00:00Questo film mi ha fatto piacere, quindi grazie mille, buona giornata.
00:16I have to ask, the picture of Lady Violet is in the house,
00:21like the Eye of Sauron, watching all of you from the above.
00:26How much do you miss her and Maggie Smith?
00:29Yeah, we miss her a lot.
00:31And we missed her during filming, but she was very present,
00:35like you're saying, that portrait at the end.
00:38It's a real tribute to her, this film, really.
00:42And how shocking was to find out that Mr. Carson was a singer and a dancer.
00:50Well, actually, it has been in a previous episode in the seasons,
00:57in the series, sorry.
00:59It does come up, I think it might be season two.
01:02The Cheerful Charlies.
01:02The Cheerful Charlies.
01:04Yeah, I think it's early on in the series.
01:06And was a surprise back then.
01:08And was a surprise, yeah.
01:09So it's revisited for the younger generation.
01:13Younger generation?
01:14I don't know who said that.
01:15It's revisited.
01:17And the other lady told me that he's also the real Carson,
01:23so the actor is also a magician,
01:25and he played some magic tricks on set.
01:28Is it true?
01:29Yes.
01:29Yes, absolutely.
01:31Yeah, Jim.
01:31He also can type rope walk.
01:33I have a photograph of Jim when he was a youth,
01:38practicing the type rope walk.
01:40He showed me this photograph when we were filming in France,
01:43and I was like, I just love it.
01:46I'd love to have it in my home.
01:47And Michael got it for me as a surprise.
01:50But, yeah, he's a man of many talents.
01:54Gardener, type rope walker, magician, actor.
01:59Amazing actor.
02:00And Mr. Mosley says in this movie that an actor is nothing without a good script.
02:06The writers are the true stars.
02:09Do you agree with him?
02:10I agree with him.
02:11I think it all starts with the writing,
02:14and I think that's what Julian has done so brilliantly with the show for such a long time.
02:18and it really, that's the core of it, really.
02:21It starts there, and everything kind of blooms from then on.
02:24Yeah, if you don't have a good core product to start with,
02:28if the writing's not good, none of us look good.
02:31Lady Mary in this movie, she becomes an outcast,
02:35and they say that for her it won't be easy to be an outcast
02:39because she's always been the belle of the ball.
02:42Do you believe that nowadays being an outcast is almost something to be proud of or not?
02:50It's always difficult to be one.
02:52I think it's difficult for Mary to be one.
02:55and I think she's used to, like she says,
02:57she's, you know, or someone says in it,
02:58she's used to being the belle of the ball,
03:00and it was, you know, it's quite, you know, for us to read,
03:05it was, it was, it feels really dramatic, you know,
03:11as a kind of modern audience looking at the storyline,
03:13so we really had to lean into that.
03:16But she, you know, she has to navigate her way through it,
03:20and with the help of others around her,
03:22she comes out the other side of it,
03:23and then it's, you know, introduced back into society.
03:26And I was really moved by the relationship between Mary and his father,
03:32Lord Grantham, because he's so modern,
03:35he says that he won't go where his daughter isn't welcome.
03:40Even today, it's not something that comes so, so easy.
03:44So how important is, in your opinion,
03:46to you all being supported by our parents,
03:50and especially our fathers?
03:52Well, I've always loved that dynamic between them,
03:55and I think she's always wanted to please her father in many ways,
03:59and do good by him,
04:00and I think they reach a really good place by the end of the movie.
04:06You know, obviously people have very different relationships
04:09with their parents, so I can't speak for everybody else,
04:13but their relationship is a really interesting one,
04:16and I think by the end,
04:18he finally hands over the baton
04:20and proudly kind of lets her take over the reins,
04:24and I think it's a great ending for the two of them.
04:26And I love also that Isabel,
04:30she really subverts the status quo,
04:33because she lets Daisy and Carson
04:35to join the council for the party.
04:41So how important is it to you all
04:44really questioning the status quo even today?
04:47Yeah, I think that's it.
04:50Elizabeth's character, Cora, sorry,
04:52I should say, you know, she's the American,
04:54she's so much more modern than a lot of these characters,
04:57and that energy she brings to challenge the status quo
05:02and the kind of stuffy British aristocracy is so important,
05:08and I think it's what drives change,
05:12and I think, yeah, I think that is incredibly important,
05:14and we see it with these characters
05:16that that's where the change comes from.
05:21And do you believe that Daisy and Mr. Carson
05:23are a good advisor when we have to ask something practical?
05:29Because they're amazing,
05:30they subvert the council of the parties or the fair,
05:33so what do you think?
05:34They do a good job.
05:35I think they do a great job.
05:36Yeah, absolutely, yeah, and it's nice to see Daisy's...
05:41David, David, David, David, David, David, David, David, David.
05:46It's lovely to see Daisy's character from, you know,
05:50the beginning, just running around,
05:54lighting the fires in that very first shot
05:56of the first season ever, you know,
05:58the first ever shot of Downton,
06:00to holding her own with Mr. Carson
06:02and, you know, the Lord...
06:04Simon Russell Beard.
06:05...ladies at the town fair meeting.
06:09It's great to have seen her, you know, grow up.
06:12Yeah.
06:13And, you know, find her voice.
06:15Thank you so much.
06:16Thank you.
06:16This movie made me cry, so thank you so much.
06:19Good job.
06:20Thank you.
06:20Thank you.
06:21Bye.
06:22Bye.
06:25Bye.
06:27Bye.
06:41Bye.
06:42Grazie a tutti
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