- 2 days ago
Category
🎥
Short filmTranscript
00:00:00THE END
00:00:07Well, gentlemen, we trust you spent a comfortable night with us.
00:00:10And we sincerely hope that your breakfast was satisfactory.
00:00:13Well, to be truthful, my oatmeal was a little lumpy.
00:00:16And I would have been much more comfortable with another mattress on my bed.
00:00:19We'll try to correct those defects on your next visit.
00:00:21Thank you very much.
00:00:22Goodbye.
00:00:23Goodbye, gentlemen.
00:00:23Goodbye.
00:00:24What a peaceful day.
00:00:31Now listen, you mugs.
00:00:32If you aren't out of town in six hours, you'll spend 60 days here with a pick and shovel.
00:00:36Stay away from the freight yards and stick to the highway.
00:00:42Well, here's another nice predicament you've gotten us into.
00:00:46Your oatmeal was lumpy.
00:00:48Oh, you're good.
00:01:05Let's go.
00:01:05The Florida isn't that way, it's this way.
00:01:24Want to lift, boys?
00:01:28Okay.
00:01:30Oh, yes, sir. Thank you very much.
00:01:32Yes, sir.
00:01:35Phew.
00:01:37You all right? Yes, sir.
00:01:38Here we go.
00:01:43Gosh, I think my battery's dead.
00:01:44I'll give you a push.
00:01:46Oh, thanks.
00:01:46Only take a second.
00:01:52Tell him to put it in gear.
00:01:54Okay, and when I get it going fast, to let his clutch out.
00:01:58When it's going fast, let your clutch out.
00:02:00All right.
00:02:00Come out and help me.
00:02:01And come out and help me.
00:02:02Not him, you!
00:02:08You all ready?
00:02:08All ready.
00:02:09Here we go.
00:02:10Go ahead.
00:02:29Here we go.
00:02:33Well, thanks.
00:02:34Ever so much, boys.
00:02:38Aren't you going to Florida?
00:02:39Florida?
00:02:40Yes, I hope to go to Florida someday.
00:02:42I hear it's a very, very pretty place.
00:02:44Well, I've got to go in the house now and phone for a battery.
00:02:46Thanks for everything.
00:03:00See what Superman is doing.
00:03:08All right.
00:03:10Listen to this.
00:03:12Free transportation and expenses to Dayton.
00:03:14Phone Evergreen 42120.
00:03:17This is our chance to get out of town.
00:03:19See if there's one for Florida.
00:03:21I'm dying for an orange.
00:03:22You'll have to be satisfied with Dayton.
00:03:25Come on.
00:03:30Come on.
00:03:31436.
00:03:31This is it.
00:03:34It's locked.
00:03:49Another customer.
00:03:50All right.
00:03:50Get that wig on.
00:03:54And ditch that cigar.
00:04:02Hey, the glasses.
00:04:12Good morning, sir.
00:04:13I'm the one that phoned and answered your advertisement.
00:04:15What does he want?
00:04:16We didn't advertise for two.
00:04:17Oh, but we can do the work of one.
00:04:19Well, you see, sir.
00:04:20It just so happens that our old business takes us to Dayton.
00:04:22Then I thought that...
00:04:23We'll see.
00:04:23Come in.
00:04:30This way, please.
00:04:39Aunt Mary.
00:04:41These gentlemen have come in answer to our advertisement.
00:04:53Now what'd that do?
00:04:54Shh.
00:04:58She's all broke up over her boy.
00:05:00What happened to him?
00:05:02Caught a cold.
00:05:03Went like that.
00:05:04Where'd he go?
00:05:06May we offer our deepest sympathies?
00:05:09Mine, too.
00:05:10Thanks.
00:05:10Come this way.
00:05:18Here he is.
00:05:19Cousin Charlie.
00:05:22The sweeter boy never lived.
00:05:26But what has he got to do with the trip to Dayton?
00:05:28He's going, too.
00:05:30With us?
00:05:31No.
00:05:32You're going with him.
00:05:33Ollie, let's go to Florida.
00:05:36I'm sorry, sir.
00:05:37But we couldn't even consider it.
00:05:38My partner and I have some very confidential business to discuss on the way.
00:05:42And, uh...
00:05:43Well, three's a crowd.
00:05:44Goodbye and thank you very much.
00:05:55Well, how do you like that?
00:05:59Gee, they was perfect for it.
00:06:01A stupid pair of jerks I've never seen.
00:06:03Perfect is right.
00:06:04Only a BB head like Joe would let him get away.
00:06:06I didn't think they were so sure.
00:06:07All who asked you to start thinking.
00:06:09Hey, you're asking for a suck on the chin, Frankie.
00:06:11Well, you go ahead and start...
00:06:13Now, shut it out, you guys.
00:06:14You know, Joe, it ain't right to hit a dame.
00:06:16I don't like that crack either, Dobby.
00:06:18Okay, Ma.
00:06:21Look, the police.
00:06:24We'd better go back to that house.
00:06:26What, to the cops?
00:06:26It's better to spend one night with a corpse and 60 days with the cops.
00:06:30Come on.
00:06:37Uh, we've changed our minds.
00:06:39That is, if we could both go.
00:06:41Yeah, I can ride on Ollie's lap.
00:06:43Just a minute, please.
00:06:49Aunt Mary's very anxious to have you gentlemen accompany Charlie.
00:06:52She says you remind her of her two other nephews, Sheldon and Cheesy.
00:06:55Isn't that sweet?
00:06:57I'll give you a hundred bucks for the job.
00:06:58Half when I meet you at the train,
00:07:00and the rest when you deliver Charlie and Dayton.
00:07:02Uh, that's fine.
00:07:03Now, could we have a little something on account?
00:07:05On account if we haven't eaten.
00:07:06Well, here's 20.
00:07:11I'll give you the other 30 when I meet you at the train.
00:07:13It's the afternoon train for Dayton.
00:07:15Four o'clock.
00:07:16We'll be there.
00:07:18Goodbye, ma'am.
00:07:19We'll take good care of Charlie.
00:07:22Goodbye.
00:07:25Goodbye.
00:07:38Okay, Darby.
00:07:40Nice going, Joe.
00:07:41You're handling great.
00:07:44Take it easy.
00:07:45It's the back door.
00:07:46Get it, Joe.
00:07:54What is it?
00:07:55It's me.
00:07:56Tixie.
00:07:57You little rooster.
00:07:59Every year stuck like you old walrus.
00:08:02Greetings, Joseph, my boy.
00:08:03You're looking fit as a fiddle.
00:08:04Apparently, Alcatraz agrees with you.
00:08:06Oh, what was tough.
00:08:07But I can take it.
00:08:08We're glad to see you.
00:08:10Guess who this is.
00:08:12Why, I...
00:08:13I don't believe I've had the pleasure.
00:08:15How do you do, Mrs...
00:08:16Mrs. Frank Lucas.
00:08:17What?
00:08:19How are you, Doc?
00:08:21Well, I declare...
00:08:23Since when have you gone in for History Amish Franklin?
00:08:26Still hanging lace on your language, huh?
00:08:27How you been doing?
00:08:28Why, I...
00:08:29Where do you think I dug up the old croaker?
00:08:30Reading poems in the gypsy joint.
00:08:33Merely a fillion during a financial hiatus.
00:08:35I see.
00:08:36Doc.
00:08:37We got another surprise for you, too.
00:08:41Wait until you see this.
00:08:45Darby Mason.
00:08:47Who got him?
00:08:47The police?
00:08:50No, they never will.
00:08:52We told you, didn't we, Doc?
00:08:55You boys have me at a great disadvantage.
00:08:57This is all very mysterious to me.
00:08:59Didn't Dixie tell you?
00:09:00No.
00:09:00You said you wanted to surprise him.
00:09:01Show him the clipping, Joe.
00:09:03Here.
00:09:08Attorney still seeking Egbert Norton heir to fortune.
00:09:12The will of the late Jasper Rags Norton, aged recluse,
00:09:16who was found dead in a shack at the city dump last year,
00:09:19is to be probated next Thursday.
00:09:22The will bequeathes his entire fortune of $250,000 to his missing nephew, Egbert Norton,
00:09:31but provides that in case he is not located, the entire estate goes to the city for the erection of
00:09:36a new zoo.
00:09:37Anyone knowing his whereabouts is urgently requested to contact attorney Malcolm Kilgore, executor of the estate.
00:09:43Can you imagine using my 250 Gs to K double out of moth eating animals?
00:09:47Your 250 Gs?
00:09:49Dr. Lake, I happen to be Egbert Norton.
00:09:52No.
00:09:53How do you like that for a handle? Egbert?
00:09:57Never mind the cracks, Dixie.
00:09:58Why, it's a veritable bonanza.
00:10:01Oh, but you, you're as hot as a volcano.
00:10:04That's the idea of the wooden overcoat. It's a pushover.
00:10:07Do you remember that sanitarium out near Dayton?
00:10:09Indeed I do.
00:10:10Well, the place is still there, broken down and deserted.
00:10:12And you're going out to oom it up again.
00:10:15That, my boy, would be extremely hazardous.
00:10:17Not for a few days it won't.
00:10:19Oh, we're going to work fast.
00:10:20Now, you and Dixie will take the three o'clock plane out of here.
00:10:22Frankie and me, he'll go on the next one.
00:10:24Yeah?
00:10:25What about Darby?
00:10:26He's going on the train, in the parks.
00:10:28Yeah.
00:10:29Come here.
00:10:30Get the air conditioning.
00:10:31You can open it from the inside.
00:10:33See?
00:10:34Will I get enough air, Doc?
00:10:36Why, of course.
00:10:37During normal breathing, a man's respiration...
00:10:39Never mind the lecture.
00:10:40Will I be breathing when I get to Dayton?
00:10:41You have my guarantee.
00:10:43You see, Darby, we've got nothing to worry about.
00:10:45Yeah, we've got nothing to worry about, eh?
00:10:51Attention all police officers, highway patrols and county sheriffs.
00:10:55Darby Mason is believed trapped in the city.
00:10:57Watch all airports and depots.
00:11:00Repeating his description.
00:11:02He is six feet tall, brown complexion, and when last seen...
00:11:14Cover this end of the platform, men.
00:11:16Keep a sharp lookout.
00:11:20Looks like a police convention.
00:11:22They just come down to see that we leave town.
00:11:24Why, don't they trust us?
00:11:26Gangway, fellas.
00:11:28Oh, look, here's Charlie.
00:11:29Just a minute, sir.
00:11:30We'll help you.
00:11:30We're taking him to Dayton.
00:11:32Okay.
00:11:47Give me a hand.
00:11:53Here, hold that, would I?
00:11:57Clumsy.
00:11:58It slipped.
00:11:59I couldn't help it.
00:12:00That's all right.
00:12:01They can take it.
00:12:02Thanks for the help, fellas.
00:12:06I wonder where Charlie's friend is.
00:12:08I wonder.
00:12:09We'd better go look for him.
00:12:11That's a good idea.
00:12:12We'll go and look.
00:12:22Hey.
00:12:23Oh, hello there.
00:12:24It's nearly train time and we were worried.
00:12:26Yeah, about the other $30.
00:12:28Charlie's right over there.
00:12:29As snug as a bug in a box.
00:12:31Well, here's your $30.
00:12:31Thank you, Bruno.
00:12:32Now get this.
00:12:33Check the coffin through the Dayton.
00:12:34When you get there in the morning, Mr. Draper of the Deluxe Funeral Parlor will meet you.
00:12:38Is that clear?
00:12:41Yes, sir.
00:12:48Hurry it up, boys.
00:12:49We're late.
00:12:51Well, guys.
00:12:53Better step around and tell me we can't hold the train.
00:12:55Yeah, I know.
00:12:55We got tied up in traffic.
00:12:56Well, why do you show folks off and have to wait until the last minute?
00:12:58Suspense, pal.
00:12:59We'll end by it.
00:12:59Start tying them on.
00:13:22Okay.
00:13:31Can I have a costume trunk on, Tommy?
00:13:32Of course, darling.
00:13:33I told you it always goes on first.
00:13:34Just checking it.
00:13:35You won't forget the one time I left in Philadelphia, will you?
00:13:38Well, assisting Uncle Harry in a bathing suit has made a lasting impression on me.
00:13:41On the audience, too.
00:13:43Anything I can get you on the magazine stand?
00:13:45If you wait until I give these to Wilcox, I'll be with you.
00:13:47Here's your ticket. Check him through.
00:13:49Okay.
00:13:49Goodbye, sir.
00:13:50Don't worry about Charlie because...
00:13:53Uh, pardon me. Are you the baggage man?
00:13:55Yeah.
00:13:56Will you check Charlie onto the train?
00:13:57Who's Charlie?
00:13:58Right over there.
00:13:59Yeah, he's going to Dayton.
00:14:00Yeah?
00:14:01Well, he almost missed the train.
00:14:02Yes, sir.
00:14:03He's got plenty of time.
00:14:04Better step on it.
00:14:05Don't get it, sir.
00:14:07Yeah, don't worry about that.
00:14:09Abort!
00:14:38Ten...
00:14:39Ten...
00:14:40Ten...
00:14:40Ten...
00:14:44A tidy little mistake.
00:14:46How about some dinner?
00:14:47I'm getting hungry.
00:14:48Don't be so greedy.
00:14:50We just split a hamburger.
00:14:52And besides, we can eat and date and for half of what it cost in the diner.
00:14:56I know, but I'll be twice as hungry in the morning.
00:14:58Don't becker.
00:15:00By the way, Phillips, have we enough money for expenses in Medford?
00:15:03By Joe, it slipped my mind.
00:15:05How much do you think we'll need, Parker?
00:15:07Oh, I should say a hundred dollars for Spice.
00:15:09I hope you have the necessary dollar bill.
00:15:11Fortunately, I just have one.
00:15:23Did you see that?
00:15:25He put a dollar bill in there and a ten dollar bill came out.
00:15:29Pardon me, gentlemen, but isn't that counterfeiting?
00:15:32Oh, no, no.
00:15:33You look like a man who should be familiar with good United States currency.
00:15:37Up to a certain point.
00:15:39Amazing.
00:15:40Silk threads and all.
00:15:42It's genuine, Stanley.
00:15:44It certainly is.
00:15:54A hundred dollar bill.
00:15:57You think a hundred dollars will be enough, Parker?
00:15:59We'll manage all right.
00:16:00Just what is all this about, sir?
00:16:02Is it possible that men of your apparent intelligence have not heard of the inflato?
00:16:07Well, you see, we've been out of town, haven't we already?
00:16:10Inflato?
00:16:10Yes.
00:16:11That's the name of this little device.
00:16:12Inflato.
00:16:13Taken from the word inflation.
00:16:14It's a spread the wealth project sponsored by the OCC.
00:16:17What's a knock?
00:16:19Knock?
00:16:20OCC.
00:16:21Office of Currency Circulation.
00:16:23Where could we get one of those?
00:16:25We'd only make enough for our bare necessities.
00:16:28And a swimming pool.
00:16:29Yeah.
00:16:30I'm afraid the OCC has issued the inflato quota for the year.
00:16:33We're getting into Medford.
00:16:35Phillips, I've always subscribed to the idea that the American public is 99% honest.
00:16:41And as I have my inflato in my trunk, I think we can let these gentlemen have this one.
00:16:46They look honest.
00:16:48I'll never use another slug in an altar, Matt.
00:16:50Cross my heart.
00:16:52There you are.
00:16:53Thank you, sir.
00:16:54Now, just in case we haven't enough money to carry us through our stay in Medford, would you give us
00:16:57the cash you have?
00:16:58Oh, sure, gladly.
00:17:00There you are, sir.
00:17:01You'd better leave us a dollar to start production.
00:17:03Of course.
00:17:05Two princes.
00:17:07A pair of kings.
00:17:08A couple of jerks.
00:17:11What a stroke of good fortune.
00:17:14It sure is.
00:17:15Let's try it and see what a thousand dollar bill looks like.
00:17:18Think of what we can do for our country, you and I.
00:17:21An inflato.
00:17:23Inflato, stupid.
00:17:25We can take the whole world out of bankruptcy.
00:17:28Our watch is out of hock.
00:17:29There'll be no more poverty.
00:17:31It'll stop all crime.
00:17:33You know what?
00:17:34We can put every cop on a pension.
00:17:37Except those two of the pinchers, you remember?
00:17:39I wouldn't...
00:17:40I'll grind out millions.
00:17:42Billions for our people.
00:17:44Night in, night out.
00:17:46Day in, day out.
00:17:48As long as this good right arm...
00:17:53Has the strength to carry on.
00:18:19There's no further need for thrift, Stanley.
00:18:22I know, but it might rain tomorrow.
00:18:33Enjoying your dinner, gentlemen?
00:18:34Yes, indeed.
00:18:35How much is the check?
00:18:36Now, let me see.
00:18:37Two number sevens and two number eights.
00:18:40With a couple of New York steaks and a couple of cigars.
00:18:42Which comes to 680 even.
00:18:45Very, very reasonable.
00:18:47It certainly is.
00:18:59There you are, my good man.
00:19:01Give me a dollar and keep the rest.
00:19:14Yes, sir.
00:19:16This sure is a good trick.
00:19:18But you all can't pass stage money on me.
00:19:22Stage money?
00:19:23Stage money?
00:19:32Something's happened to inflato.
00:19:34Ordinarily, this machine produces millions.
00:19:36While you wait.
00:19:37Now, if you gentlemen are serious, I've got to go and report this.
00:19:41Give it another whirl on it.
00:19:42Let me try it.
00:19:43Yeah.
00:19:44We'll see.
00:19:45Wait a minute.
00:19:45Maybe I'll help you.
00:19:46Let me try it.
00:19:47See if I can get the signal.
00:20:02What kind of a phone are you guys trying to pull here, anyway?
00:20:05Something's gone wrong with inflato.
00:20:07Yeah, it's got him by the throat.
00:20:13Very funny.
00:20:14Now, just cough up $6.80.
00:20:18This thing's supposed to print money.
00:20:20With silk worms and everything, isn't it, Ollie?
00:20:23I've heard some dillies in my years on this road,
00:20:25but this one wins the marbles.
00:20:27Now, you guys dig up the dough or off you go at the next stop.
00:20:30Now, just be patient.
00:20:31I'll get the money out of here.
00:20:32What are you trying to do?
00:20:33Insult my intellect?
00:20:35Tell Vince to stop at Milledgeville.
00:20:38Blackguard.
00:20:39And his name fits him, too.
00:20:41Say, we'd better go and find those two gentlemen
00:20:43before we get to Milledgeville.
00:20:44Yes.
00:20:45I should say so.
00:20:53Oh, gracious, look how they stay on.
00:20:56Oh, jeez.
00:20:57Thank God.
00:20:58Don't play magic there.
00:21:00Try it.
00:21:00Why they stay on?
00:21:01They don't stare.
00:21:02Do another one, Mr. Dandy, please.
00:21:05All right.
00:21:08What is this?
00:21:09Sugar.
00:21:10Are you sure?
00:21:11I'm positive.
00:21:13You watch me.
00:21:14I'll cover it with a napkin.
00:21:15Is that right?
00:21:16Yes.
00:21:17Sim Salabim.
00:21:21Would you like to see another one?
00:21:22Oh, yes.
00:21:24Here's another one I do with sugar.
00:21:26Sugar?
00:21:26Yes.
00:21:27Well, now, you just watch this.
00:21:29And it's empty?
00:21:29Yes.
00:21:30Yes.
00:21:31This time, you say Sim Salabim.
00:21:34Sim Salabim.
00:21:35Good.
00:21:38I died.
00:21:39How cute.
00:21:41You.
00:21:41That's sweet.
00:21:43Oh, my.
00:21:44Oh, my.
00:21:45You like that?
00:21:45Yes.
00:21:46Well, there you are.
00:21:47You take good care.
00:21:48Oh, thanks a lot, Mr. Dandy.
00:21:50You're welcome.
00:21:51Did you change, sir?
00:21:52That's for you, son.
00:21:53Oh, thanks.
00:21:54And here are a couple of passes for my show.
00:21:56Oh, thank you.
00:21:57You're welcome.
00:22:01Thank you, sir.
00:22:01Pardon me, sir.
00:22:02But have you seen two gentlemen about this tall?
00:22:04It's very important.
00:22:05I don't believe I have.
00:22:06Thank you, sir.
00:22:08Well, if it isn't Buffalo Bill.
00:22:10My dad used to tell me about you.
00:22:12You've seen the picture of Buffalo Bill.
00:22:14Haven't you?
00:22:14Sure, on the back of a nickel.
00:22:15I didn't recognize you.
00:22:17Sir, those are a lot of fun.
00:22:19Not for us, they're not.
00:22:20Have you got an inflato?
00:22:21I used to have one.
00:22:22What was that you called it?
00:22:24Inflato.
00:22:25Taken from the word inflation.
00:22:26Money just poured out of that when the gentleman sold them does.
00:22:29Yeah, it was a good buy for $50 before he went haywire.
00:22:32You mean to say you paid $50 for this?
00:22:34Now, $49.
00:22:35We've got a dollar tied up in the gears.
00:22:37I haven't seen one of these for ages.
00:22:39Where have you been?
00:22:40Do you belong to the OCC?
00:22:42I'm a magician.
00:22:43A magician?
00:22:46I used to dabble in the art of legend domain myself.
00:22:51Take a card.
00:22:53Any card.
00:22:54Now, look at it.
00:22:55I have it.
00:22:56Place it in your pocket.
00:22:58Now, concentrate very, very deeply.
00:23:01He's been fooling me with this for years.
00:23:03Yeah, ace of spades.
00:23:04All right, George, that's marvelous.
00:23:06Card, please.
00:23:07You'll find it in your friend's hat.
00:23:15Say, that's wonderful.
00:23:16How'd you do it?
00:23:17It's a secret.
00:23:22It's a secret.
00:23:24All right, you guys, stop bothering Mr. Dandy here.
00:23:27We're getting into Millageville, and that's where you get off.
00:23:30We'll pay you when we get Charlie to Dayton.
00:23:32Sure.
00:23:33Why are you putting them off?
00:23:34Oh, they just tried to beat a dinner bill for $6.80.
00:23:38We did not.
00:23:39I assure you that our intentions were perfectly honorable.
00:23:43I'll pay that bill.
00:23:44Well, that's up to you.
00:23:46But for my dough, you're just encouraging a couple of con men.
00:23:49I'll take that chance.
00:23:50That's where you get off.
00:23:53Sorry, boys, but you can buy these at any novelty shop for a dollar and a half.
00:23:56And you mean we've been victimized?
00:23:58I'm afraid so.
00:23:59Ollie, we've been cheated.
00:24:00How can we ever repay you?
00:24:02With the $50 we're going to get for Charlie.
00:24:05We can give him what...
00:24:06Are you stopping in Dayton?
00:24:07Yes, I'll be playing there at the Temple Theater.
00:24:09And we'll see you tomorrow.
00:24:10You've been very kind.
00:24:11Thank you, sir.
00:24:12Goodbye.
00:24:12Goodbye, Bill.
00:24:13Goodbye.
00:24:29Hello, operator.
00:24:30I want to talk to attorney Malcolm Kilgore in Dayton at Riverdale 34786.
00:24:35Tarvey got in all right.
00:24:36Dixie phoned.
00:24:37He's on the way over now.
00:24:39What?
00:24:40This is Dr. Trevelyan at the Ferndale Sanitarium.
00:24:42All right.
00:24:43I'll hold the line.
00:24:51Yes, yes, this is Kilgore.
00:24:53This is Dr. Bradley Trevelyan of the Ferndale Sanitarium.
00:24:57A few days ago, I read an item in the newspaper regarding Egbert Norton.
00:25:01Have you some information regarding him?
00:25:03Well, I have a patient here.
00:25:05Apparently the victim of a hit-and-run driver.
00:25:07For three weeks now, he's been hovering between life and death.
00:25:10This morning, he spoke for the first time.
00:25:12Said he was Egbert Norton.
00:25:15Identify himself?
00:25:16Oh, I suppose he can.
00:25:18But won't you recognize him when you see him?
00:25:20Well, Egbert Norton ran away from home when he was a boy.
00:25:23As a consequence, I've never seen him.
00:25:24However, he should be able to identify himself by a very unusual ring given him by his uncle.
00:25:29That is, if he still has it.
00:25:31Of course, I have a duplicate of the ring in my possession.
00:25:34Why, yes, he does have an unusual ring.
00:25:37I happened to notice it when I addressed an abrasion on his arm.
00:25:41That sounds very encouraging, Doctor.
00:25:42When can he come to my office?
00:25:43Well, in his condition, a trip to town at this time might have very serious consequences.
00:25:48But on the other hand, a visit from you might be very helpful to the boy.
00:25:54Fine.
00:25:54We're located in Ferndale, on the road to Cincinnati.
00:25:58Hmm?
00:25:59Say, uh, one o'clock?
00:26:01Oh, that'll be quite satisfactory.
00:26:03Yes, I'll see you then, sir.
00:26:04Goodbye.
00:26:07Well, gentlemen, that called for a drink.
00:26:10Ah, is anyone a bottle?
00:26:23It's Dixie.
00:26:27Hiya, fellas.
00:26:28You got him?
00:26:28He's in the box.
00:26:29Nice going, Dixie.
00:26:30Steady.
00:26:31Come on, give us a hand, Doc.
00:26:33Easy now, easy.
00:26:34Keep punching there, Darby, old boy.
00:26:36I'll be out of there in a shake.
00:26:37Gently now, gently.
00:26:38Are you breathing, Darby Pound?
00:26:39If he ain't, we're all dead gooses.
00:26:42Geese.
00:26:42Watch out for the first step, man.
00:26:44All right.
00:26:44Don't touch it.
00:26:47You're putting all the weight on me.
00:26:48Never mind, Doc.
00:26:49Bring it over here.
00:26:49Put it down.
00:26:50That's it.
00:26:51All right, Darby, you're home.
00:26:52Open up, Darby.
00:26:53You're most friends.
00:26:54Darby!
00:26:57Darby!
00:26:58I'll get my respirator.
00:26:59Get me a jimmy!
00:26:59Get out of the way.
00:27:02Come on, help him here.
00:27:03All right.
00:27:04There we are.
00:27:07Come on.
00:27:08Well, can you tie that?
00:27:09Boy, you sure spoil fast.
00:27:11You must hate something.
00:27:14This is a mummy.
00:27:15An imitation one at that.
00:27:17You wouldn't be pulling a fast one, would you, Dixie?
00:27:19Who, me?
00:27:20Have you blown your topper?
00:27:21Come on.
00:27:22Where's Darby?
00:27:23I don't need...
00:27:23Hold it, Joseph, my boy.
00:27:24I've just made a very significant discovery.
00:27:27These handles belong to Dante, the magician.
00:27:29You mean he made Darby disappear?
00:27:32Inadvertently, yes.
00:27:33Find out if Dante's playing Dayton this week.
00:27:35I know he is.
00:27:35I read where he's at the Temple Theater, starting today.
00:27:37Then my deduction is correct.
00:27:39This must be Dante's coffin.
00:27:40By coincidence, identical with ours.
00:27:42Let's go, Temple Theater!
00:27:43Hold on, wait a minute.
00:27:44Wait a minute.
00:27:44We must do this with the utmost care.
00:27:47Now, any one of you might be recognized.
00:27:49Since I can walk the streets with reasonable impunity,
00:27:51I think I'm the logical one to go.
00:27:54Yeah.
00:27:55I guess he's right.
00:27:56Mr. Kilgore, I almost forgot.
00:27:58Come on.
00:28:02Hello, operator.
00:28:03Get me Riverdale 34786.
00:28:06Mr. Malcolm Kilgore.
00:28:07Hurry, please.
00:28:09Yes, yes.
00:28:11The relapse.
00:28:13Oh, that's too bad, Doctor.
00:28:15Tomorrow?
00:28:16I think I can make that.
00:28:17Same time?
00:28:19Good.
00:28:20I'll be there.
00:28:44Just a minute.
00:28:45Where are you guys going?
00:28:46Now, we have an appointment with Mr. Danty.
00:28:48He didn't leave any word.
00:28:49We owe him some money.
00:28:51You owe Danty money?
00:28:52Ha!
00:28:53That's all I have.
00:28:54Yes, and we're going to pay him, too.
00:28:56Yeah, and that's a bigger letter.
00:28:57One hundred, two hundred, three hundred, four hundred.
00:29:01Pardon me, miss.
00:29:03Could you tell me where I can find Mr. Danty?
00:29:05On the stage, I think.
00:29:06Thank you very much.
00:29:13Stand right.
00:29:14You touch everything you see.
00:29:22Let that alone.
00:29:41Oh, Mr. Danty.
00:29:42Well, hello.
00:29:43We came to pay you the money we owe you.
00:29:45Oh, thank you.
00:29:46Don't mention it.
00:29:47Gee, it's too bad nobody showed up to see you.
00:29:49But we'll stay.
00:29:51Everything's ready, Mr. Danty.
00:29:52Good.
00:29:53And this is Tommy White, my stage manager, boys.
00:29:55Oh, that's my name.
00:29:56You do.
00:29:57And this is my associate, Mr. Laurel.
00:29:59How'd you do?
00:30:02Glad to know you.
00:30:04Why?
00:30:05George, bring that booth forward.
00:30:07Yes, sir.
00:30:09Right about there.
00:30:10That's good.
00:30:11Having telephone trouble?
00:30:12No, just a little experiment of mine.
00:30:15Gee, you're awful late.
00:30:16You know we've had telephones for years, haven't we, Ollie?
00:30:19It's an illusion, silly.
00:30:21Oh.
00:30:21Could I be of any help to you?
00:30:25Well, we might try the illusion.
00:30:27Is everything ready, Tommy?
00:30:28Yes, I think so.
00:30:30If one of you gentlemen step into that left-hand booth there,
00:30:32I think we can give it a try.
00:30:33Oh, the tickle delighted.
00:30:35Yes, sir.
00:30:35I certainly will.
00:30:37Oh, I'm sorry, Ollie.
00:30:40Look, there's a booth over there.
00:30:47I won't be a minute, Ollie.
00:30:49That's quite all right.
00:30:56You got two dives for a nickel?
00:30:58Yes.
00:31:00There you are.
00:31:01Thank you, Ollie.
00:31:02You're quite welcome.
00:31:10Can I have a little privacy?
00:31:12I'm terribly sorry.
00:31:13No!
00:31:28Well, it works all right, Tommy.
00:31:31Sure does.
00:31:39It's a perfect illusion, Mr. Dandy.
00:31:41But where is Stanley?
00:31:56Come on, Ollie.
00:31:59Wasn't that a cute trick, Ollie?
00:32:02Tommy, they might get us some laughs in the show.
00:32:05Yeah, we could sure use a few, too.
00:32:07Engage them.
00:32:08Boys, how would you like to work for Mr. Dandy?
00:32:11Well, I've had no experience.
00:32:13I've had enough for both of us.
00:32:15How about 25 a week?
00:32:16Well, that's agreeable.
00:32:17To start.
00:32:18Not with me, it isn't.
00:32:19What do you mean, not with you?
00:32:20I want 40 a month or nothing.
00:32:23Take it or leave it.
00:32:24Okay, we leave it.
00:32:25Okay, we'll take it.
00:32:26I want to fit you out with some costumes.
00:32:28Mr. White, you may depend upon me
00:32:30for the greatest performance of my career.
00:32:33Okay, boys, follow me.
00:32:34Come, Stanley.
00:32:38Stanley!
00:32:43Come on here.
00:32:47Okay, boys, take it away.
00:33:00Let's go.
00:33:36Hold still, Uncle Harry.
00:33:38All right.
00:33:39Excuse me, Mr. Dandy.
00:33:39There's a couple of gentlemen out here to see you.
00:33:41All right, Tommy.
00:33:45Well.
00:33:51How do you like us, Mr. Dandy?
00:33:52Fine.
00:33:53Look.
00:33:58You look like a page out of the Arabian Nights.
00:34:01Ollie looks like the whole book.
00:34:03I should.
00:34:05Well, I guess everything's all set.
00:34:07Now, if you'll get me a goldfish bowl,
00:34:09two white rabbits, and a glass derby,
00:34:10I think I'll start to show you.
00:34:11Wait a minute.
00:34:12You just follow Mr. Dandy's instructions.
00:34:14In the meantime, you can help us set up some props.
00:34:16Anything you say.
00:34:18Within reason.
00:34:19Goodbye.
00:34:20Goodbye.
00:34:23All right, boys.
00:34:24You can pick up this table
00:34:25and put it over in the other entrance.
00:34:26Yes, sir.
00:34:35It's real.
00:34:36T-Bone.
00:34:37Oh, boy.
00:34:52Oh, boys.
00:34:53Please don't go for the props.
00:34:54The most amazing thing just happened.
00:34:56You'd never believe it.
00:34:57Now, listen.
00:34:58Will you just stand over on the other side out of the way?
00:34:59Eddie.
00:35:00Yes.
00:35:00Get that other bird.
00:35:07Clumsy.
00:35:10Ooh.
00:35:11Oh.
00:35:12Just a minute.
00:35:13Yes, sir.
00:35:14Come in here.
00:35:15I want to talk to you.
00:35:16Yes, sir.
00:35:17At your service.
00:35:23Where's that coffin?
00:35:25Coffin?
00:35:25Yeah, in Dark Lake.
00:35:27Dark Lake?
00:35:28I want that coffin.
00:35:29Get me.
00:35:30He means the coffin.
00:35:32Oh, the coffin.
00:35:33Oh, well.
00:35:34Can't that chatter and start singing.
00:35:42Me, me, me, me, oh, ho, ho, ho, ho, ho, ho, ho, ho.
00:35:46Me, me, me, me, me, me, me, me, me, me, me, me, me.
00:36:00What are you doing here?
00:36:02That's what I'm gonna ask you after I find out where the box is.
00:36:04Why, we gave it to you, don't you remember?
00:36:06Why aren't you at the funeral?
00:36:08The box you gave me didn't come from Atlanta.
00:36:11Oh, yes it did, and we can prove it.
00:36:13Show him the baggage receipt, Stanley.
00:36:14Oh, I left it in my other clothes, I'll go get it.
00:36:16Oh, no, you won't.
00:36:18Get away from that door.
00:36:20What are you doing down here?
00:36:21Yeah, what's the idea?
00:36:22Same as yours.
00:36:24I followed Doc Lake in case he needed me.
00:36:26Yeah?
00:36:27Well, that's a good enough help for me, too.
00:36:28That's the man that hired us.
00:36:31So it is.
00:36:32Charlie had a very comfortable trip.
00:36:36You two wouldn't be pulling a little double cross, would you?
00:36:39I'm protecting my cut.
00:36:41I'm not so sure you're not pulling the fast one with Doc.
00:36:44Well, you're asking for it.
00:36:47My fingers is itchy as you're Frankie.
00:36:49You men ought to be ashamed of yourself, quarreling over a dead man.
00:36:53He'll show up somewhere.
00:36:56Boys, I'm gonna let you down a little secret.
00:36:58We're college men.
00:37:00The man in that box wasn't really dead.
00:37:02It's an initiation.
00:37:04Oh, a fraternity.
00:37:06Yeah, a secret fraternity.
00:37:07Well, you can trust us.
00:37:09Yeah, we used to belong to a lodge, didn't we, here?
00:37:11Oh, well, then you understand.
00:37:13Now, the coffin I sent you with got mixed up with the magicians.
00:37:15It's around here somewhere.
00:37:17Now, you gotta find it before Charlie suffocates.
00:37:19That's right.
00:37:19He could be as physics at Fixies.
00:37:22He could stop breathing.
00:37:25Just in case you guys ain't so dumb as you act.
00:37:28You better dig up that box or you're a couple of dead turks.
00:37:32Whoa, whoa, whoa.
00:37:33We'll find it all right.
00:37:34Just wait here.
00:37:34Whoa, whoa, whoa, whoa.
00:37:36Oh, oh, oh.
00:37:36Yes, sir.
00:37:37Oh, oh, oh, oh.
00:37:58Sim Salabim.
00:37:59Good afternoon, ladies and gentlemen, boys and girls.
00:38:02In presenting these illusions, it is our purpose to entertain you and mystify you,
00:38:06if that is possible.
00:38:08And now I have pleasure in presenting Margo, the Magic Maid.
00:38:16That's funny. She never missed a performance before.
00:38:19There I am, Mr. Dante.
00:38:20Oh, there you are.
00:38:25Close your eyes and think of sleep.
00:38:50Rigid.
00:38:52Rigid.
00:39:07¶¶
00:39:37¶¶
00:40:05¶¶
00:40:28¶¶
00:40:29There she rests. She could remain there for hours, should I so desire. But watch. Margo, hear me. Are you
00:40:39ready? Then, go!
00:40:57¶¶
00:41:03¶¶
00:41:04Oh, Charlie.
00:41:11¶¶
00:41:12Oh, Jesus.
00:41:14Oh, Charlie.
00:41:22¶¶
00:41:26Charlie.
00:41:32¶¶
00:41:32What are you doing up there?
00:41:34Come up here.
00:41:44What's the matter?
00:41:44I can't see through the window.
00:41:46Why, it's a painted window, you dope.
00:42:05Now look what you've done. Come on.
00:42:20Come on.
00:42:30Come on.
00:42:37I think we're being played for suckers by those two yaps. Nobody could be as dumb as they make out.
00:42:42Give em a couple more minutes if you can bet me they're cutting. And then they're doing the same.
00:42:44with Doc Lake and Darby.
00:42:47Maybe you've got something there.
00:42:48Wait a minute, Joe.
00:42:49Where are you going?
00:42:50Telling those two mugs.
00:42:52And where are you going?
00:42:54I'm telling you.
00:42:55And I don't trust either one of you.
00:43:07You better spread out.
00:43:08Okay, but no fast ones.
00:43:17Hello, Lieutenant.
00:43:18Hi, Bob.
00:43:19Is there a fellow named Tom White with this troop?
00:43:21Yes, he's Danny's stage manager.
00:43:22You'll find him in the wings.
00:43:23Thanks.
00:43:24Anything wrong?
00:43:25No.
00:43:28Excuse me.
00:43:29Yes, sir.
00:43:31Charlie.
00:43:50How are you, Mr. White?
00:44:03You've got a lot of nerve coming back to Dayton Tower.
00:44:05I know, but I couldn't help it.
00:44:06Didn't you and I have a deal?
00:44:07Yes, Mr. Foster, but I've got this job and we're booked here.
00:44:10But you were supposed to stay away from Dayton.
00:44:12Well, I had to bring the show in.
00:44:14I'm sorry, kid, but I'll have to take you down to headquarters.
00:44:18Gee, you've got to give me a break, Mr. Foster.
00:44:20I'm making good here in this job.
00:44:22Besides, there's something more important.
00:44:23I'm getting married.
00:44:24Oh, she's a fine girl.
00:44:25She doesn't know I've been in a jam.
00:44:28Look, we're only going to be here a week if you'll let me stay.
00:44:30I promise I'll never come back again.
00:44:32Word of honor.
00:44:35I'm not much of a gambler, Tommy,
00:44:36but I'm going to take a flyer on you just this once.
00:44:40Thanks.
00:44:40You won't regret it.
00:44:42Okay, but I'll be around, just in case.
00:44:54I wonder what he did.
00:44:55I don't know.
00:44:56I'll bet you Margo's a girl he's going to marry.
00:45:00Honest?
00:45:02But what's wrong with that?
00:45:04She's a wonderful girl.
00:45:06I don't.
00:45:07Well, what are you crying about?
00:45:08I was falling in love with him myself.
00:45:11Oh.
00:45:14Oh, I love him.
00:45:20Did you see who's planted at the stage door?
00:45:24Foster.
00:45:25Somebody stiffed him off on Darby.
00:45:27Those two stoops, I bet.
00:45:28I'll take care of them.
00:45:29First, we've got to get Darby out of here.
00:45:31All right.
00:45:32Be careful.
00:45:33That plat foot don't say yes.
00:45:34Come on.
00:45:37Charlie.
00:45:38Charlie.
00:45:47Oh, boy.
00:45:48He's waiting.
00:45:49No.
00:45:54Oh, my God.
00:45:59Oh.
00:46:00Oh, boy.
00:46:01Oh, boy.
00:46:01Oh, boy.
00:46:03Oh, boy.
00:46:05Oh, boy.
00:46:07Oh, boy.
00:46:08Oh, boy.
00:46:21Ladies and gentlemen, boys and girls,
00:46:24for your pleasure, my assistants and I will present the famous Hindu rope trick.
00:46:36The rope in this basket is controlled by the mysterious music of India,
00:46:40which I shall ask Sahib Alaba to play on the magic musette.
00:46:49Now?
00:46:50Now.
00:46:58Now.
00:47:01Now.
00:47:28There it is and there it will remain as long as the magic music continues.
00:47:32To test the rope, I shall ask Sahib's stand to climb it, if you please, Your Excellency.
00:48:06Hey, Oli, look.
00:48:11Ah!
00:48:22Keep playing Oli.
00:48:31Oh, oh, oh, oh.
00:48:55Oh, oh, oh, oh, oh, oh, oh, oh.
00:49:24Oh, oh, oh, oh, oh.
00:49:45Good work, fellas. You're terrific.
00:50:21Close the door!
00:50:33Hurry up, Mac. The third cabinet goes on next.
00:50:35Cover it up.
00:50:47What's the matter with this thing?
00:51:06You better all up this. Let's have to the show.
00:51:15Please, sir. You can't do that.
00:51:18Are you trying to tell me how to do this?
00:51:20Yes, sir. You see, Ollie and I...
00:51:22Spam! Spam!
00:51:23Spam!
00:51:23Spam!
00:51:28Spam!
00:51:41Spam!
00:51:43Spam!
00:51:49Spam!
00:51:50Spam!
00:51:51Spam!
00:51:52Spam!
00:51:54Spam!
00:51:56Spam!
00:51:57Spam!
00:51:59Spam!
00:52:02Spam!
00:52:03Spam!
00:52:11Spam!
00:52:13Spam!
00:52:23Spam!
00:52:24Spam!
00:52:30Spam!
00:52:32Spam!
00:52:33Spam!
00:52:35Spam!
00:52:42Spam!
00:52:43Spam!
00:52:44Spam!
00:52:47Spam!
00:52:48Spam!
00:52:49Hanging on the ceiling.
00:52:51Cut the kitten, Joe.
00:52:52Come on.
00:53:06What are we going to do?
00:53:07That magician does the trick and uncovers Darby where Cook.
00:53:10I don't know about you guys, but I'm landing it.
00:53:18How are we going to get past the cop at the door?
00:53:24Here come the stoops.
00:53:25They'll know another way out.
00:53:27Get back.
00:53:34Now, don't be too hasty, gentlemen.
00:53:35We couldn't find your friend anyway.
00:53:37Take it easy, chum.
00:53:37We're not going to hurt you.
00:53:38He's probably left for now anyhow.
00:53:40We never told a soul, didn't we all?
00:53:42Good.
00:53:43Now we'd like to get out of here.
00:53:45Why don't you go out the stage door?
00:53:46Because we're not going there, Joe.
00:53:49It's a little embarrassing.
00:53:50There's a student out there that we owe some dough to,
00:53:52and we ain't got it.
00:53:54We thought, well, maybe you boys might be able to show us another way out.
00:53:57Well, there's a window on the third floor.
00:53:59You can make the sidewalk in one jump, can't you, Ollie?
00:54:03One jump.
00:54:09There's an exit door way in the back.
00:54:13How do we get to it?
00:54:14I think you can reach it through here.
00:54:16That's swell.
00:54:17Thanks.
00:54:20Get out.
00:55:09And if the man you owe the money to shows up, I'll tell him you've left town.
00:55:13Now remember, keep your traps shut about this.
00:55:19Well, I've been swallowing you.
00:55:21Same to you.
00:55:22Hope to meet you sometime.
00:55:24You know, those college boys are sure funny fellas.
00:55:26Say, we'd better get back.
00:55:27Maybe we'll hold them to show up.
00:55:28That's right.
00:55:29Coming through, please.
00:55:34You ought to watch this next number from out front, Mr. Foster.
00:55:36It's a great trick.
00:55:38Yeah?
00:55:39Pick a will.
00:55:40You can get to the lower box right through that door there.
00:55:42Thanks.
00:55:47Tommy.
00:55:48Who was that man you were talking to?
00:55:50He's been hanging around here all day.
00:55:52Well, he's the fellow I met when I was here last time.
00:55:55Tommy, what's the matter?
00:55:57Nothing.
00:55:57Nothing.
00:55:58Now look, you better make your change.
00:55:59You're gonna be late.
00:56:00Hurry.
00:56:01Okay.
00:56:05Excuse me.
00:56:14My next illusion, ladies and gentlemen, is the famous Egyptian invisible transfer.
00:56:20I call your attention to the coffin suspended from the ceiling of the theater.
00:56:25Much, I'm scared.
00:57:07In this demonstration, ladies and gentlemen, I shall endeavor to pass my subject through atomic space into the coffin above
00:57:14before your very eyes.
00:57:26Oh, my God!
00:57:57Let's go.
00:58:24Let's go.
00:59:08I'll bet that's Charlie.
00:59:10Keep your seats, everybody.
00:59:11Stay right where you are.
00:59:12And don't move a thing on that stage.
00:59:24Right through the heart.
00:59:27This man's been murdered.
00:59:29What?
00:59:30No one leave the theater.
00:59:32Usher's guard the doors.
00:59:33Don't let anybody out.
00:59:34Drop the curtain.
00:59:40Where are you going?
00:59:41You can't come in here.
00:59:42Something's happened.
00:59:43I'm an attorney.
00:59:44According to the laws of this state,
00:59:45I have a right to enter
00:59:46in the interest of a client.
01:00:16Do you know who he is?
01:00:17Yeah, I know who he is.
01:00:18You get on the phone to headquarters
01:00:19and tell him to send some men
01:00:19down here right away.
01:00:21So, you're only going to stay
01:00:22and date in a week, huh?
01:00:23Well, I...
01:00:24I don't suppose you remember
01:00:25your old pal, do you?
01:00:26Why, Tommy had nothing to do with it.
01:00:29He's been right here
01:00:29in the theater working.
01:00:31You can't think Tommy
01:00:32would do a thing like that.
01:00:33I know how you feel, lady.
01:00:35But Mr. White here
01:00:36hasn't told you a couple of things
01:00:37he should have.
01:00:39Oh, he's right, Margo.
01:00:40I should have told you
01:00:41a long time ago.
01:00:43This is Doc Blake.
01:00:44He used to run a sanitarium here
01:00:45and I worked as his assistant
01:00:46while I was going
01:00:47through medical school.
01:00:48I didn't know we were
01:00:49mixed up with a gang
01:00:50until they arrested us.
01:00:51Then I found out
01:00:52we were treating gunshot wounds
01:00:53without making a report
01:00:54to the police.
01:00:55just a victim of circumstances.
01:00:57As usual.
01:01:00Officer,
01:01:01that man was killed
01:01:02before he was put in the coffin.
01:01:04Who says so?
01:01:05You said he was shot
01:01:05through the hodge.
01:01:06That bullet headed
01:01:07at the top of the coffin.
01:01:09I'm doing the mastermind
01:01:10in this show, Mr. Daddy.
01:01:12And by the way,
01:01:12hand over that gun
01:01:13you fired at the coffin.
01:01:14I'm holding you, too.
01:01:16Ridiculous.
01:01:20Stand me.
01:01:20It's been up.
01:01:27Oh, Stanley!
01:01:30Stanley!
01:01:32Oh, Stanley!
01:01:34Oh, Stanley!
01:01:37Well, what happened, sir?
01:01:40Somebody slugged me.
01:01:41Oh, well, that's too bad.
01:01:42We'd better tell Mr. Daddy about it.
01:01:44Mr. Daddy!
01:01:45Oh, Mr. Daddy!
01:01:46Somebody slugged
01:01:47this gentleman back there.
01:01:48Yeah?
01:01:49Well, what do you know
01:01:49about the killing?
01:01:50Nothing.
01:01:50I was in the audience.
01:01:52Look, I'm an attorney at law.
01:01:53My name is Malcolm Kilgore.
01:01:54I'm here looking
01:01:55for a client of mine,
01:01:56Egbert Norton.
01:01:57I know.
01:01:57I'll bet those college boys did it.
01:01:59They're always playing
01:02:00practical jokes.
01:02:01What college boys?
01:02:02The ones who were looking
01:02:03for the coffin.
01:02:03There were three of them.
01:02:04Well, where'd they go?
01:02:05I'm asking the questions.
01:02:06Now, what have college boys
01:02:07got to do with this?
01:02:08I don't know,
01:02:08but they all had guns.
01:02:09They went out the rear exit
01:02:10through the Hawaiian teepee.
01:02:12Wait a minute.
01:02:13You mean the Sal C. hut?
01:02:14Yeah.
01:02:14Listen, we'd better hurry
01:02:15if you want to question them.
01:02:16It's going to be too late.
01:02:20Right through here.
01:02:21Don't go in there.
01:02:22Oh, no.
01:02:25Oh, no.
01:02:27Hey, help, help.
01:02:29Somebody get it.
01:02:30Get away, get away.
01:02:33Get away.
01:02:34Get away.
01:02:35Get away.
01:02:40Go on, this way.
01:02:45All right, Buck.
01:02:46Where'd you tell him?
01:02:47He's in the basement.
01:02:48I'll show you.
01:02:49Let him cover that door.
01:02:49Come on.
01:02:50Hey, get that door.
01:02:53Get that door.
01:02:55Get that door.
01:02:56Get that door.
01:02:56Get clear.
01:02:56All right.
01:02:57Come on.
01:02:59Come on.
01:02:59Wait a minute.
01:03:00Oh, no.
01:03:00Yes, don't.
01:03:01Anything wrong, Lieutenant?
01:03:03No.
01:03:04Put the cuffs on these yeggs.
01:03:05Peek at that guy in the cage.
01:03:06All right, you birds.
01:03:08Well, looks like you got your men, Lieutenant.
01:03:10And thanks for getting my man for me.
01:03:12Your man?
01:03:12That's Dobby Mason.
01:03:13That's right.
01:03:14So he's your client.
01:03:15Tell him, Dobby.
01:03:16This guy, Steve Barnes, a federal dick.
01:03:19Why don't you let a guy in on it?
01:03:20I'm sorry, Foster, but I had to produce an imaginary inheritance to smoke this guy out.
01:03:24You mean it was all a phony?
01:03:25That's right.
01:03:26I did it all with mirrors.
01:03:27My apologies, Mr. Banty.
01:03:29And what happened to poor old Uncle Jasper?
01:03:31Did he really kick off?
01:03:32No, that was a phony, too.
01:03:33He's an Alcatraz.
01:03:34Good.
01:03:35I always liked the old stinker.
01:03:37He'll be glad to see you, too.
01:03:38Now, why did you kill Doc Lake?
01:03:40Because they tried to double-cross me.
01:03:42When they dumped me here this morning, I got out of the box.
01:03:44When I heard somebody coming, I ducked out of sight.
01:03:46Doc Lake comes sneaking along.
01:03:48He takes a look around and pulls out his cannon and thinking I'm still in the coffin pumps a slug
01:03:51in it.
01:03:52Then he starts to scram and I let him have it.
01:03:55So for a laugh, I stuck him in the coffin just to show him he can't make a monkey out
01:03:58of me.
01:03:59I'm sorry I messed up your show, pal.
01:04:01It was pretty good.
01:04:03Thanks.
01:04:04Well, we'd better get going, Dobby.
01:04:06You've got a long ways to travel.
01:04:11Oh, Stanley!
01:04:13Oh, Stanley!
01:04:24Why don't you answer me?
01:04:28Oh, I'm coming, Ollie.
01:04:30Where are you?
01:04:32Oh, Ollie, come and get me.
01:04:34Oh, get me out of here, Ollie.
01:04:38Oh, help me, Ollie.
01:04:40Get me out.
01:04:41Here I am, Ollie.
01:04:44I'm here.
01:04:45Oh, get me out of here.
01:04:48Oh, man, this is me.
01:04:53Oh, get me out of here.
01:04:57Oh, look at me.
01:04:59Oh, look at me.
01:05:02What are you laughing at?
01:05:11Simsalab, gild.
01:05:13Simsalab.
01:05:14Simsalab.
01:05:23Simsalab.
Comments