00:05Come si cambia tutto il tempo
00:06perché c'è sempre questo scenario di doomsday,
00:10che si basa la notizia dell'artificio intelligenza,
00:14che è che se non possiamo controllare,
00:16non dovremmo creare,
00:20perché non dovremmo creare qualcosa che non possiamo controllare.
00:24Ma parte del film è di evoluzione,
00:28che è se creare qualcosa che è superiore,
00:32quindi dovremmo controllare,
00:33magari non dovremmo,
00:34magari dovremmo creare e quindi dovremmo fare la sua cosa,
00:36se è in fact superiore.
00:40Ma come humana,
00:41vogliamo controllare,
00:42tutti vogliono controllare loro,
00:44e a un certo senso per altri,
00:46oltremmo,
00:46oltremmo.
00:49Quindi,
00:50la balanza di questo allo stesso tempo,
00:52durante il film,
00:53e quando ero filmo,
00:54la balanza di questo allo stesso tempo in mio head.
00:57di questo.
00:58Sì,
00:59perché
01:01la cosa di una cosa di un'intera di un'intera,
01:04non vuoi creare una cosa,
01:07ma se è superiore,
01:09e magari è dovuto essere un'intera,
01:10ma ci sono sempre un'intera di un'intera di un'intera.
01:14i quali esattamente,
01:15con queste cose si sono in un'intera di un'intera di un'intera di un'intera di un'intera
01:19di un'intera di un'intera.
01:22I don't know still where I stand on it.
01:31No, and while we were filming...
01:35...all that stuff came out about...
01:38...people's search histories being forever...
01:41...and the way Google...
01:44...but you know the way your search results...
01:46...are based on your previous search results.
01:48And it creates a personality of you basically...
01:52...and then feeds it back to you.
01:53So when you search for something it will take into account...
01:56...everything else you've previously searched...
01:57...or clicked on and everything.
01:59It will present you with those things with your favours at the top...
02:02...of what it thinks will be your favours.
02:04So actually it's not just its own...
02:07...it doesn't just govern itself, it creates a version of you...
02:10...every time you search for something.
02:12Those things are really terrifying but also really handy...
02:15...if you write in the name of a local Indian restaurant...
02:19...if you write in just the name of the restaurant...
02:21...it will come up with your local restaurant...
02:23...as opposed to some place in India.
02:25You know, so it's handy.
02:26Yeah.
02:26But you don't know how much control you've given over.
02:28So it's...
02:30...yeah, it's complicated and I guess...
02:33...I've no idea, I've no idea where I am in all that sort of...
02:36...Alex is so much more clear on that stuff than I am, you know.
02:45I mean, these are the stories you tell when you talk about something too much maybe.
02:49But I got an email from Alex.
02:52We hadn't been in touch a lot.
02:54I had done Dread with him and Never Let Me Go...
02:56...which I was very proud to be in those two films.
03:00And then I got an email from him saying...
03:02...I've got something you may be interested in...
03:04...and sent to this and said, do you want to talk about it?
03:06Sent me the script.
03:08Adored.
03:09I mean, adored the script.
03:11Read it in one go and...
03:12Oh, I mean, like, I was doing a different job.
03:14You know, I probably shouldn't have been reading other projects...
03:17...and I thought I'll read a...
03:19...it's Alex, so I'm just...
03:21...you can't not read it.
03:22Couple pages.
03:22Yeah, no, and then you're just all night, you know.
03:25I mean, reading it a couple of times.
03:27And then I did get invited over to his house.
03:30Because I went over to do the audition tape.
03:32Because he said he wanted me to do it.
03:34But you have to get people to...
03:36Yeah.
03:37You know, all that stuff.
03:38And so in a way it was like Caleb going over to Nathan's, I think.
03:41You know, this person who you really admire.
03:43Who is at the very top of what they do.
03:46Of the thing that you do.
03:47Who's at the very top.
03:48And inviting you over.
03:49And it was kind of like winning that lottery.
03:51Going over and not knowing what you're letting yourself in for.
03:55And he...
03:56Everything was in the script.
03:57We talked plenty about it.
03:59Because the ideas are so huge.
04:01Yeah.
04:02But my...
04:04Everything I owe is to the character.
04:06You know, and to the film.
04:07And that was just so clear on the page.
04:09Once you get to the end of what you have to put into the beginning.
04:11I thought it was amazing.
04:13And so I was just dying to be a part of it, basically.
04:17It's amazing.
04:17Into the title.
04:17And so I've been telling you guys.
04:17And I will be telling you guys.
04:17And so we're going to end up.
04:18I know you guys.
04:19Let me tell you guys.
04:20And I'll find you guys.
04:21And we'll see you guys.
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