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Death Paradise S15E05 [Full Movie] [Long Version]Full EP - Full
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00:28Hi, welcome.
00:33Ladies and gentlemen of the Tempest Company, this is your 15-minute call.
00:3615 minutes.
00:37Nate, sweetie.
00:39I just wanted to give you a little thank you, Prezzy, for everything you've done for us.
00:44I can't believe it's our last show.
00:48I'm going to miss you so much, my lovely.
00:51Yeah, me too.
00:57Nate, hon, is everything all right?
01:02Spirits hear me.
01:04Your time needs must curse, but they'll not pinch.
01:08No, it sounds brilliant.
01:10And it's the lead, is it?
01:11Great.
01:12OK, yeah.
01:13No, I can get a tape over to you.
01:15When's the deadline?
01:17I'll find someone.
01:18OK, my darling, let's do lunch when I'm back, OK?
01:21And I'm paying this time, you cheeky monkey.
01:24All right, you can pay.
01:25OK, lots of love.
01:26Bye.
01:28Another self-tape.
01:29So annoying.
01:31I'll tell you what it was, but I've just got to sign an NDA, you know, so...
01:34That's cool, Mum.
01:36Pleased for you.
01:37Guys.
01:37Guys, we've got a situation.
01:39Like, a bad one.
01:40Richard's a no-show.
01:41His phone's going straight to voicemail.
01:42I think we all know where Prospero's total laughter.
01:51No, no, never.
01:54No, no, never.
01:56There it is.
01:57Well, I guess our last night was always going to be a mad one.
02:01After the way this tour's gone.
02:04But we both made it to the end.
02:08No, no, never.
02:10No more.
02:13No more.
02:18No more.
02:20No more.
02:21No more.
02:22No more.
02:22Rich.
02:22Rich, come on.
02:24Rich, we've got to go.
02:26Skedaddle, youth.
02:27Rich, come on.
02:28There's an audience.
02:28They've paid to see us.
02:30To see you.
02:32Come on.
02:33You're not going to let them down, are you?
02:38It's all right.
02:39Come on.
02:40There you go.
02:45Oh.
02:45All right.
02:46All right.
02:47All right.
02:48Oh, sweet Lord.
02:55Mr Dempster.
02:56You doing okay?
02:58Of course I am.
02:59Why wouldn't I be?
03:00Just a little dry around the mouth, that's all.
03:01Final call for Miranda.
03:02Act one, scene two.
03:03Final call, Miranda.
03:07Oh, no, no, no, no.
03:08That's a prop.
03:11Oh, much obliged.
03:13Robin.
03:22Oh, yes.
03:23Then to see boys and go hang.
03:29Ha, ha, ha.
03:30This is a scurvy tune.
03:35But here's my comfort.
03:37Do not torment me.
03:39Oh, whoa.
03:40What's the matter?
03:41Have we devils here?
03:43If all the wine in my bottle will recover him, I will help his ague.
03:53Ah, that's a brave god.
03:55And bear celestial liquor.
03:57Come, amen!
03:58I will pour some in thy other mouth.
04:06Zavano!
04:07Ah!
04:08Gosh, thy other mouth call me?
04:09Why, this is a devil and no monster.
04:12Zavano, I am Trinculo, be not afeard.
04:16Thy good friend, Trinculo!
04:18Very Trinculo, indeed!
04:20I swear upon that bottle to be thy true subject.
04:24I'll show thee every fertile inch of the island.
04:30I see.
04:32I see.
04:34I prithee.
04:35I prithee.
04:37Let me show thee.
04:39Where crabs grow.
04:41And with my long nails, I'll dig thee pig...
04:47Pig nuts.
04:51Oh, my God, Michael!
04:55Nathan, we need our first aid here!
04:58Michael, put it to me.
05:01Oh, my God, he's not breathing!
05:03Someone call an ambulance!
05:05No!
05:06Wait!
05:07Somebody call an ambulance!
05:12Have a abandoning push...
05:13What I do?
05:18See me there.
05:18There's lots of there.
05:21I'm a trust trust.
05:22Easeman tries to experience towards the power of the rider.
05:22And out of us, none of us!
05:28There's lots of there!
05:29$ 6000A, okay!
05:37Last year!
05:37You see who this really bends!
05:38Time to��터 his love to hire.
05:47Yes, Thomas, what's up?
05:49Are you at the shot, sir?
05:50That I am, practising my darts.
05:52Oh, can't say you don't need it.
05:55Since I've got myself a decent set of arrows, my form has improved.
06:00Get in!
06:02I'm presuming this isn't a social call. You've got a case.
06:05A suspected poisoning occurred during a theatre performance.
06:09The victim collapsed on stage.
06:10What? You sure it wasn't an accident?
06:12According to paramedics, the symptoms suggest it's cyanide poisoning.
06:16Interesting.
06:17No!
06:18Are everything all right?
06:22I think I might have just nearly killed Harry.
06:25What are you doing, man?
06:27You can't play on here. It's not safe.
06:29Oh, God.
06:33Michael Farrar, 32 years old, suddenly collapsed halfway through the second act of the performance.
06:39The Tempest, the poster said.
06:41Yeah.
06:42Last ten months they've been touring beaches all over the world with it.
06:45This was their final performance.
06:47Sergeant Fletcher's taken all the necessary statements.
06:50Caliban, I'll take it.
06:51One sec, let me check.
06:54Yes. Yes, he was.
06:56I mean, two points for you, Inspector.
06:59How did you work that out?
07:00Well, he looks monster-y, you know.
07:03Not human.
07:05I assume the smell of almonds got the paramedics thinking it was cyanide.
07:08Which is fast acting, so do we know what he consumed before he died?
07:12Well, apparently.
07:15He drank from this moments before it happened.
07:17It's a fiasco.
07:19I mean, I'm trying my best here, sir. I haven't been here for long. I just got here.
07:21No. This is a fiasco.
07:24It's a traditional Italian wine bottle.
07:26He'll have drank from this in Act 2, Scene 2, the famous drinking scene.
07:30Let me check for you again.
07:31Boom, shakalaka.
07:33Two more points for you again, Inspector.
07:35It was indeed Act 2, Scene 2.
07:38Oh, the man knows this Shakespeare.
07:40He does?
07:42Who knew?
07:42Cherry juice. That'll be for the red wine.
07:45So chances are we're looking at our murder weapon.
07:48That's what you think, right?
07:50But it can't be.
07:51Because two others drank from the same bottle during the performance.
07:55Stefano and Trinculo.
07:56That one I don't know, sir.
07:58But based on your previous form, two pints again.
08:01So what happened to the other two actors who drank from this?
08:03Not a thing.
08:04The paramedics checked them out and they seemed fine.
08:07And they recorded the show, seeing as it was the last performance.
08:11So I will watch it back and check to see what happened.
08:15But if they did drink from the same bottle, then...
08:19He must have ingested the poison some other way.
08:26Let's see what the rest of the company have to say.
08:31These are two that drank from the same bottle as the victim.
08:34Mm-hmm.
08:34Just Gorman and Anya Chambers.
08:36She and the victim were in a relationship together and she's taking it pretty badly.
08:42Who are the others?
08:43So this is Richard Dempster.
08:45He directed this production and he also plays...
08:47Uh, Prospero.
08:49There comes a moment in every actor's life, a certain character's call to you.
08:56I had no choice.
08:58I had to submit.
09:00Okay.
09:01And this is Nathan Burns.
09:03He's the company's stage manager.
09:04I swear, if there was poison in that bottle, it wasn't me that put it in there.
09:09Actually, Mr Burns, we're working on the basis that the poison was administered another way.
09:13Really?
09:13Oh, thank God.
09:14Yeah, the cyanide's fast-acting, so if it was in your system, we'd pretty much know by now.
09:20We'd like to know what else Mr Farr consumed in the 20 minutes or so before he died.
09:26Mikey never ate before a show.
09:28Not for two or three hours.
09:29Did he drink anything?
09:31I just sip water.
09:33What did he drink from?
09:35Uh, one of those water flask thingies.
09:38Um, there it is.
09:43Okay, so take me through exactly what happened this afternoon.
09:48Anything out of the ordinary?
09:50We went up a bit late by about 15 minutes.
09:53How come?
09:54Mm-hmm.
09:55Um, just, um, technical hitch.
10:00And once the show had started?
10:02Oh, um, Michael was, um, on stage in scene one.
10:06He doubles as the bosun.
10:08Take in the top sail.
10:09Ten to the master's whistle!
10:12Then a very, very swift makeup costume change reappear as Caliban in act one, scene two.
10:20Anya helps, um, well, helped with that.
10:25And how did he seem then?
10:27Fine.
10:28And what about before he went on stage and collapsed?
10:31A bit nervous.
10:33Pacing, biting his nails.
10:35He always was.
10:37Before that scene, there were a couple of tricky speeches in it.
10:39But he wasn't looking ill.
10:43Can any of you think why someone might want to do this to Mr. Farrah?
10:48No.
10:50Mikey was loved by the whole company.
10:53Very talented boy.
10:54He had the whole world at his feet.
11:07If we're working on the basis that the killer got the poison into Michael's system 15, 20 minutes prior to
11:14him dying on stage,
11:15and it must be one of the cast or stage crew that...
11:20Sir?
11:22Why kill someone like that?
11:25In front of an audience?
11:27And on the very last show of the tour?
11:30I mean, after today, they could all go home, right?
11:32They'd never have to see each other again.
11:35So why did he have to die on that stage today?
11:40This is a public beach, right?
11:42Well, we're going to need some security to keep an eye on the crime scene.
11:46I'll get Sergeant Fletcher and Officer Rose to do a sweep of the place.
11:49On it.
11:58You all right, Mr. Dempster?
12:00Oh, ten months on tour will do this to you.
12:07Come on, Richard.
12:08It's time to go.
12:22Well, I recognise you from somewhere.
12:25Oh, yeah.
12:26It's a whole community police scheme thing we're doing.
12:30Sounds thrilling.
12:32I didn't catch your name in the frenzy of it all.
12:35Sergeant Matty Fletcher.
12:36Sergeant Matty Fletcher.
12:38Would you like to go for a drink with me while I'm on the island?
12:42No.
12:44That's inappropriate, Mr. Gorman.
12:46You know, with me being a police officer and you a possible suspect in a murder case.
12:51Right, yeah.
12:51Well, that makes sense.
12:53I hope that wasn't too embarrassing.
12:55Not for me, it wasn't.
12:56Good, good.
12:58I guess as an actor, I lost all sense of shame a while ago.
13:01Mm-hmm.
13:04Did he just ask you an idea?
13:05During a murder investigation.
13:07That's a red flag right there.
13:09Maybe he's the killer.
13:10Maybe he's trying to get close to the police to keep an eye on the investigation.
13:13Or maybe he's just a bozo.
13:15That's also a possibility.
13:17Mm-hmm.
13:18Crazy, man.
13:31Take a bow, Mikey.
13:33Because it's all over now.
13:35I told you.
13:37It was always going to end this way.
13:50Oh, that's great, man.
13:52I'll get the beers, yeah?
13:53Yeah.
13:53And some snacks.
13:54Nice.
13:55What time should we say?
13:56Around seven-ish?
13:57Yeah, cool, man.
13:58All right, nice one.
13:59See you then.
14:01I just arranged a darts night with Daryl.
14:03Tonight, he's going to get his mates around.
14:06It's going to be a bit like being back home, you know?
14:08Lads standing around the dartboard, beers, banter.
14:12The only thing that's missing is a sticky pub carpet and some pork scratchings.
14:16Pork scratchings?
14:17Yeah, they are the quintessential English pub snack.
14:21It's fried pigskin.
14:23I'll get some sent over for you.
14:25Oh.
14:27No rush.
14:29Ah, lab results.
14:30Ah, yes.
14:31And they confirmed the victim died from potassium cyanide poisoning.
14:36No surprise there.
14:37They checked Michael's own water bottle and found no traces of the poison in it whatsoever.
14:42Nothing in his water bottle.
14:45As for the fiasco, cherry juice, fairly high glucose levels, they noticed.
14:53But, most importantly, a lethal dose of potassium cyanide.
15:00That is surprising.
15:02Poison was in the bottle that our victim and the other two actors drank from on stage.
15:06Mm-hmm.
15:07So how can three people drink from the same poison bottle and only one of them die?
15:12It doesn't make any sense.
15:22Hello, yes.
15:24It's Sargent Man-Flexible.
15:25There, Celestial Licker.
15:27Ha-ha!
15:27Come on, then!
15:29I will pour some in the other mouth.
15:30Well, we can rule out the pretending to drink theory.
15:33I mean, these guys are drinking from the bottle for real.
15:35No question.
15:36So what if one of the other two actors slipped the poison in on stage just before Michael drank from
15:41it?
15:42Yeah, rewind it a bit.
15:45Okay, play.
15:47Could it be Jez?
15:49Now, the bottle is in view the whole time.
15:51And he's not adding anything to it.
15:53Also, Michael's not the last person to drink from that bottle.
15:56Seb's right.
15:58Anya drinks after Michael.
15:59So even if something had been added by Jez, Anya would have consumed it as well.
16:03Did he ever tell you anything about that?
16:05How?
16:07How do they all drink the same liquid with poison in it, but only Michael Farah dies?
16:17Who's Sergeant Fletcher on the phone to?
16:19Oh, an actor's agent back in the UK.
16:22When we spoke with the rest of the cast this morning, a, um, Casey Briscoe, who plays Miranda,
16:28she said she saw Nathan Burns accosting the victim just moments before the show even started.
16:34I'm telling you, this is all going to come back on you, and sooner than you think.
16:37And there's rumours going around that there's history between them.
16:39So Casey slash Miranda said we should speak to this agent.
16:43Did you get anything from the search?
16:46Nothing interesting.
16:48I was suspicious.
16:50You know, he's been humming this little tune.
16:54I've never seen him do this before.
16:56Me neither.
16:59Inspector, what's this funky tune you've been humming?
17:02I don't know.
17:04It's been in my head since yesterday.
17:05I can't shake it.
17:06I can't place it.
17:10Wait a minute.
17:23Bingo!
17:25It was an advert.
17:26It was on the telly about five years ago.
17:28They kept playing it.
17:34See, that's what I was humming.
17:36Oh.
17:37And why is this relevant?
17:40Wait.
17:41As a plumber, I've seen my fair share of what's great and safe.
17:44That's why.
17:45And I know they can leave a pretty nasty pond.
17:48But now I've found with Worcester, I can leave my mother...
17:50That's Nathan Burns, the stage manager.
17:52Man, he's like a better actor than all of the others put together.
17:56Nathan Burns was an actor.
17:58And he has history with our victim.
18:00I just spoke to an agent in London who used to represent Nathan.
18:05She remembers him as being super ambitious.
18:08The Whiffbuster ad wasn't the end of his rainbow then?
18:11The agent said about eight years ago, Nathan had a really important audition for the production
18:16of Macbeth at the National Theatre in London.
18:19And he didn't get it.
18:21But guess who did?
18:23Michael Farah.
18:24And more than that, Nathan went to the police at the time.
18:28He was adamant that he was spiked before the audition.
18:36By Michael?
18:37By Michael.
18:47So I get this big audition.
18:49And I go down to London and stay in a cheap hotel near the theatre.
18:54Michael's staying in the same place.
18:56Me and him get chatting in the bar the night before.
18:58What were you drinking?
18:59Just softs.
19:00But Michael insists on getting the last round.
19:03I go to bed at ten.
19:05Next thing, it's midday and I've missed the audition.
19:08You think he drugged you?
19:09He was taking out the competition.
19:11And you went to the police?
19:12They said there wasn't enough evidence.
19:14Whatever he'd given me was already out of my system.
19:17What happened after that?
19:19I never got another break like it.
19:21Did a bit of theatre and education, a couple of TV ads.
19:25Whiffbuster?
19:27Yeah, Whiffbuster.
19:31And then I quit.
19:32So you tour with this guy for ten months.
19:37And it never comes up?
19:41Mr Burns, just before the last show, you were seen arguing with Michael, saying,
19:46it's all going to come back on you.
19:48And sooner than you think, mate.
19:52You're referring to him sabotaging your audition?
19:56That's some revenge.
19:58Spiking his drink like he spiked yours.
20:00I didn't kill Michael because of what he did to me eight years ago.
20:03Still must have bothered you though, right?
20:04Otherwise, why bring it up?
20:05I just...
20:06I couldn't stop myself.
20:09I was never going to see him again.
20:16We'll be in touch.
20:24There is definitely something he's not telling us.
20:27You think?
20:40Rich.
20:42The police have been asking questions.
20:46I didn't tell them what he did to you.
20:49But if there's heat on me again, I don't think I can stay quiet any longer.
20:57To my own self be true, eh?
21:03Oh, Delroy.
21:06Say it again, if you will.
21:07Sure thing. No problem.
21:16Sir, how come you know so much about Shakespeare?
21:19Seems unlikely.
21:21You know, with you being a day of the match, a match of the day kind of guy.
21:26No disrespect.
21:28When I was a kid, I used to hang around outside the stage doors of West End theatres, yeah?
21:34In case I saw someone famous.
21:35Yeah, they meet Vin Diesel.
21:37No, I don't think Vin Diesel ever trod the boards of London.
21:42Anyway, I got to know some of the staff and they would let me sneak in and watch whatever was
21:46on at the time.
21:47So, yeah, I have seen my fair share of the board's works.
21:54Also, I got talking to the actor sometimes and they would say how hard a gig it was.
22:00You know, the failed auditions, the unemployment, doing rubbish jobs just to make ends meet.
22:05It was tough, competitive.
22:07As our first suspect found out.
22:09Well, could it be that that pushed Michael to do what he did to Nathan?
22:12But it also shows there's a dark side to our victim.
22:16Spiking someone's drink just so he can get the role he wanted.
22:19That's ruthless.
22:20Well, whatever it was that led someone to poison Michael Farah,
22:23well, we still haven't got a Scooby how we pulled it off.
22:26I mean, the man died on stage, right? In the middle of a performance.
22:30Drinking from the same bottle as these two.
22:32But they didn't die. He did.
22:38Did I Wilson speak in?
22:41Yeah, I can talk now.
22:45Okay.
22:48Yeah, yeah, I understand.
22:51Have you spoken to my brother about this?
22:54He has.
22:56Right.
22:58Okay, well, thanks for letting me know.
23:06Sir, is everything all right?
23:14I knew Mum would leave everything to Solomon.
23:18I just didn't think he'd put the house up for sale as soon as it was his.
23:24I thought we'd at least chat about it first.
23:28And what about your mother's things?
23:31According to the solicitor, he's arranged for a house clearance company to take everything and auction it all off.
23:38It all seems so rushed to me.
23:40Of course it's going to feel rushed.
23:42I would have liked at least a last look around the place.
23:47Maybe keep something of hers to remember her by.
23:56Then call your brother and tell him that's what you'd like to help him.
24:01He's got to understand, right?
24:17Hey!
24:19You?
24:19Yes!
24:21How can I help?
24:23Oh, well, actually, I thought I could help you, you know, wind down after a hard day's police in the
24:28streets.
24:30I've got some beers, picnic blanket, and, um, yeah, I thought we could find a quiet beach and get to
24:38know each other.
24:39Hmm.
24:39Mr Gorman?
24:40Yes.
24:41Did we not already have this conversation?
24:43We did, yes, but I felt what was happening was, you know, you were on duty, you had your colleagues
24:49around you,
24:50and I think you were saying what you felt you had to say.
24:53Hmm.
24:54No.
24:55Come on, I'm not on this island for very long.
24:57How often do you get to do this with someone like me?
25:00Let's just have some fun.
25:03Here we go, here we go.
25:04Hmm.
25:06Hmm.
25:07Yes.
25:08Yes.
25:09There you go.
25:13Cheers.
25:15Actually, now that I think about it, I did say that I was going to meet my friend.
25:19What's the time now?
25:20Oh, no, you're spilling it, you're spilling it.
25:22Oh, what a shame.
25:24I do have somewhere to be right now, though.
25:29Do not bother me again unless it's related to the case, Mr Gorman.
25:36You understand?
25:38Good.
25:39You enjoyed the rest of your evening.
25:58Sergeant Fletcher, good morning.
25:59What have you got?
26:00So I've been doing background checks on the other cast members,
26:03and I noticed Anya Chambers and Jez Gorman were in the same play back in 2021,
26:09and they ended up getting together and, wait for it,
26:14they only got married a year later.
26:17Hang on, I thought Anya was with Michael.
26:18She was.
26:19She left Jez for him during the tour they'd been on.
26:23Why did this not show up sooner?
26:25Because it wasn't officially registered yet.
26:28They had a vow ceremony in the forest somewhere.
26:30There was a whole Midsummer Night's Dream thing going on.
26:34Yeah.
26:34Yeah, you should have seen some of the photos they posted on social media.
26:38That was some dress she wore, respectfully, of course.
26:41So how did Jez feel about being replaced by Michael?
26:44Hmm.
26:44Well, according to the other cast members,
26:46really not so good seems to be the answer.
26:49Mm-hmm.
26:55Look, I don't know who said that, but it's nonsense.
26:57So when Anya told you she was leaving you for Michael, you weren't upset?
27:01Sorry, why is she here?
27:02Is that normal procedure, to bring a uniformed sergeant along?
27:06It is.
27:06Yep.
27:07Yes, it is.
27:08OK.
27:09Fine.
27:10So it's nonsense, is it, that you were upset about Anya?
27:13Yes.
27:14I mean, Anya's the one who's losing out, not me.
27:17All our mutual friends are siding with me.
27:19She's the one who's going to have to move in with her parents
27:21when she gets back home, not me.
27:23I mean, it hurts.
27:24Yeah.
27:25Of course it hurt.
27:26It really hurt.
27:27But I didn't kill Michael because of it.
27:29I wasn't looking for revenge.
27:33Ah, this is my agent, so I should probably take...
27:37You shouldn't.
27:38OK, she'll leave a voicemail.
27:40This is a murder investigation, Mr Gorman.
27:43Now, your wife fell in love with the victim.
27:45That's a very strong motive.
27:47Well, that's where you're wrong, actually.
27:48They didn't fall in love.
27:51I mean, maybe she did, I don't know, but...
27:53It wasn't reciprocated.
27:54What makes you say that?
27:58Because he told me so.
28:02A few nights before our final performance,
28:04we all had a bit of a sesh at the hotel bar.
28:08Some of us went for a dip in the sea.
28:10Michael comes up to me and says he's going to end it with Anya
28:13because he's got some off-Broadway play
28:17and she's not what he needs right now.
28:20And did he end it with her?
28:22Yeah.
28:24Five minutes before the beginning of our final show.
28:28Talk about timing, eh?
28:40Anya's in room 352.
28:42That was Seb.
28:44The security team at the crime scene
28:46say somebody tried to break into the dressing room area last night.
28:49Guess a description?
28:51Is there something that we could have missed?
28:54Right, you and Officer O's get down to the crime scene.
28:56Let's go and talk to Anya.
28:59Yeah, well, when's the deadline?
29:00Yes, Seb?
29:02Yeah, I'm sure I can get something to put me on tape.
29:06Mikey and I had gone to collect rich from this bar he drinks in.
29:11That was why we went up late.
29:13So that was the technical hitch.
29:16We literally had five minutes before the performance was about to start.
29:20Mr. Dempster, come on, let's get you dressed.
29:22Fight! Fight!
29:23You son of a man!
29:24Michael just blurts it out.
29:26I can't do this anymore.
29:29I'm going to New York.
29:32I'm going alone.
29:34You gave up your marriage for Michael.
29:36You risked everything.
29:40It must have hurt them
29:41when he told you it was over between you two?
29:45I don't know.
29:49What was it that drew you to Michael?
29:52It felt like
29:54a kindred spirit.
29:57It was something I'd never had with Jez.
30:00In what way?
30:02Mikey cared so much about his work,
30:05but it terrified him.
30:07He was striving to be as good as he could.
30:10Knowing it could all be torn down
30:12by a critic or the audience.
30:14And that vulnerability drew me to him.
30:17Because I feel it too in everything.
30:22OK, so in that moment
30:24when he told you'd finished with you,
30:26you must have felt...
30:27Betrayed.
30:29Angry.
30:30And within the oar, he was dead.
30:32What?
30:32What?
30:33You think I did it?
30:36Because of...
30:37I mean, but...
30:39How, even?
30:43You think I'd carry around
30:44a bottle of cyanide with me
30:46just in case I get dumped?
30:48I mean, and if you've forgotten,
30:50I drank from the same bottle as him.
30:53Why would I do that
30:54if I knew there was poison in it?
31:01You know, my mum's church
31:03has this dirty thing going on.
31:06And sometimes
31:07I think about doing a bit of it to myself,
31:10you know?
31:10It's just the words sometimes.
31:13I really struggle with words.
31:17Like, um...
31:18Cool.
31:22The winds
31:23did sing it to me
31:24and the thunder
31:25that deep and dreadful
31:27organ pipe
31:28pronounced the name of
31:29Prosper.
31:30It did bass me trespass.
31:33Bass me trespass?
31:34I mean, what does that even mean?
31:36Like, bass me trespass?
31:38Like a boombox type of bass?
31:39Less of the bass
31:40and more of the searching.
31:42Sergeant Fletcher.
31:43Commissioner, afternoon.
31:44Afternoon, sir.
31:46Might I have a word?
31:53How is the investigation going?
31:55We're making progress, sir.
31:57We've already got
31:58a few suspects in mind.
32:00Is everything all right, sir?
32:03A complaint has been made
32:06accusing you
32:07of unprofessional conduct.
32:10By who?
32:11Jess Gorman claims
32:12you tried to initiate
32:13a romantic relationship with him.
32:16He said what?
32:17And when he turned you down
32:19twice,
32:21you pursued him
32:22as a suspect
32:23in the case.
32:25That is just not true.
32:27We interviewed him
32:29because there was evidence
32:30to suggest
32:31he had a motive.
32:33And it was Mr. Gorman
32:34who asked me out twice.
32:36I swear to you, sir.
32:38He is making this all up.
32:40I mean,
32:41I would never do
32:42something like that, sir.
32:43You believe me, right?
32:46Look, sir,
32:47ask Officer Rose.
32:49He was there
32:50the first time
32:50Mr. Gorman asked me out.
32:52He will tell you.
32:54Very well.
32:57Leave it with me.
33:06Exactly what I'm looking for.
33:09Yes.
33:11Though,
33:12cannot find a thing.
33:13Hey.
33:18Hmm.
33:28Sarge!
33:29I think I found something.
33:32What is it?
33:37It's a beach like a key.
33:41There's a few of them
33:41two minutes off the road.
33:45Oh.
33:59Syringe.
34:04Well, I'm assuming
34:05that's the cyanide.
34:06Hmm.
34:12A tin of throat lozenges.
34:14You all right then,
34:15Mr. Dempster?
34:23Right,
34:24Mr. Dempster.
34:26This lot
34:27has got your fingerprints
34:28all over it.
34:30No one else's.
34:31You care to explain?
34:34It's thanks to
34:35Michael Farah
34:36that I fell off the wagon.
34:37Sorry?
34:38Before this tour,
34:39I've been sober 20 years.
34:41What happened?
34:43Michael was
34:43offered this
34:44this off-Broadway show.
34:46It's gonna get him
34:47some good publicity
34:48in the States.
34:49Well,
34:50at the same time,
34:50we had the chance
34:51of extending our tour
34:53by three months
34:54to South America.
34:55And you didn't want
34:55to lose your caliber?
34:56No.
34:57And, I mean,
34:58Michael was contractually
34:59obliged to stay
35:00if further dates were added.
35:01I refused to release him.
35:03Well, we know
35:03Michael was very ambitious,
35:05so I assume
35:06he wasn't happy about that.
35:08It's our first day off
35:10in the Caribbean.
35:12Trinidad.
35:13We all spent the day
35:14by the pool.
35:15Cheers.
35:19I didn't realize
35:20till it was too late.
35:21Oh, dear boy.
35:23Putting shots of vodka
35:25in my soft drink
35:26all day.
35:27Once I got the taste
35:28for it well.
35:30Double whiskey, please.
35:3320 years without
35:34so much as a sip.
35:35It all came crashing down.
35:38Nathan and dear Anya,
35:39they were first to realize
35:41I was back on the source.
35:42Took it in turns,
35:43bless him.
35:45Putting me to bed.
35:46Did you tell them
35:47what Michael did?
35:48Yes.
35:48I don't think Anya believed me,
35:50but Nathan did.
35:52Nathan?
35:53Yeah.
35:54There is definitely
35:54something he's not telling us.
35:57He said that
35:58Michael had done something
35:59not dissimilar to him once,
36:01despite his drink.
36:03So that's what
36:04Nathan was holding back.
36:06When he confronted Michael
36:08before the final show,
36:09it wasn't just about
36:10his experience
36:12eight years ago.
36:13I'm telling you,
36:13this is all going to
36:14come back on you
36:15and sooner than you think, mate.
36:16It was also about
36:17what he'd been doing to you.
36:19The irony of it is
36:20that funding fell through
36:22and the end tour
36:23was never extended.
36:24Michael got exactly
36:25what he wanted.
36:26No, I had the sense
36:28he usually did.
36:29Which brings us back
36:30to this little collection.
36:32I think he poisoned
36:34one of these lozenges,
36:35gave it to Michael backstage,
36:37then added poison
36:38to that wine bottle
36:39on stage after he died
36:40to misdirect us,
36:42make us think
36:43that's what killed him.
36:45I'm afraid my little plan
36:46wasn't quite so smart.
36:48Well, and not so deadly.
36:50The bottle doesn't contain
36:51cyanide.
36:53It contains
36:56lysergic acid,
36:57diethylamine.
37:00LSD.
37:02The hallucinogen.
37:04I injected one of the lozenges,
37:06but not with cyanide.
37:08I didn't want to kill him,
37:09I just wanted him to feel
37:11how he made me feel.
37:14All powerless.
37:17I wanted everyone
37:19to see it.
37:22With the code that I am,
37:23I didn't go through with it.
37:27And when Michael collapsed
37:28on stage
37:29and we were called...
37:32I panicked.
37:33All your frenzy,
37:34I ran to the beach lockers,
37:36hit the evidence,
37:37and there was you,
37:39our security sword,
37:39trying to get into
37:40the dressing room
37:41to get that key.
37:43Did you tell anyone else
37:44about your plan?
37:45I was so smashed
37:46half the time,
37:47I might have left it
37:48lying around.
37:51God, I don't know.
37:52Inspector.
37:56Just a moment.
38:04I think he might be
38:05telling the truth.
38:07We've re-watched the video
38:08and after Michael collapses,
38:10no one goes near
38:11the bottle he drank from.
38:12And look,
38:13Jez Garman
38:14puts down the bottle here
38:15and no one touches it again
38:18until...
38:19I do.
38:20There.
38:20So the poison
38:22was in the bottle
38:23all along?
38:24Nothing was added afterwards?
38:26No, sir.
38:28So how come
38:29the other two
38:29that drank from the bottle
38:30didn't die
38:31and he did?
38:42You've reached Solomon.
38:44Leave a message,
38:45I'll get back to you.
38:47Sol,
38:48it's me again.
38:49Can you call me back?
38:51Please.
38:56So I just heard back
38:57from a few of Jez
38:58and Anya's friends
38:59in the UK
39:00trying to get a handle
39:01on their marriage
39:02breaking up.
39:04Right.
39:06No one was shocked.
39:08It seems Jez
39:08wasn't the most faithful
39:09of husbands.
39:10He saw it as a kind of
39:13open marriage.
39:14Right, and what happens
39:15on tour
39:16stays on tour, then?
39:17And after three years
39:18of marriage
39:19Anya felt betrayed
39:20and humiliated,
39:21just basically
39:21took her for granted,
39:23but obviously
39:23never expected her
39:24to actually leave.
39:26So when Anya
39:27hooked up with Michael,
39:28that must have
39:28really thrown him.
39:34Still haven't heard
39:35from your brother.
39:37You know what?
39:38I think he's actually
39:39ignoring my calls.
39:40I keep thinking about
39:42how things were
39:42between us, you know,
39:43when we last
39:44saw each other.
39:45They weren't great.
39:46In fact, if I'm honest,
39:47I kind of think
39:47it's because of me
39:48that we're going
39:49our separate ways.
39:50Then maybe you should
39:51go visit him
39:52in Antigua.
39:53You think?
39:54Yeah.
39:55Just go talk to him.
39:57I'm heading to the lab.
39:59You want me to
39:59drop you off
40:00at the shack?
40:01No.
40:02Take me to the
40:03high street, please.
40:04I need to get
40:04a bucket and spade.
40:07As in a...
40:09As in a kiddie's
40:10bucket and spade
40:11for, like, the beach?
40:13What other kind of
40:13bucket and spade
40:14is there?
40:15Sir, um,
40:17is this for the case?
40:18Or...
40:21Are you having
40:22a break now?
40:23Probably both.
40:29Right.
40:30Well,
40:32that's me done.
40:38Sarge,
40:39you don't need
40:39to stress yourself
40:40over this
40:41Jez Garman complaint.
40:43Like you said,
40:43the man's a total bozo.
40:45And the commissioner
40:46will definitely see that.
40:47Car, he can see
40:48through the lies.
40:51You're not too sure
40:52about it.
40:56There's something
40:57that you don't know
40:59about me
41:01from before
41:02I, uh,
41:03I came back
41:04to St. Marie.
41:05In Jamaica,
41:07I...
41:08I messed up
41:09on a case
41:11big time
41:13and...
41:14and some of my file
41:16and the commissioner
41:16knows about it.
41:18So...
41:20No.
41:21No, I'm not sure
41:22he's gonna have
41:23my back on this.
41:25That's why
41:25you're transferred.
41:32Well, I mean, look,
41:35I wouldn't be so sure
41:37about that, Sarge.
41:39Because one thing
41:39I know for a fact
41:40is that
41:41the commissioner
41:42wants to give
41:43everyone
41:44a chance.
41:46Because, I mean,
41:48he did with me.
41:50Best decision
41:51he ever made.
42:13morning, Sarge.
42:14Officer Rawls.
42:15Oh, I see.
42:16Yes, Thomas.
42:17Sarge.
42:19Somebody's
42:19given the inspector
42:20some hair.
42:22I never thought
42:23I'd see the day
42:23the man can have
42:24an afro.
42:25Whoever did this
42:26making a bold statement.
42:39Morning, inspector.
42:41Have you seen the poster?
42:43Someone's given you
42:44a glow-up.
42:45Yeah, I've seen it.
42:45Yeah, that really
42:46brings out
42:47your cheekbones, inspector.
42:48Kind of suits you.
42:49Oh, and he's got
42:50his little kiddies' bucket.
42:52And spades.
42:54Four of them, in fact.
42:57One bottle.
42:58One dose of poison.
43:04Three people
43:05drink the same liquid
43:07from the same bottle.
43:10Now, how come
43:11only one of them
43:12ingest the poison
43:13and the other two don't?
43:14Well, that's not possible.
43:16Why not?
43:17They're sand in all of them.
43:19Or poison, so how?
43:21How indeed, Sergeant Fletcher.
43:26Is that from the lab?
43:27Yes.
43:28Oh.
43:32Confirms
43:33the liquid in the bottle
43:35we found
43:36in Mr Dempster's
43:37cigar box
43:38was LSD.
43:40Not legal,
43:41but definitely
43:42not murder.
43:43Oh, sir,
43:44your buckets.
43:45Oh.
43:57The sea's washed
43:58all the sand away.
44:02It's like
44:02I was never there.
44:08hang on.
44:13The water made
44:14the sand
44:14disappear.
44:17Or did it
44:18actually disappear?
44:20I mean,
44:21what if it was there
44:21all along?
44:23I think you poisoned
44:24one of these lozenges
44:25and added poison
44:26to that wine bottle
44:27on stage after he died.
44:28No one goes near
44:29the bottle you drank from.
44:31As for the fiasco,
44:33fairly high glucose levels.
44:35And if that explains
44:36the bottle,
44:38then
44:39where did the poison
44:40come from?
44:41In a very,
44:42very swift
44:43makeup,
44:44costume change,
44:45reappear as Caliban
44:46in Act 1,
44:47Scene 2.
44:47And with my long nails,
44:49I'll dig deep.
44:51Deep nose.
44:56You know who did it.
44:59And I think I know why.
45:01But what about the
45:02how, Inspector?
45:03I mean,
45:03that's what the whole
45:04biggie's about, right?
45:05I'm pretty sure
45:05I know the how as well.
45:07But,
45:08Officer Rose,
45:08I need you to run
45:09another tox report
45:10on Mr Farah,
45:10but I need a glass
45:11of water first.
45:12You're dehydrated.
45:13No, it's not to drink.
45:14It's just a little experiment
45:15that will finally prove
45:16what really happened
45:18on stage three days ago.
45:20One glass of water
45:21coming right up.
45:30Now,
45:31I don't want to talk
45:32ill of the dead.
45:34However,
45:35I think it's fair to say
45:36that Michael Farah
45:37was a selfish
45:39and self-interested
45:41individual
45:41who only cared about
45:42what he wanted in life
45:44and how he was
45:45going to get it.
45:46But,
45:47did the malicious
45:48and hurtful things
45:49he did to each of you
45:51really mean
45:52he had to die?
45:55Anya,
45:56you obviously thought
45:57he did.
45:59Because it was you
46:00that poisoned him.
46:01What?
46:02What?
46:03No.
46:03No.
46:03I absolutely
46:05did not.
46:07The mystery
46:08we've been trying
46:09to solve
46:09throughout this case
46:11is how three people
46:13could drink from
46:15the same
46:16poisoned bottle
46:17yet only one of them
46:19dies.
46:21we didn't know it
46:22but the answer
46:24has been right
46:24in front of us
46:25from the start
46:26and in a way
46:27Mr. Farah
46:29gave it to us
46:30in his dying breath.
46:32And with my long nails
46:33I'll dig thee pig...
46:35And I with my long nails
46:36will dig thee
46:37pig nuts.
46:40Because that's the thing
46:41about Caliban
46:41he was a monster
46:43right?
46:44And as part of
46:45Michael's makeup
46:46to help make him
46:47look more
46:47monstery
46:49his nails are painted
46:52and that's how
46:53he was poisoned.
46:55We need to get
46:56this to the lab
46:56but we've already
46:57had Michael's
46:58fingernails tested
46:59and it was confirmed
47:00there were traces
47:02of cyanide
47:03in the dried
47:04varnish.
47:05It was administered
47:07Anya
47:07by you
47:08during his wardrobe
47:10change from the bosun
47:11into his Caliban costume
47:13makeup
47:13and painted fingernails.
47:17Nathan
47:18you said Michael
47:19would get particularly
47:20nervous
47:21while waiting
47:22to go on stage
47:23for Act 2
47:23Scene 2
47:24yeah?
47:24A bit nervous.
47:25He would pace
47:26and bite his nails
47:28which after touring
47:30for 12 months
47:31together
47:31and having
47:33become intimate
47:34with him
47:34you also knew
47:36Anya
47:36but I told you
47:38Michael only
47:39ended things with me
47:40half an hour
47:41before he died
47:42how could I plan
47:43his murder
47:43in that time?
47:44You're right
47:46Michael's murder
47:47was planned
47:48in advance
47:48but now we know
47:50the killer
47:50had to be you
47:51then it follows
47:52that you'd already
47:53found out
47:54Michael was planning
47:55to end his
47:55relationship with you
47:56You getting in?
47:58Yeah
47:59maybe
47:59And with Michael
48:01telling Jez as much
48:02Look
48:04I'm going to end
48:04things with Anya
48:05I think you overheard
48:06that conversation
48:07After everything
48:07I thought you
48:08should know
48:09And we believe
48:10that's when you
48:11decided to kill him
48:12Then
48:13if Michael's
48:15fingernails
48:15were poisoned
48:17why was there poison
48:18in the bottle?
48:19That was to misdirect us
48:20right?
48:22To confuse us
48:23with the seeming impossibility
48:25that three people
48:26could drink from it
48:27but only one die
48:28Why weren't they all killed?
48:31I'm glad you asked me that
48:32Mr. Dempster
48:32because to answer that
48:34we need to look
48:35to your own plan
48:36to get back
48:36at Michael Farrah
48:37We know
48:38Miss Chambers
48:40helped to put you
48:40to bed
48:41a number of times
48:42when you
48:44overindulged
48:44Nathan
48:45the uranio
48:46they took it in turns
48:47bless him
48:47but he needed bed
48:48And you admitted yourself
48:50you left the cigar box
48:52containing the syringe
48:53the lozenges
48:54I might have left it
48:55lying around
48:56and this little bottle
48:58lying around the place
48:59we believe
49:01you came across
49:02this box
49:03Miss Chambers
49:03Okay Rich
49:05a sip of water
49:08Mmm
49:09And that's when
49:11your plans
49:11started to take shape
49:14But instead of
49:16using LSD
49:17you used
49:19a fatal poison
49:22Now I have to admit
49:23it didn't register
49:25with me at first
49:25the significance
49:27But when our lab
49:29tested the liquid
49:30in that poison bottle
49:31the cherry juice
49:33As for the fiasco
49:34They found the level
49:36of glucose in it
49:37Glucose levels
49:38Higher than normal
49:39That's where this comes in
49:43Just over an hour ago
49:44I dropped one of
49:46Mr Dempster's throat lozenges
49:47in this glass of water
49:49And now look
49:52It's gone
49:55Dissolved
49:57And that's exactly
49:58what you did Anya
49:59with that wine bottle
50:00Just before yourself
50:02Jez and Michael
50:03went on that stage
50:04for Act 2 Scene 2
50:06You see
50:06No!
50:07As long as the lozenge
50:08was whole
50:09and hadn't dissolved
50:11Jez
50:11It was safe to drink from
50:14Which you all did
50:18But by the time
50:19we arrived
50:20at the crime scene
50:21and sent the bottle
50:22to the lab
50:23to be tested
50:24Lozenge had already
50:26melted away
50:26releasing the poison
50:28making it seem like
50:30it had been there
50:32all along
50:34But why?
50:36Why did you kill him?
50:39Anya
50:40When you and Michael
50:42got together
50:43you were still feeling
50:44hurt
50:45and embarrassed
50:47by your husband's
50:49ongoing infidelities
50:51him taking you for granted
50:54So for Michael
50:55the kindred spirit
50:57that you'd risked
50:59everything for
50:59to humiliate you
51:01even further
51:02by finishing with you
51:03only a few months
51:04after getting together
51:05well
51:06a bit more than hurt
51:08And that's when
51:10you realised
51:11that perhaps
51:13the rumours
51:14you've heard
51:15about Michael
51:16which
51:16you previously dismissed
51:18were actually true
51:20That Mr Dempster's claim
51:22that Michael
51:23spiked him
51:25actually happened
51:27Did you tell them
51:28what Michael did?
51:29Yes
51:29I don't think Anya
51:30believed me but
51:31And that Nathan Burns
51:32his own past run-in
51:33with Miss Sapphira
51:34was more than mere gossip
51:36There's been gossip
51:37amongst the cast
51:37that there's history
51:39between them
51:39So you decided
51:41to do something
51:41that was long overdue
51:43and on behalf of yourself
51:45and everyone else here
51:46whose life he'd ruin
51:48you would give Michael
51:50you would give Michael
51:50something he deserved
51:52to make him the one
51:53to finally suffer
51:56his own downfall
51:57his own humiliation
52:00right there on that stage
52:01for all the world to see
52:05And that Miss Chambers
52:07is why you killed him
52:17Anya Chambers
52:19I'm arresting you
52:20for the murder
52:20of Michael Farrow
52:22You do not have to say anything
52:24but it may harm
52:25your defense
52:26if you do not
52:28mention
52:28when questioned
52:30something which
52:31you later rely on
52:32in court
52:45You're not seeing
52:46up at yourself already?
52:47It's never a knock
52:50Ah, return of the bursal
52:52Could we have a quick chat
52:54please?
52:59I just want to let you know
53:00that I officially dropped
53:01my complaint this morning
53:03and I wanted to say
53:05I'm sorry
53:07You know you could have
53:09lost me my job
53:10just because I wouldn't
53:11have a drink with you
53:13What kind of sick
53:14little messed up brain
53:15you have?
53:16Yeah, that's pretty much
53:17what your commissioner said
53:18Wait, the commissioner?
53:19Yeah, he was the one
53:20who insisted I apologise
53:22and said he was going
53:23to charge me
53:23with wasting police time
53:24and he caught my agent
53:25He's a pretty terrifying
53:27guy actually
53:29Oh, and there he is
53:31OK
53:31Well, look
53:32I'd rather not have to
53:33deal with him again
53:34so I'm really sorry
53:46Sir
53:49He apologised
53:51He did
53:52Thank you, sir
53:54I'm sorry
53:55I couldn't get him
53:56to drop his complaint sooner
53:57The man was clearly
53:59making it all up
54:03So you knew
54:04he was lying
54:05all along?
54:06Of course
54:07But one has to
54:08follow procedure
54:09in situations
54:11like this
54:13It's
54:15I just
54:16I just thought
54:18you didn't believe me, sir
54:20You know, after
54:22everything that happened
54:23before
54:24You made
54:25a promise to me
54:27that there were going
54:28to be no more
54:30mistakes
54:31And
54:32I tend to take
54:34people at their word
54:35You're a good sergeant
54:36I can see that
54:37So
54:38keep it up
55:01OK
55:02If I get a
55:04bullseye
55:05on this next throw
55:06I'll book a ticket
55:07to Antigua
55:08and I'll go
55:09and see Seoul
55:25Maybe make it
55:26best of three
55:28Yeah
55:31Another bullseye
55:32and I'm definitely
55:33going to Antigua
55:48I don't believe it
55:54Well, that's that, then
55:55I guess it's really happening
56:02Yes, Thomas
56:04I'm just letting you know
56:06I won't be coming in tomorrow
56:08I'm actually taking
56:09your advice as it goes
56:10I'm going to see Seoul
56:13Yeah?
56:14Well, I mean
56:16I don't even know
56:16if he wants to see me
56:17but
56:18hey
56:19what's the worst
56:20that can happen?
56:34more water please
56:35I think it rather
56:36suits him
56:37Yeah
56:38That's the same thing
56:39I said, sir
56:40looks like one of the
56:41Jackson 5
56:42and it is rather amusing
56:44isn't it?
56:52Sir
56:52Yes, Thomas
56:53what is it?
56:55I think something
56:55has happened to the inspector
57:17What the hell's going on?
57:22You
57:24You
57:28What the hell's going on?
57:55You
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