- 12 hours ago
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00:26Two little girls went out one night
00:31They gave everyone the most terrible fright
00:35What happened next they'd rather not say
00:39They closed their eyes and wished it away
00:43Booker, we need to erase the line
00:46They can't outrun it, it haunts them still
00:57Separate, but inseparable
01:15They can't outrun it
01:47She came from nowhere
01:48She came from somewhere Rob and I know she's dead
01:52We'll just, we'll, you know, we'll just, we'll just have to move her
01:55Move her?
01:56Yeah, you know, like cover up, hide her
01:59Stop it
01:59Okay, come on, help me
02:01No
02:02Help me
02:02Fuck, I was driving, I was driving
02:05I'd been drinking
02:07Well then
02:08What?
02:11Look
02:13No
02:18No
02:20It can't
02:22It can't be credit
02:24If I go to prison, promise me you'll take care of my kids
02:27What?
02:28You're not going to prison
02:29I just killed someone
02:30Well, Jim's a great dad
02:32If I could put away, he will fall to pieces
02:33What?
02:34I think he's stronger than you give him credit for
02:36What is this?
02:37Do you want to take care of my kids?
02:38Well, it's not that
02:39What's wrong with my kids?
02:40My kids are fucking delightful
02:41I just think you shouldn't catastrophize
02:43I am not catastrophizing
02:45The situation is catastrophic
02:46You can't catastrophize, I catastrophize
02:49Well, everyone already thinks she's dead
02:50What?
02:51Well, you don't go to prison for killing a dead person
02:52There's a body though
02:55Oh God, Robin, we're fucked
02:57Robin
02:59She said I like chaos
03:03She's right
03:03I do
03:05And you were 16 years old
03:08You thought you were helping a friend
03:10This is greatest mess
03:11And you just got caught up in it
03:13I wanted caught up in it
03:16Why's that?
03:19When I was a young girl
03:20All I thought about was the future
03:25What I'd do, who I'd be with
03:26The excitement of everything that lay in front of me
03:30But now I'm there, I'm in the future
03:34This is it
03:37Clinging on in the second act
03:39I keep thinking if this was a script
03:41And I was a character, it wouldn't work
03:44I wouldn't work
03:47I don't know what I want
03:48Or what I believe in
03:49I don't even know if I'm the hero
03:51Or the fucking villain
03:51Should I not know these things by now?
03:56I don't know who I am
03:58Liam
04:00And when I look back at that person I was
04:05At that young girl
04:06At that funny, fearless, ambitious young girl
04:10I wonder what she'd make of me now
04:15And I worry that
04:20That I've let her down
04:24I know who you are
04:28It's true
04:31I see you, sir, shit
04:49Shit, the cop
04:51The cop's here
04:59What do you think's going on?
05:01I think he's in there questioning her
05:04Like interrogating her
05:05Probably
05:05I wouldn't want to be
05:09Anywhere else but here
05:12I don't want him to see us
05:14I don't want him to see us either, Robin
05:15So what do we do?
05:17Wrap the door
05:19And then when she answers
05:20We grab her
05:21Okay
05:22Not if he answers it
05:23Shit, see, this is why I wanted us to have a secret knock
05:25Oh, God, please
05:26No, not the secret knock
05:27You're all like
05:27Oh, when are we ever going to use a secret knock?
05:29I can't get into this
05:30Look at us now
05:31If he answers it, we'll just
05:33Leg it, okay?
05:35I mean, it's nowhere near as good as a secret knock
05:38Do not say secret knock
05:40Fine
05:45Hello?
05:48Don't worry, don't worry, don't worry
05:56Don't worry
05:56Hello
05:56No
05:59Look
06:01You're pissed off, I get it
06:03But I really think we should just slip on it
06:05You know he's in there
06:06The guard man
06:07The man boy
06:07The lame cop
06:08The cop man, Liam
06:09Yeah, I think we should talk to him
06:12Talk to him
06:12Talk to him, talk to him
06:13She says
06:14Yeah, maybe not right now, though
06:15Because you're both being kind of mental
06:17We have good reason to be kind of mental
06:20Oh, my God
06:22Did she have sex on?
06:23No
06:24Is that his shirt?
06:27Hey, maybe I had sex with him a bit
06:29Jesus Christ
06:30Is that good or bad?
06:31Well, it was good
06:32But I'm engaged to someone else
06:34Who was so badly
06:34For us, I mean
06:36Okay, I'm confused
06:38There's been a development
06:40What sort of a development?
06:41What?
06:42You can squatter
06:46You can squatter
06:47You can squatter
07:11Oh, you've got to be fucking joking.
07:14Saoirse, wait!
07:16Why is this?
07:22I'm sorry.
07:24I'll kill her!
07:25You've killed enough people for one evening,
07:26there'll be no more killing of the people.
07:27Thank you, please.
07:32I'm so sorry.
07:38Go, go, go!
07:40Why are you carrying a knife?
07:41It's a fountain pen.
07:43Who use a fountain pen?
07:50You can never just fall for a normal one.
08:04Where?
08:05We dragged her over there.
08:09This might be funny if it wasn't so messed up.
08:13Three of us trying to prove she's still alive.
08:15I mean, like we're a stupid little investigation letters.
08:19We're the reason she's gone.
08:21What?
08:23She's gone.
08:35A puncture repair kit?
08:37Yes.
08:38What have you punctured?
08:39My tyre.
08:40Why would you have done that?
08:42I didn't.
08:43Well then, why would you need it repaired?
08:46OK, yeah.
08:46Do you have one or not?
08:49I've got a bottle opener.
08:55What Ross has asked us to do, it just feels extreme, babes.
09:00It doesn't matter what it feels like.
09:01Killing a client though, it's fucked up.
09:06She's not a client anymore.
09:07It just all feels a bit shit, you know?
09:10It's not like when you dealt with that fella, the one that went all tubes or bells on his poor
09:14wee
09:14girlfriend.
09:15He had it coming.
09:16He spoke to me.
09:17What?
09:18Standing there, with a bullet in his head, talking to me.
09:22Only for a second or two.
09:23What did he say?
09:25Something about flowers.
09:27Flowers?
09:27Roses.
09:28He was trying to tell me something about roses.
09:31Maybe he wanted to buy her roses.
09:34The gear.
09:35One last messed up romantic gesture.
09:39Men like that, they always think they're Prince Charming.
09:43They never realise they're the big bad wolf.
09:45And this is what I'm saying.
09:47You wouldn't lose any sleep over a prick like that.
09:50What?
09:51You can't leave the process.
09:53The order's been given.
09:55Rossa isn't fucking about.
09:56Is she?
09:58I mean, per week, Reddit going here was one thing, but they wipe out her entire family.
10:03It's quite the body count, babes.
10:05There's three others you said.
10:06Old friends.
10:07What's that crack?
10:08I'm not sure.
10:09You know when I first joined the society, I was told that people like us are just wired differently.
10:15That's why we can do what we do.
10:18And ordinary people, they can sense it.
10:21And that's why they usually don't get in our way.
10:24But not these three.
10:26Maybe they like the excitement.
10:29The disruption.
10:30Maybe they want to be punished.
10:33Maybe they're searching for something.
10:37Truth or meaning.
10:40Or maybe they're just wired differently too.
10:47And now, the wee adventure must come to an end.
10:52Run, rabbit, run.
11:01What now?
11:03He doesn't know where exactly, but Liam knows Charles is buried somewhere on the school grounds.
11:08Thanks to you.
11:09Oh yeah, let's go over that again.
11:10That's useful.
11:11Surely you'll keep quiet.
11:12Why would I?
11:13Because you slept with him?
11:14I didn't.
11:15Oh my god, I didn't sleep with him to like silence him.
11:17You had sex with him and you think he still might turn you in.
11:20Jesus Christ, how shy of your moves.
11:21Okay, that's.
11:25This has nothing to do with my moves.
11:26My moves are actually pretty.
11:27Can we be not all about your moves?
11:28He has principles.
11:29Well does he?
11:30What did he do with them when he was riding you?
11:32Pop him on the nightstand?
11:33Girls, please.
11:36We can't go back.
11:39Not now.
11:41There's two ways this thing ends.
11:42With answers or without them.
11:44I know which I'd prefer.
11:45What about you?
11:51She's the only one who can end this story and she's out there somewhere.
11:54She has to be.
11:56And we need to find her.
12:07Can I have a double cone, Grandad?
12:08A double cone?
12:10Strawberry and chocolate, please.
12:11Go on then.
12:13I bring her here every Friday.
12:15It's her wee treat if she's good.
12:17I'm always good.
12:19Sprinkles as well, please.
12:21Rainbow sprinkles.
12:23Greta's family live together so it probably makes sense to start there.
12:26You'd have to get them all in the same room.
12:29That won't be a problem.
12:31You pull the blinds.
12:32You pull the curtains.
12:33You seal the door from the outside.
12:35You leave a small gap for the substance to be piped through.
12:38Is this that toxin they're using now?
12:41One of the girls at the meeting, Harkin.
12:43You know Harkin.
12:44She told me all about it.
12:45And in a few minutes, it'll be all over.
12:48She's lost a powerful amount of weight, you know.
12:50You have to leave the door sealed for a few hours just to be safe.
12:52Was it thick maybe?
12:54Otherwise, you may take yourself out.
12:56Once you've unsealed the door, you screw it with an appliance, a boiler, a gas cooker.
13:02You'll make it look like an accident.
13:05There's milk in this.
13:07Did you not want milk?
13:08I don't want milk.
13:09I don't want milk.
13:10I don't want milk.
13:14Do you trust her?
13:16I don't know.
13:18But we need her.
13:21All right.
13:48I don't want milk.
13:51People say to live the way our lives.
14:05Please, Owen.
14:06I'm getting my daughter out of here.
14:08This whole thing's turned into a fucking shit show.
14:10Listen to me.
14:11I did listen to you.
14:13I did.
14:14We all did.
14:15Look where that's got us.
14:16You can't run.
14:17Yeah, yeah, yeah.
14:18Leaving is not an option.
14:19Booker was very clear about that.
14:20But now Greta has.
14:22And she's contacted Maria.
14:23It's not safe.
14:24Exactly.
14:25Greta isn't a victim anymore.
14:26Not as far as they're concerned.
14:27She's a threat.
14:28They take that seriously.
14:30If they want to find us, they will.
14:33I'm not saying you shouldn't run.
14:34I'm saying you can't.
14:50I'll talk to her.
14:54Can I help you?
14:55Do you have a restroom I could use?
15:05Can I help you?
15:08That's all.
15:10Thanks.
15:31It wasn't your fault, Greta.
15:39We know that.
15:41And we won't tell anyone.
15:43What is this?
15:44We are all finding it so difficult.
15:50We want to forget it, the whole thing.
15:52We want to just forget it happen.
15:53You think I don't want that?
15:55It's just you knew him.
15:56We had a relationship with him.
15:58Our only connection to him is...
16:01Me.
16:04It's just...
16:07We're finding it really difficult.
16:11Yeah, you said that.
16:12We can still, like, say hello, you know, in the corridor or in class.
16:22They're generous.
16:23Look, we're sorry.
16:25Are you?
16:25You killed him.
16:26Robin.
16:27No, I'm sick of dancing around it.
16:29We don't blame you, Greta.
16:31It's just we can't continue like this.
16:35We can.
16:38Goodbye, Greta.
16:59Wait.
17:24I'll take you home again, can't believe.
17:40I'll take you home again, can you still go
17:43Go to my place, go outside.
17:44To be late.
17:46Yeah, you're worth it, holy man.
18:00Look, we're making a safe place,
18:01seal the world for me.
18:01Indeed in this day, I want to go to a place for nota cover.
18:01Last night daоде.
18:01Save you see things they're going up there and can be,
18:04Yeah, you're a game.
18:08I don't know what she was thinking, Booker.
18:11Which is ironic.
18:12I've dedicated a lot of time to that cause.
18:16Cause?
18:17Trying to work Greta out.
18:20I was obsessed with it.
18:22Do you regret it?
18:27Some of it.
18:31But I believed in it.
18:34I mean, can you imagine
18:36if we could separate ourselves from our trauma?
18:40Completely. Totally.
18:42Not learn how to manage it, not numb it,
18:44but to leave it behind.
18:47So it becomes faint and weak,
18:50like a dream you once had or a story you were once told.
18:54To be reborn.
18:56To become someone else.
18:57To be reincarnated while you're still alive.
19:01It would certainly make my job easier.
19:05People can't let go of the past.
19:11Whatever happened to that little girl
19:12you brought to see me all those years ago?
19:15Her parents had been killed.
19:18She's doing well.
19:20Took me a long time to get her to speak, I remember.
19:23Well, she's no trouble with that these days.
19:26She works with me now, actually.
19:29She'll be helping on this.
19:31So there's a plan?
19:35There's a plan, don't worry.
19:38But we have to be careful.
19:44Discreet.
19:55Gather the others in here,
19:57and I'll come back and explain everything.
20:08Right, let's go through what we know.
20:10Heaven's Veil, 1997.
20:13There's a fire in a church.
20:15Eight children die.
20:16There's something weird about this fire,
20:18something that spooks the whole community.
20:20There's a mass exodus.
20:21You don't really believe this is something supernatural?
20:23This is a ghost story?
20:25Every story's a ghost story.
20:26We're all haunted by something.
20:27We know that better than anyone.
20:28Oh, fantastic.
20:29What?
20:30Jimmy's phone's died.
20:32Where the fuck are we supposed to find this nursing home?
20:34Think we could ask Tommy for a charger?
20:37No.
20:38But two children survived that fire,
20:41two little girls.
20:41Grata and Jodie.
20:42Whatever happened that night,
20:43they saw it,
20:45and it was fucking terrifying.
20:46The big bad.
20:47That's what I don't get.
20:49Isn't that what the doll complex is about?
20:50Margo Haney's right about all the work she did
20:52to help her move on from the big bad.
20:55Transform her into someone else.
20:56Maybe she'd go back there.
20:57She'd been running from this thing,
20:59from this place her whole life.
21:00Maybe that's the point.
21:02Maybe she knows she can't outrun it.
21:05But it's going to catch up with her eventually.
21:08We need to get to the end of this story.
21:10Maybe she needs to go back to the beginning.
21:17Where are you headed?
21:19Clark.
21:20Jump in.
21:21Back to where it all started.
21:26Rebell County, eh?
21:29That's right.
21:31Well, you can take your part on the way.
21:34That's great.
21:35Thanks.
21:38What's your name?
21:40Grana.
21:42What's yours?
21:44Conrad's.
21:45Now, you shouldn't get into cars with strange men,
21:48do you know?
21:49You're a strange man, are you, Conrad?
21:53I'm serious.
21:54You get in a car with the wrong person,
21:56and it could be dangerous.
21:59I could be dangerous.
22:03What takes you to Cork?
22:05I'm from there.
22:07Is that right?
22:08Well, not Cork, exactly.
22:10Beyond Cork.
22:12Beyond Cork.
22:13Oh.
22:14Where only the bravest men do venture.
22:18Or women.
22:19Or women, yeah.
22:19Well, it's just a tiny little village, nothing special.
22:24Actually, that's not true.
22:26The place I'm from, they say it's a thin place.
22:31Thin place?
22:32It's a place between two worlds,
22:36where the walls between heaven and earth are weak.
22:47The veil of reality is at its most fragile.
22:50At any moment, God might choose to lift it up
22:53and show us what lies behind it.
23:00Did he ever show you?
23:02No.
23:05No matter how much I begged him to.
23:12Why have we stopped?
23:15Ha.
23:16Look at you.
23:17You're shivering.
23:21What?
23:28One second.
23:47What do you say?
23:56This shouldn't be too long.
23:58Who?
24:00What's going on?
24:03Speak of the devil.
24:08We're bound to catch up with her.
24:09She's on foot.
24:10And I hit her with the car.
24:12That's bound to take the wind out of her sails a bit.
24:14Sorry, I didn't mean to sound quite so delighted there.
24:17Yeah, I was thinking of the other issue.
24:20What other issue?
24:24Look, Liam, if they know where he's buried...
24:26If they know where my dad's body is,
24:27then they must have known this whole time.
24:29I just don't understand why they'd suddenly tell us now.
24:33Like, what's changed?
24:42I have.
24:44I can't believe you didn't take the fucking evidence board down.
24:47I didn't have time.
24:48I didn't know you were going to knock someone down.
24:49What?
24:49We did knock someone down.
24:51Well, we did.
24:51A bit.
24:51But she got up again.
24:53And it wasn't someone.
24:54It was Greta.
24:55What's your point?
24:55I don't know.
24:56Liam has it all.
24:57Every single thing we know.
24:59Oh, he's going to be pissed off.
25:00I realise that.
25:01I mean, slashing his tyre and leaving him stranded was bad enough.
25:03Right.
25:04But to do it after you've made love to him.
25:05Don't say made love, Dara.
25:07It turns me.
25:08No, she's not wrong.
25:10I mean, did you really have to do a ride and run?
25:12It's done now, OK?
25:13He's going to realise where we're heading
25:14and he's going to follow us.
25:15The clock is ticking here, girls.
25:17There's no time to lose.
25:18Let's go.
25:25Why are we going so slowly?
25:27I'm not doing it.
25:28The car's doing it.
25:28Teach me what the car's doing.
25:29The car is doing it.
25:31The car doesn't have a mind of its own.
25:32This isn't chitty-chitty fucking bang-bang.
25:35You pull the blinds.
25:37You send the door from the outside.
25:39You leave a small gap for the substance to be piped through.
25:43Welcome to Nocturne.
25:44Sorry about the cone situation.
25:46No sweat, babes.
25:47I must order some more.
25:54My granda used to get me one of these every Friday.
25:57Strawberry and chocolate.
25:59My wee treat.
26:01Is that right?
26:02If I was good.
26:04I was always good.
26:08I had it wrapped around my wee finger, so I did.
26:11Are you staying in the village?
26:14No.
26:16Fine visit, babes.
26:18Have you any sprinkles?
26:23I like rainbow sprinkles.
26:25Let's go.
26:28Never mind.
26:32In a few minutes, it'll be all over.
26:37It's done.
26:39It's done.
26:40What next?
26:41We find Greta.
26:42What about the others?
26:43They're looking for her too.
26:44We find her, we find them.
26:47Good thinking, babes.
26:50Why is nothing working on us to Christ, Ara?
26:53Why is it my fault?
26:54It's never been the same since you decided to fill it with petrol.
26:56Are you serious?
26:57We've been in two car crashes and you just run someone over.
26:59But yeah, it's probably the petrol thing.
27:00Jesus Christ.
27:01I know, she's unbelievable.
27:02No.
27:03No, no.
27:04Jesus Christ.
27:10Oh, what the fuck does he want?
27:16It's the Kursia walkers.
27:18What?
27:23They're headed to knock.
27:25By foot?
27:26Why?
27:31You see, miracles happen there.
27:32Well, we could be dealing with one of those right now.
27:39Now, what's happened here is, the vehicle has gone into what's called limp home mode.
27:44Do you know what that means, Gerdles?
27:45We don't.
27:45Ah, sure, why would you?
27:47But then the very same thing happened to me.
27:49Hey, keep a fire mould on him there, lads.
27:51We don't want him freewheeling down that hill.
27:53He's done it before and he can gather some speed, I tell you.
27:56What's happened is, the system here has detected a fault in the car, like maybe...
28:00You put petrol in a diesel engine?
28:02Exactly, y'all.
28:03You knock someone down.
28:05You get the idea.
28:06And it activates this sort of security feature type thing.
28:09And thus it only starts shutting down bits of the car to protect itself from further damage.
28:14It's fierce, clever.
28:15What are we going to do?
28:16Where is it you're headed, Gerdles?
28:18We're going to this little village called Callion Yau.
28:20Who?
28:21There's a nursing home there, or just outside it.
28:23Knock, she.
28:24Ah, sorry, past it.
28:26Someplace, that.
28:27Brendan thought it might have been Bono's house.
28:29It wasn't Bono's house, Brendan.
28:30It was a nursing home.
28:32How far away is it?
28:33A few miles, maybe.
28:34Have you packed your hiking boots?
28:36We're in a bit of a hurry.
28:37None of you lads have a car.
28:39We're the Carseo walkers, Gerdles.
28:41Not the Carseo drivers.
28:45Although...
28:51Oh, yeah.
28:53Or there'll be the odd crater, and they're determined to do the walk.
28:57But the only might be giving them a bit of jib, or they're back and be playing up on them.
29:01And the idea just came to me.
29:04Merciful Jesus!
29:06We need something that'll give them a bit of respite, but allows them to stay with the main group.
29:11You know, if they want to have a bit of a prayer, or whatever.
29:14I feel like we should pray.
29:15Ah, why so?
29:39If it's been a while since you've seen her, just be prepared.
29:43She might look a bit different.
29:45I'll bear that in mind.
29:47But she's still your ma'am.
29:48It's lovely, really, the whole cycle of things.
29:51You get to mind her now, just like she once minded you.
29:56Yeah.
30:11You're surprised to see me.
30:14You were rotten inside.
30:24What a place, eh?
30:26Margot's money went a long way.
30:28The irony of that.
30:31You realising I wasn't actually worthless.
30:35I have a daughter myself now.
30:38She's nothing like me, though.
30:41She's perfect.
30:47But, um...
30:48I can't be with her anymore.
30:52Because, well, a shadow follows me around.
30:58I want her to walk in the light.
31:03But it's hard.
31:05You know, it must have been difficult for you to...
31:07To let me go.
31:09I mean...
31:27To let me go.
31:29To let me go.
31:29I want her to walk in the light.
31:32To let me go.
31:32I want you to go.
31:39To let me go.
31:41I was completely at your mercy.
31:46You were a cruel, vengeful god.
31:51Who are you?
31:54What's that?
31:55Who are you?
31:57Who am I?
31:59Sorry to interrupt.
32:02Won't be a sec.
32:03Who is she?
32:06This is your daughter, Mrs. O'Hara.
32:08No!
32:11Nora, stand back, love.
32:12Just stop it.
32:14Calm down!
32:15You're hurting me!
32:16Stop it!
32:17Ow!
32:25Get out!
32:28Get out!
32:30Imig!
32:31Imig, lad!
32:49You need a basket?
32:51Oh, yeah.
32:52Do you have one?
32:53No.
32:56He's some crack.
32:57Oh, there's a screen.
33:00You really think that's where she's headed?
33:02She ran before.
33:03At the beginning.
33:05She ran away from me.
33:07I thought it was just instinct or fear.
33:10Adrenaline.
33:10But she just wasn't ready.
33:14She had unfinished business.
33:18There we are now.
33:19Great to meet you, girls.
33:21Yeah.
33:23Thanks, mate.
33:25Good luck.
33:26And God bless now.
33:28Hello.
33:33Much better than last night.
33:36Yes.
33:37Of course.
33:37Just looking for you.
33:39Welcome.
33:40How can I help you?
33:41We're friends of Nora O'Hara's daughter.
33:44Oh.
33:44You came.
33:46Is she here?
33:47She was.
33:54And she was looking for us?
33:56No.
33:57But I am.
34:03I think we should have a chat.
34:05Don't you?
34:08Can you give us a minute?
34:11I wouldn't go far, ladies.
34:19I feel awful.
34:21I do.
34:23And I feel stupid, Saoirse.
34:26You shouldn't?
34:27No.
34:30I'm sorry.
34:34She was here.
34:35She was just here.
34:37We were so bloody close to her.
34:39I can't bear it.
34:40How's Mrs O'Hara now?
34:42Well, I had to sedate her.
34:43So distressing for the daughter.
34:45No wonder she had to leave.
34:46Let's get you a cup of tea.
34:47I need to update her notes.
34:49I've left them in her room.
34:50I'll go.
34:51She's 121, right?
35:02I just need to find her.
35:04I need to know.
35:07Then whatever has to happen can happen.
35:09I will face up to every single mistake.
35:11Every fuck up.
35:12I'll be accountable.
35:13I will tell you whatever it is you want to know.
35:17I just...
35:20What?
35:28I need to get to the end of the story.
35:59What are we doing?
35:59What should we be hoping to achieve, exactly?
36:02Not sure.
36:06Do you think the vibe's weird in here?
36:11We're broken into the room of an unconscious pageant,
36:14or I'd say the vibe is weird, Robin, yes.
36:34Jesus.
36:38So she knew about it, then?
36:42Or at it?
36:45Lies.
36:47Lies.
36:48All of it.
36:50Come closer.
36:59You can't believe a word of it.
37:02It is a work of fiction.
37:05We know that Margot Heaney wrote this book.
37:08What could she possibly gain by lying?
37:11She wasn't lying.
37:13She was lied to.
37:16By Greta?
37:17Is that what she calls herself now?
37:21You know about the fire?
37:23The big pot.
37:24She did it.
37:25She did it on purpose.
37:28She locked those children in there.
37:31She set it alight.
37:32She watched it burn.
37:35She watched them die.
37:38The other little one helped her, but she was stupid and sad and easily manipulated.
37:44That can't be true.
37:45It was covered up.
37:47Sure isn't that how we like to do things here.
37:52And the story started.
37:53People said something supernatural happened that night.
38:00Sometimes a myth gets closer to the truth.
38:05There was something unnatural about that girl.
38:10Always.
38:12Something rotten.
38:14And it infects everything she touches.
38:19She frightened me.
38:22She frightened me.
38:23She frightens me still.
38:25You should be afraid too.
38:31Oh, I am afraid.
38:35I'm terrified.
38:38Not by what you said or what I heard, but...
38:43But what I saw.
38:49I saw the light in your eyes, the adrenaline running through you.
38:52You enjoyed that.
38:55You enjoyed saying those things.
38:59I see what you are.
39:02And you must have been a force to be reckoned with in your brain.
39:08What fucking chance did she have?
39:14That fire wasn't the big bad.
39:19You were.
39:20You were.
39:28Listen.
39:30Liam says he'll help us track Crowder down.
39:33Then he's going to immediately arrest us.
39:35Probably.
39:38What is it?
39:40We just spoke to Greta's mum.
39:44I think we always knew it.
39:46I think we sensed it even before Charles Sampson.
39:49That there was something very...
39:53Very dark and damaged and sad about her.
39:57Well, he didn't ask.
39:59Because he didn't want to know.
40:00Not really.
40:02Just wanted to distance ourselves from it.
40:06At least he knew I did.
40:07You think she could have started that fire?
40:09Wouldn't be the first time a child did a fucked up thing.
40:12Because fucked up things happened then.
40:16She's facing her demons.
40:17She might have gone back to the police she's been avoiding for almost 30 years.
40:21The church.
40:23That's right.
40:24We find the church.
40:27Or what's left of it.
40:40So, come on.
40:42Show me.
40:44Just where you were tonight.
40:47Just where you were tonight.
40:48As I call out…
40:52To you now.
40:56So, come on.
40:57Tell me.
40:59We break all you can't will find.
41:03Could you need me to show you how?
41:10I kept my side of the bargain.
41:14Now it's your turn.
41:16What bargain?
41:18I told him if he let us come here.
41:22Where'd you bury the body?
41:27Where's Charles Sampson?
41:44There was a funeral that day.
41:48One of the teachers.
41:50The priest.
41:55You buried him with the priest.
41:59I didn't know what else to do and...
42:03You were so scared.
42:13We're leaving?
42:21You know this story might not end the way you wanted to, Saoirse.
42:49Hey Liam, any news?
42:53So this is Heaven's Veal.
43:01What the hell is that?
43:04I have no idea.
43:25!
43:41Oh my God!
43:43Oh my God.
43:45Oh my God.
43:46Oh my God!
44:16Just like us.
44:48You're a villain and Val, they're in Valera.
44:51Greta.
44:56Greta, it's us.
45:06We wanted to...
45:08Needed to find you.
45:12We'd come here all the time, Jodie and I.
45:15Back when she was Cara and I was Ashley.
45:19Two little broken dolls.
45:22What happened here, Greta?
45:24What happened the night of the fire?
45:28We were told that this was a magical place.
45:31A sacred place.
45:34We were told that God himself comes here.
45:38We believed that he would save us.
45:42We needed saved.
45:45Night after night, we waited and he didn't come.
45:50We were fucking angry.
45:57So we decided to burn his house down.
46:23The bikes, we saw them too late.
46:30We didn't know they were in there.
46:32We didn't know.
46:40That's what Charles Sampson wanted to talk to you about.
46:45He found us.
46:48Fuck, I wish he hadn't.
46:52And what about Jodie?
46:58It was an accident.
47:00I swear to you as it was.
47:10I truly thought that I could become someone else.
47:13I thought I could leave that messed up little girl behind.
47:18She'd always find me.
47:20She'd tap me on the shoulder and drag me back here.
47:25Well, maybe that little girl needs you to look at her.
47:28Tell her it's okay.
47:35Oh God.
47:44If it has to happen, I thought it might as well happen here.
47:48You should leave.
47:50We're not going anywhere.
47:53She's dangerous.
47:55We know.
47:57Our Father, who art in heaven, hallowed be the name of the kingdom of God.
48:02That will be the Lord as it is in heaven.
48:05Give us this day our daily bread and forgive us our trespasses as we forgive them.
48:09Shut the fuck up!
48:10Ha!
48:11No, no!
48:21Who are you?
48:23Be sorry.
48:24Goodbye.
48:35Miss?
48:38You're not going to enter the city.
48:39No, I'm not going to enter the Jebi.
48:51I don't understand.
48:54You don't need to.
48:56Take care, babes.
49:01Mummy!
49:02Oh, my God, I'm sorry.
49:05I'm so sorry.
49:07It's OK.
49:11You should let him go.
49:12Which it must be.
49:15I'm sorry.
49:16I'm so sorry.
49:19Oh, dear.
49:25I still can't believe it, Booker.
49:27How the hell did you know?
49:28That story the midwife told us on the bridge.
49:31That prick talking about roses.
49:35Men like that don't get poetic when they realise they're about to die.
49:39They get angry.
49:41He was trying to say russa.
49:45How could this be happening to him when he's got the boss's blessing?
49:48She betrayed her own clients for profit.
49:57Let a violent man straight to the woman that she promised to protect.
50:10She had it coming.
50:14So did anybody that helped her?
50:27What noise, then, babes?
50:29For awesome-ing?
50:32Because we're at a bit of a loose end, aren't we?
50:35Now that you've wiped out the entire organisation and stuff.
50:39We could start over.
50:43Do things our own way.
50:47We need soldiers.
50:49That's true.
50:54The ones that are wired differently, too.
50:57We'll sort the deed sort later, babes.
51:00I'm Ravis.
51:01Let's grab a burger!
51:10I should probably say goodbye this time.
51:15Bye, Greta.
51:43Maybe God lets him out, Rob.
51:58Don't say it's easy when it's not, when it's not.
52:16I'm feeling like you're heavy or mad, and you can't tell the sea from the horizon.
52:32The only love you understand is poison.
52:40And even after all this time, just noises, just noises, just noises.
53:05You're buried under the love.
53:10That you have lost to the ages.
53:18This is all that your age is.
53:31Would it be possible to get a wee bit more milk?
53:37Never worry.
53:47Do you think she'll be okay?
53:49Greta?
53:52I hope so.
53:52I'm just glad it's all over.
53:55Yeah.
53:56I mean, what a relief.
53:58Totally.
54:00Although, I'm not saying I enjoyed any of it, you know, like at all.
54:04Oh God, no.
54:05Absolutely not.
54:06But, you know, it did sort of shake us up a bit.
54:17I don't know why you brought that with you.
54:19Oh.
54:20Greta forgot it.
54:21Didn't want to just leave it there.
54:22Didn't feel right.
54:25Is it not?
54:30No.
54:44Holy shit.
54:58I want to make one thing clear.
55:01We're not, under any circumstances, getting involved in this.
55:12Picked up strangers on the road
55:16As a young boy I was told
55:19But I could never, ever listen
55:25I was on route to Monterey
55:29And she was heading the same way
55:33All aboard my Silverado
55:38She's the California poppy of the PCH
55:42Living on the roadside
55:46Hitching and a thumbing and a bumming ride
55:50And a golden rail of sunshine
55:53Yeah, the California poppy of the PCH
55:57Blooming on the roadside
56:00A hitching and a thumbing and a bumming ride
56:04And a golden rail of sunshine
56:07And a golden rail of sunshine
56:22Yerido
56:22Mackves Ivanov
56:25Yerido
56:25Accord
56:40Yerido
56:40Altyazı M. Demba
56:40Altyazı M.摇
56:40Eerlo
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