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فسيلة - transplant
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
📚
LearningTranscript
00:00Hey conspiracy theorists, welcome to a new episode of today's conspiracy show.
00:09Today we have a new bombshell
00:12After years of research and investigation
00:16Finally, she managed to reach the man for whom Virus sang all her songs.
00:20The second one, what's wrong with you? You told me we'd be evaluating me and the kebab shop is on air.
00:25And I said, "Even if you give me a piece of meat in the end..."
00:27Shut up, you liar!
00:28You deny that you, at 28 years old, have children.
00:32Your relatives thought you were abroad
00:34No, that's what happened.
00:35I do this to avoid envy.
00:37I mean her and I'll toast her
00:39What do you say to the report I have that says you received a messenger who gave you a handkerchief?
00:44You are a representative from Amazon.
00:46He gave me the order and a tissue so I wouldn't be sick, it was loose.
00:49Don't play with words
00:50Here's a souvenir of the train I took to Alexandria in 2000
00:54Alexandria shore, oh shore of love
00:57What's wrong with Alexandria?
00:59Not everyone goes to Alexandria
01:01Is there even such a thing as Alexandria?
01:02My question is for the fishermen and the kings
01:05And Azza, the one who sells ice cream, Azza
01:07So you mean...
01:08The peasant's oppression is not a peasant woman's oppression.
01:11I believe you, respected professor.
01:12When you went to Alexandria
01:13I loved it in the summer
01:15We all loved it in the summer, it's normal
01:18Virus songs resonate with everyone
01:20And I loved this summer
01:22She didn't give it a rose
01:23I showed it to its owners
01:25That's not all, no
01:26I hid it in my book.
01:28What are you saying?
01:30Rose songs, I am the one who is tired
01:31Rose songs, I am the one who is tired
01:37Oh teacher
01:40Virus songs suit us all
01:42I mean, you're on my conscience
01:43You've never brought a rose to your girlfriend
01:45So you're not going to admit that you're the mysterious man?
01:47Hero of the virus songs, ya
01:49Shadi
01:51Shadi
01:51You are now with me
01:55About 30 years
01:56So, this song has been released
01:58My father used to say "Koko and Mbo".
02:01What does your name Shadi mean anymore?
02:02Why not Fadi?
02:04Why not Samir?
02:05Why not Ahmed Nabil Manga?
02:07I'm telling you, I can't stand this kind of talk anymore, I'm leaving completely.
02:11Keep the meat rose for yourself
02:13Oh my god, I'm going crazy!
02:14Run, mountains!
02:16I apologize to the viewers. Let's take a short break and come back again.
02:19So that we can meet Rajab and his companions
02:22I offer my condolences to the viewers. May God’s blessings and peace be upon you. Welcome to a new episode of the Al-Daheeh program.
02:32I offer my condolences to the lovely viewer, how are you doing?
02:34How are you, uncle? He says, "Now you know your daughters."
02:36By God, Abu Hamad, if it had happened, you would have known me by now.
02:38Nobody told you
02:39I offer my condolences to the beautiful viewer. Let's take you by the hand and go to Beirut, Lebanon, 1984.
02:43And the city, my dear, we see a ghost town, its inhabitants languishing and crumbling.
02:48It showed signs of bullet and shell damage.
02:51Azizi's spacious area used to be called the heart of the country.
02:53The space was full of life and movement
02:55Now there isn't a single older building there.
02:56There is only one large, suffocating monument representing the group of martyrs, as if they were standing alone.
03:01Sadly, my dear, even the features of this celebratory monument were disfigured by bullets.
03:06Ya Azizi area, we consider it easy
03:08No Man's Land
03:09Completely deserted
03:10Why? Because it lies between East Beirut and West Beirut.
03:14On the front lines of every Beirut, they
03:16There are armed men holed up behind barricades.
03:19They eat, drink, sleep, and fight each other.
03:21That's simply because, my dear, at that time we were at the height of the Lebanese minority war.
03:25The war that officially began on April 13, 1975
03:29A war is raging between many different parties with varying ideologies, sects, and religions.
03:34And you have Christian parties like the Kataeb Party.
03:36You have the Palestinian Analysis Organization that was fighting Israel from the heart of Lebanon.
03:40You have the National Front
03:41This includes leftist, Arab nationalist, and Syrian parties.
03:45At this time, my dear
03:46What was the entity called the state trying to establish? Each of these parties had a different vision for Lebanon.
03:51My dear, it's not like we're talking about the country like this.
03:55But it contains 18 sects
03:57That, my dear, isn't ethnic diversity a necessity for Ranbal.
03:59With the start of the war, the two sons will be ignited on all sides.
04:02The capital will be divided geographically, politically, and religiously into two Beiruts.
04:06Beirut is predominantly East Beirut and Christian.
04:09It is controlled by Christian parties.
04:11Beirut II, West Beirut, is predominantly Muslim. The Azizi war is raging between 18 factions; Beirut is divided.
04:18Add to that the external aggression coming from outside.
04:21Israel was invaded twice, the first time in 1878 and the second time four years later in 1882.
04:26The war will start to expand into sub-wars, and everyone will be fighting everyone else for 15 years.
04:32Sometimes the Druze are with the Christians, and sometimes the Maronites are with the Maronites.
04:36Sometimes the Shia are with the Palestinians, sometimes it's the Shia with the Shia, and sometimes it's the Shia and Druze together against the Sunnis.
04:43Seriously, my dear, Lebanon is such a big country. My dear, they have a well-known saying that Lebanon is as big as the Arabs, and not all of the Arabs, just a specific area.
04:50As you can see, my dear, everything is in a cart with everything else.
04:52My dear, this takes us back to the initial scene: the armed men who were returning to the front lines in Beirut.
04:58The one that you have, the one that is both eastern and western.
04:59Just like you mentioned, my dear, there's no point of agreement between them.
05:02But this happened, my dear, like in 1984, amidst all this arrogance, all these factions, all these wars, and all these conflicts.
05:10Fairouz releases a new album titled "My Knowledge of You"
05:15In our imagined scenarios, my dear, you might see an armed man in West Beirut and another one like him in East Beirut.
05:21They woke up in the morning not knowing if they'd start the day or continue it. They didn't drink coffee and smoked, and one of them said, "I'll kill again today."
05:28They both hear the same sound at the same moment.
05:31The voice, my dear, expresses what we might consider the saddest words that could be said to describe a city.
05:36Peace to Beirut from my heart
05:38Two enemies in two separate locations, facing each other, hear the same song and feel the same sense of captivity over their city.
05:44And in Beirut she continues, saying to Beirut, "Glory from pomegranates."
05:47Beirut carried the blood of the boy on her hand. My city extinguished its lamp, closed its door, and became alone in the evening and its night.
05:56Everyone, my dear, will hear in Fairouz's voice their own Beirut civil war.
06:00His version of Beirut, the one he fights for and is ready to die for.
06:03Or at least the image he drew of Beirut in his imagination
06:05His political, ideological, or cultural background
06:08Call it whatever you want
06:09It was all because of Beirut in his imagination
06:11The scene, my dear, that I'm telling you about
06:13The armed groups were divided on everything, even on the very idea of Lebanon, but what united them all was the voice of Fairouz.
06:18They were united by their love for Fairouz's voice and their reverence for their beloved singer.
06:21Like one day, my dear, like most Lebanese people, they have a connection with Fairouz's voice that they can't explain.
06:27They didn't know Fairouz's songs, and Fairouz's voice holds a special place in their hearts.
06:31But Fairouz, my dear, in their perceptions, is always somewhere between the image of the artist and the iconic symbol.
06:36Her voice, my dear, is enchanting, just like its owner.
06:39You feel her presence all the time, yet at the same time she's not there; her voice is everywhere.
06:43You'll find it in cafes; it's always with you when you're studying.
06:46But we don't see her, she doesn't fall on us. When was the last time you saw her?
06:48To the point that many of us think it's a nute.
06:50At least during the filming of episode six, she was still alive.
06:53It exists and it doesn't exist
06:54You feel it, my dear, is more of a fantasy than reality.
06:57Getting close to her is always forbidden; she's like the sun, always visible.
07:00But I can't imagine how much I miss her.
07:01In this episode, we try to understand why Beirut specifically is the location of this episode.
07:05I remember the last time I saw you was a year ago
07:09Dear, we are still in Beirut, but we will go back to the year 1950.
07:13We are now in the Lebanese fashion
07:15Specifically, the office of the music department director, the epic singer Halim Al-Roumi
07:19Hanbal, my dear, we have a girl in front of us who is about 15 years old.
07:22When the manager asks for her name, she'll be very embarrassed and will reply shyly, telling him
07:25Nihad Haddad
07:26Who will you sing, Miss Nihad? Will you sing? No, her name is... Will you sing a mawwal for her? Oh my country, what's wrong with you?
07:32Rumi will describe, years later, the first time he heard her sing
07:35He will say, "I sensed new things in her voice that I haven't seen in other voices."
07:39So he went next to the marble sound system and he ejaculated.
07:41I truly felt that it was her heart singing, not her vocal cords.
07:44And you, Al-Rumi, are talking about Nihad Haddad, who, by the way, I'll listen to later.
07:47Fairouz, oh Tahansu, oh Bahmad, oh Fairouz, listen to the real thing, Inhad
07:50Oh, my dear, she's not alone.
07:51And her name is Fatima Ibrahim Al-Baltaji, to a fault.
07:53And Abdel Halim is not a Hafiz
07:54His name is Abdel Halim Shabana
07:55Wing in Ghazl El Mahalla
07:56And to this day, my dear, this trend
07:58His name is Ahmed Ali
07:59Batstout's name is Mahmoud Ashraf
08:00Al-Waili Karim Emad
08:02Al-Dahih Ahmed Walid
08:03We are all, my dear, very even in official documents
08:05Anyway, my dear, let's get back to Fairouz.
08:06Rumi will have an impression of Turquoise
08:08She has a captivating, enchanting, sweet, and angelic voice.
08:12And the truth is, he prefers a lasting impression over Fairouz.
08:14Which, when it is described, is described only with one word.
08:17shy
08:18As Fairouz predicted, she passed the test.
08:20And the young girl, Nihad Haddad
08:22She will join the radio's singing programs.
08:25The programs that were broadcast live on air
08:27And what about the people of two years ago, my dear?
08:28Nihad Haddad's voice will be a landmark
08:31The audience waits to hear it on the radio all the time
08:33They follow the young singer's news in magazines with curiosity
08:36The singer whose new name was given by Halim El Roumi
08:39Stage name: Fairouz
08:41Republican curiosity, my dear, will increase towards Fairouz more and more
08:44Because, my dear, no one has seen her picture or knows who she is.
08:46Rumi will provide Fairuz and Lina, as listeners, with the greatest service.
08:50What will he do, my dear?
08:51He distorted Fairouz's name to someone named Aser Rahbani
08:54Rahbani was a composer and musician; he and his brother Mansour had a radio program featuring music.
08:59Assi believed that Fairouz's voice would be especially beautiful with calm and romantic songs.
09:04But it won't work very well with dance songs.
09:06Fairouz is lost in solace, she doesn't dance with joy.
09:08Fairouz, my dear, is on the other side, like any romantic comedy series in the first few episodes.
09:12She saw Assi as an arrogant person
09:14And it's just like any romantic series.
09:16Over time, each will prove to the other that first impressions weren't the most accurate.
09:20Fairouz will not only sing, but she will also excel in dance songs.
09:23It's just like romance.
09:24Fairouz, my dear, will be attached to everything that has occurred and everything that hasn't occurred to anyone but Assi and Mansour Rahbani.
09:30Also, my dear, rebellious, and wretched friend, the second one will prove to her that he is not arrogant.
09:33He will make her fall in love with him and she will marry him.
09:35Fairouz, my dear, and the Rahbani brothers will write a new chapter for all of Lebanese art.
09:39We could say that they pioneered a new genre of Lebanese singing.
09:42In the early fifties, a group of Lebanese artists worked
09:45The costumes of Halim Al-Rumi, Tawfiq Al-Basha, and others
09:48On releasing a song with Lebanese characteristics
09:50Why, my dear? Because the music scene at that time revolved around the Egyptian song tradition.
09:55The Rahbani brothers, along with a young voice in the spring of his life.
09:58They worked hard on the text of the poems of Basira a little
10:00The brevity of long poems
10:02And they also made short songs, my dear, that don't exceed four minutes.
10:05Songs like "I love you, I don't know"
10:07What's up, or don't come?
10:08A new style to the point of being a Lebanese writer, Paul Shaul
10:10He will say that this style shortened the old style of music
10:13The one who sometimes sold very long, boring books
10:15Which was prevalent in most forms of Arabic song
10:17And now, my dear, we have become a song in a new form.
10:19And Mashq with an expressive orchestral arrangement
10:22Also, the lyrical poetry of the Rahbani brothers
10:24It will depend, my dear, on the Lebanese blindness.
10:26Or what is known in Lebanese dialect
10:28May God have mercy on us, Abu Ahmad, and may God have mercy on us for this dialect.
10:30What's up, my dear? I'm meeting with the intention.
10:31I speak Lebanese Baalbeki
10:32This is the language I grew up with
10:34My dear, this topic will be amazing.
10:35To the point that blind hair loss
10:37Salah Juhain
10:37He will describe the Rahbani family's deception and say
10:39Although she fell short in a profound way in his poetry
10:41And everyone who wrote in Egyptian illiteracy felt
10:43So you have it, my dear
10:44This is the great artistic tycoon whose name is Egypt
10:47With its poets, artists, and praise singers
10:50It is influenced by a very local need
10:52Not from the center of industry
10:53Also, my dear
10:53The Rahban will do something for Yosh
10:55They will eat the East with the West
10:56And this will be the Lebanese song
10:58From the style of Egyptian melodies
10:59And from the idea of long singing
11:01The Rahbani family were able to contribute to Lebanese song.
11:03independent identity
11:04The identity that Fairouz shone with
11:07my dear
11:07During this time, we'll go back to the beginnings.
11:09About 75 years ago
11:11When young men and women
11:12We see them just like they were in old movies.
11:14The girls are staying up late at the house.
11:15She's wearing a wedding dress.
11:16And the youth are respectful like that
11:17Wearing a turban and a tie
11:18And among them is one Lord
11:20With utmost dignity
11:21In a black and white atmosphere
11:22The radio calls it
11:23In Bashil, my dear, these are the atmospheres
11:24Fairuz and the Rahbani
11:26They will do what is described in the Ribsin
11:28It's the first time
11:29Our sister, Hadiya, with a sad melody
11:31Written in more sorrowful words
11:32With a little bit of Fairouz's performance
11:34There are no Arabs or sighs
11:36No music, no help.
11:38It will come to you, my dear
11:39A sorrowful voice says
11:40Haji is scolding me
11:41I was harsh with reproach
11:42And because of how much she carried me
11:43This body melted
11:44Haji is scolding me
11:45And if you want to go
11:52I will torture
11:52May God punish you, my brother.
11:53Together, my dear
11:54Welcome the gloom and sadness, countries
11:56With overwhelming joy
11:57A warm welcome
11:59As is our custom as Arabs with sad songs
12:01We adapt to sadness
12:02Dear Tawar, your home is a great place to be.
12:03If we remain in sorrow, then rejoice.
12:04This is Karir Hassan for Samar
12:05And praise be to God
12:06My luck in loving you is my wealth
12:07Why is there anyone left after you?
12:08Why is Benrus on it?
12:09Why is this book all sad, just my size?
12:11for him
12:11Folk songs tell you
12:12They stopped us in threes.
12:13And in Dina the handcuffs
12:14My beloved Saturday, and he took a ruling
12:15The lawyer's awareness
12:16See the criticism
12:16You are her problem
12:17Dear Republican
12:18Like I told you
12:18Love of sadness
12:19And the voice of the virus remained known.
12:20In Lebanon
12:21In Syria
12:22But still, my dear
12:23Its name is Surprise
12:23Healing Limit
12:24Within limits, my dear
12:25As a way of dealing with a state of ambiguity
12:26To such an extent, my dear
12:27The first time her picture was released
12:29He will remain
12:30I will remain
12:30The fisherman's girl will be celebrated
12:32And write the address on it
12:33This is the first photo to be published
12:35The singer has a virus in the newspapers
12:37When you see the picture, my dear
12:37It feels like a picture of a teenager
12:39She looks shy and afraid of something
12:40black hair
12:41And a seer's smile
12:42I don't even want to
12:43She looks at the camera
12:43This girl from Rufaia
12:44The one who is ashamed of herself
12:45She looks like a schoolgirl
12:47In the first students
12:47Not an artist
12:48People are interested in seeing it
12:50Not a first-time artist
12:52She posts her picture in front of her audience
12:53People, my dear
12:54She imagined herself as a sad, beautiful angel.
12:56This is the picture that people have been talking about.
12:57From the sound of a virus
12:58People discovered that the owner of this voice
13:00A type of person who is very attached
13:01Because of their shyness
13:02You can't help but sympathize with them.
13:04You feel, my dear, that they are very visionary.
13:07In men
13:07To the point that if you wore them
13:08You might break them
13:09And it's possible, my dear, that this is the feeling
13:10The one who will stay with him forever
13:12A virus, unlike the two big stars at this time
13:14Two stars were linking the Levant
13:16North Africa
13:17Listeners in the Arab world
13:18From East to West
13:19What I'm saying is why
13:19It was morning
13:20The blackbird
13:21And the second
13:21You know
13:22Who is she, Abu Hamad?
13:22You will know
13:23Time is precious, my dear, with morning
13:24Morning in the fifties
13:26She possessed all the qualities of a showgirl.
13:28Arab artist
13:29But she's a Hollywood heroine
13:31She is tall, beautiful, and has blonde hair.
13:34I wanted to talk to Haran Nana
13:35Azizi's personality is cheerful and sociable.
13:37She sings, dances the dabke, and acts
13:39An artist whose news is never interrupted
13:41And also, a person whose news is never interrupted
13:43The character will appear in 12 seasons of Sheikh Al-Hara.
13:45This is good, Azil from Instagram
13:46Reese didn't make the stories at the time.
13:48She once sang, "We're alive, my good son."
13:50I exceeded 9 times
13:51cat
13:52Yana Eina Di Kant Istighasa
13:53Not a song
13:53If you reflect on the career of the Shahrour
13:55You'll find that it has crossed over the traditional path
13:57What any Arab artist can surpass?
13:58To reach stardom
13:59What did you do, Abu Hamad?
14:00Egypt is gone
14:01Good morning, my dear, her voice is strong and beautiful.
14:03But it's no good
14:04And the diseases became widespread.
14:05Let me tell you, my dear
14:06A large part of the audience's love for her
14:08He was captivated by her beauty
14:09She was stunning
14:10Good morning, my dear, it was in Betbro
14:11On black and white televisions
14:13This is a precious thing, time has no equal.
14:14No cosmetics, no filters, no numbing procedures
14:17Natural Workers Doors in Black and White
14:19Sabah, my dear, was not just dazzling in her voice
14:21But it was also visually stunning.
14:23beautiful
14:23She looked like she was singing
14:25Her second work, my dear, you see it as Fairouz
14:26In her first interview
14:27The idea of her singing in front of an audience was completely out of the question.
14:29For example, the idea that it represents remains.
14:31Fairouz categorically refused to even perform in tourist areas.
14:35Like restaurants, for example
14:36And when she agreed to go and sing at festivals
14:38For example, festivals that used to take place in Lebanon or Syria
14:40The sound of the audience's applause was tiring her out
14:42Kantish, my dear, you're opening a good door in the Izayah
14:44She brought it back with the microphone, that's all.
14:46Shame, my dear, is almost pathological.
14:48This will make her give her full trust to her family and her children.
14:51He and his brother who work with the press
14:53And they, my dear, are not just working on her songs.
14:55But they're working on the idea of the symbol.
14:57The symbol that cannot be touched
14:59So, Fairouz is shy?
15:00No, we'll take it and make two bands.
15:02We will create a Fayrouz brand
15:04Those who rarely appear in front of the public and the press
15:06In the fifties, sixties and up to the seventies
15:09Haddad's end was a very intimate, captive life.
15:12Completely out of the sight of the media
15:14Aisha is raising her four children
15:16Ziad, Ghali, Layal, and Reema
15:18My dear, Mama was at home.
15:20Fairouz, the artist, was flying high.
15:21Petra Azizi is above Lebanon, the Arab capital, and the world.
15:25Films, festivals, and plays
15:28They have all become classics of Lebanese musical theater.
15:31And most of Fairouz's songs come from it
15:33Fairouz's output, my dear, is very prolific.
15:35Not just as a singer
15:36But she also presented herself as an actress
15:38She has a professional
15:39Fairouz's journey of continued success
15:41At a time when people were healthy
15:42Do you know anything about the end of mourning?
15:44She was, my dear, a very calm person
15:45From home to glory, wish glory for home.
15:48Beautiful scenes
15:49Let me take you by the hand and we'll go to your place
15:511961
15:52Come with me, my dear, to the Roman amphitheater
15:55and six giant columns
15:56This is all that remains of an ancient Roman fortress.
15:59According to the legend
16:00The gods decided that they should leave the ruined city.
16:03Baalbek
16:03They are trying to deceive the daughter of the Baalbekian woman.
16:05She walks with them because of her enchanting voice.
16:07But the people of Baalbek, Kira Hayzan, will sit
16:09And the departure of the gods has cooled, my dear.
16:11It was a dark and gloomy dialogue.
16:14It happens between people and gods
16:15The girl was the people's last hope
16:17The only beauty left for them is her voice.
16:19Put this in your imagination, my dear
16:21And you know that Fairouz is a pause
16:24She sings on an open-air Roman amphitheater.
16:27With the heart of a legendary mythology
16:29Who, my dear, is on the diet of the event?
16:30It's not clear exactly where Fairouz is standing metaphorically.
16:33And now, my dear
16:34The time differences got mixed up
16:36The line between reality and imagination
16:39or reality and mythology
16:40Not clear
16:41It's no longer clear where Fairouz is now.
16:43Will the theater stand with the audience that listens to her?
16:45And he is captivated by her voice
16:46Nor is she part of the legend of the girl who remained crying.
16:49The confusion, my dear, is in the image of Fairouz that occurs in this operetta.
16:53He will continue to participate in all of the Rahbani works in theater.
16:57In his book Fairuz and the Rahbani brothers
16:58The Stranger's Theatre and the Wonder's Treasure
17:00Dr. Fawad Sarabolsi says
17:01The follower of Rahbani literature
17:03He cannot help but notice how attracted the Rahbani brothers were to the unproductive figure.
17:08And Fairouz, my dear, is the sole heroine of the Rahbani theater.
17:11Her picture was completely incomplete.
17:13It does not belong to any entity suspended between heaven and earth.
17:16Suspended between reality and imagination
17:18Hanging between art and magic
17:20When, my dear, you come to reflect on Fairouz's life in general
17:23You will always find, my dear, between
17:25Standing between two opposing sides
17:27The two are different, but they agree on the surface.
17:29We will find her among the mothers whose lives are dedicated to their children.
17:32And between the artist who dedicated her life to her audience
17:34Obedient between a city you live in but don't belong to
17:36Reem belongs to a village in Egypt, but she can't reach it.
17:39She promises travel, but she's not traveling by train.
17:42Dr. Traponso continues, saying, "It's strange, and her voice is the voice of non-belonging."
17:45Voice of alienation
17:46Fairouz on stage is the stranger
17:48Of mysterious origin and broken lineage
17:50The owner of the enchanting voice
17:51Any sound whose effect extends beyond
17:54The voice, because it is a voice that protects the message.
17:56You might think, my dear, that Fairouz could remain because of her extreme shyness, modesty, and isolation.
18:02Unaware of the impact of her voice
18:03Not one of them has been involved in the case whose voice she carries.
18:06Man, Earth, and Love
18:07These are some of the issues that Fairouz saw and knew her voice would reach.
18:11I am the people's microphone, I am the one who defends them.
18:13We welcomed them and saw this in it.
18:15And Fairouz saw in Fairouz the same message
18:17The sacred message of art
18:19Everything else disappears under its shadow
18:21Even her image as a normal human being
18:23Noha defines the shy teenager that no one knows
18:26Even when Fairouz was still alive, nobody knew her.
18:28Come, my dear, let me take you by the hand and we'll go to Las Vegas.
18:34Muhammad, please
18:35What's up, Vegas? What's up, Vegas?
18:37Don't buy six
18:37My dear, we are now in Las Vegas in 1998
18:41Specifically at the Garden Arena in the MGM Grant Casino
18:44The account, my dear, is from the New York Times.
18:46So, the attendance at that time in Las Vegas
18:49United States of America
18:50They were ten thousand one
18:51Jamoul, my dear, comes from almost every corner of the world.
18:53The one who came from Brooklyn, the one who came from Washington, the one who came from London, and the one who came from Bonsairos
18:58And a second number that does not come from the cities
18:59In the audience, there is a young woman named Ghada, who is 31 years old.
19:02One of thousands of children born in exile
19:04Children who left the country as children during wartime
19:07A link in a long chain of Lebanese emigration
19:09It starts, my dear, from the beginning of the 19th century.
19:11Even before the Lebanese Civil War
19:13When you come, my dear, look at the Lebanese
19:15You'll find he traveled to all countries
19:17Titanic, my dear, was on board by Lebanese people.
19:19Today, my dear, it's common for Lebanese people outside of Lebanon
19:21Folds
19:22You might find more Lebanese people in Brazil than in Lebanon.
19:25On the other side of the planet
19:27Their diaspora literature produced more than their popular culture.
19:29Like I told you, my dear
19:30Lebanese emigration was happening before the war.
19:32But it increased hysterically during the war.
19:35People took their sweet memories with them
19:36And her life that was there
19:37They didn't know if they would ever come back or not.
19:39I don't know when they'll return to Lebanon.
19:41It will be the same Lebanon, but a different Lebanon.
19:43And here, my dear
19:44We find Fairouz coming from Lebanon
19:46With her is a travel bag containing all the emotions he needs.
19:50All the feelings that I built, he left behind
19:51The best gift bag you could ever receive
19:54A wellspring of emotions and feelings
19:56All of this will be transferred to the audience, then it will be broadcast aloud.
19:59I'll tell you about it tomorrow.
20:00She left Lebanon when she was nine years old.
20:02And from its square, she didn't see Lebanon
20:03Fairouz, who was standing in front of her, is now singing.
20:05Suddenly, Lebanon became visible in tomorrow's eyes.
20:08Rose protection says
20:09Take me to her three sweet places
20:10Take me to the land that raised us
20:12Humanity on the brink of suffering, Putin
20:14Strip me bare on the dust of our light
20:16Take me and plant me in the land of Lebanon
20:18Tomorrow, my dear, I heard the song from beginning to end.
20:21She's crying
20:22It's about this moment, as described by the New York Times article writer.
20:24My grandmother used to have fig trees.
20:26And her eyelid is made of turquoise.
20:28Let us see them
20:29Of course, tomorrow wasn't the first time she'd heard Fairouz.
20:30But the live encounter with this icon
20:33For the first time, it will give the song a completely different effect.
20:36And at the time, my dear, outside
20:38They were deprived of Lebanon
20:39The Lebanese who were there were deprived of Fairouz
20:41Fairouz, who has two letters, has daughters of songs.
20:43War has no meaning for her
20:44She decided that she would not perform concerts in Lebanon.
20:48You will never sing in an area considered part of the opposition.
20:50She won't sing in an area that the rest of the Lebanese couldn't reach.
20:53She won't allow any party to take advantage of her.
20:55He claims that Fairouz belongs to him
20:56She lived in Peru
20:58She saw the two of them
20:59And I rejected everything that is happening in Lebanon
21:01She's going to live outside of Lebanon.
21:02And so she refrained from it because of her wealth in Lebanon.
21:04Although she sings outside of Lebanon in the Arab world
21:06Or globally
21:07However, the parties are very...
21:09Her dowry, which was not going to those who were...
21:11He was always thirsty for everything
21:12He wants to see Fairouz and he wants to see Lebanon.
21:14He wants to hear the sound that was coming from everywhere this morning.
21:16The voice of his childhood, his school, and his home
21:18Fairouz's voice reminds them of the scent of his home.
21:20In his father's arms and his mother
21:21When he goes to a Fairouz concert
21:22He lives with the memories for two to three hours
21:25Attend, my dear, a Fairouz concert
21:27It's like a one-sided poetic experience
21:29Just like I told you about Fairouz
21:30Of course you hear it
21:31But I can hear you
21:31Fairouz distributes this mixture of emotions in doses
21:34Even if you're driving at a party, you'll hear it among people
21:36So you are going through an individual experience
21:38It takes you and transports you between loneliness, fur, longing, and nostalgia.
21:42It takes you from sadness and boredom to hope and love again
21:45And as I'm telling you, my dear
21:46You're not here to melt the hearts of the musical elite.
21:48Meaning there is no interaction here
21:50What happens, for example, between the audience and the singer
21:51The interaction that we all know
21:53There are no collective groans and the music stops afterwards.
21:55There's no God, ma'am, and well done, ma'am.
21:57And my Eid, oh lady, you are not celebrating.
21:59There's no one coming to you from Tanta
22:00Correspondence from the Middle East Times regarding the value of the party
22:02He will see the audience's reaction and be amazed by Fairouz's voice.
22:04Although he doesn't know Arabic
22:06When he sees Fairouz, he will ask her.
22:07Why don't you perform on stage?
22:08And not a dowry
22:09Here, my dear Fairouz, you will laugh at the question.
22:11And she'll explain to him that it's always a sluggish chassis.
22:13Her focus on the stage always remains
22:15She will have the best voice
22:16It focuses more on richness than body movement and performance.
22:19And on rare occasions
22:20For a few times, strong
22:21The one Fairouz will speak for herself with the hum of transparency
22:23You'd say the reporter, if he focused on my eyes while I was singing
22:25You'll see that I'm not here, I'm not even in this place.
22:27For me, art is akin to prayer or worship.
22:29When I sing, I feel like I'm in a temple.
22:30Of course, it's not like that all the time.
22:32But in every position of the mobile phone
22:33In Dabke songs, for example
22:34You'll find Fairouz carrying a tambourine and playing it.
22:36It's very possible that trivial things will shake you
22:38Or you know people, a small smile
22:39My dear, he takes her out of the party
22:40They only remember that smile
22:42My dear friend, let's go back to Beirut.
22:45And I, Abu Ahmad, want to go to Raouche
22:47I'm happy
22:48My dear, please focus on the story.
22:49Abu Ahmed, I want to have some breakfast
22:50Come on, I'll calm you down
22:51Do you remember, my dear, the ruined place?
22:53The one who started the episode for you
22:54Nomanzland
22:55The booby-trapped place is for humans
22:56Beirut divided in two
22:57The eighth is now in September 1994
22:59Four years have passed since the end of the war.
23:01We see a girl named Qadima, 14 years old
23:04She stood there pleading with the security guard
23:05They let her in to watch the rehearsals
23:07D daughter
23:07She learned that she was going to see a virus for the first time in her life.
23:10She won't remember that day
23:11But her eyes were brimming with tears
23:13This topic of tears
23:14One thing that most people had in common was the virus
23:16No one thought to ask her during the few interviews she had done.
23:18What's the story with these tears?
23:19No one remembered the virus party
23:21He's changed and talking to you about crying
23:22You'd almost think that the virus only sees tears.
23:25In the eyes of her fans
23:26My dear mother, Dima, sneaked into the rehearsals
23:28It leaked like that, she didn't even see the virus.
23:30And Mash, after you, is with her
23:31The next day we will meet her, her mother, and her father
23:33Her sister and her brother
23:34And Finn was in line hours before the party
23:36Which will classify it as a historic concert before it even begins.
23:39Dima had been counting the days for two months.
23:42My dear, days become hours
23:44It's just a few minutes
23:45Seconds until a virus appears in the city center
23:49She is performing in Lebanon after a 20-year hiatus.
23:53Why don't you come and look at the place, my dear?
23:55You will find that its capital was devastated in the war.
23:57Waiting for the start of the reconstruction project
23:59The reconstruction project was already controversial.
24:01He was freed in Lebanon
24:02The late businessman Rafik Hariri was arrested
24:04He was dancing to the government for the first time in his life
24:07He brought an economic project to help Lebanon recover from the effects of the war.
24:09But that didn't happen.
24:10He found that the company's name was Solidere.
24:12A real estate company that was supposed to be rebuilding the city center
24:15A major campaign was launched against her, accusing her of...
24:17These were the rights of the primary owners.
24:19And I took their property from them with the money of the people of Tarab
24:20This project will destroy the spirit and history of the place.
24:23And in its place, something resembling a mall will appear.
24:25President Rafik Hariri at the time
24:26Heard says the attack on him is a political ploy.
24:29And the argument, my dear, will ignite.
24:31Until a virus party is announced
24:35And some of the opposition, including politicians and intellectuals, are among them.
24:38They'll get a virus that won't sing.
24:40In a campaign in which even the son of a virus himself participated
24:42Ziad Rahbani
24:43And this opposing opinion was rejected, another opinion emerged.
24:46An opinion suggests that the virus is rich in Beirut.
24:48The Lebanese people will belong to no one else.
24:50And the virus is too tall to be used for political purposes.
24:54And it's bigger than just settling petty scores.
24:56And if she's going to wait for utopia to sing
24:59She will never sing in the world.
25:00Virus, my dear, that was her habit, not a word came out of her.
25:03A virus, my dear, will appear on the day of the party.
25:05She goes on stage in a theater
25:07It's like a ship with sails
25:09And that's not it, my dear.
25:10She has fifty thousand dreams ahead of her
25:12This is the eloquent description
25:14The one who was in the Lebanese newspaper As-Safir
25:17The next day of the party
25:17Beirut and the virus
25:19Fifty thousand dreams
25:20All these people, my dear
25:22They reunited after twenty years
25:24These people gathered to see and hear about the virus in the same place that was a symbol of smiles.
25:30Between you, my dear, fifty thousand dollars
25:31We see Dina, the girl who heard from her family about the virus parties in Baalbek
25:35And at the Piccadilly Theatre
25:36Even in the land area of Lebanon
25:38My dear, I've heard things about Lebanon that I've never seen in my life.
25:41Although it is in Lebanon
25:42But I saw it in the voice of a virus
25:43It's as if, my dear, time stops the moment a virus appears on stage.
25:47We hear the hysteria of the crowd
25:49Virus, my dear, you'll surprise them when you don't start with the song "I Love You, Lebanon".
25:53Also, my dear virus, you won't sing Beirut.
25:55It started with the song "We went out to the light, we went out to the free"
25:58But the song that will remain in Dima's memory
26:00My faith was shining, O Sea of Night
26:03Faith of the sun, the horizon, and the night
26:05My faith will not be broken, nor will it be weakened.
26:07You're the one who never forgets me
26:08This, my dear, is the hope that was in the voice of the virus and its song.
26:11The hope has come true, huh?
26:12It's as if, my dear, there's a virus on this stage
26:16In this place, more than twenty years after the war
26:19Virus says the war mixed
26:22Come on, my dear, let's also look at a strange child.
26:24A child named Nayef
26:25This child is about a year and a half old.
26:27He still doesn't know how to say a coherent sentence.
26:28But he knows how to say a word that isn't clear.
26:30And he keeps nagging her
26:31Abu Ummah, do you know what this word signifies?
26:33This dear child would only calm down when a certain song was played for him.
26:38The song is for her student
26:39Every time Yazan finishes, he asks for it again.
26:40One song
26:41No one knows when this child started showing symptoms of the virus.
26:44But it's well known, as you say.
26:46He memorized song melodies before he learned to speak.
26:49And not just any songs, this virus doesn't listen to Gulnar, for example.
26:51O Jerusalem, O Flower of Cities
26:52Oh, my years that have passed, my tears flow
26:54What child would want the years that passed him by to return?
26:56A simple topic: We will increase the desires in breastfeeding.
26:58And we will add to the story of the one who told me
26:59If the wind blows on us from the valley branch
27:01These are gas fields you won't find at all
27:03Who is this child, Knober?
27:04It's like a virus has entered the religion, what's its purpose?
27:06And she sat there adjusting his Russian smile.
27:08Until the D virus is born
27:09The second possibility is more likely
27:11Indeed, the voice of a virus is in need of sleeplessness.
27:14innate need
27:15Mohamed Abdel Wahab, the musician of Greater Egypt
27:17The sound of the virus was described as coming from the sky.
27:19A house that said history will remain puzzled
27:21Perhaps for centuries, how does a new virus come about?
27:24Mohammed Abdel Wahab
27:25Musician of Generations
27:26Tamam says about her
27:27When you hear the sound of a virus, you'll imagine
27:29That's what you'd say.
27:30Count on a strainer or filter
27:31I'm coming to you free of insults
27:33Forget the need
27:34The late Charles Ben said about the virus
27:35The voice of a virus adds to life
27:37It makes it, when thrown into it, worthy of the name of a noble tragedy.
27:41It makes it like a sacred fire
27:43As if all our intercession is in this voice
27:45It's as if our rise and fall were the most foolish thing imaginable.
27:49It means acting as if you
27:50It goes up after it has gone down to the ground
27:53my dear
27:54If you asked one of the programs, what would its strengths be?
27:55So you can ask him how he would describe the sound of a virus
27:57You'll find that first he thanks you for listening to the virus.
27:59He'll tell you that the voice of a virus is always described as unique and angelic.
28:02Many people see tranquility and melancholy in it.
28:04They transport the listener to a state of contemplation and nostalgia.
28:07Whether you're singing about love, homeland, or everyday life
28:09It's a sound like a gentle morning breeze.
28:12But at the same time, he is capable of bearing the heaviest of emotions with three wondrous things.
28:16That's the magic, my dear, the sound of a virus.
28:18It is what is between
28:19Between lightness and feeling
28:20Between the weight and the tragedy
28:22So, would you like me to write you a full research paper about it?
28:24I'm not telling you to sing it all.
28:25Pay attention to the next question; the question is in the free version.
28:27What kind of talk is this, my dear? It sounds cliché and repetitive.
28:29He's describing something difficult to describe.
28:30It just needs to be heard
28:31If you learn, my dear, you'll find that the voice of a virus is a cruel voice.
28:33He wronged dozens of voices that were squeezed or found after him
28:36Also, a voice capable of overshadowing melodies of utmost genius
28:39A cruel voice for poets
28:41Unfair to the common month and the Easter month
28:43Imagine, my dear, that you're noticing all of this
28:44Because the sound is acting as a magnetic pull on you personally.
28:47The sound of a virus is almost magical
28:49What made poets spend their lives trying to describe it
28:51And at the end of the poem, they agree on one thing
28:52They are indescribable
28:54But my dear, it wasn't just the voice that made the virus a transgenerational artist.
28:57For listeners in their fifties, up to the child I'm still telling you about
29:00A virus that was always surrounded by the cow of art
29:02She was very selective in her choices of composers and poets.
29:05Whether during her time with the Rahbani brothers or after her separation from them in the late seventies
29:08Virus, throughout its history, has collaborated with a very small number of composers.
29:12The number could exceed the fingers of one hand.
29:14For example, the first of them is Muhammad Abdul Wahab
29:15The one who took her voice to a completely different, dusty area
29:18The Rahbana people are eager to try it out.
29:20Abdel Wahab let the virus sing and she'll start with songs like
29:26The composer of the famous melody, Abdel Wahab
29:28Words of Khalil Gibran
29:30Dream Team
29:31But my dear, the turning point in the artistic career of Virus
29:34It was the darkest moment of her personal life.
29:38The moment of her human separation from the Rahbani era
29:41Remember the great epic part?
29:42She leaves her home in the mountains of the eastern region.
29:44To cross the front lines to her second home in Western Pyrus
29:47And here, my dear, we need to go back to 1979 quickly.
29:50Come on, my dear, give Naya a go and sing.
29:52Unfortunately, Abu Ahmed, I don't have Naya with me.
29:53Do you want a book?
29:54The separation of the virus from the Rahbani era was an inevitable result.
30:02Many years of marital disputes
30:04And also, there was an artistic difference between them.
30:06The news of the breakup, my dear, will be like a knife.
30:10The news of the breakup will be trending
30:12Forget all about the breakup now.
30:13This was a very popular meeting
30:15Forget about the history of Ahmed Fahmy and Ahmed El-Awady
30:17Hossam Habib
30:19The news of the breakup wasn't just a sad ending.
30:21Not just the end, a very beloved encounter
30:23The press, my dear, didn't see this as the end of a relationship between two people.
30:26No, this is a devastating blow to Lebanese art.
30:29My dear, your courage remains a part of the strength and grace of your country.
30:32Society isn't interested in your mental health.
30:35I'm not interested in your children's phone numbers
30:36He has his eye on the single woman coming this summer.
30:38But it's clear, my dear
30:39That virus was planning to open two very new chapters in her life.
30:42Art page and personal page
30:43In West Beirut, her eldest son was waiting for the virus
30:46Ziad Rahbani
30:47The artist who stepped out of his parents' shadow
30:50Very old since the early seventies
30:51From a young age, he displayed formidable theatrical, artistic, and musical talent.
30:56He was 17 years old when he sold his first compositions.
30:59And I don't want to tell you what the tune was.
31:00The tune was literally
31:01People asked me about you, my love.
31:03The song is still playing on Spotify right now
31:05Mansour Rahbani, Ziad's uncle, bought it from him.
31:08He is 17 years old
31:09And the song, my dear, by the way
31:10As a greeting from Fairouz, Mansour, and Ziad Rahbani
31:13For Assi Rahbani after Assi Rahbani was injured
31:15brain hemorrhage
31:16Kuwait is the strongest Lebanese stronghold
31:18Also, George Wassouf when he got tired
31:19Sing him a song of longing
31:20Our pages are available when you learn that the artist is tired.
31:22He's taking a picture of it
31:22Aziz's number, just like I told you
31:23The one who is sucking on Fairouz, for example
31:25We feel that she is not counted among anyone
31:26And she doesn't have a clear political stance.
31:28And it is between
31:29Ziad Rahbani was the complete opposite of that.
31:31Ziad had a clear political and ideological stance.
31:34Leftist on top of the roof
31:36He has a satirical political radio program.
31:38He has plays and songs
31:40Ziad was on his way to becoming something of a folk hero.
31:43Or the leader of the new youth language
31:45A language not rich in symbols, words, and grand metaphors
31:49Like what was present, for example, in the Rahbani theater or their songs.
31:51He is outside the robe, and he is not wearing the robe, and he is washing
31:54Unlike the imaginary Rahbani villages that appeared in the Rahbani theater
31:58Ziad Rahbani's concert was in a city connected to another city.
32:01It is linked to the moment of its time
32:02Qalloush called for the past
32:03The people there speak the same way people do in the street.
32:06Their names and sectarian identities are clear and explicit.
32:09They insult each other, fight, and say their positions exactly as they are.
32:12We see Ziad Rahbani as a theater director
32:14Working on the roofs and decorations in recent days
32:16The one before the opening of his theater, Jabal Al-Majd
32:18He was telling you, my friend, that this play
32:21It was a satirical caricature of his father's plays and about him.
32:25It was as if the village was a place where the people lived and loved each other with an exaggerated, fantastical love.
32:29And in her youth, Aisha brought light to her country.
32:31No Fairouz among the Rahbani
32:33And in a jar, and a stranger, not Lebanese, came and stole it.
32:36Afterwards, the villagers split up.
32:37And they began to accuse each other
32:39All of this happens until the secret is revealed
32:41All the blame lies with the stranger.
32:42Suddenly, love and children return to the stage.
32:45Everyone is being promoted to Stabka
32:46Of course, the actors are on the stage of the Rahbani Theater.
32:49They will fight each other
32:50Because of their sectarian affiliations and political rivalries
32:52They are all Lebanese
32:54There are no strangers among them
32:55Siad wanted to say that the Lebanese crisis is a disaster.
32:57What's with all the folklore and crochet?
32:59Direct instruction
33:00And all the blame falls on the stranger, and above, and above, and above.
33:03Siad was trying to say that the idea he was trying to promote
33:06Like my father and uncle, the problem is always with the West.
33:09Not in us
33:09This is a rhyming idea.
33:10We are now in the eighties, and the time and language...
33:12Now you change
33:13Because you're carrying it, it's old.
33:14My dear uncle, are you pregnant with a baby?
33:16My dear Lodi is growing up and resembling you
33:18And that's how Hassan comes out of you
33:20Not only that, he takes your job.
33:21Not only that, but my mom's cheeks
33:22The one who is your wife is in his hands
33:24I'll sing you a tune from that big man above you.
33:25Your son is threatening your career
33:27This is a difficult situation, may God help us.
33:29Ziad Al-Rahmani will stage a coup against the father in the theater.
33:31And he'll stage a coup against his mother, by the way.
33:33The old version, the Rahbani version
33:35Ziad will present a new and different virus
33:37My dear,
33:38A young, modern, and brilliant composer
33:40He comes to him when he is young and experienced
33:43The best voice sings his melodies
33:45This isn't his complex; he succeeded in providing it.
33:47Or a permission that is permissible
33:48Or mediation or opportunity
33:50no
33:51I work with my mom
33:52I'm done with henna, it'll be done tomorrow.
33:53We'll meet at the table, we'll extend
33:55The first joint album by Ziad Rahbani
33:57And Fairouz was my acquaintance with you
33:59Released in 1984
34:00Azizi's press will reach Aziza's album
34:02That it is the beginning of the end
34:04The End, Fairouz
34:05So, was this really Abi Ahmed the end of Fairouz?
34:07Or is this shortsightedness on the part of the Lebanese press?
34:09Honestly, my dear, it was a clear captivating sight.
34:11This album that they're calling a flop
34:13And that is the end of Fairouz
34:14I want you to count with me on what
34:16Fairouz sang in what
34:17Stay home now, I love home.
34:18How long will it take me and you?
34:20Your oud is resonant
34:21Keep celebrating, Ali
34:21She sang for Beirut
34:22The one who is considered
34:23Without a doubt, the sad anthem of Beirut
34:27Lebanese Civil War Time
34:29The song was written by the poet Joseph Harb.
34:30Joseph Harbi, my dear, by the way
34:32He is the poet who sang Fairouz
34:33The most beautiful songs she sang, composed by Philemon Wehbe
34:35When I'm at the door, I'm afraid of Asmina.
34:37I wish I had reached out and stolen from you.
34:40And I wish, my dear, that you would say a sentence like
34:41If you return with a jinn
34:43And if you are promoted by something
34:44I don't know, neither the elephant nor the one who stays
34:47What a mess I am in when I see it on your phone
34:49Either you deprive me of it
34:50I'll steal it
34:51What did he say, Omar?
34:52Nice, how precise you are
34:53I wish
34:54I wish
34:55beautiful
34:55I'm coming to you from Sidon, ma'am
34:57This is a stage, my dear, even though she works with her son.
34:59The stage of your topic is considered to be Fairouz
35:02The peak of her voice's fermentation
35:03and her artistic experience
35:04and her personality
35:05Fairouz will meet Ziad Rahbani
35:06Who is inherently stubborn
35:07And now she will descend from the high position she is in
35:10And the position of Lebanon's ambassador to the stars
35:12And she turns into a normal forty-year-old singing
35:16She speaks words that are fundamentally poetic.
35:18It has no poetic affectation.
35:20No exaggeration
35:20True words
35:21Words in a story
35:22How are you, Mala?
35:23He added a masterpiece of genius music
35:25Lyrics and music
35:26Her son, Ziad Rahbani
35:28Which song will be the star of the album?
35:30It will become one of Fairuz's most popular songs.
35:33Ingenious increase
35:34He can bring out the inner voice of the six
35:36Triba was invited into a love story
35:37six
35:38I experienced love, heartbreak, and deprivation.
35:40six
35:40Ten frustrations
35:41He will sing songs in her voice that capture Fairouz's personality.
35:44It is presented to a wide and younger audience
35:52This is the same style of singing as Fairouz.
35:54He sings while she's leaving her holiday
35:56Come, my dear, truly reflect on the song "Zay".
35:57How are you, uncle? He says, "You have children now."
35:59I swear, I thought you were abroad.
36:01There's no meat
36:02There is no happy ending where the hero meets the hero.
36:04Two people loved each other
36:06They didn't know how to get along.
36:06but
36:07but
36:08but
36:08Ziad Rahbani knew Fairuz
36:10She no longer needs money
36:11A voice with a timbre like Fairouz's
36:13He kept singing, giving space to the melody and the lyrics.
36:16The voice, my dear, that I felt
36:17Why don't you humble yourself a little?
36:19His humility only enhanced his beauty.
36:22Come, my dear, let me take you to the final scene of the episode.
36:24We're going to Anas's
36:25My dear, a blank slate
36:26In the novel Immortality by Milan Kundera
36:29Anas and Ha are walking down the street that leads to Milan Kundera.
36:31It's a street full of violence.
36:32Visual and auditory violence
36:34noise
36:34She thinks that one day
36:35When will this ugliness become tolerable?
36:37You will buy a single stem that ends in a small flower
36:39And you'll walk down that annoying street
36:41She's trying to focus all her attention on this rose, but
36:44He carried her in front of her eyes
36:45She tries not to see anything else but her.
36:47She doesn't want to see all this ugliness, noise, and violence.
36:50A beautiful, borderless blue dot button
36:52Just like you said, my dear
36:53In the eyes of many Lebanese
36:55His eyes are like those blue flowers
36:56In the midst of war, violence, disturbance, division, and sectarianism
37:01She just wants you to look at her voice.
37:04And we don't see anything else
37:05Sometimes it's your last resort
37:07Your good imaginary friend
37:08The one who knows how to listen to you
37:10He speaks and turns your eyes away
37:11Fairouz is for the people; she celebrated her 90th birthday.
37:13Last year
37:14It's true that she is a shy person.
37:15But she is very generous
37:16Constant gifts that never end for people
37:18You, my dear, could spend your whole life
37:20Fairouz opens gifts
37:22You'll always be surprised that there's a new song.
37:24And you won't be surprised that there's a new song.
37:26You will be surprised by a new feeling
37:27You'll find a song that will make you cry
37:29A song that makes you dance
37:30A song that takes you back to your country
37:31A song that makes you feel like a stranger and alienated
37:33A song that evokes a memory or feeling within you
37:35You may never have known him
37:37You might remember your return to your mother's side
37:39Your first hug
37:40If you find hope, my dear, you will find that it is possible in the seasons of the year
37:42Times of the day remain linked
37:44Bafrouz
37:45Morning, Evening, Summer, Winter
37:47Just like you said, my dear
37:48It's impossible to grow old while you're still listening to Fairouz
37:50That's all, my dear.
37:51Finally, but not least, let's look at the limit that has passed.
37:53Let's see what happens next.
37:53Don't forget to look at the sources
37:54We went to YouTube
37:55Subscribe to the channel
37:56You know, my dear, once there was a Lebanese man
37:57He returned to his village
37:58He didn't find her
37:58God
37:59No, Muhammad
38:00Qadaya'a
38:00Dear Lebanese, please
38:02Banash Tain Balakht