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Mumbai: In an exclusive IANS interview with Bollywood Famous Actor Mithun Chakraborty, where he discussed his upcoming film ‘The Bengal Files’, which is directed by Vivek Agnihotri. Then, he opened up about his role in the film, the controversial reception and the historical sensitivities. After that, he reflects on the challenges of portraying intense subject matter and the impact of speaking with Noakhali riot survivors. He also shared about his son and his role in the film. Lastly, he explained his experience working with Vivek Agnihotri. 

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Transcript
00:00You know this character is called the mad man in the film but actually he's not mad he's been
00:15he's the conscious of the film.
00:30You can't speak well, you know.
00:32I don't know how to do it, I don't know how to do it, I don't know how to do it, I don't know how to do it, I don't know how to do it.
00:37So when you picture pictures, when you come to Samari, you know this character, actually he's the conscious of the film.
00:53If you look like you're politically motivated, if you look like you're politically motivated.
00:59Very surprising, I mean, I don't want to face the truth.
01:07It happened before my birth, the great Calcala killing is the same.
01:18Nobody wants to know, but Viveka Gunayotri is saying, please know the truth, what happened.
01:23There was a genocide in Nuaq Ali, the 40,000 Hindus has been killed.
01:29In the great Calcala killing also the same and people revolted.
01:33And people revolted.
01:36So this is true.
01:37And as we talk about the truth, this will be politically motivated.
01:43And what can we do now?
01:44And what can we do now?
01:50I will tell you so much that people have started to see the trailer before it was planned.
02:01It was planned before it was planned.
02:04You have seen the trailer before it was planned.
02:08It was planned before it was planned.
02:11Right?
02:12But before it was seen the trailer, then they say,
02:15You have to face the truth today or tomorrow.
02:45Why we will close this, no one will tell us why we will do it.
02:54What is the problem of this government?
02:57If you go to Hindus, whatever you want, it is accepted.
03:01Otherwise, nothing is accepted here.
03:04This is not something else.
03:06We will see that the Kashmir fights have been closed.
03:11People have seen it as much as it is not going to happen.
03:15We will stop the Kashmir fights.
03:17People will come and see it.
03:20I guarantee you.
03:22What is the problem of this government?
03:27I have explained you in a line.
03:30Whatever you do, everything will happen.
03:33Everything will happen.
03:35The problem is that.
03:37Now, I have explained you indirectly.
03:41This is a much more difficult film for me.
03:50Because playing the madman, who is consciously very much there.
03:56But you call it a madman.
03:59I am standing on both sides.
04:04It was very tough to play this role.
04:06I am going to speak, how to play this character.
04:13Because this is a madman.
04:16It will be overacting.
04:18This is all I have done.
04:21After doing it, it feels good.
04:23It is looking nice.
04:25Of course, it is intense.
04:28Of course, it is intense.
04:30He talks about the freedom.
04:32He talks about the partition of India.
04:34How it happened.
04:36And that will give you goosebumps.
04:38That is for sure.
04:39No.
04:42Just a little bit.
04:43The first thing is the first thing is that.
04:46Even before my birth...
04:47I told you about it.
04:48I had told you about it.
04:49There was a line.
04:51There was a line that was really lost in the building.
04:53In the flood of the flood of the flood of the flood.
04:55It was a lot of the floods in the flood of the flood.
04:57In the flood of the flood of the flood.
04:58There was many people who died in the flood.
05:00Justです.
05:01That is the last chapter.
05:02At the great Calcutta, many people died in the Middle East,
05:05in the Great Calcutta.
05:06But that means that is the truth.
05:07That is the truth.
05:08Put that behind it.
05:09It has not been explained to anyone,
05:12neither to us nor to our next generation.
05:14But after watching this film,
05:17people, plus next generation to generation,
05:20they will know actually what happened
05:24in totally Noah Khali and the Great Calcutta killing.
05:28And I think one must know it, must know the truth.
05:32So, at that time, I will not speak about anything.
06:03I don't know all these things,
06:06because they will be able to do one film or study.
06:09What will they do after reading?
06:10How many times will they be able to read?
06:12In one line, the film will be known.
06:14In one line, the film will be known.
06:17Do we have to do it or not?
06:18And I do a film now.
06:20The film gives me a little charge,
06:23those sort of films I do now.
06:25Like I'm doing with Pravaz Fauji.
06:28It's a patriotic kind of family drama.
06:34And Jailet 2 with Rajini is another kind of film.
06:37Pajrapati 2 is another kind of film.
06:40So, I don't know how many people do it.
06:46But I think it's easy.
06:48I think it's...
06:50One time I've listened to it,
06:51it's done a lot.
06:52We have to decide or not.
06:54I'll be shocked that, you know,
07:01at time, 65 films on the floor.
07:05I hold a Limka book of world record.
07:0819 films released in one year.
07:10So, you can imagine the work.
07:12I'm 380 films old.
07:15Then I'll go to Bangalore to Chennai.
07:28Then I'll do another reality show shooting.
07:35Then off to America.
07:36How did you play the film in a film in a film?
07:42In the country all have gone very very far.
07:44But South Indian films, rather, Tamir, Telugu,
07:48they're much more...
07:50I feel they're much more ahead.
07:52You know...
07:55They care...
07:56All the time they are working.
07:57They're creating something new, new, new.
08:00So you can see their song pictures, their techniques.
08:05They are much more bigger and larger than light things.
08:09That is interesting.
08:10But technically, we have gone, we have improved.
08:14All over the country, we have improved technically.
08:23We don't share screen together, but he plays a deadly gulam.
08:28He is one of the men behind Noah Khalips.
08:33So you must watch him.
08:35He is playing a deadly negative character.
08:38You must...
08:39I told him to play this role only.
08:41Because then you will be people who know what kind of actor you are.
08:51Before they go on to say it,
08:53one thing I want to say is to be there.
08:56Listen to your director.
08:58Listen to what he wants.
09:00And then prepare yourself.
09:03Prepare yourself to who you are.
09:05And then prepare.
09:07And all the time, be into the character.
09:10Don't get out of the character.
09:12Don't play Namoshi Chakra Bhurti on set.
09:15Once you've gone into the film in front of camera,
09:19your Namoshi Chakra Bhurti is sleeping somewhere.
09:21Now your gulam is acting.
09:23That's it.
09:24That's it.
09:25That's much.
09:26From the beginning, I don't attend parties, I don't attend film award functions.
09:40So I'm a non-fit, misfit in the parties now.
09:53And I enjoy to be with the family, to be with my plants, to be with my four-legged children.
10:02So I enjoy myself with this and with the family, my children.
10:09That's it.
10:11That's it.
10:12That's it.
10:40You need to get time for 2-3 days and then get it.
10:44That's not the same time.
10:46Politically, there's also a lot of pressure on me.
10:51So I have to fulfill those commitments also.
10:59Don't study in this state.
11:02This is what you are encouraging.
11:05You also have the right to know the truth.
11:08If you know the truth, then you will learn.
11:11If you know the truth, then you will know.
11:14After seeing the truth and understanding,
11:17you will realize yourself that you are where you are.
11:21Where are you?
11:23That's it.
11:24But don't close your eyes.
11:27Don't go away from anyone.
11:29The first thing is that we do not present every time.
11:40Have you seen the first thing before?
11:42Yes.
11:43That's the first thing.
11:44The first thing is that we will see the first thing.
11:46The second thing is that we will see the first thing.
11:49The second thing is that we will never see the truth.
11:51He is a very hard-working director.
12:09Everything is so perfect.
12:14His documentation of the subject is so terrific.
12:18He is so difficult, he is so learning, he is so learning, he is so learning.
12:22He doesn't come to the set.
12:24If you ask them to ask them and you don't get the answer, he can't do it.
12:29He can't do it.
12:31If you ask them to ask them, why is this happening?
12:34He has the answer.
12:35If he has the answer, he knows the subject so and through.
12:39I am so hard-working.
12:41And he is one of the finest directors we have in the country.
12:44That's for sure.
12:48Thanks.
12:50Have a great day.
13:04Have a great day.
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