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00:00:30Good evening and welcome to the Great Indian Company Show.
00:00:35Shukriya, Shukriya.
00:00:37Please, please, Viraj Mahan, thank you.
00:00:40Love you, Martin.
00:00:41Love you too, brothers.
00:00:45Today is Valentine's Day.
00:00:48I love you.
00:00:50Arshana Ji, Siddhu Ji,
00:00:52you both did a very good day of Valentine's Day.
00:00:55I mean, you have a account.
00:00:56I love you.
00:01:01I love you, I love you.
00:01:04I love you, babe.
00:01:06I love you.
00:01:07Oh, oh.
00:01:08I love you, guys.
00:01:11I love you.
00:01:13Aw.
00:01:16Then we say that the new generation of bigotry is not our old man.
00:01:23This is the one who broke the signal from here.
00:01:30Today's day is very romantic.
00:01:32Our airport is filled with pools.
00:01:33It's filled with the whole city.
00:01:35And it's filled with joy.
00:01:37It's filled with the camera.
00:01:40This is a festival of love.
00:01:42It's a festival.
00:01:42Today you will get to see the love of every place.
00:01:45Today someone is running with their first love.
00:01:48Someone is running with another or third love.
00:01:51Because UPSC is clear in the first attempt.
00:01:54This is the thing that never works for you to see.
00:01:57That's true.
00:01:58Right?
00:02:02But again, the human is still alive.
00:02:04The scientists have said that the power of love is necessary.
00:02:15That's true.
00:02:18It's a great day and the power of love is necessary since the world is in the world.
00:02:30The people remain in the world.
00:02:31Oh my god!
00:02:32But it doesn't get to eat the food.
00:02:36When you eat the food in the old age,
00:02:39you get to get the food.
00:02:40This is the purpose of the purpose.
00:02:42If you give something, you can take something.
00:02:45Today, you go to a restaurant,
00:02:47where the couples are sitting,
00:02:49they know they're going to know they're going to know
00:02:50which Valentine is.
00:02:51If you sit on one side,
00:02:53and you have to lock it,
00:02:54and keep it in the back,
00:02:57then understand that they're the first Valentine.
00:02:58That they don't have to get to eat the food.
00:03:02They don't have to hold food.
00:03:02If they're there,
00:03:09they don't have to eat the food.
00:03:13They don't have to stay in the
00:03:27There are two people who have left their home
00:03:29with the milk and milk.
00:03:36Happy Valentine's Day!
00:03:40People say that it's on Valentine's Day.
00:03:42In the village, we celebrate one day.
00:03:45When you have a day,
00:03:47people put a joolies in their home.
00:03:49They put a joolies on their own.
00:03:51Some people put a joolies on their own.
00:03:53Some people put a joolies on their own.
00:03:58But the happy thing is that
00:03:59people want to celebrate love.
00:04:02If there are a lot of joolies,
00:04:04there are some joolies.
00:04:05You should celebrate love.
00:04:09And today,
00:04:10on Valentine's Day,
00:04:12there is a great love film,
00:04:14Romeo.
00:04:15The star cast is here.
00:04:17I would like to call all of you.
00:04:19Please welcome Mr. Shahid Kapoor
00:04:21and Tripti Dimri.
00:04:27I love it.
00:04:29That's the only way I have to do.
00:04:35I love it.
00:04:41I love it.
00:04:47I love it.
00:04:50I love it.
00:04:52I love it.
00:04:54I love it.
00:05:04Oh
00:05:26Oh
00:05:30Welcome Shai Bae Thank You Thank You Thank You Thank You Welcome Tritti
00:05:37Maharaj, Garma Garam Shair Aya
00:05:41Banke Romeo Ye Banda Aag Laga Ne Waala Hai Hai Hai
00:05:45Bade Pardae Pe Pherse Telga Machane Waala Haa
00:05:49Haa
00:05:51Nazere Mat Hata Na Tripti Ke Chere Se
00:05:53Kyunke...
00:05:55Man Ki Baat
00:05:59Kyunke...
00:06:00Inheh Dekkar Aankhoon Ka Chashma Utarnay Waala
00:06:04Hai Hai Hai
00:06:04Kya wad hai
00:06:06Kya wad hai
00:06:07Kya wad hai
00:06:07Kya wad hai
00:06:08Kya wad hai
00:06:09Kya wad hai
00:06:09Kya wad hai
00:06:09Kya wad hai
00:06:09Kya wad hai
00:06:10Kya wad hai
00:06:11Kya wad hai
00:06:17I man following
00:06:17Kshatrnak
00:06:18Kya wad hai
00:06:19Wad hai
00:06:20Kya wad hai
00:06:20Muzik video said
00:06:21Ankh wad hai
00:06:22Haan Kya Kya ni
00:06:2319 or 20, that's when?
00:06:2517.
00:06:26Yeah.
00:06:27People say that they have maintained so much.
00:06:29This person is gone.
00:06:30They are more young.
00:06:33They are better.
00:06:33How many years have you taken this lease?
00:06:38This lease word you have used,
00:06:40I got for 99 years.
00:06:42And after 99 years,
00:06:44I am going to keep it.
00:06:46That's very big.
00:06:50Today is Valentine.
00:06:52You don't want to take this break,
00:06:54after that you very well.
00:06:58You don't want to take this break.
00:06:58Your size is kind.
00:06:59Now you don't want to take this break.
00:06:59You are seen.
00:07:04It's song! It's song! It's song!
00:07:09So you don't want to take this break too long?
00:07:10You don't want to take this break too long?
00:07:11After a divorce, you have a Anybody?
00:07:13You have a gift, a card.
00:07:15Man, you are talking in a boy who is talking to your children.
00:07:16I'm talking about my children's life, so why are you throwing me in my house?
00:07:19I don't have any DM, I don't have a phone, I don't have anything.
00:07:23What does the children know? It's a small one.
00:07:25But the mother's mother knows it.
00:07:29Okay, they've grown a lot.
00:07:33Tripti is in full agreement.
00:07:38Full, I mean, it's so beautiful.
00:07:40If you look at someone's face,
00:07:42you start writing love letters in your mind.
00:07:45Dear Tripti, no, no. Adorable Tripti.
00:07:48Tripti, tell me,
00:07:50in college time,
00:07:52you've ever written love letters in your mind?
00:07:55Have you written?
00:07:56No, I've never written. I've read a lot.
00:08:00I've read a lot.
00:08:01I've read a lot.
00:08:02I've read a lot.
00:08:04I've never read my letters before.
00:08:07But I've read a lot.
00:08:09I've read a lot.
00:08:10It's like the letter of her.
00:08:11Yes.
00:08:11I've written a lot here.
00:08:12Here I have read the name of the lady's,
00:08:13and the letter of her.
00:08:15You know,
00:08:16that, from the compass,
00:08:17I hid the first girl's,
00:08:20on the crush on me.
00:08:21I wrote the name of her.
00:08:24After that,
00:08:25I took the wrong way.
00:08:26That was a septic.
00:08:28Oh gosh.
00:08:28You know, and he was running for a long time.
00:08:31I don't know that I had a crush on that girl.
00:08:34I know that.
00:08:35Tell me.
00:08:39I know that.
00:08:40You were your partner?
00:08:42I know that.
00:08:44I'm probably asking you a question for Valentine's Day today.
00:08:48Is there a difference between the first Valentine's wedding and the next Valentine's wedding?
00:08:51Or is there a difference between the proposed day, hug, kiss, chocolate day,
00:08:54and the next Valentine's wedding, and the next Valentine's wedding,
00:08:56and the next Valentine's wedding, and the next Valentine's wedding.
00:09:00I feel like those who are intelligent people know that there is a list, right?
00:09:07There should be a tick mark in that list.
00:09:10If there isn't a tick mark on the correct things,
00:09:13then you're in trouble at the end of the year.
00:09:15When the day of the wedding, the day of the wedding will be a roll.
00:09:19The whole list is a long list.
00:09:21And then, point number one.
00:09:264 March 3.30, you've done this.
00:09:31Then, 5 April 5.30, you've said this.
00:09:38So, I think the experienced husbands have been married for 10 years.
00:09:43They know that those tics are very important.
00:09:46But this is universal.
00:09:47I'm shy. Universal.
00:09:48I see my look and say, hmmm, good tick.
00:09:52Well done.
00:09:55Now, her appointment was a doctor's appointment,
00:09:57and I was on the other side of the city.
00:09:59And she didn't tell me.
00:10:00Then, she told me that my doctor's appointment is a doctor's appointment.
00:10:05I'm sitting in the car and driving.
00:10:07Now, I was there, brother.
00:10:10Brownie points.
00:10:13Because this is my birthday month.
00:10:16I need to make a mistake.
00:10:17In this month, I don't have to make a mistake.
00:10:23You have been murdered, brother.
00:10:26This is a son's privilege, right?
00:10:28Absolutely.
00:10:28I don't know how much money you are, you don't have to get your hands on your hands.
00:10:33What do you mean is that Parmeet Paji is standing in front of you?
00:10:35Oh?
00:10:36You haven't seen that in front of you?
00:10:39You don't have to get your hands on your hands.
00:10:41You don't have to get your hands on your hands on your hands.
00:10:50I've seen Parmeet Paji a video.
00:10:52I've done a film with Parmeet Paji.
00:10:53He has directed BADMASH company.
00:10:55I've done a film with Parmeet Paji.
00:11:00I've done a film with Parmeet Paji.
00:11:00I've done a film with Parmeet Paji.
00:11:01He's a strong Punjabi guy standing there saying
00:11:03Oh, this is what I want you to do.
00:11:05Suddenly, he's like a bad guy.
00:11:10I'm like, love is a bad guy.
00:11:13I know, everyone is sitting here,
00:11:15all are thinking that this bad guy will feel bad.
00:11:19He's standing on his face and is like,
00:11:21he's like a bad guy.
00:11:22I'm like a bad guy.
00:11:24So, you will tell us what we are going to do
00:11:26that this bad guy will feel bad.
00:11:28I'm going to ask you once again.
00:11:29What?
00:11:30How would you like a girl in future?
00:11:34How would you like a girl in your husband?
00:11:35I'd like to be a bad guy.
00:11:39I don't remember.
00:11:39I don't remember.
00:11:40I don't remember.
00:11:41I don't remember.
00:11:43Because I have a bad guy.
00:11:43Why would I be a bad guy?
00:11:44I'm like a bad guy.
00:11:46I love you.
00:11:49I love you.
00:11:50What does it mean?
00:11:50But the bad guy.
00:11:52I love you.
00:11:53You should be honest.
00:11:57I should be honest.
00:12:05You should be honest.
00:12:10Look, there's a lot of qualities in you.
00:12:11Look, there's a lot of qualities in you.
00:12:40By the way, he's talking about yellow dal and green dal.
00:12:42So, in the way, he's choosing character performances.
00:12:45He's always in the house because of yellow dal.
00:12:47It seems, at least, I'll be able to become a green dal.
00:12:50Somewhere, you'd be able to get swag.
00:12:55For Tripti, a brilliant research is that
00:12:59it makes people love from them,
00:13:00who comes to the problem.
00:13:02Layla was killed in Majnu.
00:13:03He killed the animal.
00:13:05He killed the animal.
00:13:06And Romeo has a hand on him.
00:13:09Do you think you need to change your image with a romantic film?
00:13:14Let's go.
00:13:16Ready?
00:13:16I think I'm ready.
00:13:18Okay.
00:13:18Maybe I'll ask you a question.
00:13:20You have tripti with this film.
00:13:22Yes.
00:13:22There's also peace in the film.
00:13:24There's also three heroes in the film.
00:13:26If you see Romeo, it's not going to be confused.
00:13:27Do you want to love him?
00:13:29No, no.
00:13:29Romeo...
00:13:34Romeo is very clear that Romeo is just love him.
00:13:38Loyal.
00:13:41Maybe we'll talk about tripti and tripti.
00:13:43Come on.
00:13:44Tripti, welcome.
00:13:45Very, very powerful.
00:13:46Very powerful.
00:13:50Now, we call this film from the rest of the rest of the people.
00:13:53Please welcome you all.
00:13:56Fariida Jalal, Mr. Abhinash Tiwari,
00:13:59and the director of the film, Mr. Vishal Bharath-Dawad.
00:14:08Thank you, Mr. Abhinash.
00:14:15So, I hope you've made the film very big.
00:14:16We are so excited.
00:14:17Sir, what a great trailer of your film.
00:14:19And what a great persona of this car.
00:14:21Everybody knows that he's a great filmmaker, writer, director, singer, composer, producer.
00:14:28But if you can see them, they don't like filming.
00:14:30It's very simple. They have a charity face.
00:14:33If someone comes to help,
00:14:35they will give them money.
00:14:36If they come, they will give them money.
00:14:38If they come, they will give them money.
00:14:41With so many beautiful faces,
00:14:43how do you give the narration of the film?
00:14:45Look, this is the thing,
00:14:47that the looks are deceptive.
00:14:49It's called, right?
00:14:50When I come to the place,
00:14:52there are films
00:14:54that come from love.
00:14:56They are from the place.
00:14:58They are from the place.
00:14:59They are from the place.
00:15:00They are from Punjabi.
00:15:05The best thing is that
00:15:07the actors are doing this.
00:15:09The actors don't think they are.
00:15:10For example,
00:15:11Faridah ma'am has also said a dialogue in the film.
00:15:14He said,
00:15:15that they went to the house and they have sanitized their own jeep.
00:15:19Faridah ma'am,
00:15:20how did you convince them?
00:15:22That this is a dialogue,
00:15:23that this is a requirement of the character.
00:15:24I was very interested in working with them.
00:15:26I was very interested in working with them.
00:15:27One day,
00:15:27the phone came and said,
00:15:29there is a role that I have to do.
00:15:31And I met him.
00:15:32The first thing he said to me,
00:15:33at home,
00:15:35he said,
00:15:35Faridah ji,
00:15:36I will give you a laugh.
00:15:40And I said,
00:15:41hello.
00:15:42That means,
00:15:43he knows.
00:15:43What's your reputation?
00:15:46What's your reputation?
00:15:46He said,
00:15:47no,
00:15:47not very big.
00:15:49Then,
00:15:49I will give you.
00:15:53Because I had to work,
00:15:55I wanted to work with them.
00:16:01but,
00:16:02Vishal sir,
00:16:02you were watching the monitor,
00:16:03when the sun was shining from Faridah ji,
00:16:04he was doing the sun from the face of the face of the face of the face of the face,
00:16:06he was comfortable in the face of the face of the face of the face.
00:16:27And this is the right time to talk about that.
00:16:30Sir, forgive me.
00:16:32No, no, forgive me. You don't want to ask me.
00:16:34We want to ask everyone in front of you.
00:16:35So, that day, we had a lot of chaos.
00:16:38And we all forgot that we had to call Faridah Ji.
00:16:43And one assistant had to call in the morning.
00:16:46And we didn't have a shot at night.
00:16:48And that day, Faridah Ji was very upset.
00:16:50So, I told Faridah Ji that,
00:16:54I said, I don't do a scene today. Please, please, please, please, please.
00:16:58I said, I will do a scene today.
00:17:00Oh!
00:17:02I will not go back to the house until I will not do a scene.
00:17:06And that line was very popular.
00:17:09So, it was like that.
00:17:11It was also like that.
00:17:15I noticed, Vishal Sir,
00:17:17Vishal Sir always works with great people.
00:17:20If you can see their films,
00:17:21I agree.
00:17:22If there are lyrics,
00:17:24then it will be for Gulzar.
00:17:25Yes.
00:17:26If the singer is singing,
00:17:27Sukhvinder Ji.
00:17:29If the actor is Shahid Kapoor.
00:17:31And they are doing promotion.
00:17:32Yes, then Kapil Sharma Show.
00:17:34I mean,
00:17:39Kapil Sharma Show,
00:17:40I mean, I don't have to work with every man.
00:17:43So, Abhinash,
00:17:44when you signed their films,
00:17:45when you signed your films,
00:17:46then you will be happy.
00:17:47That's why I will meet Kapil Sharma.
00:17:49That was it?
00:17:51I felt like that
00:17:52I felt like that
00:17:53the two greats
00:17:53will get to meet each other.
00:17:54Oh, wow.
00:17:55Wow.
00:17:57Well said.
00:17:59How did you get to Vishal Sir?
00:18:01I was shooting another film.
00:18:02Sir told me that this is the opportunity.
00:18:05And I felt like that
00:18:07there is a list for everyone.
00:18:09Vishal Sir's name is almost
00:18:11in the top of the list.
00:18:13So, when I was talking to him,
00:18:15I was so upset.
00:18:16At that time,
00:18:16I didn't say anything wrong.
00:18:17At that time,
00:18:18he said,
00:18:18this is a wrong man.
00:18:19Don't cast me.
00:18:21Then he gave me a script.
00:18:22I was reading it.
00:18:23And then,
00:18:24he also realized
00:18:24that I will not have to make a body.
00:18:26I will have to work.
00:18:27I will have to work.
00:18:28There will be a lot of problems.
00:18:29Then,
00:18:29I thought,
00:18:31Vishal Sir will be in the set.
00:18:32I will be shooting.
00:18:34What a joke.
00:18:35A dream come true.
00:18:36A dream come true.
00:18:38A dream come true.
00:18:38You have made a body,
00:18:39but Kamal,
00:18:39how much money are you?
00:18:40How much time is it?
00:18:42How much time is it?
00:18:43I worked with my producer.
00:18:45You have seen Sajid Netar Pala.
00:18:47His body.
00:18:49He has 12% body fat.
00:18:51Really?
00:18:52I have seen Sajid.
00:18:53I have seen his photos.
00:18:54I was scared.
00:18:55If I didn't make a video,
00:18:56he will not cast me.
00:18:58He told me.
00:18:59My waist length,
00:19:00Sajid,
00:19:01is 27 inches.
00:19:03You have asked,
00:19:03what is going on?
00:19:05I asked.
00:19:06I don't know.
00:19:10You have seen that.
00:19:11The last question,
00:19:12you have done with Tripti.
00:19:14Then,
00:19:14you have done Boolbool.
00:19:15Now,
00:19:16you are running behind Tripti?
00:19:20Anyone are running behind Tripti?
00:19:21What is a cause of this?
00:19:24Some of us ever met Formula
00:19:25and I've recently met a couple of kundalis.
00:19:28I hope there will be 5 or 6 years.
00:19:30I hope so.
00:19:31I was thinking about this.
00:19:32This is what you said about the show that
00:19:34Leila and Majnu are going to be in the background.
00:19:37I was thinking,
00:19:38this is a wrong position.
00:19:40We will see memes like,
00:19:42why not?
00:19:44I was thinking,
00:19:45I've come to be in the background.
00:19:47How do you become Leila and Majnu?
00:19:49Are you going to go with the planning?
00:19:53Oh!
00:19:54I've been so loved,
00:19:56they changed a trend.
00:19:56I've been so scared.
00:19:57My parents are scared.
00:20:00But what did they do in DDLJ?
00:20:02When Kajal told them everything,
00:20:04the rest of the girls told them everything.
00:20:07And as you kept hiding from your parents,
00:20:09they also kept hiding.
00:20:11So,
00:20:11you saved a lot of children.
00:20:14That's why I was very thankful.
00:20:17I have done that.
00:20:18There are many acting coaches
00:20:20who say that if you want to get a character,
00:20:23then you adopt them
00:20:24and you adopt them.
00:20:27In NSD,
00:20:28there are many classes.
00:20:29Tripti,
00:20:29we have heard that you had Billy's role.
00:20:33I didn't know.
00:20:34My director said,
00:20:35observe the body language of cat's body language.
00:20:38And I want that.
00:20:38In the set,
00:20:39you don't eat blood.
00:20:41No,
00:20:41I want to judge me.
00:20:43I have been walking through this show.
00:20:45I have done a joke.
00:20:46Like,
00:20:47you adopt a share,
00:20:48try to make a share.
00:20:49Maybe when you've done it,
00:20:51who's got it?
00:20:53I have 2 characters in the kamine.
00:20:55The main kamine.
00:20:56No,
00:20:57I've done a january.
00:20:59If I have asked a question from dad,
00:21:02you have to ask me,
00:21:02I should have taught him to be a kid.
00:21:04I am not sure how to teach the culture.
00:21:05I am not sure how to teach the culture.
00:21:10Vishal, you worked with Pankaj and Shahid.
00:21:14Do you think Pankaj and Shahid has a similarity between Pankaj and Shahid?
00:21:18Yes, because they are their own.
00:21:20And you have a different idea to Pankaj.
00:21:24Actually, I made a series of 11 films.
00:21:27In which I have made a series of 7 films in a family.
00:21:294 films are Shahid and 3 films are Pankajji.
00:21:31Wow!
00:21:33In 7 films.
00:21:35Did you get a loan from Pankaj?
00:21:40No, I am a very big fan of Pankajji.
00:21:43The two things Pankajji and Shahid are common.
00:21:49They are both preparing for their own part.
00:21:53They are spontaneous in their own moments.
00:21:55So this is Pankajji.
00:21:58Here is Pankajji.
00:22:00It was the first time there was Pankajji's books.
00:22:03A book of Yellowspot is a book through the movies.
00:22:04There was a book of Charles Simon Tanaka here.
00:22:05He was like a book about the first taking.
00:22:07And it is this book of your first take.
00:22:10What I'm talking about is the first take in the first take?
00:22:17It was my first take.
00:22:17And so, I am research and find that there was a very scary feeling.
00:22:24He keeps improvising and now over the years I have seen Shahid that Shahid doesn't repeat his performance in his
00:22:29second shot.
00:22:32Which is a very very good sign.
00:22:34Wow, that's what it is.
00:22:36I'm going to go with Dad and compare myself.
00:22:39I'm going to go with Dad.
00:22:41This is my high point, guys.
00:22:45Thank you, sir. Thank you so much.
00:22:48Sir, I don't want to ask another question.
00:22:49In this film, Nana Bhatagar is working with you.
00:22:51I think your friends are 25-30 years old.
00:22:53So, Nana said,
00:22:55Yes, yes, yes.
00:22:55How did you get the time?
00:22:58Actually, my fault is that I never played such a role.
00:23:02Because of Nana, everyone is very afraid.
00:23:05Yes, she is very loving, but...
00:23:07But she is a very emotional person.
00:23:09She always kept a lot of nervousness.
00:23:12She kept a lot of nervousness.
00:23:14I'm an actor, I'm a nana-partaker.
00:23:16So, when will I go?
00:23:18So, I felt very embarrassing.
00:23:19But finally,
00:23:20that has happened to me by the time.
00:23:23And Nana is not coming soon.
00:23:25We are getting back to the show.
00:23:27They are getting back to the show.
00:23:28They are getting more out of their way.
00:23:35I don't know why they are getting back to the show.
00:23:36You understand Vishal, sir,
00:23:37the issue of his people that think well,
00:23:38for example,
00:23:39Shahid, you have an example.
00:23:41There are all films back-to-back.
00:23:42Like Naseer or Pankaj, the artists are repeated.
00:23:47So when you have the first time in the film,
00:23:50it will come in my mind.
00:23:51I will see a flat one more.
00:23:53It will come in my mind.
00:23:55No, I told Sir when we raped the film.
00:23:58Sir, I want to do more films with you.
00:24:13Oh, my God.
00:24:21My mother, your location is in the cinema hall.
00:24:25Why is it here?
00:24:25Where is the cinema going?
00:24:27Where is the Romeo going?
00:24:30Where is the Romeo going?
00:24:31Where is the Romeo going?
00:24:32Where is the Romeo going?
00:24:34Look, there is a Romeo going in front.
00:24:36Oh Romeo.
00:24:38Mother, don't you?
00:24:41Oh Romeo.
00:24:41Oh Romeo.
00:24:44It's very funny.
00:24:46In his mouth was the Romeo.
00:24:49Then he was the Romeo.
00:24:51Oh Romeo.
00:24:53Oh, my God.
00:24:55Mother, I'm sitting behind you.
00:25:00Your paintings are showing.
00:25:02There is a woman sitting down.
00:25:03And look, what is the beauty of your paintings?
00:25:05Who are the paintings?
00:25:06Who are these paintings?
00:25:09How do you see these paintings of your paintings?
00:25:11Why are the paintings of your paintings then?
00:25:18Why are those paintings coming on?
00:25:19What do you mean by my paintings?
00:25:21Where do you see these paintings?
00:25:21Why do you look at these paintings on my paintings?
00:25:24The �e thing.
00:25:27How do you believe that?
00:25:28I have to sit on the motorcycle of your paintings.
00:25:30Now go out.
00:25:31Mama, come out first.
00:25:32You step out.
00:25:33I am not.
00:25:53Yes, yes!
00:25:54Yes, yes!
00:25:55Yes, I'll do it.
00:25:56What are you doing?
00:25:58What do you think?
00:25:58I will do a complaint.
00:26:00I'm saying, I will not do a complaint.
00:26:03I will do a complaint.
00:26:17I will do a complaint.
00:26:20Oh my God!
00:26:23Oh my God!
00:26:24Oh my God!
00:26:26Oh my God!
00:26:33Oh my God!
00:26:38What is this?
00:26:43I can tell you!
00:26:44You are wrong!
00:26:46What the hell?
00:26:47Oh my God!
00:26:48I told you.
00:26:49Oh my God!
00:26:53Oh my God!
00:26:54Oh my God!
00:26:56Oh my God!
00:26:56Oh my God!
00:26:57Oh my God!
00:26:58Oh my God!
00:26:59Oh my God!
00:27:00Oh my God!
00:27:00My mother, all the girls have to do it.
00:27:03If I have told them, it will open up a lot with me.
00:27:07That's right, that's right.
00:27:10That's right, that's right.
00:27:11They won't open up so much.
00:27:13Look, my mother,
00:27:15you have taken their names every day.
00:27:18What are you saying?
00:27:19Where are their names?
00:27:20When you forget something,
00:27:21you have to remember them.
00:27:22I probably forgot about it in my bedroom.
00:27:24I forgot about it in my bedroom.
00:27:29Lovely.
00:27:35I was in the last 100 years in the Mele.
00:27:38I was going to open the door and open the door.
00:27:42I'm sure I'm going to do it, I'm sure.
00:27:45I'm sure Kapoor.
00:27:46Oh, my brother, I'm not sure.
00:27:47I'm sure Kapoor is this.
00:27:49Yes, I know, I'm sure Kapoor.
00:27:51I'm sure how is it?
00:27:52I'm very good.
00:27:53Are you okay?
00:27:54Yes, yes, yes.
00:27:55I'll tell you, Bisarji.
00:27:57Yes, yes.
00:27:58I'm very good.
00:28:00I'm not sure what I'm doing.
00:28:02What is your opinion?
00:28:03In these films, Kamal has made a balance.
00:28:06On the women's films, they made a film.
00:28:09One was Dian.
00:28:10But then, they made a film on the women's films.
00:28:12It was Dian.
00:28:14We kept a balance.
00:28:20We kept a balance.
00:28:22Yes, yes.
00:28:23Dian has made a film on the women's films.
00:28:25That's Dian.
00:28:26Yes.
00:28:27What did you say?
00:28:28I'm thinking, I'm not saying anything.
00:28:30No, I won't say anything.
00:28:31What does it say?
00:28:32What does it say?
00:28:36What does it say?
00:28:36One minute.
00:28:37What is it?
00:28:39What does it say?
00:28:40What does it say?
00:28:41I'm wondering why it's going to be a cycle.
00:28:48You must be talking to me,
00:28:49and I have no idea what they necessarily understand.
00:28:52They're sitting there.
00:28:53What?
00:28:53So, I put my stomachs in the up.
00:28:59I put my stomachs in the Mêmeinas.
00:29:01I put my stomachs in the middle.
00:29:03So I put my stomachs in the middle.
00:29:05And I put my stomachs in the middle.
00:29:07So I put my stomachs in the middle.
00:29:08I put my stomachs in the middle.
00:29:10My stomachs in the middle.
00:29:12I'll try to leave now.
00:29:12I will go to the house.
00:29:15You are the only way to do these things?
00:29:18Do you have to be honest?
00:29:24I will tell you what the truth is.
00:29:27Oh, I have come here.
00:29:28I was just waiting for you to open my own.
00:29:32I will open it.
00:29:33What is it?
00:29:36Trypti ji, give a little sense of it.
00:29:39This is a modern world.
00:29:41Oh dear, you're not wearing jeans.
00:29:42We are wearing jeans, but this is not the case.
00:29:44We are wearing these shorts.
00:29:45We wear them and wear them.
00:29:46Then Wisara Ji, the hair is wearing jeans.
00:29:48Oh dear.
00:29:49You wear jeans, right?
00:29:50I don't wear jeans.
00:29:52I don't wear jeans.
00:29:52Wisara Ji jeans.
00:29:54If I wear jeans, when I wear jeans,
00:29:56I feel like a chair in my seat.
00:29:59I feel like I will wear jeans.
00:30:01I don't wear jeans.
00:30:03It is not fair to me.
00:30:05You see poor, Mr. Sasur, Mr. Wisara Ji are standing in front of me.
00:30:08That's true.
00:30:10How do you use the words?
00:30:13Does it feel good, Dabo?
00:30:18Does it feel good, Dabo?
00:30:19I've told you three times.
00:30:21Dabo? Dabo? Dabo?
00:30:24I don't feel good, Dabo?
00:30:26Does it feel good, Dabo?
00:30:28This is a child, Dabo?
00:30:32Okay, okay.
00:30:33Oh, my God.
00:30:37It's a child and a dog.
00:30:38I'm not a dog.
00:30:40I have a dog, Dabo?
00:30:42No, I have to take a dog.
00:30:44I will take a dog, he will take a dog, he will take a dog.
00:30:47I will take a dog from your dog.
00:30:50I will take a dog from your dog.
00:30:56What's going on, Dabo?
00:30:58That's your question, Dabo?
00:30:59That's not a sheep?
00:31:01I'm just walking in front of the head.
00:31:10Is it a good thing?
00:31:12I think I am going to say,
00:31:14mom, today I am going to call my Valentine's Day.
00:31:16Here, the teacher is sitting here.
00:31:19The teacher is sitting here.
00:31:22Then the teacher is sitting here,
00:31:23who is the teacher?
00:31:31Avina Shri, you are Avina's?
00:31:32Yes.
00:31:33This is the truth.
00:31:35I just want to say that...
00:31:37...it's a place of online shopping.
00:31:39I've been told this for 10 times...
00:31:41...to do online shopping.
00:31:42I've been learning.
00:31:44I'm not giving it.
00:31:45I don't want to do online shopping.
00:31:48I come to my delivery, I ask OTP.
00:31:51Some people say,
00:31:52I'm giving my OTP.
00:31:56I'll just give my husband my OTP.
00:32:03OTP?
00:32:04What?
00:32:06What?
00:32:15OTP, password, hi, password.
00:32:17Hey, puppy.
00:32:20I'll give my husband OTP.
00:32:22Password, I'm not giving anyone.
00:32:24That's what I'm saying.
00:32:25You're wrong, puppy, puppy.
00:32:29I don't have two words in English.
00:32:31I don't have two words in English.
00:32:31I'm telling all the world...
00:32:33...and so I'm saying thanks to the whole world.
00:32:36I'm saying thank you.
00:32:36When I'm telling you, I'm not saying thank you.
00:32:38Why do you say it in English?
00:32:40Haridhar Ji?
00:32:41I don't have to say English.
00:32:42It's hard to say, absolutely.
00:32:43Why do I say it in English?
00:32:45Why do you say it in English?
00:32:45Well, tell me.
00:32:46The tomato and ketchup and ketchup...
00:32:47...what is the same thing in English?
00:32:50It's all about ketchup.
00:32:52It's the only Ketchup.
00:32:52It's the only mother of Manta's son.
00:32:53It's the whole city.
00:32:55She's actually told...
00:32:56...the whole city.
00:33:08actually
00:33:14actually
00:33:14actually
00:33:15I'm not
00:33:16I'm not
00:33:17actually
00:33:17just
00:33:17just
00:33:20You just hit the button every time.
00:33:22Why don't you hit the button?
00:33:24The film is coming.
00:33:25Is the time of film's film?
00:33:27Yes, we have tickets for film.
00:33:30If you want to watch the film,
00:33:31let's watch the film.
00:33:33Come on, sit down.
00:33:36Come on, sit down, mamie.
00:33:38Sit down, please.
00:33:39Come on, sit down, mamie.
00:33:41Sit down, go.
00:33:43I sat down, so I'll put my mom's phone in the house.
00:33:45Then I'll say,
00:33:45what are you sending me to my house?
00:33:49Come on, sit down.
00:33:49What are you thinking?
00:33:51We're not going to do this.
00:33:52I won't do it, sit down.
00:33:54Come, sit down.
00:33:57I'm here, sit down.
00:34:01This is going to be the plane in the air.
00:34:03This is going to be the plane in the air.
00:34:04Are you going to be the plane in the air?
00:34:06This is wrong.
00:34:07Hello, man.
00:34:10I've just sat down on my first motorcycle.
00:34:13There's no problem.
00:34:15Meets of the plane in the air.
00:34:17Yes.
00:34:22What is it going to be the plane in the air?
00:34:28Those were the cars down, dirty cars, dirty cars.
00:34:35They're there here, so they areバイ phone.
00:34:37In Jaešal, sir, less and more.
00:34:38You mentioned ourhistoire
00:34:38Does the živājli music have to do all the meshes��?
00:34:41I don't think it's going to be the same.
00:34:44No, it didn't happen.
00:34:45Actually, in the set, it was like that
00:34:48the light is shining and it's bad.
00:34:50When these six people were sitting there,
00:34:52Taboo and Piyush and Naseer bhai, Om bhai,
00:34:56and when all of those people were in one frame,
00:34:58it was a very interesting thing
00:35:00because all of the relations were very old.
00:35:03Right.
00:35:04So, it was one of the other people who were doing
00:35:07and they said,
00:35:09Look, look, look, what are you doing?
00:35:11Look, method acting.
00:35:13Method acting.
00:35:15So, it was a great thing.
00:35:17But what I had to do was,
00:35:21if I had to ask a question,
00:35:23then I would answer.
00:35:25Because at the level of the people who worked there,
00:35:28they didn't realize that
00:35:30Naseer bhai and Om ji
00:35:32they didn't realize anything.
00:35:34They were having fun with the whole time.
00:35:36if I had to do the whole time.
00:35:36And the whole time,
00:35:37when there was a camera on,
00:35:38it was their personality
00:35:39can be completely changed.
00:35:45Bishal sir,
00:35:46you are so wonderful.
00:35:48Have you ever been shooting a musical shoot?
00:35:50Have you ever played in the atmosphere?
00:35:51Have you ever played in harmony?
00:35:53I don't have time.
00:35:55Whatever you do,
00:35:56that's not even done.
00:35:58It's such a day.
00:35:59You know,
00:36:01we would get so much to get the money,
00:36:01We don't want to sing a song, so we don't do shooting.
00:36:04Today, if we request you to listen to two lines,
00:36:08then you won't do it, sir.
00:36:10You won't do it, sir.
00:36:12Thank you, sir. I want to ask a harmony, sir.
00:36:15Please, it's fun.
00:36:16Woo, woo, woo.
00:36:27Halka, halka fever hai
00:36:31Ha, ha, ha, ha.
00:36:34Saans bhi dubli lagti hai
00:36:41Doop mein ji nahi lagta
00:36:45Chhaon bhi humgi lagti hai
00:36:49Kya rog yeh pala hai
00:36:55Mujhe ishk huwa hai
00:36:59Ya honen wala hai
00:37:01Hai hai, kya wala hai
00:37:03Mujhe ishk huwa hai
00:37:07Ya honen wala hai
00:37:12Halka, halka
00:37:26Kya rog yeh pala hai
00:37:27Halka, halka, halka, kya rog yeh pala hai
00:37:31Chhaon bhi humgi lagti hai
00:37:34Kya rog yeh pala hai
00:37:41Let me get a love now, and go to God.
00:37:47What was your name?
00:37:48The beautiful beautiful picture.
00:37:48What the words you have heard?
00:37:49Let me get a love now, and go to God.
00:38:02Let me get a love now.
00:38:05Let me get a love now.
00:38:08Let me get a love now.
00:38:14Wow, yeah.
00:38:17Wow, yeah.
00:38:33Wow, wow, wow, wow!
00:38:35Beautiful!
00:38:36Welcome!
00:38:38What a miracle!
00:38:42What a miracle!
00:38:43What a miracle!
00:38:50Today, we have a topic here.
00:38:52Our guest is present.
00:38:54The goal is that the Valentine's Day is okay.
00:38:58One day to celebrate love.
00:38:59The first of them, they gave 6-7 more gifts.
00:39:02Rose Day, Hug Day, Teddy Day.
00:39:04This is all necessary.
00:39:05Do not give up.
00:39:07This is how the person loved one.
00:39:08It is not the same.
00:39:10The ones also gave me the round.
00:39:11Give them a mic to me.
00:39:12Hello, Kapil, sir.
00:39:14I am my name is Chris Chandr Rawal, I am from Odisha.
00:39:16I am from Odisha.
00:39:19I am from Odisha, very nice to be with this.
00:39:20Thank you, sir.
00:39:21The Valentine's Day is very good.
00:39:25What about your husband?
00:39:27I want to be with his girlfriend.
00:39:29I gave her a chocolate cake for her,
00:39:31on the daily, on my daily.
00:39:40foreign
00:40:03Yes, sir.
00:40:04After 11.59, it's 12 hours.
00:40:05At that time, I have to give you a reply.
00:40:08At that time, I have called them.
00:40:10So they have accepted my reply.
00:40:12It was a good day for me.
00:40:15But I had a break from my girlfriend.
00:40:20Now, I love them too.
00:40:23How did the break-up happen in one minute?
00:40:25No, break-up.
00:40:31No, sir.
00:40:32Sir, after 2-3 years, I had a break-up.
00:40:35What happened when you had a break-up?
00:40:37My family had a problem, so it couldn't happen.
00:40:40Is this your marriage now?
00:40:41Yes, it's your marriage.
00:40:44But I love them too, I love them too.
00:40:49Sir, I have a request to you.
00:40:51One time, please tell my girlfriend to my girlfriend.
00:40:58What have I done?
00:41:28What have I done?
00:41:30ah ah ah ah ah ah ah ah ah ah ah ah oh my god what's going on
00:41:40yes
00:41:41you said that you said this, that's why you sent them to leave there,
00:41:49one question is what will you make a life?
00:42:05foreign
00:42:25All of us, give us all of this house.
00:42:30Do you know me,
00:42:33where are you from from the United States?
00:42:36The rest of us is okay.
00:42:37Just say sorry.
00:42:38No, no, sorry.
00:42:42It's a loss.
00:42:43It's a loss.
00:42:48Brother, you are here.
00:42:50And madam, you also have a special gift.
00:42:53Please, come to your mind.
00:46:59I don't believe my lord, you can love me, how much you can love me?
00:47:05If you love me, you can love me, how much you love me?
00:47:15If you close the bathroom, you keep 4 kilos outside.
00:47:23Uncle, it's not your topic, there's nothing else.
00:47:27Exactly!
00:47:30I am with the girl. Topic is something else.
00:47:39Just keep it open. Exactly.
00:47:42What would you want to say?
00:47:46I like that.
00:47:52I like that.
00:47:54I like that.
00:47:55I like that opinion.
00:47:57Okay.
00:47:58Okay.
00:48:02What do we want to say?
00:48:03Mr. Kapoor?
00:48:05Mr. Kapoor?
00:48:06Mr. Kapoor?
00:48:09Mr. Kapoor?
00:48:10Mr. Kapoor?
00:48:14What do you want to say?
00:48:27Oh, my God!
00:48:42Let me move on to the next topic, please.
00:48:45Yes.
00:49:10Oh, my God.
00:49:18Oh, my God.
00:49:23It is rubbish.
00:49:24It is rubbish.
00:49:25I will talk to you.
00:49:27I will talk to you.
00:49:28I will talk to you.
00:49:29It is rubbish.
00:49:29So, you talk to me.
00:49:31What is this?
00:49:31This means it's here.
00:49:32I talk to you, and this is where you are.
00:49:38Uncle Ji, I agree my words with you.
00:49:41Uncle would be your mother.
00:49:50Now, if anyone has said anything to Uncle G,
00:49:53then I'll send you to me.
00:49:56I'll send you to me.
00:50:00I told you that I got a little emotional. I'm sorry.
00:50:04Oh, Waloo.
00:50:05Sorry.
00:50:06You got emotional?
00:50:07Yes, I got it.
00:50:08You can't get emotional.
00:50:09I'll get emotional with you too.
00:50:12Sorry.
00:50:16What's going on?
00:50:20Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:33ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:35ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:36ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:36ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:36ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:37ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:37ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:40ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:40ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:41ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:50:42ha ha ha
00:50:42Oh
00:51:12Oh
00:51:43Oh
00:52:17Oh
00:52:18Oh
00:52:18Oh
00:52:18Oh
00:52:19Oh
00:52:34Wrong number
00:52:35Wrong number
00:52:37Oh
00:52:37Oh
00:52:44You guys have seen
00:52:47My son has made a mahol
00:52:49My son has made a performance
00:52:51My son
00:52:53My son
00:52:53My son
00:52:56You don't have a shame
00:52:57You're 190
00:52:59I'm going to ask you
00:53:03I'm going to ask you
00:53:04I'm going to ask you
00:53:05Which floor is on your floor?
00:53:09This is what your water cooler is
00:53:11This is your little bit of water cooler
00:53:12You're...
00:53:15Thank you very much
00:53:16Thank you
00:53:18Either you go back or go back
00:53:21Okay
00:53:27Let me move on to the next topic
00:53:29Vishal Ji
00:53:30I want to know
00:53:40Do you think it's reasonable?
00:53:45Do you think it's reasonable?
00:53:56Do you think it's reasonable?
00:54:01I don't think that Gulzar has put Shandy on it.
00:54:15Shandy, Shandy.
00:54:17For the first time, I am sorry.
00:54:22Even I love Gulzar.
00:54:24But I wrote a movie about the BDs.
00:54:27I lost my sleep.
00:54:30Then I left my phone.
00:54:34In my last house, it was just three thousand miles.
00:54:37Now, I am not asking for Gulzar.
00:54:39This is what I'm saying.
00:54:41I'm trying to keep ties.
00:54:42Why?
00:54:43How do you keep ties and where do you keep ties?
00:54:46You keep ties so much,
00:54:47that's why the place is keeping ties.
00:54:49I keep ties.
00:54:54I will pray that you will be like a son of your house.
00:55:01Then you will understand that you will not have hair nor hair.
00:55:06I know that if you take your hair and hair, you will be cut.
00:55:17Oh my God! Would you have let me get back on my shirt?
00:55:25Why don't you sit down? Why don't you take a seat?
00:55:29There is no value from these people.
00:55:33And this is the truth.
00:55:43The truth is the truth.
00:55:43When there is no value, there is no value.
00:55:46Okay, let me move on to the next research.
00:55:51Vishal Ji, we have a research.
00:55:55Your song.
00:55:57Your song.
00:55:57Your heart is a child.
00:56:00So, in that song, 18 seconds, there is no value.
00:56:04After 65 seconds,
00:56:09after 1 minute, 23 seconds,
00:56:12your line says,
00:56:14there is no value like a heart.
00:56:15There is no value.
00:56:18In that 65 seconds,
00:56:21what happened,
00:56:21that the child is a little?
00:56:23Why?
00:56:25Why?
00:56:27Why?
00:56:28Why?
00:56:29Why?
00:56:31Why?
00:56:31Why?
00:56:32Why?
00:56:32Why?
00:56:32Why?
00:56:36Why?
00:56:39Why?
00:56:39Why?
00:56:41Why?
00:56:41Why?
00:56:42Why?
00:56:44I ain't the guy that's old
00:56:45Is he big.
00:56:47WOODRUFF
00:57:05Why she is mad
00:57:08In the film, there was an interval.
00:57:10They didn't stop at the interval.
00:57:12I told them that I'll eat your popcorn,
00:57:15because they're busy.
00:57:24Oh, my God!
00:57:26Can you just shut up?
00:57:29Why don't you shut up?
00:57:30You're getting too much food.
00:57:39Hey, this is why tandoor, take the roti.
00:57:44This is a tandoor.
00:57:47Tandoor, tell me, this is the way to deal with it.
00:57:53The roti put in here, where are they put in here?
00:57:58Guys, guys, guys, guys,
00:58:02the problem is wrong,
00:58:04but the valentine date has been saved a little.
00:58:05It's a lot of children.
00:58:06They want to make it with a drink or with a drink.
00:58:09But keep in mind and make it in their own room.
00:58:12Let's go, pass.
00:58:13It's a lot.
00:58:16We're going now.
00:58:18Are you spying my debate, you guys?
00:58:20You guys spoil my debate.
00:58:22You guys spoil my debate.
00:58:24You guys spoil my debate.
00:58:26You guys spoil my debate.
00:58:29You guys spoil my debate.
00:58:45How did you enjoy being on our show, Chahid?
00:58:49It's always too much fun.
00:58:50Thank you, guys.
00:58:51You guys are at another level here.
00:58:53And the end was too good.
00:58:56It was amazing.
00:59:05And especially, I want to say that, oh, Romeo ki puri team ko bohut-bohut badhai.
00:59:11Sath-hi, is film ke producer, Sajid Nadiaadwala ko bhi bohut-bohut badhai.
00:59:16And Nadiaadwala grandson entertainment ko unke pichattar saal poore hone par bohut-bohut badhai.
00:59:25Thank you, guys, so very much.
00:59:36Aapka steppola.
00:59:37Kya gana hai?
00:59:46Jattu Dada, Madhuri ji, baut-baut swagata hai.
00:59:48Kya lag raha hai aap dono?
00:59:50Kya lag hai, ma'am, jab aap shishe mein aapna chehra dhekhte, aap mein dhamanda aata tabhi ke, ah, haa,
00:59:55mein hi to hoon, Madhuri.
00:59:56Ish.
00:59:58Yuh nazar ki baad ni, aur dhil chura ghi.
01:00:02Hum to samjhe thai budh, haaap to harkan suna gai.
01:00:08Aaj, aapka, thik atada, blood pressure?
01:00:10Ne, ma toh, dr. neme ko dhulg raha.
01:00:12Aada, tension hoti thi, jab Madhuri ji ke saath, dance karna hota tha.
01:00:15Bojeh, tension tha hai ne, kyao ke saab unko dhekhte thi.
01:00:18She is impressive.
01:00:20She's so immersed in her role.
01:00:21She's romancing.
01:00:29Aada, yeh meri lokhand wala wale flet ki shawe.
01:00:33Yuhnko kyu dhere wap?
01:00:34Inka kar karke yeh flet bana elai.
01:00:39Madhuri ji, aapko bata haa, aapke chakr mein mein doktor ne banta.
01:00:42Aha, mané doktor chowdr diya.
01:00:45Shuru kliya tha.
01:00:46Yuhn chowdr diya?
01:00:46Kyyukhi aapke waas eki wekansi thi, bool phil ho gaih,
01:00:49Tho phir man en chowdr diya.
01:00:50Ha ha ha ha.
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