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00:09The first audience is the first one.
00:14The first audience is the first one.
00:22It's done.
00:23It's done.
00:25Don't ask.
00:27You don't have a chance.
00:28I am very happy to make you happy.
00:30I hope you will be happy with all of us.
00:32Our guest today is a veteran.
00:35He has asked us to edit.
00:37He is a great actor and an award-winning director.
00:40We've come to the show.
00:41Put your hands together for Saifie Hussain!
00:50Saifie!
00:57Here is Saifie. Lime Light.
01:01Saifie, welcome to Ashtamanae.
01:03Thank you very much.
01:04The show is the story of the guest.
01:06The guest is listening to them.
01:07Let us share them.
01:07When we were in the world, we had a lot of flowers.
01:11Wow!
01:12How many flowers were in the trees and the trees?
01:16It seemed that the two hands were on the trees and the flowers were on the trees.
01:20It didn't happen.
01:21There were some flowers in every tree.
01:22There were some flowers in the forest.
01:25There were some flowers in the forest.
01:26There were some flowers in the forest.
01:27There were some flowers in the forest.
01:28And there were some flowers in the forest.
01:30Now, whatever you want, you want.
01:32Do not.
01:34Whatever you want, love.
01:35The reason you want, your shame, do not.
01:36There is only one.
01:36Now, you will tell us, what to do.
01:38Then, how do you turn around?
01:40Wow!
01:41Beautiful!
01:42Wow!팁!
01:43Wow! Sabeepi
01:44Bhaid
01:44Sid, thank you. Thank you.
01:45Thank you very much.
01:48I've been in your childhood.
01:52I've been in your childhood.
01:53I've been in my childhood.
01:54I've been in my childhood.
01:57I've never seen you without me.
02:02I've never been surprised that you've been born with me.
02:06What are you hiding?
02:07I've also Googled it.
02:08Safi Hassan without moustache.
02:10You've got everything without me.
02:11You've got everything without me.
02:13What are you hiding?
02:14I don't know why.
02:19Someone has written a permanent marker.
02:21No, I feel bad about you.
02:24I feel bad about you.
02:27That's why I've been in the beginning of my childhood.
02:31I won't be in the beginning of my childhood.
02:32I won't be in the beginning of my childhood.
02:33I feel good about my childhood.
02:35When my childhood was a little bit,
02:38I started to make my childhood.
02:41I felt better.
02:44I felt better.
02:44I just decided to cut something.
02:47I don't cut anything.
02:48I don't cut anything.
03:09I don't cut anything.
03:11I'll see you.
03:13I feel bad.
03:16I feel bad.
03:17I feel bad.
03:18I feel bad.
03:19You're good, Safi.
03:19You're good.
03:22You're above it.
03:22You're above it.
03:23You're above it.
03:24You're above it.
03:24You're above it.
03:26Safi, we've got many things about you.
03:28I've been in the beginning of my childhood.
03:30Okay.
03:30One thing is that a person...
03:34...sacr is running into the road.
03:36You've also made a lot of work.
03:39I heard that you go to a new way...
03:42...to call God-Affiz in the morning.
03:44Some of the songs were singing.
03:46Yes.
03:47Some of the conductors were sitting there.
03:50What is that story?
03:53My mother is my first cousin.
03:56My mother is my first cousin.
03:58She didn't study in Pakistan.
04:00She studied in Kuwait.
04:01She studied in Kuwait.
04:03She studied in Kuwait.
04:04She studied my age.
04:05We studied with us.
04:07I studied in the Islamic College.
04:09This is the government college in the Ferry Road.
04:13We stayed with us.
04:15We stayed with us.
04:15We stayed with us.
04:16But we lived in the house.
04:18Many people lived in the house.
04:20But we were also following them.
04:20Many people live in their lives.
04:23The love and love were out of us.
04:25It was just about their life.
04:26So we went to the house.
04:28We went to the bus stop.
04:29We sat there, on one bus.
04:32On one bus on the horse.
04:33On one bus.
04:33Yes, yes.
04:34Her big.
04:34Yeah, the whole student.
04:36It was the result.
04:36At an institution of Sakrun.
04:37The teacher was given.
04:38Then he went to the school.
04:41Then we went to the Shri Road.
04:42I was given a summer school.
04:43At the Islamic College in the Slam.
04:44I did the school of Islam.
04:45The school of the 6th.
04:46It was taken to the school of frayers.
04:47...they took them before.
04:49And he sat on the bus as soon as he was sitting.
04:51So then he would go back to bed and go home and go...
04:54...and then he would leave your own romance.
04:57Exactly, the romance...
05:03You basically had a lot of relationships in your relationship.
05:06It was a great deal.
05:08So, Seyfi, there was a period...
05:10...that we had these guys today...
05:12...and Khawateen to be a few times...
05:15and I love you.
05:16And I love you.
05:19I love you.
05:22I love you.
05:23Communication was a big challenge.
05:26You were warm.
05:28You would never have to be in the house.
05:29You would never have to be in the house.
05:31And that was a special place when we were talking about something.
05:35It was just that I left the house and left the house.
05:40They came to a different time.
05:40They came to the house and said,
05:43I don't have to be in the house.
05:44But in the house,
05:45we have kept the house in the house.
05:47Okay.
05:49If you do the same thing,
05:50if you do the same thing,
05:52if you do the same thing,
05:54and you sit down,
05:56then what reaction would you have to understand?
05:58I can't get rid of it.
06:00If you get rid of it,
06:02I can get rid of it.
06:04My two big children have married.
06:06Both of them have married married.
06:07We have been very happy.
06:08and I have been very happy.
06:09But I have been studying my son.
06:11Oh, wow, wow, wow.
06:12I don't have any advice.
06:14We need to be in love.
06:15We are also married.
06:17But the difference is that
06:18our daughter's daughter's daughter's daughter's daughter's daughter.
06:26You have come to this industry,
06:28but the father was famous in the house.
06:30He was famous in the house.
06:32He was famous in the house.
06:33He was famous in the house.
06:34My mother was also called the father.
06:35My father was also called the father.
06:36He didn't call him.
06:37He was famous in the house.
06:40He didn't call him.
06:42He didn't call him.
06:45He didn't call him in his job.
06:46He didn't support him.
06:47He did.
06:48He was a man who was a strong man.
06:50Not only for me.
06:52He was a support,
06:53but he was so good.
06:55I used to play theater.
06:56I was working on the theater.
06:57Yes, yes.
06:58The theater group of Kima Kirmani is a great theater group.
07:02My father gave us a poster.
07:05I mean, he didn't have a dress.
07:09He didn't have a dress.
07:09He supported three of them.
07:11That's right.
07:12We have a couple of things.
07:15We have some questions from different colors.
07:19The question is called the name of the other.
07:24But if I'm a right choice, I'll tell you the right choice.
07:28The question is...
07:30If all the life of a writer can write a drama direct, then who will he?
07:36Mustafa Afridi.
07:37Okay.
07:38If a person has credit for his career, then who will he?
07:41Thousand people who will be involved in your career.
07:43But if you want to make a single out, then who will he?
07:47My baby.
07:48Of course.
07:49Of course.
07:49Very good.
07:53Safi bhai, the world is the color of the world.
07:55If the world is only one color, then who color is the color?
08:00Sufid.
08:01Sufid color.
08:02Because there are all colors in Sufid, you know.
08:05It's a mix.
08:05It's all from the spectrum.
08:07I'll take out what I want to take out.
08:08I'll take out what I want to take out.
08:10Okay.
08:10Very good.
08:12If you want to put a talent in your own, then who will put it in your own?
08:17Yes.
08:18A talent.
08:18Yes.
08:21A talent.
08:23A talent.
08:23A talent.
08:23A talent.
08:24A talent.
08:24A talent.
08:26If you want to eat a dish, then who will you eat?
08:31Pie.
08:31Pie you eat.
08:33You eat a lot.
08:33There are thousands of cows and cows.
08:35You eat a lot of cows.
08:36Yes.
08:37Pie.
08:37I can get out.
08:37I am a McDonald's.
08:40I'm not a bad boy.
08:41I eat some of these stuff.
08:42I will give you the idea.
08:43To the other side of your money, what will be the idea?
08:44My second married.
08:46It will be a lot to pay.
08:48This will be a lot more.
08:50People will say that.
08:53We should often tell you.
08:53Our husband had gotten married.
08:56Aged her husband.
08:57Good.
08:57But the begum is dying now.
08:59The begum is dying now.
09:00Did the begum now.
09:00After the begum is dying now.
09:02What are you coming after?
09:04I'm killing myself.
09:05So, I'm telling you, I'm just married for a moment.
09:09What moment is this? What moment is this?
09:11When I'm going to go to my wedding,
09:15I'm telling you, a girl.
09:18So, I'm getting married for a moment.
09:20So, I'm getting married for a second.
09:22Very amazing.
09:24The next question is...
09:26If I'm saying a whole sentence, what's going to happen?
09:30I've never thought.
09:32That's right.
09:33Someone said to you, brother, go to the bathroom.
09:36I don't think so.
09:38I don't think so.
09:43The next question.
09:44If you want to give a role to Tabor Shashmi,
09:46then who would you give a handsome hero?
09:48The hero's handsome friend of the end of the girl?
09:51The villain who is handsome and the girl?
09:55The villain who is handsome.
09:57The last girl?
09:57Yes, I don't think so.
09:58What do you want to do?
10:00What do you want to do?
10:01The villain.
10:02The villain.
10:03If you have a question of life and death,
10:05if you want to call someone,
10:07who would you choose to call someone?
10:11Who would you call someone?
10:12Who would you call someone?
10:13Yes.
10:13And who would you help them?
10:15Yes.
10:16And who is a person that if you have a gun,
10:20and the gun is saying that
10:22you don't call someone such as a person,
10:23who doesn't take a phone?
10:25If I take a phone, I'll kill you.
10:29My boss is Moumna Dureth.
10:31Yes.
10:32He never hits.
10:36Will you take two days without eating,
10:38or will you take two days without eating?
10:40Without eating is difficult.
10:42Without eating is difficult.
10:43We'll take two days without eating.
10:43We'll take one.
10:44How do you feel?
10:45It's difficult.
10:46Then someone will eat food?
10:48I will take two days without eating.
10:49I'll take two days without eating.
10:50I'll go to the next day.
10:51I forgot to tell you.
10:53I forgot to tell you.
10:56Okay, Seafi.
10:57I heard that you were watching Spider-Man 1.
11:00Spider-Man 1.
11:01And you have her eyes today?
11:03Yes.
11:04You are watching my eyes?
11:05Yes, I am.
11:06Yes.
11:07Spider-Man 1.
11:09No.
11:09Spider-Man 1.
11:10I've seen her back.
11:11I had a house in my house.
11:13I had a house in the house in my house.
11:15I met a house.
11:16A building.
11:17The bottom of the mountain was a huge mountain.
11:21The spider-man was a huge mountain.
11:22We went there.
11:23Spider-Man 1.
11:24You put it on the floor.
11:25Yes, you put it on the floor.
11:26It was the floor.
11:29It was the floor.
11:29So, we were going to practice that.
11:31It was a time when he was asleep, he didn't sit on a mixing machine, he landed on it.
11:37He didn't go inside it.
11:39He fell down.
11:40Allah Akbar.
11:41That's a bad memory of Spider-Man.
11:44Spider-Man 1, you've seen a lot of old age.
11:48You don't remember Spider-Man 1, he was in the end of the 70s or 80s.
11:52Okay, okay.
11:53He didn't know Spider-Man.
11:54No, he didn't know Spider-Man.
11:54No, he didn't know Spider-Man.
11:55No, he didn't know Spider-Man 1.
11:56I was a child.
11:57I just wanted to go with him.
11:59He was a child.
12:00He was a child.
12:02We try to drink cigarettes and eat all the time.
12:06Everybody will eat a lot of people.
12:07You will eat it.
12:08But we will also eat it.
12:09We will not eat it.
12:11How do you eat it?
12:12I was going to eat it from a creative way.
12:16I was in a store.
12:18I used to drink cigarettes.
12:20I was drinking there.
12:22I was drinking the blood and I was drinking it.
12:27Yeah, fresh TV and so on.
12:29Yeah, fresh TV and so on.
12:30And if you take a cigarette to the thermopole,
12:33it's going to fall.
12:34Exactly.
12:35It means that it's going to be over and over again.
12:39You're going to go with it.
12:40Exactly.
12:43After that, I got all of it.
12:46But after that,
12:47when my cousin went there,
12:50and they saw that
12:51it was
12:53that it was
12:55and I said, this is the beginning of the story.
12:57I inquired about who was there,
12:59and who was there.
13:01The other one came out of my name.
13:03And then I took it out.
13:05And I saw that it was a little bit of pain.
13:08And then my Abba put it on the belt.
13:10You put it on the belt.
13:11God.
13:12Every place you will get out of the water.
13:14I got out of the water.
13:16I don't know, it's wrong.
13:18But I remember my childhood
13:19that I got out of the water.
13:21I got out of the water.
13:25The time came out that we will talk about it.
13:27Saifi, they have great questions.
13:29We are also asking them.
13:31We are also asking them.
13:33But we will ask them to discuss the issues.
13:34But we will ask them to ask them
13:34about what the biggest problem is.
13:36Yes.
13:37And we will ask them to ask them.
13:39Assalamualaikum.
13:40Waalikum.
13:41What's your name?
13:42Usman Mughal.
13:43Usman, what do you do?
13:45I'm a CFO.
13:46I'm a textile unit.
13:47You're a CFO.
13:48You're a CFO.
13:49Tell us, you live in Lahore.
13:51Yes, Lahore.
13:52What do you think?
13:53What's your biggest problem?
13:54Lahore's biggest problem is smog.
13:57Smog is a big problem.
13:58But this time,
13:58there was a lot of lack of damage.
14:00Yes.
14:01There were some proactive measures
14:03for Prime Minister Saiba.
14:06Mashallah.
14:06Mashallah, now you have to say them
14:07as Prime Minister.
14:08That's how much you are.
14:10C.M. Saiba.
14:11So, you've got a lot of effort.
14:13You've got a lot of effort.
14:14You've got a lot of effort.
14:14You've got a lot of effort.
14:19You've got a lot of effort.
14:23But it's not diluted.
14:25Okay.
14:26So, you say that there's no other problem?
14:28That's why the internet is here.
14:30That's why the internet is here.
14:31That's why the Pakistan is here.
14:32That's why the Pakistan is here.
14:32It's in Lahore.
14:33What do you need on the internet?
14:34What do you need on the internet?
14:35Go ahead.
14:41Look, the internet is not limited on social media.
14:45If you have to work,
14:46even if you have to use AI,
14:48then the internet is necessary.
14:50No, I'm saying that.
14:51You've got to do all this.
14:53Yes.
14:53Okay.
14:54My question is, Saifiyah.
14:56Pishat.
14:57If you have a competition
15:01that you have to choose a very beautiful country,
15:03you have to choose.
15:04So, what kind of country in Pakistan is that you choose?
15:08Islamabad, the country.
15:09Islamabad, the country.
15:10Islamabad, it's a very beautiful country.
15:11It's a very beautiful country.
15:12It's a very beautiful country.
15:13It's a small country,
15:13but it's a very beautiful country.
15:14It's a very beautiful country.
15:14Who will you send, Yusman?
15:16I'll send it to Kardu.
15:18Kardu, absolutely.
15:19It's a very nice thing.
15:20You've chosen it.
15:21Send it.
15:22Then tell me how it feels.
15:29Thank you sir.
15:30Thank you sir.
15:32Sir, what's your name?
15:32What's your name, sir?
15:33Tanvir Qadir Shahzad.
15:35Sure, sir.
15:36Tanvir, tell me, what are you doing?
15:37I'm a teacher at Anjumna Hamid Islam School.
15:40Tell me, sir.
15:41What is your view?
15:42What is the biggest problem?
15:43My name is Juhana.
15:45I've taken a lot of children in Lahore.
15:46And it's really true.
15:49So, Juhana,
15:50because we've traveled a lot of bike in Lahore.
15:54We don't go to the bike.
15:56We don't go to the bike.
15:57But I also travel to the bike.
15:59Yes.
15:59The difference of the bike is coming.
15:59Yes, yes.
16:00There is a burden of fighting,
16:03We don't go to the bike.
16:03There were all the struggles that have been seen in the few years.
16:07Now, there is a major problem that it's coming from.
16:12These struggles are facing slowly.
16:13They are facing up.
16:13But there has no problem of water.
16:15that there is no exception.
16:17And there is a lot of water here.
16:19There is a storm in June.
16:21It seems like the rain came out and came out.
16:24Is there any question?
16:25I would like to ask this question.
16:28We liked the television.
16:31But now, the young man liked the television.
16:35It is always mobile.
16:36But the big ones are watching the mobile.
16:40They don't like the TV.
16:42So this is about it.
16:42We liked the TV, it was our time.
16:47We liked the radio from the past.
16:50Today's time is the telephone.
16:52What is it?
16:53What is it?
16:54What is it?
16:55It's so bad that our young man doesn't have a picture in front of him.
17:01That he can make a picture of his life.
17:04He broke his head.
17:06We were watching the kids.
17:09I became a teacher.
17:10He became a teacher.
17:10And now, you've come to life.
17:12So now, the young man is also watching the movies.
17:15I am so happy, sir.
17:16Oh, man.
17:16Look at the TV.
17:18Look at the TV.
17:19Look at the TV.
17:20And sir, tell me.
17:21You can see a good thing on mobile.
17:22If you can see it properly.
17:25Yes.
17:25It's a good thing.
17:26It's a good thing.
17:28It's a good thing.
17:30It's a good thing.
17:31It's a good thing.
17:33It's a good thing.
17:34It's a good thing.
17:35It's a good thing.
17:36It's a good thing.
17:36If you're watching it, it will be watching it.
17:38Who is the next one?
17:39Assalamualaikum.
17:40Assalamualaikum.
17:41What's your name?
17:41Ali Hamzah.
17:42Ali, what do you do?
17:43I do e-commerce.
17:45You do e-commerce?
17:46You don't feel like this job.
17:47No, it feels like it.
17:49It's a good thing.
17:49Tell me.
17:50What do you sell in e-commerce?
17:51I sell perfume.
17:53Very nice.
17:54Ali Hamzah.
17:57You mean, you don't know what you would like to say.
18:08You said that your partner has been on the stage.
18:25It's awkward, awkward.
18:29This is the problem of Pakistan.
18:32So, Sefi, once again,
18:33sometimes you have to jump in the car.
18:35Sometimes you have to jump in the car.
18:38If you have to jump in the car,
18:39you have to jump in the car.
18:41You have to jump in the car.
18:43Now we both have to jump in the car.
18:46The signal came, the car came,
18:48and he said, you come and do this.
18:51You are telling me.
18:53You are telling me, sir,
18:54one minute, one minute,
18:55one minute,
18:55one minute,
18:55in the car,
18:56he has to jump in the car.
18:58I have to jump in the car.
18:59What happened?
18:59He said, sir,
19:01you look like Sunil Shetty.
19:03You say something like Shahrukh Khan.
19:05Let's go, sir,
19:06who says Sunil Shetty?
19:07Who says that?
19:08Babi Hespadhi.
19:09Babi Hespadhi.
19:10Now, if you hug the car,
19:11it will end our car.
19:12It will end our car.
19:12It will end our car.
19:13It will end our car.
19:13It will end your car.
19:16I will understand your car.
19:18It will end your car.
19:20It will end your car.
19:21I will end your car.
19:23You will end your car.
19:25I will end your car.
19:25My ears are not coming.
19:28Peace be upon you sir.
19:29Peace be upon you.
19:30Sir,
19:30you are a good director and actor.
19:34Do you have any celebrity personality
19:36that you like to buy a pic?
19:39In the future?
19:40Buy a pic?
19:41Buy a pic?
19:41Buy a pic?
19:42Buy a pic?
19:42If you want to do it?
19:42Sayfie.
19:43I would like to do it.
19:45If you want to do it.
19:45If you want to be a pic?
19:47If I want to do it,
19:48then I'll call Abda Stahridi and Naisi Hassan Sahib.
19:51I'll call the film.
19:52Inshallah.
19:53Very good.
19:57If you do the biopic!
19:58If you do the biopic for that,
19:59I'll ask you who will play a pic.
20:00I'll play a pic.
20:01No, I'll show you.
20:03Who will play a pic?
20:08It's not a pic.
20:10It's not a pic.
20:11It's not a pic.
20:12Let's take a break, we'll come back to Hustna Manai, where will it go?
20:23Welcome back to Hustna Manai. I have with me the great Sefie Hassan.
20:27Sefie, questions are like, would you rather?
20:30I'll give you two options. You have to select the best option.
20:34We'll have a very fun question.
20:35The question is,
20:36will you be acting in a very bad movie or will you direct a very brilliantly flop?
20:44Very brilliantly flop?
20:46Yes.
20:47I'm acting.
20:49Good drama.
20:51Who are you? Shabbir Jan or Yusuf Bashir Qureshi?
20:56Yusuf Bashir Qureshi.
20:58They did a lot of work on their faces.
20:59Shabbir won't leave it.
21:02They also have a great personality.
21:04Who?
21:04Yusuf Bashir Qureshi?
21:05Yusuf Bashir Qureshi?
21:05Yes.
21:06Who are the better dramas? Bilal Abbas or Imran Ashraf?
21:11Bilal Abbas or Imran Ashraf?
21:14It's a choice of dramas. The actors are both.
21:16Yes. Bilal Abbas.
21:17You have to have a difference between your faces.
21:20You don't like Shabbir Jan without their faces.
21:22Let's see.
21:26You don't look so bad.
21:28You don't look so bad.
21:28You don't look so bad.
21:29You don't look so bad.
21:30You don't look so bad.
21:31You don't look so bad.
21:32It looks like it looks like it looks like it looks like it.
21:33Shabbir doesn't look like it.
21:34Shabbir doesn't look like it.
21:36Shabbir doesn't look like it.
21:37Who is your direction is better than your faces?
21:40Seher Khan or Wahaj Ali?
21:42You both work.
21:43Wahaj Ali is better than you?
21:44Wahaj Ali is better than you.
21:45Okay.
21:46Do you want to give a very iconic acting performance?
21:49Or do you want to give a three people's direction?
21:55Do you want to make a superstar?
22:01A star.
22:02Very nice.
22:03Alu Ali Biryani or without Alu Ali Biryani?
22:05Alu Ali Biryani.
22:06Alu Ali Biryani.
22:07What will you do in the set?
22:09Light is bad or mood is bad?
22:12Light is bad.
22:14You are good.
22:15You are good.
22:17Lahore or Karachi?
22:19Karachi.
22:20Karachi.
22:21Very nice.
22:21Very nice.
22:23Why?
22:26I was born in Karachi.
22:28I was born here.
22:29I have been born here.
22:29You are my own.
22:30I have been born here.
22:31Your own.
22:31There is no other thing.
22:33No.
22:34There are many things.
22:34Karachi food is very nice.
22:36Food is very nice.
22:37Karachi also.
22:38Karachi people are very nice.
22:39Karachi people are very nice.
22:41Karachi people are very nice.
22:43They are very nice.
22:45I am sure.
22:45I am sure I am very nice.
22:47So let's go to the next segment.
22:50Don't judge.
22:51Don't judge.
22:52Don't judge.
22:52You will have some pictures.
22:53You have to rate them from one to six.
22:56Some of the actors will be able to rate them from one to six.
22:58You will have to rate them from talent.
23:00You will have to rate them from talent.
23:01It is such a way that they are coming to the picture.
23:02They are making a picture.
23:03They are making a picture.
23:04Now I don't know who is going to come.
23:05Okay.
23:06This is the entire game.
23:08Okay.
23:09And you have to judge them from their talents.
23:11The game will start.
23:12You will understand.
23:13You will start the picture.
23:14And the matrix.
23:16Wow.
23:16Gohar Rashid from one to six.
23:21Kamal Adhakar.
23:24Where will you keep going from six?
23:26Five.
23:27Five.
23:28Six is the worst.
23:29Okay.
23:30Then I will keep on two.
23:31You will know which six is a good number.
23:33Tell me.
23:34I have told you.
23:36You will keep on two.
23:37Yes, two.
23:37After that, there will be a good actor.
23:39It was not like this before.
23:40Okay.
23:41Let's see.
23:41I have told you two.
23:42Let's see.
23:43The next one.
23:43Yes.
23:48Shantman.
23:50Shantman.
23:50Shantman's film is also coming.
23:51Bulla.
23:52Yes.
23:53But I will keep him in four.
23:56You will keep him in four.
23:57Four.
23:59Four.
24:01Four.
24:02You are the director.
24:03The next one.
24:05Humayun.
24:06Right.
24:11Humayun.
24:11I will keep him in three.
24:13You will keep him in three.
24:14Because he will understand.
24:15Yes.
24:16No, three is good.
24:17Good.
24:18In the top three, there is a great deal in Pakistan.
24:19Yes.
24:20Let's see.
24:20The next one.
24:22Hania Amir has come.
24:23Wow.
24:25The number has gone.
24:28I was just saying that.
24:29I have told you all.
24:30Yes.
24:31I have heard a long time.
24:32Yes.
24:32Yes.
24:33But Hania Amir is very good.
24:36He is a very good person.
24:36What a shame.
24:37He is a very good person.
24:38But what do I do?
24:40I have to keep the number.
24:40Five.
24:42Five too.
24:43Hania to keep the number five too.
24:44I mean.
24:45Now the picture is going to be one and six.
24:47No.
24:48Okay.
24:48Look.
24:50Wow.
24:57It's necessary to put it in six.
24:59It's necessary to put it in six.
24:59It's not necessary.
25:00It's not necessary.
25:01I mean, I think it's possible to put it in one.
25:04I can't get any power.
25:05Yes.
25:06I can get any power.
25:07Yes.
25:08But you have to put it in six.
25:10It's not that he is a superstar.
25:12Of course.
25:12So you don't have to cover it.
25:13You don't have to cover it.
25:14I don't have to cover it.
25:14What do you do?
25:15No.
25:16The first number.
25:18The first number.
25:19The first number.
25:20The first number.
25:21The first number.
25:22The first number.
25:24The first number.
25:25The first number.
25:26The second number.
25:28The first number.
25:30The first number.
25:42He left Meerajji for the first time.
25:45Now it's done.
25:46Now you're saying that Gaur Bumtaz, Humayun Sajid, Shand Shahid,
25:51Hania Amir, Firoz Khan,
25:53all of these are their own places.
25:54But on the first number, Meerajji.
25:56Very good.
26:01Shafi, you've got a picture of Meerajji.
26:04You've had many interactions with Meerajji.
26:06One time, you've got a lot from them.
26:08You've got a picture of Meerajji?
26:10Yes.
26:10The truth is, I'm inside my office and me here.
26:16Okay.
26:17I'm very fan of you, you've got a job.
26:22We've learned a job.
26:24I'm amazed that Meerajji...
26:27You're sure you've got me to do this job?
26:29I'm sorry.
26:32But by 4-5 minutes,
26:35After that, I had one assistant who had a dress with him.
26:41He said,
26:42Shabbir Jan, take his number.
26:44You're Shabbir Jan?
26:46Yes.
26:50Okay, there's one.
26:51I'm giving him an option to do the right thing.
26:53Yes.
26:54You can replace one person with the next picture.
26:57The picture will come and you can remove anyone from it.
27:00Okay.
27:01Let's see.
27:10I'll put it to Meera Ji.
27:13I'll replace it with Meera Ji.
27:14Meera Ji, replace it with Meera Ji.
27:16I want to add a list again.
27:17You'll understand.
27:18I'm not saying.
27:18You'll understand.
27:20Firoz Khan, Hania Amir, Shan Shahid, Humayun Sahih, Gaur Mumtaz.
27:23Your own place.
27:24Your own place.
27:25But it's better than Pakistan.
27:26It's Meera Ji.
27:28I agree with you.
27:28I agree with you.
27:29I agree with you.
27:32You've made a big plan for me.
27:35It's not my job.
27:38It's the rest of Meera Ji.
27:40It's the rest of Meera Ji.
27:42It's good, Safi.
27:43It's good.
27:44You'll have to go to the audience.
27:46There are also other people who have questions.
27:48Thanks.
27:49How are you?
27:50If you are close to Meera Ji.
27:53I'm gonna bring you.
27:54I'm a nurse.
27:55I'm a nurse.
27:57What's your biggest problem of Laer Ji?
28:00What do you think of Laer Ji?
28:01The biggest problem?
28:01The biggest problem is that everyone is going quickly.
28:04The traffic is very loud.
28:06The traffic is so big.
28:07Our last three hours will look out to the protocol.
28:11The last few minutes is to come to the52s.
28:13What kind of mistake went to the previous people-
28:18Zafi bhai, that lawr has a traffic jam in lawr, but the good thing is that the lawr has a
28:24traffic jam in lawr.
28:25When you go to Keraji, it was only one call.
28:30Now it's only the protocol.
28:32But there are some reasons.
28:35There is no reason for me.
28:37I understand that lawr is very clear.
28:39There are small small issues.
28:40There's a lot of people standing up.
28:43There's a picture.
28:44No, lawr is lawr.
28:45It's just a privilege issue.
28:47Lawr is lawr.
28:48Lawr is lawr.
28:50No, lawr is lawr.
28:51Who is lawr is lawr?
28:53Who is lawr is lawr?
28:54Who is lawr is lawr?
28:55This is our lawr is lawr.
28:57I have a question from you.
28:59I mean, you have a long time in this industry.
29:03You have worked with the old people.
29:06You have worked with the old people.
29:07You have worked with the old people.
29:07Now you are sitting with one person.
29:10So my question...
29:13...now...
29:17...you have worked with the old people...
29:18So my question is your question...
29:19...that...
29:21...you have done this in the old people...
29:23...or you have done this as well?
29:25The old people have done this...
29:27...or the people have done this?
29:29Yes.
29:30I feel like...
29:31The new generation has always been smarter than the last generation.
29:37They are more smart people.
29:40So, if they say that the awareness is smart,
29:44then the kids are more smart.
29:47We used to say that we used to say that we were smart.
29:50What was it?
29:51It was a time ago, but our kids were born at the next level.
29:55The story is okay.
29:56They are ready.
29:57Ready, ready.
29:58Ready, kids are ready.
29:59It's true.
30:00It's also because you have information from 2 years old.
30:07You have 2-3 years old.
30:09You have mobile, you have TV information, internet information.
30:13We didn't have it.
30:14I remember that my first time, when I was on my phone,
30:18I took the phone and took the phone.
30:20You were listening to the phone.
30:22That's not the case.
30:24That's true.
30:25You are more smart people.
30:27Thank you sir.
30:29Very good.
30:30But Sefi,
30:31if you are smart people,
30:33they are small and small.
30:35I don't have a separate camera.
30:37This is a problem.
30:37Our problem was like this.
30:40They didn't have the facilities.
30:41They had exposure.
30:42After that, they reached here.
30:45Our generation, our generation,
30:47we didn't have anything.
30:48We didn't have any information.
30:50We didn't have any information.
30:52We didn't have any information.
30:53We have made it this far.
30:54Alhamdulillah.
30:55When we were making assignments,
30:57when we were making engineering,
30:58even MBA,
30:59we didn't get anything from Google.
31:01That's true.
31:01You were able to make it.
31:04You were able to make it.
31:05It was a big issue.
31:06It was a big issue.
31:06Or a set of things that came from you.
31:08That's true.
31:08That's true.
31:09We had our challenges.
31:11We didn't have any problems.
31:13We are not very problems.
31:14We are not very problems.
31:15We are very smart.
31:17We are very smart.
31:18We are smart now.
31:18We are smart than today.
31:19We are talking about today's generation.
31:20But today's generation is very smart.
31:25For example, I want to work in AI.
31:27So I want to work very quickly and very quickly,
31:32I want to work with my son to work.
31:34So this is all the difference.
31:37It's a good thing to talk about.
31:40Assalamualaikum.
31:41Assalamualaikum.
31:42Assalamualaikum.
31:42What's your name?
31:45Sayyid Rehan.
31:46Rehan, what are you doing?
31:47Yes, it's my textile industry.
31:50And I work in the textile processing unit.
31:53Wow, you work in the textile processing unit.
31:55And you work in Lahore?
31:56Yes, I work in Lahore.
31:57So what's the biggest problem?
31:58Lahore's biggest problem is?
32:01Lahore, basically,
32:03which is also changed,
32:05but it's changed behind Lahore's actual shape.
32:09So I feel that this is a problem of Lahore.
32:13The actual shape of Lahore,
32:15the actual Emirates,
32:15the actual heritage,
32:16that is the same as it is.
32:18So you should have a small village.
32:19You should have a small village.
32:20Everything is on your own.
32:21The fact that the heritage heritage is,
32:22the history of our heritage,
32:24like Chobar Ji,
32:26Baatshahe Masjid,
32:27the Minari Paki,
32:27the actual heritage,
32:29the Mall Road, the Jail Road,
32:30all of them should be on your own.
32:32The Baatshahe Masjid is on your own.
32:34Yes, yes, yes.
32:35They are on your own.
32:36They are on your own.
32:37But the actual color is not on your own.
32:41Yes,
32:42I think you said that the government has restored the past law.
32:45Yes, it is.
32:46It is, it is.
32:46Yes, it is.
32:47It is.
32:47It is.
32:47Yes, it is.
32:48Yes, yes.
32:50Saifi Hassan,
32:51Assalamualaikum.
32:52Assalamualaikum.
32:53My question is that you are watching a lot of times on the TV.
32:58You have done a good job.
33:00Yes, yes.
33:01And,
33:01Mashallah,
33:02you have been on your trip.
33:03You have been on your trip.
33:05But,
33:06I feel that
33:08whenever you see it,
33:10you look in full energy.
33:13That's it.
33:14This is my question.
33:14I don't have any questions.
33:15Your statement is.
33:16What is the path that you look in full energy?
33:21And you haven't even seen it?
33:23Where did you see it?
33:25Where did you see it?
33:25The TV.
33:26The TV.
33:26The TV.
33:27Saifi,
33:27where does the energy come from?
33:31Where do you come from?
33:33Do you practice some special practices?
33:35No, I do not practice.
33:37I am the same.
33:37I am the same.
33:38I am the same.
33:39The TV.
33:40In general,
33:41you have seen me as a character.
33:42Yes, yes.
33:43Yes, yes.
33:44If the director says,
33:45if you look at it,
33:47you look at it,
33:48you look at it,
33:48you look at it,
33:49you look at it,
33:50but the director doesn't say it.
33:52Yes, yes.
33:52So, he says,
33:53you look at it,
33:53you look at it.
33:55At this point,
33:55you are not doing it?
33:57How do you know that?
33:58I am not doing it.
33:59No.
34:00Do you know that,
34:00we were doing the things
34:01on the record,
34:03on the camera,
34:04you were doing the same?
34:05I am the same.
34:05I am the same.
34:06What are you saying?
34:07What are you saying?
34:08What are you saying?
34:09I am not saying.
34:10What are you saying?
34:12I am talking to you.
34:13I will talk to you first.
34:13You will tell me your own way.
34:15You are saying something.
34:17Yes.
34:22You feel very sad about Pakistan's problems.
34:25No, no, no.
34:26I am saying that I wanted to ask you.
34:29You want me to ask you.
34:31You have a welcome.
34:32You are watching Shabas Shereif beautiful shots,
34:34you saw something with the show.
34:34So, you can see.
34:36I'm going to look at who camera is.
34:38Just just look at the camera.
34:39This camera is getting yourself online.
34:41Okay.
34:41This is Mr. Shabas Shereif.
34:43In one minute,
34:43I'll say your love.
34:45Yes, Shabas Shereif,
34:46Assalamualaikum.
34:47Wa alakumsalam.
34:51If Shabas Shereif,
34:54if you don't say that,
34:54I will say that.
34:55If you don't say that,
34:57you will say that.
34:58You will say that.
34:58But Shabas Shereif,
34:59I also have a question to you…
35:02that in Pakistan, which is our best city in Lahore…
35:07its diversity, its color, its color, its actual shape…
35:12as it is, it is better.
35:14That's very good.
35:15It's a very good thing that Seyfi, it's a very obvious thing…
35:23you should have to maintain your heritage…
35:24but it's a very good city.
35:27You are also going in the world, and we are also going in the world.
35:29So the old cities in the world, they have been able to maintain their quality.
35:35Now, the most important thing is in Makkah and Adina.
35:37They keep it like that, so many millions of people go there.
35:41How do they go there?
35:42They also have the original form.
35:45So that's why the cities are growing.
35:47They keep it like that.
35:49They keep it like that.
35:50You have to reach 5 hours.
35:52You have to reach here.
35:54But if you want to see the old things,
35:56then you have to study the same form.
35:59It's like 400 years ago.
36:01They keep going there.
36:03As-salamu alaykum.
36:05Wa alaykum as-salam.
36:06Sir, what's your name?
36:07Shihzad Ahmed.
36:08Shihzad, what do you do?
36:10I'm a lecturer.
36:11What do you do?
36:12Chemistry.
36:13No, sir.
36:14No, sir.
36:16No, sir.
36:16I love you.
36:18You're an assistant.
36:19Yes, sir.
36:19The chemistry of the teacher is a difficult problem.
36:21It's a bad subject.
36:23It's a bad subject.
36:23It's a bad subject.
36:24So what do you think?
36:27What is the biggest problem of the teacher?
36:28Sir, I think that there should be three or four problems.
36:32Because there's no problem.
36:33Why?
36:34Because the people of Kralachis have a little bit of interest.
36:37So they'll be happy.
36:38As you can belong to Kralachis.
36:40Sir.
36:41I'm very sorry.
36:42We have jealousy, but it's good.
36:44It's a good country.
36:45Yes, absolutely.
36:46What's your question?
36:48My question is Safi Hassan.
36:49Sir.
36:51Kralachis.
36:52In the future, what is your plan for school, college, universities, students,
36:58problems, especially career counseling?
37:01Because there are so many students,
37:02that when you see other children,
37:05they choose such a subject,
37:07which is not worth it,
37:09which is not worth it,
37:09which is not worth it.
37:10So what is your plan for such a drama,
37:14or such a plan for such a plan,
37:16or direction for such a plan,
37:17or direction for such a way?
37:19Or what is your plan for such a drama?
37:23I'll give you a little bit of a question.
37:27In the drama,
37:28you can incorporate things in this way.
37:30There's a lot of thought about it,
37:32because the drama is about entertainment.
37:34I'm going to go to universities, colleges,
37:38where I'm doing career counseling.
37:44I'm going to go to university.
37:47I'm going to listen to the other students.
37:49I'm going to listen to the students.
37:52I'm going to learn the learning curve
37:53in a way in a way,
37:53and I speak to them from the students.
37:57The team can marry children,
37:59who are the ones for their children.
38:03We can't do this.
38:04We can't do this.
38:04But we can do this in our days.
38:04That's why I'm doing it.
38:05I can do it.
38:06Thank you very much. Thank you.
38:12Shafi, it's time for you to take a half a second.
38:16A half a second is a segment.
38:17You will be asked to answer questions.
38:19There are no answers to this.
38:21But you need to take a half a second.
38:23You need to notice and take a half a second.
38:25You will notice and take a half a second.
38:27You will be able to get a second.
38:29Listen.
38:31Oh, sir.
38:32This is your question.
38:34Don't give a half a second.
38:35Okay, a half a second.
38:37This is the main thing.
38:38You don't know what to say.
38:40I, you.
38:42For example, if you are asking what is your name?
38:46What is your name?
38:47But you will take a name.
38:50Be specific.
38:51It will be fun.
38:52The first question is what is your name?
38:58Tabish. Very good.
38:59What is your name?
39:01Saif.
39:02Saif.
39:03How did you know a few of them?
39:05To be the house.
39:07Their house.
39:07They turned the house.
39:07It was a good right.
39:08What was your name?
39:11This is the real name.
39:12What was your name?
39:13Oafridi.
39:15What was your name?
39:16There's a name?
39:18What is the name?
39:19What is the name?
39:19Who was the name?
39:20What was your name?
39:20There a name.
39:20What was your name?
39:22Technically.
39:23You had a name?
39:25How was your name?
39:28What was your name?
39:36I don't know how much money you ate in the industry.
39:38Who is the one who ate your money in the industry?
39:44Who are your good ones?
39:48Uh...
39:51I'll put a video on this one.
39:54Sefi, you look good at me.
39:56I don't think it's good.
39:59I think my upper lips are small.
40:02That's it?
40:03You should do it.
40:06You should do it.
40:07You should do it.
40:07I think the whole girl has done it.
40:12The industry is very good.
40:14They are good.
40:16Do you not come to Vaj Ali?
40:18Vaj Ali doesn't come to dancing.
40:21He doesn't come to dancing.
40:22What's my Chinese name?
40:23What's your name?
40:24Ching Pong Fu.
40:27You should do it.
40:29You should do it.
40:31It's a bad thing.
40:34It's a bad thing.
40:36It's a bad thing.
40:37It's a bad thing.
40:38You should do it.
40:41We'll do it.
40:43We will be back with the break.
40:43We'll come back to the end.
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