00:00Thank you for this movie. It's very entertaining. I found it very entertaining.
00:05And this is not your first adaptation because you work with comic books too.
00:12What is the element that makes you say this adaptation can be done? It will be a good movie.
00:20What was the element for Until Dawn and in general for the adaptation?
00:25I mean, to me, it's just sort of the script, you know, like I don't really think too much about whether it's an adaptation or not.
00:35So like with Until Dawn, I love that it was a chance to do all these different types of horrors in one movie.
00:45And I did like that they didn't try to just recreate the game because the game was already like a good movie.
00:53Like it's like a 10-hour movie that you get to be a part of.
00:57And I think it would be hard for a movie to sort of live up to what they did if you tried to recreate it.
01:04So instead, what Gary and Blair, the writers, did was to expand the universe, you know, so you get more Until Dawn rather than the same Until Dawn.
01:12So I was really on board with that.
01:14And, you know, so this was a chance for me to go all out with horror and do like practical effects and monsters and blood and everything in one movie.
01:26Yeah, you are very fond of the horror movies.
01:30For sure.
01:31Which is the thing that interests you most in the horror?
01:38Yeah, I mean, to me, it's just one of the most fun genres because you can do so much.
01:44And it's like hard for me to know, except because I've loved horror for so long, since I was so little.
01:50So it's hard for me to pinpoint exactly what made me.
01:53I think it started out with just being something forbidden and kind of dangerous, you know.
01:58And then I got hooked and I love how fun horror can be.
02:03And it can be sort of bleak and dark and depressing as well.
02:07But the movies I do tend to turn out more fun and sort of joyous and sort of reveling in the effects and the gore and things like that.
02:18Back to Until Dawn.
02:20During the movie, we discovered that fear and anxiety transform, turn people into monsters.
02:29Can it be considered a metaphor for today?
02:34I think so, for sure.
02:36I mean, I don't know how conscious it was, but I think that's a good point that it can be seen that way.
02:43And, you know, you have Clover who's sort of very depressed and caught in this sort of guilt and stuff about her sister and her learning that, you know, this whole thing about life means more, you know, when you only have one shot and like you have to take advantage of that.
03:03So there's some messages, you know, some sort of message in there.
03:08If you could go back in time, in the history of movie, who would you save?
03:14And I have an example for you.
03:16For me, if I could go back in time, I would save Artax, the white horse.
03:22Of course.
03:24That's a classic one, yeah.
03:26Who would you save?
03:27Who would I save?
03:30I have to think of someone who, I mean, Dewey in the Scream franchise.
03:36I was very sad to see him die.
03:38I say also Jack Dawson from Titanic.
03:43I don't know.
03:44It wouldn't have been as great of a love story if he lived.
03:47What were they?
03:48They were going to get married and then going to get arguing and going to get divorced.
03:52I mean, this way, it was a perfect memory.
03:55Okay, thank you very much.
03:58And thank you for this very entertaining movie.
04:01Well, thank you.
04:01It was great talking to you.
04:02Thank you.
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