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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30What a beauty
00:01:42Not bad
00:01:43Hey, did you see that?
00:01:46I thought it hit a bird
00:01:48Well, I'm...
00:01:48Poor creature, you must have killed it
00:01:50Poor creature, my foot, my best drive...
00:01:52I mean, one of my best drives ruined
00:01:55A pigeon!
00:02:02Look, you've hit it smack on the head
00:02:04I like that
00:02:05I saw it coming
00:02:06Deliberately aimed at it
00:02:07I knew I was good, but not that good
00:02:10Look, Norman
00:02:10It's a carrier
00:02:11That should give us the name and address of the sender
00:02:14What does it say?
00:02:17Room 605, Park Plaza Hotel, reserved in your name
00:02:21Await contact, 8 o'clock tonight
00:02:24Act according to instructions
00:02:25Doesn't that give you a kick?
00:02:28A message speeding through the air
00:02:29Straight from the...
00:02:30Oh, Norman
00:02:31You'll see something melodramatic in his menu
00:02:33This is no menu, sweetheart
00:02:35And has the receiver never got it?
00:02:37He won't be there
00:02:38Well, beware
00:02:39Park Plaza Hotel, room 605, 8 o'clock tonight
00:02:41But I won't
00:02:42Thank you, sir
00:02:4724
00:03:096th floor, please
00:03:11Right, sir
00:03:11What are you so excited about?
00:03:16Well, I'm waiting for the second leg of my double to come up, sir
00:03:18Get good odds on the first one?
00:03:20Didn't win
00:03:39Good odds on the fifth floor, please
00:03:45Try to gather
00:03:46The third floor, please
00:03:49Come on
00:03:51Okay, please
00:03:51Try to gather
00:03:52In the afternoon
00:03:53You can't
00:03:54Come on
00:03:56Touch
00:03:56You can't
00:03:57Go away
00:03:58You can't
00:03:59Go away
00:03:59Go away
00:04:00In the afternoon
00:04:02Bye
00:04:03Try to catch
00:04:04You know
00:04:05If you can
00:04:07Come on
00:04:08Oh, my God.
00:04:38Oh, my God.
00:05:08Are you in the habit of waiting behind doors?
00:05:32Sometimes.
00:05:34Well, now that you're here, you may as well be comfortable.
00:05:37I mustn't stay more than a minute.
00:05:38A minute?
00:05:39That's ridiculous.
00:05:40Won't you sit down?
00:05:42I have not come here to sit down.
00:05:43Of course.
00:05:45What did you come here for?
00:05:49Your passage from New York was a smooth one, I hope.
00:05:53Um, not too smooth.
00:05:55There was a nasty gale in mid-Atlantic.
00:05:57Oh, is anything wrong?
00:06:00Have I said something I shouldn't?
00:06:04Your passage from New York was a smooth one, I hope.
00:06:08I'm sorry.
00:06:08I know I should give a snappy reply to that.
00:06:10But, uh, as I said, it was pretty rough.
00:06:12I got hit on the head and, uh, I've forgotten the answer.
00:06:16Pity.
00:06:17Does it matter?
00:06:19You're here and I'm here.
00:06:20There can't be any mistake.
00:06:22All right.
00:06:23If there is no mistake, you have something for me?
00:06:26Have I?
00:06:27Oh, there's no hurry.
00:06:28Let's get better acquainted.
00:06:30But I'm in a hurry.
00:06:31Where is it?
00:06:32Give it to me.
00:06:33You haven't even told me your name.
00:06:35It must be a very nice one to be like...
00:06:37You are foolish, you know.
00:06:38You're stalling.
00:06:39I do not like this.
00:06:41Where is the money?
00:06:43Give it to me.
00:06:43I've got to go.
00:06:44I'm sorry, beautiful.
00:06:46I'm just as cautious as you are.
00:06:49I didn't bring the money.
00:06:50I thought we'd better have a little, uh, chat first before...
00:06:55Don't move.
00:06:57Oh, don't try and fool me with that toy, Percival.
00:06:59This is no toy.
00:07:01I'll take a chance on that.
00:07:02All right.
00:07:03Go!
00:07:03Go!
00:07:03Go!
00:07:04Go!
00:07:04Go!
00:07:04Go!
00:07:04Go!
00:07:05Go!
00:07:06Go!
00:07:06Go!
00:07:07Go!
00:07:08Go!
00:07:08Go!
00:07:09Go!
00:07:10Go!
00:07:10Go!
00:07:11Go!
00:07:12Go!
00:07:12Go!
00:07:13Go!
00:07:14Go!
00:07:15Go!
00:07:16Go!
00:07:17Go!
00:07:18Go!
00:07:19Go!
00:07:20Go!
00:07:20Go!
00:07:39Hello.
00:07:40You have kept us waiting?
00:07:45Where have you been?
00:07:47And those clothes you're wearing, as a member of our trade
00:07:50How do you get such ideas? You are so pleasure-seeking.
00:07:53Enough, Ivan. Nadina is a good citizen.
00:07:56And her father was one of the heroes of the revolution.
00:07:59Why talk like this? Do we dine and dance tonight or not?
00:08:03It is not wise. If Gregor of the secret police saw us...
00:08:07Gregor! Gregor! Who is Gregor?
00:08:10Mr. Gregor for Mr. Boris Frost.
00:08:13Very good, sir. Mr. Robb, please.
00:08:17Mr. Gregor has called, sir.
00:08:19Very good, sir.
00:08:21Mr. Robb says, will you please go straight up?
00:08:23It is suite 600 on the sixth floor.
00:08:30Gregor is on his way up.
00:08:34Nadina, you had better leave us.
00:08:44Now what can he want?
00:08:49Good evening, Gregor.
00:08:51We are pleased to...
00:08:55I have to inform you that you are both under arrest.
00:08:58Why?
00:08:59What is the charge?
00:09:00Arrested?
00:09:01Why are we to be arrested?
00:09:03Orders.
00:09:04Where is Nadina Rodin?
00:09:06I am sure you do not want to resist our government.
00:09:17There are three men downstairs.
00:09:19You will have to answer to our chief.
00:09:21He was shot this morning.
00:09:24The entire staff of the trades bureau is affected.
00:09:27You are all being sent back for an inquiry.
00:09:29You know what that means?
00:09:31It is not necessary for me to go into any details at this moment.
00:09:35My orders are to...
00:09:43Are you mad?
00:09:44I would be mad if I let him arrest us.
00:09:46But he is only stunned, so we better be quick.
00:09:48How can we escape from this hotel?
00:09:49Leave it to me.
00:09:50I have been prepared for something like this.
00:09:51What about the men downstairs?
00:09:52The men downstairs?
00:09:53Forget the men downstairs.
00:09:54Come on.
00:09:55Get ready.
00:09:56Hurry.
00:10:06We will give him another five minutes.
00:10:24Father Tom Hengst.
00:10:28Mount You.
00:10:29Me.
00:10:31King.
00:10:32Put your men,
00:10:33here we go.
00:10:34Come on the Unfold of the Mr.
00:10:36Prime,
00:10:38of course.
00:10:40The East is a better episode.
00:10:42Welcome.
00:10:43Come on.
00:10:44Ourы.
00:10:45We will get re- zou.
00:10:47What about the history of Ernst?
00:10:49We have to moo you.
00:10:50How can we now kick you?
00:10:52Let's go!
00:10:53Let's go!
00:10:54Let's go!
00:10:55Let's go!
00:11:22Come on!
00:11:23Come on!
00:11:24Come on!
00:11:25Come on!
00:11:26Come on!
00:11:27Come on!
00:11:28Come on!
00:11:29Come on!
00:11:30Come on!
00:11:31Come on!
00:11:32Who looked at him?
00:11:33I don't know, but something has happened.
00:11:36Don't touch that phone.
00:11:38Sorry.
00:11:42Is anything wrong?
00:11:44He's dead.
00:11:46What?
00:11:48You have killed him.
00:11:50Oh, no.
00:11:51That's impossible.
00:11:52But you only stunned him.
00:11:55Now we shall be hunted by the English police as well as our own.
00:11:59Someone has done this to us.
00:12:02Come on!
00:12:03We must get away quickly.
00:12:04Wait a minute.
00:12:05I've got an idea.
00:12:06Bring Gregor and follow me.
00:12:07Are you out of your mind?
00:12:09Shh!
00:12:10I know what I'm doing.
00:12:11But hurry up.
00:12:20Come on!
00:12:39Come on!
00:12:41Hey!
00:12:42Foreigners!
00:12:43Drunken foreigners!
00:12:44Hey!
00:12:45Foreigners!
00:12:46Drunken foreigners!
00:12:47Who is this man?
00:12:48Who is this man?
00:13:09who is this man i don't know but he is going to be arrested for the murder of gregor
00:13:19and this is my plan eban you ring up scotland yard
00:13:23go to park plaza hotel man reports being attacked in room 605 over message received we're on our
00:13:38way over that's harry he can have it turn off that blooming disc jockey i've had enough for one day
00:13:49park plaza straight ahead sir so's my dinner let harry go to the park plaza
00:14:08george call an ambulance for me will you oh sorry sir good evening sir what's the trouble
00:14:14constable a man's fallen from the sixth floor of the park plaza sir oh my there goes my type
00:14:19and onions what room number to control say 605 sir all right you we'll handle it
00:14:25superintendent williams scotland yard who's the occupant of room 605
00:14:44well mr apple is there anything wrong sir oh no somebody's just been pushed out or fallen out of
00:14:53the window of 605 605 but there's no one in 605 it's reserved for mr reynolds he hasn't yet arrived
00:14:59i'm going up you better come with me
00:15:01yeah
00:15:23conquest oh no oh i might have known this one why didn't i mind my own business i said i'd had enough
00:15:39for one day bill where did you spring from what what's this all about you're drunk not drunk bill
00:15:48uh a little dopey there's no difference yes there is i may be a little dopey but not with alcohol
00:15:56i'm not pi-eyed i'll make a special note of this i i've been drugged oh blimey what have i done to
00:16:04deserve you there must be a curse on me anytime it's something particularly unpleasant and you're
00:16:09involved in it i'm a muggish brown to be dragged in will you stand still i am standing still conquest
00:16:15conquest now what have you been up to come on out talk and talk sense talk sense bill be reasonable
00:16:21i i can't even think what what i need is some coffee now look if you're stalling conquest i advise you to
00:16:27cut it out a man was killed in this room a few minutes ago by falling out of that window and you must
00:16:31have been here say that again you heard me a man fell out of that window and you were in this room
00:16:37i guess i must have been because i'm only just getting back into circulation this window yes
00:16:45it's a long way to the pavement bill he was killed instantly that's a very clever bit of deduction
00:17:00yes amazing what do you know about a man called reynolds reynolds oh sir joshua great now look
00:17:08here come question all right bill all right i never heard the name before i believe you mr reynolds
00:17:13it's just one of your phony names shut those doors sergeant i don't know what your game is but
00:17:18this time it's something pretty smelly why didn't you go to the desk in the ordinary way and take
00:17:22your key wait a minute bill a little slow i didn't get that they told me down at reception that reynolds
00:17:26hadn't booked in oh don't blame me it was the girl what girl the blonde oh it's erasing certainty to
00:17:34be a blonde in the game if you're mixed up in it bill i fell for the oldest gag in the world
00:17:39what guy if you stop barking at me i'll try to tell you how i came to be in this room and meet the girl
00:17:47all right so there's a blonde where is she
00:17:53i was afraid you were going to ask me that
00:17:54what is this place where are we my flat of course i told you i've taken precautions there's only one
00:18:06or two people who know me here i told them that i was a dancer and that i occasionally dance in london
00:18:11but i like to have a little place of my own all very soon for my friend you're told it does nothing of
00:18:16this of course oh come on take off your coat make yourself comfortable and make a little coffee we
00:18:23have an awful lot to talk about and after asking me a question sort of password not getting the right
00:18:32reply she pulled a trick gun and squirted her to mickey finn in my face oh turn it up who do you think
00:18:37you are hans anderson i assure you it's the truth pure and unadulterated if you want to know more find
00:18:43the blonde i believe this whole thing's your own taradiddle my what uh taradiddle you made it up
00:18:49yourself oh i want to know your real reason for coming in here i want to know who that man is and
00:18:53how he came to fall out of that window well that makes two of us i must have been out for the better
00:18:58part of an hour look mr williams the uh superintendent doesn't believe my story about the blonde i'm pretty
00:19:07certain she occupies the room on this floor you should know she's uh foreign uh expensively dressed
00:19:13and hits you smack and it must be it must be miss rodent rodent could be who's she she's a member of
00:19:19the trade delegation the secretary to one of the delegates in sweet 600 we mustn't have any trouble
00:19:24with them you know you see bill if only you would have a little more faith in me you shut up all right
00:19:32mr uh atwell sir two t's two o's and two l's all right you can go mr williams yes
00:19:45may i have a word with you sir yes all right come on
00:19:50there's something queer sir the police surgeon asked me to tell you the poor devil was dead before
00:19:55he fell from the window he always knows so much how does he know something to do with the bleeding
00:19:58oh well conquest this is gonna settle you chum that man was dead before he fell from that window
00:20:13and as for you being doped anybody can fight that kind of act i hope you realize what you're implying
00:20:18what you want me to do confess to murder i always said one day you'd go too far you came here to see
00:20:23this man you threatened him with something he grabbed the telephone got through the scotland yard and shouted for
00:20:27help then you had a fight and killed him did i yes i don't say you did it deliberately but when you
00:20:31found he was dead you went over to the window and fight the struggle hold on a minute while i try to
00:20:35follow your torturous reasoning i threatened this guy yes he got scared yes grab the phone yes call
00:20:42scotland yard that's right what was i doing in the meantime holding his hand how do i know oh bill be
00:20:47yourself i told you i don't believe you did it deliberately that's mighty decent of you after that
00:20:52instead of sliding off the open spaces i stayed here in this room and waited until you came and
00:20:55found me can't you see your whole theory is pure nonsense all i know is that a dead man was thrown
00:21:01out of that window while you were in this room now can you or can't you tell me who he is no i can
00:21:06sir hey you knew him well name of gregor gregor i knew him well trades delegation sir trades delegation
00:21:14oh what a lovely mess conquest i'm arresting you on a charge of complicity get that in the murder of
00:21:22the man gregor and i warn you that anything unless we can find our way to south america or some such
00:21:29please we might as well be rats in a trap we'll get there don't worry anything is possible but money
00:21:36it's money what matters come i'll show you something
00:21:55they are worth 50 000 english pounds where did you get these nadina if they had been found
00:22:00there you but they haven't we enjoy diplomatic immunity of the customs easy who who gave them
00:22:07to you a certain gentleman of our foreigners he likes money as much as we do they are his then no
00:22:14look it's like this he is working for baron financial of the gestapo the diamonds were looted by
00:22:20the baron from rottingham and i was going to give them to his agent but that is nonsense
00:22:27financial is dead you you will say next that hitler is look i'm only repeating what i'm told
00:22:33this man from the foreign office assures me that he is in contact with the baron
00:22:38where is he who knows but this financial has collected a big fortune for himself in this country
00:22:44now my contact had these diamonds for over a year then he passed them on to me to bring them to london
00:22:49i was to meet baron for henschel's agent and receive thousand pounds from my work
00:22:57something went wrong but now i have other ideas perhaps we can outwit this agent and obtain
00:23:04possession of the whole of baron for henschel's fortune
00:23:11now why couldn't i go home and mind my own business you mean conquest sir yes conquest
00:23:15every time he gets involved in a case the yard pushes it onto me why why me he's looked on
00:23:19as your pigeon pigeon don't you talk to me about pigeons anyway we got him under arrest how long
00:23:26do you think we'll hold him this time i don't know i've been dreaming about it every night for
00:23:28months for years getting him on a serious charge of making it stick excuse me superintendent this is
00:23:34mr barkov from the embassy yeah roth and burgin where are they oh the people gregor came to see
00:23:44now he is dead where are they first i've heard of them i can tell you about them sir
00:23:49they're residents here sir right residents so they're members of the trade delegation i spoke of
00:23:53well we better go and see their room you must find boris roffy van burgin and arjan erogen
00:23:58here excuse me yes sir every sign of a hurry departure yes i see it while everything is
00:24:14confusion they escape looks very much like it sir they kill poor gregor and walk out of the hotel
00:24:19hello one moment sir i don't think we need to keep you any longer sir we'll do what we can to
00:24:36find them if you just give the inspector the descriptions and the photographs you can go now
00:24:40good night this way sir
00:24:41williams here sir i've just had four phone calls from the embassy they want the body at once they
00:24:53want the murderers at once and they want a full explanation also at once where are those trade
00:24:59delicate fellows well they can't have gone far sir we're circulating descriptions conquest says he
00:25:06knows nothing about it says he came here as a sort of joke to meet a girl look here williams you
00:25:14mustn't let your prejudices against conquest affect your judgment i can't see him mixing himself up in
00:25:19this sort of thing it's not his line of country at all have another talk with him i will sir he's down
00:25:27at the west end station sir so i let him go sir this business is far more important than your feud with
00:25:34conquest we've got to find those two men and the girl keep in touch yes of course sir as a matter of fact
00:25:43that's how i was so well well well
00:26:01where do i find mr williams well madam ah there you are what the dickens do you mean by clapping norman in
00:26:08irons of all the stupid things to do charging you with murder you've gone completely mad listen pixie
00:26:12i didn't want to arrest him i had to all the evidence pointed that way what evidence what was
00:26:16he doing in this hotel what do you know about all this will you stand still not me it's you all
00:26:21i've heard is a man was killed and you've arrested norman for it i haven't keep that door locked i
00:26:26arrested him for being concerned in it giving me some wonderful story about a contact in room 605
00:26:30and i've brought a tribe in the world something about killing a pigeon with a golf ball what do you
00:26:33want me to do kiss him oh blimey go on
00:26:47i don't know i've heard some stories in my life but he comes out with some stuff
00:26:51he ought to get an oscar you can't blame me for not believing it why pigeons do carry messages
00:26:57yes but not about beautiful girls they don't oh which girls only one nadina rodin who's she who's
00:27:07she the contact when she found out he was the wrong bloke she put him out put him out drugged him
00:27:14only slightly no ill effects when he came round i'm afraid still it's nice to know you can slip up
00:27:20sometimes have you seen this girl no do you know what she's like no
00:27:32know what she's like oh yes she's uh she's got a figure like a like a sylph that's it and uh
00:27:41dancing blue eyes and uh blonde hair all glistening well that's how conquest described her
00:27:48little smasher he said he did did he bottom piece full of sex appeal i'm not surprised he fell for her
00:28:00pixie why don't you take him away somewhere somewhere where he can't get interested in blondes cuba for
00:28:07example
00:28:14watch closely it's um it's as easy as uh this
00:28:22now you try
00:28:27oh so you finally come
00:28:30thank you sweetheart for getting things moving
00:28:31moving you can go conquest is that all all right i apologize even if you didn't tell me the truth
00:28:38about the blonde oh yes norman the little smasher what have you been telling her bill only that you
00:28:45were in that room with her alone what do you mean by that what could i mean how can a guy get fresh
00:28:51when he's lying spread-eagled on the floor drunk you didn't know she was going to attack you you
00:28:56thought you're going to have some fun didn't you you two are going to fight you better go outside
00:29:00what are you doing constable nothing sir oh really do me a favor get him out of here take
00:29:07him far away we can't interfere with this gregor business cuba for example with all the blondes
00:29:11the brunettes that's right i'm having enough trouble finding your girlfriend's boyfriends
00:29:16uh getting cautious bill we have reason to believe that gregor was killed by your blonde and her
00:29:27two compatriots now get out of my hair and stop interfering that's the last thing i intend to do
00:29:32their whole idea was to involve me in a messy murder i go after people like that you just watch
00:29:38and see how i keep out of it you want to meet that girl again correct sweetheart and when i do see
00:29:44i'm going to put her over my knee and smack her and as for her boyfriends who tried to festoon the
00:29:50murder ramp around my neck i'm going to switch on the limelight a whole cluster of limelight now if
00:29:55you start interfering and hampering i'm going to help them the more publicity the better you reckless young
00:30:14oh um superintendent thanks for that young business
00:30:28is conquest mr reynolds beautiful gal wanted for murder foreign crooks in hotel drama
00:30:51norman conquest arrested breakfast is ready mr feather i'd have to do without breakfast this morning mrs
00:30:57portal ah but you must have some breakfast sir i must go to london a consignment of orchids has gone
00:31:04astray from brazil i must leave immediately
00:31:17and
00:31:30and
00:31:31and
00:31:36What are you doing here? I thought we weren't going to contact each other. These speak for themselves.
00:32:01What happened to my message? What message?
00:32:04What's this to do with me?
00:32:06Yesterday I sent you a message in the usual way telling you where and when to collect a certain package.
00:32:10You and your pigeon post. I always did think that.
00:32:13You're not paid to think.
00:32:15In your own interest, I suggest you adopt a different attitude to the problem confronting us.
00:32:20Especially if you wish to secure your own future.
00:32:23You're paid to look after that stuff upstairs.
00:32:26You'll have no reason to complain as soon as this job is over.
00:32:29And don't forget, Mr. Shell isn't likely to appreciate the attentions of Conquest.
00:32:34That's the worst of working for, gents. You leave it on me.
00:32:38I'll take care of Mr. Conquest.
00:32:40That will not be necessary.
00:32:42We must get that package back before Mr. Shell leaves tonight, but we don't want any trouble of that sort.
00:32:47Draft.
00:32:52They search for us.
00:32:56Our secret police and North Scotland Yard.
00:32:59How long can we remain undiscovered?
00:33:02Already we are lost.
00:33:04And she sinks.
00:33:05You take notice of all that printed nonsense.
00:33:07They are groping helplessly.
00:33:09Oh, they would have been here long before now.
00:33:11Here we are safe.
00:33:12What are you doing in there, Nadina?
00:33:14Preparing to go out.
00:33:16To go out?
00:33:18Without the London police looking for you?
00:33:20Here in the paper is your photograph.
00:33:22The first policeman you meet.
00:33:24Look at me.
00:33:25Do you think they recognize us?
00:33:27Well, perhaps not.
00:33:29Unfortunately, you must be idle for a while.
00:33:32But I've got a lot to do.
00:33:33And this Conquest seems to be quite famous.
00:33:37Quite a reputation.
00:33:39He puzzles me.
00:33:41Now, why was he in that room?
00:33:43And why do they say obtain the valuable package from me when it is true?
00:33:47Well, it's of no importance.
00:33:49Oh, but you're wrong.
00:33:51I'm going to find out how this Mr. Conquest is involved.
00:33:54I must know.
00:33:56And, Boris, in case anything went wrong, I'll leave them with you.
00:34:02But, Nadina...
00:34:04I only said, in case anything went wrong.
00:34:08Why are you staring at me like that?
00:34:11Am I so different with short hair?
00:34:13Yes.
00:34:14And a better citizen.
00:34:38What are you doing?
00:34:39What are you doing?
00:34:40This is my taxi.
00:34:41What are you doing?
00:34:42This is my taxi.
00:34:43What are you doing?
00:34:44What are you doing?
00:34:45This is my taxi.
00:34:49How very uncomfortable.
00:34:50What are you doing?
00:34:51What are you doing?
00:34:52What are you doing?
00:34:53What are you doing?
00:34:54This is my taxi.
00:34:58How very uncomfortable.
00:34:59Where did you say we were going?
00:35:00Far?
00:35:01You might have asked me.
00:35:02You might have asked me.
00:35:03What are you doing?
00:35:04What are you doing?
00:35:05Where did you say we were going?
00:35:08I'm very uncomfortable.
00:35:21Where did you say we were going?
00:35:25Far?
00:35:27You might have asked me.
00:35:36Chanty, aren't you?
00:35:38No, you're right.
00:35:47Obviously, you do talk.
00:35:48Anyone might come back.
00:36:08Let's go.
00:36:38Oh, just like him.
00:36:58Yes? What do you want?
00:37:02If I'd taken this to Scotland Yard, there would have been a reward for it.
00:37:09All right, Captain.
00:37:12Thanks, Charlotte.
00:37:30Yes, sir?
00:37:31Mr. Norman Comquist.
00:37:33What name, sir?
00:37:34Smith. Mr. John Smith.
00:37:38Mr. Conquist's apartment.
00:37:40There's a Mr. John Smith to see Mr. Conquist.
00:37:42Just one moment.
00:37:44Here, there's a bloke called John Smith to see you go.
00:37:46Who?
00:37:47Mr. John Smith.
00:37:48Uh-huh.
00:37:49Mandy, this is it.
00:37:50Have him sent right up.
00:37:51There's nothing I like better than to meet any of the, uh, ubiquitous Smiths.
00:37:52Send Mr. Ubiquitous Smith up, please.
00:37:53The lift marked private, sir.
00:37:54Just press the button.
00:37:55Uh-huh.
00:37:57Uh-huh.
00:37:58I need to see you go.
00:37:59Who?
00:38:00Mr. John Smith.
00:38:01Uh-huh.
00:38:02Mandy, this is it.
00:38:03Have him sent right up.
00:38:04There's nothing I like better than to meet any of the, uh, ubiquitous Smiths.
00:38:07Send Mr. Ubiqureous Smith up, please.
00:38:10The nip marked private, sir. Just press the button.
00:38:30Conquest?
00:38:32Yes. How nice to see you, Mr. Smith.
00:38:36What can I do for you?
00:38:39My business is confidential.
00:38:41Oh, Mandy, go and do something useful, will you?
00:38:45Won't you sit down?
00:38:46Thank you, no.
00:38:50I apologize for this bluntness, Mr. Conquest,
00:38:53but last night at the Park Plaza Hotel,
00:38:55you came into possession of a package to which you have no right.
00:38:58A package?
00:39:00And if I did?
00:39:02I must ask you to return it to me, please.
00:39:05Why should I?
00:39:06Assuming, of course, that I have it.
00:39:08Threats are distasteful to me, Mr. Conquest,
00:39:10but I am very anxious to have that package back.
00:39:14Tell me...
00:39:16Excuse me.
00:39:23Hello?
00:39:24This is Conquest.
00:39:25Oh, I don't know what all this is about, Governor,
00:39:26but I just dropped a young lady and a gent at, uh...
00:39:2945 E-Few Terrace.
00:39:30Oh, that's wonderful news.
00:39:32Is everything all right?
00:39:33What is it, a boy or a girl?
00:39:35What's it?
00:39:36Oh, I said a girl and a...
00:39:38And no, not a nursing home, a private house.
00:39:41Fine.
00:39:42When you're passing Conquest, court come in and, uh, pick up a box of cigars.
00:39:47Okay.
00:39:48Fine.
00:39:53Funny how Father always wants a daughter and, uh, a mother's son.
00:39:57Now, uh, where were we, Mr. Smith?
00:40:01I was saying that threats are distasteful to me, Mr. Conquest,
00:40:04but I must insist that you give me that package.
00:40:07As you're so concerned about it,
00:40:08perhaps you'd be good enough to tell me what's in it.
00:40:11I see you intend to leave me no option.
00:40:13Where is your fiancée?
00:40:15Out shopping.
00:40:16I regret to say that she is not.
00:40:18Oh.
00:40:19Then where is she?
00:40:20That I do not intend to tell you,
00:40:22but I assure you she will come to no harm so long as you are sensible.
00:40:25Sensible?
00:40:26Oh, but I'm never sensible.
00:40:29Hey, Mandy,
00:40:31fancy thinking you could get away with a corny trick.
00:40:33Like that.
00:40:34Don't be a fool, Conquest.
00:40:35What good will it do you?
00:40:36You don't know where your fiancée is.
00:40:39Maybe not.
00:40:40But I intend trying 45 Heathview Terrace.
00:40:44Yes, John?
00:40:46Gov?
00:40:47Sir, I mean?
00:40:48Lock him up.
00:40:49I'll be back later.
00:40:50And remember, no violence.
00:40:51Come on.
00:40:52There was something phony about that John Smith.
00:40:54Ah!
00:40:55Oh!
00:40:56Uh!
00:40:57Uh!
00:40:58Uh!
00:40:59Uh!
00:41:00Uh!
00:41:01Uh!
00:41:04Uh!
00:41:05Uh!
00:41:06Uh-uh!
00:41:07Oh!
00:41:10Uh.
00:41:11Uh!
00:41:12Uh!
00:41:13Uh-uh.
00:41:14Ah!
00:41:17Uh!
00:41:18Uh...
00:41:19Oh no!
00:41:20Oh
00:41:50Well, well, well. I must say you choose the oddest shopping companions and not even a blonde of that. What was it you said to me about having fun and games?
00:42:14What have you been doing? Oh, so you won't talk, huh? What's all that noise about? Oh, you hurt? Oh, let me see. Oh, serious. Very serious.
00:42:34Now, Signorina Pixie, the brunette from Cuba, to what do you attribute your present condition? I'll tell you.
00:42:42You always want to go out on these capers with me and you see what happens?
00:42:46You know, I believe the only way I can keep you safe is to leave you just like that.
00:42:50Oh, well, I won't let you be lonely. I'll bring your boyfriend to you.
00:42:54Excuse me.
00:43:12There. That'll keep you out of mischief for a while. Now, tell me, who's the boss of this outfit?
00:43:24It's no use asking him questions. He's practically dumb.
00:43:26What do you mean, practical? He is completely.
00:43:30There's one thing about being with you, Norman. Life is full of good, clean, wholesome fun.
00:43:36That's right, sweetheart.
00:43:38Good night.
00:44:00This package the girl smuggled into the country is some kind of document.
00:44:28Oh no, sweetheart. Mandy, bring in Mr. Smith.
00:44:33This game's money, big money, and the package that blonde has contains something very valuable.
00:44:39These foreigners are small-time crooks working under orders.
00:44:43Reynolds and the man who called this afternoon are the English end.
00:44:46By concentrating on them, we'll find out who's at the top.
00:44:49I don't think you'll get anywhere, Norman. If I were you, I'd let the whole thing drop.
00:44:55Mr. John Smith, sir.
00:44:58And here she is, back again.
00:45:01All right, conquest, you win. What are you going to do now?
00:45:04Oh, that depends. I could call the police.
00:45:07And believe me, your friend Reynolds would spill plenty.
00:45:10However, I intend to deal with you myself.
00:45:13That is kind of you.
00:45:14Not at all. Now let's see what your real name is.
00:45:18Oh, careless, very careless.
00:45:22You shouldn't carry this in your pocket.
00:45:24You're obviously not a professional.
00:45:26Now let's see.
00:45:28Hmm.
00:45:29Mr. Theodore Feather.
00:45:31Address, High Barn, Stoke Bramley, Essex.
00:45:35I'll take the liberty of borrowing your keys, Mr. Feather.
00:45:40Feather.
00:45:41Haven't I heard about you in connection with something thoroughly respectable?
00:45:46Feather.
00:45:47Orchids.
00:45:48You're the grove of the finest orchids in the country.
00:45:51That's it. Allow me to congratulate you.
00:45:53Yeah, orchids is lovely.
00:45:55Look here, conquest, every man has his price.
00:45:57I'll give you a thousand pounds to forget all about this.
00:46:00Chicken feed, Mr. Feather.
00:46:01No, wait.
00:46:02I'll make it five thousand.
00:46:04So help me, I'm touched.
00:46:06Nevertheless, nothing doing.
00:46:08Put him back into cold storage.
00:46:10Come on, Mr. Smith.
00:46:24Keep Feather locked up until I get back.
00:46:26Aren't you rather sticking your chin out going down there all alone?
00:46:29Oh, I don't know.
00:46:30I might stumble onto something.
00:46:31I wish you'd let me come with you.
00:46:32Some other time, sweetheart.
00:46:34Bye-bye.
00:46:35Bye-bye.
00:49:05This is important.
00:49:06I will be with you in less than an hour.
00:49:08You will be in and you will be home.
00:49:12Hello?
00:49:14Hello?
00:49:14I will be with you in less than an hour.
00:49:21I will be with you in less than an hour.
00:50:00Put up the hands.
00:50:14The term, I believe, is reach for the ceiling.
00:50:16Be careful with that thing. I've had one dose of it already.
00:50:19Oh, no, Mr. Conkers. This one has bullets in it.
00:50:21You make one step towards me and I'll shoot.
00:50:24Bullets?
00:50:24Mm-hmm.
00:50:25Then, um, I'm not frightened.
00:50:30Oh, oh.
00:50:34Loathe, too.
00:50:36Dangerous, little devil, aren't you?
00:50:40Let me go.
00:50:43Let me go.
00:50:45Let me go.
00:50:46I promised myself that pleasure at our next meeting.
00:50:56You hurt me. No gentleman does such things to a lady.
00:51:00Now that's over, I'd like to ask you a straight question.
00:51:03Just what is your game?
00:51:05I won't tell you. You hit me. You're my enemy.
00:51:07Oh, well, that's as good a start as any.
00:51:10Let's, um, kiss and be friends.
00:51:16Hmm.
00:51:16You know, I have the nicest ideas.
00:51:36Nobody has ever spanked me and kissed me like this before.
00:51:41Well, you asked for the spanking.
00:51:43And you asked for the kissing?
00:51:45I'm glad I did.
00:51:47I hope there are no strings attached.
00:51:50Strings?
00:51:51Who knew?
00:51:52There aren't any strings attached.
00:51:53We sit together, yes?
00:51:55Why not?
00:51:57This is very pleasant.
00:51:58Making ourselves comfortable in Mr. Feather's house.
00:51:59It'll pass the time until Mr. Shell arrives.
00:52:01Oh.
00:52:02So you know Mr. Shell?
00:52:03No, no, no.
00:52:04But, uh, it's a funny name.
00:52:05Tell me, why did you get in the back of my car?
00:52:06Well, you are interesting.
00:52:07I read many things about you in the newspapers.
00:52:08I love you.
00:52:09I love you.
00:52:10I love you.
00:52:11I love you.
00:52:12I love you.
00:52:13I love you.
00:52:14I love you.
00:52:15I love you.
00:52:16I love you.
00:52:17I love you.
00:52:18I love you.
00:52:19I love you.
00:52:20I love you.
00:52:21I love you.
00:52:22I love you.
00:52:23I love you.
00:52:24I love you.
00:52:25What about you in the newspapers?
00:52:27I like the way you snap fingers at the lobe.
00:52:29You are brave.
00:52:30I like that.
00:52:31I like it very much.
00:52:33I bet you do.
00:52:34You've done a little, uh, finger snapping in the past 24 hours yourself.
00:52:39You know the police are anxious to get a hold of you, don't you?
00:52:42Mmm.
00:52:43But I'm safe while I'm with you.
00:52:46I'm not so sure.
00:52:49We'd better sit further apart.
00:52:51You're doing things to me which shouldn't be experienced by any respectable man.
00:52:54So you like me then?
00:52:56Uh, now, now to get back to business.
00:52:59What exactly...
00:53:01What are you after?
00:53:03Why can't we work together?
00:53:06I always hoped that I shouldn't have to return to my country.
00:53:09No, I do not go back.
00:53:11Ever.
00:53:13Well, you've chosen a pretty dangerous way of breaking loose.
00:53:17Murder's a serious crime.
00:53:19Murder?
00:53:20I didn't kill anybody.
00:53:23Oh, you mean Gregor.
00:53:25I only stunned him.
00:53:27A little bit.
00:53:28And then proceeded to make things very unpleasant for me.
00:53:32That was before I really knew you.
00:53:40All right, then.
00:53:42What was in that package you were supposed to hand over?
00:53:45Diamonds.
00:53:46Many, many diamonds.
00:53:48Ah, diamonds.
00:53:50Where are they?
00:53:52They're nothing there.
00:53:53Can you tell me where they are?
00:53:55I haven't got them on me, but never mind.
00:53:57Help me, and they'll be half yours.
00:53:59Now we're getting somewhere.
00:54:01Not that I believe you when you say them out, aren't you?
00:54:04But they're not.
00:54:05Don't you really believe me?
00:54:07No.
00:54:08All right.
00:54:14Look, I haven't got them.
00:54:15I still don't believe you.
00:54:17All right, you shall see for yourself.
00:54:19Hey, hey, you can't do that.
00:54:21But I can.
00:54:22We are alone.
00:54:23Okay, go ahead.
00:54:32Go on.
00:54:37I don't want to embarrass you.
00:54:41We think in England men are so shy.
00:54:46Now, to get back to business.
00:54:48Do all you people work for Mr. Shell?
00:54:51Mr. Shell has been for...
00:54:52I thought you said you didn't know Mr. Shell.
00:54:56Oh.
00:54:57I tell a little lie.
00:54:59That is all.
00:55:00Oh, well, what's a fib between friends?
00:55:02All right.
00:55:03No more fibs.
00:55:04Now listen carefully.
00:55:05Mr. Shell for a long time has been sending diamonds and money into England.
00:55:10The diamonds I bring, they are trifle.
00:55:12He has got more, much more.
00:55:17Look.
00:55:18He's a vile man.
00:55:19He's a war criminal.
00:55:21It cannot be dishonest to rob such a man.
00:55:25We go equal shares.
00:55:26Is that not good?
00:55:27Yes.
00:55:28Except for one snag.
00:55:30A rather big snag.
00:55:31What is it?
00:55:32Pixie.
00:55:33What do you think she'll do when I tell her that you and I are partners?
00:55:37What if she loves you?
00:55:39Doesn't she want you to be happy?
00:55:41Where glamorous blondes are concerned, I'm afraid she's not very broad-minded.
00:55:46Oh.
00:55:47And, um, if I were in her shoes looking at you, my mind would be as narrow as the edge of a razor blade.
00:55:55I'm sorry it can't be done.
00:55:58Not even for a little while.
00:56:01No.
00:56:05I'm afraid not.
00:56:07Listen.
00:56:08Mr. Shell?
00:56:09Yes.
00:56:10Get your things.
00:56:12Quick.
00:56:13Behind those curtains.
00:56:15Wait a minute.
00:56:17All right.
00:56:18for a minute.
00:56:19Yes yes sir.
00:56:20Yes sir.
00:56:21Yes sir.
00:56:22Why am I not that?
00:56:23Yes.
00:56:24Yes sir.
00:56:25I am not that.
00:56:26OK.
00:56:28Yes sir sir!
00:56:32I am not that.
00:56:33Here's your name.
00:56:34Brother where are you?
00:56:36Come in, Mr. Shell.
00:56:37You're expected.
00:56:38I expect it.
00:56:44Conquest is the name.
00:56:46I understand the War Crimes Commission would like to have a word with you.
00:56:51All that is forgotten now.
00:56:54So you came to collect, Herr Baron.
00:56:59Gregor's death panicked you into a move which you hadn't really planned.
00:57:03Now the police are after you too, just in case you didn't know.
00:57:06They have no proof. Gregor was...
00:57:09You were saying something about Gregor.
00:57:11Do go on.
00:57:13It does not pay anyone to recognize me.
00:57:15Meaning me?
00:57:17Where is Mr. Feather?
00:57:19In my flat in Park Lane. He was making himself a nuisance.
00:57:23Are you anxious to leave?
00:57:26For the moment, you have the advantage.
00:57:32Not this time, chum.
00:57:34I was half expecting reinforcements, Baron.
00:57:37Silly of you to look past me like that.
00:57:39And if you don't stay still, I'll tear your arm off.
00:57:47Take him out of the car. Time is short.
00:57:53Drive straight to the flat of this man.
00:57:55Oh, turkey man.
00:57:56That is all, yeah.
00:57:57That is all, yeah.
00:58:25Yes.
00:58:27Yes.
00:58:29Yes.
00:58:30Who is that?
00:58:31I'm a good friend of Mr. Conquest.
00:58:33He's in danger.
00:58:34Who are you, please?
00:58:36Are you the blonde?
00:58:37Yes, I've heard about you.
00:58:39Oh, please. This is important.
00:58:41My conquest's been hit on the head.
00:58:43Your conquest?
00:58:45Oh, do listen.
00:58:46There is much hurry.
00:58:48They're bringing him home.
00:58:49And I'm sure that these men will try to force their way in.
00:58:53Yes. They want Mr. Feather.
00:58:55Yes.
00:58:56It is from his house that I speak.
00:58:58How is he being brought here?
00:59:01And his own car?
00:59:05I hope you can drive well.
00:59:06It's practically jet propelled.
00:59:08Yes.
00:59:09Now, listen carefully.
00:59:10There's a side road at the corner of Conquest Court.
00:59:40It's a side road at the main department.
00:59:42Oh, wait.
00:59:43I'll wait.
00:59:45Oh, yes.
00:59:46Oh, yes.
00:59:47You know.
00:59:48Oh, yes.
00:59:49You are,�.
00:59:50Do you know where I am?
00:59:52Yes.
00:59:53Are you going to have a 這agneau?
00:59:55Yes.
00:59:56Oh, yes.
00:59:57Oh, yes.
00:59:59Oh, yes.
01:00:01Oh, yes, yes.
01:00:02Oh, yes.
01:00:04And I'm sorry.
01:00:05Put that down, you fool. Keep your gun in his ribs.
01:00:12What's the matter, Baron? Nervous?
01:00:15I am desperate with everything to lose, including my life.
01:00:18One step out of place and I will not hesitate to use this.
01:00:21You know, Baron, I believe you mean that.
01:00:35But you will never forget, Baron, I believe.
01:00:40I will never forget, Baron, I believe.
01:00:44He will never forget.
01:00:46My father, Baron, a man.
01:00:49You will never forget.
01:00:50My father, Baron, a man.
01:00:53My father, Baron, I believe.
01:00:57I have no idea.
01:01:01That's my father, Baron.
01:01:03No, no, no, no, no, no.
01:01:33No, no, no, no.
01:02:03No, no, no, no.
01:02:33No, no, no, no, no, no.
01:03:03No, no, no, no, no.
01:03:33No, no, no, no, no, no.
01:03:35No, no, no, no, no.
01:03:37No, no, no, no, no, no.
01:03:39No, no, no, no, no, no.
01:03:41No, no, no, no, no, no, no.
01:03:43No, no, no, no, no.
01:03:45No, no, no, no, no, no, no.
01:03:47No, no, no, no, no, no.
01:03:49No, no, no, no, no, no, no.
01:03:51No, no, no, no, no, no.
01:03:53No, no, no, no, no.
01:03:55No, no, no, no, no, no, no.
01:03:57No, no, no, no, no, no, no, no.
01:03:59No, no, no, no, no, no, no, no.
01:04:01No, no, no, no, no.
01:04:07Hello?
01:04:11Hello?
01:04:17Hello?
01:04:19Hello? Hello? Hello?
01:04:43You are a fool. This delay with conquest may cost me my freedom.
01:04:46La Pampa sails in less than an hour.
01:04:48You make it all right, Herr Baron. Luckily, the valuables are safe at Heath View.
01:04:53All of them. Including the package that arrived yesterday?
01:04:59Well, I... I...
01:05:04Don't worry, Mr. Feather. I've got some.
01:05:07Ah, good. When I heard from my friend in your foreign office you were to be arrested, I thought all would be lost.
01:05:13It was fudging it that I was able to get Gregor before he got you.
01:05:18You mean that you... you?
01:05:25Do you think I was going to let that package slip through my hands?
01:05:29You have done well, Nadine.
01:05:32You shall both pay just every word of it.
01:05:34Thank you, Stephens. Very civil of you.
01:05:41That's all right, sir.
01:05:43Oh, uh, man, dear.
01:05:45Hello?
01:05:56Yeah?
01:05:58Conquest, I want a word with you.
01:06:00Why? What's the trouble?
01:06:02What do you know about a man called Baron Von Henschel?
01:06:05Nothing very much. He was killed in the war, wasn't he?
01:06:07Sure you didn't meet him at the Park Plaza last night?
01:06:10No. Uh, no, Bill. No.
01:06:12Well, it might interest you to know that Baron Von Henschel's fingerprints were found on the dead man's collar.
01:06:17That means he's not as dead as we thought he was, doesn't it?
01:06:20I'll be over.
01:06:22Okay.
01:06:24Who was that?
01:06:26Only Bill. He's waking up.
01:06:28Just found out Von Henschel's alive.
01:06:30Fine. Let's leave it to him.
01:06:32Thank heavens all that's over as far as we're concerned.
01:06:34Over?
01:06:36What, and let Von Henschel get away with a fortune?
01:06:39I'm only just starting.
01:06:41Well, there's no use dashing off wildly.
01:06:44They may have gone to the country place, Heathview, elsewhere.
01:06:48Why did Von Henschel come here?
01:06:50To rescue Feather, of course.
01:06:52Therefore, he must be the only one who knows where the loot is hidden.
01:06:55Where does that lead us?
01:06:56It leads me to follow my hunch.
01:06:58Hey!
01:06:59Oh.
01:07:04You got the daisy.
01:07:05You got the jump for him.
01:07:06You got the toot of the bank.
01:07:08You got toot the bank.
01:07:10You got toot the bank.
01:07:11I got toot the bank.
01:07:13I got toot the bank.
01:07:14I got toot the bank.
01:07:16Get the that car out of the bank.
01:07:18Take the car out of the bank.
01:07:19Every moment here is white.
01:07:20Oh.
01:07:22Go.
01:07:23Go.
01:07:25They're not buying it.
01:07:26Go.
01:07:28We're going.
01:07:29Go.
01:07:30Go.
01:07:31Go.
01:07:32Ranoid, Nadina, untie this man. We shall go upstairs.
01:07:56Hello. Pixie.
01:07:58Pixie. I can't explain now, but I'm at 45.
01:08:03This is a bad line. I can't hear you. Speak up.
01:08:08There isn't much time, but you must believe me.
01:08:11Hello. Hello. Nadina, what's wrong?
01:08:14Hello. Nadina, what's wrong? Hello.
01:08:26I wasn't... I wanted to...
01:08:29How unwise.
01:08:30You understand?
01:09:00La Pamper. Victoria Dock.
01:09:10The package, please.
01:09:23There is no hurry. I'll give them to you when we arrive on the ship.
01:09:26You will not double cross me again. Where are those diamonds?
01:09:42Look out!
01:09:43You're a novice now, you dammit!
01:09:59I won't ask you again. Where are those diamonds?
01:10:02They are in my flat.
01:10:04I must phone my friends to bring them to the ship.
01:10:09All right.
01:10:11I will come with you.
01:10:13And you must make it perfectly clear to your friends
01:10:16that if they wish to see you again,
01:10:18those diamonds must reach the ship before she sails tonight.
01:10:20If he doesn't show up soon, we'll lose the tide.
01:10:36We will give him 20 minutes, and then we will cart off.
01:10:41This must be him.
01:10:46Then, sir,
01:10:47so long as he pays...
01:10:58What kept you?
01:11:10Unfortunately, I can't do that to you.
01:11:14You don't understand.
01:11:17I suppose trying to explain won't help.
01:11:20You all right?
01:11:21But...
01:11:24He said nothing.
01:11:26Nothing I can say that could make any difference.
01:11:31No, I'm afraid not.
01:11:33It's a pity.
01:11:34I was beginning to like you.
01:11:40Look out!
01:11:41Look out!
01:11:47He's going to be...
01:11:50Come on.
01:11:51Perhaps, for me, this is the best thing.
01:12:01You know, in your flat,
01:12:06that was the only one.
01:12:09You know, in your flat,
01:12:12that was the only one.
01:12:15You know, in your flat,
01:12:19that was the only thing to do.
01:12:23If I had not done as I did,
01:12:28he would have shot you.
01:12:31I know.
01:12:34Norman, one little thing for me.
01:12:39Sure, Nadina.
01:12:42My two comrades,
01:12:46are on the way here.
01:12:49Look after them for me.
01:12:51Of course.
01:12:54Then...
01:12:57we're friends again.
01:12:59Yes, we're friends again.
01:13:03Kiss...
01:13:06and be friends.
01:13:11Hey, be careful of that thing.
01:13:16It might go off.
01:13:25You see, chum, I had no trouble at all solving that little lot.
01:13:28I realized that once Von Henschel had been recognized by Gregor,
01:13:31he had to kill him.
01:13:32Now that the case against him is complete,
01:13:34we've dropped all the other charges. Got it?
01:13:36Yes.
01:13:37Bless you.
01:13:38And you.
01:13:39Well,
01:13:40I'm sorry I've got to take your stolen property.
01:13:43Ah, well, it can't be helped.
01:13:45Do me a favor, Pixie.
01:13:46Keep him out of trouble.
01:13:47Goodbye.
01:13:54You're going to look lovely in diamonds.
01:13:57What am I saying?
01:14:06You look lovely just the way you are now.
01:14:27Good morning.
01:14:52I'm sorry.
01:14:54You're welcome.
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