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00:09Welcome back to Hasna Benahe, my name is Safi Hassan.
00:14Safi brother, we make so great drama, great drama, stories are great.
00:19Why do we replicate all these things in our film?
00:23Because we don't make a film.
00:25It doesn't make a film, but many people make it.
00:29Actually, I think we have a good drama director, except Nadeem Beek,
00:38but we have not made a film.
00:43If we have a good drama director to make a good film,
00:48I don't think there is any harm.
00:50Because storytelling is one thing.
00:52It doesn't make a film.
00:53When you can give a good content for 26 hours, why don't you give a good film?
00:58Right.
00:59Basically, people don't have to enter the industry.
01:03And people don't take risk?
01:04No, we don't take risk.
01:05But then we have another thing.
01:07Of course, we will take a film down from our city.
01:10Yes, we will take a film.
01:11Yes, we will make some films.
01:12If we don't think we'll make some films like this, we will make some films like this.
01:17Okay.
01:17We will take a lot of inspiration.
01:20We will take a year on Iran's inspirations.
01:21We will make a film in the world.
01:23We have a good films like this.
01:24We will not make all films made in India.
01:26Yes, yes, what a game is?
01:28We always try to make a film that we can make a film that we can make a film.
01:32That kind of flavor?
01:33Yes, that kind of flavor.
01:34One thing is that culture is so much culture.
01:40Stories, issues, issues are one thing.
01:43But if you look at the drama,
01:45your drama is so good.
01:47You make a good drama.
01:48Why don't you make a film like this?
01:51Without a shame.
01:52You make a good movie.
01:54This is the case.
01:54When the film is made, people say that it's a drama.
01:59You can make a drama director.
02:01In India, there are different people who make a film.
02:04You can make a risk that if the film is made a film,
02:08then you can make a drama?
02:10It can be prevented.
02:12There are many things that you can scale.
02:16But in the world,
02:18there are no cinema,
02:20there are many films.
02:23You can make a film after one month or two months later,
02:28you can make an OTT platform.
02:30Basically, their business is a big deal of business.
02:34You can make a film from OTT.
02:36But in that situation,
02:37you have to increase the scale.
02:39Because in OTT,
02:41you have a small scale.
02:43Game of Thrones was not made in cinema, but Game of Thrones was so good.
02:48That was good.
02:49That was good.
02:51So for this reason, you will have to make a game up.
02:54There will be no problem.
02:55Sefi, you are a senior director now, but you were also an assistant director.
03:00When you were there, you were also a big fan.
03:02No, there were many fans.
03:04There was one fan that was on TV.
03:06There was one fan that was on TV.
03:08I'll tell you, my assistant, Khalid Ahmed,
03:11I had a message for a drama series called Faisla.
03:14In the first scene, Nadia Jameel and Adnan Jilani were a hero and heroine.
03:21It was so old.
03:22It was the 90s, the 99s.
03:25In the university, there were some other clothes.
03:28It was cut.
03:30The next scene was the same day.
03:32It was the same day.
03:33They were all in different clothes.
03:35Continuity?
03:36Continuity.
03:37It was so much.
03:39It was so much.
03:40It was so much that when finally,
03:42every drama show was made.
03:44Yes.
03:45In the show, Khalid Ahmed, who was our assistant director,
03:49he said,
03:52that in the drama,
03:54Sefi Ahsens has been a assistant director,
03:56he had a director of us.
03:58And,
04:00I would have to open TV and the show was a show,
04:03and that was a show that was a show.
04:04That was your background.
04:05Sefi Ahsens has been a call.
04:07Sefi Ahsens has been a call for me.
04:07In the case,
04:07Aatif Ahsens has been a call for a couple of years,
04:10you've left a call for a couple of years.
04:11You've left a call for a couple of years.
04:12I didn't see it.
04:13It was the same.
04:17We had a shooting shooting and we had a team called Vanity Van.
04:25We had a lot of money in the drama.
04:29The drama was a very high budget drama.
04:31The drama was a big issue.
04:43We had a bus, we had a bus.
04:50On the bus, we made a bus, our bus started to clean up our house.
04:55Yes, yes, yes.
05:25Yes, yes, yes.
06:24Yes, yes.
06:55Yes, yes.
06:59Yes, yes.
07:21Yes, yes.
07:52Yes, yes, yes.
07:53Yes, yes, yes.
08:21Yes, yes.
08:52Yes, yes.
09:20Yes, yes.
09:22Yes, yes.
09:23Yes, yes.
09:24Yes, yes.
09:54Yes, yes.
09:58Yes, yes.
09:59Yes.
09:59Yes, yes.
10:00Yes, yes.
10:01Yes, yes.
10:03Yes, yes.
10:04Yes, yes.
10:27Yes, yes.
10:32Yes, yes.
10:34Yes, yes.
10:36Yes, yes.
10:37Yes, yes.
10:39Yes, yes.
10:43Yes, yes.
10:43Yes, yes.
10:44Yes, yes.
10:45Yes, yes.
10:50Yes, yes.
10:51Yes, yes.
10:52Yes, yes.
10:57I won't repeat it, I won't repeat it.
10:59You won't beat it, it's very good.
11:02Put it on the other side.
11:03Put it on the other side.
11:04The vegetables are less.
11:05In fact, the vegetables are different from Bangladesh.
11:09They are different from their names, but they don't give me a name.
11:11Look at this.
11:13In the house, the names of the things of the food.
11:16Pool.
11:19Painting.
11:20Guldan.
11:23Uh...
11:24Uh...
11:25Uh...
11:25Uh...
11:26Uh...
11:26Pardes.
11:28Paintings.
11:28I've already said it.
11:29I've already said it.
11:30I've never said it.
11:30Okay, I'll give you one chance.
11:32That's Hirangasar.
11:34Don't you think people know it.
11:36I'm absolutely right.
11:40Shishye wale pardes.
11:42Shishye wale pardes?
11:43Oh, those are the girls.
11:45Come on, you say blinds.
11:46Blinds, blinds.
11:47Then I'll say kangaroo ki khal.
11:50Uh...
11:51Do you like kangaroo ki khal badai hoti na?
11:53It's true.
11:54Haan.
11:55Uh...
11:55Because these khalo australia sa aai hotate hoa leke.
11:57I say phanus.
11:59Phanus.
12:00Uh...
12:00Degree.
12:01Degree.
12:01Degree.
12:02Degree.
12:03Degree.
12:03Degree.
12:05Tafsavir.
12:06Tafsavir.
12:07Tafsavir.
12:07Tafsavir.
12:08Tafsavir.
12:09Tafsavir.
12:10Tafsavir.
12:10Tafsavir.
12:11Tafsavir.
12:17Tafsavir.
12:19Uh...
12:19It's gone. The house is gone.
12:22It's just the sardines.
12:24There is also a chanjara.
12:26Oh, it's also a chanjara.
12:29There is also a chanjara, four chanjara.
12:31That's exactly what the truth is.
12:33What are the pictures of Mecca of Medina?
12:35Carpet.
12:37It was basic.
12:38Yes, it was basic.
12:43Throw, throw, throw.
12:44Throw, throw.
12:45That's right, throw.
12:46What would you do for sardines?
12:47What would you do for sardines?
12:50Cushion.
12:52Cushion, cushion.
12:54Cushion.
12:54Begum's picture?
12:57Begum's picture is a picture.
12:59The other picture is a picture.
13:02The other picture is a picture.
13:02It's the house of Allah.
13:08Last.
13:09What's the name of Pakistan?
13:11Patokhi.
13:13Sawat.
13:14Pindy Bhatia.
13:16Pindy Bhatia.
13:17Dardar.
13:18Qasur.
13:20Multang.
13:21What did you say before?
13:22Garden?
13:22Dardar.
13:23Dardar.
13:23Dardu.
13:25Bhawalpur.
13:25Tundo Adam Khan.
13:27Tundo Alayar.
13:28Tundo Jam.
13:34Patokhi.
13:35Patokhi.
13:35VA'i had started, I had started.
13:37Patkhi.
13:38Patna.
13:39Patna.
13:40Patna will not happen in Pakistan but now.
13:43Kerači.
13:45Lohr.
13:46Islamabad.
13:46Hyderabad.
13:47Hyderabad.
13:49Shhh.
13:51Shhh.
13:51Shhh.
13:52Shhh.
13:52That's what I've said.
13:53Good.
13:54Gujarawala.
13:55Gujarawala.
13:56Hyderabad.
13:57Gujarat.
13:58Faislabad.
13:59Chakwal.
14:02Paksmi.
14:03Paksmi.
14:04Paksmi.
14:05Paksmi.
14:05Paksmi.
14:06Badin.
14:06Good.
14:07Sohabi.
14:08Gawadar.
14:09Job.
14:11Bela.
14:12Bela.
14:13Bela.
14:13Bela.
14:14Turbat.
14:15Uttal.
14:16Bela.
14:18Bela.
14:19Kota.
14:20Kota.
14:21Walitangi.
14:22Pashawar.
14:23Pashawar.
14:27Pashawar.
14:28Pashawar.
14:28Pashawar.
14:29Khoza Khila.
14:31Multan.
14:32Bairin.
14:33Bairin.
14:34Bhaawalpur.
14:35Kalam.
14:38Bhaag.
14:39Kashmir.
14:40Kashmir.
14:41Bhaag.
14:43Muzafurabad.
14:45Kortli.
14:47Kortli.
14:48Toh.
14:49Aap ka Allah Bala.
14:50Kare.
14:51Aaaa.
14:52Aaa.
14:53Hea.
14:54Aap madad ne rai rai ho.
14:56Aap na bholo.
14:57Aap na bholo aap.
14:59Kortli ho gaa.
15:01Shalcoat.
15:02Loda nai.
15:06Lora Lai
15:10Lora Lai
15:11Lora Lai, you go to Kashmir
15:15I will not go, I will take my name here
15:18Okay
15:20Narawal
15:21It's a good name, Paak Patan
15:22Paak Patan
15:26Narawal
15:26Narawal, Zafarwal
15:29This is good
15:30Yes
15:31Yes
15:32Shhh
15:33Sahewal
15:34Sahewal
15:35Sahewal
15:36Chaman
15:39Chaman
15:39Chaman
15:41That's it
15:41It's done
15:41Very good, I won
15:43Very good
15:46Saifi, we will take a break
15:47We will come back to Asna Manai
15:49Where will go?
15:55I have with me one and the only
15:57Saifi Hassan
15:58Saifi bhai audience
15:59People want to talk to us with them
16:01We will go with them
16:01Assalamualaikum
16:02Waalikum
16:04What's your name?
16:05Sayedah Nazarat Batul
16:06What do you do?
16:08What do you do?
16:08I study
16:08What?
16:10I am 10th
16:11I am 10th
16:12I am 10th
16:13I am 10th
16:14You are 10th
16:16You are small
16:17What do you think?
16:19It's the best
16:19It's the best
16:19It's the best
16:21Why?
16:22Interesting thing
16:23Because they are not
16:25They are not
16:25They are not
16:26So they are not
16:28They are not
16:29They are not
16:30But not
16:31It's more in Lahore
16:32It's more in Lahore
16:33I will admit it
16:34I will say
16:36I will not say action
16:36They are not
16:37They are not
16:38They are not
16:39So tell us
16:41Tell us
16:41Is there a question?
16:42Yes, my question is
16:44Trafi Sabe
16:44My question is
16:46My question is
16:46How many views have the effect
16:48and technology are far now?
16:52Are the effects
16:52Effects, VFX?
16:53I have done
16:55That many views of the drama
16:56I did
16:56I even checked out
16:58I even found a drama
16:59technologies that are the good
17:01You have done
17:02What is the outcome?
17:03What is good?
17:04Very good, drama is super
17:06How good?
17:07I still feel it
17:07You have done
17:08It has children
17:09It has been
17:11The way it has children
17:13I'll tell you, you can see the truth.
17:18Please please.
17:19We can invest in the market.
17:22There are many channels.
17:25We can sell a product.
17:27We can sell a profit.
17:29We can sell a lot of money that we can sell.
17:33Without a doubt.
17:34Visual effects are a very expensive thing.
17:37The amount of money we can sell.
17:38We can sell a lot of money we can sell.
17:40Before we made a jinn.
17:46It's a better effect on the jinn.
17:49Our market will be bigger and better.
17:52And the jinn.
17:54A good drama with a good cast.
18:00How much money?
18:018-10 crores.
18:03It can be used as Rs. 8-10 crores.
18:05Happy 26 episodes.
18:07And we make a good drama.
18:09The great drama on us?
18:11You can earn money?
18:12You can earn money.
18:15Our good drama is the good drama.
18:19Everyone will earn money?
18:20Your opinion says прил Strikes?
18:23Memorial?
18:24Or you have a big recognition?
18:25After the international dream.
18:25Why are using money.
18:28Or artists atau director or there is so that I need to buy.
18:30It's a big cycle.
18:33It's about three months of cycle.
18:36The advertiser will give the channel money,
18:39then the channel will give the production house.
18:41Then the production house will give it.
18:42It's obvious that if it's 10 crore drama,
18:45and it's about 20 years of drama,
18:48it's about 2 rupees.
18:502 rupees, nobody will give it.
18:52If you give it,
18:54if you give it, then the rest of the cycle will run.
18:56Rolling.
18:56Rolling, rolling, rolling.
18:58I understand.
19:01Assalamualaikum.
19:03What's your name?
19:04My name is Adnan Abdullah.
19:06Adnan, does it feel like you have a problem?
19:10Yes sir, there are a lot of problems
19:12which I have to keep in mind,
19:15which I have to keep in mind,
19:16which I have to keep in mind,
19:17which I have to keep in mind,
19:20the problem is not.
19:21But people who come to other countries,
19:24they have a big problem for them,
19:26which they have to tell me,
19:26in Lahore, they have to tell me wrong.
19:29This I have seen.
19:29This is a big problem.
19:33Sir, you have to come.
19:34Did you face this to me?
19:37No, I have never made it.
19:39No, I have never made it.
19:41You just have to go wrong.
19:43You just want to go wrong.
19:44I want to go wrong.
19:46I have to go wrong.
19:46This is a good problem.
19:50It's a good problem.
19:52But it's good to me.
19:53It's not a good problem.
19:54It's not a bad problem.
19:56It's not a bad problem.
19:58It's a bad problem.
19:58It's not a bad problem.
20:01It's not a bad problem.
20:02Do you have any questions?
20:04Sir, I have a question to you.
20:06It's a relevant question.
20:08It's a relevant question.
20:09It should be that,
20:09the Urdu Zuban is very good.
20:13If we look in China or Japanese,
20:16even in Saudi Arabia,
20:18they promote their own language.
20:21In Pakistan,
20:23they get no good English,
20:26or English,
20:28but in the young generation,
20:31they can be interested in this interest
20:32in which way?
20:35That is the Delhi logo and the young people?
20:38The Japanese logo.
20:41The Japanese logo,
20:41the Japanese logo,
20:43the Japanese logo,
20:45the Japanese logo,
20:50the Japanese logo,
20:52they are in Warsaita
20:53in human lives.
20:56Anyway,
20:58there is no more European Europe.
21:00If you have 도ster smoke to Honda
21:01from Cycle,
21:02there are a Russianผม.
21:07Unfortunately,
21:08not the Japanese flag.
21:13If you,
21:13under purchase of the Arab tieners,
21:17there's no more European nominants.
21:19is the first number.
21:21The court.
21:22The court has been given me.
21:25I feel like I'm not getting any more.
21:28But we are looking forward to it.
21:33Our Urdu is better for us because we don't have a special...
21:36but our definitions, our expression is about half of our society.
21:39We have read and read and share.
21:41If we have a problem today, we have read and read.
21:44We have read it.
21:47We have read it.
21:48I think it was a bit too far from the book
21:51but we had to study it
21:52but now it was too far from the book
21:54when you have a WhatsApp
21:55you can go to the English
21:56and write it in Roman
22:00If you want to learn
22:01that you can learn to learn
22:05then you can read it
22:07you can read it
22:08You can read it
22:09Do you want to read it in the TV?
22:11Do you want to read it in the script?
22:15I think I will read it in the Roman
22:18. . . . . . . . . .
22:48. . . . . .
23:18. . . . . .
23:18. . . . . . .
23:20. . . . . . .
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