Vai al lettorePassa al contenuto principale
  • 5 giorni fa
Everything è un'avventura molto particolare, nata da un'idea dell'artista David O'Reilly ed intrisa di riflessioni filosofiche che spaziano dalla natura stessa della vita alla concezione dello spazio e dell'intero universo.
Trascrizione
00:05Una delle prime cose che tutti dovrebbero capire
00:09è che ogni creature in l'Università che è in ogni modo sensibile
00:14e in ogni modo di parlare consapevole,
00:18riguarda itself come un personale.
00:24Si conosce e consapevole di una hierarchia di essi above e
00:32e una hierarchia di essi below.
00:35Questo significa che dovevi sei e chiunque sei e quattro sei
00:40e quattro sei sei, sei in il centro.
00:42Questo è il gioco.
00:46Segui sensi estendono una certa direzione, in tutte le direzioni,
00:51e quindi ti rendono l'impressione di essere in il centro,
00:55perché la definizione di una persona è da dove sei.
01:00Tutto nel mondo sembra così.
01:03E anche se ha il suo tipo.
01:05Vi vedete spielli e hydrosi e urchini e così via,
01:11non sono molto naturali per noi.
01:13Noi pensi che non voglio essere così.
01:16Ma pensi che quando si vediamo noi,
01:20che cosa tipo di cosa è che questo?
01:23E che un po' abbastanza di nonsenso che fa.
01:28Ora, siamo arrivati a l'inizio di un principio extremamente importante,
01:36che è che i diversi punti di vista che si cambia il livello di magnificazione,
01:44che è a dire che puoi andare a qualcosa con un microscopio e vedere in un certo modo,
01:48puoi andare a vedere con un occhio e vedere in un certo modo,
01:51puoi andare a vedere con un telescopio e vedere in un altro modo.
01:55Ora, quale livello di magnificazione è il corretto?
02:00Ovviamente, tutti sono corretti, ma sono solo dei punti di vista di vista.
02:05Quando examiniamo i nostri strumenti sotto un microscopio,
02:09vediamo che c'è un po' un po' un po' un po' un po' un po' un po' un po'
02:11un po' un po'
02:12di tipo di micro-organismi che si fanno un po' un po' un po'
02:15e se siamo stati molto fascinati con la visione dei nostri strumenti in un microscopio,
02:20dovremmo andare a prendere le parti,
02:23che sarebbe fatta,
02:25perché la salute del nostro organismo depende del continuo di questa battaglia.
02:30che si vuoi amici è un po' un po' un lato di magnifica,
02:34è un po' un po' un po' un po' un PO.
02:50E' percentualmente,
02:51which can be seen in a larger perspective
02:53as a situation of harmony.
02:58Every minute little fruit fly or gnat
03:02or bacterium
03:05I will go so far as to say
03:07is an event upon which this whole cosmos depends.
03:13This thing goes both ways.
03:15It's not only that every little organism which exists
03:19depends on its total environment.
03:21The reverse is also true
03:23that the total environment depends on each
03:25and every one of those little organisms.
03:27So that you could say
03:29this universe consists of an arrangement of pattern
03:34in which every event is essential to the whole thing.
03:41Now, we screen that idea out of our consciousness
03:45just as we pay attention to the figure
03:47and ignore the background.
03:51So, we see one way of looking at things
03:54mainly that the organism is very frail against the environment.
03:59It lasts a long time, the environment,
04:01but the organism only lasts a short time.
04:03But actually, the whole thing is arranged
04:06in a polar system
04:08where the enormous depends on the tiny
04:11and the tiny depends on the enormous.
04:19When you came into this world,
04:22there gradually arose into being the sensation of eye.
04:26And it stays there a while,
04:28it goes through a development,
04:30and then it drops off.
04:32But all the time, everywhere,
04:34there are other eyes starting up.
04:36See?
04:37Whether they be human, animal,
04:39anything you like.
04:40There be in other galaxies, etc.
04:42Always, they are starting up.
04:45Now,
04:46you would say,
04:47there is no connection between them.
04:50No, in the same way,
04:52there is no connection
04:52between the molecules in your hand.
04:56And yet you say,
04:57it is a hand.
05:00But if you look at it
05:02under a powerful enough microscope,
05:04the molecules in your hand
05:05are miles apart.
05:08What's the connection
05:09between this galaxy
05:10and other galaxies?
05:11Well, we can't see any connection.
05:13And yet there are gravitational swings
05:15whereby they respond to each other
05:18and move in a certain collective order.
05:22See, what we're doing in this
05:24is not setting down a doctrine,
05:26but it is doing an exercise
05:28in perception.
05:30You can see it either way.
05:32You can see yourself,
05:33in other words,
05:34as existing only now.
05:37That's the only you there is.
05:40The alternative to that,
05:43logically,
05:44is to see yourself as everything.
05:50And so, in all this, you see,
05:52when you get a game going
05:53of this kind,
05:58there comes the point
05:59of what you might call
06:00emotional investment
06:03when you feel
06:05that the outcome
06:07of this particular feature
06:09in the game is urgent.
06:12See, this matters.
06:15and it's up to you
06:17what you think matters.
06:20We teach our children
06:22what matters,
06:24what's important
06:25for them to learn.
06:27And we teach them basically
06:29that it's important to live.
06:34and in a way,
06:36every being in this world
06:37is torn
06:38between going on
06:40and goofing off.
06:44We feel that's the basis
06:46of our distinction
06:47between work and play.
06:50Play is everybody
06:51needs some time
06:52to goof off.
06:53But they must go back
06:55to work
06:55because you've got to farm
06:57and fish
06:57and manufacture
06:58and produce
06:59so that you can go on.
07:03But when you see
07:04you have this terrifying
07:05urgency to go on
07:08and feel you must,
07:10this is important,
07:11this matters,
07:13we screen out
07:14of our consciousness
07:15the fact
07:16that this is our own
07:17volition
07:18and our own game.
07:22And the difficulty is
07:24that as we become
07:25disturbed
07:26and anxious
07:27about this,
07:28it's more difficult
07:29to keep the game going.
07:32In proportion
07:33as we are frightfully
07:35concerned to survive,
07:36we start fighting
07:37other people.
07:38We start clobbering
07:39our neighbors
07:40and whatever it is,
07:41all the old fights start.
07:44And it is these fights
07:45which more than anything else
07:46at the moment,
07:48you see,
07:49are endangering
07:50the entire human project.
07:53But all based fundamentally
07:55on the illusion
07:55that it's utterly important
07:57that we survive.
08:00But you see,
08:02in all this,
08:02what underlies
08:04is
08:07the illusion
08:12that I am going on,
08:15that I constitute
08:18a real continuity
08:20from this moment
08:21to the next moment
08:22to the next moment
08:23to the next moment
08:24to the next moment.
08:25What are you afraid
08:26of losing when you die?
08:29Yes,
08:30everything that you've acquired
08:32as an individual
08:33and stored in your brain
08:35is dissolved
08:36and distributed.
08:38but at the same time
08:40it is equally obvious
08:41that when you die
08:43there won't be
08:44following the moment
08:46of death
08:48everlasting nothingness.
08:58so
09:02you can become aware
09:05of this
09:06tremendous
09:07interconnectedness
09:08of everything
09:10just as fronts
09:11go with backs
09:12and tops
09:13with bottoms
09:13insides
09:14with outsides
09:16solids
09:17with spaces
09:18so
09:19everything
09:19that there is
09:20goes together.
09:22It makes no difference
09:23whether it lasts
09:24a long time
09:25or whether it lasts
09:26a short time.
09:29A galaxy
09:30goes together
09:30with all the universe
09:31just as much
09:33as a mosquito.
09:37You can get
09:38a certain vision
09:39of life
09:41where everything
09:43is seen
09:45to be a complex
09:46pattern of rhythm.
09:50dances
09:52the human dance
09:54the flower dance
09:56the bee dance
09:57the giraffe dance
10:02and that's what
10:03this all is
10:04it's jazz
10:05you see
10:07this is a big jazz
10:08this world
10:09and what it's trying
10:10to do
10:10is to see
10:11how jazzed up
10:13it can get
10:16how far out
10:18this play
10:19of rhythm
10:20can go
10:20and that's what
10:22the
10:22the
10:34the
10:35the
10:36Grazie.
Commenti

Consigliato