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00:10To be continued...
00:44To be continued...
01:04What do you want?
01:09Don't be frightened.
01:11I just thought you might like a cup of hot tea on a sticky night like this.
01:16You know what they say.
01:19Nothing like a hot drink to cool you off.
01:22Who are you?
01:27I'm nobody.
01:30Just like you.
01:53Thanks.
01:56Thanks.
02:10Thanks.
02:21Thanks.
02:31Thanks.
02:47What the hell was that?
02:48It's a new patch JoJo laid in.
02:50We all loved it.
02:51Oh, yeah?
02:52Well, I hate it.
02:53So dump it, Teddy.
02:54And no more surprises.
02:55You just blew my whole vocal.
02:59Your wish is my command.
03:09You look lovely, doll.
03:10Oh, don't shmear me, Langley.
03:12You'll get your commission anyway.
03:15These publicity shots just came in.
03:18Thought you might like to take a look at them.
03:23I kind of like this one.
03:26Nah, I look too old.
03:30This one's okay.
03:32It's my second choice.
03:38Is that what we're doing with Friday night's concert?
03:40Are the bleeping androids confirmed yet?
03:42It's got to be right.
03:44Dead right.
03:45I think we ought to discuss it a little more.
03:47What's the talk about?
03:48I thought we did all the talking.
03:49Well, babe, you did all the talking.
03:52What I mean is, if you want to have a benefit concert,
03:54that's your business.
03:54But at least make sure they cover the concert.
03:56Hey, I'm the one up there working my butt off.
03:58What I say goes.
03:59It's my way or the doorway.
04:01Take it easy, love.
04:02How's it going to look to the press
04:03if I'm chintzy on my own first benefit?
04:05Not great.
04:10I got to hand it to you, babe.
04:13A benefit concert would really put you on the map.
04:15But why the homeless?
04:17Because I want to, okay?
04:20All right, all right.
04:20I'm sorry I brought it up.
04:21I just wanted to express my opinion.
04:23It's what you pay me for, right?
04:24Yeah, my paying you seems like another act of charity.
04:30You dump the truck, guy.
04:31Really, whenever you are.
05:00I've got them, Jack.
05:01Hey, Mickey, check this out.
05:03An original press and your mighty thunder lives in Japan.
05:06Never heard of them.
05:07What did you say?
05:08I said...
05:12That's better.
05:13I take it you're not into Lady Di?
05:15Oh, I have no problem with her.
05:17It's deafness I'm concerned with.
05:18Well, that's the only way to get the full effect.
05:21You're acting like you're 60 or something.
05:22Since when did you become such an old bag?
05:25Hi, everybody.
05:27The old bag's here with your curfews.
05:30Oh, Bertie, you shouldn't have.
05:33Well, I wanted to.
05:34Now that you've all moved in here,
05:36I thought maybe it might spruce up the place a bit.
05:38I even hemmed and pressed them.
05:41It's...
05:42They're very nice.
05:48No doubt about it, the lady's toasted for Jack.
05:51Something tells me the feeling is not mutual.
05:55Looks like you need a little bailing out.
06:00What are you doing?
06:02Oh, you're just working on a protein drink.
06:05You mean for energy?
06:07Yes, it stimulates the flow of blood to the brain,
06:10which sharpens the perceptual senses,
06:13and it's very healthy and organic.
06:16Well, pretty cool, Jack.
06:17Yes, but there's still some side effects I have to do some work on.
06:20Besides the protein stimulation,
06:22it seems to be having a mild aphrodisiac effect.
06:25Now you're on to something.
06:27If you can just get rid of the protein part,
06:28you'll be doing just fine, hmm?
06:30If you need a guinea pig,
06:32I'll be glad to try some.
06:34It doesn't look like that'll be necessary, Bertie.
06:36It looks like the rats are partying just fine.
06:38I wouldn't want to put you at risk,
06:40but thank you for the offer.
06:43Sure, I understand.
06:46That's disgusting.
06:48Here are your wood chips.
06:49You might as well let me fool around on something clean.
06:52Care for some coffee, Bertie?
06:54Oh, thanks. I'd love some.
06:56I was up all night.
06:57Oh, how come?
06:59There was another murder in the park.
07:02Young runaway.
07:03Couldn't have been much younger than you.
07:05Poor sweet thing.
07:07One of your cases?
07:08I had to identify the body.
07:10It was awful.
07:11You'd think you'd seen it all at my age,
07:13but it still gets to me.
07:14No family, no friends.
07:17Imagine dying and the only one who knows you
07:19is some social worker.
07:21What happened to her?
07:23Oh, no one knows.
07:24The police won't say a thing.
07:26It's all very strange.
07:28She was strangled by a rope or something.
07:30The worst is, she's not the first.
07:33You mean there have been other stranglings?
07:35Yes, that's right.
07:38Didn't you have a case earlier this year?
07:40An elderly woman?
07:41Sarah?
07:42No, she wasn't strangled.
07:44She just disappeared.
07:46But I suppose anything's possible at this point.
07:48Why would someone want to kill a number of street people?
07:53Can't the police help?
07:53Quite frankly, I don't think they care.
07:58Nobody cares about the homeless.
08:00Lady Di does.
08:01She's given a concert for them on Friday night.
08:03That's nice.
08:04But that's not going to stop whoever's the killer.
08:07Well, I don't see why they shouldn't treat everyone equally
08:10when it comes to a murder.
08:12Would it make any difference to you
08:13if Ryan and I spoke to the police,
08:14maybe get some more information?
08:16Won't do any good.
08:17Who knows?
08:19The fear of the unknown is always worse than the actual thing.
08:22Not always.
08:26Female Caucasian.
08:27Approximately 15 years.
08:30Brown hair.
08:33Nasal passages clear.
08:35Trauma to the skull.
08:36The cause of death appears to be asphyxiation
08:38due to strangulation from a foreign object.
08:45Lieutenant Fishbein.
08:46Yeah?
08:47We called your office, but they said you were here.
08:49We wanted to talk to you about the homeless death.
08:52We heard you were in charge of the investigation.
08:55You have some information regarding the case?
08:59Uh, no, I, um...
09:01Well, we were just wondering
09:02why so many people are being murdered in our neighborhood.
09:07Now, I love when you neighborhood watch people get involved.
09:12It gives you a chance to see
09:13just how impossible my job really is.
09:16What are you doing about the cases?
09:18What do you expect?
09:19We're not miracle workers.
09:22These people make perfect targets.
09:24For what?
09:24It's not like they have any money or anything.
09:26For sport.
09:27For drill.
09:29Somebody's taking target practice.
09:32With a rope.
09:33There are a lot of sickos out there.
09:37Dementos.
09:38That's just the way it is in, uh, real life.
09:42But there were five murders in the park.
09:45Maybe it's not as random as it seems.
09:48Well, give the girl a hand.
09:53You wouldn't, uh,
09:55exactly be planning on a career in, uh,
09:57law enforcement.
10:00No.
10:01You see,
10:01unless someone comes forward
10:03and says something,
10:05or we get an eyewitness who sees something,
10:08there's not a whole hell of a lot we can do.
10:10What's this?
10:12What's this?
10:12Right here.
10:13This green is staying on her neck.
10:21You still here?
10:23You work without any facts?
10:27You want facts?
10:28Mm-hmm.
10:29I'll give you facts.
10:30Fact one.
10:32Whoever you two are,
10:34you're trespassing in a restricted area.
10:36Fact two.
10:37If you don't get the hell out of here in two seconds,
10:40you'll be behind bars inside an hour.
10:43Now, are there any other facts you care to know?
10:45Oh, thank you for your time, Lieutenant.
10:49Yeah, thanks a lot.
11:07There it is.
11:08Ah, Swapper's Ivy.
11:09I never heard of it.
11:10Oh, it doesn't exist anymore.
11:12At least I didn't think it did.
11:13Let me see.
11:14It was indigenous to Ireland,
11:1613th, 14th century.
11:18It was an evil plant,
11:19or at least they thought it was.
11:21They thought they'd burned it all.
11:22Why do they call it Swapper's Ivy?
11:24Well, if you had it,
11:25you could use it to trade for whatever you wanted.
11:27Well, I don't see what Swapper's Ivy
11:29could possibly have to do with Uncle Lewis's antiques.
11:32Don't you limit your thinking, my girl.
11:35It could be a part of absolutely anything,
11:36a part of an antique or a drawing
11:38or a painting, a picture,
11:40a tapestry, who knows what.
11:43Ah, Swapper's Ivy.
11:45A porcelain cup, no mark,
11:49white, with a hand-painted design,
11:53a Swapper's Ivy around the rim.
11:54A teacup?
11:56Look, look, they sold it two years ago
11:57to a guy named Fat Eddie Burrell,
12:00lives in Hillsdale.
12:03Looks like it's tea time.
12:24You sure this is the right place?
12:30Let's not go in.
12:31Why?
12:36He obviously doesn't live here.
12:40Nobody in their right mind would live here.
12:42Mickey, this is our only lead.
12:47After you?
12:48No, really, after you.
12:50After you?
12:51You're the man.
12:53Don't push me.
12:54I see him.
13:00I see him.
13:01He's not the one.
13:08He's not the one.
13:11I see him.
13:18He's not the one.
13:46Don't let your imagination get out of hand.
13:51Look, nobody's lived here in a long time.
13:54Ryan, it's good.
14:00Ah!
14:01Ah!
14:04Ah!
14:07Guess they don't have to call him Fat Eddie anymore, huh?
14:12I don't want any pin spots.
14:14What color gels are they putting in those?
14:17Number 10 pink, like always.
14:20Make those gels number 10 pink!
14:24You look terrific, babe.
14:25Anyway, there's no audience tonight.
14:26I gotta go.
14:27What about the sound check?
14:30I don't need this grief.
14:39Whoa!
14:41What have we got here?
14:47Here.
14:48Better have a cinnamon bun, too.
14:51Yeah.
14:52Oh.
15:02My wallet!
15:07Hey!
15:07Hey, you!
15:22It's a chilly night, isn't it?
15:25Would you like some tea?
15:27You look like you could use them.
15:29That sounds mighty good to me.
15:46Can I have some?
15:48No.
15:48This is just for grownups.
15:50And run along.
15:51What a pretty bracelet.
15:54If you promise to leave, you can have it.
16:19Nothing like a good hot cup of tea, is there?
16:29No.
16:36Ah!
16:38Ah!
16:39Ah!
16:41Ah!
16:41Ah!
16:42Ah!
17:02Tag of the john doe.
17:09Did you recognize the body?
17:11No, he's not one of mine, thank God.
17:13You wait here. I'll bring a car.
17:15You got some food?
17:20I'm sure we can find you some.
17:22Where's your mommy and daddy?
17:24You don't have a mommy or daddy, do you?
17:27Oh, my goodness. What's wrong?
17:29That bracelet. Where did you get that bracelet?
17:31Mine. That's Sarah Burrell's bracelet.
17:34Sarah who? Burrell, my missing person.
17:36Any relation to Fat Eddie?
17:38That's her brother.
17:39It's okay. We won't hurt you.
17:41I didn't steal it.
17:44Oh, nobody said you did.
17:47Now, where did you get it?
17:49This lady gives it to me.
17:51Sarah. What lady?
17:53The lady from last night.
17:55Do you remember what she looked like?
17:57She was pretty. With hair like fire.
18:01Oh, that's not Sarah.
18:03Sarah was over 70.
18:05Her hair was white as snow.
18:07Where was this lady, honey?
18:09Right here.
18:10She was giving a man something to drink.
18:14Out of this cup.
18:15What man?
18:17The man who died.
18:19I think you better come with us, little girl.
18:28What the?
18:43It's a horrible thing not to have anyone.
18:45Not to be loved, no matter what your age.
18:47On top of that, she witnessed a murder.
18:49She must be terrified.
18:51Did you get us a picture of that case of yours, Sarah Burrell?
18:55I have one in the files.
18:57Okay, all you Lady Di fans.
19:00Tonight, live from our downtown studio, the new Queen of Roth will tell us the inside story about her overnight
19:08success on the charts.
19:10Until later, here's a taste of what you'll get tomorrow night at a homemade benefit concert.
19:17Hi.
19:19I'm a little deep, but you see?
19:22Hello?
19:22What? What?
19:24Could we have a little less music, please?
19:26Oh, sorry. I thought Bertie would have nothing here.
19:28Just because you're older doesn't mean you're deaf.
19:32What are you smiling at?
19:34Oh, nothing.
19:35It's just if Sarah were here, she'd be laughing at this song right now.
19:39Yeah? Why's that?
19:40It's an old nursery rhyme she used to sing.
19:43One of her favorites.
19:48She had hair like fire.
19:51I can't believe what we're thinking.
19:54I mean, how can somebody so old become so young?
19:58It's possible, though.
20:02It's happened before.
20:03There's the legend of Archimedes, for example, wherein old age was exchanged for youth.
20:09Remember, we're dealing with Swappers Ivy.
20:11So how does the cup work?
20:14Well, perhaps the Ivy acts as a conductor.
20:18You know, trading the victim's life force for the cup owner's age.
20:24Anybody home?
20:25Oh, hi, Bertie. We didn't hear you come in.
20:28Uh, is that a new dress?
20:30What do you think?
20:32It's unusual. Unusually pretty.
20:35What do you think, Jack?
20:37Oh, I think it's very, uh, different.
20:41I was thinking we could go out and grab a bite or something.
20:43Yeah, no, I really would like to do that, Bertie, but I'm awfully sorry.
20:47I'm right in the middle of the most crucial part of my experiment.
20:50In fact, I should be checking on it right now.
20:52Maybe some other time, though.
21:07I'm going to make some more of her.
21:08I'm going to make some more of her.
21:08Well, I'm not.
21:08I'm not.
21:08I'm not.
21:08I'm not.
21:09I'm not.
21:09I'm not.
21:20I'm not.
21:22Too bad you need a young mind to think that way.
21:32Jack, coast is clear.
21:38I think Lady Di and Sarah are one and the same.
21:43I think it's time you paid Miss Di a visit.
21:46Absolutely. But how are we supposed to find her?
21:49I know a thousand fans would kill for that information, myself included.
21:53Don't you ever listen to the radio when it's on?
21:56Hmm?
21:57Lady Di is being interviewed on the David Kay Show tonight, live.
22:03And I'll print you up the proper credentials.
22:23That hurt to sleep on?
22:25Only when I roll off my thing.
22:27Somebody make money
22:28A film I'm in myrael, I'm in myrael
22:36A film I'm in my
22:58Tell us a little about tomorrow night's benefit.
23:01It certainly is the biggest rock benefit this city's ever seen.
23:04Well, David, I thought I'd do something for the homeless in this town.
23:07You know, bring a little warmth in their lives.
23:10Like the warmth my fans have given me.
23:13Now we're going to have a little taste of the ladies' new CD,
23:18Dying for Love and Joy.
23:25You're doing great, babe.
23:27Everything okay?
23:28Look a little tired.
23:37Hey!
23:38Who are you?
23:38J.D.
23:39We're here to talk to you about Lady Di.
23:41We're sorry to barge in, but it's important we talk to you.
23:44What the hell is this?
23:45That's not what you think.
23:46It's about Sarah.
23:47I don't know what you're talking about.
23:48Get these two out of here!
23:50Can you get on me?
23:50Lady Di about the cops!
23:52Stop, buddy.
23:53Come on.
23:53Come on.
23:54All right.
23:54Move over.
23:56Come on.
23:56Come on.
23:59Come on.
24:00No, no, no.
24:00No.
24:06Sarah?
24:16Hey, come on.
24:18Sit.
24:19Come on.
24:21Let's go.
24:22Lady Di looks a little older in person, don't you think?
24:24A lot older.
24:26Bet she went to the park.
24:28You got the keys?
24:30No, no, no.
24:30I'll drive.
24:32No, no.
24:32I'll drive.
24:33No, really.
24:33I'll drive.
24:34Really.
24:34No.
24:35No.
24:35I'm the chauffeur.
24:36No.
24:36No.
24:37The only reason I let you drive is because you look better in the uniform.
24:41Chauvinist.
24:45I'm the air.
24:50I'm the air.
24:51I'm the air.
24:54Yeah.
25:01I'm the air.
25:03Yeah.
25:03No.
25:15I'm a little teapot, short and stout
25:19Here is my handle, here is myself
25:24When I get all steamed up, hear me shout
25:29Tip me over and hold me out
25:45Tip me over and hold me out
26:04What was that?
26:06I don't know
26:09Come on, the more you think about it, the worse it's going to be
26:13Look, I can't help it
26:14No matter how many times we do this
26:15I can't believe the impossible as quickly as you
26:18Believe it, Lady Di is Sarah, the old lady
26:21Why else would she run when we mention the cup?
26:28So she's killed at least half a dozen people in this very park
26:33And she's going to keep on killing to stay young
26:37Or to keep us from getting it back
26:41Look, we've got until tomorrow night's concert, that's it
26:44After that, she starts her tour
26:46Oh, that doesn't give us very much time
26:49Brian!
27:03Where is it?
27:25Look!
27:27Look!
27:44Sorry, sorry, really. I'm sorry. I thought you were someone else.
27:58Look, Lady Di might not have come here after all.
28:01The last two murders were here. Why would she go somewhere else?
28:04Let's hope she thinks the same way we do. We've got to stop her.
28:53We've got to stop her.
29:14It's okay. It's me. Don't worry.
29:17I got a card. I didn't want to hold all the glory.
29:21Would you believe me if I told you that teacup really belonged to us?
29:26No way.
29:27I didn't think so.
29:31Would you believe me if I promised to trade you that cup for a hot meal, a real bed, and
29:42a cup that's almost as pretty?
29:45Please.
29:55You got any potato chips?
29:57Are you kidding? You're looking at the potato chip king. We got barbecue, salt and vinegar, sour cream and onion.
30:25Thank God. Where were you?
30:27We had a little negotiation with Kristen here. Are there any clean sheets upstairs?
30:32Oh, there sure are.
30:34Oh, ho, ho, ho, ho.
30:53Say, I'm starving. Where are those potato chips?
30:55In your room, probably.
30:56Okay.
31:18I'll get the bed all comfortable for you.
31:20Give me a cup here.
31:21Turn it back. And you could sleep with my rabbit.
31:33Who ate all the chips?
31:35I think it was one of your friends.
31:40Oh, charming, right where we cut the bread.
32:04How about if I whip up one of my famous tuna casseroles?
32:08Ooh, how does that sound to you?
32:11It's a casserole.
32:12Well, in this particular case, I'm not sure you want to know.
32:26Mickey, Jack!
32:28Hold on.
32:29Quiet, you all right?
32:30Yeah, I'm fine.
32:36The cop, it's gone.
32:38What?
32:38I'm fine.
32:41Catherine.
32:53Take me to the park.
33:00Somebody took the teacup?
33:03I'm afraid so.
33:08Does that mean I won't be able to live here anymore?
33:14Kristen, I don't think this would be a very good place for you to live anyway.
33:20But that doesn't mean that you can't stay here for a while.
33:24It's just, we'll find you a home.
33:28A good home.
33:30I promise.
33:50Excuse me.
33:54Excuse me.
34:03Would you like to join me in the meantime?
34:05for a nightcap?
34:19It gets lonely out here sometimes, doesn't it?
34:24It gets lonely no matter where you are.
34:33No!
34:35No, let's be civilized.
34:54Now let's see who's an old fool.
34:58He is to happiness and health
35:02and youth.
35:25Oh, no!
35:27Hey, lady!
35:30What am I doing?
35:32Beats the hell out of me.
35:42You okay?
35:48Come on.
35:52Nobody likes to drink alone.
36:10It had to have been Lady Di you saw.
36:12Well, I just can't believe it was her and her that stocky.
36:15Why not?
36:15Because she moves slow like she was Bertie's age or something.
36:18Perhaps the longer she goes without using the cup to make swaps, the more she ages.
36:23Exactly!
36:24So it was Sarah you were looking at, not Di.
36:26And as for her moving slowly, I'd check your own speed, Mr. Out of Shape.
36:30Maybe she wouldn't have gotten away.
36:32Hey, hey, hey, don't lay this off on me.
36:34Why don't you vault the cup?
36:36Because I was putting Kristen to bed, not rushing to feed my face.
36:41Hey, hey, hey, time.
36:42Take it easy.
36:43We're all getting a little worn down.
36:46Let's try to think this out rationally.
36:48All right, let's assume that it was Lady Di, a.k.a. Sarah, who paid us the visit.
36:53What else do we know?
36:55Well, she has a concert in less than 24 hours.
36:57It's the start of her first North American tour.
37:00And there's something else you can be pretty sure of.
37:02If we don't get to her, she'll have killed again.
37:10Well, I better be starting my rounds now.
37:13Well, the bagel shop ought to be tossing out a few rejects.
37:19Thanks for talking to me all night.
37:21I needed the company.
37:24My pleasure.
37:31Hey, you're pretty cool for an old lady.
37:34I guess it's because I don't feel like one anymore.
37:43I don't feel like one people think they want to feed them to be a bit.
37:43All right.
37:44Oh, it's better.
37:51I've got a little energy for you.
37:51Oh, my God.
37:53Oh, my God.
38:01I mean, you're pretty good for you.
38:03But I'm pretty good for you, girl.
38:03I'm pretty good.
38:03I'm pretty good for you, too.
38:07All right, I'm pretty good for you.
38:10Let's go, let's go.
38:14I have something of yours that I'd like to return.
38:49Where is she?
38:50I told her to stay put until we got here. Damn it!
38:54She's kind of gone far. Let's each take a nap, huh?
39:12Oh, my God.
39:14Oh, God.
39:19Ah!
39:24Ah!
39:29See anything?
39:31Oh, my God.
39:48Freeze!
39:55This isn't what it looks like.
39:57Let me guess. You've been framed.
40:01Cuff him!
40:03We didn't do this.
40:05She's alive. Radio to the paramedics.
40:08Listen to me. We have a pretty good idea who did do it.
40:10It was Lady Di, the singer.
40:12And she's probably still here in the park.
40:14She's gonna kill again.
40:15Sure she is.
40:17You have the right to remain silent.
40:19Anything you say can and will be used against you in the court of law.
40:35Hello.
40:36Langley, it's me.
40:38Who is this?
40:39Lady Di, you idiot.
40:40Di? Thank God.
40:42Doesn't sound like you.
40:44You haven't canceled the show, have you?
40:45I was just about to.
40:47Where the hell are you?
40:48None of your business.
40:49Relax.
40:50I'll make it to the concert.
40:51What is going on?
40:53I'll tell you later.
40:54Just don't cancel the show.
40:59She's our friend.
41:01You're making a big mistake.
41:03Yeah.
41:03Well, you better hope your friend is able to prove me wrong.
41:06I'm going all alone.
41:08How much I was clown?
41:14Not that topic weTION.
41:14I´m going all open to us in a row.
41:16I burnt out food in a row.
41:21This is how many people've hidden products of the hill.
41:23Mr. Farmer inburg.
41:24He is completed and he went through.
41:26All I need you to do is open to us on the floor and it's on the floor.
41:26Something to back room and for lunch from Next.
41:28Is but Joe, he's been quiet.
41:29And Whispers are on the floor and the floor is open forosen feet,
41:35and we can keep going.
41:59Pardon me, young man, would you care
42:04for a nice cup of tea on this fine morning?
42:07Hey, yeah, sure, lady.
42:16I'm sorry.
42:18This doesn't belong to you.
42:22No!
42:23No!
42:24No!
42:28No!
42:37Die, die, stand after.
42:40They want you, babe.
42:41Don't come in.
42:42Okay, okay.
42:44I'll be out in a second.
42:46In a minute.
42:58We're gonna have to try to steal her when she goes on stage.
43:04I have to do anything.
43:06I've got my cup.
43:07How is she gonna perform?
43:11What's going on here?
43:13Yes.
43:17It's time.
43:18It's showtime.
43:39I'm gonna die.
43:40Jack, did you work the bugs out of this?
43:43Actually, bugs are what I've put into it.
43:44What do you mean?
43:45Well, I've substituted dehydrated insects for the ginseng.
43:49It gives me a higher concentration of protein.
43:51So look, no more nymphomania, double the energy.
43:54This experiment went terribly wrong.
43:59Oh, we are in the presence of royalty.
44:02I don't know. I think potato chips are way below your standards now.
44:06No way.
44:10Hello, everybody.
44:14Bertie, you look wonderful.
44:18You look like a little princess. Do you know that?
44:21You haven't changed your mind, have you?
44:24Of course not, silly.
44:27Do you want to play tea party?
44:29Oh, no.
44:41Oh, no.
44:43Oh, no.
44:56Oh, no.

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