Mumbai: In an Exclusive Interview with Actor Vaibhav Raj Gupta, where he discussed his journey from the popular series "Gullak" to his latest role as Vikram Singh in "Mandala Murders". He shared his experience working with directors and co-actors Vaani Kapoor and Surveen Chawla. Vaibhav talked about the importance of hard work, patience, and staying grounded in the industry. He also shared his views on nepotism, social media, and the impact of OTT platforms on the industry. With projects like "Mandala Murders" trending in 12 countries, Vaibhav expressed optimism about the opportunities available to actors in films and OTT shows.
#VaibhavRajGupta #MandalaMurders #VikramSingh #Gullak #OTTPlatform #SurveenChawla #ExclusiveInterview #Trending #BollywoodNews #BollywoodGossips
#VaibhavRajGupta #MandalaMurders #VikramSingh #Gullak #OTTPlatform #SurveenChawla #ExclusiveInterview #Trending #BollywoodNews #BollywoodGossips
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00:00Bebovji, first of all, welcome to Agnes.
00:02Thank you so much.
00:04Bebovji, first of all, you have to know how the journey of Mandela and Murdoz
00:07is going to be a long journey, but finally, I feel like that journey is over, Mandela's journey.
00:21It's been a long journey, it's been waiting for a long time, it's been a long time, it's been a lot of work behind it.
00:26And finally, the show is out and all of us are liking Vikram Singh's character, the whole show, and all of the cast's performance.
00:38So my directors are very happy, actors are all happy, so the audience is happy.
00:46Sir, people are saying that when you see all of us, we are just a super innocent man, so what do you want to do?
00:56I would like to say that someone was innocent character, so I played it like that, but in every person, there are a lot of roles.
01:07Some poet has also read a very good line, that if you see any person, there are many roles, there are many roles.
01:17So I think that every actor's character, there are many roles, there are many roles.
01:23And when you get a chance to get a chance to get a chance to get a chance to get a chance to get a chance to get a chance,
01:29if you can get a chance to get a chance to get a chance to get a chance to get a chance,
01:30if an actor's character isade, or he'll find a chance to get a chance to get a chance,
01:34if he's been a chance to get a chance, then the production of his character's character is a great place.
01:43I think that's the difference.
01:44and I also get so much love for Vikram
01:48so this is a very difficult thing for me
01:51and I am very happy with this
01:53that I had so much fun
01:56and what I want to do with an actor
01:58so I am really happy
02:00Sir, in Mandela Mahalai, you have seen Vikram Singh
02:03as an intense character
02:05do you think that the audience is
02:08when you have one film
02:11in the mind of the film
02:14so that you can play a lot of characters
02:17or you can play a lot of characters
02:19or like in Mandela Mahalai
02:21you have a lot of characters
02:23and you have a lot of characters
02:25so people can play a lot of characters
02:27No, I mean
02:31I mean, it happens
02:33that maybe they cannot see
02:35that this actor
02:37can play or not
02:39or the audience of the film
02:41is not the case
02:42they are being loved
02:43and the audience is being loved
02:45but the audience is being loved
02:47that you are having to stay
02:49and the casting directors
02:50and the directors
02:51are having to work
02:52so that the rest of your characters
02:54you are having to see
02:55the other characters in your own
02:56and I feel like
02:58consciously as an actor
02:59that your choices are very important
03:01for anyone for anyone
03:03So, I always have to focus on my choices.
03:06I've never tried to do much everything.
03:09Where I think I'll get a chance to do something different.
03:12Whether it's Mandala Murders, Gullak, Maai, or Good Bad Girl.
03:18Every character is different from each character.
03:21And then there's also fun.
03:23And I think that the audience also loves you.
03:26The audience is watching everything.
03:28It's a very tight lens.
03:30So, I'm just happy that, you know, they loved Annu Mishra.
03:34And they're loving Vikram Singh.
03:37So, for me, I'm like really happy for this.
03:41Yeah.
03:42Sir, your character has been very intense.
03:47But do you have changed the acting style?
03:51Or do you have inspired the Hollywood or Bollywood character?
03:55Yeah.
03:56Yeah.
03:57Yeah.
03:58This is my great interest of directors.
04:00The director of Gopi Putran, who has written this whole show.
04:04The character of Vikram.
04:06And with Manan sir.
04:08I've spent a lot of time with him.
04:12It's a good thing for an actor.
04:14It's a good thing when the directors want to take a workshop personally.
04:18So, my workshop went for 5-6 months.
04:22And my directors have worked on one thing.
04:28And I'm very lucky that, you know,
04:31that's how you did it.
04:32And, by which means that,
04:36there was a definite difference for me.
04:38And after that, the film was created like this,
04:40that's said it was really tricky.
04:41That's what, actually,
04:42It's too much like the film was created up.
04:43So, it was just like,
04:44I was going to ask,
04:46I'll go over a few hours.
04:47The film was written up,
04:48it's kind of a while,
04:50and I thought the film was created up.
04:51Yeah, I was given up.
04:52And it was like,
04:53that was kind of a fun role as well.
04:54So, I've been given up,
04:56and I've given up something that,
04:57I've been given up,
04:59so I didn't even look out.
05:00I was able to find out how to do all the characters.
05:03So with me and my directors, we worked together with each other.
05:07So we spent 7 months, and if you were to say,
05:10after the workshop and I studied this character,
05:16I had 2-3 actors named after watching the film.
05:21When I saw the film as an actor,
05:25So, when I saw the film as an actor, I always thought that in life, there is a character in life.
05:30Because they played a very good role in the police, which I have never seen before.
05:35Manoj Bacchpayee, I saw a film in school.
05:38So, I thought that I had a chance to do something.
05:41And then, Gopi Sir and Manan Sir, Amitabh Bachchan Sir.
05:47So, I saw Amitabh Bachchan Ji's work.
05:49I saw a lot of films in many films.
05:53So, yeah.
05:55Sir, actors, one thing you've heard about it, and one thing you've heard about it.
06:01How did your experience go to your own?
06:04And how did your experience go to your own?
06:07How did your experience go to your own?
06:10Especially in the traditional production?
06:12No, see, for any actor, the first thing is that every actor has a dream to work with the Wiref.
06:19And I have a dream to work with this.
06:22And Adi Sir and Uday Sir has a great talent.
06:26After that, when I realized that Vani Kapoor and Sirveen are doing this, I am excited.
06:32Because I am a very big fan of Vani Kapoor.
06:36And I have seen her beautiful dancer.
06:40She is a beautiful dancer.
06:42And beautiful co-actor.
06:43And a beautiful actor.
06:45So, when I got to work with Vani Kapoor and Sirveen, I got to work with Vani Kapoor.
06:51I got to work with Vani Kapoor and I himself moved and discovered by Vani Kapoor…
06:54And as we went to work with Vani Kapoor so that she sounded very helpful…
06:57I am so happy that this will indeed work.
07:01The reason I started to work with Vani Kapoor and Master said is also great for her.
07:03The reason I just found that because of Vani Kapoor and Sirveen…
07:05Is this true?
07:06Is this the Dej Call means?
07:07We went Gmail Augustалы?
07:08Because I am a fan of their work, I am following them a lot of times and we have made a small ad with them years ago, when they were doing Sacred Games 2.
07:18So I was also an actor in their ad.
07:22And I think it's a privilege to work with Surveen Chawla because
07:29they are a very beautiful actor, a very beautiful actor, a very beautiful singer.
07:38And they are such a work that there is water, there is water in the scene.
07:45So they are standing in front of you, you have to do a lot of craft.
07:50Surveen Chawla is a very beautiful work.
07:54They are very enjoying acting.
07:57So I am very fun working with them.
07:59And both are very beautiful.
08:01Surveen Chawla, especially when you talk about Mumbai,
08:05what did you teach in Mumbai?
08:10What did you teach in Mumbai?
08:13I told you about me about it.
08:18It was good to be in Mumbai because I knew about it.
08:22But I think it's a really good role.
08:25I think we need to have a good attitude,
08:27今, this is an experience for us to teach people.
08:29But there are neither are any things that matter as well.
08:31I'm a great leader in this world.
08:32pequeña
08:52Mumbai has accepted you first, so there is time for this city, and once you accept this city, there is no going back, and that's the beauty of this city.
09:05And one thing about Bombay is that there is no sleep here, but I think it's true.
09:12So I love this city, I love the people here, they are beautiful.
09:18What does it mean by the actors, so they are demanding.
09:23The craft, the craft, the craft, the craft, the craft, the craft.
09:28What does it mean by the craft?
09:30The demanding means that everything needs profit.
09:33Like this, there are so many actors who have seen it.
09:37So young actors are demanding, so why do we have to take a look at everything?
09:43No, that's not.
09:45I mean, if you are doing a project, then there is a demand.
09:49And if there is no demand, then there is no fun.
09:52So if the demands are good for your role, or for the show, then why not?
10:00But there is no such thing.
10:03Sir, if you want to go to the Mandela Mothers set, there is a lot of intent movement.
10:10Do you have to share a behind-the-scenes movement that you can share?
10:15There are many things, but one of the anecdotes is that I was doing a gym in the 8th,
10:22I was eating chicken in the food, and I was eating chicken in the food.
10:25So I was married to my friends, and I was getting married to my friends.
10:30I was eating the food and eating the food, and I was eating the food.
10:34I was eating the food, and I was eating the food, and I was eating the food.
10:37So I had a dream that when the shoot is finished, I would have to eat what I'm eating.
10:43Because I don't have to eat anything in the food.
10:45I'm from the U.P.
10:46I like my food.
10:47I like my food.
10:49So I have a scene from Ganga in the first episode.
10:53I was eating the food and we were eating.
11:00But the one I was eating, so I was eating the food.
11:03So I was eating the food, so I had anança that I was eating the food.
11:08Then, I was eating the food, the one that you want to eat,
11:12I left my aunts and still have two meals.
11:15I found a list in the food.
11:16I had to spend 24 meals on a meal,
11:21sandwich, burger, chicken, meata, dahi, daal,
11:28from the food, I made a very big salad.
11:31I'll put that in my videos and photos.
11:34So I was eating that whole day.
11:37And that day I couldn't forget.
11:39Because it's like you're getting the fruit of your work.
11:43It was a very deserving meal.
11:45And I got the value of eating in that day.
11:47Sir, your grandfather's influence is coming up a lot.
11:53What do you think that in today's time,
11:55when you're a youngster's journey is very different?
12:01The journey is all about their own journey.
12:05If you want to go on the journey,
12:07it depends on you.
12:10My grandfather's influence is because of me,
12:13because I've been in art from my childhood.
12:18My grandfather is a very good artist.
12:21He was a beautiful painter.
12:25So I've been watching him from my childhood.
12:25I've been watching him from my childhood.
12:27I've been watching him from my childhood.
12:30And he's been giving me a great upbringing.
12:32My grandfather and grandmother.
12:35So I'm only wife to go on something like Lebensű HD.
12:38Just live with all kinds of respect.
12:47And grounding is very important for you.
12:49For some Clint Eastden.
12:50And hisíst deiets always make the meals.
12:53So always create art everyday.
12:54So I believe in these things.
12:56And my father said that if you are putting a tree, then put a tree like this, that no one can put it in your way.
13:05So, I believe in this thing.
13:09Do you think that the nepotism in the industry is more than a role or talent?
13:17I think that the nepotism is a star.
13:27The nepotism is everywhere.
13:29If you have a father, then you go to that line and support you.
13:34So, I don't do that.
13:36At the end of the day, the talent matters.
13:39If you have a chance, you can get a chance, but if you are the right or not.
13:43So, if you don't have a talent, then you want to be a nepotism kid, or a nepotism kid, or an outsider.
13:49If I don't have a talent, then people don't like it.
13:55So, things are very similar.
13:57I think that it's all fair.
14:00We get a chance, we get a chance, but when we get a chance, are we ready to give your best?
14:09And who has a good talent, who is here in Bombay or outside of Bombay,
14:16then sometimes it will have a light on it.
14:19So, talent is very important.
14:21So, after Aham Bombay and after Sayyara, do you think that the audience will be accepted?
14:37Why not?
14:38I mean, there is a big example where a film is hit,
14:42where there is no star.
14:44It's the story.
14:46And it has always been the story.
14:49So, when the audience is ready to listen to the stories and to see the stories,
14:54then you give us good stories.
14:57People are going to see the stories.
14:59And now the theatre halls, people start going again.
15:03It's the most beautiful thing to see.
15:06So, I think that I accept the career.
15:09Look at the sayyara, how many good numbers have been done.
15:12Sir, in Mandela Models, you have seen a cop's road,
15:15which is haunted from your own.
15:17So, do you think that the roles are more impactful in this road,
15:21because the audience also has a clear status?
15:27Yes.
15:28Yes.
15:29I think that Vikram Singh is such a character with whom a lot has happened.
15:35And if we make Vikram Singh simple,
15:38he probably doesn't get so much fun.
15:40He doesn't get so much fun to play.
15:42And the audience doesn't get so much fun to play.
15:44Because he's going through a lot.
15:46So, the audience is also connected.
15:48And the audience is also feeling it.
15:50So, yes.
15:51Sir, one more question.
15:52You've worked on a lot of digital series.
15:53So, yes.
15:54Sir, one more question.
15:55You've worked on a lot of digital series.
15:57So, what do you think about digital series?
15:59So, what do you think about digital series?
16:00So, do you think about digital series?
16:01Do you think about digital series today is more complex than the reach of?
16:03Or, traditional cinema and charm also has been more important?
16:05Or, traditional cinema and charm is a lot of big impact?
16:06Do you have a lot of work in the OTT?
16:11When we came to OTT, we have a lot of work.
16:16Our work is reaching very far because OTT's reach is very good.
16:20Now, we are trending in 12 countries.
16:25So, different people from different countries,
16:29they are watching our work and what can it be better than that?
16:34So, there are opportunities.
16:36In films, there are opportunities.
16:38There are opportunities for new people.
16:39In every place, there are opportunities for new people.
16:41So, I am very positive.
16:43I have been working on a YRF project.
16:48So, I always go to the positive side.
16:51You are just sitting there.
16:54You will have a chance.
16:56If you are in the right place, why not?
17:00Do you think that Gullak and Annu were murdered by Vikram?
17:05Is there a major difference?
17:07Do you think that Gullak and Annu are all regretting so much?
17:11Do you think that Gullak and Annu are all regretting so much?
17:15No, both...
17:16No, both
17:22No, not safe.
17:23No, it's not easy to do it.
17:24No, at the same time...
17:25I have worked as much for Annu.
17:27I have to work as much for Annu.
17:28I've worked as much for Vikram.
17:29Both characters are very close to my heart.
17:31Both play in my heart.
17:32They are fun to play both play.
17:34The audience is very good in the right part.
17:36This is the best thing.
17:38Because when you came first, people would like me to do it with you.
17:42But I'm sure now, as far as Instagram or social media,
17:46they are all about the name of Vikram,
17:50the performance of Vikram.
17:54So I'm very happy that they accepted my job.
17:58Sir, talk about social media.
18:02What do you think about social media?
18:09No, don't influence much.
18:12Social media is one way.
18:14There are many filters in social media.
18:16Everything is true.
18:18There is something else.
18:20But I enjoy social media.
18:22I enjoy my stories.
18:24I put a lot of stories.
18:26There are also good pages.
18:28Where you can learn knowledge.
18:30You can learn about acting.
18:32You can learn about books.
18:34It depends on what you are looking for in social media.
18:37So if you are looking for the right things,
18:39you are looking for the right things.
18:40If you are looking for the wrong things,
18:41you are looking for the wrong things.
18:42But you need to use a little balance.
18:45You should not depend on social media.
18:48You need to take a break.
18:50the wrong things.
18:51The wrong things.
18:52If you are looking for the wrong things.
18:53You can do that from social media.
18:56If you are looking for followers,
18:57there'll be following me.
18:58That's why there's a lot of followers.
19:00No, it happens. It happens. People often do it with Instagram, but I just think that there are not many followers and I will show a show.
19:26I can't say anything about it because it depends on who they need and who they are making.
19:39I don't know if my followers are more than actors.
19:46But in social media, you can choose a little bit.
19:50Because you don't have talent. You can do something else.
19:56Sir, what do you think of future projects?
20:03I would like to give a message.
20:06As much love you have given to Annu, you are giving me the love of Vikram.
20:12This is a great thing for me.
20:16In the future projects, there are some things that are going to happen.
20:21There are some things that are going to happen.
20:23Now, I think that there are some things to do.
20:26So, we will either film or show a show.
20:30When we do it, we will know.
20:32But thank you so much for loving Mandala Murders.
20:35Thank you, sir.
20:36Thank you, sir.
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