Les BLOCKBUSTERS en 2025

Johnny B

Rediffusion du live du jeudi 18 décembre 2025  N'hésitez pas à vous abonner et à partager cette vidéo si elle vous a plu.  Vous pouvez également soutenir mon travail via les liens suivants :  Tipeee : https://fr.tipeee.com/reservoir-vlog   Et me suivre sur les réseaux sociaux :  Facebook : https://m.facebook.com/reservoirvlog   Twitter : https://twitter.com/reservoirvlog   Instagram : https://www.instagram.com/johnny.barthe/   Tik Tok : https://www.tiktok.com/@johnnybarthe  Spotify : https://open.spotify.com/show/6gVyuXZdPXB3TCTpjdUS9s?si=e9da1337f928463f  #Cinema #Film #Hollywood #Movie #Marvel #Popculture #Analyse #Comics #Review

Transcript

00:00I would particularly like to focus on blockbusters; I would like us to talk about the blockbusters that have been released this year.

00:04Because there are quite a few different things, so you're going to tell me, yeah, he's starting with blockbusters,

00:09It's easy, but not that easy, because in fact, strangely enough, in what came out in terms

00:14This year's blockbusters are very eclectic; there are a lot of different things, and that's interesting, because

00:20I find it interesting to focus the cinema of 2025 on the blockbusters that have already been released, so I'm going to

00:26Let's talk about that instead.

00:27Then, of course, if you have any films you'd like to mention, or if you prefer, you have a court

00:32Film criticism to talk about, all that, you can obviously send me a message on the live stream, and I'll...

00:37I will read it with pleasure.

00:38I saw 35 films in 2025, oh yes that's a lot, well I saw far fewer.

00:41I've seen about ten of them, no more, well, films, I've seen 200 films this

00:47year, but of the films released in 2025, I've seen about ten.

00:49I think this year's blockbusters have flopped. So, we're going to talk about that, and I'd like to start

00:55by talking about 3 blockbusters that were the 3 big releases of,

00:59Finally, at least, these are the summer releases in terms of franchises, and we're going to display them all at the same time.

01:03Back then, it was Jurassic World, Fantastic Four, and Superman.

01:07So there was also F1, all that, but we'll get there, but right now we're really on

01:10the 3 films, the 3 franchise blockbusters that came out this summer.

01:13So we have a Jurassic World film, which is the 7th one, I think, we have a film from the MCU, so

01:18Fantastic Four, and we have a DC movie that's supposed to be the start of a new expanded universe,

01:24The DCU, therefore, led by James Gunn, who is Superman, therefore.

01:27We'll start with... So I took some notes, obviously, so I wouldn't say anything stupid, right?

01:33more.

01:33We'll start with Jurassic World, quickly, we'll talk about all three a little bit at the same time, but I

01:37I will still talk a little about the films one after the other.

01:39Um... What I did like about Jurassic World, so for me, overall, Jurassic World is the least bad one.

01:44of the 3.

01:44So there you have it, if you'd like my overall opinion on the three I've shown you here,

01:48Jurassic World, for me, is the least bad of the 3.

01:49For many reasons. First, I think there's Gareth Edwards behind the camera, and then there's Gareth Edwards, who

01:54is the director of Rogue One, Godzilla 2015, and...

01:58Damn... What the hell did that idiot accomplish?

02:00Um... The movie with... With Washington's son, I've forgotten the name, but he's great too.

02:05Which is, moreover, a blockbuster completely isolated from current franchises.

02:09And I think he really manages to stage the bestiary well, it's quite spectacular.

02:13There are... There are some beautiful moments in the film, I think.

02:17Um... He really manages to make animals iconic, the... There's a scene with the T-Rex, it's

02:21A boat that's great.

02:22There's also a scene with another sinking boat, which is well done.

02:26Um... There are quite a few things, I think, that are... That are good in the film. The casting

02:29is of high quality.

02:30Scarlett Johansson, Marshal Ali, for example, who... Who... Who... Who play their character wonderfully.

02:35The Creator, exactly. Good point.

02:37Jurassic World isn't crazy. Well, not crazy. Objectively, not crazy.

02:40But if I compare it to the other two, actually, I find it to be the least bad of the three.

02:43And I think he actually has some things to contribute.

02:45Um... Let's just say that overall, the film is average.

02:49Um... The film doesn't take any risks.

02:50It is harmless, it is very uneven.

02:53And it's very uneven, precisely because it brings scenes that are quite spectacular, I think, by

02:57moment.

02:57And besides that, he's going to bring in some horrible things, I mean, uh... Certain character developments,

03:02Um... The overall decor looks extremely fake, in my opinion.

03:05There is... We can't find... I don't think we can really find the... The... Really the danger of

03:09the forest.

03:10That is to say, everything looks like, it's like a forest in King Kong, you know.

03:12The scenery, the tall grass, everything looks incredibly fake.

03:15The mountains look incredibly fake, and that's a shame.

03:18Um... But there are still some good qualities to the film, as I mentioned earlier.

03:21There is... There is the soundtrack which, for me, is the film's greatest strength.

03:25So, obviously, the soundtrack is... It's a cover of a John Williams song.

03:29So, obviously it's easy, but then, when he looks again at the species of... of... of... long-necked dinosaurs,

03:34there, the...

03:36The herbivores in the tall grass where he blasts John Williams' mega music.

03:40Of course, in the movies, it takes a bit of effort, you know? You're there, thinking, "Okay, this works."

03:44"

03:44So, in fact, the film, as it stands, is... Indeed, it is... Average. That's clear.

03:50But, frankly, for what he is and for what he... What he's selling us, I find that

03:55'At least he's not... He's not dishonest, that's all.

03:58He gives us what we came to see and... And that suits me very well, for us.

04:03Of course he will... There is only one film that has revolutionized the blockbuster, and that is Jurassic Park.

04:07It's impossible for another episode of this franchise to do that. It's inconceivable.

04:12So, compared to what the franchise is today, I don't think the film is...

04:16Horrible.

04:17Yes, Diplodocus, yes.

04:19All the dinosaur names, go ahead, if you have that...

04:23If you have that kind of knowledge, feel free to share it in the chat and give me all your insights.

04:27Dinosaur names, of course.

04:28You are welcome.

04:29So, what are your thoughts on Jurassic Park?

04:31Finally, Jurassic World, obviously.

04:33Renaissance.

04:34Personally, I didn't like Jurassic World; I found it flat and soulless.

04:38Yeah, it's flat. It's definitely flat.

04:40Soulless, I wouldn't say that, because there's still a desire, after all, from Garrett Edwards, yet another one

04:43times,

04:44to seek out a staging of certain moments that is somewhat original.

04:49I mean, for me, frankly, the T-Rex scene with the inflatable boat, for me, in that instance, it

04:53It really got me hooked, you know?

04:54I thought it was really well done.

04:55And there are little moments like that, interesting little moments in the film,

04:59and unfortunately, they are left out of the story, and that's a shame.

05:03But there are still some moments worth saving, I think, in the film.

05:05My biggest blockbuster crush is Thunderbolt, because the film made me feel so good.

05:10It deals with loneliness, and as someone who experiences loneliness, I have many friends, but I've lost my

05:14grandfather.

05:14I don't have many friends, I lost my grandfather.

05:16Even though the film has 100,000 flaws, it's the film that moved me the most, that...

05:18'It gave me a little hope and did me good.

05:21Listen, it's really great to read, honestly.

05:25If you've reached that point, that's great.

05:27I haven't seen Thunderbolt yet, I confess, so it's on my list, but I haven't seen it yet.

05:31the film.

05:32But if it touched you to that extent, that's the main thing, and that's what the film is about.

05:36'belongs for what it is, and that's the main thing, obviously.

05:39Of the three, my favorite is Fantastic Four.

05:41Okay, we'll get to the Fantastic Four, that's the next one.

05:45Good evening, I really enjoyed it...

05:46Hi, Captain!

05:47Good evening, I really enjoyed the film, because I thought it was a dinosaur movie, and not

05:52a Jurassic Park.

05:53The absence of excessive fanservice is also a factor to consider.

05:55There's quite a bit of fanservice, let's not kid ourselves, especially with John Williams' music.

05:59Already.

05:59But yes, it's true that overall, we're not dealing with stupid easter eggs.

06:02But anyway, it's still very much about fanservice.

06:06That's something we can't remove, but...

06:09And let's just say he's less of a whore, then.

06:11The story isn't great, but Scarlett doesn't act very well in it either.

06:13Oh yeah?

06:14Oh, she didn't shock me that much, actually.

06:17I find her much more convincing than in Black Widow, for example, where it's supposed to be her character, you know.

06:21Visually, Jurassic Park Renaissance is great, generous and grandiose, but the storylines are not terrible.

06:25Yeah, that's it, absolutely, that's pretty much it.

06:27So, I wouldn't go so far as to call it visually grandiose, but it does bring some interesting things to the table at times, you know.

06:31But now, let's move on to the Fantastic Four.

06:33So, Fantastic Four is another film that came out around the same time.

06:37And in this instance, the film left me a little more unmoved.

06:41However, visually, it is still appealing with its very 60s aesthetic.

06:47There's something that makes the film stand out visually.

06:49That's something we can't take away from him.

06:51That's really interesting from that perspective.

06:53And that sets it apart from other MCU films, even though we still have that awful color grading here.

06:57where I always have the impression that there is a white filter on it.

06:59There's more contrast in the MCU movies, it's ridiculous.

07:02The only MCU film, well, the most recent MCU film, where there's a bit of

07:05contrast,

07:05It's The Eternals.

07:07And again, sometimes it's not even worth it.

07:09But yeah, the Fantastic Four,

07:13quickly, to get to the point quickly,

07:14I find that visually, indeed, there is a retro aspect that is very pleasing.

07:19But the action scenes are also interesting.

07:21I think that bringing in Galactus as the main villain,

07:24Visually, it does bring something to the table.

07:26When he finally arrives in Manhattan and everything, it's still pretty impressive.

07:29even if it needs to be seen in the right conditions in IMAX, all that.

07:32But, in this case, I think it brings something visually different.

07:35And that's pretty cool, even if the character is a bit dim in the film.

07:38But afterwards, the film is too predictable in many aspects.

07:41I think this whole story about the baby is a bit far-fetched.

07:45I don't think the team is great...

07:48Well, I don't know, I don't really like the cast.

07:50I like the casting independently,

07:51but I find that together, it doesn't really work.

07:54Pedro Pascal, I must confess that, for me,

07:56However, I love Pedro Pascal, but in this case,

07:58In that role, they are completely off the mark, I think.

08:01It doesn't fit the character at all.

08:03It doesn't work at all.

08:04I don't think there's much chemistry in that group.

08:07I think that's a bit of a shame.

08:08And, paradoxically, it's perhaps the very 60s decor

08:12And at the same time, that makes the whole universe feel a bit fake.

08:15which perhaps makes us believe it a little less.

08:18But, yeah, so there's this thing that works less.

08:21And then there's this story which is, indeed, once again,

08:23very predictable and, in fact, everything was decided in advance

08:27And that's when I thought, well yeah, that's what's going to happen.

08:29That's going to happen after 20 minutes of the movie, right?

08:32So, there's really nothing at stake.

08:33It's quite flat.

08:34It's all pretty predictable, in the end.

08:37This is an episode of the MCU.

08:39This is an episode from the MCU's big series.

08:42And it delivers what it's supposed to deliver.

08:44So, in this case, there's no surprise.

08:45But I thought, well, why not?

08:47It's been a long time since I've been able to go see a Marvel movie in the cinema.

08:49And, ultimately, he's no better than the others, really.

08:51I agree, for once.

08:52But I'm curious to hear your opinion on Fantastic Four.

08:54I know that it was still quite popular with a lot of people, for once.

08:57I saw Fantastic Four in IMAX 3D.

09:00It was really cool, especially.

09:01It works very well with Galactus.

09:02No, but yeah, honestly.

09:03But, in fact, that's it, in fact.

09:04You see, you summed it up very well in words.

09:07It's a lovely show to see at the cinema.

09:11in a kind of approach of...

09:14How to put it?

09:15From a funfair, an attraction.

09:17It's an attraction, the Fantastic Four.

09:18We're going to see Fantastic Four like we're going to pay for a ride.

09:21We go in 4DX, we go in IMAX.

09:23We're going to experience something that goes boom!

09:26But that's where it ends.

09:27And for what it is, it's not bad, of course.

09:29But it's missing something to make it a little bit more.

09:32Good evening, Johnny.

09:32Good evening, cat.

09:34Disappointment for the Fantastic Four, much to my regret.

09:36Thunderbolt was superior for me.

09:38I agree with you about the casting, it's a failure.

09:40Well, Thunderbolt, I need to see it.

09:41So, I didn't see that.

09:42I'd have to see that one.

09:43But...

09:43I don't like Pedro Pascal either.

09:46He's doing too much of a Pedro Pascal impression.

09:47There's nothing Red Richards about it.

09:48Yeah, absolutely.

09:49Actually, I found Pedro Pascal a bit lacking in The Last of Us.

09:55I felt it didn't quite fit the character.

09:56I thought to myself, okay, it might work,

09:59because he still looks pretty good in season 2.

10:01It works very well, actually.

10:02But here, in Red Richards, yeah, it doesn't work at all, I think.

10:06Do you think the MCU is definitely dead?

10:07No, no, I don't think he's dead, because in fact, there's a...

10:10In fact, I think he's dead to my generation.

10:12that is to say, people in their thirties who, in fact, experienced the MCU in 2008.

10:17And me, in 2008, I was just a kid.

10:19So, I saw Iron Man.

10:20And so, I started watching the MCU on my back.

10:23And for me, the perfect ending was Endgame.

10:25It ended very well, with the death of the character who started that arc.

10:30And in fact, after Endgame, I naturally lost all interest.

10:33unintentionally, to the MCU film.

10:34Because, in fact, when a film came out, I thought to myself,

10:36He doesn't interest me, he doesn't interest me, that doesn't interest me.

10:40But in fact, the new generation has taken over.

10:42So, kids aged 19, 18, 19, 20, even younger, even teenagers,

10:47have taken over and are fully committed to this new MCU arc.

10:51So, the multiverse, with Spider-Man, with Avengers Doomsday, with all that stuff.

10:56And I see them, there, there, there is the...

10:58It makes me laugh when I see teenagers saying,

11:02I'm going to pay for my Avatar 3 ticket just to go see the Avengers Doomsday trailer and leave.

11:07While for me it's absurd, because it's a James Cameron film,

11:09And a James Cameron film is an event.

11:10You didn't just walk out of a James Cameron movie, actually.

11:12For me, Avatar 3 is supposed to be much more anticipated.

11:18and it is much more innovative in terms of creativity,

11:22that Avenger Doomsday, in my opinion, without having seen it, but I already know it, you know.

11:27So, Avengers Doomsday will have to meet a set of specifications, we know that.

11:30And that will be very good, I think.

11:31We're going to see it at the cinema, I'll go see it at the cinema.

11:33And I think it's going to be really cool.

11:34but in fact, he will adopt a nostalgic perspective

11:37who will actually go and bring...

11:39He's going to bring back some characters, we already know that.

11:41He will connect the character of Iron Man with the character of Doomsday.

11:45because it's the... Well, of Doom,

11:46because it's the same actor who plays it, so Robert Downey Jr.

11:50So, we already know roughly what's going to happen.

11:52There will be some fake cliffhangers, a little bit, to tease us about what's coming next.

11:55But now, really, this is starting to speak to comic book fans.

11:57So, actually, I'm not putting it down.

11:58It's just that, in its current state, it no longer resonates with me.

12:01I'm no longer the target, and...

12:03And it's the same for Superman.

12:04We're not just talking about the MCU Superman here, by James Gunn.

12:06We'll talk about it, but it's the same thing, actually.

12:07When I went to see him, I thought to myself,

12:08Well, you're too old for this nonsense, that's all.

12:10It's over, it's...

12:11It's not really your thing anymore, because, in fact, you've moved on to something else, you know?

12:20The character of Johnny Storm is less bland and more intelligent

12:22compared to Chris Evans' version.

12:24On that point, I agree.

12:25There has been a real evolution in the character of Johnny,

12:27which is still much better

12:29that on the character played by Chris Evans,

12:32even though it still retains a certain charm

12:35from the early 2000s, let's say,

12:37But it's true that this one, in this instance, is much better executed.

12:39Much more intelligent, he reports things.

12:41So that, in this case, is good.

12:42For me, he's the best character, by the way.

12:43Johnny's character in the film is the best character.

12:46But I feel that the film puts us on certain aspects

12:49compared to the trailers,

12:50This highlights certain aspects compared to the trailer.

12:52and to the second post-credits scene of Thunderbolt.

12:54Yes, because in fact, you should know that everyone

12:56is currently raving about the Avengers Doomsday teasers,

12:59But be aware that what you're going to see in the Avengers Doomsday teasers,

13:03It's hard to say.

13:04Half of what you're going to see won't even be in the movie.

13:06And you're watching the Spider-Man teaser,

13:10the teaser for Avengers: Infinity War and Endgame,

13:13Half of the scenes are not in the film.

13:15So, in any case, you're going to see something

13:16which you won't see in the film, so...

13:17It's not even a teaser at this point.

13:19Yeah, the retro-futurism thing is really cool, like I was saying.

13:22The retro-futuristic aspect is very well done in the film.

13:25That's really cool.

13:26I'm a big Marvel fan,

13:28We finally got Galactus respected.

13:30You feel respect for the authors Stanley, Jack Kirby,

13:33I think that visually, it's the prettiest of the two between Superman and Jurassic World.

13:37It's good entertainment, a good movie, for me.

13:40It's still better than Captain America, but nowhere near Thunderbolt.

13:43Okay, well I haven't seen Captain America.

13:45To tell you the truth, the MCU is actually complicated.

13:47Because I haven't seen all those films.

13:49Yes, the last one, Captain America, of course.

13:50because the first one is a great movie.

13:52I saw Fantastic Four in IMAX 3D,

13:54It's worth it visually for this format.

13:56and Galactus physically imposes his presence on the planet...

13:58Yeah, no, of course, in IMAX it's great, yes, of course.

14:01By the way, do you want to know if there was a teaser for Avengers Doomsday?

14:03during the Avatar 3 screening?

14:04I think so, but you can always confirm.

14:06Whether he was there or not, of course,

14:08If anyone is interested.

14:09To be honest, I don't really care.

14:10But you can tell us, indeed.

14:13Avengers: Doomsday is going to be a great theatrical experience.

14:16But cinematically, we're going to be very far from Avatar.

14:18Oh no, but of course, Avatar is...

14:20We're on another level, I think.

14:23Even if only visually.

14:24Even though, apparently, Marvel, today,

14:27returns to this very... aspect

14:29Finally, they return to this...

14:33In this desire to film in natural settings.

14:37We can see it in the images from the filming of Spider-Man: Brain New Day, there.

14:41where he's going to film in the city, all that, in Scotland.

14:43So, it's a bit of a PR stunt, of course.

14:44And apparently, Avengers Doomsday, we're also working on that thing.

14:47where the green screen backgrounds are somewhat toned down,

14:49where we come back to something, how to say,

14:50more realistic in the sets.

14:52So, all the better, it's to their credit, right?

14:53So, maybe that can give us something

14:54much more visually elaborate

14:55But again, you can use whatever real scenery you want.

14:57If you have a guy who doesn't know how to surprise the film,

14:59If you have a crappy camera,

15:01Well, it's complicated, you know.

15:01What we want is contrast, that's all.

15:03That's what I say in the Spider-Man video.

15:04We want contrast.

15:06There you go, we want some color.

15:07We don't want bland stuff.

15:08like in Superman, for example.

15:09How can one not be pessimistic in the face of this wave of films

15:11which are, in fact, just episodes of TV series on the big screen?

15:14Yes, absolutely.

15:14Well, yes, well...

15:22It is...

15:23We must follow.

15:23You don't always want to follow, you know.

15:25Anyway, let's move on to Superman now.

15:27And so, Superman,

15:28We're getting into the same mindset, right?

15:30That is to say, well,

15:31Me, I don't have...

15:32In fact, quite simply...

15:33I'm not saying the film is bad,

15:34But I simply didn't agree.

15:36to the proposal of that particular Superman.

15:38I'm a big fan of the Superman from...

15:41Well, by Richard Donner, for starters.

15:42which is a great movie.

15:43From '78, I think.

15:46Starring Marlon Brando,

15:47Christopher Reeves,

15:48There,

15:49all these legendary actors.

15:51I really love Man of Steel by...

15:55Of...

15:55Damn, what's that idiot Snyder's name?

15:57I think he really knows how to convey what Superman is all about.

16:00What he is as a human being,

16:01as a superhero,

16:03as a deity,

16:04as a symbol,

16:05I think he brings it up really well in Man of Steel.

16:07It follows this pattern.

16:09whether it's in Batman v Superman

16:11and in the extended version of Justice League.

16:13The music of Hans Zimmer,

16:16questions about identity,

16:18everything that ultimately leads to

16:20Superman's father,

16:21who is played by Kevin Costner,

16:22is fabulous.

16:23Personally, I think Man of Steel

16:24is one of the best superhero movies.

16:26So, as a result,

16:26like that Superman,

16:27he takes the opposite total

16:29of what Man of Steel is,

16:30necessarily,

16:31It's difficult for me to get on board with this.

16:33Simply because,

16:34In my opinion,

16:35the Superman who is depicted

16:36in James Gunn's film,

16:37He's not my Superman, actually.

16:38Quite simply,

16:38we're onto something

16:39equally academic.

16:41In other words, we're talking about a blockbuster.

16:43which was commissioned by a studio,

16:44all of that,

16:45But despite everything,

16:46I find that in Superman

16:48by Snyder

16:49there is more heart

16:50and above all

16:51There is more visual work involved.

16:52I mean,

16:52It was shot on film.

16:53There are real sets,

16:55there is a real...

16:55Watch the making of Man of Steel.

16:57Frankly,

16:58This is a film.

16:59about what it is supposed to be,

17:00In the strictest sense, that is.

17:02Visually,

17:02Superman,

17:03It's pretty disgusting, really.

17:04And I saw recently

17:05the Supergirl trailer,

17:07And we're starting from the same point, basically.

17:09And that's what I'm talking about.

17:10in my latest video

17:11about Spider-Man,

17:11on YouTube.

17:13That's because we have movies

17:14which no longer resemble films, anyway.

17:16Flat films,

17:17which are not calibrated,

17:18which are filmed against a green screen,

17:19where there is no contrast,

17:20where there is no color,

17:21where it's bland,

17:22where you always

17:22this kind of horizon

17:24with a sunset

17:25which makes the whole thing look fake.

17:27That's disgusting, you know.

17:28And then, Superman...

17:30visually,

17:30It's horrible, that's all.

17:31I was in the room

17:32And I was there,

17:32But it's ugly.

17:37Frankly,

17:38I didn't go in

17:39just one second.

17:40The character,

17:41I found it.

17:42bordering on unpleasant, really.

17:43of Superman.

17:44I mean,

17:44It's Superman.

17:45So, make it a human

17:46and take the opposite approach

17:47of what Snyder did,

17:49That makes sense.

17:50Obviously,

17:50you're not going to tell

17:51The same story.

17:52So, the fact that he takes

17:53the opposite of what Snyder did

17:54to bring back the side

17:55more human of the character,

17:56even though I think Snyder

17:57already brought back

17:58the very human side

17:59of the character,

17:59with doubts.

18:00The guy goes to church,

18:01he wonders,

18:02that thingamajig.

18:07That is to say,

18:07already, it is happening...

18:08Ah, that's the cliché.

18:09that everyone said,

18:10But despite everything,

18:10That's the truth.

18:11That is to say, we have Superman

18:12who gets his face smashed in

18:14for two hours of film.

18:15And that's good, actually.

18:16that Superman appears weaker

18:18in quite a few respects

18:19because that means

18:20that one can become attached to him,

18:21that we can fear for him,

18:23So that's good.

18:24The problem is that here,

18:24he's getting a little too carried away

18:25to kick someone's ass.

18:26So, in fact,

18:26We are here.

18:27It really is him

18:28DC's strongest character.

18:29Because if he,

18:37And besides, I don't know,

18:38I found it incredibly...

18:39I have the impression that it was

18:40a somewhat toxic guy,

18:41an extremely short-tempered guy

18:42who gets upset over nothing,

18:43who bangs on the walls

18:44against his girlfriend,

18:45Well, that kind of guy, you know.

18:48He cleared that mind of me.

18:51And frankly,

18:52I didn't get attached to him, that's all.

18:54I became more attached to the dog.

18:56Ultimately,

18:57to the dog named Crypto.

18:59I thought to myself,

18:59Ah, but the dog,

18:59He's funny.

19:00The dog, for me,

19:01He was the best character in the film.

19:02It was the dog.

19:03So, well, from there...

19:05So, as a result,

19:06yeah,

19:07globally,

19:09the session was

19:11not an ordeal,

19:12But it was long, you know.

19:13It was long,

19:13I didn't like it.

19:15And so, I thought to myself,

19:16Well, actually,

19:16DCU is not for me.

19:17DCU is not for me.

19:18What I'm waiting for,

19:19This is Batman Part 2, right there.

19:20by Matt Reeves

19:21where there really is

19:22a visual aspect that is present,

19:24where there is a bias in the script,

19:26where there is work done on the lighting,

19:29regarding the sets,

19:29about the costumes.

19:31Well...

19:32Well, actually,

19:32I feel like I'm watching

19:33A bonus episode of Peacemaker, basically.

19:35I like Peacemaker.

19:37I really liked it

19:37both seasons of Peacemaker.

19:38But visually,

19:39you put me in Peacemaker

19:40at the cinema

19:41and Superman next to him.

19:43There is no visual difference.

19:44While we're on a TV series

19:45and on a film for the cinema.

19:47And that's the problem.

19:48that's the difference,

19:48They don't do it anymore.

19:49And so,

19:50we end up with a giant episode

19:51which is like an episode of a TV series, basically.

19:53Peacemaker,

19:53It didn't bother me.

19:54Visually,

19:54It doesn't look like anything.

19:55Because it was a TV series.

19:56But Superman,

19:57when I went to see him,

19:58I thought to myself,

19:58Damn,

19:58It looks like Peacemaker.

19:59I know,

20:00It's a bit of a shame, though.

20:01Okay, I'm going to come to you

20:02on the chat

20:04regarding Superman.

20:05I don't think so

20:06that we will be in complete agreement

20:07a lot,

20:07But anyway.

20:08We're here to debate too.

20:09Of course.

20:10Quite.

20:12I share your idea

20:13about the fact that I feel

20:14Too old for this nonsense

20:15And yet,

20:16with maturity,

20:17I thought to myself that there was also

20:18some truly beautiful nonsense

20:19blockbusters.

20:21There were also some

20:22some truly beautiful nonsense

20:23blockbusters

20:23in the 80s-90s.

20:25But at least,

20:26the films didn't last

20:27three hours

20:27and where the technique

20:28manufacturing

20:29was not that rude.

20:30No, but of course.

20:30But the kids

20:33who were in the 60s

20:34and who were watching westerns,

20:35when they saw

20:36Stallone's movies

20:37in the 80s

20:37and that they were 40-50 years old,

20:39they were saying

20:39But what are these shitty movies?

20:40It's the same thing, actually.

20:41That is to say, it's a cycle.

20:42So, from there,

20:43That makes sense, you see.

20:44But for you,

20:45films from the 80s,

20:45These are the films of your childhood

20:46whereas for grandfathers

20:48who were watching young

20:49Westerns

20:50in the 1950s and 60s,

20:51films from the 80s and 90s

20:52with Schwarzenegger

20:53and Stallone,

20:54for them,

20:54those were the movies

20:55the most idiotic people in the world.

20:56So, we're on that cycle.

20:58Superman has become

20:59an idiot in the film.

21:01Yeah, yeah,

21:01That's pretty much it.

21:02Overall, that's pretty much it.

21:03Finally, I wouldn't go

21:04In such a crude manner,

21:05But we're part of that thing.

21:06And Henry Cavill

21:07And Superman, of course.

21:09Okay, that's it again.

21:10the actor,

21:10I don't think it's bad.

21:11Let's just say he plays it well.

21:13He has the physique of the character.

21:14It's true that Henry Cavill,

21:15We are attached to him.

21:16But for me,

21:17the cast,

21:17That's not the problem with the film.

21:18For once.

21:19Yes, Superman is denied.

21:20Yes, it has a childlike atmosphere.

21:22Yes, Lex Luthor

21:22by Nicolas Hult

21:24is a bully at a school.

21:26He is a bully at a school.

21:27But I must admit

21:28which I really enjoyed,

21:29that I had a good time.

21:30The fight scenes

21:31are friendly.

21:32The political subtext

21:33is interesting and risky

21:34given the current context.

21:35Yes, then.

21:36the political subtext,

21:37It is still...

21:38We are at level 1

21:39of geopolitics.

21:40But yes, well

21:41at least,

21:41It has the merit of being there.

21:43Of course.

21:43That's rude.

21:47there.

21:47Okay, we'll give him that.

21:49But that's not my Superman

21:51Personally preferred.

21:52And yet,

21:53It's Superman

21:53who respects the most

21:54that of the basic equipment,

21:55comics.

21:56Ah yes, but me,

21:56I don't read comics.

21:57So, from there,

21:58I base myself

22:00about the films I've seen

22:01and the character

22:02which touched me the most

22:03in films,

22:03It's Henry Cavill's.

22:05as a result.

22:05Finally, from Zack Snyder.

22:06But I don't doubt it.

22:07that he gets closer

22:07from that of comics,

22:08That's for sure.

22:08And that's why today,

22:09film fans

22:10from comics to cinema,

22:12these are the fans

22:12comics too.

22:13So, the circle is complete.

22:14And good for them!

22:15if they find their way there.

22:16I really liked Superman.

22:17We're just making too much of it.

22:19on James Gunn,

22:19even if there are a few ideas

22:20of staging.

22:21Unfortunately,

22:21The soundtrack is just a cover version.

22:23of the first Superman.

22:25Too funny

22:26which spoils the film's appeal.

22:27I believe the only scene

22:28which I really enjoyed

22:30in the film,

22:31it's a scene

22:31with the black superhero.

22:33I can't remember his name.

22:34Damn.

22:34He is the only black superhero

22:36from the film.

22:36I can't remember his name.

22:37But there is a species

22:38stage

22:40which refers precisely

22:40to the kind of sequence shot

22:42in Guardians 3

22:42that he had done

22:43with all the Guardians

22:44of the Galaxy

22:44where he's going to take down

22:46full of guards.

22:46That was great.

22:47This is the only scene

22:48for me who is really

22:49well done

22:50and that really

22:50James Gunn in the film.

22:51And the dog, then,

22:52I've already mentioned it.

22:53He's the best character in the film.

22:54And let's be clear,

22:55For me, James Gunn's DCU

22:56It didn't start with Superman,

22:58but he started

22:58with his Suicide Squad in 2021.

23:00Effectively,

23:00We're in the same boat.

23:01But I really liked it

23:02Suicide Squad.

23:02I find that, in fact,

23:03the Suicide Squad universe

23:04It suits him perfectly.

23:05While the Superman universe,

23:07In my opinion,

23:07he is too noble

23:08for James Gunn.

23:09Superman is too noble

23:10for James Gunn.

23:11It doesn't suit him, actually.

23:12He needs broken characters.

23:13He needs idiots, actually.

23:15He needs characters

23:15like the Guardians of the Galaxy,

23:16like Suicide Squad.

23:18That's what he needs.

23:19He doesn't need Superman.

23:20Superman is too serious

23:21for him.

23:21I think so.

23:22So, that's why,

23:23when I saw the TV series

23:24V for Vendetta

23:25produced by James Gunn.

23:26We've already talked about this.

23:27but I was in mode

23:28Whoa, I'm not sure

23:30What will happen, you know?

23:32DC is starting again with Gunn.

23:33what he had done with Waddon.

23:36We take the guy from the other side.

23:38to make Marvel stuff.

23:39So, I disagree.

23:39because, in this case,

23:41let's say that

23:44what they have going for them,

23:45there, DC,

23:46that's because James Gunn,

23:47He's the boss of DCU.

23:49He is the head of the DC branch.

23:51And he's the one who supervises.

23:52the DC Universe.

23:54So, let us like it

23:55or we may not like it,

23:57At least we'll have a global overview.

23:59consistent,

23:59by a single author.

24:00And that's what was missing.

24:01at the DCU,

24:03That's what was missing too.

24:04to Spider-Man,

24:05to Spider-Man,

24:05Finally, yes, to Spider-Man,

24:06and that's what was missing as well

24:08to Star Wars.

24:09There, at least,

24:10the advantage of the trick,

24:11that's what we're going to have

24:11a coherent and comprehensive vision

24:13by a single author,

24:14including James Gunn.

24:15Unfortunately,

24:15If he says the first episode,

24:16We're not in it.

24:17It's certain that the rest,

24:18It's going to be complicated.

24:18But at least,

24:19They have that advantage, you know.

24:21I hope he will be cleared

24:22during the acquisition.

24:22Yes, absolutely.

24:23Actually, I prefer...

24:25Given the people they work with

24:26on Netflix

24:27Good,

24:28it's better if it is

24:29James Gunn, at a stretch.

24:30Mr. Terrific,

24:31Absolutely, thank you.

24:32Well, Mr. Terrific,

24:33the scene with Mr. Terrific,

24:36the type of long take,

24:37I don't know if you have it,

24:38in the camp, there,

24:39where the camera revolves around him,

24:41That was great.

24:41That was a great scene.

24:42At that point, I thought to myself,

24:43Yeah, that's cool.

24:44But,

24:45That's all there is to it

24:45which struck me in the film.

24:46In this instance,

24:48the rest,

24:48I kind of forgot, you know.

24:49So, there you have it.

24:50As for Superman

24:53and of these three blockbusters

24:55of the summer,

24:55which, overall,

24:56were still

24:57Quite disappointing.

24:58Let's not kid ourselves.

24:59Whether it's all three,

25:01I mean,

25:01In my opinion,

25:02the least bad option,

25:02It's Jurassic World.

25:03But, there you have it.

25:04Globally,

25:04all three were still

25:05Quite disappointing.

25:06And so,

25:07We're going to move on...

25:08What are we going to do?

25:08We'll continue with the blockbusters,

25:09as a result,

25:10because it's a bit

25:11the theme of that thing.

25:12And we will continue.

25:13exactly,

25:15this summer,

25:16but who brought

25:18a different approach,

25:19who brought

25:19a way of doing

25:20A different kind of cinema.

25:21And we're going to talk about F1

25:23and Mission Impossible

25:25The Last Reckoning.

25:27I think that's how it is.

25:27which we call the film.

25:28And we'll start with F1.

25:30as a result.

25:30So, we're going to remove

25:31those little signs over there.

25:32Tac.

25:33So, F1, the movie.

25:35I really liked F1, the movie.

25:36So, I was still expecting it

25:37to better.

25:38But in this case,

25:39I am like the readers

25:40comics

25:40in front of comic book movies.

25:42That's because I was biased.

25:43because I watch F1,

25:44so I know how it works

25:45Formula 1.

25:47And because of that,

25:48Unfortunately,

25:49I've kind of lost touch with the thing

25:50even though I hate it.

25:51Yet,

25:51compare me to a film

25:53to the original material,

25:54It's something I don't like doing.

25:55But there, unconsciously,

25:56my subconscious could not

25:58stop laughing

25:59and to exit the film

26:00at certain points in the race

26:01where I am now,

26:02But that's nonsense.

26:03What's this all about?

26:04What is he doing?

26:05It's not possible to do that.

26:07But yet,

26:08It's still generally

26:09A film that is super interesting.

26:11I'm a big fan.

26:11racing movies.

26:13I loved Le Mans 66,

26:14Rush,

26:15even Gran Turismo

26:16that I was going to see you at the cinema,

26:17It was great.

26:18I really like racing movies

26:19in general.

26:20And I really like F1,

26:21So from there,

26:22I was bound to like the film.

26:24But what I like about F1,

26:26that's already,

26:27you enjoy it

26:28to follow the races.

26:29It's important to know that they filmed

26:30scenes during Grand Prix events.

26:34So, they recovered the cameras.

26:35on the different F1 cars of the drivers.

26:38They sometimes used

26:39their cars on the circuit

26:41with the other cars.

26:43Then they added

26:44cars in CGI

26:45during the races

26:46because obviously,

26:47there were no cars

26:48from Apex GP

26:50during the Grand Prix

26:51because it was too dangerous,

26:52Of course.

26:53But they grafted themselves on

26:54at the races with CGI

26:55by bringing that

26:56via real sets.

26:58So, visually,

26:58It's extremely well done.

27:00It's very innovative.

27:01The way the races are filmed,

27:02She's gorgeous.

27:03I saw it in IMAX,

27:04It was a real pleasure.

27:05Even the opening scene,

27:06where he is on the Daytona 500,

27:09I believe.

27:09So, these are cars

27:10going around in circles,

27:10there, in the United States.

27:11Likewise, the intro scene

27:12is superb.

27:13Brad Pitt's character,

27:14Well, he's a bit inconsistent.

27:15because, well,

27:16The guy is 57 years old.

27:17It doesn't make sense at all.

27:18racing in F1,

27:19But why not?

27:19at the very least,

27:20It's going well, actually.

27:21I would have seen it anyway

27:21a younger actor.

27:22I would have liked to see a Glenn Powell

27:23or a guy like that

27:24That would have been more relevant.

27:25The actor who plays

27:26his sort of apprentice,

27:28He's great there too.

27:29So, overall,

27:30The casting is very good.

27:31The racing scenes,

27:31it's really

27:32the added value of the film.

27:33The problem,

27:34that's the scenario

27:35surrounding these racing scenes,

27:36It is as uninteresting as can be.

27:39extremely long.

27:40They put a kind

27:40romance with Brad Pitt

27:41and one of the girls

27:42who works in the stable,

27:45All of that.

27:46That, for me,

27:46It's too long.

27:48The film is extremely long

27:49and it falls into the category

27:50films of today,

27:53today's blockbusters

27:54who are incapable

27:55to make films

27:55In 1 hour and 40 minutes, that's all.

27:56It needs to last

27:572:10, 2:20, 2:30

27:59but we don't want

27:592h30 of F1 the movie.

28:01Show us the racing scenes

28:02and between the racing scenes,

28:03you put us

28:0410 minutes of development

28:05And that's where it ends.

28:06We're not here to see that.

28:07And it's a little

28:08That's what took me out of the movie.

28:09I think so.

28:09The racing scenes

28:10are a bit inconsistent

28:11compared to what F1 is,

28:13But anyway, despite everything,

28:14It's so well filmed.

28:15And it's so immersive.

28:15that it passes.

28:16And between the racing scenes,

28:18there is this species

28:18romance

28:20and rivalry

28:21between the two pilots

28:22which is long,

28:23which is interesting,

28:23that needs to be put in place,

28:24obviously,

28:25but which is too long.

28:31At one point,

28:31there is an endless scene

28:32in As-Vegas,

28:33I am here,

28:33But we don't care,

28:33switch to racing.

28:34I am here,

28:35but I want to see the race

28:35at As-Vegas,

28:36I don't want to see you speak.

28:37I'm not interested.

28:38So, yeah,

28:39there is this kind of desire

28:40Today

28:41wanting to complicate

28:42blockbusters

28:43more than we need,

28:44In the end,

28:45when we don't need

28:45of such a complex story

28:46where we want to see races, basically.

28:47Next, the music of...

28:49the music of Hans Zimmer

28:50She looks superb in the film.

28:52Hans Zimmer,

28:52who had already, moreover

28:53worked on a racing film

28:55of F1

28:56who was Rush,

28:57released in 2013

28:58and which was achieved

28:59by Ron Howard.

29:00And I think we're not talking

29:02Enough of the Rush soundtrack

29:03by Hans Zimmer

29:04but I advise you

29:04to go and listen...

29:06Wait,

29:07I'm going to tell you

29:07the exact title.

29:08I listen to it all the time.

29:09this music,

29:09She's incredible.

29:10Rush,

29:11we need to listen

29:12the music called

29:14Lost But One.

29:15SO,

29:16from the Rush soundtrack

29:18composed by Hans Zimmer

29:19That's madness.

29:20Really,

29:21Hans Zimmer's soundtrack

29:22on Rush,

29:22She's fabulous.

29:23The one about F1,

29:24It's not as good.

29:25She's gorgeous too.

29:26But it's not as good.

29:27But he has the merit

29:28to be here,

29:28He's doing something interesting with it.

29:30But here's the thing,

29:31globally,

29:31F1,

29:31it was still

29:32a cool movie

29:33See it in theaters.

29:34I'm going to see him again.

29:35I think,

29:35There, coming soon.

29:36to really give me back

29:37An idea about the film.

29:39But already,

29:40we're onto something,

29:41a proposal

29:42more original

29:42and more interesting

29:43than the three previous films

29:44that we saw,

29:44so Jurassic World

29:45and all that nonsense.

29:46We have a proposal

29:47which is worth it

29:48at least go see a movie

29:49And we're talking about a blockbuster.

29:51summer

29:52in the true sense of the term

29:53with real action

29:54which is worked on

29:55with a director.

29:56I no longer remember the director's name.

29:58I know that's the one

29:58who directed Top Gun Maverick,

29:59Oblivion,

30:00all of that,

30:00who is a great director.

30:02So we're on something

30:03which is interesting,

30:03I really liked it

30:04the end of the film,

30:04It's not my favorite movie

30:05of the year,

30:05But he's pretty cool.

30:07And so,

30:07I'm going to take a look.

30:08what you thought

30:08all of this in the chat

30:10compared to the end of the film.

30:14Um...

30:14I was left wanting more.

30:15Good point, Amo.

30:16Nice joke.

30:17which remains consistent

30:18jokes,

30:18You need to make us

30:19a joke like that, broadcast live.

30:20attention.

30:21Brad Pitt is 62 years old

30:22always has a physique

30:22Also incredible.

30:23No, but of course.

30:24But that's why.

30:24that we can believe it,

30:25as a result,

30:25that we tell ourselves

30:25He's a 50-year-old guy.

30:26who is an F1 driver.

30:28No, but damn it,

30:28me, if I'm 62

30:29I look like this.

30:30Already at 62 years old

30:30I am still alive.

30:31That's great!

30:32But if I also look like that,

30:33Well then,

30:33at least physically

30:34I mean,

30:34in terms of body

30:35because of the face,

30:36The guy was blessed.

30:37by the gods

30:38but indeed

30:39He's in great shape.

30:40That, for once,

30:40There's nothing to say.

30:41F1 is a slap in the face

30:42cinematographic

30:43auditory and visual.

30:44I loved the staging.

30:45and his work

30:46in the movies

30:47are just as intense.

30:50I also saw it in IMAX 3D

30:51And what a pleasure.

30:52Did you see it in 3D?

30:53Was it released in 3D?

30:54Because I didn't see it in 3D.

30:55I saw it in regular IMAX.

30:56And what a pleasure it is too!

30:57to see a new film

30:59Apple TV in theaters.

30:59Oh yes,

31:00Luckily it was released in theaters

31:01and besides, it is available

31:02on Apple TV

31:02I think it's been since the 12th.

31:03So yeah,

31:04I bought F1 on VOD

31:06But I don't care.

31:07of F1,

31:08I loved it.

31:08Oh yes,

31:09there is no need

31:10to know F1

31:11nor to love F1

31:12to enjoy the film.

31:13That's pretty cool, actually.

31:14And that's interesting.

31:16They made a film

31:16for everyone

31:17And that's pretty good.

31:18So yes,

31:18It's a Top Gun Maverick

31:19F1 version

31:20But the music was really cool.

31:21I loved it

31:23Damson Idris

31:23just like Avatar,

31:25it's an experience

31:26to see in theaters

31:26quite.

31:27In reality,

31:29F1 has invested more

31:30on the achievement

31:31and the sound work

31:32than on the script.

31:33Yes, but at least

31:34unlike

31:34of the other three films

31:35where there was

31:36nor visual work

31:37nor scriptwriting work,

31:38at least there is

31:38a visual work

31:39so at least

31:40We get what we pay for.

31:41It didn't bother me.

31:422:30?

31:43At least in the theater

31:44That bothered me.

31:45I would need to see him again.

31:45to see, but I thought

31:46Damn, that pisses me off.

31:47the haunts.

31:48In fact it was

31:48There is a race,

31:49a little while ago

31:50romance

31:51There is a race,

31:52a little while ago

31:52of romance and argument

31:53there is a race

31:53and the film is constructed

31:54Like that, and you're there.

31:55Actually, you're waiting.

31:56each time the next race

31:57So I was bored out of my mind.

31:59there is certainly

32:00beautiful images

32:01But I didn't understand anything.

32:02since I don't watch

32:02F1 on the other hand

32:03I loved the soundtrack

32:04by Hans Zimmer.

32:05That's weird

32:05precisely because

32:06the film is constructed

32:08so that

32:08even if you don't watch

32:09F1

32:10you understand

32:10the operation

32:11of the race

32:12and besides

32:12the races do not take place

32:13no way

32:14as it happens

32:14in the film

32:15so

32:15In fact

32:15no need to understand

32:16F1

32:16since F1 fans

32:18they all said

32:18But what is it?

32:19that thing, what

32:19In any case

32:20in terms of consistency

32:21racing

32:23Joseph Kosinski

32:23quite

32:24Exactly

32:24the director

32:25of Tron: Legacy

32:26also that I love

32:27of Oblivion

32:28from Top Gun Maverick

32:29finally the guy

32:29he makes no mistakes

32:30He is one of the great directors.

32:31current blockbuster

32:32I find

32:32and for the time being

32:33he does incredible things

32:34productions

32:35Apple TVs are superb

32:36we had the latest Scorsese

32:37We had Napoleon too

32:38which was released in a longer version

32:39in the cinema version

32:40at the cinema

32:40and in the long version

32:41on Apple TV

32:41so in addition

32:42there is a kind of added value

32:43to have the film

32:44on Apple TV

32:45because in addition

32:45you have the right

32:46to the long version

32:46on Apple TV

32:47but at least

32:47you can enjoy the film

32:48at the cinema

32:49So that's good.

32:49In fact, it's because

32:50of the film I bought

32:52the F1 game

32:52with its DLC

32:54and its scammers

32:56I couldn't do it

32:56a career

32:57with the curiae of the film

32:58the bastards

32:5810 euros down the drain

32:59the bastards

33:00after the game is good

33:01anyway

33:02The F1 game is fun.

33:03So that's all for now.

33:04of F1

33:05Mission Impossible 8

33:06I'll try

33:07to speak more slowly

33:08and to speak

33:09less time

33:09and to take breaks

33:11because otherwise

33:12I'm starting to have

33:12dizziness

33:13by talking

33:15so by constantly ranting

33:16it's spinning a bit

33:19So I'm going to leave you now

33:20a little bit

33:20Tell me what you think

33:21of the film

33:21and like that

33:22I will read you

33:22a little bit

33:23and I will give you

33:23after my opinion

33:24Mission Impossible 8

33:25I hope that will be

33:26the last

33:27It's time to stop

33:27Mission Impossible

33:28Refcoeur tells us

33:29it's just me

33:30who liked Mission Impossible 8

33:31Lucas tells us

33:32maybe maybe not

33:33this latest Mission Impossible

33:34is one film too many

33:35Oh yes, absolutely.

33:37downright

33:37apart from two waterfalls

33:39I have the impression

33:39that there were none

33:40no other

33:41And this film is forgettable.

33:42just like Mission Impossible

33:44Dead Reconning Part 1

33:45personally

33:45I would have preferred

33:46that it stops

33:46to Fallout

33:47yeah yeah yeah

33:48that it stops

33:49maybe not

33:49but I am more or less

33:52All right

33:52with a little more nuance

33:54I'm going to say

33:55I already think that the film

33:56It starts off really weird.

33:57I don't know if you remember

33:58from the beginning

33:58but the first half hour

33:59it's a species

34:00of mash-up

34:01disassembly

34:01explanations

34:02about what happened

34:05in the previous film

34:05about who the AI is

34:07so what the villain

34:09in the film

34:09It's an AI

34:09all of that

34:10so it's

34:10the film begins

34:11You don't understand anything

34:12You're here, but what's going on?

34:13This thing goes at 200 kilometers per hour.

34:14and suddenly

34:14bam

34:15after half an hour

34:16the film calms down

34:17begins to take

34:18a cruising speed

34:18And you're here, but what the fuck?

34:19What's with this beginning?

34:20too weird a movie

34:22once again

34:23we are in a movie

34:23which lasts 3 hours

34:24and you're here

34:25and it's the same principle

34:26that F1 the movie

34:27You're here, but for 3 hours

34:29That's what guys are for.

34:29but it's too long

34:30It's way too long.

34:32It's clearly not worth 3 hours

34:33really not

34:34However, I didn't

34:35bored in front of

34:35but it's not a movie

34:36where you need

34:373 hours of time

34:38and when you see

34:39how, moreover

34:40he went up

34:40It's rushed

34:41it is told

34:42in a bizarre way

34:42Are you here, damn it?

34:43but in fact

34:43you really could have

34:44condense the thing

34:45So it's a bit complicated

34:46now if there is a scene

34:48which is worth it

34:49in the film

34:49and that was worth it

34:50to go see it at the cinema

34:51This is the submarine scene

34:52who is really

34:53a lesson in action cinema

34:55I find

34:56almost mute

34:57with a kind of

34:58Finally, action!

34:59Not even any action

34:59It's suspenseful.

35:00It's pure suspense.

35:01you're in it

35:03You're totally hooked

35:04it's really

35:04the film for me

35:05it starts from there

35:06this scene in the middle

35:07submarine film

35:09She is fabulous

35:10the scene too

35:11the type of prosecution

35:12at the end by plane

35:13She's gorgeous too!

35:14because it's the same

35:15there is a dimension

35:16so real

35:17it's so tangible

35:18that you're totally into it

35:19but indeed

35:19apart from those two scenes

35:21The film is a bit complicated

35:23that's true, in this case

35:24It is

35:25the plot

35:26the overall plot

35:27is confused

35:27the overall plot

35:29She is extremely confused.

35:30There are too many passages

35:32explanatory

35:32It's a lack of fluidity.

35:34as a result

35:35It's complicated

35:37they try

35:37I don't know why

35:38they are definitely trying

35:39to link all the films

35:40between them

35:40while it adds weight

35:42just the whole set

35:43in fact finally

35:43and then he would have

35:44I just had to do

35:45create a new villain

35:48from the previous sequence

35:49and that's it

35:49not necessarily try

35:50to go and connect the thing

35:50they brought the guy back

35:52they brought the guy back

35:54who works at the CIA

35:56in the first film

35:58of 96

35:58you know, he's the guy

35:59where the famous scene

36:01where Tom Cruise

36:01falls into the room

36:03with its elastic

36:04He drops a knife

36:06and you've got the guy

36:06that's how it happens

36:07and who doesn't see the knife

36:08that's the guy who comes home

36:08Well, him

36:09they brought him back

36:09in that film

36:10to become a scientist

36:11thingamajig

36:12they really want

36:13connect everything

36:13That's crazy!

36:14But yeah, it was

36:16I went to see it at the cinema.

36:17I didn't have a bad time

36:18but I thought

36:18Effectively

36:19Yeah, it's better if it stops there.

36:19I think that's it

36:20we're doing well

36:22there's no need

36:23to do more

36:23in terms of mission impossible

36:25I think that's it

36:25we're perfect

36:28SO

36:29What are you telling me?

36:30on the chat

36:31a little too long

36:31this impossible mission

36:32Yeah, absolutely.

36:33Mission Impossible 8

36:34I really liked it

36:34I didn't feel the length.

36:36The story is interesting

36:37Visually it's beautiful

36:38Tom Cruise the king

36:39Okay, well listen

36:40Yes, Tom Cruise, the king!

36:41of course

36:41the submarine scene

36:43is incredible

36:43Oh yeah, no

36:44That's absolutely fabulous!

36:45However, the story

36:46It's Terminator

36:47with Tom Cruise

36:48Oh good

36:48compared to what

36:49because I didn't see

36:50I didn't see the link

36:51with Terminator

36:52otherwise, speaking of Tom Cruise

36:53They released the poster

36:54from his film

36:55with Inaritu

36:56the title of the film

36:57It's Digger

36:58and a teaser showing

36:59a character

36:59maybe Tom Cruise's

37:00with a shovel

37:01and the film is qualified

37:02disaster comedy

37:03and it's released on September 30th

37:052026

37:05Well, listen

37:06Thanks for the information.

37:07Yes, absolutely.

37:07I think it's Tom Cruise

37:08He's a kind of Elon Musk

37:09who is going to do something incredibly stupid

37:11who will put the world

37:12a bit in the shit

37:13and he will try to fix

37:14that stupidity, precisely.

37:15So we're going to be in a comedy

37:17a little satirical

37:17in my opinion

37:19the death of the villain

37:20we're talking about it

37:20I don't even remember it.

37:21he crashes into a plane

37:23It's something like that

37:24He eats an airplane wing

37:25That's not it.

37:25I think it's something like that

37:26but already this bad guy

37:27that guy

37:28even the actor and everything

37:29I think it wasn't working at all.

37:30even in the first part there

37:32In fact, it was supposed to be called

37:33obviously

37:33The Dead Reconning Part 2

37:35but as the

37:35worked very badly

37:36they have completely changed

37:37their approach

37:38and their approach

37:39teasing

37:40what should do

37:41Kaamelott, for example

37:42given that the first film

37:44sold one million tickets.

37:45the problem is that

37:45if he comes out second

37:48by calling him

37:48Volume 2, Part 2

37:49well actually

37:50there will be half as much

37:51so me

37:52I think it's volume 2 part 2

37:53from Kaamelott

37:54That's going to make 500,000 admissions, right?

37:55so we need to put a field

37:56In my opinion, they should have

37:56they should have called it

37:57Kaamelott

37:58and the ogre's kingdom

38:00Kaamelott

38:00And

38:01and the search for the Holy Grail

38:03Kaamelott

38:03And

38:04I don't know, you see

38:05that kind of Star Wars-style stuff, you know?

38:06and not include part 1

38:07Part 2

38:08where people need to commit

38:10necessarily

38:10Well, it's complicated, you know?

38:11Oh yes

38:12compared to AI

38:12Yes, indeed.

38:13compared to AI

38:14who wants to destroy the world

38:14Yes, we're on Terminator.

38:15Yes, indeed.

38:16but anyway

38:17So there you go.

38:18Mission Impossible

38:20Ah, you have it.

38:20However, the dog is very far away.

38:22But you still heard it.

38:23he is not happy

38:24he is never happy

38:26we can hear it

38:27we can hear it

38:27SO

38:28Well, listen, there you go.

38:28On the other hand

38:30So here we are, anyway

38:31on blockbusters

38:33swine

38:33which are more or less successful

38:35which bring different things

38:36and indeed

38:37the dog did not like it

38:37Mission Impossible 8

38:38quite

38:39but for me

38:39which is the blockbuster

38:41the most successful of the year

38:42or perhaps

38:43It's not impossible

38:44I don't know yet

38:45my favorite movie of the year

38:46It's not impossible

38:47but I think it's that one

38:49with hindsight

38:49It is

38:50Okay, what is it?

38:51for you

38:52There

38:52Tell me, what does it mean to you?

38:53in your opinion

38:54my favorite movie of the year

38:55and for me what is the best

38:56blockbuster of the year

38:57Okay, we have Sinners.

38:58Papa Mobile

39:00I would love to see it

39:01Bob Aurignon

39:02who makes a fabulous entrance

39:03quoting Papa Mobile

39:03well done

39:05Frankenstein

39:06It's possible

39:07It's possible

39:14Sinners, by the way

39:14It was quite an experience.

39:17for many reasons

39:20Already

39:20when I go to see Sinners at the cinema

39:23I don't know what it's about

39:24I haven't seen a trailer

39:26I haven't read a synopsis

39:27I see Michael B. Jordan

39:29on the poster

39:31I see Ryan Coogler

39:32to the realization

39:33I said, "Okay, let's go!"

39:34and so I took the movie

39:36without knowing anything at all

39:37what he was talking about

39:39and so it made me

39:40Absolutely delighted

39:41because in fact

39:41I really lived

39:42the thing with them

39:43and everything in the film

39:45tells the story at the beginning

39:46and the way

39:46which it transforms

39:47in the middle of the film

39:47In fact

39:48it could have completely

39:49get me out of this mess

39:50because in addition

39:50I didn't know that, the worst part is...

39:51so I could have told myself

39:51What is this thing?

39:52I'm outta here

39:53and finally

39:54I took the thing

39:54at full speed from the beginning

39:55at the end

39:56I think there is

39:58a work on sound

39:59in this film

40:00which is absolutely fabulous

40:03the very soul of the film

40:04precisely rests

40:05on musicality

40:07about the manner

40:08including Ryan Coogler

40:09will bring

40:10the female musicians

40:11the musicians

40:12the instruments

40:12to the camera

40:13there is a scene

40:15obviously

40:15you saw it

40:16if you have seen the film

40:16the dance scene

40:18with different eras

40:20of

40:22different eras

40:23the different musical styles

40:24which will be displayed

40:26on the screen

40:26with

40:26this kind of anachronism

40:28where we're going to have

40:29hip hop dancers

40:30during the 1930s

40:32so we go completely

40:33of the appearance

40:34how to put

40:35of the intrinsic aspect

40:36about what a film is

40:37since we're going to...

40:38bring characters

40:39who are not supposed to be there at all

40:40but I found this

40:40so visually beautiful

40:42such

40:42it sounded so good

40:44I keep listening

40:45the soundtrack

40:46She is gorgeous

40:46frankly the film

40:47He absolutely delighted me.

40:48and in fact

40:50The more time passed

40:50The more I thought about it

40:51I told myself

40:51I really need to watch it again.

40:52I really need to watch it again.

40:53And I haven't seen him since.

40:54But I'll see him again very soon.

40:55and the film is

40:58a real treat, I think

40:59and for me it's the

41:00We were talking about a blockbuster.

41:01Frankly

41:01It's a blockbuster.

41:02which does not come from a franchise

41:05where there is just

41:06a headliner

41:07bankable

41:08where there is a director

41:08known

41:09an author

41:09and it's produced by Warner.

41:11and so

41:12we have a great movie

41:13which is off the beaten track

41:15who is here to entertain us

41:16but which also tells things

41:17I mean

41:18There is

41:19There is

41:20a mix of genres

41:21which is extremely interesting

41:22even if it can be confusing

41:23for some

41:24I can hear that.

41:26the film will make you think

41:27to one night in hell

41:28of course

41:29some have the reference

41:30and that's the main reference

41:31Of course

41:32in this species

41:32of a turnaround

41:33exactly

41:34And that's not so bad.

41:34we can draw inspiration from

41:35the best films

41:37of course

41:37And I find

41:38that it is a generous form of entertainment

41:40I think that

41:40it tells stories

41:42I think that

41:42The film is superb.

41:46I don't see what I can say

41:46moreover

41:47apart from that

41:47The movie is great!

41:48if you haven't seen it

41:49don't hesitate

41:50Siner

41:51I really liked it

41:51The film takes too long to start

41:53That's a real shame.

41:53However, the film's soundtrack is fantastic.

41:55The film takes too long to start

41:56yes and no

41:57because in fact

41:57the film, precisely

41:58starts in a way

41:59completely different

42:01of what it is supposed to be

42:02and what he is going to tell

42:03afterwards

42:03So it's important

42:04that it starts like this

42:06Kugler's next film

42:07Black Panther 3

42:08Well

42:09given what he did

42:09on the two previous ones

42:10why not

42:11It doesn't bother me.

42:11What a magnificent experience!

42:13cinematographic

42:13visual and auditory

42:14Sinners

42:15what a pleasure

42:15perhaps the best film

42:16by Ryan Kugler

42:17The universe is incredible

42:18The folklore is well handled

42:19the music is crazy

42:21and in IMAX

42:21It's a wonderful experience

42:23Unfortunately

42:23I didn't see it in IMAX

42:24and if I had known

42:26what I was going to see

42:26because I didn't know

42:27what I was going to see

42:27so I was going to see him

42:28like that

42:28in an OCGR room

42:33and the French dub is very good

42:34In fact, I saw it dubbed in French.

42:35and it works very well

42:36for once

42:37I'll have to watch it again in the original version.

42:38but the French version didn't

42:40auteur blockbuster

42:41quite

42:41and that's what he did

42:42Warner in 2024 and 2025

42:45with Barbie

42:46with Furiosa

42:47with Mickey 17

42:48directed by Bong Joon-ho

42:50with Sinners

42:51with Joker Folia 2

42:53So there is

42:54films of varying quality

42:55but at least

42:56Warner tried some things

42:57to bring in auteur films

42:58auteur blockbusters

42:59at the cinema

43:00Sometimes they messed up.

43:01with Mickey 17

43:02or Furiosa

43:02sometimes not

43:03with Sinners for example

43:04which was a huge success

43:04not possible

43:05So yeah, yeah

43:06Warner, for once

43:07That's why they bought it.

43:08by Netflix

43:08when you know what they have

43:09brought to cinema

43:11in Hollywood cinema

43:12over the last two years

43:13indoors

43:14when you know they're going

43:15to be bought out by Netflix

43:15It doesn't really make you want to try it.

43:17during the holidays

43:18go see Sinners again

43:18Oh yes, that's my opinion.

43:19It's not really a Christmas movie

43:21but in my opinion

43:21he's going to leave

43:22during the Christmas holidays

43:23He's going to go for a review.

43:24Yes, absolutely.

43:24but I can't find myself

43:25The 4K steelbook, what else?

43:26and I haven't been able to get it

43:28the 4K steelbook

43:32steelbook for a movie

43:33that I still love it just as much

43:34Ah, there you go.

43:35Hamo who tells us

43:35I have the 4K steelbook of Sinners.

43:37already rewatched twice

43:37You don't want to sell it to me, Hamo?

43:38your 4K steelbook

43:39I can't find it

43:40For me, it's too expensive.

43:42Is Betterman a blockbuster?

43:44according to you

43:45Betterman is the film of

43:47This is the biopic of

43:49Robbie Williams

43:50No, that's it.

43:50Yeah, that's it.

43:51I didn't see that one.

43:52apparently he's great

43:53uh

43:55Yeah

43:55Yes

43:56I think it's a blockbuster.

43:57Yes

43:57Well, it was released by a studio.

43:59It is

44:00yeah yeah it's

44:01yeah it's

44:02apparently who will

44:03distribute this

44:04It is produced by

44:06Yeah, through several boxes

44:07of

44:07by several productions

44:08distributed by a world

44:09Yes yes

44:09well yes

44:11biopics are a bit

44:12blockbusters

44:13somehow

44:13because it is still

44:14big movies

44:15who are

44:16beautifully teased

44:17every time

44:18the Elvises and all

44:18there is communication

44:19which is incredible

44:20around that

44:20So yeah, in this case

44:21But I didn't see that one.

44:22It's strange that he was caught so quickly.

44:23so much value

44:24It was released not long ago.

44:25Yeah, but actually

44:26I think they did.

44:27very little

44:27they did very little

44:28and so actually

44:29impossible to find

44:30if you haven't pre-ordered it

44:31at the right time

44:32the film became

44:32not found

44:33so today

44:35it has become a bit expensive

44:36what unfortunately

44:37Short

44:38Sinner

44:39I'll tell you at the end

44:40What are my 3 films?

44:41favorites of the year

44:42he's inside

44:43but I couldn't do it

44:44really

44:45ranking I think

44:46I can't do it anymore

44:46top 10

44:47with 10, 9, 8

44:48I can't do that anymore

44:49now I'm on

44:50of the top 3, top 5

44:51and we're still on something

44:51global what

44:52so after Sinner

44:54let's talk about another

44:54Warner Bros. blockbuster

44:55Besides

44:56an auteur blockbuster

44:58who came out

44:58not so long ago

44:59with a certain DiCaprio

45:00it's a battle

45:02one after the other

45:03a battle

45:04one after the other

45:04then I saw it

45:06not too long ago

45:06that one

45:08I really liked it

45:09It's not my favorite

45:10by Paul Thomas Anderson

45:11strangely

45:11I had a lot of them

45:12waiting

45:12I'm not saying I was disappointed

45:14But I wasn't expecting that.

45:16I wasn't expecting that

45:17I find the story

45:18a bit predictable

45:19I found the story

45:19a bit predictable

45:20Ultimately

45:21I really liked the movie

45:23but I found this

45:23a bit predictable

45:25I've found

45:26I found that there was

45:28there was a problem

45:29on how

45:30the story was brought

45:31here we are really

45:31in terms of pure construction

45:33obviously

45:33but I thought that

45:36Too simplistic, precisely.

45:37compared to what it says

45:38and what it must tell us

45:40I found myself

45:40in front of a dark comedy

45:41A little

45:41which isn't so bad

45:42in the end

45:42But I wasn't expecting that.

45:44now the performance

45:45of the entire cast

45:45is superb

45:46Sean Penn

45:46He is fabulous

45:48DiCaprio

45:48there is also

45:51Teyana Taylor

45:53yeah Teyana Taylor

45:54I think it's the mother

45:55There is

45:56Shares Infinity too

45:58which is superb

45:59Benicio Del Toro

46:00magnificent too

46:01No, the casting is superb.

46:02everyone plays very well

46:04there are scenes

46:05which are fabulous

46:06in terms of staging

46:07in the lead

46:07I have the chase scene

46:09at the end

46:09with this aspect

46:11road wave

46:13like that

46:14which will create suspense

46:15and tension

46:16absolutely incredible

46:17I find that

46:17for once

46:17the chase

46:18at the end

46:19there is no need

46:20than the cars

46:20they travel at 300 km/h

46:21really fair

46:22use the road

46:22wisely

46:23the way to put it

46:24in place and everything

46:25I think it brings

46:25a crazy tension

46:26Besides, we can see it

46:27on the poster there

46:28That's what they put

46:28forward down

46:29the roads that go up

46:30and who come down like that

46:31That was incredible.

46:32for once

46:32and then there's an atmosphere

46:34visual and sound

46:35which is still

46:35quite special

46:36It's a beautiful film

46:37It's a beautiful film

46:38I would have loved it

46:38I know he's out

46:39in IMAX 70mm

46:40in some countries

46:41It was released in IMAX

46:48we have a movie

46:48who is really

46:49well calibrated

46:50we have a movie

46:51which has contrast

46:51which has color

46:52which is realistic

46:54It's stupid to say that

46:55but as soon as you turn

46:56in a natural setting

46:57all at once

46:57it brings an aspect

46:58completely different

46:59so the film

47:00visually stunning

47:02in terms of sound

47:04The soundtrack is superb.

47:05The music is superb.

47:08sound effects

47:09They are superb

47:11technically

47:11The film is flawless.

47:12that's for sure.

47:13There are plenty of action scenes

47:14and lots of scenes

47:15of prosecutions

47:17and action

47:17which are super good

47:18well done

47:19Sean Penn

47:20It is delicious.

47:23in the film

47:24deliciously sick

47:25It's very, very funny.

47:27And so there you have it.

47:28I still think so

47:28It's still original.

47:29the way the film

47:31presents its narrative

47:31but I think it's necessary

47:32that I see him again

47:33to really get back into it

47:34And that's why I regret it.

47:35not having seen it in the cinema

47:36Unfortunately

47:38but here

47:39that's still

47:39one of the best films of the year

47:40despite everything

47:41but I had an expectation

47:42A little too high perhaps

47:43I recommend you watch Better Man

47:45This is definitely the best biopic

47:46that I saw

47:46maybe the top 5

47:47the best films of the year

47:48Okay, well, listen, I'll make a note of it.

47:49I loved one battle after another.

47:51I didn't see the time go by.

47:52and it's quite intense

47:53and funny

47:53at certain times

47:54the scenes between the characters

47:56from DiCaprio

47:57and his sensei

47:57played by Benicio Del Toro

47:59are fun

47:59Sean Penn is excellent

48:00Chase Infinity

48:02and the film's revelation

48:03She is fabulous

48:05it is of an intensity

48:06the first 30 minutes

48:07with her

48:08it's borderline

48:09I was so disappointed

48:09not to see her again

48:10after a little more

48:11in the film

48:12but she's incredible

48:14Frankly

48:16she gives off something crazy

48:17and for once

48:18She's not even an actress

48:18She is a singer

48:19we're kind of in that vibe

48:20a bit like Will Smith

48:21where she moves from singing

48:22she makes a transition

48:22between the song

48:23and cinema

48:24but given what she delivered there

48:25Effectively

48:26and it's true that the scenes

48:27between Benicio Del Toro

48:28and DiCaprio

48:30are very funny

48:30no but the film

48:30is really great

48:31But I wasn't expecting that.

48:32so I'm a little

48:34disconcerted by the film

48:35I loved it

48:36I thought it was great

48:37in many ways

48:38but he told me

48:38He caught me off guard.

48:39on quite a few things

48:40And all the better after

48:41That's also what cinema is about.

48:42We need to get this out

48:44out of our comfort zone

48:45it has to bring us

48:45something different

48:47after me

48:48for once

48:50it was filmed

48:50in VistaVision

48:51Yeah, well, no

48:52but it's fabulous

48:53visually it is magnificent

48:54This movie is a mess

48:55I didn't like it personally.

48:56too long

48:56Okay, no, but I can understand.

48:57I know there are lots of people

48:59who did not like

48:59because of the political message

49:00Well, I find that...

49:01a little stupid

49:02to realize in 2025

49:03that cinema is left-wing

49:05Good

49:05You have to be a bit of an idiot, though.

49:07So yes

49:08and then I find that

49:08for once

49:09I find the film

49:10is much more subtle

49:11that

49:11he doesn't necessarily take

49:12he doesn't take sides

49:14excessive, that's all

49:15I mean

49:15he passes

49:16the revolutionaries

49:16a bit for idiots

49:20I mean

49:21the only snitch in the film

49:22he is the only person

49:23kind of

49:24so good

49:25you see

49:26there's something a bit

49:27it's not necessarily

49:29also Manichean

49:30that one might believe

49:31What

49:31But the movie is great!

49:33me really

49:34I really enjoyed it

49:35I'd have to watch it again.

49:36in the near future

49:36but in any case

49:37it remains in my head

49:38That's for sure

49:39and that chase scene

49:41there at the end

49:41That's it.

49:42It's a joy to see

49:43for once

49:44and we're going to finish the films

49:46before moving on

49:47to the expectations of 2026

49:50and then to the series

49:52we're going to finish the movies

49:53with the last one I saw

49:54in 2025

49:55the last film of 2025

49:56that I saw

49:57and so that I saw on that date

49:58there not long ago

49:58It is

49:59Life of Chuck

50:00And the same goes for that.

50:01what a pleasure

50:02What a pleasure this film is!

50:03Frankly

50:04We talked about it a little bit

50:05Tuesday

50:05for those who were there

50:06of Life of Chuck

50:07But wow!

50:09Actually, I loved it.

50:10I loved that aspect

50:12very

50:13how to put

50:14very

50:15denied

50:15somewhat denied

50:16in history

50:16A little

50:18how to put

50:19well actually

50:19the construction of the film

50:21is super interesting

50:21because it begins

50:22by

50:23Actually, it's a movie.

50:24who is

50:25which is not linear

50:26So basically it tells the story

50:27Chuck's life

50:28so a played character

50:28by Tommy Delston

50:29And basically it starts

50:32by the end of his life

50:34and it continues

50:35towards the

50:36around the middle of his life

50:37and so in the end

50:38his childhood

50:39that's the principle of the film

50:40and it's suitable

50:40of a

50:41of a story

50:42by Stephen King

50:43And

50:44and the beginning begins

50:45In fact

50:46and you think

50:46But that's weird.

50:47It is

50:47the film begins with

50:48a post-apocalyptic sequence

50:50In fact, it's the end of the world.

50:51and in fact

50:52I don't know if you've seen the movie

50:54So it's not a spoiler

50:55from what I'm going to tell you

50:55but

50:56the film begins

50:57and it's a species

50:58post-apocalyptic scene

50:59where there is none at all

51:00Tommy Delston

51:01on the screen

51:01we can see it through

51:02advertising posters

51:03with writing

51:04Thank you Chuck for this life

51:0639 years of life

51:07extraordinary

51:07and it's displayed everywhere

51:09on the benches

51:10on the

51:11advertising billboards

51:12in the sky

51:13everywhere

51:13I say, but that's weird.

51:14Who is this Chuck?

51:15which is displayed everywhere

51:16Why is it the end of the world?

51:17It's the end of the world

51:17a little weird

51:18that is to say, there is no longer

51:18resources

51:19California has fallen

51:21SO

51:22There are no more resources

51:23there are no more

51:24agricultural land

51:25all of that

51:26so little by little

51:26the world is

51:27to sink

51:28and suddenly

51:28all at once, actually

51:30we see Chuck

51:31on his deathbed

51:32he is dying

51:33of a tumor

51:33and at the same time

51:34the end of the world

51:35In fact

51:36his death coincides

51:37with the end of the world

51:38and then bam

51:39you move on to chapter 2

51:40the middle of Chuck's life

51:41so that is to say

51:43at the age of 30

51:43and you're here

51:44Wow!

51:44but in fact

51:45What happened?

51:46that means that in fact

51:47It's a fantasy film

51:48that is to say that Chuck

51:49in fact is connected to the universe

51:50and if he dies

51:51the world dies with him

51:52and you continue

51:53so the film

51:54You say, but that's weird

51:54What happened?

51:55with this intro

51:55you continue the film

51:56you have this film base

52:00so this middle of the film

52:01where in fact

52:01you just have a moment

52:03of his life

52:03In fact

52:03where he will cross

52:04a bassist

52:06in the street

52:06and he's going to start

52:07to dance

52:07with its

52:08because in fact

52:08He is an accountant

52:09who ever wanted to be an accountant

52:10He always wanted to be a dancer.

52:11So he runs into this girl.

52:13playing the drums

52:14in the street

52:15and he will stop

52:16place your briefcase

52:18He's going to start dancing.

52:19with people

52:19People will surround themselves

52:20around him

52:21and there will be

52:22this magnificent scene

52:23for half an hour

52:24In fact

52:24where you just have a guy

52:25In fact

52:26who realized

52:26that he ruined his life

52:28In fact

52:28and that he shouldn't have been an accountant

52:30that he should have been a dancer

52:31So you have this thing there

52:32A little

52:32which is quite fabulous

52:33I find

52:34and we finish

52:35the third chapter

52:36as a result

52:36with his childhood

52:37and where there

52:38we understand, in fact

52:38really

52:39who is the guy

52:40So why

52:40he danced

52:41in the middle of the film

52:43why there was

52:43this beginning of the film

52:44in post-apocalyptic mode

52:45and above all

52:48there is an aspect

52:49absolutely fantastic

52:50at the end

52:50that I will reveal to you

52:50Not if you haven't seen the movie

52:51but with his childhood

52:52as a result

52:53the final act of the film

52:54we understand

52:54Who is this person?

52:55and why she is also

52:57ordinary

52:58in his way of life

52:59and extraordinary

53:00in his way of seeing

53:01the world

53:02and to see life

53:02and that's where actually

53:03Do you realize?

53:03but

53:04Oh yeah, actually

53:04So you think

53:05the beginning of the film

53:06Actually, it's not the end of the world.

53:08It's the imagination

53:09because in fact

53:10you have a character

53:10at the beginning of the film

53:11who is not Chuck

53:11but who lives in Chuck's house

53:13So all of this is really weird.

53:13and actually you think

53:14the message of the film

53:15what the film is about

53:16as an introduction

53:17It's not that it's the end of the world

53:19and that it's Chuck

53:19which brings about the end of the world

53:20It's the end of the world

53:22happens in his mind

53:23In fact

53:23that is to say, we are witnessing

53:25at the end of a man's life

53:26through

53:28the whole world, in fact

53:29so in fact

53:30This is the end of the world

53:31because him

53:31is dying

53:32Wait, I took notes.

53:33more interesting

53:34to explain it

53:34in a more fluid way

53:36but

53:36and in fact

53:37That's why his face

53:38is omnipresent

53:38on the posters

53:39in the benches actually

53:40because in fact

53:41it's in his mind

53:41that this thing happens

53:42that is to say, we are

53:43in Chuck's world

53:44we are in his mind

53:45this is his world

53:46which is collapsing

53:47And so it's the end of the world.

53:48because him

53:48is dying

53:49slowly

53:50and in fact

53:51as a result

53:51the world

53:52gradually

53:53deteriorates

53:54because his mind

53:54so his tumor

53:55is deteriorating

53:56his mind

53:57and when he dies

53:58Well, it's the end of the world.

53:59and you think

53:59Damn, that's crazy!

54:00It's so well done!

54:00In fact

54:01It's so well written

54:01that thing

54:02And that was crazy!

54:03In fact

54:04and in fact

54:05the thing you tell yourself

54:06as long as Chuck exists

54:07life exists

54:08because

54:08it's in his imagination

54:10so it's

54:11it's a bit of a mindfuck

54:12but

54:13there is this abstract idea

54:14which was featured in the film

54:15and which is very well presented

54:17I find

54:17and which is not explained

54:18from the beginning

54:19that's what actually

54:19The film doesn't treat you like an idiot.

54:20he doesn't tell you

54:21well actually

54:21it's in the spirit of what's-his-name

54:22at the beginning you're there

54:23well actually

54:23That's what happened

54:24you see

54:25you are looking for afterwards

54:26you will reach

54:27a very fantastic aspect of the thing

54:28you're going to say

54:29we will be explained

54:30the end of the world and everything

54:30But not at all, actually.

54:31It's just ordinary life.

54:32of a guy

54:32who imagines the end of the world

54:34in his mind

54:35because in fact

54:35in his mind

54:36the world is

54:37to go off the rails

54:38because he is in the process

54:38to die, what

54:39SO

54:40The story is to say

54:41Well

54:42how life

54:43of an ordinary man

54:45has just as much value

54:45that an entire universe

54:47So what in the end

54:47and that's

54:48That's crazy!

54:49The film really captivated me.

54:50for that

54:51I found it really

54:52fascinating story

54:53for once

54:54And thank you then.

54:55Galad

54:56thanks for following

54:57Thank you

54:57so it is done by

54:58Mike Flanagan

54:59who is a director

55:00genre films generally

55:01So he knows that.

55:02there's something

55:02completely different

55:03but the staging

55:04is fabulous

55:04Here is the dance scene

55:05in the middle of the film

55:05She is gorgeous

55:07inside we have

55:08so we have

55:08Tom Hiddleston

55:09we also

55:10Mark Hamill

55:11we have plenty of

55:11well-known actors

55:12we have

55:14I don't remember who they are

55:15the actors

55:16but the casting

55:17is great

55:17And so, yeah

55:19in fact the film

55:20he celebrates

55:20little moments of life

55:21like that

55:22And that's what's great about it.

55:23That's what I like.

55:24It's a sincere film

55:25a simple film

55:26well done

55:27sincere

55:28but which brings

55:28something different

55:29because it's Stephen King

55:30who wrote it

55:30so we will

55:31we're still going to have

55:32a somewhat fantastical aspect

55:34who brought

55:34and frankly

55:35this three-act thing

55:36there with the end of the world

55:37at first

55:37It's really well done.

55:38it's beautiful

55:39tender and poetic

55:40The Life of Chuck

55:41I really enjoyed it

55:42a gentle, melancholic poem

55:43and that changes

55:44of what he usually does

55:45Stephen King

55:45Yeah, totally

55:46one of my favorite movies

55:47This year

55:47I really enjoyed it

55:48This film moved me deeply.

55:49it's beautiful

55:50the scene by Matthew Layard

55:51destroyed me emotionally

55:52Yet I'm not sensitive

55:53a bit like you

55:54for Sinners

55:55that's a slap in the face

55:56I saw Tom Hiddleston

55:57to the girl

55:58I told myself

55:58Okay, I'm going to go see him.

55:59I came out shocked

56:01another film

56:01which has a beautiful dance scene

56:02Oh yeah

56:03for once

56:04this year frankly

56:05It revolves around dance.

56:05and musicality

56:06That's crazy!

56:07I think that, for once

56:08But yeah, so...

56:09Life of Chuck

56:10Magnificent

56:10if you haven't seen it

56:11don't hesitate

56:12it's really

56:12It lasts 1 hour and 50 minutes.

56:13so for once

56:14There's a movie about it

56:15not too long

56:16and the story is superb

56:17Frankly

56:17it really follows

56:19beautifully

56:19So now I really want to

56:20to buy me the

56:21the Blu-ray

56:22of that thing

56:22because it was really cool

56:23So there you have it.

56:24for the films

56:25of 2025

56:27So there are films

56:27in 2025

56:28There are other films

56:28that I saw

56:29so I said

56:29Frankenstein and Kaamelott

56:30I treated them

56:32on the secondary chain

56:33Already

56:33And then there are movies

56:34that I haven't seen

56:35in 2025

56:36that I want to see

56:37There is Evanoui

56:37there is Sirat

56:38There is Memoirs of a Snail

56:40which is an animated film

56:41which looks great

56:42There's also Bugonia

56:43with Emma Stone

56:44which came out not long ago

56:46Running Man here too

56:47that I need to see

56:48The Brutalist

56:49which is available on Canal

56:49with Adrien Brody too

56:52for a very long time too

56:533:30

56:53I need to find the time

56:54to see him

56:54Black Dog too

56:55which looks great

56:56House of Dynamite too

56:57which is a film

56:58by Catherine Bigelow

56:59which was released on Netflix

57:00And I like it very much.

57:01Catherine Bigelow

57:01And there's Mickey 17 too.

57:02by Bong Joon-ho

57:03that I haven't seen

57:03So there you have it.

57:04I still have quite a bit

57:04things to catch up on in 2025

57:06but that would only be late

57:07of course

57:22– Subtitles ST' 501

57:23– Subtitles ST' 501

Catégorie

Transcription

Commentaires

1

Recommandations