- 2 days ago
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Short filmTranscript
00:07The End
00:40The End
00:56Africa
00:58The dark land where voodoo drums beat in the night
01:01Where the jungles are deep and full of secrets
01:05And the moon that lights them is still a mystic moon
01:10Africa
01:12Where men have not forgotten the evil they learned in the dawn of time
01:17I always come back to Africa
01:19But even here there is no rest for me
01:23The path of time is curved upon itself like a circle
01:27Without beginning
01:28Without end
01:30I must follow it forever
01:33I cannot die
01:36I cannot rest
01:39I cannot rest
01:41I cannot rest
01:51I cannot rest
01:52I cannot rest
01:52I cannot rest
01:52I cannot rest
01:52I cannot rest
01:52I cannot rest
02:00I cannot rest
02:01I cannot rest
02:02I cannot rest
02:02I cannot rest
02:03I cannot rest
02:05I cannot rest
02:06I cannot rest
02:12I cannot rest
02:23Let's go.
02:23Bless me, Father.
02:24Bless you, Mongo.
02:25Go on your way and have no fear.
02:32Bless us, Father.
02:33Bless you, children.
02:35Go on your way and have no fear.
02:38Bless you.
02:43Let's go.
03:06Roy!
03:07You've been away for ten years.
03:09Less than ten weeks. Have I changed?
03:11For the better. Only that's not possible.
03:16I'm still wearing it.
03:17Just wanted to make sure you didn't pick up some more of them while you were in Johannesburg.
03:21In a hospital for children.
03:23How about the doctor?
03:24Sixty skinny as a rail and bald.
03:35Well, looks like you'll be needing a priest.
03:37Father Gilchrist.
03:38Hello, Father.
03:39This is going to make a lovely bride, Roy.
03:41Oh, Blarney.
03:42Blarney?
03:43Well, I like that.
03:44Well, you folks can stay out here if you like.
03:46But it's ten degrees cooler inside.
03:48And more of these.
03:50No thanks, Tom.
03:51But I will take a nice, big, comfortable chair.
03:53I just trekked in from a Longo village.
03:55And I'm a little bit weary.
03:58The best chair in the house, Father.
04:01There you are.
04:02Two more, Esther.
04:05Those drums.
04:08They've been going like that for weeks.
04:11That's exactly what brought me back, Tom.
04:14Once a rumor gets started in the jungle, it spreads like wildfire.
04:18If you don't stop it, the natives revert to voodoo magic.
04:22Witchcraft, superstition.
04:23Unless it's stopped, my business will be.
04:26All the native workers out at the plantation are either quitting on me or laying down on the job.
04:32Another murder out there Saturday.
04:34That's three in a month.
04:35Four.
04:36There was another last night right here in Bakunda.
04:38Down the street.
04:39Oh, really?
04:41Well, the three out of the plantation I've seen.
04:43Each body partly drained of its blood.
04:46Each with two peculiar wounds at the throat.
04:49Here.
04:50You know, if we were living a hundred years ago, I'd almost agree with the natives.
04:54A vampire.
04:55Oh, vampire.
04:56A dead man denied heaven because of his crimes.
04:59Doomed to remain on earth in hideous semblance of life.
05:02Sustaining his body on the blood of the living.
05:05Oh, medieval Tommy Rod is just a legend.
05:07Yes, but a universal legend, Julie.
05:10Well, now, do you believe in it, Father?
05:12No, I don't believe in vampires.
05:15But I do believe with the church, in the power of evil.
05:18Whether we believe it or not, something's going on.
05:21It's having a bad effect on my native workers.
05:23Same trouble here in town.
05:25Any ideas, Roy?
05:27Yeah, I thought I'd see Webb Fallon.
05:28Webb Fallon?
05:29Who's he?
05:31Fallon.
05:32Fallon.
05:33That's from the old Gaelic.
05:35It means the stranger.
05:38One who walks in the darkness beyond the campfires.
05:41That describes Fallon.
05:42He's a newcomer to Bakunda.
05:44Runs a dive down near the waterfront.
05:46Nobody knows exactly where he came from.
05:49And in Africa, you don't ask questions.
05:51Well, what can he do?
05:52Well, in the short time Fallon's been here,
05:54he's come to know more about Bakunda's underworld
05:57than most of the natives.
05:58If anybody knows what's going on, he does.
06:00I'll be back shortly.
06:05Let's go.
06:05Let's go.
07:54Natural.
07:56We're not through yet, Fallon.
07:57You've got everything but my shirt down there now, but you can't throw naturals forever.
08:03Here's my share of the trader boat, Bakunda Queen.
08:15Seven.
08:17The devil himself couldn't have such luck.
08:22Hey, you.
08:27Hey, everybody!
08:32The drinks are on me!
08:33Hey!
08:35Hey!
08:36Come on over here!
08:37Hey!
08:37Hey!
08:38That sailor, you'll make trouble.
08:41Go on down, sleaze on.
08:47Hello, Fallon.
08:48Well, Mr. Kendrick.
08:50Pretty rough on the guy, weren't you?
08:51Oh, I didn't ask him to play.
08:55Well?
08:56Boxcars.
08:58You didn't come here to shoot craps with me or drink my bad gin.
09:02What's on your mind, Mr. Kendrick?
09:03Well, a lot of people come to your place, Fallon.
09:05All kinds of people.
09:07I thought you might know something about these mysterious killings.
09:11Yeah, but Kunta seems to have gone back into the old ways,
09:14in spite of the Father Gilchrist's and all they can do.
09:20Well?
09:21Nobody could shoot a game like you as a straight dice, Fallon.
09:24I want my money back, and my ship, too.
09:27Take it easy, fella. I draw the dice myself. They're straight.
09:30Stay out of this, Kendrick.
10:02Get out.
10:06All of you.
10:11You hurt, Roy?
10:13Not bad. Thanks to you.
10:16Better come in and wash up.
10:19Hey, Barrett.
10:21What happened to you?
10:24I don't know.
10:25It's the first time I ever quit a fight when a guy just looked at me.
10:36What happened to your mirror? Did you break it?
10:37Well, I removed it. The mirror's as bad as the sun if a strong light hits it.
10:42I have to be careful. I've got bad eyes.
10:45Africa's a pretty tough place for a man with eye trouble.
10:48Oh, I don't go out much in the daytime. When I do, I wear these.
10:53Come in.
10:55Excuse me, Mr. Fallon.
10:58You know the fellow you give your barrett winnings to?
11:01The one that was buying drinks for the house?
11:03Yes.
11:04He just dropped dead out there.
11:06Heart attack, I guess.
11:08Now I don't mark on him.
11:10I'm sorry. Is there anything else, Jack?
11:13Well, no. I guess not.
11:15Except, what will I do with this?
11:17Give them to somebody else.
11:19Yes, sir.
11:23Don't touch that!
11:24I'm sorry. I was only looking for a cigarette.
11:27I didn't mean to speak so sharply. It's only that...
11:30Well, this box means so much to me.
11:341588.
11:35The year of the Spanish Armada.
11:37But that's your name.
11:39And the name of my ancestor.
11:42Elizabeth Regina.
11:45Yes, she gave that box to...
11:48the Webb Fallon of that day.
11:50For services rendered to the Crown.
11:54Here, you wanted a cigarette.
11:56Well, thanks.
11:57That's very interesting.
11:59Why don't you come to dinner and tell us about her?
12:01I'm staying at Tom Vance's place.
12:04I'm sure they'd like to meet you.
12:08I wonder.
12:11You're a lucky man, Roy.
12:13Found for yourself the loveliest girl in all Africa.
12:16Or anywhere else.
12:17Oh, a slight exaggeration, I might add.
12:21Cigar?
12:24Ah.
12:25Well, how can I thank you for a wonderful evening?
12:28The most charming people in Becunda society.
12:30It's been a pleasure.
12:31Quite different from the life I usually need.
12:35Mr. Fallon, do you mind if I ask you a question?
12:39Oh, please do.
12:43Why do you lead this sort of life?
12:46A man of your intelligence and culture?
12:49Well, fate sometimes leads a man down strange pathways.
12:52A man always has a free will.
12:54Always.
12:57Sometimes things drive a man, regardless of his will.
13:01Things that may even tear his soul.
13:05And there's always the church.
13:12Tom, a glass of water.
13:14It's all right, please.
13:15I'm sorry.
13:17I had a touch of malaria once.
13:18These attacks are quite frequent.
13:20Simon Peter.
13:21Coffee from Mr. Fallon.
13:23Oh, please, just be seated over there.
13:25I'll be all right in a moment.
13:28Let's talk about something else.
13:30Yes, boy, I will have some coffee.
13:35Those drums again.
13:38Molongo village.
13:39Molongo village?
13:41You can read the code.
13:43Part reading, part guessing.
13:46There's a witchcraft cult in Molongo village.
13:49That's where the trouble usually starts.
13:51It is a bad village.
13:52Has been for some time.
13:54I wonder if that's the place the vampire room has started.
13:58Perhaps we ought to get a few men together and go up there.
14:00Might be a good idea.
14:01It is a good idea.
14:02I'll go there with you if you like Roy, if you want company.
14:05Of course I want company.
14:06But are you sure you're well enough?
14:08Oh, I'll be all right in the morning.
14:10Shall we start at dawn?
14:11At dawn.
14:12Come on.
14:23What broke that mirror?
14:25Evil, Mr. Roy.
14:27Evil.
14:42Evil.
15:05Go!
15:10I'll go.
15:28You hit?
15:29Missed me.
15:34It's just a flesh wound.
15:36Simon Peter, better wash it out.
15:39Shot came from over there.
15:41Gun trap.
15:42You set it off yourself when you hacked at this.
15:55This is the second time you've saved my life, Fallon.
15:58How can I say thanks?
15:59Oh, don't try.
16:01We're getting into bad country.
16:02I think we'd better make camp here for the night unless you want to run into more of these.
16:06Yeah, I guess we'd better.
16:29The one of Fallon here, like you now.
16:32Me, Tabba, here.
16:33Bullet come from front over there.
16:35Bullet hit top. Same bullet.
16:40Why bullet no go through buonafala?
17:14What's the name of the guy?
17:18I'm sorry.
17:19I'm sorry.
17:19I'm sorry.
17:20I'm sorry.
17:24I'm sorry.
17:37Taba, the bullet did pass through his body, but there's no mark, no bleeding, nothing.
17:44Vampire.
17:47Taba, he must be destroyed.
17:50Bullet won't destroy him.
17:52What will?
17:54A spear dipped in molten silver.
18:16Voodoo drums, they stop.
18:19Voodoo.
18:33Voodoo.
18:35Voodoo.
18:38Voodoo.
19:04Vampire.
19:10Help me, and...quick.
19:17Take it away from me. Take it away.
19:19I can still feel it searing me.
19:24There's no blood on it, Roy.
19:29Fallon!
19:30You know now the drums were telling the truth.
19:39Why, uh... Look at me.
19:46You're seeing a creature that doesn't exist.
19:50You're looking at a legend.
19:53The natives knew...
19:56as soon as they saw the first body, the first victim.
20:00They knew what creature it is that must have human blood to live.
20:04Stay, Roy.
20:07Listen to me.
20:10Four hundred years ago...
20:13there was a young woman.
20:15I caused her death.
20:19Since that time, I've been under a curse.
20:23The curse of the undead.
20:26Young people like you and Julie...
20:29I destroy them.
20:31I cannot die.
20:34I live on and on...
20:36to destroy peace and happiness.
20:40No, Roy.
20:42Put down the spear.
20:44Put it down.
20:48You can't fight me.
20:50I have walked the earth for four hundred years.
20:54I've learned things that no human being can ever know.
20:57No.
20:58No man is strong enough to fight me.
21:02Kneel.
21:08What do you see?
21:10Only your eyes.
21:13Do you hear me?
21:15I hear you.
21:17Your mind belongs to me.
21:20From now until the day you die.
21:23You will never speak of this.
21:26Never.
21:28I will never speak.
21:36Under my head...
21:38is the box containing the earth from my grave.
21:42The box Queen Elizabeth gave me...
21:45after the Armada.
21:48I carry my body to the mountain top...
21:51lay my head on the box...
21:54and leave me where the rising moon...
21:56will bathe me in the light.
21:59Let nothing stop you.
22:17clearing, clearing, clearing.
22:19on its back...
22:38is the
22:39water.
22:41You have to make a parliamentary doorway.
22:41Don't you see there.
22:41You've got toludge.
22:43Let's go to the 1971 declare...
23:20Taba, dead.
23:25Simon Peter shot.
23:27Can't talk.
23:28Hurt bad.
23:30Take him back to the plantation.
23:34Safari is over.
23:37Tomorrow he's starting back to Bakunda.
24:01I'm going back to Bakunda.
24:59Roy!
25:01We've been expecting you every day.
25:12Can't see you back, Roy.
25:13Roy, sorry I couldn't see it through with you, but these attacks of malaria.
25:18I'd have been more of a hindrance than a help.
25:20Anyway, you did a pretty good job without me.
25:22Oh, fine job, Roy.
25:24The killings are stopped and all the natives are quiet.
25:27Well, we haven't heard the drums for some time now.
25:34Julie, Fallon's...
25:37Fallon's...
25:40What are you trying to say, Roy?
25:41I don't know.
25:45I can't seem to...
25:50It's the fever.
26:03He'll rest now.
26:05Fever and a bad one.
26:07I've never seen such violent delirium.
26:11He's going to need care.
26:13Well, he'll stay here, of course.
26:14Oh, yes.
26:15I'll take care of him.
26:17You won't be able to do it alone, Julie.
26:19I'd like to help, if I may.
26:21That's very kind of you.
26:22Not at all, Julie.
26:23I'd do anything to help you.
26:33Come in.
26:36Hello, Julie.
26:38Am I late?
26:40Not at all.
26:41I just stopped to get some food for Roy.
26:43How is he?
26:44I can't understand it.
26:46Normally, the fever goes after a few days.
26:49But this has been going on for two weeks now, and there's no change.
26:52Oh, he's come out of it once or twice.
26:54Long enough to ask me to wire to Johannesburg for this book.
26:59I can't imagine what he wants with it.
27:01But he was so violent about it, the doctor said it might make him worse if he didn't get it.
27:06It's a horrible legend.
27:07Listen.
27:10Death, often the most dreaded of human experiences, is denied the vampire.
27:16He must prowl the earth endlessly.
27:18The real menace of the vampire comes from the fact that in many ways he appears normally human.
27:24He can become one of you.
27:26And all the while, his curse is upon you.
27:30Curse of the undead.
27:32Gives me the creeps.
27:34It's only a book, Julie.
27:37Let's go and see how the patient is, shall we?
27:55He's still asleep.
27:59You've been very kind to spend so much of your time here.
28:01You've been very kind to let me.
28:04You're tired, Julie.
28:06I'll stay with Roy.
28:07Thanks.
28:12Oh, Julie.
28:15I almost forgot.
28:17I have something for you.
28:20Oh, it's beautiful.
28:23But...
28:23Oh, please.
28:24Being here in this house has given me a new interest.
28:28Showed me a side of life I am not accustomed to.
28:31I'm grateful.
28:33Go and rest, Julie.
28:35You're one of the nicest people I've ever known.
28:44Fallon.
28:47I'm glad you're awake.
28:50Your book came, Roy.
28:54I can save you the trouble.
28:57The chapter you want begins on page 97.
29:01The cross has great power over the undead.
29:04They cannot bear its paralyzing touch.
29:07But the undead can be completely destroyed in only one way.
29:11The body must be consumed with fire and the ashes scattered.
29:17They cannot be destroyed in only one way.
29:17Did you really think that you could destroy me?
29:20I heard you just now with Julie.
29:23That's why you've been coming here.
29:25To be with her.
29:26Maybe it is, Roy.
29:28You destroy happiness.
29:30People like Julie and me.
29:32You come between them and destroy them.
29:35You told me that yourself.
29:37At night out in the jungle.
29:39Let us alone, Fallon.
29:41I like it here.
29:43I like Julie.
29:46One day soon, she'll join me in eternal life.
29:50You can't, Fallon.
29:52I'm telling Father Gilchrist.
29:54I'm telling you.
30:02You are not telling anybody.
30:05There's nothing you could do to stop me.
30:10Nothing.
30:29You were at the Vance house.
30:31That's right.
30:32You were there last night and the night before and every day.
30:35You practically live there.
30:36Keeping track of me, Lisa?
30:39It's that Vance girl, Julie.
30:42She's the main attraction, isn't she?
30:44The only attraction.
30:47Good night, Lisa.
31:06What's the matter?
31:06Did he give you the brush off?
31:10Let me alone.
31:12You don't have much luck with Fallon, do you?
31:14I don't have much luck with him.
31:16Neither do I.
31:19How about teaming up?
31:21What do you mean?
31:24I'm well-heeled again.
31:26I'm looking for a chance to even up the score.
31:29You can't win.
31:40I'll cut the cards with him.
31:43One draw.
31:44High man.
31:46When he calls for a deck of cards, you bring this deck.
31:51Why do you think you can win with that deck?
31:59This is why.
32:07One draw.
32:08One draw.
32:10Eight time.
32:12Shuffle the cards, Lisa.
32:21You first.
32:27Bitter King.
32:31I'll draw for Mr. Barrett.
32:33I might bring him luck.
32:38Ace of diamonds.
32:40I think that tops you.
32:43I think so, too.
32:45The drinks are on me, sister.
32:48Come on, boys.
32:53Luck runs in streaks, Fallon.
32:56Yours just started downhill.
33:18Well, we did it, huh, babe?
33:20We may regret it.
33:24Leave the regrets to Fallon.
33:26How about helping me spend some of this?
33:28Whoê² an様?
33:39Love you.
33:41conosco.
33:51Come on, boys.
33:53Bye.
33:55Bye.
35:36Hello, Lisa.
35:40Those drums.
35:42Do you know what they say?
35:44Barrett.
35:45This time it's Barrett.
35:50You followed him tonight, when he left, after the game.
35:57Why did you come here?
35:58Why?
36:00Don't be afraid, Lisa.
36:03Look at me.
36:06I'm speaking to you, Lisa.
36:09You can think of nothing else.
36:13Come to me, Lisa.
36:14Now.
36:17No.
36:20No.
36:21Lisa.
36:24Lisa.
36:49I'm sorry I can't help you gentlemen, Barrett was here last night and so was Lisa, as far as I
36:54know they left together.
36:55but I've no idea what happened to them after that. Mr. Fallon, we understand that Barrett did some gambling here
37:00last night, that as a matter of fact you yourself lost a considerable sum of money to him.
37:06You're trying to attach a motive to me gentlemen? Oh nonsense, Fallon, we know you better than that.
37:12Furthermore, we mustn't forget that Barrett's winnings were found in his pocket untouched. The killer could have been frightened away.
37:17No, I doubt it.
37:18And even if robbery were the motive in Barrett's case, how do you account for the murder of the dancer?
37:24You've known this girl for some time, Mr. Fallon?
37:26Yes, she worked for me here ever since I opened. I was very fond of Lisa.
37:32I don't know where I'm going to find another dancer half as good.
37:36Well, what puzzles us most, Mr. Fallon, is the strange circumstances of death. In both cases, the bodies had peculiar
37:43punctures at the throat.
37:44In both cases, the bodies were partly drained of blood. We don't know how to explain it.
37:49Neither do I. All I can say is that these two new deaths are very similar to those that have
37:53been throwing the natives into a panic.
37:55Well, unfortunately, that's all any of us can say.
37:58It's drums.
38:00Unless we settle this thing soon, we're in for a bad time.
38:04Wakunda's turned into a ghost town. Not a native left at the docks. Not a native left at the rubble
38:09plantation. Even the women and children are gone.
38:11Gentlemen, you can see for yourselves what this trouble's done to my business.
38:15Then you can't suggest anything that will help us out.
38:17Nothing. I'm sorry.
38:19Expect you at the house this evening.
38:21Yes, I'm looking forward to it. Good day, gentlemen.
38:23Good day.
38:46Good day.
38:48The light, Roy. It's in my eyes.
38:51Draw the curtains.
38:54You heard me, Roy.
38:56Draw the curtains.
39:05I see you've been reading your book again.
39:08you've learned the undead are chained to their graves give anything to chain you to yours
39:14were you going to throw that earth out of the window if you did do you know what I'd have
39:18to
39:18do I'd have to go back for more before the next full moon that's all well there's the window go
39:26ahead scatter it let Julie alone let us both alone go away anywhere away from Bakunda where to
39:39this has all happened before it'll all happen again no matter where I go until the end of time
39:51you look human isn't there any human soul left in you do you have to kill and destroy
39:59on the contrary I bring life to my victims didn't you read that in your book
40:05Lisa will rise from her grave and walk again just as I did so will Barrett
40:14so will Julie
40:19you bother with a dagger when even a bullet couldn't hurt me you've forgotten your book Roy
40:27go back to Julie while you still have a chance
40:31she won't be with you much longer
40:52the natives are gathering at their villages
40:56they've decided to take matters in their own hands they blame Fallon
40:59blame Fallon
41:02yes I'm afraid this settles it
41:05Fallon will have to leave Bakunda at once
41:07leave
41:09but you can't do that to him
41:11it's for his own protection Julie
41:13giving up everything that's protection
41:15oh please try to understand
41:18I think I do understand
41:21you're afraid
41:23somebody has to be blamed and Fallon's the outsider
41:26Julie
41:27that's not the point
41:28no I can see that
41:30Fallon's tried to help in every possible way
41:32yet you're willing to take away everything he has and drive him out of here
41:35because these silly things have happened
41:37and you want to see him killed
41:38I want to see you find out the truth
41:41dad don't you realize that driving Fallon out of here isn't going to stop this thing
41:44it'll just start all over again and then you'll have hurt him and all for nothing
41:48oh I'm sorry
41:50I'm afraid we'll have to risk that
41:54and you Roy
41:55are you going to risk it too
41:58well why don't you speak up
42:00Fallon saved your life not once but twice
42:02he made that trek through the jungles with you
42:04and he's been taking care of you through your sickness and
42:07why don't you say something
42:08why don't you defend your friend
42:10Julie please
42:11Roy's not well you shouldn't
42:12well what's the matter with it
42:16what's the matter with all of us
42:27Julie's upset
42:29nerves on edge
42:31we're all that way
42:35don't let it worry you Roy
42:46I'm glad you're here father
42:47there's more trouble
42:48yes I know
42:49I heard it on the drums
42:50that's the reason I came back
42:53I'm on my way to see Webb Fallon
42:54I won't be long
42:56in the meantime
42:59I wish you'd have a talk with Julie
43:00I will talk
43:13Roy
43:14Roy
43:14first I'd like to have a little talk with you
43:19you're the real reason I came back
43:21the drums said you were very ill
43:24is it the fever
43:28Roy look at me
43:31the drums say it isn't the fever
43:33it is something else
43:35something deeper
43:37something that I can help you with
43:40tell me about it
43:41I
43:43I can't father
43:44Roy you've got to believe that a man's free will
43:47cannot be controlled by another
43:48unless he cooperates
43:51and that's exactly what you've done
43:54you've let Fallon control your will
43:56it's up to you to stop it
43:59what's the use father
44:01it's too late
44:02it's never too late if you really want help
44:06the place for that help is the house of God
44:10shall we go there together Roy
44:34well Tom glad to see you
44:36good evening Fallon
44:38voodoo magic
44:39that's what I came to see you about
44:42come in let's shut out that wind
44:49that's not a focus focus I don't let it bother me
44:51well it's getting rather serious
44:53do you know what those drums are saying
44:55sure I can read the drums
44:56according to them I'm the cause of all the trouble here
44:58don't tell me you believe that Tom
44:59oh of course not
45:01but these rumors have a way of spreading
45:03of getting out of control
45:04it's gotten to a point Fallon where
45:07well I'm concerned for your personal safety
45:09oh thanks Tom
45:11no glass of sherry
45:12no thank you
45:15do you think these rumors are as serious as all that
45:18enough that I'd like to see you leave Becunda for a while
45:20until this thing blows over
45:22want to leave my business
45:23what there is of it
45:24I think it's the wise thing to do
45:26oh just for a month or so
45:28of course it won't solve our problem
45:30but at least it will clear you in the eyes of the natives
45:33I wish you'd consider it Fallon
45:35it is considered Tom
45:36and decided
45:38I'll leave Becunda as quickly as possible
45:40well thank you
45:41I don't think either one of us will regret it
45:44there's a boat scheduled to sail in the morning
45:45the Becunda Queen
45:46not the Becunda Queen Tom
45:47no skipper since the death of Barrett
45:50don't worry I'll find some way of leaving the country
45:53good night Fallon
45:53good night
45:55good luck
46:00good night
46:00good night
46:03good night
46:09good night
46:10good night
46:13listen to me
46:24Julie.
46:29Come to me, Julie.
46:45Julie, I'm waiting.
46:51Come to me, Julie.
47:09I'm here, Julie.
47:31I've been waiting, Julie.
47:33I've been waiting.
47:36Julie!
47:38Julie!
47:40Simon Peter!
47:41You're well again.
47:43But not in the heart of the world.
47:44Mr. Roy.
47:46Those drums, what they say about Mr. Fallon is true.
47:50You must believe it.
47:51I do believe it.
47:53I've believed it ever since that night out in the jungle on the safari.
47:56And yet you do nothing, Mr. Roy?
47:58I couldn't.
47:59It was like being sick with fever.
48:02Even my tongue was tied.
48:04The curse of the undead.
48:09Roy!
48:10You shouldn't be on your feet like this.
48:12Sit down.
48:13I'm all right.
48:14I'm well again.
48:16Father Kilchrist helped me free myself of Fallon.
48:19Free yourself?
48:20I don't understand.
48:22I've been under his control ever since that night out on the safari.
48:26I haven't been able to tell anyone until tonight.
48:29I think we'd better be on our way, Roy.
48:33Stay here with Julie.
48:34Don't let her out of your sight.
48:36Not for a second.
48:37Stay with Julie?
48:38Where is she?
48:40Isn't she here?
48:41Not in her room.
48:42I thought she was with you.
48:45Fallon.
48:46She's gone to Fallon.
49:05Fallon.
49:19That box of earth.
49:21It would be right there if he intended to come back.
49:28But that's...
49:29That's Julie's.
49:31She's gone, Tom.
49:32With Fallon.
49:33What about the Pecunda Queen?
49:35It's scheduled to sail at dawn.
49:37Not until next week.
49:38There's no skipper to replace Barrett.
49:40There's no other ship in port.
49:42Well, if they went by motor.
49:43They're either bound for Angana or Calabar.
49:46I'll get Dillon to open the telegraph office.
49:48Not a chance in a million they went anywhere but straight into the backcountry.
49:52They can't telegraph into the jungle.
49:54Wait a second.
49:55We can.
49:56Simon Peter.
49:57The drums.
50:04No, no.
50:05Wait.
50:07If we let the natives know Fallon's out there in the jungle, there'll be an open fight.
50:11I'm thinking of Julie.
50:14Tell the tribes this is our Juju.
50:16We don't want them to interfere.
50:18We'll get Fallon ourselves.
50:20All we want is their help to locate them.
50:22Send it like that.
50:24Do we know when you look up Symoji for steel?
50:31Is it true?
50:38What's up there?
50:38My candidate is six hours later.
50:52That was Zamba's village.
50:54They have seen nothing of Fallon or the lady.
50:57Ask them to relay our message.
50:59And have each tribe that receives it relay it again.
51:29I want to listen to the teacher.
51:29Let me tell you.
51:45You're a part of the teacher.
51:49That was awesome.
51:51They're a part of the teacher.
51:51I want to listen to the teacher.
51:52I want to listen to the teacher.
52:03Fallon and the lady have been seen on the trail
52:06near the Malunga village trekking north.
52:08Repeat the message that no one has to interfere.
52:10Keep all the drums working.
52:12We want to report on the drums of their position
52:13each time they're seen.
52:20Roy, there's no chance to get carriers now.
52:22We'll have to go alone, with light packs and rifles.
52:25Rifles are useless, Tom.
52:27I mean against Fallon.
52:28Well, something's got to stop him.
52:30I'm going with you.
52:31I'm not on a trek like this.
52:33I know these jungles, Roy, and I might be needed.
52:42This is Etobah village, Julie.
52:44We can stop here.
52:47What was this place?
52:49A temple village, sacred to the death guard
52:51of a forbidden cult.
52:53The cult was destroyed, but
52:55a temple was never touched.
52:59Native taboo says that
53:02those who come here will die.
53:06What a terrible thing.
53:09To worship death.
53:11There need be no death, Julie.
53:14If you know the way.
53:17I can show you the way.
53:19I can show you the way.
53:22Where can we rest?
53:24Up here.
53:36This is the Holy of Holies.
53:39The temple of death.
53:43Wait here, Julie.
54:06Come in, Julie.
54:15We'll wait here until moonrise.
54:36They were seen entering the Etobah village.
54:39How far is that?
54:40About two hours, pushing hard.
54:44The moon should rise in a little less than two hours.
54:48You mean we can't make it?
54:49We've got to make it.
54:54The path of time is curved upon itself like a circle, without beginning, without end.
55:04A man may follow that path forever if he chooses, but he need not walk alone.
55:12We could walk that path together, Julie.
55:16We could visit worlds that no human eye has ever seen.
55:20Will you come with me, Julie?
55:23I'll go with you.
55:26I'll go with you.
55:27I'll go with you.
55:30Sleep, Julie.
55:33Sleep.
55:36When the moon is risen, you will be beyond death.
55:50It's almost moonrise.
55:52Let's keep going.
56:01Julie.
56:03This box contains the earth from my grave.
56:07It's not a sign of death, Julie.
56:09It's a sign of power in another world.
56:24After tonight, Julie, I'll no longer be alone.
56:27You'll be with me.
56:29You'll walk with me through the dark shadows of eternity.
56:43Julie.
56:46Julie.
56:46Listen to me.
56:51Julie.
56:53The time is now.
57:12The time is now.
57:13Pull it out, Ryan.
57:14It burns.
57:16It's burning.
57:21It's burning.
57:23It burns.
57:38It burns.
57:45Room.
57:55It burns.
57:56Just watching.
57:57It burns.
58:02They've glac Highmoms.
58:04Come Woo.
58:07This KommunAL función.
58:08Every morning.
58:08It's like a terrible dream.
58:12But it's all over.
58:40It's all over.
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