- 5 days ago
- #getmoviesenglish
- #romantic
- #movie
This romantic drama follows a talented fashion designer navigating love and career in 1962 Moscow. A job at a prestigious department store offers a chance at success, but a complicated relationship threatens their aspirations. Expect witty dialogue and stunning visuals as their journey unfolds.
#GetMoviesEnglish
#romantic #MOVIE
#GetMoviesEnglish
#romantic #MOVIE
Category
🎥
Short filmTranscript
00:00Was it actually issued to you?
00:04You? What are you doing here?
00:06Well, I kinda live here. What are you doing here?
00:10I'm delivering a suit for a client. I believe it's for his nephew.
00:14Wait, you? You're him?
00:17Yeah, it's probably for me. Or it may not be.
00:21The only thing that I'm sure of is you're you. Am I right?
00:24Are you Nagorny or not?
00:26I'm Artemyev. I'm the nephew of Nagorny.
00:30We're not closely related, but I'm his favorite. Please, come inside. Don't be shy.
00:36Well, at best, you're somewhat related to a great person.
00:40This actually explains a lot.
00:42What do you mean?
00:44It explains why you didn't go to the fountain.
00:47Actually, I was around there at around seven.
00:50Really?
00:51Of course, yeah. I waited until the park closed, until I was chased out of there.
00:57You're lying. I can tell. I was there at half past seven and you weren't there.
01:01Why were you there early when we agreed to meet at seven, hmm?
01:05So where do you live?
01:07At the school dormitory? Why do you ask?
01:10I ask because I want to restore world peace.
01:13I want to know where you live. So is that all right?
01:17Oh wait, should I try them on?
01:19I want to know if it'll fit my beautiful muscular figure because I have disproportionately long legs and so I
01:25can't wear slacks.
01:27Listen to me, Mr. Artemyev.
01:29I'm sick and tired of your jokes. I'll give you the money for the shoes.
01:32Please sharpen your wit on someone else.
01:35Hey, wait up. I wasn't actually at the fountain yesterday.
01:40But seriously, I need to try on those slacks.
01:42Let's go.
01:43Let's go.
02:12Let's go.
02:54Let's go.
03:13Who's it for?
03:14I don't know. He made a mistake. He said it's for Nazarov, the guy left in a rush.
03:18Hey, don't touch that. It's not for you. Put it down.
03:21It says to my Tatiana.
03:25That Nazarov, right?
03:30Is this your room?
03:31Why do you ask?
03:35Because there's a huge mirror.
03:38Do you honestly think that the first thing I do in the morning is stare at myself in the mirror?
03:48What's the matter?
03:51I have this book wherein the main character was wrongly perceived by the people.
03:55But then, you managed to prove that they were wrong about him.
04:00That's funny. Are you referencing a children's book to defend yourself?
04:03Well, maybe I am. Don't you find it cute?
04:08Do you know when a person starts maturing?
04:10No.
04:12You would know when he starts lying to your face.
04:17Well, I always thought it's when he starts sewing his own suits.
04:21Maybe I don't want any of these.
04:23I don't want any of these clothes.
04:26Or even this big mirror.
04:28Who knows? Maybe I want to be a seasoned sailor.
04:31I'll dive for pearls and give them to women.
04:33Is that what you really want in life?
04:37Oh, I think you misunderstood what I said.
04:40No one really understands me.
04:45I understand you.
04:48Actually, I often imagine this woman.
04:50She's stepping out on the stage in Paris.
04:52And she's wearing a red dress.
04:55And then when she walks, her dress flows freely like water.
04:59It accentuates every curve on her body.
05:02Except, except, except that such material doesn't exist yet.
05:10It's just too bad that no one has invented it yet.
05:15Maybe someday.
05:18So are you that woman?
05:20Oh, no, no.
05:22A model.
05:24Only the dress is mine.
05:27Come on, let's move to Paris then.
05:29Let's pack our bags so we can leave tomorrow.
05:31We're going to live in a lighthouse.
05:33I dive for pearls and then you use them on your designs.
05:35What do you think?
05:36So there's a sea in Paris?
05:38Oh, that's irrelevant.
05:40If I continue to stay here, I'd be living someone else's life.
05:44I'd slack around or work at a job that I don't like.
05:46So shall we go?
05:51I'm just messing with you.
05:54Oh, I guess I am the biggest liar in the world.
05:58Yes, you keep lying to yourself.
06:01Oh, my God.
06:32Hello?
06:34Hello.
06:35I thought you said you were busy today.
06:37Well, I left work early. I wanted to surprise you. I got this for you.
06:41Oh, wow. Thanks for this.
06:46So, yeah. I knew you wanted to celebrate with some important people.
06:54Why is your hair so messy?
06:56Listen, Natalia. Today's not a good time.
07:00Let's do this another day.
07:03Is there someone in there?
07:06Is someone with you?
07:09You better leave now.
07:12Ah, you two are celebrating.
07:14Natalia, we had an agreement. You and I are...
07:19Yes, yes. Of course I get it. We have an open relationship.
07:25I'm... I'm not hurt. You can drink that on your own. Goodbye.
07:38Just stand still. Don't move.
07:40Please be careful. Stop messing with me.
07:42What's wrong?
07:44Give me that pin.
07:44Stop.
07:45Give it.
07:45No, no, no, no, no.
07:50Stop.
07:53Vladimir?
07:54Who is she?
07:55Um, uh...
07:57She's a seamstress. She's getting my measurements.
08:00I guess we're done here. It fits you perfectly.
08:02I guess they're fine. Thanks. See you.
08:05Goodbye.
08:06Goodbye.
08:25Wait up. I want to have a word with you.
08:29You know, you look so innocent. I never thought of you as a... as a homewrecker.
08:36Homewrecker?
08:38Hold on. Did someone call me here?
08:41Even better. Someone sent you flowers.
08:44Nina took the flowers, but I wanted to talk to you first before she calls you in her office.
08:49Look, he was the one hitting on me.
08:51You know perfectly well that the guy is already married.
08:54You even trust this girl.
08:57Wait, what do you mean?
08:59She doesn't get it. It's the general's girl. Do you understand it now?
09:05What's that got to do with him?
09:08Okay, wait.
09:10Who are you referring to?
09:12Who exactly was hitting on you?
09:15No one?
09:16You're really unpredictable, aren't you?
09:18Before we know it, you'll have all the men around here.
09:21Stop gossiping around.
09:26Nasarov, in my office now.
09:37Go on.
09:54When you were hired here, I remember we did inform you that we have high-value clients, and that you
09:59must all treat them accordingly.
10:01But it seems that you didn't understand our rules.
10:05Miss Nina, please listen.
10:06It must be some mistake.
10:08Perhaps he's not the same thing to every girl working here.
10:14Do you really think so?
10:16Even this love letter?
10:19Now I'm finding it weird.
10:23Well, I do understand you.
10:25I know you were just trying to be polite, and Stupun mistook your politeness.
10:29He must have thought that you're interested in him.
10:31Isn't that right?
10:33You must learn how not to lead men on.
10:36Miss Nina, I want you to know that I'm here for work and not to find love.
10:39Keep that in mind and make sure that everyone knows about it, especially our male clients.
10:55Go and find your happiness, dear.
10:57But don't look for it in this place.
11:04Mom doesn't like Kiev and Dad doesn't like Prague.
11:07But they both insist that we should get a cake that's chocolate flavor.
11:10But then they said we shouldn't get one with chocolate filling.
11:13It's just brown bread.
11:14And it's not festive, so I guess, yeah, it's a disaster.
11:18Well, I got an idea.
11:20What?
11:20Just trust me on this.
11:22What?
11:23Hey, Vladimir!
11:25What are we doing here?
11:25Shut up!
11:27He's going to be back here, and he's going to think that we left already.
11:30The first cake that he'll lay his hands on will be the best cake.
11:34It's a great idea, am I right?
11:36This is stupid.
11:37Let's just go.
11:39Oh, I'm sorry.
11:41Close your eyes now.
11:42If you're going to smash a cake in my face, please nod to Kiev.
11:45Silly boy.
11:45Just trust me, okay?
11:52Alright then.
11:54I think Mom will love that.
11:56Are we able to mix these two together?
11:59Like, are we able to put them in layers?
12:00Let me check on it.
12:01Why don't you have some first?
12:03Well, I'm not the star of this wedding.
12:05Well, for me, you are.
12:06I want her family to enjoy this.
12:08In fact, I can't wait for this to be over.
12:12Really?
12:13Of course.
12:13I can't wait to get rid of all the guests.
12:16Our extended family, and all those ceremonies.
12:20You want them gone?
12:21Not really.
12:23What I mean is I want to be able to live on my own terms.
12:27I want to have my own life.
12:29You know, free from any sort of constraints.
12:33I want to have my own kids.
12:36Well, two kids.
12:38I really want to have kids before I turn 25, you know?
12:42I think that's awesome.
12:43Really?
12:44Of course.
12:45I mean, the two-in-one cake.
12:47I'm not too sure about your plans in life, though.
13:10That's lovely.
13:11What is it?
13:13Curiosity killed Tatiana the cat.
13:15I heard that it was just a cat.
13:17Seriously, what is it?
13:18If you guess it right, I'll tell you.
13:20I've had enough of guessing games.
13:23The Ministry of Civil Aviation decided to change the attendants' uniforms.
13:27This is going to be presented tomorrow.
13:29Blood Goff doesn't want me to go there.
13:31But why?
13:33Because he wants the spotlight all to himself.
13:35I'm just a guy who fixes all his clothes.
13:39Hey, listen.
13:40Probably I can-
13:41Why don't you be more useful and go make us some tea?
13:46Ah.
13:47It's all useless anyway.
13:52Okay.
14:15Do you honestly think they'd be able to wear a skirt that narrow, huh?
14:19They would look like a penguin while walking down the catwalk.
14:21I thought you were going to make tea.
14:24Why don't you do it?
14:26Fine, I'll do it.
14:40I have to go.
14:41I'll call you.
14:45How can I help you?
14:46I'd like to check if all the arrangements have been made for the upcoming show.
14:50Almost.
14:50Let me show you the designs.
14:52Here you go.
14:53That's really good to know.
14:55Here's another one.
14:56Please take a look.
14:57I think it fell out.
15:10In Great Britain, I suppose their whiskey must be really good.
15:15We thought you wanted to go there because of the tea.
15:18In America, they love wearing jeans.
15:21Diplomats don't wear jeans, so I'd reconsider that if I were you.
15:26Well, how about France?
15:27Well, over there, they eat croissants and baguettes.
15:29You'll gain a lot of weight.
15:32All right, then.
15:33I'd go to Italy.
15:34The climate there is just amazing.
15:36And you, Vladimir, where do you plan to work?
15:39In the USSR.
15:42Oh, relax.
15:43This isn't a meeting or something.
15:44Of course I'm relaxed.
15:47Have you seen the sea in Murmask?
15:48It's one of a kind.
15:50It's a nice cold port all year round.
15:52What more does a person need, right?
15:55Everybody needs something else.
15:58Why focus on material things?
16:00I think you'd be a great bourgeois.
16:02And what are you, a builder of a bright future?
16:04Is that it?
16:05I'll take that as a compliment.
16:07All right, then.
16:08I'm off to school.
16:09Don't miss me too much.
16:12All right, take care.
16:18Aren't you going to the restaurant with Stepun?
16:21No, I'm not.
16:24Damn.
16:25Why?
16:27No, it's just that I realize that it's not very nice to keep a very important person waiting.
16:34And for someone his age, it's not good to worry.
16:37So which restaurant?
16:38Maybe you should at least call them.
16:41I don't remember.
16:42I threw out the note.
16:44Do you really think what I did was rude?
16:47Well, a little.
16:48You can say sorry to him.
16:50You can just make up stories.
16:52Tell him you wanted to go, but you can't.
16:53Then after that, tell him you just want to be friends.
16:57If I meet up with him, he might get the wrong impression that I like him.
17:02He'll continue hitting on me.
17:04And I don't want that to happen.
17:06Just reject him then.
17:08It's an art, you know.
17:09You want me to teach you?
17:11However, the problem is, the guy's already out there waiting for you.
17:15I haven't thought about this enough.
17:21I have an idea.
17:25What if we send someone there, just to apologize, say you can't go?
17:30But who?
17:32And where?
17:36Do you think you can do it?
17:40Me?
17:41Yes.
17:44No, that's a bad idea.
17:45It won't work.
17:46What will I tell him?
17:48Tell him what you just told me.
17:49Make-up stories, like Tatiana couldn't make it.
17:52Tell him as a valued customer that he's always welcome here.
17:55Think of it this way.
17:56He won't hit on you.
17:59Well, what if that guy hit on me too?
18:02Anyway, I won't allow it.
18:05Don't worry.
18:06I got this.
18:07But wait.
18:08We don't have the address.
18:10I know.
18:10Don't worry about it.
18:15Natalia!
18:18Natalia!
18:19Natalia!
18:23Natalia, look what the cat dragged in!
18:32Yes?
18:33How can I help you?
18:34Are you still mad at me?
18:37Well, take a wild guess.
18:39I must say I admire your pride and conviction.
18:42All right then.
18:43Man, I admit, I made a mistake.
18:46But this, on the other hand?
18:57Why are you making a scene?
18:59Hello, how are you?
19:00Mm-hmm.
19:03And what is that thing?
19:05Who allowed you to do that?
19:07It's nonsense.
19:08As you can see, it's a painting.
19:09I'm calling the police.
19:10You can explain that to them.
19:11Mm-hmm.
19:13What is the matter with that guy?
19:17I'm coming down!
19:21What a stunning painting.
19:24If you want, I can draw you sometime.
19:29Oh, sure.
19:47Well, I suppose you've seen my work on canvases.
19:53So I figured, this time I'd put it on a wall.
20:00Are we okay now?
20:19After you.
20:21So tell me, would you like to pass a message to my friend Tatiana?
20:25Is there anything you want to tell her?
20:27I just want to tell her that she is a very good and polite friend.
20:32She's so lucky to have you.
20:33You are so gorgeous.
20:37Very gorgeous.
20:38I enjoyed your company so much.
20:40And I had a great time tonight.
20:42It's just too bad that it's over so soon.
20:45But it's just too bad.
20:48Perhaps you would like to come over to my place.
20:51Wait, Mr. Stepoon.
20:53No.
20:53Oh, we already agreed that you can call me Vasily.
20:57Have I mentioned that I have this amazing cider at home?
21:00When I was in Pomerania for work, this Frenchman gave me his secret recipe.
21:05I'm telling you, you must try it.
21:07Vasily, are you sure it's a Frenchman in Pomerania?
21:10Do you mean Germany?
21:11Or am I mistaken?
21:13Oh, we can talk about geography if you want to.
21:17That would be interesting.
21:19As the French people say,
21:21Degustation.
21:22Yes, it's him.
21:24You look different when your wife is not around.
21:28Do you want to know what I find interesting about eagles?
21:32It's how it can stray so far from its nest.
21:38We were just talking about work.
21:41It's all bureaucracy.
21:42And I can't hide from it.
21:44All right now, listen.
21:46I already handed in the paperwork.
21:48So you're free to go now.
21:51But there are some documents missing.
21:53I have the quotation, but I believe the folder's in the car.
21:56I can't leave without it.
21:58I have to go and retrieve it from your car.
22:00The ministry asked me to pick it up.
22:02I'm sorry, sir, but I really need that folder.
22:04I can't just leave yet.
22:06Shall we get it?
22:09Excuse us.
22:12Please, excuse us.
22:15So it's work.
22:17Well, you know what?
22:20I think you should be a war commander.
22:22That was pretty convincing.
22:25Commanding is my thing.
22:26But I'm not sure about being at war.
22:28And I think you should be a war commander.
22:54First aid.
23:08Are you happy now?
23:09Trying to play the fool, huh?
23:10You didn't think I would notice?
23:12I'm speaking to you, young man.
23:14Good morning.
23:14Hello.
23:15Hello, Mr. Gladkov.
23:17What seems to be the problem here?
23:18Go and ask him that.
23:20He played tricks on me.
23:21Do you even have an idea what I'm capable of?
23:23I can fire you anytime.
23:25Mr. Gladkov, I don't understand what you're trying to say.
23:28Come with me now, or I'll make sure you don't set foot in this office again.
23:32Go on.
23:38Don't you dare embarrass me here, young man.
23:41Everyone, please meet our young talent.
23:50This design is great for funerals.
23:53Well, don't we need to look good at funerals, too?
23:59What I mean is, aesthetics don't matter at all when we're up in the air.
24:05We need two models.
24:07The terracotta one.
24:09And one of yours, right?
24:14Right.
24:16Looks progressive.
24:17The collar is so bright.
24:19I would wear them anytime.
24:22Isn't it too skimpy?
24:24Is it possible to walk in that skirt?
24:27Yes.
24:29Thanks to an additional slit we added to the skirt, it would be easy to move around the plane.
24:33We're ready to create a prototype for this design, so you don't have to worry.
24:37Our top soldiers in the war in fashion are here to help us.
24:39No prototype yet?
24:41We'll lose another day.
24:43How about we just take the terracotta one?
24:46Our head demanded that we provide them with options.
24:49Several options.
24:50The terracotta design is a no-go.
24:53We will have the prototype ready after lunch.
24:55Isn't that right?
24:56For now, please have a seat.
24:57We have some matters to discuss.
25:07Groom, I need you to smile more.
25:09This is a wedding photo shoot.
25:11It's not for a passport.
25:13Come on!
25:14Vladimir, will you relax a bit?
25:16Smile.
25:17I'm saving my smile for our future family.
25:20Looks like you're saving your shoes, too.
25:23Didn't I ask you to wear a decent pair?
25:25Well, it's not like you're in a gown.
25:27All right, lovebursts, this time around, let's do ching to chi.
25:31Say cheese!
25:33There you go.
25:34So beautiful.
25:36Vladimir, we need those trees.
25:38Send an invite.
25:39You're so silly.
25:40Come on.
25:43Okay, kids, get out of here.
25:45Get out of here.
25:46It's not a sandpit.
25:47Come on, come on.
25:48It's time to go.
25:49It's time to go now.
25:50Come on.
25:51Leave.
25:52Zledia, will you please give those kids a break?
25:54No chance.
25:55I don't want any silly strangers to be in our photos.
25:58Mm-hmm.
26:00At least we have someone real in the photos.
26:03I'm sorry, what?
26:05So you're not being real?
26:07Don't you want to marry me?
26:09All right.
26:09Say cheese.
26:09You're a crazy lady.
26:10It's a dream.
26:12All right.
26:13Very nice.
26:14Listen up, Artemis.
26:15We're already here.
26:17Right.
26:17Say cheese.
26:18Enough is enough.
26:20Now I need you to hold hands and smile.
26:23You go hold his hand.
26:25Uh-oh.
26:40What is this?
26:43I thought I...
26:44You thought what?
26:47No, Nazarov.
26:48You weren't thinking.
26:49You're out of your mind.
26:50Hello.
26:51Good morning.
26:52Now Gladkov is on a war path.
26:54Now he's blaming me.
26:55He said I made him look like an idiot.
26:58Look.
26:59He wants this done this very day after lunch.
27:01Any suggestions?
27:02I just didn't want your efforts to be wasted.
27:05And so you decide to paint your own DIY crap on it.
27:07Wow, how amazing.
27:09Let me take care of everything else so that you can start on the rough draft.
27:13I promise.
27:13I'll help you with everything.
27:14What about the design?
27:16What about this?
27:16What the heck is that?
27:18It's a narrow bask.
27:20It's like a rocket flame.
27:23Did you just say like a rocket flame?
27:27So it's a rocket flame?
27:28Yeah.
27:30So are you going to help me make this?
27:32Yes.
27:33I'm going to help you.
27:34You did enough.
27:36Okay, all right then.
27:38Let's sew your rocket skirt then.
27:40Let's hope and pray that it doesn't come apart in inappropriate places.
28:09That's not so bad.
28:10No, it's bad.
28:12It's very bad.
28:13It's horrible.
28:14Everyone will be able to tell that we rushed making it.
28:17And then?
28:20There must be something good about this dress.
28:23Like, don't you think that its style is ahead of its time?
28:27Besides, Gladcuff would be chatting with them.
28:29They won't even notice.
28:30No.
28:31Sometimes you just simply need to admit defeat.
28:34And also, I'm bad at designing uniforms.
28:38It's not my thing.
28:39Same here.
28:40Well, we all knew that from the start.
28:44You know what's more, Konstantin?
28:54Hello?
28:57Yes, hello.
28:57And how can we help you?
28:59I came here to talk to you.
29:01I know you're the best in the industry.
29:03Let me explain my situation.
29:05I met this girl.
29:07And I fell in love with her.
29:08This girl completely ignores me.
29:10She works in the fashion industry as well.
29:12And I guess she's not impressed with my fashion sense.
29:15So I figured I should change my style.
29:19Please have a seat.
29:20We can help you.
29:21Oh, stop it.
29:22All I really need is, um, this one and, uh, this too.
29:27Are you sure about that?
29:28Thanks.
29:29I'll go there and change.
29:31Um.
29:32Tatiana, do you know him?
29:34I don't think so.
29:41Oh, well.
29:43Can you give us a second?
29:45I don't think so.
29:47All right.
29:48Up to you if you want to be here.
29:54Tatiana, I'm, I'm sincerely ashamed of my stupid antics the other day.
29:59So please accept my peace offering.
30:01I brought this thing for you.
30:02It's just a small souvenir.
30:08And where did you get that banner from?
30:11On Kirov Street.
30:12They used this banner during Workers' Day.
30:14I figured it would be great for me to reuse it so it won't be wasted.
30:18Don't you agree?
30:21Hello.
30:22Good afternoon.
30:24Your trousers are fine.
30:25When you sit like that, does it feel a bit tight?
30:29Seriously.
30:30If it doesn't feel tight, then that means there's nothing wrong with the stitching.
30:34I'm sorry.
30:34This doesn't need any alterations.
30:36We won't make another one for you either.
30:38End of story.
30:38Yes, that's right.
30:40Please stand up.
30:41I don't understand why you're making a scene here.
30:43Will you help me get up?
30:46See what you found in that for me there.
30:50But I won't just let this slide.
30:54Your service needs a little improvement.
31:01Tatiana.
31:03Again?
31:04Of course not, Miss Nina.
31:05We just met that guy.
31:07We don't know him.
31:08He's Nagorani's nephew.
31:10Be careful with him.
31:16Crazy.
31:23Let me repeat myself.
31:25They're very busy right now.
31:26Call it what you want.
31:27They have VIP guests from civil aviation.
31:30I'm telling you, we're working on something important.
31:32Just look at her.
31:34Okay.
31:35I didn't receive a memo about an upcoming circus.
31:39Shh.
31:40All right.
31:41We're going to wait right here.
31:42We're staying.
31:43You got it?
31:44Take a seat.
31:54Take a seat.
32:14Take a seat.
32:14Take a seat.
32:14Oh, no.
32:15No, no.
32:17I just can't wait.
32:18Do you know this money?
32:20The only way.
32:22I'm out of the camp in the road.
32:25I just won't pick up a lot of them.
32:27I'm out of the camp.
32:27Oh, my God.
32:30I'm out of the camp.
32:36That's so funny.
32:38Every time you grab the stuff,
32:39you'll do something important, okay?
32:41All right.
32:42If you ask me, I'm certain that all of our workforce deserves all the respect.
32:50If they're going to take so long inside, maybe I can step away for a while.
32:54No, not now. I need you to be here.
32:57Should I hold your hand too?
32:59Of course not, I'm fine.
33:02Now that's something.
33:03Well, maybe for you this isn't, but for people in there this is big news.
33:07It's a reason to shove me aside.
33:10Because for them, sewing is a woman's job.
33:14Really? And Carden?
33:16I'd like to see how he would fare in this kind of setting.
33:20Believe me, you'd have to wear a skirt for them to take him seriously.
33:25I could use your help. You're very friendly.
33:26And you're very good at talking to people, so I think you'll be able to…
33:32Okay, you're up. Please, come in.
33:34Let's go.
33:52My dear, I think you've had enough.
33:55First of all, don't call me that.
33:57Only Vladimir is allowed to call me that.
34:00But after the wedding, I'll tell him that I hate it.
34:02What? Another thing.
34:05I think they're serving watered-down champagne in here.
34:07I'm still sober, and I already drank a lot.
34:17Okay. See you around.
34:20Bye.
34:30So, what's wrong here?
34:32I'm not an expert on alcohol.
34:34But to properly make a wine, you'd need some liquid solution.
34:37You'd have to mix up young wine and aged wine, then add yeast and sugar.
34:41Oh my goodness!
34:42I'm asking about Vladimir.
34:45I told you, I'll suck the life out of you.
34:48Vladimir's a clown.
34:50He's all smiles on the outside.
34:52But believe me, he's a devious bastard on the inside.
34:55I think you deserve someone way better.
34:57Just stop it.
35:01I didn't ask what you needed.
35:03I asked about Vladimir's needs.
35:10Take me home now.
35:12Please.
35:16Sure.
35:18Goodbye.
35:19We'll see you.
35:20Goodbye.
35:22Tatiana, walk them out, please.
35:33Have a seat.
35:52I wanted to apologize.
35:58I was wrong.
35:59Your design looked decent.
36:01They all liked it.
36:07Yes, of course.
36:09Can captivate anyone's attention.
36:11Did you see their faces when she said that?
36:14Um, it's an absolutely useless piece of crap.
36:19Stop talking nonsense.
36:21If your design wasn't so avant-garde, I would have included it myself.
36:26That's not true.
36:27You'd be scared that I'll get notice and that I'd leave this place.
36:33Actually, I'm afraid that you'll never go anywhere.
36:36And that you'll incessantly annoy the life out of me.
36:43Does it hurt?
36:45I'm sorry.
36:45Compared to what?
36:46A broken heart?
36:48I never wanted to find that out.
36:53I'm sorry.
36:54I'm sorry.
36:56It wasn't your fault.
36:58I was the one who asked you about him.
37:01Maybe I was just curious.
37:03I was curious because I know that you've known each other for ages.
37:10You know him so well.
37:13What's up with you, normal people?
37:15Vladimir's a normal guy.
37:18Did I ruin your party?
37:21I do this every time.
37:24It's just, I have no one to talk to about him.
37:27Not even Kira.
37:30I'm sorry if I keep talking about him.
37:35And I'm sorry for this too.
37:43What are you doing?
37:46You have feelings for me and I took advantage of it.
37:50That's not what I meant.
37:53I meant your life.
37:55I think you're so...
37:58You're special.
37:59The likes of you must be hidden away.
38:01And not paraded around.
38:03But he...
38:07I'm not making any sense.
38:10Actually...
38:13You did make perfect sense.
38:30I'll never give up on you.
38:32Well, I hope so.
38:33I don't want to lose you, especially now that Vladimir is about to become a diplomat.
38:38He'll leave me soon.
38:39He won't become one.
38:41But why?
38:42Maybe he will.
38:43With the right woman on his side, anything's possible.
38:47Bye, lover boy.
38:49See you around.
39:02Hey there.
39:03Just relax.
39:06If you came to apologize, you should have brought flowers for me.
39:11I'm only here to say goodbye.
39:13And to apologize as well.
39:15What's the matter?
39:16Have you gone completely insane?
39:17It's the opposite.
39:18I already bought a ticket to Murmansk.
39:23Lydia.
39:25I'm really sorry.
39:27You and I are just too different.
39:29I can tell that you're not happy as well.
39:32What's that?
39:36You take care of yourself.
39:38Alright?
39:41You deserve the best in life.
39:44Or at least a man in a fancy pair of shoes.
39:50I have to go.
39:52The sea is waiting for me.
39:54Yeah, just go to your little Sahalin.
39:58It's Murmansk.
39:59Oh, who cares?
40:03By the way, I kiss Anton.
40:04Come on.
40:39How did you find me here?
40:42You know you once told me that you live at a school dormitory.
40:45So please, next time, be careful about telling strangers about where you live.
40:50I think you met with stubborn strangers who give me a hard time but still keeps on following me around.
40:56By the way, what's with a bag?
41:00I want to experience how hard it is to carry something heavy.
41:03I shoved some bricks in there.
41:06You're a joker. It must be fun to live with an attitude like that.
41:10Anyway, I'm sorry, but I gotta go now.
41:13Hey!
41:15Give me a kiss, please.
41:17Are you serious?
41:21This may be the last time that you'll ever see me.
41:24Do you think I'm stupid? Have a good night.
41:51Young man, be quiet. People are sleepy.
41:55I doubt that I could wake them up.
41:57Trust me. Everyone's different.
42:03Did something happen?
42:05Yeah, how do I put this?
42:08I'm marrying this girl, but I'm in love with another one.
42:13What are you planning to do?
42:16I'll run from both to Murmansk. To the sea.
42:22Yes. It's peaceful out there. That's what I heard.
42:26Have you been there before, old man?
42:27I haven't. Well, I've never left this place, you know.
42:33Although there was one time I had to leave for a while.
42:36Don't you want to see other places?
42:38I do. But I don't want to rush things. I'd suggest the same to you.
42:42You're running away from your problems.
42:46Problems are like shadows. They follow you around.
42:48They'll always be with you, no matter where you go.
42:52Have a good night. Good luck to you, young man.
43:20Hey, Latiana.
43:22Where are your shoes? The one you had on yesterday.
43:27And why are you all dressed up?
43:29I'm just… I'm going for a stroll.
43:35Gled asked me to pose for a painting after he and Natalia made up.
43:39He said it has to be at night. It has something to do with the moon and shadows.
43:46Didn't you know that the two of them are an item?
43:49I don't really care. He's going to paint me and that's it.
43:53Yes, he's going to paint you. And no, you're not going alone.
43:56As Natalia's friend, I find that offer very weird, even if he didn't mean anything by it.
44:01Hold on, I'll change.
44:07He said I must go alone.
44:13I am so worried about my daughter's state of mind. She cried all throughout the night.
44:18So what happened was, he showed up last night and told her that she's leaving for Sahalin, I think, or
44:25to Murmansk.
44:27I'm not trying to start a fire here. He came to say goodbye to her.
44:33No, he's right in front of me. In all his youthful bravado.
44:38Tell the bride to calm down because the groom is with me.
44:41Yes.
44:43Aren't you supposed to be at sea?
44:46Well, it was kind of stormy.
44:50What do you mean by sea?
44:52Flooding mirror, is there a problem?
44:54Let me handle this.
44:56Please go.
45:00What are your plans now?
45:02Hmm.
45:03How are you worried about the wedding?
45:06Are you that desperate to eat cake?
45:08Listen.
45:10What's the matter with you?
45:12Why don't we talk it over?
45:15You know, like father and son.
45:18Well, the thing is that you're not my father.
45:25What's that?
45:27What?
45:29Am I not allowed to have my dad's portrait in my room?
45:32This is my apartment.
45:34It's my mom's apartment, if I'm not mistaken.
45:49It wasn't hung properly, so it fell.
45:54I guess I nailed it wrong.
46:10Just do it quickly.
46:11I don't get why anyone would call this early.
46:14Hello?
46:15Tatiana.
46:16Huh?
46:16Ryza, why are you panting?
46:17Something happened to Natalia.
46:20What?
46:21She's bleeding.
46:22Come over here, please.
46:25Oh my goodness.
46:27Do I have to hang up the phone for you two?
46:32No.
46:54It wasn't me.
46:56Oh, my God.
47:27Oh, my God.
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