00:26This is Tim Wasberg from FastTrack on Cirque TV
00:29I'm here in Berlin, Germany for Berlinale 2026
00:33I wanted in this last part, I think the last part, in the last part, everything is connected
00:41as a first, the second one and also the past of the place and yes, it's the only part where
00:50I wrote the dialogue, yes, there was no improvisation here, except for a gesture, how she lived in
01:05the place. I didn't write it, I said okay, how do you feel in the place? But the dialogue,
01:16yeah, your character is definitely like this, so your habits with food should be different
01:24than the other, the first and second one. And when you go to sleep, you don't sleep the same
01:35like the other, you have different little things. But you had to sleep in the same spot.
01:42Yes. Wow. Is that a spot, now is that room, is that in another, that's in that building,
01:48at our building? No, it's the same building. It's the same building. Yes.
01:51Helen, do you want a little bit? Yes, a little bit. Excellent. Thank you, thank you, thank you.
02:00Santé.
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02:04Santé. Santé. Santé. Santé.
02:07Santé. Santé.
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02:39picture yeah and inside let's move the actors and sometimes the real arrive and
02:48it was yes an important choice to to fix the camera all the time and in 16
02:57millimeters so as we have the time and whole the team was okay to to get this
03:04time because it's not a traditional time we have when we're making we are making
03:09a film were they all from that village now we live in the refuse together oh
03:14yes everybody everybody in the same dormitory and yes we want to make the
03:20shame in the spirit of the place you know we were sorry with the actors
03:27rehearsal workshop before to talk about yes of course and and they visit me they
03:36visited me when I was working like guardian and yes and sometimes yes we
03:44try things just around the coffee and maybe if you you're if oh you can hit
03:50all three all three or just how many of them two three all three yes
03:57branchages pour les fleuristes ah d'accord
03:59ce qui rendement les ils s'appellent comme ça ouais un peu comme le bois flotté je fais aussi
04:05ah oui je fais des sculptures je fais des bancs et tout que je vais au marché
04:09c'est la région aussi et t'as pas peur ici dans ce chalet toute seule complÚtement
04:13isolée non pas du tout non c'est fou hein j'arrive ici mais tu viens pas tout le temps
04:18tout seul complÚtement dans la vallée je peux avoir tout seul tu n'as pas un
04:21compagnon qui vient avec toi de temps en temps non je suis seul la solitude ne me
04:26fait pas peur du tout j'apprécie j'apprécie beaucoup mais il y a du
04:31passage quand mĂȘme des randonneurs bien sĂ»r bah oui bien sĂ»r plus ou moins
04:36sympathique
04:41as we we shot in 16 millimetres we we made a few takes maybe around two takes max or three
04:51takes
04:51sometimes so it's very easy at the editing to to work all the process uh i start to editing the
05:01film
05:01during the shooting i know i knew exactly okay i want this spot connect with this part i want to
05:09to connect this mountain with this moment this night with this day and uh i am a
05:15monsieur during yes no me and but by draw often by draw by drawing wow yes we edit in three
05:26parts so it
05:27was easy to for me to construct the story yes to construct the story uh during two years uh we
05:37shooting then i we did things and we're shooting then we did so yes not for the shooting because i
05:44i
05:44continue to to make this film like i i made my short films not not during the shooting it's the
05:52first
05:52moment here i realized i made a first future yeah because always someone everybody asks me it's your
06:02first future oh yes yes but i don't hold this up
06:26you
06:27you
06:30you
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