00:02The hover pack sequence was shot on the back lot of Warner Bros and although Steven wanted flying cops to
00:08be an element
00:09seems as if we had developed that quite late in the process and it's a real payoff I think of
00:15this very integrated system that we use throughout production
00:18which was Dave Lowry's fantastic storyboards and then having him work hand in hand with the previous artists Ron Frankel
00:25and his team
00:27and created this very dynamic way of having Steven really develop a fully animated sequence in PreViz
00:37it's one of those things that we really take for granted now but at that time it was one of
00:41the early full uses of PreViz as the technology of the pre-production process
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