✨ En el Capítulo 17 de Hermanas: Un Amor Compartido, los conflictos emocionales se intensifican y nuevas revelaciones cambian el destino de las protagonistas. Disfruta este episodio completo en Español HD con drama, romance y giros inesperados.
💔 Amor, rivalidad y secretos familiares que salen a la luz.
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💔 Amor, rivalidad y secretos familiares que salen a la luz.
👉 Suscríbete para más capítulos completos de Hermanas: Un Amor Compartido.
#HermanasUnAmorCompartido #Capitulo17 #HermanasCompleto #Telenovela #Drama #SerieEspañola #CapitulosCompletos #Español #Novela #Romance #HD
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TVTranscripción
00:12Aura, come here, I'm going to introduce you to my mom.
00:17Look, this is Nadia, my mom, this is Aura.
00:20Hello, nice to meet you, ma'am.
00:22Hello. Nice to meet you.
00:26A lot.
00:37Look, my little girl, I'd like you to meet Aura, this is Azul, my daughter.
00:44Hi nice to meet you.
00:45She is a student at Pio Pato.
00:47Where did you meet my dad from?
00:50Oh, well, your dad is my mom's boss.
00:55Oh, sorry Alonso, I loved this book when I was little.
01:00Do they read it before?
01:01Yeah.
01:05Are you OK?
01:06No.
01:07I am overwhelmed with emotion.
01:09It's identical.
01:11Yeah.
01:12Yeah.
01:13Do I want to hug her?
01:14No, no, no, calm down.
01:16She doesn't know anything, don't worry.
01:19Hey, you need to know something important about Rebecca.
01:24Come on, let's go.
01:26Come on.
01:27We're coming, we'll be right back.
01:29Yeah.
01:30See you later.
01:40What happened?
01:42Well, I think it's very important that you know that Rebeca was in jail because she was Francisca's murderer.
01:51That?
01:51Well yes.
01:52And your dad never told us anything because he wanted to protect us.
01:56Well, be a mom.
01:59I'm telling you, son.
02:01I hired a lawyer at the foundation to tell me exactly why Rebecca was in
02:06prison.
02:07When he told me, I was just like you, impressed.
02:10Um, I need to talk to my dad to clear things up.
02:14Of course.
02:16Yes and no.
02:17Well, isn't it?
02:18How often are you going to tell him?
02:19No, I don't know.
02:20First I need to clear everything up and eventually, well, to tell the truth.
02:23But when I know the truth.
02:26I totally agree, right?
02:28Oh, my life.
02:30No, no, no, no.
02:30That's all we needed.
02:33What is the reason for this visit from the most beautiful woman in the city?
02:37No, I'm a disaster.
02:39I need your help with this.
02:40It's drier than my heart.
02:42The nails are...
02:43No, no, just look at this.
02:44The little face.
02:44Do things for me.
02:45I want to feel good.
02:46But how do you think that?
02:47But it's perfect.
02:48No, no, no.
02:49I need help to feel beautiful, please.
02:52That's all.
02:53I'm going to give you the full service.
02:54I offer you coffee, tea, a mimosa.
02:57Mimosa.
02:58I'll bring it to you.
02:59Thank you.
03:04Good afternoon, sir.
03:05Good afternoon.
03:06Welcome.
03:06I offer you something to drink.
03:08No, I didn't come here to eat.
03:10Is this Mr. Camilo?
03:12Yes, yes, one moment.
03:13Good.
03:18Sit down, Silberio.
03:20Yes, thanks.
03:21Esteban, two waters, please.
03:23No, no, not me, thank you.
03:24I'm fine like this.
03:26I just closed a big deal and wanted to tell you that I'll be paying you everything you owe me very soon.
03:31I must.
03:32You do know that your deadline expired a couple of days ago, right?
03:36I mean, if you don't pay the interest today, your debt is going to skyrocket.
03:42I lent you money without any problem so that you could pay your mortgage.
03:46The bank didn't foreclose on your mansion, but I can take it from you.
03:51Yeah, you ruined my day.
03:54I came to negotiate in a good way.
03:57That?
04:05That?
04:06That you didn't leave.
04:18Excuse me, do you have one like this, but in a different color, a bit more brown?
04:21I'm just letting you know that the entire store has interest-free monthly payments, except for the bags.
04:27Wow.
04:30You see me offering interest-free monthly payments.
04:33Excuse me, ma'am, I'll bring them to you.
04:40We need makeup, hairstyling, and a very clear idea of what you want to project as a model.
04:45I'm going to put together a super luxurious mess for you.
04:49Hello, baby.
04:50Oh.
04:51You look very pretty.
04:52Thank you.
04:52I'd like to introduce you to my boyfriend, Saul.
04:55He is César, a photographer.
04:57He's going to make me an e-book and other things...
04:58Ah, okay.
05:00Hey, what if your mom is going to leave you?
05:02Yeah.
05:03Well, I haven't asked him, but he'll probably see the final result and say I'm done.
05:06For that.
05:08Yes, you're made for that.
05:10What more do we need?
05:12Ideally, we'd like to receive 10 outfit changes to choose from, or else we'll hire a stylist.
05:18I'll give you the contacts and we'll call them.
05:21So they can give you a quote, okay?
05:22No, pass it to me, Samir.
05:23I'll take care of that.
05:25Hey, that tasting sounds great!
05:27Yeah.
05:28You'll see that everything will turn out very well.
05:30Oh, I wish I could be there.
05:31Why don't you ask for permission to be absent?
05:34Of course, you can help me in the kitchen.
05:36I'm going to be very busy, but you're coming with me.
05:39Hey, yeah, right?
05:40Yeah.
05:41And you know what?
05:42I have never asked for permission in all this time I've been here.
05:45Ah, well...
05:45Ah, well I'll ask for permission right away.
05:47Clear.
05:47Wait.
05:48You go.
05:52Ah, this is the last one.
05:53I don't like Guacana.
05:54It's just a little bit, but it tastes really good.
05:57Come on.
05:58Look, if you take it, I'm going to teach you a clapping game to play with your dad and
06:03with your grandma.
06:05Oh really?
06:07Want?
06:09Alright.
06:11Olé, olé, olé, olé, olé, olé.
06:12One, two, three, four, five, six, eight, six, eight, and now everything, but good, good, good, that's it.
06:16Perfect.
06:17It wasn't that difficult, you see?
06:21Now?
06:23My game.
06:24Oh, now you're doing it for him.
06:25Oh well, that's how it is, that's how it is.
06:27That's how it is with her.
06:32I can't believe I have a granddaughter that age.
06:36Do you enjoy writing that?
06:38But?
06:39Oh, girl.
06:42Wow, you learned really fast.
06:45You're so nice.
06:47Listen, I really have to...
06:50Oh, sorry, I held you up for too long.
06:52I'll take you.
06:53Oh, yes, thank you.
06:55Where are you going?
06:55To my university.
06:57Oh, really?
06:57Yeah.
06:58Which one are you going for?
06:58In the metropolis.
07:00What an idiot.
07:01Sorry.
07:01Yes, no, well, you just mentioned that you're a student of my son Patricio, right?
07:05Yes, yes, he is a great teacher.
07:07Oh no, not at all.
07:08But don't tell him, okay?
07:10No, then it's unbearable.
07:12Hey, beautiful, that's your case.
07:15Thank you.
07:16Wait for me outside and I'll take you.
07:17Clear.
07:18Yeah.
07:20Thanks a lot.
07:21Bye.
07:22Chiquilingua.
07:23Hey, see you in a bit, we're sleeping at the depot, okay?
07:26You'll feel better soon, and call me if you need anything, but you're going to be okay.
07:31Okay, then.
07:35It's not okay to tell my dad anything about Aura, not that I didn't, or about what you told me, or anything like that.
07:43of...
07:44Okay?
07:47Thank you.
07:48See you later.
07:49Yeah.
07:50Bye.
07:51Bye.
07:52Oh, my love.
07:55Oh, but you look so good now.
08:00Hey, isn't Aura beautiful?
08:03Do you like me?
08:04Yes, great.
08:07Thank you for staying.
08:10Oh, Mom.
08:12Don't think I only stayed because of my dad.
08:16I stayed because I can't leave you alone.
08:18Honestly, I can't.
08:21But you are very important too.
08:24You stop thinking about others and start thinking about yourself and your happiness.
08:32Well, you're a great angel.
08:45The tasting is tomorrow.
08:46Yeah.
08:47What do you think of my dessert suggestion?
08:49Delicious.
08:50That blend of vanilla, mint, chocolate, and ginger.
08:54Delicious.
08:55Oh, delicious.
08:56Should I confirm my special guest?
08:59Yeah.
09:15Of course, I wouldn't miss it for anything.
09:18Can I bring some friends?
09:22Yes, just tell me, confirm how many there are.
09:28Rebecca, can you put down your cell phone and get to work?
09:33Yes, bye.
09:35Thank you.
09:36All good?
09:38Yeah.
09:47Agustín, how are you?
09:49Good, cold.
09:49Oh, how nice to see them.
09:51Well, since the lawyer is here, we have a proposal for you.
09:55Okay, will you tell him?
09:56No, you're going, you're on a roll.
09:57Please.
09:59Well, we'd like you to write, to do some interviews and rewrite them for the book my friend is going to write.
10:07Mom for her foundation.
10:10I didn't know they had a foundation and what the book was about, I mean, what topics it covered.
10:15Look, at the foundation we help women who have suffered gender violence, and the idea behind the book is...
10:21to raise awareness about these issues based on some of these women's stories.
10:26Obviously it will be paid for.
10:29Thank you so much. I mean, thank you. I swear, I'm so grateful that you're thinking of me and who I owe my love to.
10:35much to be grateful for.
10:40Well, thank you both. And thank you for thinking of me.
10:46Bye.
10:47Bye.
10:50What are you doing with Alonso now?
10:53Who is Alonso?
10:54Hey?
10:56What? Who is Alonso?
10:57Oh, never mind. Forget it.
11:00Oh, forget it. No, tell me, tell me. Who is Alonso?
11:02Nothing.
11:03Tell me the gossip.
11:04You always do the same thing to me.
11:07When are you going to tell him?
11:08No, wait.
11:09I need to find everything out properly before I tell you anything.
11:12Well, yes.
11:13Hey, let's hope they're okay.
11:14Now that they won't be living at Monica's parents' house,
11:17I found out by chance that they're going to live with Norma.
11:21That's why I offered Monica the job of designing the foundation's book.
11:23so that he would have an extra income.
11:25No, I didn't know.
11:27I'm going to talk to Monica.
11:28Yes, that's how things are.
11:30I'm going now.
11:31Wait, wait.
11:32Did you know that my mom forgave my dad?
11:36Why did he say he was sorry?
11:38Well, look, there's none so blind as he who will not see.
11:40Anyway, I just hope he doesn't hurt her.
11:43Okay, but see you later.
11:44Bye.
11:48Hello, son.
11:49I just wanted to let you know that Azul is doing better.
11:53Thanks, ma.
11:53Hey, has Lia arrived yet?
12:06The empty house, the coldness of the room,
12:12the bed was made up and nobody was in the armchair.
12:16And now life forces me to lose.
12:27I have to let you go, and it hurts to understand.
12:37And even if she cries and cries again,
12:45It will never be enough, nor will it ever be.
12:50And although time may pass,
13:01Because there are souls that will never be let go.
13:09Because there are souls that will never be let go.
13:22Because there are souls that will never be let go.
13:38Don't make things up, can you see yourself?
13:40Delo, dude.
13:43Oh, how's my bag, huh?
13:45It's awesome.
13:46I love seeing you like this, in a better mood
13:48And that you turn the Alonso issue around already.
13:50No, my friend.
13:51All of this is to win him back.
13:54Because you know I realized
13:55I saw that Monica.
13:57And it's kind of simplistic, I don't know,
13:59like bored.
14:00And I feel that I really do
14:02They don't have anything yet.
14:04That's why we have to put in the effort.
14:06Desire!
14:07No, it can't be, Lia, no.
14:09That?
14:10Well, look, if Alonso doesn't understand,
14:12At least your card will be empty.
14:16Do you think buying a bag
14:18and leave him the empty card
14:20Will it fix the relationship?
14:22My friend, they had a different opinion of you.
14:25All the things we have fought for
14:26And you come out with this, women.
14:28Oh, what about women?
14:30I'm just trying
14:32save my relationship.
14:33That's all.
14:34Look, I'm better now...
14:36I'm thirsty for the bad kind.
14:38Just a little bit.
14:40Oh, now I'm so...
14:43Lia, where are you?
14:44Your daughter is sick.
14:45You need to be here.
14:47Don't complain later.
14:49Why are things so bad between you and me?
14:51Oh no, I don't think that's going to happen.
14:53I swear.
14:54You saw that...
14:54I have to go to class.
14:57Hello.
14:58Hello.
15:00Can I ask you something?
15:02Yes, yes, yes.
15:03Tell me, what's wrong?
15:05What were you doing with Patrick?
15:06And the other man?
15:10Well, Patricio is my mom's boss
15:13and the other gentleman is his brother,
15:16who is the director
15:17from the company where my mom works.
15:19And so, they offered me a job,
15:21So, then,
15:22That's why we were talking.
15:23Ah, that's great.
15:27Alonso is messing it up
15:29with another woman.
15:31Then, all the more reason
15:32You have to get a divorce.
15:34Are you OK?
15:35Yes, yes, everything's fine.
15:37Except I already have class.
15:39Sorry.
15:42Bye bye.
15:47Hello, Alonso.
15:48Hello.
15:49Hey, I want to talk to you.
15:50Can I come over to your house?
15:52I would like more
15:53Let's meet at a cafe
15:54which is nearby.
15:56It's called Café La Gloria.
15:57Alright?
15:58Okay.
15:59I look for it and I see you there.
16:01See you there.
16:12Good afternoon, Dulce María.
16:14Good afternoon.
16:15I've come to see my son.
16:15Will you advertise me?
16:16He's not here, sir.
16:17Would you like to wait for us at your office?
16:20I need to locate him.
16:21Okay, just give me a second.
16:22Yes, thanks.
16:29Don't answer me.
16:31If he comes back, tell him to look for me immediately.
16:33Yes sir.
16:34Thank you.
16:34Bye bye.
16:39Here I am
16:42next to you
16:45to make you
16:48smile
16:51you will play
16:52and you will laugh
16:56being very happy.
17:04Are you serious?
17:06Alonso told me
17:07that the vineyard was dying
17:08And I see her as perfect, Nadia.
17:11Are you feeling better now?
17:13It's great that you're back.
17:14She's going to be happy
17:15when I see you.
17:16I'm going to make some calls
17:18important
17:19and let me know
17:19When he wakes up, please.
17:29all.
17:31Pass me in.
17:31Thank you.
17:33Let me take care of this, daughter.
17:34Yeah.
17:34Come on over.
17:38What are you going to have, my child?
17:40A black coffee, please.
17:42And you know what?
17:43A cappuccino
17:44with coconut milk.
17:45With coconut milk.
17:46Okay.
17:47Yeah.
17:47Hi my love.
17:48Hi, how are you, Gloria?
17:49Hello.
17:50Hello.
17:54Did you leave early?
17:56from the office?
17:57Yeah.
17:58Sorry.
17:59The thing is,
18:00for a change,
18:01I had
18:01many family problems,
18:03but...
18:04Yes, that's right.
18:05He told me, Pato,
18:06that you and now
18:07They have to leave
18:08from your house
18:09so you know
18:10that I have an apartment
18:11that I can lend you.
18:13Thank you.
18:14But I already solved it.
18:16things with my parents,
18:17So I'm going back,
18:18But thank you very much.
18:19Well, that's great.
18:21Two things
18:21What I mean is...
18:22The first one is...
18:25Everything that's happening
18:26with Rebecca,
18:27I think it would be very useful
18:29and for peace of mind
18:30from all parts
18:32to make me, along with Aura,
18:34an ADM test.
18:37I have no doubt
18:38that I am his father.
18:40And, in fact,
18:42the other thing
18:42What I mean is
18:44the thing is
18:44I would like
18:46help
18:48with whatever is needed
18:49for her.
18:51No?
18:52Money,
18:53stuff,
18:53I don't know.
18:57I mean,
18:57if I understand you,
18:59I understand
18:59everything you're telling me,
19:01but
19:02let me,
19:03Let me process this,
19:04Let me think about it,
19:07Give me time.
19:09Yeah?
19:09Alright?
19:10Yeah.
19:11It's just too much for me
19:12all this,
19:13so,
19:15Alright?
19:15I understand, yes.
19:17Well,
19:17And as for the job,
19:19I'm going to organize my life
19:21also so that it is not
19:22lacking that.
19:22Alright?
19:23Yes, yes,
19:24so it doesn't look bad
19:25in the office.
19:26Yeah,
19:27I do.
19:28Good.
19:28Their cafes.
19:30Ah,
19:30thank you.
19:31Cappuccino with milk
19:32coconut,
19:33TRUE?
19:33Coconut.
19:36He has come to the,
19:37It took me hours
19:38wanted.
19:40I don't want her to wake up.
19:42It's a tube
19:42a very difficult day.
19:44What's happening?
19:45Clear,
19:46It's work-related stuff.
19:47I don't want to worry you
19:48until I talk to him.
19:49The publisher has already been there.
19:50and nothing.
19:51Do you know where it is?
19:52your new apartment?
19:53No,
19:54But why don't you wait?
19:55Should I talk to you?
19:56You probably already know
19:57that you're looking for it.
19:58In fact,
19:59at a moment
19:59He's going to come and see what's wrong with him.
20:01It's going to be difficult
20:01that you believe me,
20:02But I have to work
20:04in Leonel's project,
20:05close all legal matters
20:06as soon as possible.
20:08For that I need the...
20:11Already.
20:12No,
20:13Well, if that's what you're saying
20:14meaning
20:14You're not going to make it.
20:15time for bed
20:16Well, don't even bother.
20:17upon returning,
20:18Silverio.
20:19I'll forgive you once.
20:21Don't do that to me again,
20:22Hey?
20:24Believe me,
20:24please.
20:26I need Leonel
20:26transfer the money to me
20:27before he regrets it
20:28or that Alonso
20:29do something stupid,
20:30a stupid thing to say.
20:32I have to pay
20:33many debts
20:34so that the family
20:35Don't panic.
20:37Already.
20:38Well, do what you have to.
20:39to do.
20:40Yeah.
20:51This is the last time
20:53I'll be waiting for you.
20:53Julia, on the corner.
20:54Oh, well, that's fine by me.
20:55That way I don't have to pretend
20:56I like you.
20:57Oh, please,
20:57stop walking
20:58of blackfly
20:58with Germán
20:59And today with your teacher
21:00needless to say
21:01all launched.
21:02Let's see,
21:02the professor
21:03He's my mom's boss
21:04And we were talking...
21:04Did you know?
21:05What do I want to do to them?
21:05so that it gives you
21:06Explanations, Julia?
21:07Did you leave me talking to myself?
21:09What happened,
21:10Aren't we going to leave?
21:13Daughter,
21:14forgive me.
21:16Forgive me,
21:16We're not leaving.
21:18Well,
21:19Yes, we are going to leave.
21:19but not at this time.
21:22It's just not fair
21:24for my mom,
21:25not even for my dad,
21:26nor for anyone.
21:27No, Mom,
21:27which is not fair
21:28is enduring
21:29to Julia,
21:29to Dolores
21:30and to the grandfather.
21:30Let's go now.
21:31really,
21:32Let's go.
21:32I swear it's true
21:33We're going to do it.
21:34But the thing is
21:35I am the only daughter
21:37that they have left.
21:39Please.
21:41Alright,
21:42sorry.
21:43Yeah.
21:46Ah,
21:47hey,
21:48I forgot to tell you,
21:50Alonso and Patricio
21:50I was offered a job.
21:52They want me to do
21:52interviews for
21:53a book of violence
21:54of gender.
21:55Alonso.
21:57Yeah.
21:58And what else did he tell you?
22:00Nothing.
22:02Yeah,
22:03Well,
22:04I had been offered
22:05also participate in that,
22:07But he had other responsibilities
22:08and I couldn't anymore.
22:10In the same way
22:11that you too
22:11You have responsibilities
22:12And you have to keep going
22:14making them
22:15and not be involved in other things.
22:16Okay, Mom,
22:17But this is not
22:18an irresponsibility,
22:19It's work.
22:20Apart,
22:21Why did you say no?
22:21That would be amazing!
22:22work together.
22:23Think about it.
22:26Well yes,
22:28Maybe that would be okay.
22:29Yeah.
22:40How are we doing?
22:42Almost,
22:42chef.
22:43Humberto.
22:44As?
22:45The border
22:46Daniel Zapesta.
22:48For you, I am a chef.
22:49Chef,
22:50I want to ask you
22:51permission for Camilo
22:52to stay afterwards
22:53to close.
22:53I would like to practice
22:54the tasting dishes.
22:56Yeah, man,
22:56if that's what you feel like doing.
22:58I just love you
22:58leave everything clean,
22:59especially the dishes.
23:00You're hurrying.
23:08Yeah?
23:08Lia,
23:10can?
23:10Clear,
23:11happens.
23:14Lia,
23:16You look gorgeous.
23:19Alonso is very lucky,
23:20but little sense.
23:23I...
23:24I would go crazy for you.
23:28Thank you.
23:29I'm trying to win him back.
23:33I hadn't been able to
23:34Thank you
23:34because your dad and I
23:35we were making progress
23:36in business.
23:39I hope this change
23:40either because you've already gotten rid of it
23:41the absurd idea
23:42that Alonso
23:43He's cheating on you.
23:44Well,
23:45after the photos,
23:47However innocent they may be,
23:48The truth is, I don't know.
23:49Photos?
23:51Photos?
23:52What photos are you talking about?
23:53As?
23:54I thought I had told you.
23:55Alonso, my dad.
23:56No.
23:57Well,
23:59I want you to see this.
24:08nothing.
24:09They were definitely there
24:10for business.
24:11Ah,
24:12for you.
24:13But you know what?
24:14I can help you
24:14to get rid of that employee
24:15of the road.
24:17And what do you plan to do?
24:19I know what I'm talking about,
24:20But you can't go back.
24:21to make a scene
24:22Or you can count on me.
24:24Alright.
24:26Your investigator
24:27Did he ever tell you?
24:28Where do you live?
24:29No.
24:30No,
24:30but still
24:31what do you want
24:31Can we ask him?
24:34AND?
24:36Lia.
24:37Yeah?
24:38Blue has already woken up.
24:40Oh,
24:40my little girl,
24:41my princess,
24:42I'm going for it.
24:43Oh,
24:44my heart,
24:45beautiful.
24:47Will you believe me?
24:50As soon as he tells me
24:51Lionel,
24:51I have to go out and see him.
24:53I promise you
24:54I will try
24:54not long
24:55and I will be available
24:56on the cell phone
24:57all the time.
25:00You know
25:01what you do,
25:01my love.
25:02My love.
25:02gifts,
25:03My God.
25:20Don José María,
25:22Look very carefully
25:22what I'm going to ask you.
25:26Well,
25:28We finally had
25:28a peaceful night,
25:30peaceful,
25:30We had a good dinner.
25:34And why are you sad?
25:35Why didn't you go to Madrid?
25:36No,
25:37No,
25:37No,
25:37No,
25:37No,
25:38No,
25:38No,
25:38No,
25:38No,
25:39No,
25:39No,
25:39No,
25:39It's not for nothing.
25:40You are so different
25:41to your mom,
25:43She didn't know how to take
25:44good decisions.
25:48What are you taking about?
25:51That you don't confront
25:53to your grandfather
25:54like your mom.
25:56Good night.
25:58Good night,
25:59grandfather.
26:00Believe it or not,
26:01I'm very happy about it.
26:03See them here.
26:07Dad,
26:07We'll save you dinner.
26:09Ah,
26:10No,
26:10No,
26:10No,
26:11Will you heat up my food?
26:12please.
26:13Monica and now
26:14They must be very tired,
26:16TRUE?
26:17Yeah,
26:17grandfather.
26:18Thank you,
26:18my love.
26:19Well yes,
26:20The truth is, yes.
26:20I'm tired.
26:22I'm going to talk to Norma
26:23to tell him that
26:24We're not coming back.
26:26to his house.
26:35Oh,
26:36I'll be right back.
26:37I'm going to the bathroom.
26:38I'll be right back.
26:42I'll be right back.
26:43me too.
26:50Thank you so much,
26:51friend,
26:51really,
26:52for offering us your home.
26:54But no,
26:55I have no heart
26:56to drop off my mom.
26:57Well,
26:57anything here
26:58You have your house
26:59whenever you want.
27:01Thank you.
27:02so far
27:02I felt your sadness.
27:04Oh,
27:05I feel
27:06between the sword
27:07and the wall
27:07with Rebecca,
27:08with Alonso,
27:09with my parents.
27:11That's why too
27:12I wanted to stay here
27:12to be close by.
27:14At least
27:15This is a place
27:16where Rebecca
27:17He's not coming.
27:19Yeah,
27:19Yeah,
27:19Yeah,
27:19You're right about that.
27:21I'm very tired
27:23to load
27:23with so many problems.
27:25Besides,
27:26now Alonso
27:27He's asking me
27:28a DNA test,
27:29I don't know what I'm going to do.
27:31And on top of that,
27:33I cannot deny
27:34that I'm feeling
27:35Something more for Alonso.
27:36Oh well,
27:37You and I know
27:38that's impossible.
27:40Did you lose something?
27:41God,
27:42What a scare!
27:44Oh,
27:45God.
27:50Guys,
27:51It was a slow night.
27:53There are no people left,
27:54so they can
27:54clean the kitchen.
27:56Boss,
27:57Can I stay?
27:58after closing
27:58to practice
27:59the tasting?
28:00Yeah,
28:01no problem.
28:02I'll be in my office
28:03in case you need me.
28:04Humberto,
28:05help them,
28:06That way they finish quickly.
28:11Humberto,
28:13No?
28:23Hello.
28:24Since I arrived,
28:26Azul is much better.
28:27Oh,
28:27excellent.
28:28That?
28:29Shall we go to the apartment
28:30as we had agreed?
28:31A touch.
28:32I'd rather stay put
28:33with my mom.
28:34It's perfect,
28:35stay,
28:36my love.
28:36And that's it.
28:37this,
28:38I'll stop by tomorrow.
28:39No?
28:39I'll take you to school.
28:41What about what?
28:42Stay with us.
28:43If the three of us are there,
28:44She's going to feel better.
28:46faster.
28:47Better,
28:48I'm staying
28:48until you fall asleep
28:50and tomorrow
28:51We're going to school
28:53when I pass by you.
28:54I can take her.
28:56Well,
28:57same thing,
28:57to give him a kiss.
28:59What do you think?
29:00I'm going to leave them alone.
29:02so that they may be enjoyed
29:03awhile
29:03while I leave
29:04to remove this
29:05that I put
29:06for your dad
29:07and that clearly,
29:08well,
29:09He didn't even turn around
29:10let's see,
29:10TRUE?
29:12Oh, Dad.
29:13Hey,
29:15What did you think of Aura?
29:17Super cool,
29:18No?
29:19Super.
29:19Uh-huh.
29:20And Pompon,
29:21How did he take it?
29:22Brilliant,
29:23I know it's great.
29:24Brilliant.
29:26Shall I show you the game?
29:28Yeah.
29:29Let's see.
29:29That?
29:30Ah, yes.
29:32Where or less?
29:33Yeah.
30:02Honestly,
30:03I don't like it anymore
30:04none of my clothes,
30:05But I think I found it.
30:06something for the session.
30:08I have a big surprise for you.
30:10I went to a school
30:11fashion design
30:12and got you
30:13a very talented girl
30:14I'm sure
30:15that can help you
30:15about your wardrobe
30:16and so.
30:17I'll send it to you right now
30:18your contact.
30:20Oh no.
30:21You're divine.
30:23I'm sure it will help me.
30:24to complete the looks.
30:25Believe it or not
30:26that I'm not going to take away from you
30:27the eyes above
30:28because I already saw
30:29that you have a stream
30:30of footprints, trying to get your attention.
30:33Like I said,
30:34I am irresistible.
30:35So take care of me.
30:39Very good.
30:53What's up, Eva?
30:55I've finished cooking it
30:56in the morning.
30:57Oh, how I wish!
30:57that you tried it.
31:00And?
31:01How are you doing?
31:02In fact, I've already finished.
31:04What do you think of this?
31:04See you there
31:05near home, where?
31:07Stop it.
31:08Bye.
31:17That's lovely.
31:18Oh, what a lack
31:19He did all this to me.
31:20No, me too.
31:21Health.
31:21Hey, cheers.
31:23Hey, I don't want to anymore
31:25Talk about me?
31:27I want you to tell me.
31:28Tell me about Oscar.
31:29What can I tell you?
31:30Well, tell me.
31:31That?
31:31Well, he's handsome too.
31:33It's the best,
31:33But I'm going crazy.
31:34by Patricio.
31:35Oh no, friend.
31:36Yes, friend, what should I do?
31:37You can't control your heart.
31:38Well, but they can be friends.
31:40You can go out with him.
31:41You can meet him.
31:42He loves you.
31:43I know.
31:44No, no, let's toast.
31:45for impossible loves.
31:47Oh no, for love's sake
31:48impossible, don't kick us out
31:50The streets either.
31:56I'm going now.
32:00Do you want me to give you a ride?
32:01No, no, no, thank you.
32:03Eva is coming so we can leave together.
32:06See you tomorrow.
32:07Yes, yes, of course.
32:10No, no, no, no, no.
32:39And you already know that.
32:41And you might even think of telling Camilo
32:43because it can also end badly.
33:01Oh, I don't understand.
33:02Why can't I stop thinking
33:03in you all the time.
33:07Hey, were they going to announce you?
33:08to the winners
33:09to go to Madrid
33:09And I hope you win?
33:11Thank you.
33:12Thank you so much,
33:13But even if I won
33:15I don't think I'll go.
33:16By?
33:18There are too many complications
33:20so that I don't go.
33:23Well, if you need help,
33:25I'll be here.
33:33Do you think people
33:34at my age we can
33:35with love, family, work,
33:38career, friends,
33:40whatever,
33:41Or do you think we need help?
33:53Rebecca, Rebecca, Rebecca, Rebecca,
33:55Rebecca, Rebecca, what happened?
33:56Who hurt you, please?
33:57Let's put an end to this once and for all.
33:58Please tell me.
34:00If something happens to you,
34:00I'm not going to forgive myself.
34:03No.
34:03Why won't you let me help you?
34:06Why do I care about you?
34:07Because all I want is
34:10It's about getting my daughter back.
34:13Let's see if I can help you with this,
34:15I'm satisfied.
34:16Understand that together
34:17We can be much stronger.
34:20I have to face this alone.
34:22the consequences of my decisions.
34:24Do you understand?
34:26Of course I understand.
34:27Look, you love your daughter.
34:28Yes, you're willing.
34:29to give his life for her.
34:31My daughter shouldn't have to pay
34:32Because of my mistakes, neither will you.
34:33So, tell me,
34:34Who is doing this to you, please?
34:36I'm going crazy.
34:38Yes, I do speak.
34:39I feel you may be in danger.
34:40I don't want to say.
34:42No, please, I don't want to.
34:44Okay, okay, okay, okay.
34:44I'm not going to insist, okay.
34:47But I'm not going to lie to you.
34:48I'm going to be close to you
34:50and your daughter
34:51because I will not allow it
34:51that no one harms them.
34:55I don't have to pay for my...
34:57Listen to me.
34:58I'll never leave you sounds
35:00Because if there's one thing I want
35:02It's about sharing life with you, right?
35:06Now, even if you want to,
35:08I'm going to take you home, okay?
35:10Go get the truck, okay?
35:12Yes sir.
35:14We need to warn Eva.
35:16We need to tell him
35:17we're going home.
35:18Come on, I'll send it.
35:24Despai!
35:37Despai!
35:41Despai!
35:43Rest, always rested.
35:44Yeah?
35:45Yeah.
35:46Arrive later, are you there or not?
35:47Arrive later.
35:49Yeah?
35:49No.
35:50What did I tell you about not bringing men into this house?
35:52This is not a roadside hotel.
35:53What's wrong, ma'am?
35:55Hey, calm down, ma'am.
35:57Uh, sorry, I'm leaving now.
35:58I only accompanied her because it was very late.
36:00But, sorry if there was any confusion.
36:05Leave.
36:05Yes, I'll see you tomorrow.
36:07Excuse me.
36:08Shall I accompany you?
36:08Yeah.
36:09Let's go.
36:10You.
36:16Tell me, does Rebecca owe you any rent?
36:18No, he's aware.
36:21You know what?
36:21Am I going to pay you six months in advance?
36:25But please, don't treat her like that again.
36:29Don't worry, that's how things change.
36:33I didn't introduce myself, I'm Camilo Cue and we'll be in touch if anything comes up.
36:40Come back whenever you want, you're at home.
36:44Come on.
36:47No, no, no, no.
37:00Okay then, I'll call you.
37:02Yes, I'll call you, man.
37:04Ma.
37:06All good?
37:06Look, my little money, he gave me six months in advance.
37:09What's happening?
37:10No, what?
37:12Well?
37:12Could you contact Rebeca? I'm Camilo.
37:16Ah, yes, I'll send it to you right now.
37:18Cardigan.
37:19Ew!
37:20This is Camilo speaking.
37:24Camilo?
37:25Yeah.
37:28Say.
37:29Clavel Norte 789, Colonia Buenaventura.
37:35I thought about it more and decided not to wait.
37:38I'm going to get rid of your brat once and for all.
37:44That?
37:45That?
37:46Wow.
37:55Marcela.
37:56Marcela, don't say anything.
37:58Listen to me carefully.
37:59You have to stop Silberio.
38:01You have to stop him.
38:03He's going to kill my daughter.
38:04I swear he's not with me.
38:06No, I swear if you're lying to me you'll regret it.
38:09Oh, you.
38:11I have to go.
38:13I have to go.
38:14Look, look, look.
38:14How do I get there?
38:15Tell us.
38:16Here we are.
38:21Hey, okay, you, hurry up.
38:24How are things going with Alonso?
38:25Oh, he's so cute.
38:29I don't know.
38:30He's very handsome.
38:32Are you in love?
38:33Well, no, I don't know.
38:34I don't know.
38:35He's handsome, and I feel like I can't afford to profit from this right now.
38:42Oh, but why?
38:42You've spent your whole life sacrificing yourself, and then love comes along and you're going to let it go.
38:46Well, yes, so what's here?
38:47What are you and I saying?
38:48No, he hasn't even told me, like, I don't know, about being boyfriend and girlfriend or dating or anything.
38:53I know, what are you going to tell me?
38:55He is married.
38:55Well yes.
38:56And what can I tell you?
38:57That she's getting a divorce.
38:58Yes, it's in process.
38:59Yes, but...
39:00Oh, I don't know, I don't know.
39:01Already.
39:02What are we going to do?
39:02Well, that's it.
39:03What am I going to do?
39:04Yeah I know.
39:04Flow.
39:05Hey, what?
39:06What do you mean, what?
39:07I feel terrible.
39:10Oh, let's see.
39:12Wait, give it time.
39:14Is this my phone?
39:17Oh, it's Rebecca.
39:18Okay, I love him in a little while.
39:26Taxi!
39:34Taxi!
39:36Taxi!
39:41Stop here, stop, please stop, stop.
39:45I'm going to leave, please.
39:48Pour it in, please, pour it in.
40:05If you do anything, anything at all to me.
40:09Monica!
40:10Monica.
40:11What happened?
40:11Water?
40:12Okay, I'm going to fall here.
40:13Where is Aura?
40:14Listen to me, his life is in danger.
40:16Where is it?
40:18Where?
40:28Where?
40:29And now that life forces me to lose, I have to let you go, and it hurts to understand.
40:53And even if he cries and comes back.
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