00:01Loya! Loya! Loya! Loya!
00:08Loya! Loya! Loya!
00:13Mexico loves you Loya!
00:33We are in Mexico City, Mexico.
00:35I am finishing this leg of the tour.
00:38I'm working with Brett Allen Nelson.
00:40He's my creative director.
00:42I still love the mask, but it is superhero.
00:44I would do the mask with this.
00:46It was the belt with the mask with the gloves.
00:49I think the hair is going to be like...
00:51Yeah, it's not cutting the full thing off its tracks.
00:54Like it needs to be like unbelievable.
01:00Brett pulls a lot of the clothing,
01:02and we kind of spitball like day of.
01:07Are we ready to do the glam?
01:08Yeah. I'm going to have time.
01:09Can we take this off now?
01:11Do you want to show it to them?
01:12Yeah.
01:13I'll just take a picture. We'll take a picture.
01:24I like to be involved a lot with my glam,
01:28and it's kind of a joke at this point.
01:30I will do some of my makeup,
01:33and then it's more of a collaborative thing.
01:35But me and my makeup artist will be like,
01:37I'll let you do it today.
01:39That's all I wanted to do.
01:40It's just the inside here.
01:41Yeah.
01:42Yeah.
01:43Oh, okay.
01:44Everything else you've killed.
01:46Everything's really good.
01:47I know. Thank you.
01:48It's okay.
01:49Unless you think we should do a nude,
01:51like nudie to make it big.
01:52No.
01:54Because then you can do the lashes.
01:56How's that feel?
01:58That feels nice.
01:59Perfect.
02:01What do you think? Purple?
02:02Nudie glow?
02:02Butterpool? Like eggplant?
02:03Like nudie glow?
02:04I don't really like that one.
02:06Yeah.
02:06This one?
02:06I like that one.
02:07But what about eggplant?
02:10I like the thing that's for whipping the head around.
02:12Oh yeah.
02:13It won't be like this.
02:14This is the most funny because when it's co-opted
02:15and like sophisticated like that,
02:17it looks cooler.
02:25We are done with glam.
02:27I think we're going to go on to the next step.
02:30I'm so excited.
02:36Here you go.
02:39I'll come to the charts.
02:41You want shoes?
02:42What? Shoes for what?
02:43On your feet?
02:44For what?
02:46Sound check?
02:47Sound check?
02:47And...
02:48Sound check?
03:16And...
03:28I was really deeply inspired by Gary Neumann for the set.
03:32He had a show where there was these beautiful cubes or blocks of light.
03:36It was so simple and it allowed the viewer to kind of see him.
03:40I felt having more space to work and move, it just worked out really well.
03:47Never seen you cry, you're mine.
03:52Boy, let me know this is catacly.
03:55Could be torn between two worlds and I just can't decide.
03:59So I have keys, Rosati's on guitar, and then I've got drums and two backup singers.
04:06And horns.
04:08Come on!
04:10Slap!
04:12I see them as another entity because I've worked with my band for a long time.
04:18But we added horns to the whole tour because the album was very dominant of sax and things like that.
04:25So I didn't think that my team could get more lovable.
04:28But they came in and they're just like, they rock.
04:33They're hilarious.
04:34They're so sweet.
04:35And I feel very comfortable around them.
04:39Say, oh, I'm derving.
04:41Maybe I'm not.
04:48Explain like this position.
04:50Oh, my gap?
04:52When I sat in the chair, we knew what the outfit kind of was.
04:55And then we did the makeup and we had the blonde wig.
04:58I was like, he's a speed's belt salesman.
05:01Glenn was kind of like, oh my God, it's a speed's belt salesman.
05:05And I was like, yeah, I look like the mom from Matilda.
05:12Can we put this on your eye?
05:14Hi.
05:16Pass now.
05:19I'm going to pull up that up.
05:23Chantal, are these earrings too good?
05:25I love the earrings.
05:26What about these?
05:27Look at these.
05:29The ones you have on us for a second.
05:33It's like kind of more interesting in the black.
05:35It works.
05:37It makes it like an outfit and not a costume to me.
05:40I'm really inspired by Nina Hagen, Grace Jones, and those are the two main women of the 80s.
05:47They just are latched to my brain.
05:51Let's double stick it to something here.
05:54I want you to stitch it to the...
05:55Yeah, if you want it to...
05:56Yeah, just stitch it to the shoulders.
05:58I think that's...
05:59Yeah, I love these.
06:00Fabulous.
06:19We kind of powwow right before stage.
06:22We give like a big shrieking, you know, cheers right before we go on.
06:39One, two, three, four, guys!
06:47This is the biggest show of this world.
06:50I love it here.
06:52I love the fans, and I love the enthusiasm.
06:55I'm excited, and I feel like the crowd's going to be great.
07:01Thank you, Vogue.
07:02I love you, and bye.
07:09This is the last show.
07:19Boy, let me know what this is, can't decide.
07:23Could be torn between two walls, and I just can't decide.
07:27Which one is leading me to head to paradise?
07:31Baby, I can't root for sure.
07:33I'm just tired.
07:35I'm just tired.
07:36Hello.
07:38E.
07:39But you can't hold this and follow.
07:41E.
07:43Well, my eyes open and move.
07:45E.
07:47You're leaning into love.
07:50She.
07:54Oh, oh, oh, sorry.
07:58I will not wait in this love.
08:01I will not wait in this love.
08:02I will not wait in this love.
08:02I will not wait in this love.
08:02I will not wait in this love.
08:02I will not wait in this love.
08:03I will not wait in this love.
08:03I will not wait in this love.
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