00:01दनेवाद
00:15देखिए हमेशा होता है कि सत्य को परिशान किया जाता है
00:20पर लोग भूल जाते हैं कि सत्य कभी प्रास्त नहीं हो सकता
00:25ये जो जीत है जो कोट में जो वर्डिट आई है
00:28हमें हमेशा नयाय पालिका पर विश्वास था
00:30और हमें विश्वास था कि सत्य का ही जय होगा
00:34और ये जय हमारा नहीं है
00:37ये जीत वो जो पीडिता माता बहने हैं उनकी है
00:42और आज मतलब कल साम से सिनमा घरों में फिल्म स्टार्ट हो गई है
00:49और लोगों को पसंद आ रहा है
00:50ये फिल्म हमारी लिए फिल्म नहीं इमोशन है
00:53हमारी responsibility है
00:55हम चाहते हैं कि हमारी माता बहनों को सुरक्षित रखा जाए
01:00और अब ये बारी तो audience की है
01:04audience को film देखना चाहिए
01:06film को सराहना चाहिए
01:08and it is their responsibility to have a sensitization in this world.
01:14That's it.
01:17Whenever these kinds of films come,
01:20obviously, the makers and directors,
01:22they say that they will be very attacked.
01:25They will say that they will be attacked,
01:28but they will say that they will say their personal freedom,
01:31or speech.
01:32After the freedom of speech,
01:37Anurag Kashyap told you a lot.
01:40What will you say to Anurag Kashyap?
01:44Anurag Kashyap, I don't know that they will go,
01:47but they will go and see a film.
01:49And they want,
01:50so I will send them to their home.
01:53They will study them.
01:55And we had a press conference in Delhi,
02:01where we called the victims,
02:05they will see all the videos.
02:07If there is no sense of their mind,
02:11then I will not do that.
02:13Look, this love jihad is a cancer.
02:16It is very necessary to remove it.
02:20As a responsible filmmaker,
02:23I cannot just create fantasy.
02:25I have to show the truth of society.
02:26The people who have to show them.
02:28People have to see,
02:30what is happening.
02:32Sometimes they will get them from the victims,
02:35and sometimes they will take out a little time.
02:37They are very good filmmakers.
02:40I also know the craft.
02:41But they only show the truth.
02:44Sometimes people are close to the truth.
02:48Sir, I have said that you know the craft.
02:52When you know the craft, you have contradicted your statement that they are telling the truth.
02:58So, you take good shots, but what the shots are important.
03:05As a filmmaker, I take very good shots.
03:08But what the story of the shots is also important as a shot.
03:13So, it's like that. I love his craft, but he is using his craft on a wrong way.
03:20So, what was your mind with the camera?
03:26I am a very small filmmaker. I am a documentary filmmaker.
03:30So, I don't know if my mind is broken.
03:33But yes, I am not always with their films.
03:37I am not with their 80% of their films.
03:42Whether they are Gangs of Wasapur, Girl in Yellow Boots, they are showing jokes.
03:46They are showing jokes.
03:47They are a good joke.
03:47They are the most famous characters.
03:48They are also showing jokes.
03:49But then, the narrative is the most famous ones.
03:52When they are showing jokes, they are showing jokes, they are showing jokes.
03:57The whole true story of Gangs of Wasapur is a joke.
04:01It has shown its real joke.
04:03They have shown a joke in Girls in Yellow Boots.
04:06They have shown a relationship with a father-in-law.
04:13I don't want to think about it, but I don't want to think about it, but I always doubt about
04:21it in my sensibility.
04:21I always doubt about it, I always doubt about it, but why do we talk about it in Anurag Kashyap?
04:30I don't understand this, Anurag Kashyap is a flop film director, he always gives flop film.
04:36People never take seriously.
04:41Our first film, if you look at the ticket sale, the people who have watched it will be more than
04:4910 films.
04:52So, the society is accepting who it is important.
04:56So, there are a lot of contradictions.
05:00One is that what is the commercial success?
05:03We say that we accept the business.
05:06Obviously, because people are not going to do business.
05:09But at the same time, there are a lot of filmmakers or there is a school of thought,
05:16which say, oh, Anurag Kashyap has started a league of its court.
05:21They started their own league.
05:24And they have been following the web for 15-20 years.
05:29There was a lot of violence.
05:31And they have made the film by Anurag Kashyap.
05:34So, one thing is that this trend is going on despite being a commercial failure.
05:39Look, 10 entertainment editors will tell them they will not be able to tell them they will not be able
05:46to tell them.
05:47Okay?
05:4810 writers who work to talk about the society,
05:53the society will tell them they will not be able to tell them they will not be able to tell
05:58them.
05:58The people make it.
06:01People make it.
06:06They will not be able to tell them they will not be able to tell them.
06:09Let's not talk on Anurag Kashyap.
06:11There is a lot of more.
06:13Let's talk on Kerala's story.
06:15Kerala's story.
06:16Kerala's story 2.
06:16Kerala's story 2.
06:17This whole debate started.
06:18Obviously, we had to see them.
06:20Because they will be made in the media so that they will get a film commission.
06:24Yes, yes, yes.
06:25Let's go to Kerala's story 2.
06:28Now, I have the same question from Nipul sir also.
06:31Generally, we see that whenever a film releases,
06:34there is a project in front of Darshabh.
06:40People from industry, they also share reactions on social media.
06:43However, we have not seen the same in the face of Kerala's story 2.
06:46What about your friends in the industry?
06:49They are very happy.
06:50They are very happy.
06:51They are very happy.
06:52They are very happy.
06:53They are very happy.
06:54They are very happy.
06:56They are very happy.
06:56I have seen my audience, many friends,
06:59and I have seen them.
07:00I am emotional when people see people.
07:04If some people keep them safe,
07:09they are a strategic silence.
07:11It's fine.
07:12They don't like them.
07:14They are fine.
07:16I would like to say this whole faith, in Kerala's story, every scene is true, and it should be seen
07:26by all mothers and sisters.
07:29I think that those who are not reacting, it's a strategical silence.
07:35So when you give this statement, it's going to affect your career through your film career in a long time,
07:42because film industry has a lot of lobbying, these are all you know.
07:46Okay, but I have no idea of lobbying.
07:49And I don't have to say anything about it.
07:51I will do whatever I want to do.
07:54I don't have to say anything about lobbying.
07:58I don't have to say anything about lobbying, I don't have to say anything about it.
08:02How much of the organization can be created?
08:07You know what I want to say?
08:12I would like to say, I don't have to say it.
08:15Okay, I think that it's not up and out of it.
08:17So, if you want to say anything about it,
08:19I won't say anything about it.
08:19I would like to say something about it.
08:20Guys, Kerala's story is very different from the world.
08:29I don't have to say something about it,
08:31There was no special screening for BJP leaders.
08:35Some people were screening for civil society,
08:37but we have never invited any BJP leader to any political party.
08:43BJP is different.
08:44They did not.
08:47My question to you is,
08:49can you give a special screening for a film or do you think?
08:53For civil society, it was very necessary to show civil society.
08:58Besides, we did not show anyone.
09:01What is your expectation?
09:03Is it going to break the records of the first Kerala story?
09:06When you make film, you don't think about all these things.
09:09You just make the film as a responsible filmmaker.
09:12You do not think how commercially it's going to do.
09:16Yes, we want.
09:16We want to see people,
09:19so that people understand what situation we are doing.
09:23And this is such a situation,
09:24which you are talking about,
09:25and you are talking about.
09:28This is our children,
09:30and we want to change the demographic of love in our society.
09:35That's the thing.
09:38So, the final words,
09:40what do you want to say?
09:40To your audience?
09:42To your story,
09:44who supported the story,
09:46the social media,
09:47a section of people,
09:48they have supported a lot.
09:49For them,
09:50and for the theatre owners,
09:53who are bravely running here,
09:54and film in theatre,
09:55that's a threat,
09:56and despite all the operations.
09:58Look, we want to say one thing,
09:59that the love of jihad is a cancer.
10:03It's for our society.
10:06It's for our children.
10:07It's for our children.
10:08It's for our children.
10:10It's for the people.
10:11It's for the people.
10:11To make this film,
10:11we can make this film.
10:13We can make this film.
10:15We can make this film.
10:18Thank you so much.
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