- il y a 11 heures
Extrait du live Twitch du 27 février 2026, ou j'évoque le film "Hurlevent" de Emerald Fennell, avec Margot Robbie et Jacob Elordi.
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#Cinema #Film #Hollywood #Movie #Marvel #Popculture #Analyse #Comics #Review
N'hésitez pas à vous abonner et à partager cette vidéo si elle vous a plu.
Vous pouvez également soutenir mon travail via les liens suivants :
Tipeee : https://fr.tipeee.com/reservoir-vlog
Et me suivre sur les réseaux sociaux :
Facebook : https://m.facebook.com/reservoirvlog
Twitter : https://twitter.com/reservoirvlog
Instagram : https://www.instagram.com/johnny.barthe/
Tik Tok : https://www.tiktok.com/@johnnybarthe
Spotify : https://open.spotify.com/show/6gVyuXZdPXB3TCTpjdUS9s?si=e9da1337f928463f
#Cinema #Film #Hollywood #Movie #Marvel #Popculture #Analyse #Comics #Review
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Court métrageTranscription
00:00We're going to talk about Wuthering Heights, a film starring Margot Robbie and Jacob Elordi, an adaptation of the book of the same name.
00:07I think so, more or less, so I don't know the book at all, I confess I went to see
00:09The film, without knowing anything about the story of the original book, I didn't even see the
00:16trailers, so to tell you that I really went there, without a second thought, I don't know if it
00:20'That's the correct expression, but you understand.
00:21Oh yeah, really blind, but I often go now, I go to see movies completely blind.
00:25Here we're going to talk about Stormwind, later we'll talk about Marty Supreme, yet there is
00:29I heard about Marty Supreme, well, same here, I went to see it without having seen anything beforehand.
00:33I saw a bit of the PR campaign going on, the jackets and all that, but I didn't see any of the bands
00:36There's no announcement at all, and I don't really watch them anymore, or rather, I was going to say I don't really watch the trailers anymore.
00:41We just came to watch one, so it's a bit silly, but there are films where I watch
00:44Not the trailers, where I think to myself, "Okay, go for it, that's how I got into it."
00:47to have with Sinners for example, I had absolutely no idea what Sinners was about when I went there
00:50see,
00:50So I really fell for this whole vampire thing, it was all, I totally
00:54I discovered it at the cinema, basically. So anyway, all this to say that I still started off on the right foot.
00:58Because when you go to see a movie without any expectations, well, that's good.
01:03You arrive somewhat neutral.
01:03Well, it has to be said that Stormwind isn't exactly extraordinary either; I don't think it's a
01:07Bad film, there are some superb things in the film, the sets, the cinematography, that's
01:13truly extraordinary.
01:14I mean, this is a real feast for the eyes, the introduction of the main set design, it
01:22'that is to say, the Hurlevent house, I think that's the name of the house, or the district'
01:27'I don't know,'
01:27But anyway, this sort of black house that's embedded in the rock, when I saw it in
01:34During the film's intro, I thought, "Damn, this is incredible."
01:36Here, there's a real effort put into the set design, and what's interesting is...
01:41The film doesn't necessarily try to adhere to a specific era.
01:43because he's going to go down the rut towards, maybe not the fantastic, but we're still on
01:49I find the sets to have a very unreal quality.
01:52It looks fantastic without actually being so, I mean this house built into the rock, or this sort of
01:57giant dollhouse,
01:58at one point in the film, there are rooms that are equally decorated in a
02:04They're all weird, each one more so than the last.
02:06with red walls, these sort of chimneys with hands, all that, so there's real work involved.
02:11I find, based on the film's sets,
02:13And it's quite extraordinary, the photo is also very beautiful, there are some very beautiful shots, so there you go.
02:18at least in terms of photos and art direction,
02:20The costumes and sets are beautiful, frankly, there's nothing to say, it's really worth it.
02:25cinema seat,
02:26It's really a film you should see in theaters, it's a very beautiful film, I saw it when
02:29to even say that it was 50 shades of gray in the 1930s,
02:32They must not have seen the same film, because even 50 Shades of Grey seems rather tame to me.
02:39in terms of, how to put it,
02:43Erotically speaking, let's say, it's still pretty tame now, we're not going to see a porn film, are we?
02:47more,
02:49But Fifty Shades of Grey had, it's crazy that I'm still going to say that and defend Fifty Shades of Grey,
02:53But 50 Shades of Grey at least had the merit of bringing a little bit of chemistry between the two characters.
02:58So, between this couple, while indeed, as Robin says, I find that the couple doesn't work
03:03Alright,
03:04I really like Margot Robbie, I love Jacob Elordi, I love the direction this is taking
03:09actor,
03:09And the career choices he makes, I really think he's a great actor.
03:13He's superb in Frankenstein, he's superb in Euphoria, there too, frankly he's a future great, that's for sure.
03:18That's for sure.
03:18He's going to make a string of good films, but I don't know, it doesn't work out in between.
03:21There's an initial part where they are children, where I think it works very well.
03:26And it's very good that this first part has been put in place.
03:28because we're really going to try to establish and understand the affection that the two have.
03:36characters,
03:38We're going to try to establish, or at least attempt to establish, this chemistry between the two characters.
03:42But the problem is that we go from being children to adults, and there isn't really any
03:47understanding between brother and sister
03:49And suddenly, we literally desire each other sexually, you know?
03:54Perhaps it would have been better to introduce something more concrete, such as a transition to adolescence.
03:59where the two discover each other, discover their bodies, etc.
04:02I mean, Jacob Elordi, the character Jacob Elordi, he's a guy who's never known anything,
04:06who has never seen anything, and I find him very, how to say, uninhibited in that respect.
04:13He actually seems very self-assured, when he should be extremely shy and very withdrawn.
04:19So it seems a bit strange actually as a story in relation to the development of the two characters.
04:26Indeed, the story is frustrating, because there is indeed this problem with alchemy.
04:33Something doesn't seem to work between the two, I think.
04:35But it's not necessarily because of both of them, it's not necessarily because of the actors.
04:39It will also be due to history; there are many things that have been left unsaid.
04:43Generally, there will be a time jump of a few years in the life of Jacob Elordi's character.
04:48But we're not really going to know what happened, and I think that's a bit of a shame.
04:52Because we, as viewers, are waiting for that kind of answer.
04:56Hey, he's been gone for X amount of time, he's back, he's come back a little bit transformed.
05:01Well, what happened? We'll never know in the end.
05:04So that's not really the point of the film.
05:06But I think that could have actually supported the film's message.
05:10since we could have added a little bit of, how to say, substance to the character,
05:16and try to understand what he had done during those years of wandering,
05:19to better understand his return, and try to see why he came back,
05:23Well, he leaves, he comes back, to kind of justify the fact that Margot Robbie,
05:27Finally, Margot Robbie's character has to stay with her husband for X years.
05:30And that doesn't really work; I think the staging doesn't either.
05:33It's sometimes a bit too music-video-like; there are a lot of musical moments in the film.
05:39with many slow-motion sequences, where the story will essentially stop,
05:42to show us a 3-minute music video, and this will happen several times in the film.
05:46I think,
05:46And I think that really broke the momentum of the story a little bit.
05:49I really found that a shame, even though the soundtrack is quite decent, for once.
05:53But it slightly disrupted the dynamic of the god.
05:56I find that, rather than highlighting the chemistry between the two characters,
06:00to make them confront each other more than that, because in the end they don't confront each other that much,
06:05Well, we're going to try to put them in a bit of a confrontation.
06:09But in fact, before the confrontation, we didn't have enough, how to say,
06:13intimate moments between the two,
06:15There's going to be a kind of mash-up of slightly erotic scenes,
06:19to say, hey, look, it's a little bit scandalous,
06:21We made a 5-minute video clip, where over 5 or 6 time intervals,
06:26They're going to make love together, fine, very well, but that's not necessarily what they're looking for.
06:30I mean, sexual tension, erotic tension,
06:34It can be done without any sex scenes at all, ultimately.
06:36It could be a moment, it could be a look,
06:39It can be, well, it can be staged in many different ways.
06:42So that's not really what's interesting, I think.
06:44And it's a shame to have relied a little too heavily on that thing.
06:47to go down the controversial side,
06:49and obviously sell the film as 50 Shades of Grey,
06:52from the 1930s, or something like that,
06:54No, actually, it's not a bad film.
06:57Because, well, well, it's obvious, I haven't read the book.
07:00But I imagine the director is still straying from the adaptation.
07:03Without having read the book, I feel that many things are missing.
07:05Now it's not a big deal, again,
07:06A book can be adapted unfaithfully,
07:09and prioritize a visual, sensory experience,
07:13as he did here,
07:14since we're going to be working a lot there,
07:16As I was saying, the photo, the lighting, the sets,
07:18But despite everything, well, I had trouble connecting with these characters.
07:22They went a little bit over it,
07:25I was quite captivated by the visual beauty of the film.
07:30also thanks to the visual beauty of Margot Robbie and Jacob Elordi,
07:33who are both absolutely gorgeous,
07:35Finally, they are two wonders of nature,
07:38Those two, it's quite incredible, actually.
07:40So, it's very beautiful to see.
07:42That's it, but in terms of storytelling,
07:44It didn't affect me as much now.
07:46I don't think it's a bad film.
07:47It's still a nice film.
07:48I wasn't disappointed either.
07:50Because I wasn't expecting anything, obviously.
07:51but I wasn't totally blown away either, you know.
07:54I can't see Jacob Elordi.
07:55apart from his role in Euphoria,
07:57Well, you absolutely have to see Frankenstein, for once.
08:00because in Frankenstein,
08:02So, he plays Frankenstein's monster.
08:04And it is quite captivating, actually.
08:06in this very gentle aspect,
08:08Paradoxically, given that it's Frankenstein's monster,
08:10However, he displays an incredibly gentle nature.
08:13with an almost insane level of empathy,
08:14And I think that breaks things.
08:15that role, precisely, breaks the mold.
08:17this role of Euphoria,
08:19even though, indeed,
08:19He will reprise a role similar to his role in Euphoria.
08:22that's to say,
08:23Well, the jerk, basically, that's it.
08:25It's not...
08:26She said it's more of a reinterpretation
08:28rather than an adaptation.
08:29Yes, well, I figured as much.
08:30But that, in a way, why not?
08:31That's up to each individual to choose an existing narrative.
08:33and to do with it what he wants,
08:34as long as things are respected,
08:38But anyway, well, in any case,
08:39It's quite a shame, I think.
08:40because it had a great cast,
08:42There was a beautiful art direction,
08:44But the story, I find,
08:46Well, that would have been deserved...
08:46And yet, it's a long time, isn't it?
08:47It lasts a little over two hours.
08:49But it deserved to be filmed differently.
08:51Anyway, well, there you have it.
08:53In any case, howls the wind,
08:54Go ahead, despite everything.
08:55In any case, I'll never tell you
08:56not going to the cinema,
08:57You need to form your own opinion.
08:59Once again,
09:00but I find that visually,
09:01It's still worth going to the cinema.
09:02In this instance, afterwards,
09:03As for the rest,
09:04you will not necessarily pass
09:05a bad time
09:06but there are certain things
09:07which will make you raise an eyebrow,
09:08In any case, for me,
09:09That's what happened to me.
09:09So that's why the wind howls.
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