:18:15were thrown at me.
00:18:16So,
00:18:17there was a film
00:18:17of Akshay Paji's time.
00:18:19Have you seen the picture?
00:18:21I always cried
00:18:22because I felt like
00:18:24this was happening.
00:18:25So,
00:18:27I...
00:18:27I mean,
00:18:29he would not say
00:18:29but they would think
00:18:30that I...
00:18:31I mean, you all would feel
00:18:31that he's the black sheep
00:18:32of the family.
00:18:33That he won't do much.
00:18:35But,
00:18:36it's good.
00:18:36But,
00:18:37David,
00:18:39did you say that?
00:18:39Yes,
00:18:39but it is one of your
00:18:41finest performances.
00:18:42Again,
00:18:43it's a challenge.
00:18:44I had a phone too.
00:18:45I had a phone too.
00:18:46yes.
00:18:46It's a challenge.
00:18:48He would not talk
00:18:49and go to the room.
00:18:51I said,
00:18:52what happened?
00:18:53After seeing it,
00:18:54you changed your mind.
00:18:56Definitely,
00:18:57what a performance.
00:18:58I said,
00:18:58I was very happy gradually
00:19:00with him.
00:19:01But,
00:19:02he was working.
00:19:02Like,
00:19:04I saw my wife
00:19:05and I saw it.
00:19:07I cried so much
00:19:08in that picture.
00:19:09I cannot tell you.
00:19:10I came back
00:19:11and I was so proud of him.
00:19:13I tell you,
00:19:14the first time,
00:19:15I said,
00:19:16I said,
00:19:17in so many artists,
00:19:20you could stand on your own
00:19:22and prove yourself.
00:19:23And the director really
00:19:24used him very well.
00:19:25Yeah.
00:19:26Million.
00:19:26It's brilliant.
00:19:27It's brilliant.
00:19:28It's brilliant.
00:19:29David,
00:19:29did you see a change
00:19:30in the waroon
00:19:32when he became a father?
00:19:33Yes.
00:19:34You can't know.
00:19:35I always say,
00:19:36I always say,
00:19:37I always say,
00:19:37I always say,
00:19:38I always say,
00:19:40what is the father?
00:19:40What is the father?
00:19:41I don't know.
00:19:42If you have a son,
00:19:43you know,
00:19:44what is the father?
00:19:46True.
00:19:49No,
00:19:49100%.
00:19:50I think,
00:19:50it's great for my wife.
00:19:52Definitely.
00:19:53She taught me a lot
00:19:55after marriage.
00:19:58But,
00:19:59my mom,
00:20:00you know,
00:20:00touchwood,
00:20:00when,
00:20:01sometimes,
00:20:02like,
00:20:03the father,
00:20:04they always take my wife's side.
00:20:06The whole family.
00:20:07The whole family.
00:20:09The whole family.
00:20:09So,
00:20:10I just said,
00:20:12I've got to go home.
00:20:13I've got to go home.
00:20:14I've got to go home.
00:20:15But,
00:20:16I'm happy
00:20:16that eventually,
00:20:18success,
00:20:18I feel,
00:20:19that,
00:20:19that's the house,
00:20:20that you are a family.
00:20:21It was all fun
00:20:23when you got out at night.
00:20:25I came to the night at 2,
00:20:25and I didn't go out.
00:20:27So,
00:20:28why are you awake?
00:20:29Because they were standing up at night.
00:20:31We were so worried.
00:20:32We were going to call the police.
00:20:33We were going to call the police.
00:20:33That's why I am mobile.
00:20:35Let me tell you.
00:20:36One time.
00:20:37This house didn't come.
00:20:38It was a lot of time.
00:20:39One time.
00:20:40It was a small house.
00:20:42It was a party.
00:20:46It was a party.
00:20:49It was a party.
00:20:50It was a girl.
00:20:51It was a party.
00:20:52It was a party.
00:20:52We didn't find out.
00:20:54I didn't know.
00:20:56My big son.
00:20:57Rohit.
00:20:58He went down.
00:21:00He asked him.
00:21:01Watchman told him.
00:21:03He went inside and killed him.
00:21:10Don't do so much, sir.
00:21:12He will come.
00:21:14He will come.
00:21:14Rohit.
00:21:15Rohit.
00:21:15Rohit.
00:21:16Rohit.
00:21:17Rohit.
00:21:17Rohit.
00:21:17Rohit.
00:21:18Rohit.
00:21:18Rohit.
00:21:27Rohit.
00:21:28Rohit.
00:21:37Rohit.
00:21:40Rohit.
00:21:41Rohit.
00:21:45Rohit.
00:21:48Rohit.
00:21:52Rohit.
00:21:54Rohit.
00:21:55Rohit.
00:21:56Rohit.
00:21:56Rohit.
00:21:57Rohit.
00:21:57Why?
00:21:58One time his brother and my big brother
00:22:00Rohit was eating and shouting at each other.
00:22:03I was walking up and I was walking up.
00:22:05I was walking up and I was walking up
00:22:07with a boxer boxer's shorts.
00:22:08I was watching some of them.
00:22:10But they were just walking up on the other side.
00:22:12I was walking down on the road and I was watching TV.
00:22:15I was eating my brother.
00:22:17In the beach, they would have thumbo me.
00:22:20He wanted to slap him but he slapped me.
00:22:23Because he is big.
00:22:24Rohit had already become bigger.
00:22:25I was still smaller.
00:22:26And I remember my specks fell down and I picked up the specks and I was like, what the hell?
00:22:33Sir, he said, no one does or no one does.
00:22:36When did Lali kill you?
00:22:37But one thing I want to tell you.
00:22:39Lali is Lali.
00:22:42You know, Lali is one who keeps the family together.
00:22:46She is one of the strongest women I've known.
00:22:49Don't believe me, we all stay together.
00:22:51On the floor, on the floor, on the floor, on the floor, on the floor, on the floor, on the
00:22:55floor, on the floor, on the floor.
00:22:58We eat together at times.
00:23:00We have to see the match.
00:23:01We have to see the final.
00:23:03Semi-final, we sit together.
00:23:05But this is also the case.
00:23:06Because when I was a bachelor's house, I said, you know, I have to see them.
00:23:10I need space and all that.
00:23:11It happens to be successful in every person's mind.
00:23:14I need privacy and everything.
00:23:16So, I wanted to see the place in the house.
00:23:18Suddenly, Lali, we have finalized the house.
00:23:20I said, where is it?
00:23:22One floor below.
00:23:23I said, but I have to buy a house from my own.
00:23:25No, no.
00:23:26It is not available.
00:23:27The house is not available here.
00:23:28I said, the house is not available in the bomb.
00:23:31The house is not available.
00:23:32The house is not available below.
00:23:33You know, he told me, you know what?
00:23:35He told me, is it emotional reasons you want to?
00:23:38I said, yeah.
00:23:39It is emotional.
00:23:40So, that's all.
00:23:40There was nothing that happened to me.
00:23:41I remember the house of my uncle's house.
00:23:44To my uncle's mother's house.
00:23:44One more time.
00:23:45We were visiting Marriott.
00:23:47We would go swimming to Marriott.
00:23:50The mother of my uncle's mom came.
00:23:51On the one-two of the hotel the staff went and asked, what did I do?
00:23:54The told me, my mother's ring was dropped.
00:23:55I said, the uncle was crazy, and I said with her.
00:23:57She was a diamond ring.
00:23:58I said, where did she go?
00:23:59She was and she fell out of the pool.
00:24:00In the pool, somebody's not.
00:24:10When I got back, I got back to my auntie.
00:24:12I was ready to go back to my auntie.
00:24:13I said auntie, you have the ring.
00:24:15She said no, but she got it.
00:24:16I have to keep her there.
00:24:21That's right.
00:24:22Correct.
00:24:26But my mom keeps doing it.
00:24:27At one time, she was in a club in Mumbai.
00:24:31She was in there.
00:24:33Hrithik Roshan had not been launched yet.
00:24:35His phone was the same.
00:24:38So, they took Hrithik Roshan's phone.
00:24:43Then I think Rakesh Roshan called dad.
00:24:46Then Hrithik came home to the phone.
00:24:48Then Hrithik was not Hrithik.
00:24:50But then he was good looking.
00:24:53So, when I was eating food, Hrithik said,
00:24:55Hello auntie.
00:24:59How are you?
00:25:00Hey auntie.
00:25:31So good man.
00:25:33Dad was there.
00:25:33He called Uncle David.
00:25:34Uncle David.
00:25:35Uncle David.
00:25:36I think you got my phone.
00:25:38Is that right?
00:25:39So, my mom said,
00:25:40Hrithik, you know by mistake,
00:25:41you're such a sweet boy.
00:25:43And all that.
00:25:43And I and Rohit,
00:25:44you're watching him.
00:25:46Thank you fools.
00:25:47I'll remember that.
00:25:52Superb.
00:26:02Superb.
00:26:03But genuinely,
00:26:04I think I saw Hrithik,
00:26:06when I saw him,
00:26:07I said,
00:26:07how can he be so perfect?
00:26:09How can he be so perfect?
00:26:10Then I also had tension.
00:26:10I thought,
00:26:11how can he be so perfect?
00:26:12How can he be so perfect?
00:26:14How can he be so perfect?
00:26:16I can only come to his house.
00:26:19But yeah,
00:26:20I mean,
00:26:21I think my childhood was very funny also.
00:26:25but they were putting on the sides.
00:26:28So say,
00:26:29David sir,
00:26:31there are many actors.
00:26:33When the children go to school,
00:26:35they think that
00:26:36he's writing so well with a job.
00:26:37he can write,
00:26:37and even make a job.
00:26:38You know his father,
00:26:40and he is a legendary director.
00:26:41He can enjoy your career as well as a man.
00:26:44He is aspirated to make your career.
00:26:45I did so.
00:26:47And he did so.
00:26:48And so I do wish to do your car.
00:26:48the other guy,
00:26:49was who he is a legendary director.
00:26:53He was sitting in lungi.
00:26:55So I was embarrassed to call a girl or a friend.
00:27:03We'll meet him in lungi.
00:27:05That's right.
00:27:10Then my mom said,
00:27:12David, this is not right.
00:27:13The kids get people home.
00:27:15You're roaming around lungi.
00:27:17So next day,
00:27:19there was some friends.
00:27:20Now he entered the room.
00:27:21There's a lot in lungi.
00:27:23There are Jordan's shots.
00:27:25Jordan's shots.
00:27:27But bare body.
00:27:29Bare body.
00:27:34It's a T-shirt.
00:27:36It's a big deal.
00:27:38You understand it.
00:27:40I'm going to get married now.
00:27:44So now I'm wearing a T-shirt.
00:27:46Oh, what a matter.
00:27:48Oh, oh.
00:28:00Yeah.
00:28:09I'm going to get married.
00:28:11I'm going to get married.
00:28:11Look at the two of the brothers.
00:28:13Look, there's a day in the old house.
00:28:14I'm going to get married now.
00:28:16Just a minute.
00:28:16To get married.
00:28:16I'm going to get married now.
00:28:16I got married now.
00:28:18And I'll come back then.
00:28:18Hi, Mama.
00:28:20Hello.
00:28:21Hello.
00:28:22Mama.
00:28:23You can take your vegetables.
00:28:24Yes, I'll take your vegetables.
00:28:26Mama, you can take it, I have a little bit of a bag.
00:28:29You have hands empty, Mama.
00:28:32My hands are empty, so I have my feet.
00:28:36Four more more than the hula, I have a feet.
00:28:39I'm going to get a little bit of a bag.
00:28:42What is the size of the hula, Mama?
00:28:46What do you say?
00:28:48I'm telling you, Mom, you're going to get a piece of paper.
00:28:50I'm telling you, I'm going to take a piece of paper.
00:28:52I'm going to take a piece of paper.
00:28:53Come, come, come.
00:28:55Look.
00:28:56Oh, yes.
00:29:00I'm going to take a piece of paper, David.
00:29:03What year is it?
00:29:04It's not a year.
00:29:05It's a year.
00:29:06It's a year.
00:29:08It's a year.
00:29:10And Varun Ji, how are you?
00:29:11Are you all right, Varun Ji?
00:29:13He's very good.
00:29:14I'm just asking.
00:29:15I'm sitting bare there, don't ask.
00:29:17Don't ask me, Mom, when you ask me,
00:29:20I'll get a phone.
00:29:20Don't call me the hero to her.
00:29:23No, I'm not.
00:29:26I'm asking you all the only thing.
00:29:28I'm not doing.
00:29:30I'm asking you.
00:29:31I'm asking who you're asking.
00:29:33Okay, Mom, just tell me something.
00:29:35Let me make my T-shirt and show you your six-pack.
00:29:39Turn it down.
00:29:41Let me show you my Adan.
00:29:49What do you mean?
00:29:52Why do you open this door?
00:29:55Why don't you open it?
00:29:56Why don't you open it?
00:29:57Why don't you open it?
00:29:58How do you open it?
00:29:59Why don't you speak to him?
00:30:06Don't you explain to him?
00:30:07Your mother will call you.
00:30:09Oh my.
00:30:10No, Mom.
00:30:10No, Mom.
00:30:11No, Mom.
00:30:12No, Mom.
00:30:12No, Mom.
00:30:13No, Mom.
00:30:13No, Mom.
00:30:14I'm in the hospital and it's still a teeth operation.
00:30:17Mom.
00:30:17Oh.
00:30:18It's a teeth operation.
00:30:18Yes.
00:30:19One last time, it was a paper operation.
00:30:22Yes.
00:30:22I was in the hospital and it was a paper operation,
00:30:25and I was fired and I was receiving the teeth.
00:30:27So I was looking at the teeth of teeth.
00:30:28I was looking at the teeth.
00:30:32Please, please, please.
00:30:34Please, Mom.
00:30:36Hello, girl!
00:30:37Aangji, this is how you send your daughter.
00:30:41You have to take a look at her and take a look at her biscuits.
00:30:46You look like everyone, your daughter.
00:30:49Why are you asking me? You should ask me.
00:30:54Yes, let's see.
00:30:57You have to ask your mother.
00:31:04That's a good thing, it's gone.
00:31:25Very good.
00:31:28Very good.
00:31:29Very good.
00:31:43You are very cute.
00:31:50Very cute.
00:31:51I can't tell you about that.
00:31:53Mother.
00:31:55There's no trees here.
00:31:57There's no trees here.
00:31:58I feel like Sardar Ji has taken up like this.
00:32:00I can't tell you.
00:32:12I can't tell you.
00:32:14I can't tell you.
00:32:23Yeah.
00:32:23I can't tell you about it.
00:32:30I can't show you.
00:32:33I can't tell you about it.
00:32:48He told me about it.
00:32:51This is what my father is, right?
00:32:57I will buy gifts for my son.
00:33:00How many people will buy gifts for my son?
00:33:03I will give them gifts for my son.
00:33:07Someone will give them gifts.
00:33:09Give them gifts.
00:33:11They will give gifts to a third class.
00:33:16See, boy,
00:33:17The gift is not long enough.
00:33:19The gift is not long enough.
00:33:21The gift is long enough.
00:33:22The gift is long enough.
00:33:24But it's very bad for the gift of the gift.
00:33:28My parents gave the gift.
00:33:30I would like to take it and leave it.
00:33:32What would we do?
00:33:33The gift is bad enough.
00:33:34I thought my mother gave the gift of the gift.
00:33:41I have given it!
00:33:43I have given it!
00:33:46What did he give him?
00:33:48What did he say?
00:33:50He said he was.
00:33:51He said he was from the third class, son.
00:33:53Then you tell your mother,
00:33:55Sorry, don't phone, don't call me.
00:33:57No, don't call me.
00:33:59Please, mom, I'm putting my paycheck on.
00:34:01I'm putting my BPI up.
00:34:02I'm putting my paycheck on.
00:34:03No, no, I'm putting my paycheck on.
00:34:06Don't call me.
00:34:07My paycheck is coming, I'm putting my paycheck on.
00:34:09Always keep me broken.
00:34:12Kali, get up.
00:34:15Don't call me.
00:34:16I gave them a gift for you.
00:34:20What kind of gift is my gift?
00:34:22I don't understand the Buddha.
00:34:25I will give them a gift.
00:34:27It will be a good relationship.
00:34:30Then it will be a good relationship.
00:34:32The next film will take you a heroine.
00:34:39I don't want to be a heroine.
00:34:41There's no benefit from being a heroine.
00:34:43Why?
00:34:43How much you do is acting?
00:34:45It doesn't mean anything.
00:34:46One day you can do a hot scene.
00:34:49The next day you become a national crush.
00:34:51You can do anything.
00:34:53How much you do is acting.
00:34:55I don't think it's wrong.
00:34:58You don't have to make your dreams.
00:35:00Every person is to make your dreams.
00:35:03I don't see dreams.
00:35:04I don't see the dreams.
00:35:05My mother doesn't do my job.
00:35:07I don't have to do many jobs.
00:35:08I don't have to do much work.
00:35:09I can see the dreams.
00:35:11I can see the dreams.
00:35:12I have to be a dream.
00:35:14I have to be a dream.
00:35:15I stay in a minute.
00:35:16I would say I'll give her a day.
00:35:19I ask her for a diaper.
00:35:21Mom is not going to do my help.
00:35:24I was just sitting in a second and I was 5 years old.
00:35:27I was just standing in front of my pants and the glare was stuck in front of my pants.
00:35:34What am I doing? How do I see this? What is the problem?
00:35:37It's a lot of people.
00:35:38These are not all things here.
00:35:42When it's famous,
00:35:44we go to the podcast.
00:35:49We get these things.
00:35:50I have no idea.
00:35:52You're doing this wrong place.
00:35:54Who will listen to the story of the girl's story?
00:36:01If you don't want to do this, you do a job.
00:36:05You do a good dance.
00:36:06Okay, let's see.
00:36:07You learn the dance.
00:36:08Okay, dance.
00:36:09You learn the dance.
00:36:09You learn the dance.
00:36:09You learn the dance.
00:36:10You learn the dance from the village.
00:36:15Yes, okay.
00:36:16Then, let's go.
00:36:17One minute.
00:36:18You learn the dance from the village.
00:36:20Which step?
00:36:21Our buckri.
00:36:22When I was eating grass like that one day,
00:36:25there were two trees in the back of the grass.
00:36:27That's the same step.
00:36:29Mother.
00:36:49I'll show you.
00:36:50I'll show you.
00:36:51I'll show you.
00:36:51I just want you to come.
00:36:51Come, come, come.
00:36:53Come!
00:36:54Come, come!
00:37:02I got a man.
00:37:04I got a man.
00:37:07I got a man.
00:37:12I got a man.
00:37:47Why are you so crazy?
00:37:47You started your career as an editor, right?
00:37:50I am an editor, basically. Now I am an editor.
00:37:52If you don't believe it, I have edited 50 films.
00:37:56Wow!
00:37:57Before you go.
00:38:01I worked with Mahesh Bhad.
00:38:03I made his name.
00:38:05Wow!
00:38:07Then, I edited a film in Mukul Anand.
00:38:09Now, if you come to my office, I will also be in the editing room.
00:38:12Ah!
00:38:13We are scared because it is very quickly.
00:38:16It will become a real life.
00:38:19Actors' performances are very hilarious in the film.
00:38:22So, you have to do that too.
00:38:24You have to do that.
00:38:25You have to do that.
00:38:26You have to do that.
00:38:29In fact, he is a gold medalist from FTI.
00:38:32Yes, Hiram, yes.
00:38:34Wow!
00:38:35I was editing NAM.
00:38:37Okay.
00:38:38I was editing NAM.
00:38:38I was editing NAM.
00:38:40I was editing NAM.
00:38:41I was editing NAM.
00:38:43I was editing NAM.
00:38:44I was editing NAM.
00:38:45I was editing NAM.
00:38:45One day, he said,
00:38:45Why do you become a director?
00:38:47You are doing so good.
00:38:49So, at that time, I said,
00:38:51It is a good idea to make it.
00:38:53But who will make it?
00:38:54Who will make the picture?
00:38:55You know what he told me?
00:38:56You got the film.
00:38:57Tomorrow, I have signed a film.
00:38:59You will direct that film.
00:39:00I am sending him tomorrow.
00:39:02And that's how I became the director.
00:39:03Wow!
00:39:04Wow!
00:39:07See, this is.
00:39:08Wow!
00:39:09He is my friend today.
00:39:11He is so much.
00:39:12David Sir, one thing.
00:39:13Your child, you are a man.
00:39:15What do you think?
00:39:16Do you think you have a quality?
00:39:18Yes, Varun.
00:39:19That's what I get.
00:39:21Look, his qualities are.
00:39:23He takes care of his parents.
00:39:25Oh, sweet.
00:39:25That's a great thing.
00:39:26That's a great thing.
00:39:29Like, I went to the hospital.
00:39:33He used to come and stay there in the night.
00:39:36Oh!
00:39:37Yeah.
00:39:38Next day, the other person would come.
00:39:39They were there all the time.
00:39:41And he knew all the doctors.
00:39:44Six, seven, eight doctors.
00:39:45He would take all the reports.
00:39:46I was reading the papers.
00:39:47I was reading the papers.
00:39:50I was reading the papers.
00:39:51I was reading the papers.
00:39:52And, but I was reading the papers.
00:39:55I was reading the papers.
00:39:56You know.
00:39:56No, but I'm blessed that my brother is a big brother.
00:40:00If I was in shooting for a different time.
00:40:02or anything else,
00:40:03He's always there.
00:40:04Obviously, my brother is my brother.
00:40:05My husband is my mom.
00:40:07My mom is the most.
00:40:08I keep the most.
00:40:09But,
00:40:09But I always think that as much as my big brother has sacrificed for my success,
00:40:15he will always say, let's go and shoot him.
00:40:23I will see him.
00:40:24I've been sick so many times.
00:40:28I've been there in Bangkok.
00:40:30I've been there for the next flight.
00:40:32I've been sitting in the morning.
00:40:34Rohit comes to Rohit.
00:40:36I've said this is the scene.
00:40:38He has always come and taken over as a director.
00:40:42Always.
00:40:43Never let the producer suffer.
00:40:46When he was sick,
00:40:48we started shooting six days.
00:40:52He was fine.
00:40:53Six days, he was in the ICU.
00:40:56Oh.
00:40:57Now in the ICU, I was plugged in, worked in everything.
00:41:00I came to meet him.
00:41:02And the first thing I saw and said,
00:41:04what's your name?
00:41:10It's a strange thing
00:41:12I didn't even do a laugh.
00:41:13I've never been scared.
00:41:14I was crushed in a strange state.
00:41:17So then, he would say,
00:41:18go and check the shooting.
00:41:21It was the hardest day I had ever met.
00:41:24We were shooting, Rohit was
00:41:26I don't know
00:41:28If you are shooting
00:41:30and your father is in ICU
00:41:33I mean it's just
00:41:34very difficult to
00:41:36work in that state
00:41:37Varun, there are two directors in your house
00:41:40Legendary David Dhawan
00:41:41Rohit Dhawan
00:41:42When you go out and sign the film
00:41:45you don't have to go out at the dining table
00:41:48Sir, there are two directors in my house
00:41:49but in their house there is one actor
00:41:51You work with actors
00:41:54What about
00:41:56No, but
00:41:58genuinely
00:41:59if you ask me this
00:42:01script's demand is the same type of actor
00:42:03to cast in the film
00:42:05That film is good
00:42:07The picture is good
00:42:08only by the need
00:42:10You should put money, make a star cast
00:42:13or do anything
00:42:15The need is good
00:42:17And the most good need
00:42:19is the director's
00:42:20Right
00:42:21Because filmmaking is a director's medium
00:42:22Right
00:42:23I've been reading
00:42:23I've been reading
00:42:24I've been reading
00:42:25If the director is your own
00:42:27or his mind is like that
00:42:29You can do anything
00:42:31You can do anything
00:42:32Honesty is very important
00:42:33For a director
00:42:34I've been reading
00:42:35David sir
00:42:36We've heard
00:42:37that
00:42:38if someone is taking a shot
00:42:39he doesn't have fun
00:42:41especially in comedy
00:42:42He says
00:42:43that
00:42:43he doesn't have fun
00:42:45And if he doesn't have fun
00:42:46in a romantic scene
00:42:47he doesn't have fun
00:42:48he says
00:42:49that
00:42:49it's a little bit
00:42:50David sir
00:42:52For example
00:42:52your
00:42:53this
00:42:53is
00:43:03If
00:43:04he doesn't have fun
00:43:05If
00:43:15he doesn't have fun
00:43:19If
00:43:22he doesn't have fun
00:43:24without line
00:43:24you can create it
00:43:26Right
00:43:26So
00:43:27when he doesn't have fun
00:43:28he doesn't have fun
00:43:30but there are actors
00:43:31who can really do it
00:43:35David sir
00:43:36David sir
00:43:36your craft
00:43:37your edit
00:43:38and script
00:43:39is
00:43:40but
00:43:42human management
00:43:44is different
00:43:44every person
00:43:45is different
00:43:46is different
00:43:47is different
00:43:48to manage all the cast
00:43:48and different
00:43:50different
00:43:50people
00:43:51are different
00:43:51It's difficult
00:43:51but
00:43:52I have done a double film
00:43:56Salman
00:43:57and Akshay Kumar
00:43:58were in this picture
00:43:59I married
00:44:00It's not easy
00:44:01to work with them
00:44:02it's different
00:44:03temperament
00:44:04Akshay
00:44:05is something
00:44:05in the scene
00:44:06so
00:44:07I said
00:44:08that
00:44:08I didn't
00:44:11but
00:44:13yes
00:44:14it varies
00:44:15Sanjid
00:44:16and Salman
00:44:16Sanjid
00:44:17and Salman
00:44:17are the best
00:44:18they are
00:44:19doing
00:44:20both
00:44:20acting
00:44:25but
00:44:26outstanding
00:44:27Salman
00:44:28and Sanju
00:44:28are the best
00:44:29sparing
00:44:29very
00:44:30very
00:44:30very
00:44:30very
00:44:30very
00:44:59respect
00:44:59hello
00:45:00sir
00:45:00I am
00:45:01father
00:45:02and
00:45:04name
00:45:05Lokesh Vijay
00:45:06sir
00:45:06I have come from
00:45:08Jaihin
00:45:09Kapil
00:45:10Jaihin
00:45:10David
00:45:11Varun
00:45:40B.S.
00:45:41one
00:45:42two
00:45:42he is
00:45:43like
00:45:43war
00:45:43Oh my god, this is the first time.
00:45:50Yes, then...
00:45:51The house is coming.
00:45:51The big, very good, he's taking it.
00:45:54He's taking it, he's taking it, he's taking it.
00:45:56Everything is coming.
00:45:56Everyone is sitting.
00:45:58And, my son, what did he tell us?
00:46:03He's running around 11.
00:46:06What a reason.
00:46:07He doesn't even know that he's speaking.
00:46:08He's speaking.
00:46:10He's coming from the wedding night, he's listening.
00:46:12I said, you don't have to do it.
00:46:13I told you before.
00:46:14If Papa is telling you, it's a good thing.
00:46:17But you're up at 11.
00:46:19It's early.
00:46:20It's early.
00:46:21It's early.
00:46:21It's early.
00:46:21It's early.
00:46:21It's early.
00:46:22It's early.
00:46:27What do you do, brother?
00:46:28Sir, I'm doing MBA.
00:46:30I have a first job in Mumbai.
00:46:31And what do you do?
00:46:33I was doing it.
00:46:34I didn't do it.
00:46:36But...
00:46:36And your father's mother, your mother didn't come?
00:46:39Hello, hello.
00:46:40Hello.
00:46:40I'm sorry.
00:46:41I'm sorry.
00:46:41Who do you think?
00:46:42Your son or your son?
00:46:44Who do you think?
00:46:49I'm sorry.
00:46:50Sir, I think both will look good.
00:46:52His son doesn't see.
00:46:54He's seen.
00:46:55But he's also very good.
00:46:58But my son is also a son.
00:47:00Very good.
00:47:03Brother, this is, that Papa is from BSF.
00:47:06So there's no way to be Shaniwar or Raviwar.
00:47:09Obviously.
00:47:10They work non-stop.
00:47:12You work in the country.
00:47:13So first, welcome to him.
00:47:15Thank you very much for everyone.
00:47:33I love you.
00:47:58My father retired, he was in banking, very well posted and all, everything in his life.
00:48:05He used to come and stay with me also at times, and I couldn't give him time, and I realized
00:48:19now, I feel guilty about this.
00:48:24Is this all with me, David sir?
00:48:26No, it is, you know, I know what it is.
00:48:30When he came from Hong Kong, he came back from posting, retired.
00:48:36I was working as an editor.
00:48:38What did he say? I didn't have my own home.
00:48:41I mean, he was married in my marriage.
00:48:44He saw the girl in the family.
00:48:47You won't believe it.
00:48:48In his Providence Fund, he took out the money and bought me a small house, but he bought me the
00:48:53house.
00:48:54And I tell him the money.
00:48:55Oh, that's right.
00:48:56Oh.
00:49:04I feel so, David, sir, that's true.
00:49:06Everything is our side.
00:49:07There's less to give to us.
00:49:08But those will show us wherever you are, someone will be proud.
00:49:11Love you, David, sir.
00:49:12You are great.
00:49:15You are so much love.
00:49:17But, you know, all that struggle period, my wife was like a rock of Gibraltar, you know,
00:49:23with me.
00:49:24She did.
00:49:25She started working so that we could manage.
00:49:28We were little kids.
00:49:29And she used to take them.
00:49:31They used to play cricket.
00:49:33They used to eat.
00:49:34She used to work.
00:49:37But she used to also work.
00:49:39She used to work.
00:49:41She used to make furniture.
00:49:42But she has, you know, that's how we both came up.
00:49:49Sir, you can't think about how many people will change their lives.
00:49:55How many people will get to play?
00:49:57They will find shortcuts.
00:49:58They will know that this is Sanghar.
00:50:00But one thing I know is that this conversation will not take away.
00:50:03It will also be scared.
00:50:05Sir, you have a salute.
00:50:06Yes, sir.
00:50:08In my family, my Nanihal, my dad, all the forces.
00:50:12And BSF's job is so difficult.
00:50:17We did not do it, but we saw it.
00:50:20I also went to BSF for a while.
00:50:22That's a different story.
00:50:24But I salute you, sir.
00:50:26Please, come on.
00:50:27Please, come on.
00:50:27We have a special hope.
00:50:29Come, come, come.
00:50:32Come, come.
00:50:36Sir, good luck.
00:50:39You will find a trip to the Thai island.
00:50:42For your family.
00:50:45Look at the world, and look at our show.
00:50:48Thank you very much for coming to the show.
00:50:50I'm going to come here.
00:51:20I
00:51:50Oh
00:51:50Oh
00:51:51Oh
00:51:51Oh
00:52:21Oh
00:52:22Just kidding
00:52:23Oh
00:52:26Oh
00:52:28Oh
00:52:29Oh
00:52:29Oh
00:52:35Oh
00:52:36Oh
00:52:37Oh
00:52:37Oh
00:52:39Oh
00:52:40Oh
00:52:43Oh
00:52:44Oh
00:52:44Oh
00:52:45Oh
00:52:45Oh
00:52:50Love you
00:52:51Love you
00:52:52Oh
00:52:53Oh
00:52:54Oh
00:52:57Oh
00:52:57Oh
00:52:58Oh
00:52:58Oh
00:53:12Oh
00:53:14Oh
00:53:15Oh
00:53:15Oh
00:53:16Oh
00:53:27Oh
00:53:40Oh
00:53:40Oh
00:53:41Oh
00:53:41Oh
00:53:41Oh
00:53:41Oh
00:53:54Oh
00:53:55Oh
00:54:07Oh
00:54:08Oh
00:54:12Oh
00:54:13Oh
00:54:13Oh
00:54:14Oh
00:54:20Oh
00:54:21Oh
00:54:22Oh
00:54:27Oh
00:54:32Oh
00:54:33Oh
00:54:34Oh
00:54:34Oh
00:54:34Oh
00:54:36Oh
00:54:37What a conversation with you.
00:54:40I love you.
00:54:41I love you, yeah.
00:54:43I love you, yeah.
00:54:43I love you.
00:54:44I love you.
00:54:45You are asking me for the music.
00:54:46I love you.
00:54:49I love you.
00:54:50The music is coming from home too.
00:54:50David, we are very good.
00:54:55We are very good.
00:54:55When we shoot him, we love him.
00:55:00We never met him alone.
00:55:04Why did he not?
00:55:05Sometimes we don't have a mansions.
00:55:09When we were sitting in Vanity Van,
00:55:13four people were sitting with us,
00:55:15so that we don't have a mansions.
00:55:18That's right.
00:55:19When we go to the car,
00:55:22we keep four people in front of the line.
00:55:25So that we don't have a mansions.
00:55:28What a joke.
00:55:29When we go home,
00:55:31we don't have a mansions in the car.
00:55:33We give us 10 rupees,
00:55:35we're sitting in the bus on a car.
00:55:38Pass it.
00:55:39So that we will be a mansions.
00:55:43Are you with me?
00:55:45Are you with me?
00:55:46I gave so much vanity.
00:55:49I was so much vanity.
00:55:50I was alone.
00:55:52You had to eat 5 coins.
00:55:54I was alone.
00:55:57You get one heroine.
00:55:59I got two heroes.
00:56:00I'm alone.
00:56:02I'm alone!
00:56:04If you look at this, Muthu,
00:56:07you've given more love for them.
00:56:09Listen to me, why do you feel like this?
00:56:14That their love was not much for us,
00:56:17but their budget was less for us.
00:56:22What's that?
00:56:24What's this, Muthu?
00:56:25You're very intelligent.
00:56:27I've understood the story for 35 years.
00:56:32Oh, boy, boy!
00:56:34But, David, I have a complaint.
00:56:36For two heroes of India,
00:56:39we didn't have a romance in sharing.
00:56:45You know, Antarctica and Honeymoon
00:56:49are the same for us.
00:56:51Why?
00:56:51Just listen to us,
00:56:53we didn't have any experience.
00:56:57We had a lot of guilt.
00:56:59Cheating.
00:56:59Look at David's wife.
00:57:01Look at David's wife.
00:57:02Just look at us.
00:57:03He doesn't have any demand.
00:57:04We are just simple.
00:57:07The wife's face is like a charisma.
00:57:10Is she just like a baby?
00:57:12Like a baby?
00:57:13Like a baby?
00:57:14Like a baby?
00:57:14Like a baby?
00:57:15Like a baby?
00:57:17Like a baby?
00:57:18Like a baby?
00:57:20Like a baby?
00:57:27Oh, my God.
00:57:29I'm gonna talk to you, man.
00:57:32Corona, yeah.
00:57:33I've seen David's name a very Amir.
00:57:36Amir?
00:57:38What are you talking about?
00:57:40Listen to me, man.
00:57:42Amir's name is Amir's name.
00:57:43Amir's name is Amir's son.
00:57:45Oh, I've seen you for me.
00:57:48Dully, dully, dully, dully, dully, dully.
00:57:50Hey, dully, dully.
00:57:51David, sir.
00:57:54David, sir.
00:57:55Oh, now that girl's father,
00:57:58she's the one who comes.
00:58:00Oh, yeah.
00:58:01Now, let me support her.
00:58:03Tell her, she's my son's last year.
00:58:06Please support me.
00:58:07Support me.
00:58:08I've seen her in the video.
00:58:10I've seen her in the video.
00:58:14What's up, brother?
00:58:22What's up, brother?
00:58:23How much of a girl is such a father?
00:58:25Hey, this is not a father, Muttu.
00:58:28Yeah.
00:58:28These are the girls who rejected her father.
00:58:31Oh.
00:58:32Now, they will select you.
00:58:33Come on, come on.
00:58:36Come on, come on.
00:58:40Oh, my God.
00:58:42Oh, my God.
00:58:43Oh, my God.
00:58:43I'll give you my God.
00:58:44Oh, my God.
00:58:49Oh, my God.
00:58:49Oh, my God.
00:58:51Oh, my God.
00:58:51Oh, my God.
00:58:53Oh, my God.
00:58:54Oh, my God.
00:58:58Oh, my God.
00:59:01Oh, my God.
00:59:13Oh, my God.
00:59:17Oh, my God.
00:59:20Oh, my God.
00:59:22Oh, my God.
00:59:22Oh, my God.
00:59:22Oh, my God.
00:59:22Oh, my God.
00:59:23Oh, my God.
00:59:23Oh, my God.
00:59:24Oh, my God.
00:59:25Oh, my God.
00:59:55Oh my god.
01:00:22Oh my god.
01:00:25Oh my god.
01:00:27Oh my god.
01:00:29Oh my god.
01:00:30Oh my god.
01:00:33Oh my god.
01:00:39Oh my god.
01:00:51Oh my god.
01:00:53Oh my god.
01:01:02Oh my god.
01:01:11Oh my god.
01:01:13Oh my god.
01:01:41Oh my god.
01:01:43Oh my god.
01:01:45Oh my god.
01:01:48Oh my god.
01:01:50Oh my god.
01:01:52Oh my god.
01:01:59Oh my god.
01:02:04Oh my god.
01:02:18Oh my god.
01:02:29Oh my god.
01:02:33Oh my god.
01:02:33Oh my god.
01:02:34Oh my god.
01:03:08Oh my god.
01:03:12Oh my god.
01:03:28Oh my god.
01:03:29Oh my god.
01:03:42Oh my god.
01:03:44Oh my god.
01:03:57Oh my god.
01:04:01Oh my god.
01:04:02Oh my god.
01:04:05I'm not going to get into my own stuff.
01:04:07I don't have to make my own life.
01:04:08I don't have to make my own life.
01:04:10Look, I love my son.
01:04:13I can't make my own tea, so my family has canceled.
01:04:16I will not have to make my own tea.
01:04:20If you make your own tea,
01:04:21I will give you my daughter to your husband.
01:04:25Go to the next.
01:04:29Go.
01:04:30Go.
01:04:30I am a boy who has canceled me!
01:04:33Then come here, come here, come here!
01:04:36Why come here?
01:04:38I want you to complete my ten thousand steps.
01:04:41Yellow
01:04:41ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:04:54So good!
01:04:55Ayoo, sorry, I didn't have to do this for our mother
01:04:58Because you have to do that, I will cancel!
01:05:00Yeah, I karamutu
01:05:01I'm gonna use my roots
01:05:03I'm gonna give me a foot
01:05:12foreign
01:05:14foreign
01:05:35Yeah.
01:05:36You know?
01:05:41My husband's not a baby.
01:05:42I've been married too, but I've been like this.
01:05:45Oh, my God.
01:06:09Thank you, thank you so much sir.
01:06:13How many times in the show do you always make it?
01:06:16But today...
01:06:18I really want to say that
01:06:23Before I became an actor, I would go to my dad and go to my dad
01:06:26and people would like to play him.
01:06:28And when I became an actor, I would say
01:06:30when people would like to play me?
01:06:33But today I came here like a son
01:06:35I'm not an actor, like a son
01:06:38and I'm so happy that you all are playing my dad
01:06:43Thank you, thank you Dilid sir, thank you Varun
01:06:46And thank you all for your friends
01:06:49If you're talking about your words, you will come to your relationship
01:06:54and your life will be more beautiful
01:06:56So talk with your love, smile and smile
01:06:59and your life will be beautiful
01:07:00And for this season, I would like to give a lot of love
01:07:03and thank you for the next season
01:07:06We'll see you then
01:07:07Until next time, we're watching the previous episodes
01:07:10and you're watching the Netflix
01:07:11that you've received a subscription
01:07:12and you're watching the Netflix show
01:07:14Until next time, we'll see The Great Indian Kapil Show
01:07:16We'll see you then
01:07:17and enjoy new shows only on Netflix
01:07:17Good night
01:07:19Shubratri
01:07:19Thank you
01:07:20And you know
01:07:35and you, and you out
01:07:36Wow, we're leaving
01:07:41and you're midst of it
01:07:41And you're ready to go
01:07:41And you hear that
01:07:41And you're looking for the most popular
01:07:43And you're looking for the music
01:07:44and you're
01:07:44or not
01:07:44What is it actually –
01:07:46If you're looking for趣,
01:07:48One of the most popular music
01:07:49And you'll see me
Comments