- 1 day ago
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00:02Hey, stranger.
00:03God, I missed you.
00:04I missed you too.
00:05I got offered a teaching position.
00:07You and I could live together.
00:11Sir, I can't... one second.
00:14Did my boyfriend return?
00:16Uh, no.
00:17The passengers are not authorized to enter.
00:18It's the rule. It's like that. It's all. There's no law.
00:21Do you know how many people are reported missing each day in France?
00:27I know where Tom got off the train.
00:29There is a door in the conductor's office.
00:31Oh, the conductor is in the compass now.
00:33This is all getting quite dramatic.
00:35His name is Maurice Giroux.
00:36He was hiding something I could tell.
00:38The police are either useless or corrupt.
00:41Tread carefully, Miss Monroe.
00:43You know Tom better than anyone.
00:46Who has he been in touch with lately?
00:48Uncle Brian. He's in London.
00:52You probably know more than you realize.
00:55It's a sign I rose, Finch.
00:57It reminds me of you.
01:13If you love me, let me know.
01:21Tell my heart which way to go
01:30Hey, look at this
01:33What's that?
01:35Well, it's pottery
01:36Maybe Greek
01:39It's probably been here for hundreds of years
01:41It's so beautiful
01:48Here
01:50No, you keep it
01:51Why?
01:54During those nights
01:55When you're in one far-flung corner of the earth
01:57And I'm in another
01:58I want you to think of me with the same wonder and tenderness
02:01As you do when you look at that piece of clay
02:05Yeah
02:11If you love me
02:14Let me know
02:19Once the moon should take a bow
02:25Maybe you'll find the world
02:32I want you to think of what you are
02:36Right now
04:33Hi. This is Tom Parker.
04:42Alice?
04:43Yeah. Hi.
04:46I'm Alex Durant. I've heard so much about you from Tom.
04:50You have? You know Tom?
04:51Yes, of course. We used to work together in the field before I became a suit.
04:54He did. Metaphorically speaking. What happened?
04:59Um, Tom disappeared.
05:03What do you mean he disappeared?
05:05Okay, so he called here at SOS from Paris two days ago.
05:10Do you know who?
05:11He said he was talking to his uncle from England, but like, I don't know why he would lie to
05:15me.
05:16It's possible he was trying to call Jordan.
05:19The weekend route calls through here so you don't have to pay international charges, but I know he's coming here
05:26after vacation, so there's no need for him to call him before.
05:28We encourage our people to take a complete break when they're on holiday, and especially Tom after what he's been
05:38through.
05:39What do you mean?
05:42How's he been? Since the incident.
05:45What incident?
05:50I'm sorry, I thought...
05:52What incident?
05:54Okay.
05:56I'm going to tell you this, but...
05:58If...
05:59When Tom comes back all happy and healthy, I'd prefer if you kept me out of it, okay?
06:04Just tell me what happened, please.
06:08It happened about nine months ago in Jordan.
06:13There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:22things were already hard, but that night it got even worse.
06:26His mom went into labor alone in the middle of the night.
06:31And she was very sick, had no one to help her, so Malik ran for four miles, all the way
06:36to where the SOS team was staying, and got Tom to drive them to the hospital.
06:42The baby was delivered safely, but the mother's condition kept getting worse.
06:47So, with his mom's sake, Malik dropped out of school, scavenging for food.
06:54He tried to take care of his family, and...
06:58Yeah, Tom saw what was happening.
07:01And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:06was taken care of.
07:10But, unfortunately, bandits raided the camp.
07:19They took women and children no one knew who had survived.
07:25And Tom was obsessed.
07:28He spent weeks searching for Malik and his family, and...
07:36Eventually, they found him.
07:40The boy, alongside his mother and sisters, in a mass burial pit, ten clicks outside of the camp.
07:51We all have our breaking point, and...
07:54Yeah, that was Tom's, at least I think it was.
07:57But he didn't want to pack it in.
07:58We got him a counselor, we tried to give him support, but something in him had shifted.
08:03Yeah?
08:04He disappeared, sometimes for days.
08:07There have been discussions to take him out of the field, because he wasn't himself anymore, he just seemed lost.
08:14Alice, I don't think he ever really came back from what happened.
08:24Sorry, I...
08:25I...
08:26You didn't know any of this?
08:29No.
08:31I just don't understand why he couldn't tell me himself.
08:38The world is in crisis every minute of every day.
08:41Our people here see enough depravity for a thousand lifetimes.
08:44Sometimes it just gets unusual.
08:47He just seems so normal in Paris.
08:50But maybe that dose of normality was the thing that shook him.
08:54But he'll show up.
08:55If it's not tomorrow, then soon.
08:57I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:05Don't worry.
09:07I'll have to as well find him.
09:32No, everybody is still a full Sangamre.
09:45Oh no!
09:52Sorry!
10:20I don't know.
10:31Hello?
10:32Hey, Helen. It's Alice.
10:34Hello, Alice. Has your boyfriend returned?
10:37No, he hasn't. But does the name Orly mean anything to you?
10:42Is it a place in Marseille? It could be a person...
10:44Orly? Where did you find that?
10:48I was looking in Tom's notebook and it's... it was in there.
10:51Oh, really? It could be anything or anyone.
10:56Anything else in the notebook?
10:58Not really. I was just on a post-it note.
11:01Okay. Leave it with me. I will look into it.
11:35How do you know it's a boat?
11:36Oh, I don't. It's a hunch.
11:40Would you prefer it to be another woman?
11:43Look around you. What do you notice?
11:48Men paint women's names on their boats
11:50to pretend those women are central to their lives.
11:54And then, they'll run away to the sea with their buddies.
12:00Et voilà.
12:03Aurélie.
12:12Anyone here?
12:14Bonjour.
12:16Hello?
12:17Hello?
12:17Y'a quelqu'un?
12:19Mom, what are we gonna do?
12:22What the heck?
12:24What?
12:25Oh.
12:25Every good journalist carry them.
12:29Oh, my God.
12:30Keep lookout.
12:31Yeah.
12:33Yes.
12:34Yes.
12:36Cheers.
12:37Yes.
12:37Yes.
12:39Yes.
12:52Yes.
12:54Yes.
13:03It's what I'm doing now.
13:35Oh, my God.
13:41Is it Hayes?
13:49Alice?
13:51Alice?
13:54Alice?
13:56Alice?
13:58Taxi?
14:16It's Uncle Brian. He's in London.
14:21It's Uncle Brian. He's in London.
14:23It's Uncle Brian. He's in London.
14:26What were you going to tell me about that?
14:28I was wondering what you'd notice.
14:31He may be useless with cars, but he could talk a dog of a Mitra.
14:35A dog of a dog.
14:54I came as soon as I could.
14:55Hi.
14:57Um, yeah. I spoke to Jordan. You were right? Tom did make a call on Thursday morning.
15:07And?
15:08He wanted to be put through to one of his colleagues.
15:15Alice, there is no easy way to say this.
15:18No, um, I met her, actually.
15:23That, that woman that you're, that, were, were they, are they?
15:31It's really not in my place to speculate.
15:33Come on.
15:41He's not thinking rationally.
15:51So, what happens now?
15:55My God is he will show up somewhere, or makes contact with someone in the next 48 hours,
16:01and then you both need to decide what happens next.
16:06But if I were you, I would go to Al.
16:09Go to Al.
16:11There's no need to hang around in my say.
16:13If he turns up, you'll be the first one to know.
16:16Okay?
16:18Okay.
16:21Alice, um, uh, I wish I had better news.
16:24I'm sorry.
16:25No, it's okay. You've been very kind to me.
16:32Call me from Al, yeah?
16:35If you need anything at all.
19:48Come here.
19:53Yeah.
19:54This was built by the Nepoteans.
19:59Oh, so what's that?
20:00Ninth century?
20:01Fourth century.
20:02A.D.?
20:02B.C.
20:03B.C.
20:04Cool.
20:05Did you say the Nepoteans?
20:07No.
20:07Oh, you didn't hear me?
20:08No.
20:08No.
20:08Oh, now you know.
20:10No.
20:11That's where I went wrong.
20:12Yeah, sure.
20:14You know, it actually flourished due to trade routes, incense, spices, silks, and of course
20:18it's gorgeous, rock cut architecture.
20:22It was annexed by the Romans and fell into total disrepair.
20:26By the time the earthquakes hit in the sixth century, entire infrastructure was basically
20:31destroyed.
20:31So when the Ottomans got here, they didn't know what to do with it.
20:34They just kind of left it.
20:39As is.
20:43Is that interesting to you?
20:46Very.
20:56Andy?
20:58Can I look a sword?
21:00procrastinate.
21:04I don't know.
21:11No, no, no.
21:11Not sure.
21:12No, no, no, no.
21:16I'm going to encourage her to tagline.
21:17No, no, no, no, no, no.
21:18No, no.
21:19Don't want a frequency.
21:19It's still a feeling of urgency.
21:19He's going down.
21:19Oh, my God.
22:04Oh, my God.
22:19Oh, my God.
22:32Oh, my God.
22:38Oh, my God.
22:42Oh, my God.
22:43Oh, my God.
22:48Oh, my God.
22:52Oh, my God.
22:53Oh, my God.
23:22Oh, my God.
23:36Oh, my God.
24:09Oh, my God.
24:18Oh, my God.
24:20Oh, my God.
24:52Oh, my God.
24:56Oh, my God.
24:59Oh, my God.
24:59Oh, my God.
25:02Oh, my God.
25:02Oh, my God.
25:05Oh, my God.
25:11Oh, my God.
25:13Oh, my God.
25:31Oh, my God.
25:58I'm going to go to the next one.
26:00I'm going to go to the next one.
26:14I'm going to go to the next one.
26:18My baby, what did you do?
26:20I lost it, it's what the hell?
26:21Don't talk to me.
26:23I promise you, you won't be like mine.
26:26I'm going to go to the next one.
26:26Alex, 20 minutes.
26:28Laisse-moi 20 minutes.
26:2920 minutes.
26:30Comment ça, 20 minutes ?
26:31Je n'ai pas connu pour deux, toi.
26:32Pour deux, ça doit être ton gag, ça.
26:33Ah, tu vas me foutre, toi, t'es conne.
26:35Back up.
26:36Oh, oh, oh, oh.
26:38Get out of my way.
26:40Oh, tu vas si loin ?
26:42Tranquille.
26:44Ça va, oh.
26:45Ah, bah, tiens.
26:46Tu vas te blesser, là, arrête.
26:48Ça se voit qu'elle n'en a jamais tenu.
26:49Ouais, ça se voit.
26:51C'est comme ça qu'on tient plutôt.
26:53Comment on peut avoir confiance ?
26:58Comment on fait, maintenant ?
27:02Regarde-moi que je te parle.
27:06Allez, viens danser la bachata, viens.
27:12Viens, tu vas danser la bachata.
27:13Oh !
27:14Cassez-vous, j'appelle la police.
27:16Oh là là.
27:16Oh !
27:17Vous m'entendez ?
27:18Vous êtes sourds ?
27:19Allez, on dégueule.
27:20T'es une bite à la place du cerveau.
27:22Dans ta gueule, je t'ai dit.
27:24Tu me reparles encore une fois comme ça ?
27:26Je t'encoline.
27:26Non, encore.
27:27J'appelle ta mère.
27:32J'appelle ta mère.
27:33Y'a t'encoline.
27:50J'appelle ta mère.
27:53J'appelle ta mère.
27:54Sentez !
28:25Mr. Giroux?
28:34Hello?
28:55Oh, my God. Oh, my God.
28:58Oh, shit.
29:00Oh, my God.
29:01No, no, no, no, no.
29:03Okay.
29:04Oh, my God. What the fuck?
29:15Madame?
29:18Madame.
29:20Madame.
29:21Madame, hold on.
29:22Wait, wait, wait. Hold on. It's okay.
29:24I know.
29:26I'm so sorry. I don't want that.
29:27I don't know. I just got in here.
29:29Dude.
29:31Helen!
29:33Helen!
29:36Helen!
29:38Derek!
29:54Let's go!
30:10You're trying to get out of here!
30:15Don't go away!
30:23She's crazy, she's crazy!
30:27She's crazy, she's crazy!
30:29Get out of here, I'll take care of you.
30:37i
30:37i
30:37because what is everything we have to do
30:39you have to do this
30:43that's what
30:44what do you think about it
30:45that's what you think about it
30:45there you can't do it
30:46in the way
31:00the
31:11Oh, my God.
31:47It's not a matter of policies, it's a matter of marketing.
31:58Something has happened, I need to see you right away.
32:00Uh, uh, is everything okay? I thought you'd left.
32:05Um, no, no, it's not. I just went to, I went to see the conductor, the one from Tom's train,
32:09and when I got there, he was dead, he was dead, he was dead.
32:12Wait, wait, wait, wait, slow down, okay? Are you okay?
32:16Yeah, I saw the man who did it.
32:19What man?
32:20He was very muscular, he had very dark hair with, like, a bun.
32:26Where are you?
32:27I'm at the Hotel Perron, room 218.
32:31Okay, I'm coming.
32:33Okay, thank you.
32:51She saw you.
32:53She's at the Hotel, room 218.
32:58Go there, now.
32:59Go there, now.
33:43What?
33:44I was right about the conductor.
33:46What?
33:47I went to his apartment, but when I got there he was already dead.
33:50Someone slit his throat.
33:53Who have you spoken to?
33:54Um, just one person from Tom's charity.
33:57He's coming actually to meet me right now.
33:59Alice!
34:00Which hotel?
34:01Which hotel are you staying at?
34:03Perron.
34:04I'm coming now.
34:06Do not speak to anyone.
34:08You hear me?
34:09Do not speak to anyone!
34:11Come on!
34:20Come on!
34:24Come on!
34:29I'm coming now!
34:49»
34:57I have a delivery for Alice Monroe.
35:51I have a delivery for Alice.
36:02Get in! Now! Quick! Quick!
36:16Are you okay?
36:18Yes. Okay?
36:21I'm having a panic attack.
36:22Rhys!
36:25Oh my God!
36:26Rhys, Rhys, slowly.
36:27Oh my God.
36:28You're safe, Alice.
36:31It's Durand.
36:32The works at SOS?
36:34Not Hunter.
36:35No, he's been helping me.
36:37I cannot protect you if you do not want to be protected.
36:41Uh...
36:41Does he know which hotel you are staying at?
36:44Yes, but it tells...
36:45Who else knows?
36:46I guess Inspector Drax knows, but...
36:48Okay, so at least one of them is trying to kill you, huh?
36:55I didn't tell you about SOS.
36:57How do you know that's where Tom worked?
37:08It's my job.
37:10What is?
37:13To...
37:14To know things.
37:15Okay, you better start telling me some truths or I'm gonna call him back.
37:18Don't be so stupid.
37:19Okay, fine.
37:20Don't be so...
37:21Please!
37:21Look!
37:25Tom got off the train because of me.
37:28What?
37:29We explain.
37:31What?
37:31First, we need to go somewhere safe.
37:34First.
37:38Shit, my bags are at the train station.
37:40Okay.
37:41Don't worry.
37:43Let's go to the train station.
37:44Seriously, what is going on?
38:06I'm something like a pet noir for your former lover.
38:13The truth is, for the past six months, I've been investigating him.
38:20On the train, I was following him.
38:23Either he saw me or someone told him I was on it and he must have panicked and got off.
38:31Why on earth are you investigating him?
38:34I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:43Tom.
38:44Yes.
38:49I have reason to believe.
38:52Oh, no.
38:53You are...
38:53You are so, so far off on this one that Tom would never, ever...
38:59Did you know he kept a boat in Marseille?
39:03So you knew about the boat?
39:05Yes, of course.
39:09So you lied to me?
39:10No.
39:11No.
39:11I withheld the truth.
39:12That's very different.
39:13I thought you were helping me.
39:15I was investigating you.
39:20Who do you work for?
39:22Oh.
39:23I'm freelance.
39:24Suits me better.
39:25Yeah, when did they let you go?
39:31Five years ago.
39:34Yes.
39:34I'm not going to listen to any more of this nonsense.
39:37You don't know Tom at all.
39:37I'm leaving.
39:39Where to?
39:40It's the police, obviously.
39:43You told me only two people knew you were staying at Le Perron, right?
39:49Durand and Drax.
39:51So the question is, which one is trying to kill you?
39:55If I had to choose, I would bet on Durand.
39:57He's too smooth, too polite, too, too German.
40:00Okay, no.
40:01No.
40:01Alex has been kind.
40:02He's been helpful.
40:03Okay, so Drax.
40:06Hmm.
40:06This city is packed with dirty cops.
40:08Maybe he plans to set you up for Jero's murder.
40:11Oh, my God.
40:12This is insane.
40:13There has to be a very simple explanation for all of this.
40:17Explanation?
40:17For what?
40:18A guy showing up at your door, ready to kill you?
40:22Give me a simple explanation for that.
40:28Have you seen the news?
40:49You have nowhere to go.
40:55Contrôleur Maurice Jero, nous recherchons activement la suspecte numéro 1.
40:59Une Américaine dénommée Alice Monroe, la trentaine.
41:03Vous avez la moindre information concernant cette personne.
41:06Vous avez la moindre information.
41:07Contactez la police.
41:11Onc.
41:21mode 2 Stories.
41:21La corvette du triangle.
41:21Ils s'ent
41:22Onc.
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