- 2 weeks ago
- #getmoviesenglish
- #romantic
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#GetMoviesEnglish
#romantic #MOVIE
#romantic #MOVIE
Category
🎥
Short filmTranscript
00:03So almost everyone is here, but Constantine is missing.
00:08Anyway, our invaluable employees will introduce themselves to you.
00:12As we say, we will cross bridges as they appear.
00:16Forgive me, but I'm expected elsewhere.
00:25What a pleasant surprise this is, Vladimir.
00:28Tell me, what brings you here?
00:30Oh, hello there, ma'am. I'm very happy to see you.
00:33I came by to ensure that you'll be treated well.
00:36For a change, I must say, for this place is a mess.
00:39It's about time that somebody breathes life into this dull place.
00:43Breathe life? This is the best studio in Moscow.
00:46The best people in the country come here, and no one ever complains. Nothing but praises.
00:50Yeah?
00:51Yes.
00:51Then explain to me why the lady isn't dressed yet.
00:54The lady is being dressed, but we're picking out underwear to make the groom happy.
00:59Wait, you are the groom, am I right?
01:02Oh, we got sidetracked.
01:05Get the clients out. We need an urgent meeting.
01:09So I need to see first what I'm being entrusted with.
01:13Mihailov sent me for the jacket.
01:15Oh, the jacket. Tomorrow we have an urgent meeting. I'm sorry.
01:18Hold on. Listen. Do you have any idea who is Mihailov?
01:21Hmm. A man with no taste?
01:24Oh, stop it. I know what I'm doing.
01:26I actually met him through my uncle.
01:28So let me tell you right now that you are only wasting your time with him, so I need you
01:31to leave right now.
01:33Don't you understand me?
01:34I believe that this place needs to be a bridge between Moscow and the amazing world of fashion.
01:41It is imperative that it has the air of a luxurious French perfume.
01:45Well, our noses are actually...
01:46I said perfume, not shoe polish.
01:47Because all you're doing is serving old women and their daughters, not capable of even...
01:54You must know that I don't mean you, of course.
01:57Excuse me, could I have a second? I need to talk to you.
02:00All right.
02:00Please excuse us.
02:02My dear, the undergarment's great. It will be delivered to you later, so please don't worry about it.
02:06Thank God that is an option.
02:09Anything else you want?
02:11Vladimir.
02:14Forgive me, Vladimir.
02:16For what?
02:19I'm sorry for everything I said.
02:22Drop it. What did you even say?
02:25That it's okay to change your mind.
02:28I understand marriage is for life.
02:31And I don't want to lose you in my life.
02:34Can we please be friends?
02:36Yeah.
02:38That's great. Thank you.
02:42Tatiana is really pretty.
02:44She is.
02:46But so are other girls.
02:49I don't get it. What does she have that I don't?
02:52Lydia, what would be the point?
02:55This won't help us.
02:56You're right.
02:58We two just broke up.
03:02Yes.
03:03Wait, hold on.
03:04Are you serious? You aren't offended?
03:05No.
03:06Of course not.
03:08Why would I be?
03:11I understand you.
03:14C'est la vie.
03:17Yeah. C'est la vie.
03:20Drop by for tea sometime.
03:22Today or tomorrow.
03:23Whenever you have time.
03:24Oh, love you.
03:31No.
03:33The sky
04:03By the sea with a fish, not slow, not too slow, I am on the way myself.
04:08Hello, happiness, in a simple white dress.
04:13Hello, happiness, I only ask about one.
04:17Hello, happiness, you forgive me, forgive me.
04:21Hello, happiness, don't cry anymore.
05:00Cognac, do you want some?
05:05What is it?
05:08I only wanted to discuss that very important nephew with you.
05:13I stayed here for ten years, even though that woman offered me a place in the ministry.
05:19Yes, I heard that about forty times.
05:22I hope you stay here even longer, and then after that much longer.
05:26Look at you.
05:29Do I give you my two weeks now or later? I don't want to be demoted.
05:34Ms. Nina, are you crazy? He's not here to replace you in any way.
05:38This is just an internship of sorts.
05:43Are you even listening?
05:49He's an international relations student, but he'll work here?
05:52They say he will establish connections with our foreign counterparts.
05:56He likely mixed us up with the model agency when he saw all our mannequins.
06:02It took me years.
06:04To transform these girls into masters, Constantine didn't even know what a needle was.
06:08Hanya, to be polite. Katya, to pronounce certain words correctly.
06:12All that, to be insulted by your nephew.
06:24Listen, they requested very nicely, and that's why I couldn't refuse them.
06:29They promised you won't be here long.
06:33I'm begging you, please be patient. Play along.
06:39Hmm?
06:44I really need your help with this. Without you, he will ruin this place.
06:50Please, help me.
07:01Alright, my colleagues. Are all of you ready to revolutionize the world of fashion?
07:06Listen, Vladimir. I mean, sir. You aren't exactly Trotsky, if I'm being honest.
07:13All of us here know exactly why you asked to be transferred here.
07:18We'll protect Tatiana.
07:22Why don't you think that I might actually want to be here?
07:25What's the difference between Gatsby and Borsalino?
07:28Parasol and espadrilles?
07:29How about a cover coat and cumber band, huh?
07:34No.
07:36Why would I need to? I have you. Your job is to know this.
07:39Mine? Mine is to direct you all.
07:42For example, ladies, I see that the outfits over here are obsolete.
07:47They are all absolutely hideous and lack any taste.
07:51All of those are in high demand, and Gats sold out.
07:54But of course everyone wants them.
07:55It's because it's shown off the most, and what people see, people ask for.
07:58And I'm here as a…
08:00As a layman. An invader.
08:02A man with so much money.
08:05And I want to see something…
08:09So amazing.
08:11Be careful with that.
08:15So that a person might say,
08:17Oh wow, that is so cool.
08:20They even have that.
08:24You get me.
08:26Actually, we do get that you, sir, are so spoiled that you're only surprised by weirdness.
08:32Firstly, Tatiana…
08:34Since when did I become sir?
08:37Secondly, you're telling me that you don't understand me?
08:39I'm just… I'm just a person dreaming.
08:41And what I'm dreaming of is us breaking out of the box.
08:45You, with your red dress in Paris, must get me.
08:54Can I speak to you in private, please?
09:08This has gone way too far now.
09:10What do you mean?
09:11Look, didn't I ask you to just leave me alone?
09:13You relayed the message, that is right.
09:16Was I supposed to tell you personally?
09:18Well, alright.
09:20Please leave me alone now.
09:24You, Miss Nazarov, are truly a ridiculous woman.
09:27I am only here with business interests.
09:31Excuse me, could you not eavesdrop, alright?
09:35I told you about the red dress in confidence, and you spilled it out just like that.
09:40Did I do that? That was rather harsh, I agree.
09:42Tell me, is that still your dream?
09:45Yes.
09:45Then start moving towards it.
09:47Because dreams do come true if you try to work towards them.
09:51Everything is possible, and I want to prove that to all of you.
09:55Your girl must have lots of fun with you.
09:58Mhm, especially her parents, the ones who are preparing for the wedding.
10:01And you're dreaming of something else right now?
10:03Maybe I am.
10:04I see.
10:05Look, Vladimir, first you have to figure out your own dreams out before taking others on.
10:18Well, that's that.
10:19Well, that's that.
10:21Could you have a smile on the face that you have to look forward to?
10:40That's yeah.
10:40You don't want to be a smile.
10:40Oh, my God.
10:40Let's see you.
10:45You don't want to be a smile.
10:46You don't want to be a smile on the face.
10:48That's a smile.
10:49You don't want to be a smile on the face.
10:49So we're really proud of you.
10:54Hello there. Evgeny, please.
11:00Mr. Evgeny! This is Lydia's mother.
11:04Yes, how are you?
11:06No, thank you. I'm good.
11:08Do you know where Lydia and I saw your dearest Vladimir?
11:13Look, you should take it easy at first.
11:17Because we need evolution.
11:19Not revolution.
11:20If that was set in October of 1917...
11:23In October, there was a class enemy. It was either us or them.
11:28You have no foes here. You only have good allies.
11:36You included?
11:38Yes. First and foremost.
11:43Look here. This is just right up your street.
11:48We get sent magazines. You know, some adverts and stuff, but we don't speak the languages.
11:55A month's worth of work here.
12:14What is this?
12:36Do you know Tatiana has been dreaming of Paris?
12:39It's... It's an invitation.
12:41Train center Stolica. This is your division, ladies. This is very serious.
12:46What is it?
12:48This is a card and show. The British will be there in some sort of rain grand.
12:52Some sort of...
12:53For the very first time, clothing from metal and plastic will be displayed there.
12:58Whoa, what do they want from us?
13:00They don't have metal there. They need to ask the government for some help.
13:04This is not a joke. This is a real invitation to the event.
13:07This is a great opportunity for us to show the world our vision for the future of fashion.
13:11We have one month.
13:18What's wrong? Tell me.
13:20Just stop. And who would let us go?
13:22You really are a hilarious man, aren't you?
13:24Look, you shouldn't have taken that invitation.
13:26Does this drama queen also work with us?
13:28I'm not one. I'm just being realistic here.
13:30What we need to do, we need to send photos of our models first.
13:33Yes, that's right. Send these. The ones you called hideous.
13:36We need to take a risk here. Is there anything at all we can show them?
13:41Constantine has a point. According to the French designers, we have nothing to show.
13:45Our products are fast-selling. And our audience isn't a fan of Gönrich-style clothing.
13:51I mean, if we dig deep, we might find something unusual. But will that be good for Paris? No.
13:57Right, no ideas. What else?
13:59Actually, I've been saying this for ages. We need to create something unique.
14:05Do you know what I heard Miss Nina say that's popular in the U.S.? Vinyl.
14:10Katya, my dear. I spend a lot of time with rich people, you know. I've only ever seen vinyl on
14:14records.
14:15Well...
14:15Listen up. That's enough daydreaming for now, okay?
14:18Wait. Hold on, Constantine.
14:20But what if we take our...
14:22Recent drawings of...
14:24Flight Attendance as a base and make a...
14:26Skirt out of vinyl.
14:28Wait. You mean that skirt in which you couldn't even take one step?
14:31Right. I couldn't take one step, but models can.
14:34Oh, yes. Those blind chickens.
14:36Natalia could do it.
14:38Ah. So we just need to get a material which no one's used, so a dress that is impossible to
14:44walk in, and rehire the model that we had already fired.
14:48That's awesome. That's such a great plan. A plan where everything sounds kind of impossible.
14:54So are we doing it?
14:58Huh.
15:00Yes.
15:02Yes.
15:04For you.
15:07Yes.
15:08My general.
15:10I always recognize your voice.
15:12Today I am not free.
15:14Yes.
15:15No.
15:17Stuff to do. Goodbye.
15:21A date. In the midst of this, we're doing this.
15:26We need vinyl.
15:32For what?
15:34Well, you see, we have a...
15:35Well, let's talk about money, then.
15:36We'll definitely pay you.
15:39We have cash.
15:43Show us the vinyl.
15:45Yeah.
15:46I'll show it to you, and then boom.
15:48Police with witnesses. How convenient.
15:51No, no. I'll give you a time and a place.
15:55We need it to be tomorrow.
15:57The day after.
15:58And money up front.
16:03Where is that from?
16:05From my savings.
16:07Saved up for a year of vacation.
16:09Let's go.
16:10Oh, you are very naive.
16:12How are you?
16:12I earned that overnight because I didn't go drinking.
16:13Speaking of drinking, today I'm inviting you all to come and celebrate the beginning of a new era for all
16:19of us.
16:19Sounds good.
16:20I can't. I need to check up on Natalia.
16:22Well, then, why don't the three of us go together to check up on Natalia?
16:26And after that, that's when we celebrate.
16:28I don't think she'll be happy to see all of us.
16:31I'd rather go alone.
16:33Goodbye now.
16:35Oh.
16:37That's okay. Didn't want to see her anyway.
16:39Mm-hmm.
16:40Let's go. Time to celebrate.
16:54Here's the patient.
16:56Soon-to-be ex-patient.
16:58You won't bother her?
16:59No, no. I will not.
17:00I'll be doubtful, but all right.
17:02I'll go put the kettle on.
17:03Um, can I...
17:05also have some apricot jam?
17:10Thanks a lot.
17:14What?
17:17So?
17:19Are you not a little ashamed of using him?
17:23Well, he likes looking after the sick.
17:26Actually, what he likes is looking after you.
17:29Anyway, we have good news for you.
17:32Vladimir is now working at the studio and he's second rank after Gladkov.
17:36He does what he wants.
17:37Mm-hmm.
17:38Oh, I'm warning you.
17:40Please be careful.
17:42Don't worry about us.
17:43Listen to me first.
17:44So he told us earlier that he's involved in a fashion showcase,
17:47but on the international scale and want to take us to Paris.
17:50And with our national dresses, no less.
17:53That sounds crazy.
17:56And we need you to be there.
17:59Oh, Paris have wants like her.
18:02Anya.
18:03Wants like her?
18:05Well, go on then.
18:07I'll help Yosef with a jam.
18:09Excuse me.
18:17Hey, I promise you that it will all be different this time.
18:21I always wore hand-me-downs at home.
18:25One time, I tore my shirt.
18:27Then my father beat me so bad, I couldn't go to school for a week.
18:33I thought that you came from a decent family.
18:36Well, maybe I've always wanted to be born like you.
18:38To walk into a room and know that all the girls want me.
18:44Not the ones I want, though.
18:45You won't have issues with that because you're handsome, young, you dress very well.
18:49I don't know how to start a conversation.
18:52I mean, after that, I can talk to them about clothes and skirts for hours.
18:56But how do you start?
18:57I see what the issue is.
18:59But can I give you some advice?
19:00Hey, don't mistake my inexperience for unintelligibility.
19:03Because mine is the latter.
19:07Salut, madame.
19:08Bonjour.
19:10Can you translate that, please?
19:12Are you not foreign?
19:14Sorry, I just thought you were French.
19:16Well, it's because my friend over here, who is a designer, figured that based on your look,
19:21you guys are, you guys are foreigners?
19:44Sorry, I'll be back in a second.
19:49What are you doing here right now?
19:51Well, I wanted to surprise you.
19:52I specifically told you that...
19:54Hold on there.
19:55Did you seriously think that I would choose to do my work or anything else over spending some quality time
20:01with you?
20:02Listen to me, Katya.
20:03All that you see here, it means absolutely nothing.
20:06My wife has come back.
20:07But of course, I do not want to lose what you and I have.
20:11So please, come to my summer house tomorrow.
20:15She never, ever goes there.
20:18Take this, too.
20:19It's worth a cab.
20:20Go on, take it.
20:22Is that how you see this, huh?
20:24Oh my goodness.
20:25I knew it from the very start, but I just thought that...
20:28That for the first time in my life, I met a...
20:31A man like you, a real man.
20:34And I wanted you to be my first.
20:37Your first?
20:45I don't need your money.
20:48I only want to remember you forever.
20:52Katya.
21:00No, but I'm being serious here.
21:02Gagarin had a second space suit.
21:04He did.
21:05It had these large stars and I made it for him.
21:07But they forgot that in space.
21:10There's no place to change.
21:11They forget that, so he never wore it.
21:15Oh wow, you really are quite clumsy.
21:16You almost ruined a great shirt.
21:19What material is this?
21:21Could it be silk?
21:22No, no, it's satin.
21:24Which is more durable than silk and easier to work with.
21:28Do you know why they call it satin?
21:30It's an interesting story.
21:32Yeah?
21:32Well, do you know that in the past, silk and satin were imported exclusively from China?
21:38Uh-huh.
21:39It was from a port city that was named...
21:40Champagne me?
21:41No, it's not that.
21:41Uh-huh.
21:42I'm happy you joined me, but let's just relax.
21:44I don't want to talk.
21:45It's a bit hard to pronounce.
21:47Join Joe.
21:48Right.
21:49My husband, to be a left me today, didn't explain a thing.
21:53Just mumbled something to me.
21:55And I told him that he didn't need to explain himself, that I wasn't hurt one bit.
22:01That thing happens.
22:03I know it happens.
22:04But I lied to him.
22:07Why don't men understand that?
22:09I imagined my life with him, that I'd have his children and race them.
22:13It's my dream.
22:15Now it won't happen.
22:18Was it so hard for him to say something nice before leaving?
22:22Try to explain it to me.
22:25Must I demand an explanation?
22:29He's not interested.
22:31No, I am interested.
22:33I'm serious.
22:35You are so silly.
22:36I'm so sorry.
22:56I'm sorry.
23:03I'm sorry.
23:07I'm sorry.
23:08I'm sorry.
23:09I'm sorry.
23:11I'm sorry.
23:12I'm sorry.
23:13I'm sorry.
23:13I'm sorry.
23:14I'm sorry.
23:15I'm sorry.
23:17I'm sorry.
23:18I'm sorry.
23:19I'm sorry.
23:20I'm sorry.
23:45Oh, Vladimir.
23:47Oh, come in, my dear.
23:48Come in, come in, come.
23:50Hello?
23:51We are leaving.
23:52That's why we're still awake at this time.
23:54We're about to go somewhere.
23:56To my, uh, to my friend's sister.
23:59Uh, we're heading now.
24:02Come on.
24:03It's her birthday.
24:05Yes, plus she just gave birth recently
24:08and we really want to see her baby.
24:10Anyway, come in, come in, dear.
24:12Is Lydia home?
24:13Yes, she's home.
24:15Except she, she no longer is waiting for you.
24:18Uh, although she already warned us
24:21that you might drop by our house.
24:23She said, or today.
24:25Okay, we need to go now.
24:27Since they're waiting for us at the event we're going to.
24:30Her birthday, yes.
24:31Right.
24:31Yes, it is.
24:32The food's on the stove, just in case.
24:34Yes.
24:43Come in.
24:47I actually wanted to say it from here, it's...
24:50I was standing all day.
24:52So please don't deny me the opportunity
24:54to lie around uselessly while you break my heart.
25:23Rhythm and blues?
25:25You never liked that.
25:27Well, I never understood it before.
25:30Never actually listened to it.
25:33I was only focused on myself as well as my dreams.
25:38Are we talking about the music here?
25:41Or about us?
25:43You want to talk about us?
25:48Yeah.
25:52Lydia, I realized I was wrong.
25:56You want to come back?
25:59No.
26:03I wanted to tell you something first.
26:10Lydia, you are an amazing girl,
26:12and of course you will be just fine.
26:16You know, our separation...
26:20Has nothing to do with you.
26:23The truth is you picked a complete buffoon.
26:28The...
26:29The problem was that I couldn't figure out what I really wanted.
26:36Why waste time when our youth is passing so quickly?
26:40Lydia, what is this?
26:48I have nothing better to do.
26:52Lydia, that's a cheap trick.
26:54I thought you were better than that.
26:55I thought you were better than that.
26:57Fuck that.
27:01What's new?
27:04Fuck.
27:09Fuck.
27:11Fuck.
27:15Fuck.
27:27Hello, Anton. Come over.
27:29What was that?
27:30What's confusing?
27:32Vladimir's gone.
27:34I am a free woman now.
27:36Sitting here in my birthday suit.
27:39And nobody's home, too.
27:41So you called the first backup on your list, then?
27:47Well, screw you. You're a jerk.
27:56Ah, it's you.
28:01Tatiana.
28:03Why are you not wearing your scarf and hat?
28:06It's cold out there. You'll surely get sick.
28:14Messina, is there a problem?
28:17Nothing.
28:20Oh, hold on.
28:24Um, my close friend is now talking to this other person.
28:30They drank some tea, talked a bit, nothing special.
28:36But now he's stopped coming.
28:40Avoiding her or what?
28:43What do youngsters do in times like these?
28:48Just let her call him.
28:50Well, I will not. She will not force herself on him.
28:54And it's really late.
28:56Why is that?
28:57Why force herself on him?
28:59Call him and ask, how are things with you? That's fine.
29:02Yeah?
29:02Or, you know, he could be sick.
29:06Or was hit by a car.
29:08I think that's a little extreme.
29:13Oh, I almost forgot.
29:15A certain Anatoly was calling you the entire evening.
29:18Mm-hmm.
29:19Mentioned it was urgent.
29:21That person is really stubborn.
29:22Do you know that he made me look for you three times?
29:26Oh, him?
29:27I will definitely not call.
29:28Oh, when you're young, you throw good men away.
29:32And then when you're old, you drink tea alone.
29:34I will gladly join you for tea, actually.
29:36And your friend should call him.
29:38Mm-hmm.
29:56Children!
29:59Oh, my! You two are quick!
30:01No, it wasn't quick at all.
30:03That's seven labs around the block, right?
30:07Oh, my God.
30:51This is insane.
30:53Good morning to you.
30:55Hey there, my colleagues.
30:58So, I allowed myself to look around.
31:01That was my project for this spring.
31:03Then Miss Nina shelved it.
31:06What a real waste if she did.
31:08Mr. Vladimir, it's...
31:10You like it?
31:13You are unrecognizable.
31:16I feel like a fish out of water.
31:18I wore it to have a bigger effect.
31:21That is actually where I and Tatiana are at an impasse.
31:25Yes.
31:26Clothes must not only be stylish, but comfortable, too.
31:29Well, anyway, you can see the men's collection is coming together.
31:33Although the women's...
31:34Here, take a look at this.
31:35Um, we are nowhere done.
31:38She's for it.
31:39I'm against it.
31:40Sorry, but I'm with her.
31:51Good morning.
31:53Morning.
31:56Well, good morning, my comrades.
31:59This is cute.
32:01Very fresh.
32:02So what are we doing here?
32:04Can I help?
32:05I'll help you.
32:07We are discussing the collections for the upcoming Paris fashion show.
32:12Uh, we've already decided.
32:14Here.
32:24Well, if my opinion still matters here, I'm against it.
32:30That's not Paris.
32:31This is a saddle for a horse.
32:33It's hilarious.
32:34I think you don't quite understand it.
32:36It's modernism.
32:39Really?
32:40That is not what he meant to say to you.
32:43Well, I think he meant what he said.
32:45All right.
32:46Continue your plans.
32:48Modernists.
32:51I'll just pack my stuff.
33:04Natalia.
33:05W-w-where are you going?
33:07Yosef.
33:09I'm probably making you uncomfortable.
33:12And Hanya is looking at me in an odd way.
33:15Stop that.
33:16Hanya simply adores you.
33:18And I, well, I…
33:20You?
33:23You recovered very fast, I must say.
33:25It's a miracle.
33:27And it's most likely because you had good care.
33:30Are these your parents?
33:32Yes.
33:34They were better doctors than I am.
33:38Oh, they died?
33:40Well, I guess you could say that.
33:42Let's change the topic.
33:45Oh, wait a minute, please.
33:48Hold on.
33:58Here, please take this.
34:00I really want you to.
34:01Please don't go back to him.
34:03And don't go anywhere where he can find you.
34:05Please, just, just don't.
34:07And take this.
34:09This is silly.
34:10Hey, I'm not taking your money.
34:15Can you just tell me about your memories?
34:21I would love to, but I'm at work right now.
34:27The key's in the entryway in case you decide to come back.
34:46This music is supposed to motivate us to work somehow?
34:49Listen to it.
34:50Think of Paris.
34:52It's not easy to get there, but it depends on you.
34:55But the drawings are almost ready.
34:58Drawings are an afterthought.
34:59And still tell me, who was the General Secretary of Hungary from 1931 to 1932?
35:05Okay, what did you drink last night?
35:07It's no joke.
35:08An invitation is not enough.
35:10Bureaucracy will kill you, you know.
35:11The commission and all that stuff.
35:13And they will ask you questions, which will make the one about Hungary seem normal.
35:18And I will not be able to help you.
35:20Yes, you're on your own there.
35:21So you better sort through it now.
35:24These are rules of the party?
35:26Yes.
35:26That means one wrong answer is already one dark spot in your background and you won't
35:31be let out.
35:33So, tell me now.
35:34If you missed work, were fired, or if you have diseased or convicted relatives,
35:42Tatiana, is there a reason they'd ax you?
35:52Miss Nazarov, there's a man here to see you.
35:57See me?
35:59Tatiana, what's important, Paris or some man?
36:02I'm sorry.
36:04Forget it.
36:05Go on.
36:06I'll be quick.
36:10Imriya Shalai.
36:11What?
36:12What was that?
36:14Imriya Shalai is the General Secretary of Hungary, so you know.
36:28What is this all about?
36:29Well, you never called me back and I happened to have free tickets to the circus.
36:33Best seats.
36:34Had to go alone.
36:35Here.
36:36This is for you.
36:39Thank you so much.
36:41It's just that I got home really late last night, and also our phone is a government line.
36:45A famous clown performed.
36:47Really?
36:48The show was funny.
36:49There's a new one today.
36:51You bought tickets for today too?
36:54Well, almost, because I have a friend working the lights there.
36:57Oh.
36:58That's why.
37:06Tatiana, get back to work.
37:08There's a lot of buttons to be sewn.
37:13Is that your boss?
37:14Mm-hmm.
37:16He's very strict.
37:19Maybe his suit's too tight.
37:22Anatoly, look.
37:24I need to go.
37:25We have a lot of work since.
37:26We'll have a showcase.
37:27You can say that we're literally being stitched up right now.
37:30I'll go now, all right?
37:31Thank you so much for this.
37:32Maybe I can call you here at your workplace.
37:36Anatoly, you really shouldn't go.
37:38Or even call at my workplace.
37:39You know how it is.
37:41I'll just call you.
37:42Is that fine?
37:43Thanks a lot for the flowers.
37:44I'll wait for your call.
37:52Ma'am, please stop.
37:54You can't go in there, ma'am.
37:55Please don't touch me.
37:58I'm really sorry.
37:59You told me about the ten-foot pole.
38:02It's like that, then?
38:05So why didn't you warn the police to arrest me upon entry?
38:09You can leave us now.
38:12Do I need to repeat myself?
38:14No.
38:21Incompetent?
38:22The last one was better.
38:25Stop pretending that you even care.
38:33So, why are you here?
38:38To say I'm sorry.
38:43For lying to me?
38:47I did think
38:49I was pregnant with your child.
38:56It's someone else's?
38:59No, your child.
39:01Yours.
39:06You saved me from such a monstrous, twisted love, which almost killed me.
39:15I was dependent on you and thought that you would keep saving me.
39:23Sorry.
39:24Sorry.
39:28I know I've been ungrateful.
39:34The way you speak now.
39:37Are you sure you're not suicidal?
39:42No, I'm not.
39:44I'm in no rush with that.
39:50It's just...
39:52I want to start a new life, where I'm your only one.
40:03Everyone here at the studio misses you.
40:08Constantine, Constantine the most.
40:10He complains every day that I fired the city's best model.
40:14The country's best.
40:19The country's best model.
40:38Oh, hello there.
40:40It's Sina here.
40:42Well, why aren't you looking after the secret entrance?
40:46Oh, yes.
40:47Imagine that.
40:48It is broken again and wide open.
40:52All the nails are ripped out.
40:55Yes.
40:56Better come here and fix it.
40:59Yes, and hurry up.
41:12Miss Sina, hello.
41:13How are you?
41:14Hmm, Natalia.
41:16You were already discharged.
41:18No, I was not discharged.
41:19I just left.
41:22Miss Sina, may I use your phone, please?
41:25What if a war breaks out and our line is busy?
41:29Oh, I see.
41:33Here.
41:34Take it.
41:37Now I don't owe you a thing.
41:39That's right.
41:41So then, you're here to stay?
41:44Getting my stuff.
41:46Can I use the phone now?
41:50But this is a private call.
41:53The only kind you ever have.
42:11Hello, Cleb.
42:12It's me.
42:15I've gone back to the studio.
42:18Well, I might go to Paris.
42:26Asana happens to be the right position.
42:32Pranayama controls your breathing.
42:35The hyana is object contemplation.
42:41And samadhi is total concentration.
42:50When you interrupt my piece, my samadhi stops working.
42:54It's fine, Nina.
42:56We need to train hard and we need to practice.
43:00I think that you spent way too much time holed up in that fashion cave of yours.
43:04You aren't the only one who thinks that.
43:07Who else?
43:08The studio thinks that?
43:10Are they all insane?
43:12You are the lifeblood of that place.
43:14That's what I thought too, but a new boss arrived.
43:18Young and vibrant.
43:21And Nina suddenly becomes obsolete and gets in their way.
43:26The first step of cleansing is repressing the anger inside ourselves.
43:31But I'm not even angry.
43:33Isn't that obvious?
43:34Okay.
43:41And that person.
43:43Has he made huge strides in the studio already?
43:46Yes, he did.
43:48He got everyone excited.
43:51He's dead set on creating some space-themed collection and go to Paris with it.
43:58Ruining his karma.
44:18There, Xena.
44:19No enemy shall pass.
44:20You know, Mr. Piotir, you might be brave at your enemies.
44:25But what about your friends?
44:28I don't think I follow you.
44:31You used to come here often, but not anymore.
44:35Haven't heard or seen you around.
44:37Did I say or do something wrong?
44:39Well, am I no longer interesting to you?
44:42I don't know.
44:43Xena, are you crazy?
44:45It isn't about that.
44:47Then what?
44:49Well, the reason I disappeared is because I have a buddy at the orchestra.
44:55At my old job.
44:56That's right.
44:57He has this thing.
45:02I asked him for it.
45:05I patched it up.
45:07Here and there.
45:09I fixed it.
45:11Ready?
45:13What is it?
45:15What is it?
45:39Zina, do you like it?
45:44Piotir.
45:57Do you want to use the phone?
46:01Go on.
46:03Mr. Piotir and I will go and listen some more.
46:26The General Secretary is listening to what you have to say.
46:29Hello.
46:31A communist hello.
46:34Yes, you are right.
46:35I've been studying.
46:37Okay.
46:38What about Amendment 26?
46:40Uh, what is that?
46:42A member and all respective candidates for the party must do what with their actions?
46:48Uh, they must justify the party's confidence in entrusting them the role.
46:53And in the case the member lost their honor and dignity?
46:57Then that means he can't remain in the party leadership.
47:01Good job, Tatiana.
47:02Diana, you just might have a chance in Paris and with the party.
47:06Vladimir, thank you very much.
47:09I don't have an idea what will happen yet, but...
47:12I was thinking that a mere months ago, I never imagined that I would be in this very position.
47:19That I'll go to Paris.
47:20Well, I might not go, but I can't believe that I have a chance to go.
47:27It's all I've been thinking about.
47:29I think a lot, too.
47:33Not about Paris, to be honest.
47:36But, about your smile.
47:41Now you're shy and quiet.
47:44Listen, my dear Tatiana, I am kind of bearing my heart and soul to you, and you suddenly grow silent?
47:50Hello?
47:53Hello?
48:03So, who are you talking to, at this time?
48:07I'm guessing it's not Lydia?
48:10Let me tell you, that is none of your business.
48:15I was informed, about you and that studio.
48:20Now, go ahead and play.
48:23And then I heard about Paris.
48:26Now that is, just a step too far.
48:33Mr. Evgeny,
48:35this is my life,
48:37and I'm certainly not playing any games.
48:43Look, Vladimir,
48:45I can ruin
48:46all your dreams
48:48so very easily.
48:52And not just your dreams,
48:54but the life of your dear
48:56Tatiana,
48:57born in Kovrov.
49:00So is that enough information to cool
49:03your flaming temper?
49:10So is that enough To be
49:12and
49:15you
49:16Oh
49:17And
49:37yeah
49:38Who
49:47You
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