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00:00:01Where are you from?
00:00:03Be confident that we will find Zlikovca.
00:00:05The truth will be happy.
00:00:06Are you ready for this little shvaler?
00:00:07She's not her.
00:00:08She's not her.
00:00:08It's her.
00:00:09He doesn't know what he's going to do.
00:00:11He has two doctorates.
00:00:12He's a police officer.
00:00:13Have you killed Violetra Djukić?
00:00:16I killed her, not me.
00:00:18Where's 42nd?
00:00:20What did you do?
00:00:21Someone's house in Djukić's war.
00:00:23You go there when you're dead.
00:00:24And you'll see it.
00:00:26Discretly.
00:00:36You killed Violetra Djukić?
00:00:38I'm Jolio.
00:00:39Violetra killed me.
00:00:40He killed me.
00:00:42He killed me.
00:00:42He killed me.
00:00:42He killed me.
00:00:43He killed me.
00:00:44He killed me.
00:00:44He told them they were mine.
00:00:46Who is that?
00:00:48He killed me.
00:00:50In Belgrade.
00:00:51Are you sure that this is an original?
00:00:54It appeared when he was buried from the church.
00:00:57The good of the Romans.
00:00:59Don't lose hope.
00:01:01We save our Russia.
00:01:03Mr. Olimpije Mirić.
00:01:05The new government is fighting every time.
00:01:07I hear that you're dangerous.
00:01:09You've got a clear task.
00:01:10Makedonski separatists and alcohol.
00:01:13I want an advocate.
00:01:14Ante Pavelić.
00:01:16When is he here?
00:01:17He's here.
00:01:18He's here.
00:01:19He's here.
00:01:20What are you doing here?
00:01:28He's here.
00:01:56I want to be here.
00:02:04Thank you very much.
00:02:28What am I going to do with you?
00:02:30You just do it like you don't know that you will come.
00:02:33And you don't get the gajne.
00:02:35Okay.
00:02:36I will be going to be like the gajne is already done.
00:02:58I don't know where the gajne is.
00:03:01We will see you in the first time.
00:03:03It's your private thing.
00:03:05There is no reason for that.
00:03:09Is he killed?
00:03:11There are indications.
00:03:13The best people are working on this.
00:03:16They are in the field.
00:03:18You will find the kill.
00:03:20I want to see you.
00:03:38I want to see you.
00:04:20I want to see you.
00:04:44I want to see you.
00:04:51I want to see you.
00:08:47Fine.
00:08:58He was a member of my art group and he had to photograph his work.
00:09:02You told me everything, except where I am. You don't know?
00:09:08I don't know!
00:09:13Maybe I could do it.
00:09:17Don't let me do it. Tell me everything in your interest.
00:09:22He was a problematic, complex person. He was a homosexual.
00:09:28He was a half of the boys. He was drunk, drank, drank, and in the last time he was connected
00:09:32with very bad people.
00:09:34Which bad people?
00:09:35I don't know. I know that he was paid for money and that he was persuaded from all sides.
00:09:41Okay, now you're going to write everything, because I'm going to get hurt.
00:09:45Wait! You have the right to get hurt? I'm not even surprised!
00:09:52Who says that you're not in a hurry?
00:09:55Here's one! Give me one!
00:10:00What's your fault?
00:10:02Why did you get hurt?
00:10:09You managed to know something to me?
00:10:11How do I know when we don't know anything?
00:10:13We only know that you have three years old.
00:10:16And you don't have anything to do.
00:10:18If you remember what he's called or where he lives...
00:10:21I'd known him when I saw him.
00:10:23I'd known him.
00:10:24Why not?
00:10:26He was the first guest.
00:10:28Who was the driver?
00:10:32That... Stavra.
00:10:36Maybe he knows?
00:10:37What?
00:10:40What?
00:10:40Do you remember that little girl?
00:10:43You're good.
00:10:45You're good.
00:10:47Not only down there, but down there.
00:10:49Yes?
00:10:49I'm kidding, man.
00:10:53No, no, no!
00:11:04No, no.
00:11:06I'm kidding.
00:11:13No, no, no, no.
00:11:16No, I'm kidding, man.
00:11:18you can't do too much, man.
00:11:19Let's go, Inspector.
00:11:20Stay on them.
00:11:22These are some of my family portraits.
00:11:24Okay.
00:11:27Let's get ready.
00:11:29Let's finish the contract, if you need something else.
00:11:31No need. Thank you.
00:11:39Gentlemen!
00:11:40This is Mr. Davidovic.
00:11:45He is free.
00:11:45No. No one is free.
00:11:59Mr. Davidovic, Inspector, is sorry.
00:12:02You are free.
00:12:05You are free?
00:12:06Yes.
00:12:06People will be free to return home.
00:12:10Melissa V.
00:12:13Please, take the house and return to the house.
00:12:16You are free.
00:12:21It's easy to do.
00:12:36It's easy to do.
00:12:42Please, sir.
00:12:43Come on, sir.
00:12:44Come on, come on.
00:12:45Come on, come on.
00:12:46You are you on the front?
00:12:47Come on, the police?
00:12:49Please, come on.
00:12:50Come on, come on.
00:12:51You are really out of sight, sir.
00:12:53Listen, friend.
00:12:54We are hearing the Lord.
00:12:55We have to know who you are.
00:12:56Listen, come on.
00:12:57You have five seconds to come on.
00:12:59Is it clear?
00:13:16Are you okay? I heard what happened.
00:13:20You don't have to leave. Everything is fine.
00:13:26You don't have to leave. I thought I was a little more familiar.
00:13:32In the war, I don't know exactly what happened.
00:13:36Violeta caught me. Do you understand?
00:13:42A Russian guy in my bed, in my bed.
00:13:50In my bed, in my bed.
00:13:51Here are the letters.
00:13:52Listen to me.
00:14:02I feel like I'm a little bit like a little bit.
00:14:06This one.
00:14:07I don't know.
00:14:13I think it would be the best to leave now.
00:14:17I'll wait for breakfast tomorrow.
00:14:31Do you think you're sleeping here?
00:14:37I can't wait for the night to be alone.
00:14:41I don't know.
00:14:42It's not the best to be in the night before breakfast.
00:14:45I'm sorry.
00:14:46The whole Beograd sees you in front of me.
00:14:51I understand.
00:15:03Now, just a little bit.
00:15:06I don't know.
00:15:06I think it's true.
00:15:06Maybe it might be it right.
00:15:07You don't see a lot of time.
00:15:12You don't see anything.
00:15:13It really doesn't work.
00:15:16Okay.
00:15:18If you can stay here, I don't have time.
00:15:20Of course.
00:15:48Okay.
00:16:07Luca, what do you need?
00:16:11Don't be afraid of me.
00:16:13I don't want to.
00:16:15I'll give you my own place.
00:16:17Don't be afraid of me.
00:16:18I won't be afraid of you.
00:16:20Because I'm afraid of you every day.
00:16:23You want to help me?
00:16:24I'm in school,
00:16:27but I can't find a book.
00:16:29Luca, today is a week,
00:16:30there's no school.
00:16:32No, no, no, no.
00:16:35Let's take all these books
00:16:36and let's pray.
00:16:38Let's pray.
00:16:39Can I go to Avlio to play?
00:16:41If you learn a book, you can.
00:16:44What a book?
00:16:46Cveto, I pray.
00:16:47The book helps him to keep his memory.
00:16:51I've called you to listen to him
00:16:53and be with him all the time,
00:16:54not to help him.
00:16:55What do I need to tell him?
00:16:56To be honest as you?
00:16:58I'd only be afraid of him.
00:16:59I'd like to care about the healthy child
00:17:02rather than the dumb child.
00:17:03I'm happy, I'm happy.
00:17:04Okay.
00:17:05Just be with him all the time.
00:17:06Please.
00:17:06You don't care for us.
00:17:08Let's pray.
00:17:09So.
00:17:11For the rich children,
00:17:15please.
00:17:17I'll show you by the rich child,
00:17:18and the rich children.
00:17:23Please.
00:17:23Please.
00:17:25Let's pray.
00:17:28I can't say that the rich children had done.
00:17:32Please.
00:17:33People had done.
00:17:36I can't say that the rich children had done,
00:17:39And if you don't have it, then you don't have to say anything.
00:18:03Come on, Raiko!
00:18:17You're so happy that you have time to talk with us.
00:18:22Please introduce me.
00:18:24Olympia, peace.
00:18:26Would you like it, ma'am?
00:18:28I'm not a man. I'm a criminal. I'm a victim.
00:18:30Not just for the victims, but for the victims.
00:18:38I understood that you would like to have a state government
00:18:45that would have been a monopoly on the purchase of the makedans.
00:18:52Marko Antonije once said,
00:18:55he is not a friend, he is close, but he can be a friend.
00:19:01Marko!
00:19:05What will you do, Miric?
00:19:07By the design of this state government,
00:19:10we would not be able to make an illegal trade with opioids
00:19:13from which the makedans terrorists are financed.
00:19:17By this way, we would not buy only the mak from seljaka on the south
00:19:21and would not buy the whole world
00:19:24with the first-class medical opium and morphium.
00:19:28I would not remember how the state government
00:19:30would be filled with the opium.
00:19:34And your djeb?
00:19:38Not only my, Mr. General.
00:19:40Not only my.
00:19:44You see that Bagra Štohara down in the south of Serbia?
00:19:47I haven't been together with the Croatian separatist.
00:19:52It was a terrible problem.
00:19:59It was a terrible problem.
00:20:00You should be able to make a pharmacy.
00:20:04My Miric.
00:20:06Mr. Minister, he strongly supported my idea.
00:20:09You know how many of us are writing for this?
00:20:12Mr. General, there is no way to convince you to be able to.
00:20:17Not at any time, nor at any time.
00:20:19You don't have to say anything, Mr. General.
00:20:23You said that you were a wise man, right?
00:20:27It's nice.
00:20:34Good day.
00:20:35A letter and a telegram.
00:20:37If you don't have a cell phone, I'd call it a telegram.
00:20:41Okay, please.
00:20:42If you don't have a cell phone, I'd call it a letter.
00:20:48That's the request.
00:20:50Yes.
00:20:51The address?
00:21:00In this month, again, we have to reduce the call to the cadets.
00:21:08The address is not a problem.
00:21:11The people are going to pay for it.
00:21:13The people are going to pay for it.
00:21:13We are going to move the same way.
00:21:18And I'm sorry, that we are not the way to make it so much.
00:21:21And I'm sorry.
00:21:23I'm sorry, that I don't have to help.
00:21:29I'm sorry, that we will be able to make it so much.
00:21:30But I believe that our suffering will soon end.
00:21:33And in the summer, we will begin the war.
00:21:39You don't believe me more?
00:21:43I believe you 10 years old, General.
00:21:46And I'm ready to believe 110 years old, if it will be necessary.
00:21:49I hope God will be with us.
00:21:51Back to me, what they have lost me.
00:21:54We will do everything possible, General.
00:21:57What about the arrest of Gрушницky?
00:22:01This is our police.
00:22:26You have to go to the hospital.
00:22:27You have to go to the hospital.
00:22:32I have to go to the hospital.
00:22:34Otherwise, go to the hospital.
00:22:35Yes, yes.
00:22:36No, no.
00:22:38No, no, no.
00:22:38God, God, Tane.
00:22:40You need to help me.
00:22:42Because of the blood that you hurt me.
00:22:44Don't do that.
00:22:45My son is like a girl's son.
00:22:47You have to go to the hospital.
00:22:50I will go to the hospital.
00:22:52I will go to the hospital.
00:22:55Good morning.
00:22:56Good morning.
00:22:57Do you have paradise house?
00:22:58Yes.
00:22:59But if you pay.
00:23:00I will pay.
00:23:02I pay for the hospital.
00:23:02That will pay.
00:23:08I will pay for the hospital.
00:23:09And this is what you have to do.
00:23:11I'll do his charter there.
00:23:11I'll pay for the hospital at a day.
00:23:12I should pay for the staff.
00:23:13I will pay my income to work.
00:23:18The hospital is very briefly.
00:23:18They will pay for the hospital.
00:23:19We will pay for the hospital.
00:23:19But in this has not changed.
00:23:20After the hospital day...
00:23:20I am emotionally marty.
00:23:20And this day,
00:23:25if someone has jailed something.
00:23:25No matter with the hospital.
00:23:25That is such a sight.
00:23:26I плюс solve him for 16-14.
00:23:33Good morning, good morning, old man.
00:23:36Good morning, can you please?
00:23:38Do you have any kajmaka?
00:23:40There is no kajmaka, but there is no kajmaka.
00:23:43And the srpska?
00:23:46Everything is srpska.
00:23:48That's it.
00:23:50Here.
00:23:53Please, try it.
00:23:55I don't have anything to do.
00:24:01Mmm, excellent.
00:24:04Here, who says that the srps don't know what to do.
00:24:07Give me two kilos.
00:24:10I'll have something to do, and I'll buy it.
00:24:12I don't need it.
00:24:17Two kilos.
00:24:36Sorry.
00:24:39Hey, watch out!
00:24:43Get ok.
00:24:44Hold it together.
00:24:45Get it out!
00:24:47Come now.
00:24:49What?
00:24:49Let's go, let's go!
00:24:51Let's go, let's go!
00:24:53Let's go, let's go!
00:24:54Let's go, let's go!
00:25:11Good morning.
00:25:13How about who?
00:25:14Good morning.
00:25:16Mr. Hadjersov.
00:25:18I'm your advocate, Ante Pavlević.
00:25:21Dr. Juris.
00:25:22I'm on the other side.
00:25:23Do you have a cigarette?
00:25:25Yes, here we go.
00:25:31What a honor!
00:25:33I'll be the doctor of legal science.
00:25:36Have you been the leader of the election in the Skopje last year?
00:25:40Yes, I am.
00:25:41Well, you didn't have anything to say.
00:25:44Well, you know that it was a modern process.
00:25:48And that your supporters from VMRO didn't have any chance.
00:25:53Why do you think I have any chance now?
00:25:56You say it's like we're on a cocktail table,
00:26:01and we're playing here for sure.
00:26:04You say it's like you're a guerrero,
00:26:06not an advocate, Mr. Pavlević.
00:26:07What should it mean?
00:26:08Well, that means that we've agreed with our members from Bukov
00:26:14that, unlike Skopje,
00:26:18this time we won't talk about corrupt legal systems,
00:26:21the criminal systems,
00:26:23which the Serbs call the government.
00:26:28I see, I like Dostoevskog.
00:26:32I've done a Salangheta.
00:26:34Faust.
00:26:36You know, all the Slavinskian nonsense
00:26:39can make you feel a little bit of a realness.
00:26:43And, dear God, I'm a weak.
00:26:45And a little true Germanic philosophy
00:26:48never heard of it, right?
00:26:50You know that I've been thrown into the Great War.
00:26:55Well, now it's time, dear friends,
00:26:57to learn something from them.
00:27:02We'll see you soon.
00:27:08Thank you, Pavlević.
00:27:26Where are you?
00:27:28To Borod.
00:27:30Are you here from Beulet?
00:27:32No, they come from Bukov.
00:27:35Are you macedonians?
00:27:38No, Indians.
00:27:44Who are you from Magedonians?
00:27:50Don't you?
00:27:58They're not.
00:28:02Let's go.
00:28:03Let's go.
00:28:03Let's go.
00:28:05Open it.
00:28:06Go.
00:28:13Autopsia is done.
00:28:15The death is first of all, but the death is over.
00:28:17The death is over.
00:28:19The death is over.
00:28:20The death is over.
00:28:20The death is over.
00:28:23The death is over.
00:28:25This murder is not modern.
00:28:27Let's go.
00:28:30See you.
00:28:34Bojana,
00:28:36would you come with me in a week?
00:28:39Let's go and go somewhere in the evening.
00:28:42Why?
00:28:44First of all, I'm sorry for you.
00:28:46The last time you wanted to show me Beograd,
00:28:49I didn't understand it as your intention
00:28:51that you want to go with me.
00:28:53You've lost me.
00:28:55I would like another opportunity.
00:28:59Bojana,
00:29:00I understand you.
00:29:04I know that you are doing something similar.
00:29:08Because you are
00:29:10an extraordinary woman.
00:29:20you.
00:29:22Go Go Go Go Go Go Go Go Go Go Go Go.
00:29:26God, I get your eyes on the on fire.
00:29:41Sometimes I think, that Stalin has liked us a good idea.
00:29:49The gerogical tricks guy. Why?
00:29:54He has all these beautiful women.
00:29:57Exactly in our hands.
00:30:01And this guy. I'm just a pig.
00:30:05Is that right, girls?
00:30:08Sorry, I'm sorry for that.
00:30:09I'm sorry for that.
00:30:10I'm sorry for that.
00:30:11I'm sorry for that. Thank you.
00:30:13We hear the problems with transport.
00:30:16The question was a misunderstanding.
00:30:18The whole damage will be taken to you.
00:30:20No, Marij. I believe in you.
00:30:22Mr. Gabriel Macht, our friend and partner from Bec.
00:30:27He will help you with this complicated job.
00:30:31With Heimdall Farm.
00:30:32Are you one of those who can learn?
00:30:35Olympia Miric?
00:30:37Heimdall Farm, this is a famous film.
00:30:39This is wonderful.
00:30:40No, Heimdall.
00:30:42It's not true.
00:30:45It's effective.
00:30:47It's permanent.
00:30:49It's strong.
00:30:50Like the German people.
00:30:53Totally right.
00:30:54German people.
00:30:55Powerful people.
00:30:56Let's go, Olympia.
00:30:58Who are you kidding me?
00:30:59What do you think of all?
00:31:02You're so stupid.
00:31:04Why?
00:31:05I'm interested in what Mr. Miric wanted to say.
00:31:09According to the Greek legend,
00:31:11Hercule visited the German lands
00:31:13when he went to the Hisperic Sea.
00:31:16And then the Germans sing songs when they go to the war.
00:31:20They praise him.
00:31:21Oh, you read the words.
00:31:24That's right.
00:31:25Here's a little bit of a milk.
00:31:26I'll go for a drink.
00:31:27Good, Olympia.
00:31:28Good, you're really not sure of the book.
00:31:31Good.
00:31:34I hope you enjoy it.
00:31:36As always, dear friends,
00:31:37please join us.
00:31:39See, there's no place.
00:31:39I don't have time.
00:31:43I don't have time.
00:31:54You're right.
00:31:55Yeah, please.
00:31:55It's a lot of sunscreen.
00:31:55You can have some water in the cold.
00:31:57I'm going to have some water in the cold.
00:31:58You have some hot Russian quaz, right?
00:32:00Ha-ha.
00:32:03Ha-ha.
00:32:03Ha-ha.
00:32:03Ha-ha.
00:32:03Ha-ha.
00:32:03Ha-ha.
00:32:03Ha-ha.
00:32:04Ha-ha.
00:32:09Ha-ha.
00:32:16I'm sorry.
00:32:17Love, I'm ready for the trip.
00:32:20And I promise you don't forget to ask General to help Mike with the bank.
00:32:25I don't know if he will.
00:32:27He'll be good, Arsenija.
00:32:29But if you'll take it back to her, I'll change it.
00:32:32Yes, I'll try.
00:32:33I'm proud of you.
00:32:35I love you the most in the world.
00:32:37I'm so stressed on the road.
00:32:42You didn't go to the beach, Brun.
00:32:44You don't need me.
00:32:46Don't forget May.
00:32:51Pristava Kumovic.
00:32:57Who are you?
00:32:59I'm sorry, your friend.
00:33:04I need to give you this.
00:33:08Rio.
00:33:40Planet concentration!
00:33:40I'm sorry!
00:33:57I'm sorry, teles Doppler.
00:34:02investigación Biom
00:34:30Let's go.
00:34:36I thought you would have died and left me alone.
00:34:40You were all alone, but you don't have to worry about it.
00:34:44How did you do that?
00:34:46I'm sorry.
00:34:49I'm sorry.
00:34:51I'm sorry.
00:34:51I'm sorry.
00:34:53I'm sorry.
00:34:55It's okay.
00:34:57It's okay.
00:34:58It's okay.
00:35:16You're going to be in a condition when you're shooting.
00:35:18Yes.
00:35:19Let's go.
00:35:20I'm sorry.
00:35:23I'm sorry.
00:35:24I'm sorry.
00:35:28I'm sorry.
00:35:29I thought you were all alone.
00:35:32I thought you were all alone.
00:35:32You got what you wanted.
00:35:34You're all alone.
00:35:35I thought you would be a mistake when you're drinking.
00:35:39The old good Serbian army died in your captain on Sijević.
00:35:43Or you just broke the house.
00:35:45For the end of the month, you were ordered a letter.
00:35:50I was asked a little bit more. I started to talk.
00:35:54The Serbian soldiers will be able to help the macedaic terrorists, right?
00:35:58No, but that's your one.
00:36:00The police will be a good lawyer.
00:36:03That's why I told him,
00:36:04it's not his job to help him.
00:36:05He was only doing a job to help him.
00:36:08It's like you were doing a job to kill him.
00:36:10No, no.
00:36:11Well...
00:36:13Maybe he was looking for you,
00:36:14or for you not to judge you,
00:36:16or for something
00:36:19that doesn't follow you.
00:36:27Give me a cigarette.
00:36:44We call him Roj,
00:36:46but this Pavel,
00:36:48he's a big dick.
00:36:50Even for you.
00:36:54You're in the middle of the street.
00:36:57And when you're in such a situation,
00:36:58you're not able to get an agreement.
00:37:02You should be with the devil.
00:37:04And with the devil.
00:37:08Come on.
00:37:09Come on.
00:37:10Come on.
00:37:11You're in such a way.
00:37:11Maybe I'm ready for that.
00:37:13You, old friend.
00:37:18You're not that bad.
00:37:20I'm not going to be quick.
00:37:27I said,
00:37:28don't let you go with yourself
00:37:29to be in one place.
00:37:34And look at your path.
00:37:42With me,
00:37:43it should be so simple,
00:37:44brother.
00:37:50Let's go.
00:37:59It's pretty awesome.
00:38:00Let's go with your faith.
00:38:03I've abandoned yourself.
00:38:05Be darned myself.
00:38:08Oh my god, let's go!
00:38:15I'm sorry.
00:38:18Hey, I'm a little girl.
00:38:20I don't believe in Beograd.
00:38:23I think that's Beograd.
00:38:26That's it, I'm a little girl.
00:38:33Okay, I'm a little girl or Beograd?
00:38:35How does it take?
00:38:37And one and the other.
00:38:38We haven't decided yet.
00:38:44Don't forget.
00:38:46Answer what I'm asking.
00:38:49Look, Makedon,
00:38:52where do things do not work like that?
00:38:54Where, in Beograd or in the little village?
00:38:57In Beograd.
00:38:58And in little village.
00:39:06I'm a little girl.
00:39:09You're a little girl.
00:39:11You're the first person in life that's called a man.
00:39:14Hey, you're a little fan.
00:39:15With this table from the table.
00:39:16Come here.
00:39:17Just listen.
00:39:19There's a lot of food inside.
00:39:22More than what I teach with myself.
00:39:24It's hard.
00:39:28You're a little girl.
00:39:29You're a little girl.
00:39:30You're a little girl.
00:39:32You're a little girl.
00:39:32You know why you're leaving him?
00:39:34What should I do?
00:39:35To let him die?
00:39:36To let him die?
00:39:37To let him die?
00:39:37To let him die?
00:39:38He didn't die.
00:39:39And the doctor said he was falling.
00:39:40Because you're a doctor.
00:39:42You should have to tell me again.
00:39:44You said you'll be coming.
00:39:46I'm not sick that you're all again.
00:39:47I'm not sick.
00:39:49Listen to me, good.
00:39:50If something happened to me,
00:39:52you'll remember me.
00:39:54Get out of here!
00:39:56Get out of here!
00:40:02Inspektore!
00:40:03Give me something to eat!
00:40:04Get out of here!
00:40:05Get out of here!
00:40:07Get out of here!
00:40:20Enough of the car!
00:40:21Where's the car?
00:40:22Give me something to the Makedons.
00:40:25It's the time.
00:40:26It's the time for you.
00:40:27I don't remember it.
00:40:29I don't remember.
00:40:34Go for it!
00:40:37Hey!
00:40:39Go for it to me!
00:40:40Go for it!
00:40:40A Makedons go for it.
00:40:42Go for it!
00:40:45Let me go!
00:40:50I'm going to ask you what you are doing so.
00:40:56If you ask a man, he will give you a chance,
00:40:58but not that you will judge him.
00:41:00He will be afraid of you and he will run away.
00:41:02So I'm going to ask you what you are doing so.
00:41:11Why do you love, Kurac?
00:41:13I'm going to ask you what you are doing.
00:41:15I'm going to ask you what you are doing.
00:41:18Because I'm not sure how to deal with my bullshit.
00:41:22One bullshit is worth it.
00:41:25What are you talking about?
00:41:27I'm going to ask you a little bit.
00:41:32I'm going to ask you what you are doing.
00:41:35I'm going to ask you what you are doing.
00:41:40He's getting your son.
00:41:42I'm going to ask you what you are doing.
00:41:49What should you get to a car and that's so old macedon?
00:41:51Where are you, Kurac?
00:41:52What are you drinking?
00:41:53I'm going to go, I'm going to go.
00:41:58Kurac, let me just leave the shit out.
00:42:00You got the Russians to get the new Ras.
00:42:02We were trying not to get anything.
00:42:03Nothing.
00:42:03Well, Dad, Dad is a djubre.
00:42:06Dad is a bad guy.
00:42:09When he hits, he doesn't think.
00:42:11I'm not going to wear me like a kalujer.
00:42:14I'm not going to ask him.
00:42:19The other time you said your name.
00:42:21What?
00:42:24Your name doesn't remember.
00:42:27I don't want to remember it anymore.
00:42:29And you?
00:42:30Any of those...
00:42:33...majmoons?
00:42:36Listen to me.
00:42:38I don't want to remember it.
00:42:40I want to see it.
00:42:49I told you I will call you, but not me.
00:42:55What do you want?
00:42:55The Makedons came out of Bukov.
00:42:57One of them is a little boy.
00:42:59He is a group of them.
00:43:01A group of them?
00:43:02A group of them?
00:43:04No.
00:43:05He is a group of them.
00:43:06He doesn't have a group until he doesn't talk to the chef.
00:43:08Okay.
00:43:09I'll tell you.
00:43:10Only him.
00:43:11I understand.
00:43:12What's with him?
00:43:13I'm not.
00:43:14My life is not.
00:43:16And he is?
00:43:17And he is with his soul.
00:43:19Okay.
00:43:20You don't want to hurt him.
00:43:22I understand.
00:43:25I'm not.
00:43:46I'm not.
00:43:51I'm not.
00:43:52I'm not.
00:43:52Good.
00:43:54Good.
00:43:55Good.
00:43:55Good.
00:43:56I'm not your patient.
00:43:58I didn't think so.
00:43:59It's been a long time.
00:44:00Sit down.
00:44:01Sit down.
00:44:02The situation is the next one.
00:44:04You have to go to the top of the house to look at the sadness.
00:44:09And write in the paper that he is not ready for a trip.
00:44:15It's not.
00:44:17It's not.
00:44:17It's not.
00:44:18The Prince George Karadjođević is a very sick man.
00:44:22And he must be sick for two or three years.
00:44:29He's never been sick.
00:44:32He wrote to us that Italian king.
00:44:35He wants to send George to get him there.
00:44:40Oh.
00:44:41Hehehehe.
00:44:42I'm crazy.
00:44:43I don't know if it's all the milk.
00:44:46Okay.
00:44:47You can't judge the girls who care about health, sister.
00:44:52I can't.
00:44:54The king is in trouble.
00:44:57The French are sick.
00:44:59If the Italians are in trouble, the question is when they come back to me.
00:45:04Do you understand?
00:45:05Don't be careful.
00:45:07My personal opinion is that Prince George Karadjođević
00:45:13was not the best for the change of the environment.
00:45:17Yes.
00:45:18Great.
00:45:18And just to give me a hand on this art,
00:45:22I can't give him the Italians in the water.
00:45:26Sorry.
00:45:26I'm sorry.
00:45:27I'm a little bit under pressure.
00:45:28What would your voice say?
00:45:30Yes.
00:45:30We're all under pressure.
00:45:32Let's not forget.
00:45:34Excuse me.
00:45:34I'm sorry.
00:45:36I'm sorry to ask you something.
00:45:38The story is about the original bank of Mrs. Maje Davidović.
00:45:42The daughter of the old Arsenija Davidović.
00:45:44I know.
00:45:45I know.
00:45:46Arsenija is great.
00:45:48Arsenija is one of the painted,
00:45:50the painted and painted.
00:45:52And the daughter is the same.
00:45:53What?
00:45:54What?
00:45:55What?
00:45:56How do you use a strong,
00:45:59stable, rich bank to be in the blockade?
00:46:02I can't do everything.
00:46:04How can I do it?
00:46:05How can I do it?
00:46:07Before I'd help him to his own rarist.
00:46:10You know what?
00:46:12He's waiting.
00:46:13But I can't wait to see him.
00:46:15You don't have to look at him.
00:46:17Now listen.
00:46:18Maybe you'll be able to talk to yourself.
00:46:20Maybe you'll find a way to deal with it.
00:46:22Yes.
00:46:23Like he did deal with his father.
00:46:24Don't look at it.
00:46:26I don't know if my father was a fool or a fool.
00:46:29And what is the most important thing,
00:46:31I don't know if it was the last one.
00:46:32Dušuna,
00:46:34you've followed the best.
00:46:38The best.
00:46:41Now listen.
00:46:42Here's me for love.
00:46:44Yes.
00:46:45Let's go.
00:46:51Go.
00:46:54Go.
00:46:58Good morning, gentlemen.
00:47:00Do you think Grof?
00:47:01Your title is only in Austro-Ugarsk.
00:47:04There are no countries with them,
00:47:06and with them and your Grofovie, gentlemen.
00:47:08Your father didn't think so.
00:47:10My father didn't think so.
00:47:12He didn't think so.
00:47:12He worked with you.
00:47:13What do you want?
00:47:14My lady and I ask you,
00:47:16have you not changed my thoughts
00:47:18due to the past events?
00:47:23I don't know what events you're talking about,
00:47:26but I haven't changed my thoughts.
00:47:28But you'll change it.
00:47:29I'm sure.
00:47:30I'm sure.
00:47:31When you get into the war,
00:47:32you'll become a loving woman.
00:47:35You won't have a chance
00:47:35to do the bank,
00:47:37because it's not easier
00:47:38to pay you richly.
00:47:42Where do you think I'm going to get into it?
00:47:45The whole city is talking about it,
00:47:47my dear dear.
00:47:48And now your lover is free.
00:47:51And are you married
00:47:53by your lover,
00:47:54Mr. Rajakki?
00:48:01Can you hear me?
00:48:02Listen,
00:48:03there may be a space for a meeting.
00:48:06If you find me
00:48:07who is the best partner from Beech?
00:48:10You're the best, ladies.
00:48:11You don't have money for the house.
00:48:13But I have the right to know
00:48:15who the third owner of the bank is.
00:48:16You're the best partner of the bank.
00:48:19You're the best partner of the bank.
00:48:20I'm not sure what you're going to do.
00:48:26You're the best partner of the bank.
00:48:29You're the best partner of the bank.
00:48:36I'm not sure.
00:48:40It's nice.
00:48:45And then, Hagi,
00:48:46it's almost a mess.
00:48:48And how do you think that?
00:48:50I did talk with the head.
00:48:52I am saying
00:48:53that I won't take it.
00:48:54Everything will be closed
00:48:55as much as it is needed.
00:48:56It's all for a little toght.
00:48:57You're right,
00:48:58but really,
00:48:59just a little.
00:48:59A little bit.
00:49:04Ido, hold your hand up, please.
00:49:07Djurđa, go a little bit.
00:49:10I can't, you're crazy.
00:49:12Come on, you can.
00:49:16We have a company.
00:49:20Good day, inspectors.
00:49:22Oh, Inspector. Good day.
00:49:26Good day.
00:49:27I'm sorry, some inspector.
00:49:30Okay, okay, come on.
00:49:31Come on.
00:49:33Tell me, you didn't get to the food, Violeta Djukić?
00:49:38I told you the police that we weren't even close.
00:49:42Yes.
00:49:43You certainly came because of the tragedy that happened to Nevenu Sarić.
00:49:47Yes.
00:49:49My teacher.
00:49:54We can't even understand what happened.
00:49:56He was our friend.
00:49:58He was a great photographer.
00:49:59All these photographs are his work.
00:50:02The extraordinary, creative work
00:50:04came according to the concept of Mrs. Davidović.
00:50:07Yes.
00:50:08The pictures are really extraordinary.
00:50:10But is it not that they are more free?
00:50:14Let's get rid of you a little bit, inspectors.
00:50:18If you love creativity, you can take some of our catalogs.
00:50:23My work is at the beginning.
00:50:34Tell me, when did you see Nevenu last time?
00:50:40What happened?
00:50:41I was in the police, when they were asked.
00:50:43After that, they were all in the police.
00:50:44After that, they were all in the police.
00:50:48Why did you ask me to ask?
00:51:00Inspector, do you have to ask me? Inspector!
00:51:07No, no, no, no.
00:51:11I'm sorry, I'm sorry.
00:51:15I'm sorry.
00:51:24I'm sorry.
00:51:32I'm sorry.
00:51:45I'm sorry.
00:51:46I'm sorry.
00:51:48I'm sorry.
00:51:49I'm sorry.
00:51:51I'm sorry.
00:51:52I'm sorry.
00:51:54I'm sorry.
00:51:55I'm sorry.
00:51:57I'm sorry.
00:51:58I'm sorry.
00:51:59I was like,
00:52:00when I was in the South,
00:52:05my sister and sister told me
00:52:08to call me.
00:52:10I'm sorry, my mother and son,
00:52:12just wait until the money falls.
00:52:14I see the officers for John,
00:52:16like,
00:52:16it's time for me.
00:52:18But I'm sorry,
00:52:19I'm sorry.
00:52:19I'm sorry.
00:52:20I'm sorry.
00:52:20I'm sorry.
00:52:20I'm sorry.
00:52:21I don't know how to swim.
00:52:23I'm sorry.
00:52:23I can't swim.
00:52:25You're in the pool.
00:52:27I'm sorry.
00:52:28That's why I'm called the Farasavsku.
00:52:30I'm in the pool.
00:52:32I'm in the pool.
00:52:32What time are you talking about?
00:52:34Let's go.
00:52:34I'm in the pool.
00:52:37What's that name?
00:52:38I'll meet you.
00:52:39I'll meet you.
00:52:39Alright, thanks.
00:52:40Alright.
00:53:15Good morning.
00:53:18Who are you?
00:53:19Don't worry, don't worry.
00:53:21Good.
00:53:22I didn't get to you here.
00:53:24Good to see you here.
00:53:26Very nice.
00:53:28I like it.
00:53:30And did you see all this yourself?
00:53:36You killed Nevena.
00:53:38That's not a matter of fact.
00:53:40You know what you need to give me,
00:53:42but it's a small price for me to never see me.
00:53:57Don't worry.
00:54:01Don't lose.
00:54:02If I will ever see you here,
00:54:05you will regret it.
00:54:07You won't see me.
00:54:10I promise you,
00:54:11if you and I are more than ever,
00:54:15you won't see me.
00:54:16If I will ever see you here,
00:54:16I will never see you here.
00:54:29What are you doing, students?
00:54:32I'm a painter.
00:54:33A painter and a communist.
00:54:35That's a good job.
00:54:37You will just be on the bill.
00:54:38What are you doing now?
00:54:39You're a painter.
00:54:40I'm a painter.
00:54:41You're a painter.
00:54:44But then
00:54:45you're a painter.
00:55:11I congratulate you, Rakitinov. You created a ballet in Serbia.
00:55:16General, if you are not against, we will leave to finish our work.
00:55:21Okay, tell us how to finish.
00:55:32The other vehicle is correct for the action.
00:55:34Two of us are on the ground. The directives are waiting.
00:55:38Let's try to avoid anything.
00:55:39Wait a minute, Brice. We don't look crazy.
00:55:45Let's learn the revolution of science.
00:56:02Inspektore, here you are.
00:56:04I'm looking for the whole vehicle.
00:56:09Here, this is all done.
00:56:11Oh, please, if someone has asked me, I haven't developed anything.
00:56:16I haven't heard or seen anything.
00:56:17Here, this is all done.
00:56:17Here, this is all done.
00:56:28Here, this is all done.
00:56:49General Frankl, you have been here long. I hope you know that you are always a very dear guest.
00:56:57Yes, of course. Wherever I was, I was always a guest.
00:57:02General, God will give you. The men will come and come and come.
00:57:06Yes, of course.
00:57:08Please introduce yourself. This is Mr. Olympian Mirich, one of our successful people in our country.
00:57:15Very nice.
00:57:17In your honor.
00:57:18This is Mr. Gavriel Macht, our dear and dear friend of mine.
00:57:22Mr. Mirich is a great man. Without his help...
00:57:26No, please. This is a small sign of attention to your great art.
00:57:31You are interested in ballet.
00:57:34Yes, of course.
00:57:36I'm delighted at that, how the dead of Chaykovskaya led the slave soul in German.
00:57:43There is love, passion, pride, and then forgiveness.
00:57:48This is so Russian.
00:57:50It's okay, right?
00:57:51You are interested in the soul.
00:57:54You are more than anything.
00:57:56Me too.
00:57:58Great.
00:58:06I will take care of you all in the room.
00:58:08Come on, all in the room, quickly.
00:58:21Good evening, dear friend.
00:58:24Good evening.
00:58:24Good evening.
00:58:26Good evening, we are all at night.
00:58:27We were so scared.
00:58:28But he never really was his heart.
00:58:30Let's go.
00:58:31All right, come on.
00:58:32Good evening.
00:58:33Good evening.
00:58:33Good evening.
00:58:33Good evening.
00:58:34Good evening.
00:58:34Let's go to the kitchen, then we'll go to the women's house. Can you?
00:58:37Let's go, young man.
00:58:41Everything is beautiful. The wound is clean.
00:58:46I won't lose my leg.
00:58:50The one who told you that he had to take a diploma.
00:58:55And when he hears about this, he's mad.
00:59:07So, Oh.表示
00:59:32available not available to quiet, this
00:59:33isn't the only guys' address in that case. So,
00:59:34HeROQ's never abdominal. He rescinds
00:59:41Doctor.
01:00:06Doctor.
01:00:34Doctor.
01:01:20Doctor.