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Scream 7 (2026) Episode 1 | English Sub - #VeloraTV

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00:36:03It could have been him.
00:36:05We are running traces on all her friend's cell numbers connected in any way.
00:36:09We're going to find it.
00:36:13She's right, you know.
00:36:14Me protecting her from...
00:36:32Okay, Terry.
00:36:34Thanks again.
00:36:37Whisper a coroner says there's no intake form on Stu Mock.
00:36:40No one to ask.
00:36:41So it's a case of lost paperwork?
00:36:43Or stolen paperwork.
00:36:45Someone who wants to make it look like Stu's body never made it to the morgue.
00:36:48Let's find out.
00:36:49Yep.
00:36:52Here you go.
00:36:53Thanks.
00:36:55Bork, we're doing a story on Carl Gibbs.
00:36:58I figured.
00:36:59The state police, they were here all night going through his stuff.
00:37:03Can we see his room?
00:37:05Yeah, I guess so.
00:37:06Oh, it's right down this way.
00:37:09So what can you tell us about Carl?
00:37:11He was a pretty violent years ago.
00:37:15Can you think of any reason that he would go after Sidney Prescott and her family?
00:37:19Okay, though.
00:37:21Thanks.
00:37:25Did you ever hear him talk about the ghost face killer?
00:37:28I don't remember.
00:37:29What about, um...
00:37:31Him?
00:37:32Yeah, that's John.
00:37:35John?
00:37:35Yeah, from the blow to the head that gave him all those scars.
00:37:38When did he arrive here?
00:37:40Well, it was before my time.
00:37:42I've been here 16 years.
00:37:44So down there, you want to see it?
00:37:45Yes.
00:37:46You know, he was a drifter.
00:37:48Sleeping on the streets of California or somewhere.
00:37:51A high school girl.
00:37:53He was declared incompetent to stand trial and ended up here.
00:37:58And where is he now?
00:38:00Any idea where he went after he was released?
00:38:04No, I'm sorry.
00:38:05But for that information, you're going to need a court order.
00:38:08Oh, yeah.
00:38:09No, they were good friends.
00:38:10Yeah.
00:38:11Very close.
00:38:23Sus?
00:38:24He's out there staring at the house.
00:38:26Not subtle at all.
00:38:28I've gone back three days.
00:38:31If the killer was...
00:38:32Hacked?
00:38:33Clearly the killer is tech-savvy.
00:38:36Did you two find the towels?
00:38:38You got everything you need?
00:38:39Yeah.
00:38:39The water price.
00:38:42So, um...
00:38:43Why are you here?
00:38:46I'm sorry.
00:38:47I mean, um...
00:38:48Aren't you scared?
00:38:50Scared?
00:38:51Necessity.
00:38:52My career trajectory is to succeed and exceed Gail Weathers.
00:38:55And as he was really good friends with your mom.
00:38:58And I want to uncover the killer this time.
00:39:00She has been wrong a lot.
00:39:01That is not supportive.
00:39:03I'll uncover Agatha Christie them until they break.
00:39:06So, how do you know who they are?
00:39:08If history is any indication, it's likely one of your friends.
00:39:11Probably your boyfriend.
00:39:12That's cute.
00:39:13We need to gather all the suspects together in one room.
00:39:16Well, there's a curfew at sundown and the whole town's closing.
00:39:19I'd have to figure out how to get around my dad.
00:39:21Is that possible?
00:39:23He is the police chief.
00:39:25But if we can find out who's doing this, then he can go get them.
00:39:28I'm sick of being useless.
00:39:31That was Deputy Cook.
00:39:33They're set up to trace his phone if he calls me again.
00:39:36I'm telling you.
00:39:38What if I gave you what you've been asking me for since 1996?
00:39:42An interview.
00:39:44Look, I just need an E.T. on that court order.
00:39:48Good.
00:39:48Okay, call me the second Sid's phone rings.
00:40:30What if I gave you an E.T. on that court order?
00:40:48What if I gave you an E.T. on that court?
00:40:49I'll probably find out who the case is going to be a S.T. on that court order?
00:41:06I'll probably try and get away with a link.
00:41:06I'll probably try and get a N.T. on that court order.
00:41:07I'm sorry.
00:41:08Come on.
00:41:08I'm sorry.
00:41:09I'm sorry.
00:41:10I'm sorry.
00:41:14You're sorry.
00:41:15I'm sorry.
00:41:18Take a little walk
00:41:21Where the viaduct looms
00:41:24Like a bird of doom
00:41:26As he should
00:41:27Find the border fires
00:41:30In the humming winds
00:41:32And you know we are never coming back
00:41:35Across the storm
00:41:37On a gathering storm
00:41:40Comes a tall handsome man
00:41:42In a dusty black coat
00:41:45Hey Chloe
00:41:48This is Chad and Mindy
00:41:50Hi I'm Chloe
00:41:51Yes but they don't know we are here so we gotta lay low
00:41:55How you doing
00:41:57What are we drinking kids
00:42:00Thank you
00:42:01So what is the deal with you two
00:42:04They want to help us find out who is doing this
00:42:06They
00:42:08Yeah
00:42:09But I don't
00:42:11So this dead dude from 30 years ago
00:42:12He is not so dead
00:42:13How could Stu Mocker really be alive
00:42:15That's a ridiculous retcon for any franchise
00:42:18See this time
00:42:19It is all about nostalgia
00:42:21Hey men
00:42:22We talked about the rules thing
00:42:23We said we're here
00:42:24Out of retirement
00:42:25She's a scream queen
00:42:26Scream queens are not allowed to have happy endings
00:42:28There's a reason they keep putting Jamie Lee in new Halloween movies
00:42:32Exactly
00:42:33This person isn't a fan of stab movies
00:42:35They're a fan of Sidney Prescott
00:42:38Not the Sidney of today though
00:42:39Killing ghost faces like once a year
00:42:41And the reason they're using Stu Mocker to fuck with her
00:42:44Is because he was there at the start
00:42:46The night
00:42:47Sidney
00:42:48Or it really is Stu
00:42:48I mean Billy Loomis had a secret love child
00:42:50So who the fuck knows anymore
00:42:51Where'd you get these calls?
00:42:53Uh my mom's cloud
00:42:54Can you tell if they're
00:42:56Eyes, hands
00:42:57They all have zero artifacts or pixelation
00:42:59I mean, these might have been live calls
00:43:01Right, well, if it is Stu Mocker
00:43:05Who is it?
00:43:07Why would any of us want to terrorize Tatum and her mom?
00:43:09Why indeed
00:43:10Let's talk motive
00:43:12Does Sidney truly approve of you as Tatum's boyfriend?
00:43:16Mom's never liked the boyfriend
00:43:17That's, that's mommy 101 there
00:43:19And you're an idiot
00:43:20Yeah, see that's incredibly bizarre to say out loud
00:43:22Chloe
00:43:23Fun loving
00:43:24Everyone likes
00:43:25Excellent hair
00:43:26Seemingly has no motive
00:43:28Everyone likes
00:43:28It's boring
00:43:29Oh, see
00:43:31That's motive
00:43:32Right, boredom?
00:43:33Now we're in Stu Mocker territory
00:43:34And you weird boy
00:43:36She's a pinnacle in the true crime lexicon
00:43:38I'm not obsessed
00:43:39I'm just
00:43:40I'm uh
00:43:42Fascinated
00:43:43Split it
00:43:44Okay, I'm pretty fucking sick of all this creepy shit
00:43:46Alright
00:43:47I'm not creepy
00:43:49Creepy is kind of hot
00:43:52Can I have another beer?
00:43:54You can have whatever you want
00:43:59Got it
00:44:00Okay
00:44:02Oh, okay
00:44:03Oh, there
00:44:06Alright, I have three cam-
00:44:08Calls
00:44:09Thank you
00:44:10Alright, ladies
00:44:11We'll be ready to break into every affiliate in the state on your go
00:44:16Let's just hope that Stu's watching
00:44:18Ready?
00:44:19You gonna play nice?
00:44:21Of course not
00:44:21I've been waiting for this interview for 30 years
00:44:24Hi, I'm Gail Weathers here for an exclusive interview with Sidney Prescott
00:44:28Channel 7
00:44:32Oh
00:44:36Welcome, Sidney
00:44:37Hi, Gail
00:44:38Hi
00:44:40I understand that you and your family are once again a target
00:44:43Can you explain what's happening?
00:44:46My family and I have been attacked twice now
00:44:48You were killed in Woodsboro the night that he and Billy Loomis attacked you
00:44:51Yes
00:44:53But now I'm not so sure
00:44:55Is that what?
00:44:56I want to know what he wants
00:44:59Why he's doing this after all of these years
00:45:01I want him to know that
00:45:04Let's talk
00:45:08Maybe he's too much of a little bitch
00:45:10He always was the side
00:45:12Is that what it is?
00:45:13You want to be the lead?
00:45:14Well, here you go
00:45:16Call me, you have a platform
00:45:18Oh, shit
00:45:19Maybe he hasn't tuned in yet
00:45:21Let's keep talking
00:45:24You and I have known each other a long time
00:45:27Very complicated, but enduring
00:45:31You wrote a book, Out of Darkness, about healing your trauma
00:45:35And yet, why?
00:45:36It just seemed the more I talked about it, the more darkness came
00:45:41You have three children
00:45:43Tatum being your
00:45:44The same age that you were when this whole thing started
00:45:46That must have a huge significance for you
00:45:48Like I said, I don't want to talk about my kids
00:45:51And here's years ago
00:45:52I named her after a childhood friend whom I loved dearly
00:45:58She was the last friend I ever
00:45:59Sydney, do you ever worry about passing your trauma onto your children?
00:46:03Or even worse, yeah, that they would be the target of future killings
00:46:07Oh, shit
00:46:08Okay, we'll be right back
00:46:11Or maybe not
00:46:16That was unfair
00:46:17And dangerous
00:46:19But you disappeared, Sid
00:46:21People want to know
00:46:22I want to know
00:46:23I had asked you about Dewey on live TV
00:46:26What would you say?
00:46:27Well, I'd say I'm fine
00:46:31Because that's what I tell you
00:46:47This is me, Prescott Evans
00:46:49We will be monitoring
00:46:49That was intense
00:46:53Yeah
00:46:55Are you okay, Larry?
00:46:56This is happening
00:46:57Yeah, this
00:46:58This is a tough idea
00:47:00How far is the TV station?
00:47:01I just really want to be with my mom right now
00:47:03We're super
00:47:09We're not on air
00:47:10And this needs to be
00:47:13We've been waiting for you
00:47:14Why?
00:47:14So I can stay on the phone long enough for you to trace the call?
00:47:17Yes, dumbass
00:47:18Or you could just tell us where you are
00:47:19Your daughter?
00:47:21My daughter's not at Parker's
00:47:22Well, she's definitely not at home
00:47:24She broke curfew
00:47:26She's a bad bitch
00:47:27Fuck
00:47:28Is that it?
00:47:29Is he going to call back?
00:47:30Because you said this is my story
00:47:31Where's the story, Gail?
00:47:32Stop
00:47:32You need to call the police right now
00:47:34Tell them to go to Parker's
00:47:36Didney!
00:47:38Oh, fuck
00:47:38Mark
00:47:39Tatum went to Chloe's restaurant
00:47:41She's in trouble
00:47:42Where are you?
00:47:44Fuck
00:48:00Oh, uh...
00:48:01Did you create this?
00:48:02What?
00:48:03No
00:48:04I mean, I created that one just to see if it was possible
00:48:07I can't wait to follow every second of it, you bitch
00:48:10Tay
00:48:11It was you
00:48:12No, it was
00:48:12Sorry
00:48:15Tay!
00:48:23We still have no idea who the killer is
00:48:25Creepy kid still has my vote
00:48:27I'm way too obvious
00:48:28So obvious, it's not obvious
00:48:30What is that?
00:48:34Bathroom break
00:48:39We should not have
00:48:40Do you find it weird that two very real suspects just conveniently disappeared?
00:48:44I really don't want to get stabbed tonight
00:48:46Let's go find Tatum
00:48:50It's locked
00:48:51We are locked in
00:48:52There must be another way out of here
00:48:55Let's try to die
00:49:04Shit
00:49:25Fuck
00:49:29There's a fucking door
00:49:39That's not good
00:50:00That's not good
00:50:06Hey, Cupcake
00:50:14Hey, hey, hey
00:50:15Whoa, whoa, whoa
00:50:15Where is it?
00:50:16I got this
00:50:19Lucas
00:50:28You
00:50:32You
00:50:33Let's go.
00:51:13Lucas!
00:51:34Oh, my God.
00:52:14No!
00:52:18No!
00:52:37Open it up, please!
00:52:39Please!
00:52:50Help!
00:52:51There's something out there!
00:52:52He's dying to kill me, please!
00:52:55No way!
00:53:03No way!
00:53:03No way!
00:53:07No way!
00:53:33No way!
00:53:33No way!
00:53:33I didn't see anyone, you hit me!
00:53:35Got me some, hey, Titan!
00:53:37I know, I know, I'm sorry!
00:53:40I'll never hurt you, okay?
00:54:08I'll never hurt you, okay?
00:54:09No way!
00:54:19Oh my God!
00:54:21Oh, my God...
00:54:23Oh, my God!
00:54:25Oh my God!
00:54:28I don't know.
00:55:37I'm coming, okay?
00:55:38I can't hear you.
00:55:44Okay.
00:55:46Okay.
00:55:47Tatum, listen to me.
00:55:49I'm not going to make it in time.
00:55:50But I'm going to stay with you.
00:55:54The code is your birthday.
00:56:01I don't know, I don't know, I don't know how to use this.
00:56:03I'm going to talk you through it.
00:56:05You have your earpods?
00:56:06Put them in, okay?
00:56:07You're going to need them.
00:56:13Okay.
00:56:13Okay.
00:56:18No, he's trying to find another way in.
00:56:21Oh, Mamrie!
00:56:22Baby, listen.
00:56:23Listen, you have to turn the safety off.
00:56:25All right?
00:56:26You see that?
00:56:27You see that little switch?
00:56:29Chip it up.
00:56:30There's a red dot.
00:56:31I see it.
00:56:32And you pull the trigger.
00:56:33You aim for center mass, okay?
00:56:35And when he goes down, you shoot him in the head.
00:56:39You, I can't.
00:56:41Tatum, you are.
00:56:42You are like me.
00:56:44I saw your interview.
00:56:47Baby, fuck.
00:56:48He killed Finn.
00:56:51He killed him.
00:56:54Right now, you need to survive.
00:57:02Okay.
00:57:03You're going to...
00:57:04Okay, you're going to shoot the calendar.
00:57:06Fire through the calendar.
00:57:07No, wait, wait.
00:57:08He's moving.
00:57:09Love.
00:57:11To the right of the door.
00:57:14Oh, you got him.
00:57:35Okay, listen.
00:57:36He...
00:57:36He said it got him.
00:57:38I know, baby.
00:57:39You need to make sure you shoot him.
00:57:41You shoot him in the head right now.
00:57:44Tatum!
00:57:46Oh, no, me.
00:57:53I don't know.
00:58:27Hello, Sidney.
00:58:29Are we having fun yet?
00:58:31If you heard her.
00:58:32I see it.
00:58:33Where are you?
00:58:34Where the heart is.
00:58:35Until I stab a knife through it.
00:58:38Come alone.
00:59:12We've been waiting for you.
00:59:16Thanks for coming alone.
00:59:18It makes it so much easier that...
00:59:26Can you find me?
00:59:28You want to know who I really am?
00:59:33Remember me?
00:59:35Again and again.
00:59:36Your mother destroyed my life.
00:59:39I like to face it.
00:59:40She destroyed you too.
00:59:43Whoever you are.
00:59:46Over here.
00:59:48It's me, sis.
00:59:51Do you want to make...
00:59:52I've been working on this great script.
00:59:55Come on, Sid.
00:59:57We're family.
00:59:59It really both know how far we'd go for our own family.
01:00:04And friends.
01:00:05Of course.
01:00:07But I'll hear you, Sidney.
01:00:10Doesn't that mean anything to you?
01:00:12Where is my daughter?
01:00:14I thought I'd go back.
01:00:16She cares about tied to a chair outside of her house.
01:00:32What do you want from me, please?
01:00:34Tell me.
01:00:40Me?
01:00:42Well, me and Carl.
01:00:44Carl is dead.
01:00:46And I would be too.
01:00:48You've always got to shoot him in the head.
01:00:52Okay, okay.
01:00:53Isn't that right?
01:01:01Okay, okay.
01:01:04I'll be right back.
01:01:15Mark.
01:01:19Look at that.
01:01:21He's still alive.
01:01:23That is a tough motherfucker.
01:01:25Fuck you.
01:01:27Jessica.
01:01:29What?
01:01:30Hi, neighbor.
01:01:32How are you holding up?
01:01:34Oh, God.
01:01:35You're dumb.
01:01:36Stu's dead.
01:01:38You know, alive in spirit, but...
01:01:41Dead.
01:01:42See, I have a background.
01:01:44Bringing Stu back was my idea.
01:01:46No, no, no, no, no.
01:01:47It was my idea.
01:01:48No, I just let you think it was your idea.
01:01:50Jessica, please.
01:01:51What are you doing?
01:01:51Oh, just you.
01:01:52I mean, what happened to you?
01:01:55You know, you really let me down, Sid.
01:01:57Listen to me.
01:01:58This isn't you.
01:02:00It's not another way.
01:02:02Excuse me.
01:02:03You taught me that.
01:02:05It's in your book.
01:02:07You know about my abusive marriage, right?
01:02:12I was really trapped, and I couldn't see a way out.
01:02:15But then I read...
01:02:16A bunch of great books.
01:02:17And then I realized that your life, it comes down to one simple truth.
01:02:23Sidney Prescott.
01:02:25You are a real-life screen queen.
01:02:28The final girl.
01:02:32Planning and doing Pilates.
01:02:34And then I pulled a Sidney, and I killed my husband.
01:02:39And I had you to thank for it.
01:02:42But then you went away, Sid.
01:02:44And you didn't go to New York.
01:02:46A ghost face attacked us.
01:02:48I wanted people to see there was life after trauma.
01:02:50But there isn't for you.
01:02:53Trauma is your life.
01:02:55I mean, I couldn't fucking handle it.
01:02:58I checked myself into a facility.
01:03:00Fallbrook.
01:03:01That's where we met.
01:03:02Okay, I'm talking, so don't interrupt me.
01:03:04Okay, New York.
01:03:05Pilates.
01:03:06You disappeared.
01:03:07Fallbrook.
01:03:07Fallbrook, yes.
01:03:08It was the closest psychiatric center that I could find.
01:03:11Because it finally brings us to tonight.
01:03:16Okay, Jessica, you're right.
01:03:17I've been selfish.
01:03:18I can do better.
01:03:19We can start.
01:03:22By killing you.
01:03:25No more baggage.
01:03:28Oh, no, no.
01:03:29He's gone, Sid.
01:03:30I mean, he was too much like his father.
01:03:33And now, I can have an...
01:03:37Do you think that you've been a good mother to Tatum?
01:03:41I mean, you really haven't taught her anything useful.
01:03:43Am I right?
01:03:44You're not yourself.
01:03:44But that's okay.
01:03:46Because I'm going to teach her.
01:03:51She's going to...
01:03:52The cycle continues.
01:03:54No.
01:03:55You see, it finally dawned on me.
01:03:58I don't need you.
01:04:00I'm her final girl.
01:04:02I'm creating Sydney 2.0.
01:04:05Watch closely, Tatum.
01:04:11Okay.
01:04:13Okay, honey.
01:04:14You're going to need to call an ambulance, okay?
01:04:16No, no, no, no.
01:04:16Mom, come on.
01:04:17No.
01:04:17No, no, no, no, no.
01:04:49No, no, no, no.
01:04:53No, no, no, no, no, no, no, no, no, no, no, no, no.
01:05:00Is that all you got?
01:05:01No!
01:05:12Mom!
01:05:14Mom!
01:05:14Mom!
01:05:15Mom!
01:05:15Mom!
01:05:15Mom!
01:05:35Are you okay?
01:05:37Shit.
01:05:39Damn it.
01:05:40I'm okay.
01:06:02I'm Sidney fucking Prescott's daughter.
01:06:09Pass my perm.
01:06:12Fuck you.
01:06:18This is Robbie Rivers with an exclusive, on-the-scene, live report at the home of you.
01:06:34Network points a live remote.
01:06:36No way, too much blood loss.
01:06:38I can't hold a camera.
01:06:40You're gonna need to frame out the blood, though.
01:06:41I got the tripod.
01:06:57Thanks for ditching me.
01:07:00Seriously, what was that about?
01:07:03I should have gone to New York.
01:07:05I should have been there for you.
01:07:07No, Sidney.
01:07:08And I was wrong about something.
01:07:10I do.
01:07:12Try.
01:07:20Just give me a minute.
01:07:34This is exactly what I give is up to you.
01:07:43It was funny and outspoken.
01:07:48Said whatever was on her mind.
01:07:51No, it was strong and fierce.
01:07:56She wasn't afraid of anything.
01:07:58I named you, Tatum.
01:08:02Because that was my wish.
01:08:06For you.
01:08:08And I'm unafraid.
01:08:13What else can I tell you?
01:08:16Okay.
01:08:21I love you, Dad.
01:08:23Your dad.
01:08:25Yeah.
01:08:26Yeah.
01:08:27Yeah.
01:08:47I'm creepin' on you.
01:08:57I see your ass this morning.
01:08:58Yes.
01:08:59Yeah.
01:08:59I'm a prolly.
01:09:00Don't play call.
01:09:01I'm prolly.
01:09:01Don't get scared of my niggas right now.
01:09:03Don't do no.
01:09:04Creepin' on you.
01:09:07Creepin' on you.
01:09:09Creepin' on you.
01:09:11Creepin' on you.
01:09:13Creepin' on you.
01:09:13I'm creepin' on you.
01:09:14I'm creepin' on you.
01:09:14Creepin' on you.
01:09:16I ain't still here.
01:09:18This is just some clean hands.
01:09:20I be there when you need me.
01:09:22I watch you in the mirror.
01:09:23You're playin' with ya.
01:09:24Creepin' on you.
01:09:25I'm creepin' on you.
01:09:28Creepin' on you.
01:09:29Creepin' on you.
01:09:33I ain't still here.
01:09:35This is just some clean hands.
01:09:37I be there when you need me.
01:09:39I watch you in the mirror.
01:09:41Creepin' on you.
01:09:43Creepin' on you.
01:09:44Know you.
01:09:45Creepin' on you.
01:09:46Hello.
01:09:49Hello.
01:09:52It's not funny anymore.
01:09:53Hello.
01:09:55Hello.
01:10:09It all began last Thursday night in Woodsboro, California, at a house made infamous for the stashing.
01:10:14Cut.
01:10:15Copy that.
01:10:16Three, two.
01:10:18Hi, I'm Mindy Meeks Martin.
01:10:20Oh, I don't know.
01:10:21You messed up your own name.
01:10:26Three, two.
01:10:28Hi, I'm Mindy Meeks Martin.
01:10:30Three-time Ghostface Survivor.
01:10:32Hear that.
01:10:32One second.
01:10:33I hate you.
01:10:46This destiny follows me, constantly calling me.
01:10:51I can't escape it.
01:10:55I'm faced with déjà vu when the ghost in me is you.
01:11:03Can't hear to die.
01:11:06I'm screaming for my life because I'm free of every activity of my life again.
01:11:17This force I've made, constantly calling me.
01:11:22Your voice grows stranger.
01:11:26Helplessly, helplessly.
01:11:28Don't you make a scene, I'll make one too.
01:11:33Can you want to sleep?
01:11:36I'm screaming for my life because honestly, I'm afraid to let's reach within the night.
01:11:44I'm breathing.
01:11:45The nerve is shaking and bleeding.
01:11:50I'm burning the past for the grave, the grave, the grave.
01:11:59Can you want to sleep?
01:12:01Promise me, promise me.
01:12:03Promise me, I won't be left here to die.
01:12:06I'm screaming for fear and sin tonight.
01:12:11So I'm screaming for my life very grieving.
01:12:16I'm burning the past for the reason.
01:12:20I'm burning the past for the grave.
01:12:28I'm burning the past for the grave.
01:12:31I'm burning the past for the grave.
01:12:36I'm burning the past for the grave.
01:12:40I'm burning the past for the grave.
01:12:43I'm burning the past for the grave.
01:12:46I'm burning the past for the grave.
01:12:47I'm burning the past for the grave.
01:12:48I'm burning the past for the grave.
01:12:49I'm burning the past for the grave.
01:12:49I'm burning the past for the grave.
01:12:49You
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