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Videointervista a Dan Lemmon, supervisore degli effetti visivi della Weta Digital per L’alba del pianeta delle scimmie, prequel della popolare saga fantascientifica distribuito da Fox ambientato nella San Francisco dei giorni nostri. Lo spettacolare film è diretto da Rupert Wyatt con una magistrale interpretazione di Andy Serkis.
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00:05The big challenge for us for this film was to take the performance capture technology that we'd set up and
00:12pushed further on Avatar and condense it down into a smaller package that we could take onto a live action
00:21film set.
00:21For Avatar most of that performance capture was happening on a dedicated sound stage, a big hangar in Los Angeles.
00:29For Rise of the Planet of the Apes, we wanted to take that same technology and put it on a
00:34working movie set, so both in the stage and on location as well.
00:39So we needed to take our technology and sort of adapt it so that it could be used, basically so
00:44it would be more portable, but also so it could be used in sunlight and under the kind of hot
00:49lights of the movie set.
00:57How do you think the actor's making on the day, like Andy Serkis, the way that his face is moving,
01:05the pacing, the emotion that he's putting behind his performance, if we're doing our job correctly,
01:15we're translating that directly into the digital character, we're not embellishing on that at all, so our goal is basically
01:25to be like digital makeup for him and just kind of take what he's done and put it on a
01:31different character.
01:37I think that's one of the things, having just seen the film recently in its kind of complete entirety, I
01:43think it's one of the things that works really well is that you end up kind of rooting for the
01:48apes.
01:49You're essentially seeing that environment through their eyes and I think that's one of the kind of fun differences between
01:58it and the original Charlton Heston movie is that you're experiencing the human world through the ape's eyes as opposed
02:05to experiencing an ape world through a human's eyes.
02:13I hope they like the apes the most. I think that's, you know, certainly I've got a lot invested in
02:19that, but yeah, we, well I guess the thing that I hope that they walk away from the film with
02:26is the, you know, thinking that the apes, you know, that they were rooting for them, that they felt emotionally
02:35connected,
02:36and that they feel like they've, you know, experienced that movie through the eyes of the apes.
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