00:00e magari non c'è solo una persona sulle a te
00:04a che pensi?
00:22I was talking with Pietro about the fact that even the city has no identity
00:30so all the characters are, let's say, confused
00:33so I was wondering how did you play characters that are not really defined in a way
00:41so how did you find the core to your characters?
00:45Well, it is part of the, you know, more and more when the film starts to have a life
00:53you start to think like, okay, this maybe wasn't thought of
00:57but at the same time it was instinctively put there
01:01and what I mean by that is that there is a kind of a, I'm going to exaggerate a little
01:06bit
01:06but there is a kind of a zombie-like feeling at the beginning of a city of life
01:11no, like, people are like kind of, you know, or sonambul, no
01:15I don't know how to say that, sleepwalking, no, sleepwalking
01:19like kind of very, you can say that society is a little bit like that right now
01:26yes, in a kind of like, okay, we're accepting these extremes to occur and happen
01:32and we still, you know, have to do this kind of
01:36it's like as if we were in a kind of a shock kind of moment, no
01:39and I think that that is a great starting point to wonder about the important things
01:46and definitely death forces you to put things in perspective, you know
01:54and so, yeah, that, but look, this is something that I hadn't thought of
02:00and even the way we shot the movie, I remember I was very confused during the shooting
02:06you know, really sometimes I didn't really know how it will look
02:12and maybe, maybe Pierrot did it in purpose, like unconsciously, you know, like thinking
02:20the world he's doing is confused, so maybe if the actors are confused, there's something very confused
02:27and sometimes I didn't know how to act and we try the scene different ways, so many times
02:35but like different ways is very different, it's not just a tone or it's like suddenly I was angry
02:41it was, I didn't know what to play sometimes, so it was really going through, in a way, different kind
02:49of characters also
02:50like it was not very defined, except in the society where I work and I'm, but even there, like, and
02:58even when I see the movie
02:59I feel that we are all confused, we don't even know what language we're talking like
03:04he talks in English, in Spanish, they talk in English, she's, it's like, it's confusing
03:10but, what, what's important is like, the bound, the boundary between the human being
03:16and that's very strong, and he wants to keep that, and she wants to keep that with his brother
03:21and it's very, very important, and all the characters, this old woman who wants to have his dog back
03:29and all, all, all the, the, the, the neighbors who have problems, I mean, who wants to live again
03:35with the people that just died, it's very, everything is very confusing and at the same time, very strong
03:42love is very strong
03:44I totally agree
03:45One last thing, do you think we live in a world where we kind of, sort of lost our identities
03:51as we want more and more every day to try and conform to the image of ourselves that we want
03:58to show people
03:59we think that people want to see of us
04:03Yes, unfortunately yes
04:05I, I mean, yeah, unfortunately, because it is like, I, I, like I, I really start to sound like a,
04:15like an old person
04:16like, every time, like, more and more, every day that happens
04:20but I, I'm really, like, ah, man, I, I hate the, the, the amount of image that we have, you
04:27know
04:28the, the use of the image that we have all the time and of what we expect from the other
04:32to, to think
04:33and, and how that plays and how that, ah, I mean, you, what you were mentioning right now, like, I,
04:39I, I, I, you know
04:40the, okay, this is an open pondering but the president of Argentina now, like, cloned his dog in order to
04:48have the dog alive, yes, exactly, yes, you know, so it's like, it's, what the fuck, what's happening, no? Like,
04:56it's just crazy, no?
04:57and, and so, yes, it is a, it is a strange moment, it is a, a very strange moment, eh,
05:04we can see the good things that we have now
05:08but at the same time, we must accept that there is something quite, like, in the midst of apocalypses that
05:14we're kind of living, no?
05:15Yeah.
05:15That is, that is, it's important to just, the radar to be out there and, and I, I must say
05:22from my personal experience, the most relieving moments are where I'm not with,
05:27with the, with the image and with the, with the telephone and with, like, any interaction with that, for me,
05:33it's like, like, I, I, I feel reborn for a long, for a while.
05:38Eh, I don't know, maybe it's because also, maybe because I'm also, I'm, I'm conscious about that and I'm looking
05:43at it.
05:44If I normalize it a bit more, then maybe I wouldn't be so, but right now I'm in a moment
05:48in my life where I'm, like, looking at that all the time, like, like, I'm seeing it everywhere, like, why,
05:53why, why, you know?
05:54I think the movie is also, it's also that we, we can't replace people, but, but accepting that they're gone
06:03can help us also to, I sound old too, but it's a movie about falling in love again also.
06:10You know, it's like accepting that you're gonna, not gonna replace, but you're gonna meet so many other things.
06:16Life is so full of many things, many people, many different characters and, and maybe there's just not one person
06:24on earth.
06:26I love that.
06:27Too much you.
06:29Grazie.
06:29Thank you so much.
06:30No, grazie a te.
06:31Thank you.
06:32Oh my god.
