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Famed Queen guitarist and citizen astronomer Brian May collaborated with NASA's asteroid mission OSIRIS-REx, helping scientists find a suitable landing spot on the space rock that turned out to be completely different from what they had expected and designed their mission for.

May, who famously completed his PhD in astronomy in 2007 after a more than 30-year hiatus enforced by Queen's rise to fame in the early 1970s, sat down with Space.com to discuss his collaboration with the groundbreaking mission, NASA's first attempt to collect a piece of space rock and deliver it to Earth.

"Bennu: 3-D Anatomy of an Asteroid", authored by May and OSIRIS-REx principal investigator Dante Lauretta, is available in the U.S.from University of Arizona Press and in the U.K. from London Stereoscopic Company
Transcript
00:00Hello everyone, my name is Teresa Polterva, I'm a senior writer at Space.com and today I have
00:04something really special for you. I'm here with Sir Brian May, the rock legend of Queen, who also
00:10happens to be a part-time astronomer and he was one of the scientists working with data and images
00:17coming from NASA's OSIRIS-REx mission. OSIRIS-REx was NASA's first mission to collect a sample from
00:25an asteroid and it will soon deliver this sample to Earth. And Sir Brian actually worked with Dante
00:32Loreta, OSIRIS-REx chief investigator, on a beautiful new book about asteroid Bennu and he is here now with
00:42us to tell us everything about this book and his collaboration with OSIRIS-REx. Thank you very much
00:48for finding time to talk to us, it's a great pleasure. So let me start at the beginning, you and
00:54OSIRIS-REx
00:55how did the two of you get together? Well quite informally really because I'm on the outside of
01:01NASA and nobody pays me to do this but I love it and I and my collaborator Claudia Manzoni generally
01:11go
01:11around the internet to find things which we can make into stereos because the data is all there from all
01:17these different missions from NASA, from ESA, from JAXA, there is enough data there to find viewpoints in
01:24order to to make the stereo images which we crave. We just love making stereo images and of course then
01:30you have to use them a viewer to to appreciate them in 3D and I mean I'm creator of the
01:39London
01:39stereoscopic company and we now make stereo viewers, we make 3D viewers. So what happened with me and Dante
01:46was I sent him just off the cuff a couple of his images which I'd made into 3D along with
01:52Claudia
01:53and he was amazed he said I've never seen them like this this is such a great tool and this
01:58might be
01:59able to help us find the landing site that we need in order to get our samples safely and so
02:04we started
02:05to interact and we started to trade emails and pictures and from that point on I mean we we've become
02:13very good friends during the the passage of time but a lot of work because when it became serious
02:18we're not just making pretty pictures we're supplying them with images that they can view and make that
02:24crucial decision is this a flat enough site to land our spacecraft will it be safe will we get the
02:29sample
02:30back to earth so that's what I became engaged doing and a lot of work but very very happy work.
02:36Is there any particular reason why you are interested in this mission?
02:40I'm interested in them all. I was incredibly lucky to be involved in the New Horizons mission
02:46with Alan Stern who also kind of took me under his wing and I was able to help secure 3D
02:52pictures of
02:53Pluto see no one had ever seen Pluto close up before so I was able to bring I think the
03:00universe's first
03:02uh 3D picture of Pluto to light um and they went on to photograph an object in the Kuiper belts
03:07as you
03:08probably know um but yes Rosetta also we've made some lovely stereo images of maybe there's a book
03:13there too I think the difference is that um that Dante wanted to involve me and involve us at an
03:22early
03:22stage so that we could actually contribute to the conduct of the mission that's the crucial difference.
03:26I understand that you were actually called upon to help the team solve a major issue they had trying
03:32to find a suitable landing spot on the surface of an asteroid that looked very different than they
03:38expected it to do you remember how the atmosphere was among the scientists uh during this challenging
03:44time? Yeah well I think it was suddenly becoming much more difficult than they'd expected
03:49because Bennu wasn't a solid object with flat places it was a completely randomly accrued object
03:56it's a rubble pile and there are no places where it's safe to to land apparently um there's only sort
04:04of different sizes of pebbles and it's very difficult to assess what the landing will actually be like
04:09if you can't be there and see it with your own eyes that's where this comes in handy because once
04:14you
04:14have a stereo image of that particular potential landing site you can really make an instinctive
04:20judgment as to whether things are going to work out or not you know how near is this boulder
04:24how much slope is there how dangerous is it to be to get it off and get on um so
04:30that's where we were
04:31able to get into it and I know that uh at at one point Dante said look all my guys
04:36have to see this
04:37I've seen it this has changed my whole opinion I want my whole team to see this so I sent
04:41about a box of
04:42these and um everybody sat around the table I think and made those decisions looking at
04:48Bennu as if they were there so can you explain to us how do you create these stereo images
04:53basically to make a stereo image you need two different viewpoints just as in real life when
04:59I look at you my left eye has a viewpoint and my right eye has a viewpoint slightly different
05:03I see more of your your cheek here be more of your cheek here and um that's the whole thing
05:09I mean
05:09I've said it there um what you have to do in making a stereo image is to reproduce that effect
05:15so I have to take a picture from my left eye I have to take a picture for my right
05:19eye
05:19and then I put him in a viewer like like this in the situation where my left eye only sees
05:25the left
05:25image and my right eye only sees the right image then the effect is reproduced so I see this crater
05:33as if
05:33I were about a mile away from Bennu um but my eyes are about a hundred thousand miles apart
05:40no not not that far delete that my eyes are about half a mile apart you know so how did
05:46the idea for
05:46the book come about we made so many images and um it was a labor of love and it was
05:53also very rushed
05:54and I remember saying to Dante we should do the book you know we have such an amazing collection of
05:59images
05:59it not just of the details of the surface also of the of the um the whole planet which which
06:06is
06:06something very attractive and so we started to think of a book and we realized that it could be the
06:12the world's first opportunity to make a real atlas of of an asteroid so that's what we attempted to do
06:19and the fact that it has stereo images as well I think makes it something very very unique and special
06:24so who is the book uh aimed at who is the target audience the book is really aimed at anyone
06:30who
06:30has an interest in this kind of subject anyone who's interested in what they see when they look
06:34up in the night sky it's not just for scientists there's a lot of well there's a whole world of
06:39scientific information in there for anyone who wants it but if you read it as a story you should
06:44be able to understand it without prior knowledge
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