Wunmi Mosaku | The Actor's Side - video Dailymotion

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00:02They've been sent lots of congratulations flowers, which has been really lovely, but

00:06also checking in like, are you okay? Are you tired? Are you looking after your body?

00:10My god, I just got nominated for an Oscar. I'd be great, you know?

00:15Yeah, yeah, yeah. It's true. You're right. You're right.

00:26All that war and whatever the hell's you been doing in Chicago, and you back here in

00:33front of me, two arms, two legs, two eyes, and a brain that work, how you know I ain't

00:40pray? I work every route my grandmama taught me to keep you and that crazy brother, you're

00:46safe every day since you've been gone.

00:50Welcome to the actor's side today. I'm very excited to have an Academy Award nominated,

00:56Actor Award nominated, BAFTA Award nominated, and Critics' Choice nominated performer here

01:03from Sinners, who is just spectacular as Annie in this movie, and we're going to talk about

01:09it with Wunmi Masaku. Hi.

01:12Hi.

01:14Congratulations, all these nominations.

01:15Wow, it's incredible. It's kind of bonkers to hear it.

01:18Really?

01:19Yeah.

01:19Oh my god. I just told you just before we started, I was talking to your co-star, one

01:24of your co-stars, Delroy Lindo.

01:26Yeah.

01:27And I said, when I saw this movie, very early, I might have even seen it in March, it opened

01:33in April, but I saw it before. And so you go in kind of cold and I look at it

01:37and I go

01:38like, her. She's going to get a nomination.

01:41Oh, wow.

01:42And that was hard to call in April, but I thought your performance just was so amazing that it

01:50could not be denied.

01:51Oh, thank you so much.

01:53And I am so happy that I'm right.

01:55Me too.

01:58You know, did you know when you get a role like Annie, like, wow, I can do something

02:05with this. This is going to be impactful.

02:08Oh, it's so interesting. I didn't think of it like that at all. I thought about, like,

02:12my question is always like, can I deliver? Can I deliver what, you know, Ryan has put

02:17on the page and that has moved me already? I felt like there was so much I didn't know

02:23about her. Like, I didn't know anything about Hoodoo. I'd never heard of Hoodoo before.

02:27Just her as a woman, as a mom, as a partner, I just was like in kind of in awe

02:32of her.

02:33And I've never taken a role and thought, oh, I this is going to be the thing that gets

02:42me a nomination or I've never I've never thought about that. But it's always been like, can

02:46I fill those big boots? Am I going to get too scared? Like, because, you know, you've

02:52got Delroy Lindo, you've got Michael B. Jordan, you've got Ryan Coogler. It's like, I just

02:56I always want to feel like, can I, I really hope I step up to the plate, you know?

03:02And I have to, like, boil myself up a bit and be like, you belong here, you know?

03:08Exactly. When you just mentioned, you've got Delroy Lindo, you've got Ryan Coogler,

03:12you've got Michael B. Jordan. Yeah. But you have two Michael B. Jordans. Right.

03:19Yeah. So that's doubly there. Does that throw you off when you're working with an actor who's

03:25playing, you know, doing that little cinematic trick? Not at all. Honestly, he was so clear

03:31as day as both. And we had a stand in, Percy Bell, who was, who would wear the other characters

03:41costume and do the other lines. And so it was like we were just doing a regular scene.

03:46Oh, it is. And, you know, in rehearsal, Michael would kind of talk Percy through what he thought

03:53he was going to do, like his tempo, his intensity, what he's trying to do in the scene. So we

04:01had,

04:01we were just acting with the two of them. And then they would switch. And then the switch

04:06was a little harder because Percy wasn't there. And then we were listening to the scene.

04:11Oh, God. And like miming to the scene so that Michael could react. It was really hard for him.

04:16I really don't know how he did it. It's something that some actors have done through the course of

04:21time in motion picture history, you know, going way back when I had him here. I was talking about

04:26a movie I loved with Edward G. Robinson called The Whole Town's Talking, where he played

04:32a guy that's mistaken for identity and looks just like him. So he played two roles. Right.

04:38And, you know, but I thought it was so seamless. It seems so seamless. Yeah. It felt seamless. Like,

04:45I always say this. I could tell when Michael was smoked or stacked with my back turned. His whole

04:50energy was different. His cadence. Really? Oh, no, completely. With your back turned.

04:53Yeah. A hundred percent. Wow. Like, even on the camera test. And we were six days into rehearsal.

05:00I had only known him six days, really. We did our camera test as Smoke and Annie. He went off

05:06to change.

05:06I went off to change. I came back. And then I was doing my camera test on my own. And

05:10I turned around

05:11and my back was to the camera. And this energy came up to me. And I was like, who is

05:17this? Who is

05:17this stranger? I'm like, why are they coming up to me like this? And I turned around and I was

05:23like,

05:23oh, oh, hey, Stack. Hi. Like, it was I didn't even like I had, you know, I didn't know what

05:29costume

05:30Stack was in. I just knew that that wasn't Smoke. Wow. It was so clear. That's so cool. It was

05:35amazing.

05:35I really think he made it so easy for us. And I'm kind of in awe of how he did

05:40it because

05:41it felt seamless to us, even from the read through. Really?

05:45Yeah. He had two scripts. And I could hear the difference between Smoke and Stack.

05:50Wow. Like Stack has this kind of like, not a list, but he has something with his S that

05:55Smoke doesn't. And I was like, oh, I can hear the difference between them. And I closed my eyes

06:00and the read through. And I was like, yep, Smoke, Stack. Well, I can tell you on screen,

06:07when you're with Smoke, who's your ex, you know, basically kind of that's smoking hot stuff.

06:15It's well named Smoke, because I'm telling you, between the two of you, you just feel whatever

06:22that past was that we weren't privy to as an audience, only from your meeting with him

06:30when he comes back into town. How did you develop that chemistry? And I'm using the word chemistry

06:36because it comes off on the screen that way.

06:40You know, it was really we had rehearsal. Yeah. And our rehearsal was really kind of talking

06:49with Ryan, the three of us in the room, kind of sharing, like figuring out our history together,

06:55the timeline of it, but also like just building trust and vulnerability with each other.

07:02Yeah. I think Ryan and Michael's history really helped with that because they were just sharing

07:07really big, emotional, spiritual journeys they've been on. And so I saw that dynamic and felt safe

07:17enough to share my stuff, too. So we were just kind of sharing our hopes, dreams, fears, griefs,

07:23loves, challenges. And we just became, I think the three of us felt really in sync. And we could

07:33like create this like sacred space to kind of deal with child loss and grief and forgiveness,

07:42the coming back together. It was just really like Ryan was integral to that chemistry that was

07:50being built between us. I think, I don't know, I don't know. I've never really like figured out

07:55how we got there. We just, we just, that's just what we did.

07:59We just got there. We just got there. You know, it's interesting though. You had just

08:03become a new mother when this picture started. Yeah. I mean, really just like right then. And

08:08then you're off to the, to the races with this movie making. And when you're talking about child

08:14loss and all these other things inherent in, in, in the script and, and what you have to do,

08:20what was, what was that like? How did you get that in your head that, to do this?

08:24The thing about Annie is she's so, she's so grounded. She really, and her faith is so

08:30strong. I think that that was really like the thing that her purpose and her child's purpose

08:37and, and, and, and, and Smoke's purpose and, and accepting it, accepting all of the light,

08:45the dark and everything in between of being a mother, being a lover, being human. And so for me,

08:54it was more like, this is, this is someone to look up to as a mother, someone who can accept,

09:01like your child is going to feel pain. Your child is going to, there was, there is,

09:07life is going to happen to this child. And as much as you want to protect and shield you, you,

09:15life is life, you know? And so, yeah, I found it quite inspiring because I had spent those seven

09:22months before meeting Annie, trying to protect her from absolutely everything. You know, you do these

09:30things where you think your health, like my daughter would scratch herself with her nails

09:36and she would hate, she never like let me, um, chop her, her fingernails. And so I'd be like,

09:42okay, I'll wait an extra week before I chop them. But then I would put mittens on, but then the

09:47mittens would start rubbing here and you go, oh, like, and then she got a little scar here. And I

09:52was like, oh, this thing I thought I was protecting her from, there's just a lesson in everything. You

09:55can't protect and, and shield everything. And sometimes even in that love of wanting to protect,

10:02you can cause harm in another way. And there's just, it's actually just all lessons. And you go,

10:08okay, well, I learned from this and now I just have to chop her nails every week. She's going to

10:13have

10:14to learn how to stop scratching her face. And I'm going to have, like, we're going to have to work

10:17through this together. And so I don't know, like, I just found Annie really like, oh, she's accepting

10:25with such grace and, and love the most tragic and heartbreaking thing that could ever happen to

10:32your child. And she's doing it with this person and understanding his grief and hers and their loss,

10:39but, but truly understanding that child's purpose. Yeah. It's so, it's very moving. Yeah. There's so

10:48much in this movie. And by the way, you might've noticed that you're British here, that you're not

10:54from the deep South, that you are an actor here doing this brilliantly. And I think that's a British

11:03term you just did when you're talking about chopping fingernails. Yeah. I'd be scared to death

11:08coming. I'm going to chop your fingernails. Sorry. I should have said cook. It sounded really hot.

11:19No, I mean, so going into this Southern world here where you're very much not a part of in your

11:27own

11:27life, how difficult was that? Or has that come natural? I've seen so many British actors over

11:32the years playing great Southern roles. Olivier, everybody's done it. But, you know, what was that

11:38like for you? To me, it's always, I feel like I learned so much every, every character I play.

11:43Yeah. And so when I think about like characters, I've, American characters I've played in the past,

11:49I think, oh, I didn't, I didn't know as much as I know now. And so, and I know that

11:56when I,

11:57in five years time, 10 years time, I'm going to look back at Annie and go, I didn't know all

12:01of this

12:02either. And I have this real, I don't know, admiration and respect for African American history

12:13and my husband is African American. My daughter is African American. And so I feel this responsibility

12:18to learn myself. I feel like the great thing about Ryan is that he, he tells stories that makes you,

12:26that make you feel like connected culturally across the diaspora. And I think just in human,

12:32within humanity, because with the specificity, you get like, you get opened up, like just to humanity.

12:43And so for me, Annie was someone who actually made me feel closer, you know, to my Nigerian heritage.

12:52And she is this woman from the South, but she's so deeply connected to her purpose and her ancestry.

13:02And, and I feel like that's what he does so well. Like he, I think he did it amazingly with

13:07Black Panther,

13:09this, this, this unity, this kinship that was that kind of took over globally. And so it's interesting.

13:19It's not, I have a lot of reverence and like, and gratitude because I feel like African American

13:27history, um, and like the movements have been so integral to freedom all over the globe. I want to learn,

13:37I want to honor and, but it also makes me feel more connected to my motherland.

13:45I don't, it just does. It makes me remember what was taken, what was lost and what was,

13:54what has remained. That to me is the most powerful thing is what's been, what has been kept culturally

14:03in the food, in the language. It's an honor to represent and share those stories. Like,

14:13you know, and I think this has gone universal in its own way. You don't get 16 Oscar nominations,

14:18you know, uh, and no one gets that. This is the only movie that's ever gotten that, but, um,

14:24you know, become this giant box office hit, not based on any kind of IP, as they say in the

14:30business

14:30and things like that, an original story that somehow hit a nerve, you know, and obviously hit a nerve

14:37for you. Yeah. Being in it. 100%. I think about what I've learned from that set, from that character,

14:46from the people. Um, and then also like, I mean, those, those lessons I feel like I, I, I, I,

14:54I think

14:54about every single day, um, in regards to purpose, ancestry and like my role that are living right now

15:01and my purpose will do it, like how it will reverberate in the future. That is something

15:07that I think about almost daily now, but also I think on like a really like,

15:14just like industry level, just that this story that this R rated horror movie that was so like

15:23culturally specific, but just dealt with humanity and truth with integrity and, and creativity using

15:31blues and genre and just like incredible, like cinematography has just been so well received

15:39and loved. Yeah, so good. I just, I think it just makes you feel bold to try something new. Like,

15:45we don't have to just do, you know, like remakes and retakes, like we can do original and we can

15:53be

15:53specific. And it shows some payoff here for it, you know, when you do do that. Yeah.

15:58When the studios say, okay, to Ryan Coogler, go make your movie. Yeah. We won't interfere,

16:05but, and look what you deliver. But what is also new here for you, you mentioned hoodoo.

16:12You don't have a background in hoodoo. I didn't, I'd never even heard of hoodoo.

16:18Not, I hadn't either. Voodoo, yes. Hoodoo, no.

16:21Yeah. But, uh, hoodoo you think, uh, I mean, it's so weird to me, but how did you develop the

16:30research on that? Did you have a hoodoo, is there such a thing as a hoodoo consultant they hired?

16:35Yeah, uh-huh. Okay.

16:36Yeah, we had Miss Yvonne who also is a professor. Miss Yvonne.

16:39Yeah, she's also, she's credited in the movie. She's also a professor, she's a teacher, she's a healer.

16:44Um, yeah, I just, I knew nothing about it. And she taught, she's the one who told me that it

16:50was

16:50connected to Ifa, which is the Yoruba traditional spiritual, um, practice of divination system. And,

16:58and I had no idea. And so I am a Yoruba woman. Um, but I left when I was like

17:05one and a half and

17:06grew up in a very strict Christian household. My mom is like, has always kind of told me to stay

17:13clear. And she was a little bit nervous about me playing Annie and doing the research,

17:19because my mom knows that I'm someone who kind of dives in and, and then like, I'm, I am always,

17:25I feel like I'm always changed by the people I represent. I was a little bit dubious too.

17:31I hadn't heard of hoodoo, but I had assumed that it was kind of similar to voodoo and that I

17:35thought

17:35it was all kind of evil. I thought it was like what you saw on James Bond, what you see

17:39on like,

17:40you know, the crucible and the dolls and the, you know, and witchcraft and, but I've, you know,

17:47in the, in the learning about it, I, I realized how like, just like healing and purpose driven and

17:57powerful and ancestral, it was like the ancestral wisdom that has been passed down by these

18:05practitioners and the faith, their connectedness to the divine and their connected, connected,

18:14connectedness to the earth and their connectedness to their ancestry. It's like this beautiful,

18:19like balance of everything that,

18:25that matters.

18:26Yeah.

18:27You know,

18:28it sounds like you want to go in the hoodoo business now.

18:30No, I'm not, I truly love it. Like I really love it. And I, and I do, I actually was

18:36at an

18:37apothecary in New York and, and I was like talking to, um, uh, Miss Karen and I was like, I

18:44think I

18:45want to study this. Oh, I actually have a course.

18:47I was like, Oh, maybe I will. Maybe I should. Why not? Why not? I mean, why?

18:53We could have a spinoff of just, you know, the, it's so cool. You know, when I look at your,

19:00um,

19:02resume here, uh, filmography, um, uh, you, you've won the BAFTA award before you, one of only two

19:11actresses who's won since, uh, in the whole history of it, you know, in television, right?

19:16Uh, black actresses. Yeah. Black actresses. Yeah.

19:20Which is, uh, a sad statistic, but nevertheless, uh, you know, amazing.

19:26Yeah. Yeah.

19:28A lot of people are going to know you here in America, at least from Loki.

19:33Yeah.

19:34I mean, we love Loki.

19:36Yeah.

19:36Yeah. And all that whole Marvel world and Disney and all of that.

19:40Yeah.

19:41Was that fun to do?

19:42Oh, it was. It definitely was.

19:44Played B-15, Hunter B-15. Hunter B-15.

19:47It was very, uh, a new experience being on like one of those big movie sets kind of thing.

19:54It's so different.

19:56Like so much isn't, like I assumed everything was going to be green screen and not there,

20:00but actually like they have the budget to build it.

20:03Oh, wow.

20:03That's great.

20:04Yeah, it's quite nice.

20:07That's cool.

20:08And you got to do it, uh, reprise it in Deadpool and Voldemort.

20:12Yeah.

20:12In the biggest movies.

20:14Yeah.

20:15Yeah.

20:15But Loki's where I actually first met Autumn.

20:17Autumn was our cinematographer on season one.

20:19Oh.

20:19Yeah.

20:20So it's like, it's been, it's amazing to kind of watch her journey as well.

20:24And to, for her to be the first woman of color.

20:27Autumn.

20:28Yeah.

20:28To be nominated.

20:29Amazing cinematographer.

20:30Yeah.

20:31She's incredible.

20:32Like, I was blown away by her work on, on Loki.

20:35I was like, how do you do, how do you do this?

20:38I've never really, I've not really paid attention to it.

20:42Right.

20:42But with her, I was like, I can see, it feels like a, it feels like you're painting a picture.

20:48I can, I can see you painting a picture with light.

20:51She's incredible.

20:52And that's what she did in Sinners.

20:54Yes.

20:55Yeah.

20:56And of course nominated, everybody from Sinners is nominated.

20:59I mean, can you name one person that's not up for an Academy Award from this movie?

21:05It is an extraordinary kind of a situation there.

21:09Luther, which is a show I loved, Idris Elba.

21:13Yeah.

21:14Right.

21:15And I hear rumors that you may be working with Idris Elba.

21:19Yeah.

21:19I just wrapped with him.

21:20You just worked with him.

21:22Yeah.

21:22He directed you.

21:23Yeah.

21:24And this is how it goes.

21:25He directed and starred in too.

21:27Yeah.

21:28Yeah.

21:28So, wow.

21:30Yeah, that was fun.

21:31And what was that reunion like?

21:32Oh, amazing.

21:33He's so fun.

21:34He's so lovely.

21:35He's a good guy, but it was like, I had to really, I had to watch myself because I'm

21:43the kind of person who likes to ask like silly questions a lot on set.

21:47Like, I just want to get to know you.

21:48Like, what's your favorite cookie?

21:49What's your favorite, whatever.

21:51Okay.

21:51But he's my director and he has a lot of stuff to do.

21:54Yeah.

21:54So I was like, I was like, I don't really know what the boundaries are.

21:59So I'm going to stop.

22:00I'm not going to ask you the silly questions, but you might feel a bit left out.

22:05So like he and me and Charlie were doing all the silly questions and we got to know each

22:09of his family like, like, like this.

22:11Yeah.

22:11And Idris was like, I feel a bit left out.

22:13You can ask me the silly questions now.

22:15It's been too long.

22:16I want to know.

22:16He wants to know.

22:17Yeah.

22:18He's so lovely.

22:19Yeah.

22:20Has he directed before?

22:21He has.

22:22Yeah.

22:22I think his first feature was Yardi, which was a while ago.

22:26Oh, okay.

22:27And I think he's done a few since, but yeah, this is, yeah.

22:31Well, that's going to be good.

22:32And of course, Lovecraft Country.

22:34Yeah.

22:35As Ruby.

22:36Yeah.

22:37Yeah.

22:37That was another kind of sensation here.

22:41Yeah.

22:42I really, again, I always, Misha Green's mind is like quite extraordinary.

22:47I don't know how she did what she did.

22:50Yeah.

22:50I mean, sometimes, I mean, we were sometimes like, we don't get it, but we trust.

22:55Yeah.

22:56We don't get it, but we trust.

22:57And it, you know, some of those moments that we didn't get felt like the most powerful moments

23:03that people talked about, like that really hit them and hit us when we watched it.

23:07We're like, oh, now we get it.

23:10And what a cast that I had the honor of doing a Zoom.

23:15At the time, it was a Zoom.

23:17It wasn't live and in person with a lot of the cast members.

23:20Oh, yeah?

23:21Yeah.

23:21Aw.

23:22It was really interesting to do.

23:24I am really interested in this movie that you're in that Aaron Sorkin has directed called

23:31The Social Reckoning.

23:32Yeah.

23:33Which is the long-awaited sequel we never thought we were going to get to The Social Network.

23:53Uh-huh.

23:54What's going on?

23:55Yeah.

23:56I, I, it's really interesting because I don't really feel like it's a sequel in a way.

24:03Yeah.

24:04And I don't really know what I'm allowed to say, but it feels like, like the social network

24:09felt like a, this is how social media, this is how Facebook started.

24:14Right.

24:15And this feels like a real evolution of like where we are and, and, and what we were, what

24:21we expect of, of, of, of like movies now.

24:27Like it feels kind of like a, a commentary on like where we are because of social media.

24:33Oh, yeah.

24:33Yeah.

24:33You know?

24:34Okay.

24:34So it feels like.

24:35The Reckoning.

24:36Yeah.

24:36It feels like really present.

24:38It feels, the Jeopardy feels like, it can, it, I don't know, but sometimes it felt like,

24:46not like a thriller, but there was definitely like, oh my gosh, this is what we're living

24:50in guys.

24:51Wow.

24:52Like, what are we, what are we going to do?

24:55It's difficult when you make a movie, he's a genius, Aaron.

24:57But I mean, it's difficult when you make a movie like that's right on the zeitgeist

25:03about how fast things are changing.

25:05Yeah.

25:05That by the time we finally see that movie, we may be leaps and bounds beyond even his

25:11imagination.

25:12Yeah.

25:12That's true.

25:13That's definitely true.

25:14It makes me feel very uncomfortable.

25:16Yeah.

25:17What do you play in it?

25:18I don't know if I want to say.

25:19Can't tell me.

25:20I'm so curious.

25:22Yeah.

25:25I can't wait for that.

25:26Jeremy Allen White's in it.

25:28Yes.

25:28He plays a Wall Street Journal reporter.

25:30Yeah.

25:30Mikey Madison is in it.

25:32Yes.

25:33Wow.

25:33She's been so lovely.

25:34I must say she's been so supportive to me during this whole award season.

25:40She just went through it.

25:41She just went through it and like, she's been like checking in on me and sending me flowers

25:46and making sure that I'm okay.

25:48She's really lovely.

25:49Oh, that's nice.

25:50Really, really lovely.

25:51Do you need flowers to go through an award season?

25:56That is a very good question.

25:59No.

26:00Yeah.

26:00But they've been sending lots of congratulations flowers, which has been really lovely.

26:05But also checking in like, are you okay?

26:07Are you tired?

26:08Are you looking after your body?

26:09My God, I just got nominated for an Oscar.

26:11I wouldn't.

26:12I'd be great.

26:13Yeah, yeah, yeah.

26:16It's true.

26:17You're right.

26:19But it is true.

26:20This has been a long road for Sinners.

26:23Yeah.

26:23It opened way last April.

26:25Yeah.

26:26And so you've been living with this for a while.

26:29Yeah.

26:29And all these different awards.

26:31You get to go to the BAFTAs again.

26:34Yeah.

26:34On the movie side this time.

26:36Yeah, yeah.

26:37Which is great.

26:39And SAG's Actor Awards and all of that.

26:42And it must mean a lot because all of those awards, you got the Gotham Award as well.

26:47Yeah.

26:47Best Supporting Performance.

26:49Congratulations on that.

26:51But all of those awards are from your peers.

26:55Yeah.

26:55They're voted on by other actors.

26:57Yeah.

26:57So that makes it special.

26:59It does.

26:59It feels really good.

27:00It feels, you know, every time I walk into a room and I see like my peers that I don't

27:07think of as my peers, I think of like these are people I'm inspired by.

27:12These are people I've watched my whole life.

27:14Right.

27:15And to know that they've watched the movie and that they love the movie and that they're

27:20rooting for us, it's just really quite overwhelming.

27:25I have felt a little bit starstruck a lot of the time.

27:29I don't normally get starstruck.

27:30I'm normally like, you know, nice to meet you.

27:33Yeah.

27:33But when people are being really positive and like giving you compliments, like people

27:41like, it just blows your mind that you've seen my work.

27:45Yeah.

27:46It's not just like, hi, nice to meet you.

27:47It's like, you've seen my work and you're taking the time to congratulate me and like,

27:53and give me my flowers.

27:55Yeah.

27:56Oh, we're back to flowers.

27:57Back to flowers.

27:59But it's really, really like, that's really overwhelming.

28:02That feels like I, I feel like I act like an absolute fool when I'm, I'm like, oh my

28:08God, oh my God.

28:09You know who I act?

28:10You've seen that?

28:11You've seen the movie?

28:12Whoa.

28:13Like that's how I.

28:14Power of cinema.

28:15Yeah.

28:16Yeah.

28:17Power of being in a movie.

28:18Everybody saw it.

28:18Yeah.

28:19Right.

28:20Well, it's all well deserved.

28:22And there's so much that you have ahead of you too, which I love because we're going

28:26to get to watch you because that's another power too.

28:30Once you're, you know, getting all this kind of recognition.

28:33Yeah.

28:34People are going to start hiring you for a lot of great projects.

28:38I hope so.

28:39Have they done it yet?

28:41I mean, I worked on, on This Is How It Goes and The Social Reckoning.

28:44So that's it.

28:45I definitely feel like The Sinners was a part of that journey too.

28:48Okay.

28:48Like, cause they, they both had seen the movie.

28:50Yeah.

28:50Okay.

28:51So there you go.

28:52It's already working.

28:52It's already worked.

28:54Yeah.

28:54Which is nice.

28:54Well, have fun at the Oscars and all the others.

28:57And thank you so much for joining us today.

29:00Thank you so much.

29:02This was fun.

Wunmi Mosaku | The Actor's Side

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