- 2 days ago
Millie 1931 HD Remastered
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:38CastingWords
00:01:09CastingWords
00:01:21CastingWords
00:01:50Good night, sir.
00:01:52Hey, fellas! Look!
00:01:58Well, if it isn't Jack Maitland turning up the town again...
00:02:01Who's out in the front seat? Millie Blake?
00:02:04Millie?
00:02:04Oh! Oh, that's right!
00:02:06Hey, let me see! Let me see!
00:02:07Oh, Millie!
00:02:09Boy, what a fallen fire she is! Just rare to go!
00:02:13Well, there wasn't any of these rarens going on before her old man died.
00:02:16That girl needs a father.
00:02:18Millie knows how to take care of herself.
00:02:20And don't I know it!
00:02:22Well, maybe she does.
00:02:25Oh, I love this.
00:02:28I've never ridden fast enough. I get a thrill out of it.
00:02:31Hmm. I want excitement.
00:02:34I want to live to go everywhere and see everything and do everything.
00:02:40How would you like to go to New York, Millie?
00:02:42Oh, I love it, but...
00:02:45Oh, it'll be a long time before I get there, I guess.
00:02:52How would you like to go with me?
00:02:57Listen, that's the one thing I won't do.
00:03:00I thought we settled that a year ago at Millers Farm.
00:03:04Oh, I mean it.
00:03:05I think you're the most beautiful girl in the world, and I'm the man to take care of you.
00:03:09Am I being proposed to?
00:03:11You're getting the news broken to you gently that you're going to be Mrs. Jack Maitland of New York.
00:03:41See, that looks funny.
00:03:43It looks great.
00:04:07Anything else, sir? Ice water?
00:04:09If I want anything, I'll call you.
00:04:12Thank you, sir.
00:04:26Nellie.
00:04:30Why, darling, you're trembling.
00:04:33It's just excitement.
00:04:37Mrs. Jack Maitland.
00:04:47Are you sleepy?
00:04:50Sleepy?
00:04:51Oh, no! No!
00:04:54Why don't we drive to New York now?
00:04:57Now?
00:04:58It's only two hours.
00:05:02How's he here?
00:05:03Who is your boss?
00:05:07My husband.
00:05:09You love him?
00:05:11Yes.
00:05:16Afraid of him?
00:05:21I guess I'm silly.
00:05:24Of course you are.
00:05:25Now, come on, darling, and get some rest.
00:05:27You're all tired out.
00:05:31A little rest would lead you worlds of good.
00:05:38I have to telegraph.
00:05:40I have to telegraph.
00:05:40Telegraph?
00:05:41Yeah, my mother.
00:05:43Oh, good heavens.
00:05:45I'll telephone her.
00:05:46You get to bed.
00:05:55Hello.
00:05:57Give me long distance, please.
00:06:05Hello, uh, Mrs. Blake?
00:06:07Uh, this is Jack Maitland.
00:06:10Millie wants to talk to you.
00:06:11Hold the wire, please.
00:06:11Yes.
00:06:12Hold the phone.
00:06:13Oh, Millie!
00:06:16Millie!
00:06:20Come on, darling.
00:06:21This is long distance.
00:06:23Step on it.
00:06:26I haven't anything to put on.
00:06:31Oh, here.
00:06:47Please hurry, honey.
00:06:52Hello, dear.
00:06:56I'm...
00:06:57I'm married.
00:07:01I married Jack Maitland.
00:07:04We're in a hotel in Greenwich.
00:07:07Married?
00:07:10Well, if you're married to such a fine man of Jack Maitland,
00:07:13what are you crying about?
00:07:15But I...
00:07:16I never got married before.
00:07:18How can I tell?
00:07:24I'll...
00:07:24I'll write to you when we get to New York.
00:07:29Goodbye, dear.
00:07:36Millie!
00:07:40Did you tell her?
00:07:43Yes.
00:07:45What did she say?
00:07:48She said...
00:07:50for you to be good to me.
00:08:10I got...
00:08:11I got...
00:08:12I got my little girl.
00:08:14You did?
00:08:15Now think of that.
00:08:17Such a big girl.
00:08:18I don't know my little baby.
00:08:20Yes, dear.
00:08:21Do you want your bath now, huh?
00:08:23Mm-hmm.
00:08:24You do?
00:08:24And shall Mama give it to you?
00:08:26Mm-hmm.
00:08:27Oh, you dear.
00:08:30Mother loves you so.
00:08:33Precious woman.
00:08:34Come on, stand up.
00:08:35Up she goes.
00:08:36Oh, you're getting so big, Connie.
00:08:37I don't know my little girl.
00:08:40Come on.
00:08:41Shall we go in?
00:08:42Mm-hmm.
00:08:43All righty.
00:08:46Come in.
00:08:52Time for the baby's bath, Miss Maitland.
00:08:54Oh.
00:08:56Let me give her a bath, will you?
00:08:57I'll do it just like you do it.
00:08:59Now, Miss Maitland, don't tease.
00:09:01Oh, go on.
00:09:02Please let me.
00:09:03I'm sorry, Miss Maitland.
00:09:05Come on.
00:09:10Say, whose baby is this?
00:09:12Well, what's that all about?
00:09:22Oh, it's that governess.
00:09:23You'd think she owned my baby.
00:09:26I only see it about ten minutes a day.
00:09:30Oh, Jack.
00:09:33Don't be cross.
00:09:35Honey, it's awful.
00:09:36I haven't got a thing to do all day long until you come home.
00:09:39It's too bad about you, isn't it?
00:09:40Beautiful home, all the clothes that money can buy,
00:09:43and a car to ride around in.
00:09:44Oh.
00:09:45That doesn't make up for being lonely.
00:09:49Yes?
00:09:51Your bags are all packed, sir.
00:09:52And the car's at the door.
00:09:54Yes.
00:09:56Oh, Jack.
00:09:57Are you gonna go away again this weekend?
00:10:00My business demands it.
00:10:02Oh, honey.
00:10:04Forget business for a couple of days.
00:10:06Let's be like we used to, just the two of us.
00:10:09Are you going to start that again?
00:10:14I'm sorry.
00:10:15I...
00:10:16I won't talk about it anymore.
00:10:37You're a sweet kid.
00:10:43I thought you were gonna forget again this morning.
00:10:46Forget what?
00:10:47To kiss me.
00:10:48Well, you see, I didn't.
00:10:50Oh, but Jack, I...
00:10:51I mean a real kiss, the way you used to.
00:10:56There you are.
00:11:00Well, what's the matter now?
00:11:02Don't you love me anymore?
00:11:04Well, of course I do, sweet, but...
00:11:06You don't kiss like it.
00:11:08Well, good heavens, dear.
00:11:09I can't waste all my days billing and cooing.
00:11:12I have business to look after.
00:11:14Well, business didn't bother you when we were first married.
00:11:17You don't love me anymore.
00:11:18That's what it is.
00:11:20I loved you when I married you, and I love you now.
00:11:23Well, then why do you leave me day after day?
00:11:27I get so lonesome, I could die.
00:11:29Do you think I go away because I want to?
00:11:32Why are you always kicking?
00:11:34Well, why shouldn't I kick?
00:11:36I'd like a little fun for a change.
00:11:39I'd like a little loving once in a while.
00:11:41And what do I guess?
00:11:42You're downtown all day.
00:11:44When you do come home at night, you go to bed and you snore.
00:11:46Listen, I'm not gonna stand here and argue with you.
00:11:48I have a train to catch.
00:11:49Goodbye.
00:11:50That's right, run!
00:11:51You big coward, run!
00:12:15Good morning, Millicent.
00:12:17Good morning, Mother.
00:12:18How's the baby?
00:12:19Oh, she...
00:12:20She's just like a little angel.
00:12:24What's the matter, sweet?
00:12:26I'm afraid I was close with Jack this morning.
00:12:33Oh, he'll get over it.
00:12:35I'm sure of that.
00:12:38It takes time for young people to adjust themselves to each other.
00:12:43And a whole lot of patience.
00:12:47You do like me a little, don't you?
00:12:50I love you, Millicent.
00:12:52I was thinking only this morning that if I had a daughter, I should want her to be just like
00:12:58you.
00:13:00I could just hug you to pieces for that.
00:13:03Thank you, dear.
00:13:05Maybe that Jack now.
00:13:12Hello?
00:13:14What?
00:13:16Why, Angie Wickersham!
00:13:20When did you get to New York?
00:13:22And you never told me.
00:13:25Why, Angie and I grew up together.
00:13:29Well, I didn't ring you because I thought you might be too proud to talk to me.
00:13:33Well, then I got thinking you might get sore if I didn't.
00:13:36So I did.
00:13:38So she did.
00:13:41Oh, I lived with a girl named Helen.
00:13:45Oh, I'm working.
00:13:47So you're a sales girl at Mason's.
00:13:49I'm a sales girl at Mason's.
00:13:51You've got the day off.
00:13:53I've got the day off.
00:13:55Tell her to meet you in front of Mason's at 1.
00:13:58Can you meet me in front of Mason's?
00:14:001 o'clock.
00:14:011 o'clock?
00:14:02Alright.
00:14:04I'd like to see you pretty bad.
00:14:06Goodbye.
00:14:09I got her to come.
00:14:12You got her to come?
00:14:14She's coming in spite of you.
00:14:16Guess I know how to talk to a friend from home without you telling me.
00:14:20Did you tell her how to bring your rumor in?
00:14:24You'll get your money.
00:14:25Now will you fade?
00:14:46Why, I never knew they had cabarets running in the daytime.
00:14:50Oh, yes.
00:14:51It's a place for tired businessmen to relax in.
00:14:56Oh, hello.
00:14:57Hello.
00:14:58Uh, same as usual?
00:15:00Yes, thanks.
00:15:01I'll take ginger ale.
00:15:03Yes.
00:15:06I come here pretty often.
00:15:08Yes, I see.
00:15:10You're rather well acquainted.
00:15:11It isn't hard for a girl to get acquainted in this town.
00:15:14Oh, Angie.
00:15:15Don't try to fool me.
00:15:17I'm your friend.
00:15:19Tell me, how did you happen to come to New York?
00:15:22Well, I got engaged to a man who got his divorce in Mexico.
00:15:27You would.
00:15:29Well, how can a girl tell what's gonna happen in Mexico?
00:15:32Oh, Angie.
00:15:35Hello, Miss Riley.
00:15:36Oh, hello, Max.
00:15:37I'm looking for my girlfriend.
00:15:40Oh, never mind.
00:15:40There she is.
00:15:42All right.
00:15:46Oh, there you are, my dear.
00:15:48Hello, Helen.
00:15:49Uh, Miss Riley, Miss Blake.
00:15:50Oh, uh...
00:15:51Mrs. Maitland now, is it not?
00:15:53Oh, just Millie, if you'd like.
00:15:55Won't you have something?
00:15:57Cream de milk.
00:15:58Not hard to manage, you know.
00:16:00This is a pleasant little, uh, witch pod.
00:16:04Say, what's that crack?
00:16:06I...
00:16:06I beg your pardon.
00:16:08Beat it.
00:16:08Beat it.
00:16:09Go on.
00:16:10Beat it.
00:16:11Oh, uh...
00:16:12I hope you don't misunderstand my dear.
00:16:14No, I...
00:16:15I don't.
00:16:17Oh, then I can relax.
00:16:20Say, honestly, Millie, you're a good egg.
00:16:24Well, I hope so.
00:16:25Say, I...
00:16:26I like to call my home.
00:16:27My husband's away, and suppose we have dinner tonight.
00:16:30Gee, that'd be swell.
00:16:31Where the phone?
00:16:32Right over there by the door.
00:16:34I'll show you, Millie.
00:16:35No, don't bother.
00:16:36I can find her.
00:16:40Say, you know, Angie, I like that dame.
00:16:46What ails you?
00:16:48Well, the dirty cheater.
00:16:52Who?
00:16:53Him.
00:16:54Her husband.
00:16:55That one with the blonde dame?
00:16:56Yeah.
00:17:00Well, whatever made you bring her here, you little moron?
00:17:03Well, how did I know?
00:17:04Well, he's in here all the time.
00:17:06I've never seen him.
00:17:07Oh, he has that blonde dame in here five days a week.
00:17:10Really?
00:17:11There we are.
00:17:15Here she comes.
00:17:17Oh, get her out of here.
00:17:18Tell her you're sick.
00:17:18Tell her anything.
00:17:35Do we have dinner here?
00:17:37Oh, no.
00:17:38The food here is terrible, Millie.
00:17:40Let's go to Cavanagh.
00:17:40Yes, let's.
00:17:42Aren't we going to have our drinks?
00:17:43Oh, we can get some drinks over there.
00:17:45Yes, and it's so stuffy in here.
00:17:47I feel a little faint.
00:17:48Here, come on, Millie.
00:17:49Let's blow.
00:17:50Oh, I love this tune they're playing.
00:17:52Let's watch him dance a few minutes.
00:17:57Oh, oh, come on, Millie.
00:17:58Let's not eat here.
00:17:59Well, all right.
00:18:10Jack.
00:18:12Honey, let's not dance any more.
00:18:14I want to sit down with you.
00:18:16All right, do it.
00:18:30Oh, I'll bet that dame can suck.
00:18:33Her father was a blacksmith.
00:18:36Really?
00:18:45Come on, beautiful.
00:18:46What can we do for you?
00:18:48Millie.
00:18:49Who is this woman?
00:18:51Who wants to know?
00:18:52Quiet.
00:18:53What for?
00:18:55Say, what are you butting in here for?
00:18:57Please, will you come on?
00:18:58Let's get out of here.
00:18:59Take your hands up, dame, anyhow.
00:19:01Will you keep quiet?
00:19:02This is my wife.
00:19:03That wouldn't mean anything to her.
00:19:04Oh, your wife.
00:19:06Will you keep quiet?
00:19:07You'll have everybody in the place in here.
00:19:08Let them come in.
00:19:10Well, Mrs. Maitland, we'll have a showdown, and right now.
00:19:17Tell her what I am to you, or I will.
00:19:19Go on, tell me what he is to you.
00:19:20She doesn't know what she's talking about.
00:19:22I don't?
00:19:22Well, I'm his sweetheart, that's what I am,
00:19:24and you don't mean a thing to him.
00:19:26Millie!
00:19:27Wait, will you hold her?
00:19:29So this was your important business.
00:19:31Let me go.
00:19:31Citizen, please, will you come out of here?
00:19:33Must I drag you?
00:19:33Take your hands off me!
00:19:35You and I are through, you chief!
00:19:42Oh, Millie, I'm terribly sorry.
00:19:44Gee, Millie, you look kind of sick, honey.
00:19:45Don't you think we'd better go?
00:19:47I'm all right.
00:19:48Millie, will you come out of this place?
00:19:50If it's good enough for you, it's good enough for me.
00:19:52But you can't be seen here.
00:19:54From now on, I don't care where I'm seen,
00:19:56as long as I'm not seen with you.
00:20:22I don't care.
00:20:22Come in.
00:20:25Oh, don't really hurry.
00:20:26How are you?
00:20:28How are you?
00:20:29Oh, fine.
00:20:29Hello, Millie.
00:20:30See, I'm glad to see you.
00:20:32Well, so this is the heaven divorce dropped you into.
00:20:36Uh-huh.
00:20:36Floyd Avenue on the elevator.
00:20:38Oh, it isn't so bad.
00:20:40Well, I'm through with marriage.
00:20:43From now on, I'll play my own way.
00:20:45Well, back heavens, you've salvaged some good clothes anyway.
00:20:48This is nice.
00:20:50Here.
00:20:50Slip it on, and we'll take you to the domino room and show you off.
00:20:53And we'll get you a job in the courses just like we started with.
00:20:57That ought to get you a quick offer.
00:20:58But I can't afford to go out at night.
00:21:01Well, you certainly can't afford to stay home nights.
00:21:05Not at this stage in the game.
00:21:08I've got to get up in the morning early and look for work.
00:21:11What?
00:21:12Work?
00:21:13Well, of course.
00:21:15Well, when are you going to find time for opportunity?
00:21:17Well, don't you call a good job an opportunity?
00:21:20Well, I wouldn't call it very substantial.
00:21:23Now, just what kind of a job would you like?
00:21:28Well, I don't know.
00:21:30I want...
00:21:30I see.
00:21:31You're just going to pass up everything and become a working girl.
00:21:34Yes, I guess that's it.
00:21:36What I can't understand is giving up that baby and not collecting for it.
00:21:41I think it's unnatural.
00:21:43Terrible.
00:21:44But wouldn't it be selfish to take her away from that beautiful home?
00:21:47And besides, it...
00:21:49It isn't really like giving her off.
00:21:52I call her off every night and...
00:21:54And I see her Sunday.
00:21:57Hmm.
00:22:05Isn't she a darling?
00:22:12Gee.
00:22:14I suppose nothing matters when...
00:22:16When you've got something like that.
00:22:18...
00:22:26...
00:22:30All for Mr. Harrison, all for Mr. Harrison, all for Mr. Johnson, Mr. George Stone, all for Mr. Johnson, all
00:22:41for Mr. Johnson.
00:22:43No, thanks. I have my dinner at home. But if I ever come to Akron, I certainly will.
00:22:51You know, I could use you very nicely in one of our shows.
00:22:55Thanks, Mr. Marks, but I don't want to join your show, or any show, for that matter.
00:23:06No, thanks. I've met all the rich brokers I care to in the last two years right here.
00:23:17Good morning, Mr. Damien.
00:23:19Good morning, Millie.
00:23:22Hello, Jim.
00:23:23Hello, Mark.
00:23:24Some cigarettes, Keith.
00:23:28Mark, it's a lucky thing for you. You haven't got Miss Blake in your show.
00:23:32Lucky? How?
00:23:34Well, you'd never find another girl lovely enough to match up with her.
00:23:38Oh, that stops me.
00:23:41I bet you went to bed early to crack him out that good.
00:23:44I stepped around till four.
00:23:46Well, you certainly don't look it.
00:23:48No?
00:23:48Well, I have to get my good old eight hours, or I'll never get any place.
00:23:54Just what is your ambition, Millie?
00:23:57Oh, to keep my independence, and perhaps a little comfort.
00:24:03Finding it difficult?
00:24:05Sort of.
00:24:06Really?
00:24:07You know, independence seems to be a hard thing to hang on to.
00:24:12Well, how about the comfort?
00:24:14Oh, lots of offers.
00:24:15Oh, I see.
00:24:17Then I'll have to wait my turn in line.
00:24:20Huh?
00:24:20Oh, no, you won't.
00:24:22Well, that's interesting.
00:24:24There isn't any line.
00:24:26And that's unbelievable.
00:24:29Oh, yes?
00:24:30Yes.
00:24:31Hello, Millie.
00:24:32Oh, hello, Charlie.
00:24:33Hello, Millie.
00:24:34Hello.
00:24:35Well, how's the press this morning?
00:24:36Not so good, Jim.
00:24:38What a crop of eyes you three have.
00:24:40You ought to see the tonsils.
00:24:43Why don't you boys go up to my room and ask Henry to mix you a pickup?
00:24:47Oh, thanks, Jimmy.
00:24:48These bankers have such tender hearts.
00:24:51Why shouldn't they run the country?
00:24:53Don't ask me a riddle.
00:24:54Come on, let's get the lifesaver.
00:24:58Well, as I was saying...
00:25:04See you later, Tommy.
00:25:07So long.
00:25:12Millie?
00:25:13Goodbye.
00:25:18Marty.
00:25:19I could let him get away with that.
00:25:20As sick as I am.
00:25:21Oh, Tommy, why don't you slow down?
00:25:24You'll never get any places when you do.
00:25:26I wish I felt as good as you look.
00:25:29Uh-huh.
00:25:30Well, you got to start the night before for that.
00:25:32Hello, Millie.
00:25:33Sorry I was late.
00:25:34Oh, that's all right.
00:25:37Well, what's the idea?
00:25:39This is my day off.
00:25:40Say, when you take a day off, it's a national holiday.
00:25:43What do you say we go to Coney Island and celebrate?
00:25:45No, Tommy, I wouldn't risk having you fired.
00:25:48Oh, don't worry.
00:25:50I take that risk 365 days a year.
00:25:52What do you say?
00:25:54I can fix it with the editor.
00:25:56All right.
00:25:58I'll go get that pickup and be right back.
00:26:00If we go to Coney, no pickup.
00:26:03Okay, no pickup.
00:26:08Bye.
00:26:09Have a good lunch.
00:26:15Well, for heaven's sake.
00:26:18Say, who's been gilding these lilies?
00:26:20Hello, Millie.
00:26:21Hello.
00:26:22Hello, Millie.
00:26:23Oh, don't you look grand.
00:26:25We're just back from Saratoga.
00:26:27Hmm, what a season we've had.
00:26:30Oh, they're lovely.
00:26:31You know Mr. Rock, don't you?
00:26:33I'm afraid so.
00:26:34We're lunching at Sherry's.
00:26:36Yeah, what's going on there?
00:26:38A trade convention?
00:26:39Soak your head.
00:26:41Would you like to come along, dear?
00:26:42No, I'm going to Coney with Tommy.
00:26:45What a man.
00:26:46I have my moment.
00:26:48I'll be back in a minute.
00:26:52What in the world do you see in that egg?
00:26:55Oh, he's a nice boy, and he doesn't try to pawn me.
00:26:59She goes out with men for the darndest reasons.
00:27:05Oh, say, we saw Maitland in Saratoga.
00:27:07And of all the parties he threw.
00:27:09You know, Millie, every time I think of you turning down that Maitland dough,
00:27:13I get chill-blamed.
00:27:15When I'm through with a man, I'm through.
00:27:17When I'm through with a man, I'm just beginning.
00:27:20Let's go, huh?
00:27:21All right.
00:27:22You don't mind if we run?
00:27:23No, bring us up sometime, Millie, will you?
00:27:25Yeah, I will.
00:27:25Don't let Millie eat too much.
00:27:27No, I won't.
00:27:30Come on, dear.
00:27:34Look at her going to Coney with a reporter.
00:27:38I don't know what it is,
00:27:39but that town you two came from leaves a terrible mark.
00:27:45What kind of a mark?
00:27:47Oh, shut up.
00:27:55Wouldn't the ancient house get a lip on me?
00:27:58You sure won't.
00:27:59I don't.
00:28:00I know what I like to eat over.
00:28:02Oh, yeah?
00:28:04That's a little.
00:28:05Uh-huh.
00:28:07You want to fool the guard?
00:28:17You're not going to eat over.
00:28:17Oh, that's a little.
00:28:25Oh, my.
00:28:26Oh, waitie.
00:28:27Oh, delay.
00:28:28Look at everybody.
00:28:29They look so tired.
00:28:33Oh!
00:28:35Oh!
00:28:36Oh, there she is.
00:28:43Oh!
00:28:44Oh!
00:28:45Oh!
00:28:46Oh!
00:28:47Oh!
00:28:51Thanks, Burst.
00:28:52Well done, Tommy.
00:28:54I never knew before I could do it on ice cream soda.
00:28:57You didn't?
00:28:58You know what? You need the guardian.
00:29:00That's right.
00:29:02You know, what I need is a wife.
00:29:06Oh, don't look at me and say it.
00:29:08I held a white starboard.
00:29:11This would be different.
00:29:14Maybe it'd be different, but it'd still be a terrible position.
00:29:20I'd rather be in the tobacco business.
00:29:24Do I, uh...
00:29:26Uh-uh.
00:29:28You don't.
00:29:29Hmm?
00:29:30Good night.
00:29:31Good night.
00:29:33Good night.
00:29:36küçük hot passat
00:29:46That grew so good, .
00:29:47It's nice to be a geranium,
00:29:49and bloom out in the spring.
00:29:51And when the birds return from the South,
00:29:53I can generally sing.
00:29:55Oolah, oolah.
00:30:01Just because they'd grown in the sign of a cottage PWR still,
00:30:05one would think that the poor things would never again
00:30:08as thrilled.
00:30:09But then, they'd find their elegant thanks
00:30:11around the windowsill.
00:30:13Tilly!
00:30:14Whoa, that's nice.
00:30:17To be an uranium instead of a vlogging Freddy.
00:30:20Willie!
00:30:20Come on.
00:30:29Come on.
00:30:30Come on.
00:30:32Come on.
00:30:33Come on.
00:30:37Come on.
00:30:37Mr. Lloyd.
00:30:38Mr. Lloyd.
00:30:40You can't cut out Mr. Lloyd.
00:30:42Midnight and the name is a complaint.
00:30:44Quiet down.
00:30:45Quiet down.
00:30:46We're trying to make a show.
00:30:48Just let my pants come out.
00:30:54Please.
00:30:56Everybody pretend we're drunk.
00:30:59Shh.
00:31:01Come in.
00:31:04Hello, everybody.
00:31:05How are you?
00:31:08Jimmy, you've come to spend your vacation.
00:31:10Tommy, I thought you might need some reinforcements about now.
00:31:15Hey, Millie, we're saved.
00:31:16The Marines are here.
00:31:20Hello, Jimmy.
00:31:21Hello, Millie.
00:31:22Yeah, I'm glad to see you.
00:31:23Hello there, Mike.
00:31:24Give me that.
00:31:25Hey, wait a minute.
00:31:26Wait a minute.
00:31:26You don't know how heavy that is.
00:31:28Lead the way, Millie.
00:31:29Right.
00:31:30Come on.
00:31:36Say, what brings Jimmy Damier here?
00:31:39What brings Jimmy Damier anywhere other than the day?
00:31:45It's nice seeing you again, Miss Millie.
00:31:47Yeah, that'll be all, Mack.
00:31:49Yes, sir.
00:31:53Goodnight, Miss Millie.
00:31:54Goodnight.
00:31:54Bye.
00:31:54I won't.
00:31:57Here, Miss Delvin.
00:31:59Have a little drink for yourself.
00:32:00Well, I might have one.
00:32:03Hey, Tommy.
00:32:04Tommy, listen.
00:32:05Say, Tommy.
00:32:07Jimmy Damier is out in the kitchen all alone with Millie.
00:32:11Sh-sh-shall I sock him?
00:32:13Don't be silly.
00:32:14Jimmy's my pal.
00:32:17And don't you worry about little Millie.
00:32:25Hey, Johnny.
00:32:26Come on.
00:32:27Hey, OK, let's go.
00:32:29Let's go.
00:32:29I know.
00:32:30I see the pin the door on his chest.
00:32:32That's fine, boy.
00:32:33That's OK.
00:32:34I want to be in the rain after rain after rain after rain.
00:32:37Close the door, Johnny.
00:32:39No.
00:32:41Well, I guess the party's over.
00:32:44I don't know when I've had a better time.
00:32:47You know, you're wonderful to talk to, Millie.
00:32:50I loved hearing about your travels.
00:32:53It must be wonderful to see the world.
00:32:56I...
00:32:56I want you to see my mandarin robes.
00:33:00Don't you think you should put them in a museum for everyone to see?
00:33:04Uh-uh.
00:33:05No, I keep those for people I like.
00:33:07Oh.
00:33:08That's the kick in having them.
00:33:10I see.
00:33:10We.
00:33:12Well, I suppose we toddle along.
00:33:15We?
00:33:16Uh-huh.
00:33:17We.
00:33:18We.
00:33:20Party seems to be over.
00:33:22I'll see you home.
00:33:24Will you?
00:33:25Naturally.
00:33:30Have you a hat?
00:33:31Good.
00:33:32That's all I came in.
00:33:36Our host.
00:33:38Oh.
00:33:49Poor Tom.
00:33:51Oh.
00:33:51He'll be all right.
00:34:00Great kid, Tommy.
00:34:05Oh, it's in the other two.
00:34:08Have gone to the...
00:34:11Turkish bath.
00:34:13Johnny.
00:34:13That's funny.
00:34:15Well, let's get going, shall we?
00:34:17My car's outside.
00:34:26Lily?
00:34:29Yes.
00:34:30Just a minute.
00:34:53Good night, dear.
00:34:55Good night.
00:34:57Good night.
00:34:57Oh, what's the idea?
00:34:59Aren't I seeing you home?
00:35:01Not this bit.
00:35:03You're kind of slow making up your mind, aren't you, Millie?
00:35:06No.
00:35:07Oh, my mind's made up.
00:35:12Good night.
00:35:14I see.
00:35:18Good night, Millie.
00:35:20Good night.
00:35:36Nobody home.
00:35:39Hey.
00:35:40Look at this joint.
00:35:42It's all cleaned up.
00:35:43We must have a little fairy in our home.
00:35:54Since when did Tommy take to reading the women's fashion page?
00:35:59I see.
00:36:02I see.
00:36:04I see.
00:36:05I see.
00:36:06I see.
00:36:06I see.
00:36:13I see.
00:36:13I see.
00:36:24Hello.
00:36:26Oh, Tommy.
00:36:27Look, bouquet and everything.
00:36:30I've gone romantic on you.
00:36:31Oh, Tommy, you're so sweet.
00:36:34I was just thinking about you.
00:36:36I know.
00:36:38I could feel it all the way up Broadway.
00:36:41I wish you didn't have to work.
00:36:43So do I.
00:36:44We ought to have had today together.
00:36:47But aren't you grateful for what we have?
00:36:49Sure I am.
00:36:51Gee, I'm happy.
00:36:52Are you, darling?
00:36:53I am, too.
00:36:55Oh, come on, Millie.
00:36:56Marry me, won't you?
00:36:58I want something to hold it together.
00:37:01But, Tommy, love will do that.
00:37:04If it can't, then the rest doesn't matter.
00:37:07But, darling.
00:37:08Oh, it's like I said, Tommy.
00:37:09I tried it once and it didn't work out.
00:37:12Now I, I would marry the best man living.
00:37:16Hmm.
00:37:17And you are that to me.
00:37:19But I'll stick to you, Tommy.
00:37:46Good luck, Millie.
00:37:47You deserve it.
00:37:48You certainly do.
00:37:50Say, you know, I didn't think the answer had that much good sense.
00:37:53Oh, I'm a big shot now.
00:37:54Private secretary and everything.
00:37:56Well, that calls for a few hearty congratulations.
00:38:00I think it just swelled the way you kept abreast with us.
00:38:03Oh, I've been lucky.
00:38:05That's one reason I'm giving that party tonight as a Claritin.
00:38:08We'll be there.
00:38:09Though, as a matter of fact, it's a double celebration.
00:38:11It's for Tommy's good luck, too.
00:38:14Say, what's that reporter booed out of you now?
00:38:17Jimmy Damier's giving him a publicity job in the Haymarket Bank.
00:38:21All right.
00:38:22Isn't that grand?
00:38:23It's a surprise, too.
00:38:24Tommy doesn't know what it's all about.
00:38:25And that's what I've always suspected.
00:38:27Oh, now, stop it.
00:38:30Why don't you get Mr. Damier to do something for you for a change?
00:38:34Yeah, why don't you start looking out for little Millie?
00:38:36These things don't last, you know.
00:38:38I'm not worried.
00:38:40After four years?
00:38:42It's time you started.
00:38:46I've decided it's time I looked around for an advantageous marriage.
00:38:50Oh, really?
00:38:51I feel I've done all that can be done with the present situation.
00:38:57Here you are, honey.
00:38:59Well, I'm gonna call Tommy.
00:39:00Excuse me.
00:39:02So now she's got him in the bank.
00:39:05Well, he won't have to worry about money anymore.
00:39:08No.
00:39:09But the bank will.
00:39:11Go.
00:39:13Go.
00:39:13You can't.
00:39:15Oh, Tommy, it's gonna be a wonderful party.
00:39:18You can come late, can't you?
00:39:21But you know what these assignments are.
00:39:24But it won't take all night.
00:39:27You can come any time before daylight.
00:39:30And, Tommy, I got a big surprise.
00:39:34I'll tell you what's a party.
00:39:36You'll be sure and come now.
00:39:39Oh, all right, honey.
00:39:42But I don't know what time it'll be, though.
00:39:46So long.
00:39:47Come on.
00:39:49I'll go.
00:39:49Come on.
00:39:56Come on.
00:40:16Come on...
00:40:25She isn't a blonde, she's not a brunette
00:40:30She's merely the redhead and hard to forget
00:40:34Look out for your heart, look out for your nerves
00:40:40She's merely the redhead with dangerous curves
00:40:44She's good and she's bad
00:40:47She cannot disguise an angel and devil
00:40:52Look out of her eyes
00:40:54If you've ever met, you'll never forget
00:40:59That Millie's a redhead and hard to forget
00:41:07It's a little surprise, Max just wrote it
00:41:15Do you like it?
00:41:17Oh, Jimmy, I love it
00:41:19I'll have one written for you
00:41:21Oh, me too
00:41:24Oh, I didn't have any idea, Tom, he'd be so late
00:41:33Maybe he's out on a special assignment
00:41:35Yes, he is
00:41:37Blonder brunette
00:41:39Oh, Jimmy, that doesn't sound like you
00:41:42Well, I'm not worrying if you're not
00:41:45Yes, I've been around the world several times
00:41:49I'm starting again, just as soon as I can straighten out some matters in Omaha
00:41:53Oh, I just love to travel
00:41:55You know, I've given up the idea of marrying for love
00:41:58I mean a cute love
00:42:02Someday I hope to marry a nice conservative gentleman
00:42:05Just to travel
00:42:08Suppose we have lunch tomorrow
00:42:10I want to show you my itinerary
00:42:12Oh, Mr. Hawksworth
00:42:16Angie
00:42:20Let's you and I dance
00:42:22Certainly
00:42:23You, partner
00:42:35I think I'll go phone Tommy
00:42:37Sure
00:42:38Excuse me
00:42:45Please, I hope to Ou in order, a very good day
00:42:51Thank you
00:42:54How good
00:42:55Here
00:42:56How about it?
00:42:57Thank you
00:42:58Thank you
00:43:05Thank you
00:43:06On Tuesday
00:43:06Was she
00:43:06He
00:43:06Oh
00:43:11You'll pardon me just a moment, won't you?
00:43:13I'm so sorry.
00:43:15Oh, uh, it's nothing.
00:43:34Helen.
00:43:35Helen, will you wipe my show off, please?
00:43:37Oh, hello, Helen.
00:43:38How are you?
00:43:40Who's throwing your party?
00:43:42Millie Blake for Tommy Rock.
00:43:44Say, there's a dame ought to have her brains taken out and renovated.
00:43:48Yeah?
00:43:49I'll say so.
00:43:50Passing up a boy like Jimmy Damier to let a cheap reporter play her for a sucker.
00:43:56Talk her out of that and you'll be doing something.
00:43:59Say, maybe I couldn't.
00:44:02What do you mean?
00:44:03I could tell her whose apartment Tommy Rock's parked in right this minute.
00:44:08Well, hello, Millie. I didn't see you.
00:44:10What do you mean?
00:44:11Oh, don't pay any attention to her, Millie.
00:44:13You shut your trap, Roscoe.
00:44:14Go on, Roscoe.
00:44:15You started it.
00:44:16Now finish it.
00:44:17Sure I will.
00:44:18Get out.
00:44:18No, I won't.
00:44:20She wants it.
00:44:22She'll get it.
00:44:23Go on.
00:44:24He's in Madge Bergman's apartment.
00:44:26You're a liar.
00:44:28Oh, am I?
00:44:29All right.
00:44:30I'll show you.
00:44:32Oh, give me a nickel, someone.
00:44:33Say, you beat it, you meddling little...
00:44:35She can't call me a liar.
00:44:37Here's your nickel.
00:44:38What do you want to listen to her for, Millie?
00:44:42Give me Bryant 3342.
00:44:45Oh, come on, Millie.
00:44:46Let's go.
00:44:47She's tight.
00:44:47Let me alone.
00:44:50Hello.
00:44:51That you, Madge?
00:44:52This is Clara.
00:44:54Say, listen, dear.
00:44:55I left my bag at your apartment this afternoon, and all my money's in it.
00:45:00Listen, I thought your boyfriend could bring it down.
00:45:04But if Tommy's coming down, why can't he slip me the bag?
00:45:09I'm sitting right by the table, right by the door.
00:45:14Oh, nobody will see him.
00:45:18Okay.
00:45:24Well, how will you like it when I get the bag?
00:45:28You won't.
00:45:29No.
00:45:30Just watch my table.
00:45:32It's right by the door.
00:46:12What's wrong, Millie?
00:46:14What?
00:46:15Well, why the sudden flower?
00:46:16Oh, I...
00:46:18I was just wondering...
00:46:19Tommy, could they...
00:46:20Oh, he'll be along soon.
00:46:22Sure.
00:46:40Thanks, Tommy.
00:46:41That's all right.
00:46:56Hey, look out, Millie.
00:46:58That isn't water.
00:46:59No?
00:47:00Well, come again.
00:47:03Jimmy, I'm a red-headed woman.
00:47:05Look out for me.
00:47:08Hello, everybody.
00:47:09Hello, Tommy.
00:47:10We've been expecting you for weeks.
00:47:12Hello, honey.
00:47:13How are you, Jim?
00:47:14I'm fine, Tommy.
00:47:16Sit down, Tommy.
00:47:17Yeah.
00:47:18Now that the...
00:47:19...of the sea...
00:47:19little white-haired boys here.
00:47:20Let's bring the big surprise.
00:47:23Well, say, what is all this?
00:47:25A surprise for you, Tommy.
00:47:26We're going to sort you all out in the world right.
00:47:30Hey, Millie, Millie.
00:47:31Hold that loose, Jimmy.
00:47:33All right.
00:47:36Say!
00:47:38Don't you like it?
00:47:40Mr. Tommy Rock doesn't know it yet,
00:47:42but as a result of his recent achievements
00:47:44in New York journalism,
00:47:45it gives me the very greatest pleasure
00:47:48to offer him the position of publicity director
00:47:50at the Haymarket Bank.
00:47:52Say!
00:47:54Will you take it, Tommy?
00:47:56I suppose it's thanks to you, huh?
00:47:58Will you take it anyhow?
00:48:00Will I take it?
00:48:01Oh, good boy, Tommy.
00:48:03Attaboy!
00:48:04Now, as I was saying...
00:48:05Let me finish it, Jimmy.
00:48:06Why, of course.
00:48:08Mr. Rock will take anything
00:48:10without bothering where he finds it.
00:48:12Even apartment numbers
00:48:14don't mean anything in Mr. Rock's life.
00:48:17He simply gets the idea
00:48:20that he's necessary on the inside
00:48:22and goes right in.
00:48:24Well, Millie!
00:48:25You just heard Mr. Rock say
00:48:26he'd take this position.
00:48:28But now that he's in such a taking mood,
00:48:32I'm going to ask him to take something else.
00:48:35The gate!
00:48:36Well, Millie, what ails you?
00:48:38I'm just fixing things up for your blonde friend.
00:48:41I'm big-hearted!
00:48:43Say, what's the idea?
00:48:44Get out, will you!
00:48:45You're crowding a party!
00:48:47Millie, let me...
00:48:48Come on, Jimmy!
00:48:49Fire up the place!
00:48:50This is all night!
00:48:51Oh.
00:48:59Before I go anyplace with you,
00:49:01you're coming somewhere with me.
00:49:03Well, what are you going to do?
00:49:04Never mind.
00:49:05There's something I've got to do.
00:49:07Now, listen...
00:49:08Say!
00:49:08Who follows who?
00:49:10I follow you?
00:49:10Oh, no, sir.
00:49:12You follow me.
00:49:13Jimmy, I'm a red-headed woman.
00:49:17Ha-ha-ha-ha!
00:49:36Well, what's the idea of coming here, Millie?
00:49:39I don't know.
00:49:41I thought there were a few things around here Mr. Rock wouldn't need.
00:49:47My picture, for instance.
00:49:54First, I wouldn't like that around.
00:50:01And those little knick-knacks.
00:50:03I made them myself just to make things kind of homey.
00:50:08Here, here, Millie.
00:50:10Now, come on.
00:50:10Pull yourself together.
00:50:11Don't you worry about me!
00:50:14Ha!
00:50:15Ha!
00:50:16Ha!
00:50:16Ha!
00:50:17Ha!
00:50:17Ha!
00:50:18Ha!
00:50:18Ha!
00:50:20Ha!
00:50:21Ha!
00:50:23Ha!
00:50:24Ha!
00:50:25Ha! Ha!
00:50:40Ha!
00:50:45Ha!
00:50:58Ha!
00:51:00Ha!
00:51:00Ha!
00:51:01Ha!
00:51:01Ha!
00:51:01Ha!
00:51:02Ha!
00:51:02Ha!
00:51:03Ha!
00:51:03Ha! Ha!
00:51:17Hello, George.
00:51:19Say, did the poor leave my railroad tickets here with you?
00:51:21Yes, here they are, Johnny.
00:51:23Ah, thanks, George.
00:51:24Well, if I don't see you again, Merry Christmas.
00:51:27Merry Christmas.
00:51:30Hello, Jimmy.
00:51:31Well, hello, Tommy.
00:51:33Where are you going with that turkey?
00:51:34Albany.
00:51:35Albany, huh?
00:51:36Christmas dinner with the wife.
00:51:37Oh, I'm stuck, you know.
00:51:40Well, you'll be a little late for Christmas dinner in Albany, won't you?
00:51:43Huh?
00:51:43No.
00:51:44No?
00:51:45I don't have to be there until Thursday the day before Christmas.
00:51:48Oh, well, today is Christmas.
00:51:50Yesterday was Thursday.
00:51:52Thursday?
00:51:53Mm-hmm.
00:51:54Well, what if it became a Wednesday?
00:51:57I'm going to telephone and find out about this.
00:52:03Hello, Jim.
00:52:04Why, hello, Mark.
00:52:05Merry Christmas.
00:52:06Same with you.
00:52:07What's wrong with home?
00:52:09He's lost something.
00:52:11Yeah?
00:52:11Yeah.
00:52:11What?
00:52:12Wednesday.
00:52:13Oh.
00:52:15Who are you dining with tonight, Jim?
00:52:17Dining alone.
00:52:19Oh, home.
00:52:21Who's Millie playing around with now?
00:52:23At this moment?
00:52:25Oh, it may be a grand duke.
00:52:28Or it may be anybody.
00:52:30Ha, ha, ha.
00:52:32I think I'll give her a ring, Marks.
00:52:49Oh, that's delicious.
00:52:51Oh, that's delicious.
00:52:53Yes, dear.
00:52:54Say, that story's been spoiling in the icebox for six months.
00:52:58Well, really, Elmer.
00:53:01Yes, dear.
00:53:02Well, we must be going.
00:53:05Yes, dear.
00:53:08Say, what's the matter?
00:53:09Can't you stand a healthy story since you're married?
00:53:12My dear, married life has done nothing to my sense of humor.
00:53:15You're right about that.
00:53:20Oh, will somebody answer that phone?
00:53:23Answer it yourself.
00:53:24It's probably another division of your love parade.
00:53:28Come on, Camel, up.
00:53:30All right.
00:53:32Now, Helen, can we drop you somewhere?
00:53:35Oh, thanks, awfully old thing.
00:53:36But I'm spinning the off snooze Millie.
00:53:40Petey, don't you drop me anywhere.
00:53:42All right.
00:53:45Hasn't Millie changed?
00:53:47Oh, don't be silly.
00:53:49She's just trying to forget Tommy Rock.
00:53:51After six months.
00:53:53Say, has it ever occurred to you there are brains that remember six months?
00:53:58Really?
00:54:00Holy...
00:54:00Well, we must be coming along.
00:54:03Bye-bye.
00:54:03Goodbye.
00:54:06Oh, hello, dolly.
00:54:10Mr. Millie, why don't you and I go someplace?
00:54:13Huh?
00:54:14Somewhere.
00:54:15Well, Angel, come on over here.
00:54:20Uh-uh.
00:54:21Not with that gang you've got there.
00:54:23Did you get my present?
00:54:26Uh-huh.
00:54:27I was swell, Jimmy.
00:54:29But I don't know why you sent it, because it's gonna go right back.
00:54:33I still pay my own way.
00:54:39Oh, Jimmy, how you swear.
00:54:44Say, listen.
00:54:46Why don't you give me a New Year's party at the lodge?
00:54:49You can't do it.
00:54:49Oh, shut up.
00:54:53Does that put you in a better frame of mind, darling?
00:54:58Now, have a nice Christmas.
00:55:02Bye-bye.
00:55:10What's the idea about New Year's?
00:55:12You heard me.
00:55:14Oh, I can't stand this, Millie.
00:55:16Why not?
00:55:16You won't be there.
00:55:20Jimmy Damier, one of the field, eh?
00:55:24That's a laugh.
00:55:26Yes, and after two years, it's getting on my nerves.
00:55:29Oh, forget her.
00:55:31Forget her?
00:55:32You don't know, Millie.
00:55:34She gets in your blood.
00:55:36I never knew a woman like her.
00:55:41But Millie!
00:55:42Run along.
00:55:43You spend Christmas with your wife.
00:55:46But I don't understand.
00:55:47I-I-I thought...
00:55:48I've changed my mind.
00:55:50Goodbye.
00:55:51Merry Christmas.
00:55:53And a Happy New Year.
00:56:08Hello?
00:56:13Oh, Tommy.
00:56:16Hey, I...
00:56:18I just wanted to wish you a Merry Christmas.
00:56:24You remember the last one we had together?
00:56:28I haven't been giving it much thought.
00:56:31But...
00:56:31Thanks for the good wishes.
00:56:34Oh...
00:56:35Oh, say, Millie.
00:56:36I'm feeling kind of low.
00:56:38Couldn't I drop over for a little while?
00:56:45No, I-I'm sorry, Ty.
00:56:47I-I'm busy.
00:56:50But...
00:56:50Merry Christmas.
00:56:51And thanks for calling up.
00:56:54Goodbye.
00:56:54Bye.
00:57:27Bye.
00:57:28Oh, don't cry, Millie.
00:57:30You know what you need?
00:57:32A good drink.
00:57:37Yeah.
00:57:39Merry Christmas.
00:57:41What?
00:57:43Say, what are you squawking about?
00:57:45You got everything you want, haven't you?
00:57:48Sure.
00:57:50Everything.
00:57:51That's good.
00:57:54Shall I answer that?
00:57:57No.
00:57:59That old Jimmy Daniels.
00:58:01He's been calling up all night.
00:58:05He probably lost his keys once again in some way.
00:58:12He's not gonna get in here tonight.
00:58:14He can only come here when I say so.
00:58:17Hey, I know what's the matter with you.
00:58:20That Tommy Rock calling out the same of those flowers.
00:58:24Sure.
00:58:25All the others have bubbles.
00:58:29Say, why don't you get him out of your mind?
00:58:32He's nothing but a good-looking tramp.
00:58:35But, Alice, you don't understand.
00:58:39You've never really been in love.
00:58:44Oh, no.
00:58:47Say, listen.
00:58:48There was an actor in Toledo.
00:58:51Oh, I just cried.
00:58:54My eyes out.
00:58:57Oh, Alice.
00:58:59I didn't mean to make you cry.
00:59:01It's all right, Millie. It's all right.
00:59:03Forget him.
00:59:05Forget him.
00:59:05They're all alive.
00:59:06Hey.
00:59:08The only thing I ever got out of love is the pain.
00:59:13And then they're all trapped.
00:59:17Awful tramp.
00:59:18Scow.
00:59:21Scow.
00:59:24Scow.
00:59:24Scow.
00:59:27She raises her heart on hopeless affairs.
00:59:35She's merely the redhead.
00:59:41But nobody cares.
00:59:57Table for two?
00:59:59Please.
01:00:10Well, hello there, Jimmy.
01:00:12Why, hello, Millie.
01:00:14Hello.
01:00:15Hello, Mark.
01:00:24Well, she still goes to the best places, doesn't she?
01:00:27You're false.
01:00:28You spoiled her.
01:00:33What happened, anyway?
01:00:35You know how Millie always used to be?
01:00:37Insisted on working and doing as she pleased.
01:00:40I could never be with her unless she wanted me to.
01:00:43Finally, it got on my nerves.
01:00:47Well, you can laugh, Mark, but you never knew her.
01:00:51Praises be.
01:00:54She looks good to me, though.
01:00:56Even if she has a daughter of 17.
01:01:04Is she...
01:01:05Is she anything like...
01:01:06She's going to be a queen.
01:01:09Really?
01:01:10Haven't you seen her?
01:01:12No.
01:01:12No, I haven't seen her since she was a little kid so high.
01:01:15I sent her a present once and I nearly got my head bitten off.
01:01:20Get a knife, old boy.
01:01:22You'll wish you were back at college.
01:01:25Taking her to parties.
01:01:27Yeah?
01:01:27Where do you ever see her?
01:01:29Me?
01:01:32I'll let you in on a little secret.
01:01:35To please my old mother, I go to church.
01:01:39Oh, yeah?
01:01:39Huh?
01:01:40The kid attends with old Mrs. Maitland.
01:01:43Oh, I see.
01:01:45I know the Maitland slightly.
01:01:49Say, Mark.
01:01:51Call for me Sunday, will you?
01:01:53Golf?
01:01:54Uh-uh.
01:01:56Church.
01:01:59The walls will fall in.
01:02:06again.
01:02:08There am good friends and a sign of- euphorias!
01:02:16A man named over you, thank you fine, don't see.
01:02:26That will you please?
01:02:29I'll see you in my sense, of-透明.
01:02:29O.
01:03:03Hello, Millie. How are you?
01:03:06I'm fine.
01:03:07Say, have you seen anything of Jimmy Damier tonight?
01:03:11Why, yes. There he is, over there.
01:03:15Let me have a taste.
01:03:17Why, sure.
01:03:32Well, tell Mr. Damier that I want to see him immediately.
01:03:38Is that okay?
01:03:40You bet.
01:03:41All right.
01:03:42Oh, Jim.
01:03:43What?
01:03:47Yeah?
01:03:47Where?
01:03:49There.
01:03:49Oh, yeah.
01:03:52Oh.
01:03:54All right.
01:03:57Will you excuse me?
01:03:59Certainly.
01:04:00I'll be right back.
01:04:01Okay.
01:04:14Oh, hello, Millie.
01:04:16Hello, Jim.
01:04:17How are you?
01:04:18Haven't seen you forever so long.
01:04:20Sit down.
01:04:21I wish I could, Millie.
01:04:22But I'm rather...
01:04:23Please.
01:04:24Sit down.
01:04:26Sure.
01:04:27Sure.
01:04:30Well, what's on your mind?
01:04:33There's something I want to talk to you about.
01:04:36I'm worried.
01:04:37Well, what about?
01:04:39I've heard from half a dozen people
01:04:44that you're seen around the Maitland home.
01:04:46Oh, yeah?
01:04:48Well, Maitland and I have got a business deal together.
01:04:51Why should that worry you?
01:04:53Because you're seeing my little girl, Connie, and I want you...
01:04:57Just a minute, Millie.
01:04:59Just a minute.
01:05:01It's not my fault if she happens to be home when I'm dining there.
01:05:04You've taken her to the theater?
01:05:05Yes, but her grandmother's been along.
01:05:08Why, she's a kid of 16.
01:05:11That wouldn't mean anything to you.
01:05:13No?
01:05:15Well, I'm much obliged for your good opinion of me.
01:05:19However, I don't think it's anybody's business where I go or with whom.
01:05:24No?
01:05:25No.
01:05:25Well, this happens to be my business.
01:05:29If you hurt my baby, I'll...
01:05:33I'll stop at nothing.
01:05:38Oh, what rot.
01:05:43Please, Jim.
01:05:45Won't you do this for me?
01:05:47It's only for my peace of mind.
01:05:50It's not much I'm asking, only to keep away from my little girl.
01:05:59Sure, sure.
01:06:00If you're so wrought up about it, all right.
01:06:04Will you shake on it?
01:06:05Sure.
01:06:08You've always been a good friend, Jim.
01:06:10Feel better now?
01:06:11A lot.
01:06:12Fine.
01:06:13We'll say it for old time's sake, huh?
01:06:14Oh, for old time's sake.
01:06:20Will you sit down and have a drink with me?
01:06:22I wish I could, Millie, but I'm very busy tonight.
01:06:25Yes.
01:06:27I know.
01:06:30Well, goodbye.
01:06:40Goodbye, Grandma.
01:06:41I'll be down next weekend.
01:06:43Isn't this something new?
01:06:44You're coming in from school every weekend?
01:06:47Yes.
01:06:48Long to say I may.
01:06:50It's all right at school, you know.
01:06:53And Uncle Jimmy's going to take me to the matinee next Saturday.
01:06:56Oh.
01:06:57It's good of you, Jimmy, to drive her out to school.
01:06:59Oh, not at all.
01:07:00It's only a mile or so beyond the lodge.
01:07:02Lucky for me, we were going at the same time.
01:07:04We'll be seeing you next week.
01:07:05Yes, I'll telephone.
01:07:06Good.
01:07:07Goodbye.
01:07:09Goodbye, sweet.
01:07:12Goodbye.
01:07:17Goodbye.
01:08:00You come back in a couple of hours, will you, Mike?
01:08:03Yes, sir.
01:08:04All right.
01:08:21Oh, my, that it's lovely here.
01:08:23Like it?
01:08:24Mm-hmm.
01:08:25Oh, I'm cold.
01:08:31Well, now, you come on and sit by the fire.
01:08:34First of all, I'm going to take off your coat.
01:08:40Now the hat.
01:08:43Thanks.
01:08:44Well, now you sit down here and make yourself comfortable.
01:08:47I'll take off your galoshes.
01:08:52It sure is cold out, isn't it?
01:08:54Mm-hmm.
01:08:56Now we've got to warm up those pretty little legs.
01:08:59I'm warm by the fire.
01:09:01Huh?
01:09:03Hello?
01:09:04Now, this is Mike, Miss Millie.
01:09:06Yeah.
01:09:07Say, maybe I'm talking out of turn, but I just felt I had to tell you this.
01:09:11But listen, if it gets past you, it's going to cost me my job.
01:09:16Well, I picked up your daughter with Damien, and I had to come home.
01:09:19But Mike, he was taking you to school, wasn't he?
01:09:22Well, he didn't take her to school.
01:09:24He stopped off at his lodge up in the country instead.
01:09:27Yeah, they're there now.
01:09:29The kids seem to think it was just a lark.
01:09:32Oh.
01:09:36Hello?
01:09:37Hello?
01:09:38Hello?
01:09:39Hello?
01:09:40Hello?
01:09:42Hello?
01:10:03I think I can talk your grandmother out of her objection, if you'll just have patience.
01:10:09Oh, I'm crazy to get started.
01:10:11Are you?
01:10:12I've always wanted to be an actress, ever since I was a baby.
01:10:16Well, I think you're quite old enough to do as you please now.
01:10:19Oh, you're a piece to say that, Uncle Jimmy.
01:10:22Am I?
01:10:29Driver, driver, put it up to $60.
01:10:32I'll give you $50 if you put it up to $60 and keep it there.
01:10:36$50 and keep it there.
01:10:42Gee, it's great to be here talking about my career.
01:10:45Instead of fooling around with the girls at school.
01:10:48Yeah.
01:10:48Yeah, not quite so conventional, huh?
01:10:53Well, if I'm going to have an art career, I certainly can't be bothered about conventions.
01:10:57Certainly not.
01:10:59But I hope your grandmother won't mind.
01:11:02Of my being here?
01:11:03Yes.
01:11:04I suppose she would.
01:11:07Yeah, I suppose so.
01:11:09Yeah, not so good, huh?
01:11:11Well, you know that my preparing for the stage is a secret.
01:11:14And that my being here is part of this.
01:11:17So, I don't think it's necessary to mention it.
01:11:20I don't think so, either.
01:11:23Will you have a little more cider?
01:11:25Do you think I'd better?
01:11:26Oh, it can't possibly hurt you.
01:11:37It tickles my nose.
01:11:39Does it?
01:11:40But I like it.
01:11:41See?
01:11:41Well, have some more.
01:11:47Don't slow down.
01:11:49Hurry.
01:11:49Hurry.
01:11:50All right.
01:11:51All right.
01:11:53I always have such a good time when I'm with you, Uncle Jimmy.
01:11:57Well, now suppose we forget the uncle part of it for just now.
01:12:02And you call me Jimmy.
01:12:05All right.
01:12:07Jimmy.
01:12:08All right.
01:12:09And just for that, I'm going to show you something.
01:12:23There.
01:12:24Oh!
01:12:26Oh, how gorgeous!
01:12:28Do you like it?
01:12:29Now, you just slip that mandarin coat on you.
01:12:32May I?
01:12:32Yes, indeed.
01:12:35Oh, would you please step on it?
01:12:39It's not far.
01:12:40We're almost there.
01:12:41Please, hurry.
01:12:42Hurry!
01:12:43Now, let me see it.
01:12:44Oh.
01:12:46And if it matches your beauty, it's yours.
01:12:49It does.
01:12:52Really?
01:12:53Uh-huh.
01:12:53Oh, Jimmy.
01:12:55Oh.
01:12:56Oh, Jimmy.
01:12:58You're the most wonderful man in the world.
01:13:11You're the most beautiful girl I ever saw.
01:13:34Oh.
01:13:37There's someone coming.
01:13:38You better go upstairs.
01:13:39Oh, but I want to go home.
01:13:40Go upstairs.
01:13:42Hurry up now.
01:13:43We're in that room.
01:13:49Let me in!
01:13:58Jim, it's no way.
01:13:59Let me in!
01:14:04Hello, Millie.
01:14:05What do you want?
01:14:11Say, what do you mean, breaking in here?
01:14:13You dirty swine after all your promises.
01:14:15Where's my little girl?
01:14:16Well, how do I know?
01:14:17She isn't here.
01:14:18No?
01:14:18No.
01:14:18Well, I'm going to go see.
01:14:19You're going to do nothing of a kind.
01:14:21Please, don't!
01:14:22Yes, I am!
01:14:22You have my little girl!
01:14:24No, no.
01:14:24Please, don't!
01:14:25Yes, sir.
01:14:26Please, we let me...
01:14:27Nothing of a kind.
01:14:28Get on.
01:14:28Now, come on.
01:14:29Tommy!
01:14:30Tommy!
01:14:32Tommy!
01:14:32Mother!
01:14:33Mother!
01:14:33Mother!
01:14:36Mother, baby!
01:14:39I knew it!
01:14:40Hey, look out, Mrs.
01:14:41What are you doing?
01:14:42I warned you, you please!
01:14:45Ah!
01:14:49Oh!
01:14:52Oh!
01:14:55Oh!
01:14:56Oh!
01:14:57Oh!
01:15:16You don't know who this woman was?
01:15:19No.
01:15:20You didn't see her when you were struggling with Mr. Damier?
01:15:24No.
01:15:25Didn't you try to see her?
01:15:28No.
01:15:31Did you hear this unknown woman leave the house?
01:15:35I...
01:15:35I don't know.
01:15:37You will answer, yes or no.
01:15:39I don't know, I said.
01:15:41Miss Blake, you've already testified that you heard a woman leave the house just after the shot was fired.
01:15:47Now, weren't you interested in seeing who this person was, who might have been a witness to the shooting?
01:15:54Donald, sir.
01:15:55Why not?
01:15:56Because you already knew?
01:15:58Your Honor, I object.
01:16:01Objection sustained.
01:16:07What were you doing when you thought you heard this woman leave the house?
01:16:13I can't remember.
01:16:15Miss Blake, you received a long-distance telephone call from a new Rochelle pay station.
01:16:22Didn't you?
01:16:24I don't know where it came from.
01:16:26Who telephoned?
01:16:28I don't know.
01:16:30What did that person tell you?
01:16:33I can't remember.
01:16:35She can't remember.
01:16:39Didn't they tell you that Damier had another woman at his lodge,
01:16:43and didn't you, enraged by jealousy, go out there and shoot him?
01:16:48Frame it any way you like.
01:16:51I don't know what I'm up here for anyway.
01:16:54Your Honor, there's no need for any further questions.
01:17:00Miss Blake,
01:17:02Don't you realize that by refusing to answer,
01:17:05you were placing yourself in a very serious position?
01:17:11I can't quite see why this defendant was placed on the stand.
01:17:15Your Honor, the defendant refused to confide in me.
01:17:17I hoped that by placing him on the stand,
01:17:19I might get some enlightenment myself.
01:17:21Any further questions?
01:17:23No.
01:17:25Excuse.
01:17:26Excuse.
01:17:27Excuse.
01:17:28Excuse.
01:17:29Excuse.
01:17:30Excuse.
01:17:30Excuse.
01:17:31Excuse.
01:17:35Excuse.
01:17:35Court is now adjourned until 2 o'clock.
01:17:41Here comes old Fallon.
01:17:45Hello, boy.
01:17:47Well, Bob, what do you think?
01:17:50We've just got one chance.
01:17:51We've got to play it hard.
01:17:53How's Millie?
01:17:54Same as ever.
01:17:56Won't budge an inch.
01:17:57Her silence has put her in a tough spot.
01:17:59Gee, we've got to put this thing over.
01:18:01Now, you fellas got to stay on the job.
01:18:03I'll do my part.
01:18:04Fight down, fellas.
01:18:05Here's the D.A.
01:18:12Hello, Frank.
01:18:13Hello, Steve.
01:18:14Give me a good cigar.
01:18:16You boys do a little more work on him.
01:18:18We've got to keep him thinking our way.
01:18:20But don't overdo it.
01:18:26Hi, Henry.
01:18:27Hi, D.A.
01:18:29Hi, T.
01:18:31Well, hello, boys.
01:18:33Well, how'd you like it this morning?
01:18:34Oh, you got the case all sewed up.
01:18:36I'll say we have.
01:18:38I was just saying, you proved the clearest case of jealousy I've ever heard of.
01:18:42Jealousy was the motive, all right.
01:18:43I proved that beyond a doubt.
01:18:45How's this?
01:18:46Pointing an accusing finger at the attorney for defense, the orator's voice rang out like
01:18:52a pistol shot.
01:18:54Cherchez Lafemme, he cried.
01:18:56Find the woman.
01:18:57Is that a headline or ain't it?
01:18:59There it is.
01:19:01Cherchez Lafemme.
01:19:03No, I think I'd better say it in plain English.
01:19:06Find the woman.
01:19:07Well, I'll use the French in the paper.
01:19:09You know, it kind of gives it more class.
01:19:11Well, that won't be bad.
01:19:13Sure, we're going to have a big afternoon.
01:19:15Say, this little town will be on the map for a while anyhow.
01:19:18If you tried this case in New York, you'd be the next governor.
01:19:22Well, thanks, gentlemen.
01:19:24Well, now if you'll excuse me, I've got to get back to the courthouse.
01:19:27Don't forget to hear my summarization this afternoon.
01:19:30Oh, yes.
01:19:32Well, we'll be right there.
01:19:37Freddy, I only hope we can put this over.
01:19:39Oh, boy, so do I.
01:19:42Hello, Mike.
01:19:43Where's Tommy Rock?
01:19:45He's right there.
01:19:49Hello, Mike.
01:19:49What are you doing here?
01:19:50Say, what's the idea?
01:19:51What do you mean?
01:19:52Well, I don't like the looks of this thing, and from now on, you can count me out.
01:19:56Now, wait a minute, Mike.
01:19:57You gave us your word you'd keep out of town until the trial was over.
01:20:00Yeah.
01:20:00That was because you guys still would help Millie.
01:20:02Well, it hasn't done any good so far, and I'm going to the district attorney.
01:20:06Now, listen to me, Mike.
01:20:07You can't do that.
01:20:08Well, we're all for Millie.
01:20:09You know that.
01:20:10Well, I'm not so sure.
01:20:11But you've got to believe us.
01:20:13Now, they've got us almost licked.
01:20:14We've got just the one chance.
01:20:15And you're not going to spoil everything, are you?
01:20:17Are you?
01:20:18Well, I don't know.
01:20:20The way things have been handled, it all looks a kind of screwy to me.
01:20:23Ah, wait a minute, Mike.
01:20:25What's the matter with you, Millie?
01:20:27You know that.
01:20:29Who was this other woman?
01:20:31Who was there with Damier at the time?
01:20:34Isn't it reasonable to suppose that she was the one who took the place of the defendant?
01:20:39Who, faded by a life of dissipation, had been discarded from Damier's affections?
01:20:47She won't tell you why she took that long ride in the middle of the night with a gun in
01:20:52her hand to shoot down a man in cold blood.
01:20:54But isn't it clear to you?
01:20:56Her motive was jealousy.
01:20:59And what right had such a defendant, even to the privilege of jealousy?
01:21:03Why, there's no palliation.
01:21:05No one, distraught with grief and an overwhelming sense of injury, committed this crime.
01:21:12And if this isn't so, why doesn't the defendant produce the other woman?
01:21:16Find that other woman.
01:21:18Let her come here if she can and tell us otherwise.
01:21:21Mother.
01:21:23Mother.
01:21:24Oh.
01:21:26Connie.
01:21:28Go away, Connie.
01:21:30No, Mother, I'm going to tell, please.
01:21:32No, Connie, no, you shouldn't have come.
01:21:34Mom, please don't listen to her.
01:21:36Please, Mother, please.
01:21:38Oh, my baby.
01:21:40Oh, Connie, why did you come?
01:21:42My mother, did you think I wouldn't come?
01:21:45Your Honor, what does this mean?
01:21:46It means, Your Honor, we're going to place this young girl on the stand.
01:21:49The unknown woman.
01:21:52The daughter of this defendant.
01:21:53But, Your Honor...
01:21:54We mean, Your Honor, to prove that Millicent Blake went to the lodge that night and shot
01:21:58Jimmy Damier, not from jealousy, but to rescue her innocent 16-year-old daughter from this
01:22:05blackguard who had lured her there under such circumstances that the shooting was justified.
01:22:10I won't let you.
01:22:11I won't let you.
01:22:12But, Your Honor, this is most unethical.
01:22:14Order.
01:22:15Order.
01:22:16Amy, no.
01:22:17Wire in the weapon.
01:22:18No.
01:22:19No.
01:22:20No.
01:22:26I guess we fixed them.
01:22:28Take a look at that jury.
01:22:29Take a look at old Sandy Clark.
01:22:31Saunders.
01:22:32Sure say la femme.
01:22:34You fellas pull this frame up.
01:22:36We just couldn't bear to let the governor's ship get out of Manhattan.
01:22:42You solemnly swear that the evidence you give in this case to be the truth, the whole truth
01:22:47and nothing but the truth, so help you God?
01:22:50Yes.
01:22:51Yes, sir.
01:22:54What is your name, my dear?
01:22:57Constance Maitland.
01:22:59Is that lady your mother?
01:23:02Yes, sir.
01:23:14Then, junior number nine said that he'd have shot anyone that tried to make an actress out
01:23:17of his daughter.
01:23:19But that kid putting her arms around her mother's neck was the most beautiful sight I've ever
01:23:24seen.
01:23:25I hope she keeps them there.
01:23:27It'll be good for both of them.
01:23:30You driving Millie back to New York, Tommy?
01:23:33Me?
01:23:35What gave you that idea?
01:23:37I don't know.
01:23:38I don't know.
01:23:38I was just wondering.
01:23:40Here they come.
01:23:56old lady Maitland certainly stuck by her.
01:23:59Well, so have a couple of other people.
01:24:03It looks like Millie's going back home.
01:24:05I don't know.
01:24:07There you are.
01:24:08It looks like Millie's going back.
01:24:27I don't know.
01:24:30You are both of them.
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