- 13 hours ago
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00:00:00Stick a bunny in me pocket
00:00:06I'll fetch the suitcase from the van
00:00:10Cause if you are the best ones
00:00:13But you don't ask questions
00:00:15Then brother, I'm your man
00:00:17Cause where it all comes from is a mystery
00:00:22It's like the changing of the seasons
00:00:24And the tides of the sea
00:00:26But is the one which drives me bizarre
00:00:29Why do only fours and horses work
00:00:33La la la la, la la la la, la la la la la
00:00:38They're guaranteed if you're half horse or whatever
00:00:41Now just take a look at it
00:00:43Look, look at the quality
00:00:44I mean, that quality
00:00:46That is the titmus test, isn't it, eh?
00:00:48The quality
00:00:49Now these are handmade from Indonesian steel
00:00:52They've got an ivory effect handle
00:00:54And they come in, look at that
00:00:56A genuine synthetic leather look-alike case
00:01:00Right now, these canteens of cutlery
00:01:03Are a very exclusive line
00:01:04You can only buy these in Harrods, Lippides and Patels Multimart
00:01:08Right now, take a look at that label
00:01:11Just take a look what can't speak, can't lie
00:01:13Alright darling, put your binoculars away
00:01:15Cause I can tell you exactly what it says
00:01:16A manufacturer's recommended retail price
00:01:19£42.99
00:01:20Now I'm not going to want
00:01:23You could have printed them yourself
00:01:23You what?
00:01:24I said you could have printed them yourself
00:01:26Do me a favour, pal
00:01:28Do I look like Rupert Maxwell?
00:01:29God, there are some of us
00:01:31There are two M's in recommend
00:01:32That is because they're printed in Indonesia, aren't they?
00:01:36That's the Indonesian spelling
00:01:38They can't spell out there, can they, you blonker?
00:01:40Now listen to me
00:01:41I'm not going to ask you for £42.99
00:01:44I wouldn't dream of it
00:01:45I haven't come here to stripe you off
00:01:46Now listen
00:01:47I'm not going to even ask you for a score
00:01:49Now listen, if I said
00:01:50If I said to you, give me a tenner
00:01:52You'd think you were on a right result, wouldn't you?
00:01:54But I'm not going to ask you for a tenner
00:01:56Alright, listen
00:01:56I don't know, darling
00:01:57I don't want a tenner
00:01:58Put your money away, love
00:01:59Now listen, before I tell you how much I want
00:02:01For this wonderful cantina cutlery
00:02:03I want anyone of a nervous disposition
00:02:05Anyone with a weak heart
00:02:06To move along, please
00:02:07Because I do not want to be held responsible
00:02:09As I'm only insured for third-party fire and theft
00:02:12Right, now here we go
00:02:14Listen to me
00:02:14Here we go
00:02:15A 36-piece canteen set of cutlery
00:02:18Made in Indonesia
00:02:19Handmade
00:02:19Genuine synthetic leather cake
00:02:21Manufacturer's recommended retail price
00:02:23£42.99
00:02:24Yours for
00:02:25First come first served
00:02:26£3.50
00:02:28What do you mean you are?
00:02:32Come on
00:02:33Look, do me a favour
00:02:34Look, take it away from me
00:02:36Before it hurts
00:02:36Come on
00:02:37Look, what do you want?
00:02:37Jam on it?
00:02:38They can't be top quality
00:02:39They're too cheap
00:02:40What?
00:02:41How can they be too cheap, you plonker?
00:02:43Here, listen
00:02:44I'm not a plonker
00:02:45No, what are you doing then?
00:02:47An impression?
00:02:48Now listen, come on
00:02:49You'll not get another bargain like this again
00:02:51Yeah, I feel we don't get any guarantees with them
00:02:54Yes, you do
00:02:54You do get a guarantee
00:02:55I'll guarantee that you get a smack in the mooie in a minute, old cocker
00:02:59If you don't move on
00:02:59Go away and annoy someone else for a month or two, will you?
00:03:02Now look at these
00:03:03Take a look
00:03:04Hello
00:03:04Hi
00:03:06Is this your first day in the market?
00:03:08Mm, first day
00:03:09Thought I hadn't seen you here before
00:03:12Is this all your own work?
00:03:16Mm, afraid so
00:03:17Oh, nice
00:03:18It's really good, you know
00:03:20Do you really think so?
00:03:22Well, that's awfully sweet of you
00:03:23I'm an artist
00:03:25I went away to college for a while
00:03:27Really?
00:03:28I was at the Milan School of Art for two years
00:03:30Then I had a spell at the Sorbonne
00:03:32Where were you?
00:03:34Basingstoke
00:03:35Basingstoke
00:03:37I don't think I've heard of it
00:03:39It's a big town in Hampshire
00:03:41Oh, no, I meant that I hadn't heard of the Basingstoke College of Art
00:03:45Oh, oh, it's quite famous
00:03:47Well, in Basingstoke, you know
00:03:50Oh, by the way, my name is Rodney
00:03:53Victoria
00:03:54Well, Vicky
00:03:56Right, come on then, ladies
00:03:57Come on now, make your neighbours just
00:03:59Look, only the finest steel goes into making this premier cutlery
00:04:03Producing the sharpest cutting edge you've ever experienced
00:04:07Yeah, but how do we know that?
00:04:10Well, run your wrist gently down the blade and you'll find out
00:04:12All right, old boy
00:04:15All right
00:04:16All right, Trey, come on
00:04:18I'd rather have shingles than these knives and forks
00:04:21At least you can get rid of shingles
00:04:22How are things for you, Trey?
00:04:23None at worst
00:04:25Have you hired, mate?
00:04:26All right, listen to me
00:04:28I'll let you have them at cost, all right?
00:04:30Now, that's three quid a box
00:04:31Now, come on, you know it makes sense
00:04:33Three quid?
00:04:34Here, I'll have one of them, Del
00:04:35What do you mean you'll have one of them?
00:04:45Three pounds here, a bargain
00:04:46Trigger, those are the ones that you sold me last week for a knicker each
00:04:52No, they ain't the same
00:04:56Mine didn't have their one
00:04:57I don't believe him
00:05:00All right, Trig, you stay here
00:05:03I'm going to go and give Miss Diana a bell
00:05:05All right, come on, listen
00:05:08Now, listen, I've got to get rid of this stuff
00:05:10Now, because I
00:05:10All right, quick, away you go
00:05:15Everyone, everyone, go on, before you get your collars felt
00:05:17Go on, away you go
00:05:18Look at that stupid little dipstick
00:05:26Surrounded
00:05:34Now I know how General Custer felt
00:05:36Trigger, quick, quick
00:05:40Listen, just do exactly as I say
00:05:43You are looking for the Hilton Hotel
00:05:49Si, Hilton Hotel
00:05:51Turn left at the top of the road
00:05:56Si
00:05:56And you'll see a bus stop
00:06:00Big red bus
00:06:03Si
00:06:04Take the 159 to Park Lane
00:06:09And that is where the Hilton Hotel is
00:06:14Oh, si, thank you, Jean
00:06:17Bonsoir
00:06:18Don't get many tourists round this way, eh, officer?
00:06:31No
00:06:31Especially tourists that speak three different languages
00:06:35All at once
00:06:36How much is that one?
00:06:41That's 50 pounds
00:06:42Oh
00:06:43And what about the one next to it?
00:06:46That's 85
00:06:47Oh
00:06:49Do you mind if I give you a bit of advice, Vicky?
00:06:53See, people round here don't pay 85 pounds for a painting
00:06:57People round here don't pay 85 pounds for a car
00:07:00But surely everybody has paintings in their homes
00:07:03Yeah, but they don't get them from galleries and what have you
00:07:06They get them from British home stores and prize bingo, you know
00:07:09I reckon you've picked the wrong market here
00:07:12You might go down and have a crack at Portobello Road
00:07:15You might be in with a shout then
00:07:16Hmm, perhaps you're right
00:07:18Oh well, nothing ventured
00:07:21Would you be in absolute love and help me take this stuff back to my car?
00:07:28Oh
00:07:28Well, I'd like to, but I'm a bit busy with me
00:07:31Ah
00:07:32Well, you must have sold in early and gone for something to eat, eh
00:07:37Well, in that case, I'm at your service, miss
00:07:39Oh, that's awfully sweet of you
00:07:41I'm sorry, I didn't
00:07:44Oh, Rodney
00:07:45What's your dive?
00:07:49Well, my name is Rodney
00:07:50He's just very fake
00:07:52I see
00:07:53What line of business are you in, Rodney?
00:07:57I'm a partner
00:07:58In a, in a partnership
00:08:00Me and me brother
00:08:01We buy and sell this and that
00:08:04Do you specialise?
00:08:05Er, no
00:08:06I envy you
00:08:08It must be wonderful to work in the market every day
00:08:10I find it very stimulating
00:08:12It's all the hustle and bustle
00:08:14And all the lovely, lovely characters that one sees
00:08:17Of course, I know that they're not all, Rodney
00:08:20Did you spot that noisy little person selling the tatty cutlery?
00:08:25Yeah
00:08:25That's my brother
00:08:27Oh, look, I'm frightfully sorry
00:08:29Look, I mean, when I said that he's noisy
00:08:31No, no, no, you're right, he is noisy
00:08:33He's always been noisy
00:08:35I bet he's as good as gold, really, isn't I?
00:08:37I sort of look after him
00:08:39I see
00:08:40I haven't got any brothers or sisters
00:08:43No
00:08:43Do you want him?
00:08:45Er, no, thank you
00:08:46Well, here's the old crate
00:08:49Oh, nice car
00:08:52Yes, I got it for a birthday present
00:08:55Yeah?
00:08:56I've got a Nick Kershaw LP
00:08:58Right
00:09:07Well, I'm off for something to eat
00:09:08I'll see you around here, Vicky
00:09:10Where do you lunch?
00:09:11Lunch?
00:09:12Oh, I usually go down to Fatty Thumb
00:09:14The Fatty Thumb?
00:09:16Well, yeah, it's Sid's calf, really
00:09:17But we call it the Fatty Thumb just out of affection, you know
00:09:20May I join you?
00:09:23You?
00:09:23At the Fatty Thumb?
00:09:25I don't think you'd like it, Victoria
00:09:27You know, it's all steam and bacteria
00:09:29It's horrible, really
00:09:30Do you know, Rodney
00:09:32I get the feeling that you're an inverted snob
00:09:35Come on
00:09:36Jump in and I'll show you down there
00:09:38You won't like it, Victoria
00:09:42I don't like it and I'm a regular
00:09:46Look, there's a McDonald's around the corner
00:09:48Egg and chips, egg sausage and chips
00:09:54Egg sausage, beans and chips
00:09:56Pie and chips, pie, chips and peas
00:09:59Let's bubble beans toss it
00:10:00Oh, there you go, Rodney
00:10:01Don't get your tea, sir
00:10:03Two friggin' toast
00:10:05Bacon and egg and a slice
00:10:06Two eggs, toast and chips
00:10:10Sorry
00:10:11Two teas, fried egg and toast
00:10:14Well, here we go then, Vicky
00:10:17I think it's absolutely lovely in here
00:10:21Oh, yes, it's good, isn't it?
00:10:24Is this the bubble and squeak?
00:10:28Yeah, yeah, it's a bubble
00:10:29What is it, actually?
00:10:32Oh, we're sort of, um, greens and potatoes
00:10:37And then we sort of mix it all up
00:10:40And fry it
00:10:42Mmm
00:10:44It was absolutely munchy
00:10:46Oi, this machine's broke again, Sid
00:10:49If you wouldn't keep tilting the sodding thing
00:10:51It wouldn't break, would it?
00:10:53Urg and chicken
00:10:54So you're not from round Peckham, why, then?
00:10:56No
00:10:57I was born and raised up in Berkshire
00:10:59I've been in London for about, um, three months now
00:11:04Have you always lived around here?
00:11:06Yeah, always
00:11:06I've been wanting to go to London for ages
00:11:10But Berkshire's so boring
00:11:12Boring Berkshire, I call it
00:11:15I wanted to be near the art galleries
00:11:18I suppose you're always in them
00:11:20Well, not always, no
00:11:23I did actually go up to the National Gallery a couple of weeks back
00:11:27But I suddenly realised, and I am ashamed to admit it
00:11:31But in all the years it's been housed here
00:11:33I've never actually seen a Da Vinci cartoon
00:11:35Well, I'm ashamed to admit it
00:11:38But I haven't seen it either
00:11:39What did you think of it?
00:11:43Well, they were shut
00:11:44But, you know, I'm going back
00:11:46Why don't we go together?
00:11:50Yeah, kushti
00:11:51Kushti?
00:11:52Yeah, it means, um, you know, wonderful, terrific
00:11:55Oh, I see
00:11:57How frightfully I'll but square
00:11:59So, shall we say tomorrow at noon?
00:12:03Tomorrow?
00:12:04Hmm
00:12:05I don't know if I'll be able to get time off work
00:12:07But I thought you said you were a partner
00:12:10Oh, yeah, well, yeah
00:12:13Yeah, I'm a partner, yeah
00:12:15But, um, yeah, all right then
00:12:18Oh, no, I'll give myself the day off, eh
00:12:20Right, tomorrow at noon, then
00:12:22Kushti
00:12:23Kushti
00:12:23Do you like opera, Rodney?
00:12:29Of course you do
00:12:30I can tell
00:12:31Yeah
00:12:32There's a gala performance of Carmen
00:12:35On the Theatre Royal Drury Lane next week
00:12:37I've tried everywhere to get tickets
00:12:40But it's absolutely impossible
00:12:42Impossible, yeah, I know
00:12:43I've tried to know
00:12:44Um, I don't know
00:12:49I don't mind me saying this
00:12:50But, uh, I didn't really think that, you know
00:12:52Peckham would be your scene
00:12:54Oh, no
00:12:55I absolutely adore this area
00:12:57Oh, it's so rough and raw and vibrant
00:13:01I saw a woman spit yesterday
00:13:05You see, I was brought up in this tiny community
00:13:10In the wilds of boring Berkshire
00:13:12My world was one of nannies and live-in tutors
00:13:17And Ginkarnas and village fates
00:13:19The first time I left there was when I was 11
00:13:23And that was only to go to Rody
00:13:25Then I went to a Swiss finishing school
00:13:27Mine was a very insular existence
00:13:30I didn't even realise there was a real world
00:13:33Until I decided to make art my life
00:13:36I suppose that's why I like it round here
00:13:39Must be the artist in me
00:13:41My mother was a painter
00:13:43She had some work exhibited at the Royal Academy
00:13:46Ex-sausage and chips, ex-sausage, fancy chips
00:13:48Oh, my God
00:13:51The Royal Academy
00:13:52Oh, does she still paint?
00:13:56No
00:13:56Was she talking wrong?
00:14:01No
00:14:01You see, she died when I was 12
00:14:05A skiing accident in Osdreff
00:14:09Oh, look, I'm really sorry, Vicky
00:14:12I know how much that must have hurt you
00:14:14I don't think so, Rodney
00:14:16Oh, yeah, I do
00:14:17See, same thing came to me when I was only five
00:14:20Five chips, five chips and faith
00:14:22Oh, Rodney, how absolutely awful for you
00:14:24Where was your mother skiing?
00:14:29Oh, Mum won't ski
00:14:32According to what the rest of the family tell me
00:14:35Mum didn't do a lot of skiing
00:14:36That actually just did something wrong with her son
00:14:39Oh, I see
00:14:40Sorry
00:14:41Oh, Lord, look at the time
00:14:44I must dash, otherwise they start worrying
00:14:46Oh, do
00:14:47Special branch
00:14:48Special branch?
00:14:53Yes, it's all incredibly tedious
00:14:55They have to protect us
00:14:57Well, Daddy mainly
00:14:59Well, is he a super-gross?
00:15:02No, silly
00:15:03He's
00:15:04Oh, he's terribly boring
00:15:06He's the Duke of Mailbury
00:15:09The Duke of Mailbury?
00:15:13Yes, I said it was terribly boring
00:15:15Look, I must dash
00:15:18See you tomorrow at the National
00:15:19Yeah
00:15:22Kushti
00:15:23Ciao
00:15:24Mailbury
00:15:33Mailbury
00:15:35Mailbury
00:15:37I don't know why you couldn't have left it till tomorrow
00:15:49Oh, leave it out, will you, Albert?
00:15:52You've done more whining than a bleeding spin dryer
00:15:54Rodney's back, dear boy
00:15:57Someone must have paid the ransom
00:15:59Hmm
00:16:01And where have you been?
00:16:04I went down a library
00:16:05What for?
00:16:06Well, see, if my shoes was done
00:16:08What do you think I went down a library for?
00:16:10I went to get a book, didn't I?
00:16:13Books
00:16:14Teach yourself book, is it?
00:16:17It is a genealogical and heraldic history of British peers
00:16:21I don't believe it?
00:16:22I don't believe it
00:16:22I don't believe it
00:16:24While I've been down the market getting a tug from the local gendarmerie
00:16:27This dipstick's been sitting here reading a book about jetties
00:16:30I'll tell you this much, Rodney
00:16:31You ain't gonna get no wages at the end of the week
00:16:33Oi, oi, come on, Del
00:16:35Well, that bird I was talking to in the market
00:16:37I said I'd take her out tomorrow and I'm potless, ain't I?
00:16:40Yeah, well, that's your problem, innit?
00:16:42Oh, well, thanks a bunch
00:16:43Oh, that's gonna be right embarrassing, innit?
00:16:46Especially with her coming from a money background
00:16:48Yeah, I know, it's a tough old work
00:16:49What do you mean, money background?
00:16:52Her old man's very wealthy
00:16:53Is he? Well, what's his game?
00:16:55I've got to tell someone, Del
00:16:57But you've got to promise me it's to go none further
00:16:59Yeah, no, no, no, no, of course not
00:17:01Just between us two
00:17:01Have you ever heard of the Duke of Malbury?
00:17:07The Duke of...
00:17:08Oh, leave it out, you twonk
00:17:10It is God's honest truth, Del
00:17:12No
00:17:13Del, I cross my heart and hope to die in a cellar full of rats
00:17:17What do you mean, that little girl?
00:17:19Like her daddy
00:17:20Honest, it's for real
00:17:22Bloody hell
00:17:24But it's got to be our little secret, though
00:17:25Well, yeah, of course it is
00:17:27Did you hear that, Albert?
00:17:28Albert, you know that little sort that Rodney's been chatting up down the market?
00:17:32What about her?
00:17:33Her father only owns a pub
00:17:35Go on, you're pulling my leg
00:17:38No, no, it's straight up
00:17:39It's the Duke of Malbury, innit?
00:17:40It's over Nunheadway, innit, Rodney?
00:17:41No, no, listen
00:17:42He don't own the Duke of Malbury
00:17:44He is the Duke of Malbury
00:17:47He's an ability, innit?
00:17:48You know, he's a peer of the realm
00:17:50Oh, leave it out, Rodders
00:17:52Look, I've seen a picture of the real Duke of Malbury in the sporting life
00:17:55He owns that horse
00:17:56Ampsom Sampson
00:17:58Second favourite for the Derby next year
00:18:00And that little girl, she don't look nothing like him
00:18:02She looks like the horse, maybe
00:18:04Not him
00:18:05She's no more an ability than you are
00:18:06No
00:18:07Have a look at that, then
00:18:09What?
00:18:12Blimey, I don't believe it
00:18:13It's her
00:18:14That's the girl from the market
00:18:15Which one?
00:18:16What do you mean, which one?
00:18:17Her, look, the one without the top hat on
00:18:19She's standing there
00:18:20Next to Princess Anne
00:18:21At a rodeo or something
00:18:23They're in here and all
00:18:24Eh?
00:18:25Her father, right
00:18:26Is a sort of second cousin to the Queen
00:18:28Vicky's in here and all
00:18:30Here you are
00:18:31Her proper title is
00:18:33Lady Victoria Marsham Hales
00:18:36Only child of Sir Henry Marsham
00:18:39KBE
00:18:40MVO
00:18:41MC and Bar
00:18:4314th Duke of Malbury
00:18:45Family home
00:18:47Covington House
00:18:49Upper Stansmere
00:18:50Berkshire
00:18:50You ain't had a go at her, have you?
00:18:56No, I ain't
00:18:57Well, you keep your mucky mitts off her
00:18:59Otherwise, we'll have her mother round here
00:19:00Throwing royal prerogatives all over the shop
00:19:02I doubt it
00:19:03Her mum died in a skiing accident about nine years ago
00:19:06All right, then
00:19:07Answer me this
00:19:08If she is a titled lady
00:19:10What's she going out with him for?
00:19:12He is giving me the right hand, Bill
00:19:14It's all right
00:19:14It's all right
00:19:15No, listen, Albert
00:19:16No, Rodney's got some very nice qualities
00:19:19I mean, she may have been smitten by his rakish charms
00:19:22Or his boyish good looks
00:19:24On the other hand, she could be a posh tart
00:19:26Fancying a bit of scrag
00:19:27You never can tell
00:19:29Now, wait a minute, though
00:19:34Wait a minute
00:19:35Wait a minute
00:19:36I got it now
00:19:38Got it
00:19:38I think I know what this is all about
00:19:40Listen, it's a well-known fact, you know
00:19:43Every three or four hundred years
00:19:45The old aristocracy
00:19:46They've got to bring in a bit of the old, you know, common stock
00:19:49To water the old blue blood down a bit
00:19:51What?
00:19:52And they can't do better than that?
00:19:54Do me a favour
00:19:55I'm all going to crack him around the head in a minute
00:19:57No, no, no, it's all right
00:19:58No, no, listen
00:19:59Listen to me, I don't care what you say
00:20:00I bet you any money you like
00:20:01That her old man has told her
00:20:03To find herself an husband
00:20:04And Rodney's in the frame
00:20:06Rodney, ask her to marry you
00:20:09But I don't want to get married
00:20:12Listen to me, you dipstick
00:20:15Look, just think about it for a minute, will you?
00:20:19Think of all the advantages
00:20:20Listen
00:20:21That Vicky, or whatever her name is
00:20:23She's the sole heiress of the Malbury fortunes, right?
00:20:26She's got no brothers or sisters
00:20:27And the old girl popped her clogs
00:20:29Halfway down a giant slalom, right?
00:20:31So when the old Duke finally says, you know, like
00:20:33Bonsoir to this mortal girl
00:20:35She'll become the Duchess
00:20:36And do you know what that means?
00:20:39What?
00:20:41Howard, come here
00:20:42I want you to remember this moment
00:20:45Because we could be looking at the future Duke of Malbury
00:20:49He don't look like a peer of the realm
00:20:53Well, eh?
00:20:54Well, no, not at the moment he don't
00:20:55No, but stick a coronet on his head
00:20:56Bit of vermin
00:20:57Get rid of them boots
00:20:58He's a dead ringer
00:20:58I don't want to be a joke
00:21:00Listen to me
00:21:01Don't give me all that Tony Benn Cobblers
00:21:03Think of all the advantages
00:21:04You'll be sitting in the House of Lords
00:21:07Yeah
00:21:08Well, we can watch you on the telly having a kip
00:21:10Look, me and Vicky
00:21:13Well, we're more mates than anything else
00:21:16We have one mutual interest
00:21:19Art
00:21:19Other than that, we're worlds apart
00:21:21I mean, she wants us to go to places like, well, the opera
00:21:25Why, what's on?
00:21:27An opera
00:21:28No, I mean, what opera?
00:21:30Oh, I don't know
00:21:31It's a carman or something
00:21:32It's a gala performance
00:21:33Why don't you take that then?
00:21:36Where do I do that?
00:21:37I don't know the first thing about operas
00:21:39And besides, it's impossible to get tickets, isn't it?
00:21:42If you want tickets, you shall have tickets, Cinders
00:21:45How?
00:21:47How?
00:21:47From Limpy Lionel, the ticket's out
00:21:49He can get tickets for anything
00:21:51Gonna cost, Del
00:21:52Eh?
00:21:54What does money matter?
00:21:55What does money matter compared with little Rodney's happiness?
00:21:59Eh?
00:22:00I still don't understand how you managed it
00:22:04Even Daddy couldn't get tickets for tonight
00:22:07And he tried everywhere
00:22:08Oh, it was nothing, really
00:22:10I have, let's just say, contacts
00:22:13But they must have cost the earth
00:22:18I didn't ask
00:22:20I just told my man, get them
00:22:22I hope they're not forgeries
00:22:36Good evening, Lady Victoria
00:22:46Hello
00:22:47Thank you, sir
00:22:48Thank you, sir
00:22:55Have a nice evening
00:22:57Huh?
00:22:58I said, have a nice evening, sir
00:23:00Oh, yeah
00:23:02All right, thank you
00:23:03Thank you very much
00:23:04Are you all right?
00:23:07I'm fine
00:23:07Fuck, it's a programme, shall I?
00:23:10Uh, two programmes, please
00:23:17That's eight pounds, sir
00:23:18No, two programmes
00:23:21They're four pounds each, sir
00:23:23Oh
00:23:25All right
00:23:27Thank you
00:23:28Thanks
00:23:29It's all
00:23:32There you go
00:23:37Rodney
00:23:41I know you'll think I'm a frightful old bore
00:23:44But you know you've invited me to a soccer match on Saturday
00:23:47Yeah?
00:23:48Well, I'm afraid I'm going to have to cancel
00:23:50Oh
00:23:52Oh, worse
00:23:53That's no problem, Vicky
00:23:55I must go home, you see
00:23:56Daddy's invited a few friends down to the estate for the weekend
00:23:59A shoot and then dinner
00:24:00I simply have to be there
00:24:03I am the lady of the house these days
00:24:05Yeah, that's all right
00:24:06I understand
00:24:08Would you like to join us
00:24:11As my guest?
00:24:14Oh
00:24:14Erm
00:24:16Well
00:24:17You could stay overnight
00:24:19And then on Sunday
00:24:20I'd take you for a wonderful lunch
00:24:21At our little local
00:24:22Er
00:24:23Yes
00:24:26Thank you, Vicky
00:24:28I'd love to
00:24:28Oh, that's super
00:24:29Thank you
00:24:34Can I get you a drink?
00:24:39A very dry white wine and soda, please
00:24:41All right
00:24:41I won't be a minute, then
00:24:42Could I have two very dry white wine and sodas, please?
00:24:54I'll take you a drink
00:24:55I'll take you a drink
00:24:55I'll take you a drink
00:24:56I'll take you a drink
00:24:56I'll take you a drink
00:24:57I'll take you a drink
00:24:58I'll take you a drink
00:24:59I'll take you a drink
00:25:00I'll take you a drink
00:25:00I'll take you a drink
00:25:01Rodney
00:25:02Rodney
00:25:02Rodders
00:25:03Excuse me, pal
00:25:05Sorry, pal
00:25:05Excuse me
00:25:06Excuse me
00:25:06Ah
00:25:07All right, bruv
00:25:08I was getting a bit worried, you know
00:25:09The whole time was creeping on there
00:25:10All right, darling?
00:25:12Yeah, they reckon it's going to be a good one tonight
00:25:13Oi
00:25:14John
00:25:15When you finish your dinner break
00:25:16Can we have some service up here?
00:25:18Dear
00:25:18Daryl, he is already serving me
00:25:20Oh, is he?
00:25:21Ah, right
00:25:22Oi
00:25:22Cooper, Libra, in there for moi
00:25:25All right
00:25:25Daryl, what the bloody hell are you doing here?
00:25:29Oh, that's charming, that is, isn't it?
00:25:31That's charming
00:25:32After all I've done for you
00:25:33Well, there were four tickets, right?
00:25:36Up for grabs
00:25:37You know me
00:25:38I love a bit of opera
00:25:39You?
00:25:40The only opera you've ever seen was Tommy
00:25:43And that was on video
00:25:44You ain't never been to an opera in your life
00:25:46I've never milked a cow in my life
00:25:49But I still like a bit of cheese, don't I?
00:25:52What?
00:25:53Oh
00:25:53Victoria, this is my brother Derek
00:25:57Oh, hello, how nice to meet you
00:25:58And you
00:25:59And may I say, Victoria, how particularly lovely that you are looking tonight
00:26:04Thank you
00:26:06I didn't realise that you were going to be joining us
00:26:09Oh, yes, well, there were four tickets available, you see
00:26:12And I bought them all
00:26:13Oh, yes, Rodney bought them all
00:26:15Wild Edson United
00:26:16He's generous to a fault
00:26:17Well, cheers
00:26:19I don't believe it
00:26:26What don't you believe?
00:26:28Look, this is the Theatre Royal, Drury Lane, right?
00:26:32And somebody has ordered a kiss of green
00:26:34Never
00:26:35We are
00:26:36Er, there
00:26:38You saucy git, that's my bird
00:26:43It ain't
00:26:44It ain't
00:26:45It ain't
00:26:46It is, it's Junie
00:26:47You know, June, she lives over in Zimbabwe house
00:26:49Don't ask to go out with her daughter
00:26:52Oh, I know
00:26:54Don't worry, she won't say a word
00:26:55Wait, Junie
00:26:58Here you go
00:26:59I'm not sure where you got to
00:27:03Them cars is enough posh
00:27:05Yes, well, you always go to the best place here with me, sweetheart
00:27:08Oh, allow me to introduce you
00:27:12Lady Victoria, I want you to meet June Snell
00:27:17Good evening, June
00:27:18Hello
00:27:19You all right?
00:27:22Lady Victoria, remember?
00:27:25Oh, er, yeah
00:27:27It's a great pleasure to meet you, Mum
00:27:32Oh, no, please
00:27:38I mean, it really isn't necessary
00:27:40No, no, no, no
00:27:41Please, Victoria
00:27:42Junie likes to keep herself in perspective, don't you, girl?
00:27:45Oh, yeah
00:27:46I think it's best
00:27:47Oh, of course, you know Rodney, don't you?
00:27:50Whatcha?
00:27:51Whatcha?
00:27:52He used to go out with my daughter, Debbie
00:27:54She's living with a Cypriot geezer now
00:27:59Terrific
00:28:00Sue, you're an opera buff as well, are you, June?
00:28:05I saw one once on BBC Two
00:28:07Our telly had gone up the wall
00:28:09It was the only channel we could get
00:28:11You came round that night, Dill, remember?
00:28:14Well, you just delivered the telly, hadn't you?
00:28:17Yeah, just needed a little bit of adjustment, that was all
00:28:19There was that world-famous foreign bloke singing, weren't there?
00:28:23Oh, yeah, wonderful boy
00:28:24Oh, yes, very talented
00:28:26Great big fat git, wasn't he?
00:28:29Yeah, yeah
00:28:30Couldn't I put a song across, though, couldn't he?
00:28:33Ha, ha, ha, ha
00:28:34Of course, this is my most favourite opera, this one, you know, Carmen
00:28:41Oh, love it
00:28:43Figaro, Figaro, Figaro, Figaro
00:28:44Um, that's from the Barber of Seville
00:28:49Eh?
00:28:51It isn't from Carmen
00:28:52It's from the Barber of Seville
00:28:55Yeah, yeah, that's right, actually
00:28:58It is definitely the Barber of Seville, that one, then
00:29:00Oh, of course it is, of course it is
00:29:04I don't know what's the matter with me
00:29:05Now, I always get those two mixed up, you know, the Barber of Seville and Carmen
00:29:08Well, Carmen's an air dryer, isn't it?
00:29:14Yeah, well, of course it is, yeah
00:29:16God, blimey, he's rung that one early, hasn't he?
00:29:19Oh, yes, hasn't he? Still, we've got time for another one, haven't we?
00:29:21So, what's that? White wine and soda, Junie
00:29:23Oh, Benedictine and lemonade
00:29:25Excuse me, the bell is simply to tell the audience that the performance is about to begin
00:29:32Oh, yeah, yeah
00:29:36Oh, yeah, we knew that
00:29:37Oh, yeah, knew that
00:29:39Yeah, we just thought there might be time for a quick one
00:29:43I don't think so
00:29:44I really think we ought to be taking our seats
00:29:47All right, well, may I?
00:29:51Thank you
00:29:52Right, come on
00:29:58Hey, Adele, how come she's got a programme and I ain't?
00:30:05She can read
00:30:06Oh
00:30:14We're waiting for you
00:30:19Us to sing a little bit
00:30:24Mother, as you're past, and you're past, oh, die
00:30:32Mother, as you're past, and you're past, oh, die
00:30:39It's a blinding opera, isn't it?
00:30:57It's all right, I suppose.
00:31:00You don't get going, does it?
00:31:03Well, no, it's not supposed to get going.
00:31:05I mean, it's culture.
00:31:07You don't come to an opera to enjoy it.
00:31:10You come because it's there.
00:31:14Oh, I didn't know that.
00:31:17Oh, yeah.
00:31:19I like Vince Hill.
00:31:26Yeah, I like Vince Hill.
00:31:28Yeah, yeah.
00:31:30He's almost culture.
00:31:32Not quite, but almost.
00:31:35What's that about?
00:31:39I don't know.
00:31:41Maybe there's someone talking somewhere.
00:31:43Oh, yeah.
00:31:44Maybe.
00:31:46Some people have got no protocol, have they?
00:31:48No.
00:31:48I've got a few licorice or salt left.
00:31:56What if you've got one with hundreds and thousands on it?
00:31:59Only one.
00:32:00Oh.
00:32:03Let's have a look.
00:32:04Rodney.
00:32:15Rodney.
00:32:16Oh.
00:32:18Do you want to lick your shot or salt?
00:32:21Oh.
00:32:24Vicky.
00:32:26Vicky.
00:32:27Vicky.
00:32:27Shhh.
00:32:30Do you have a pop at me or what?
00:32:31No, he ain't.
00:32:32Just be quiet.
00:32:35Vicky.
00:32:36Yes.
00:32:37Do you want a licorice or salt?
00:32:42Here.
00:32:42There's only a couple left.
00:32:43We might as well finish them off.
00:32:45Here.
00:32:45No, not there.
00:32:46No, not there.
00:33:13Don't you shush me, pal.
00:33:15Adele, please.
00:33:16Well.
00:33:18Vicky.
00:33:19Vicky.
00:33:19Yes.
00:33:21Thank you, Chris.
00:33:23No, thank you.
00:33:45Ha, ha, ha, ha, ha, ha.
00:33:54Rodney.
00:33:56What?
00:33:58Put your arm round her shoulder.
00:34:02Put your arm round her.
00:34:07I don't, but Adele, this is not the audio.
00:34:10Shh.
00:34:12I'm so sorry, eh?
00:34:15You just keep on, pal.
00:34:16See what you get.
00:34:30You've had all of them.
00:34:32No, I ain't.
00:34:34You had some.
00:34:35Not today.
00:34:38Where's Adele?
00:34:52It's gone out to the ice cream lady.
00:34:54Rodney.
00:34:56Oh.
00:34:57Oh.
00:34:59No flies free as a bird in spring,
00:35:04and at his wheelie goes and comes.
00:35:08One can catch him or lick his wing.
00:35:12Why waste your time in casting crowds?
00:35:16Rodney, shh.
00:35:18Rodney, can you please be quiet?
00:35:24I can't find my place.
00:35:26Rodney.
00:35:28We're over here, Dale.
00:35:32Excuse me.
00:35:34Thanks, girl. Excuse me.
00:35:36Oh, is that your fault?
00:35:38Yes.
00:35:39Oh, sorry.
00:35:40There we are.
00:35:42For God's sake, how long do we have to put up with this?
00:35:46I didn't know there was a carton on the floor.
00:35:48What did you throw it on the floor for?
00:35:50Well, how was I to know you were going to tread on it?
00:35:52Are you going to continue making this noise throughout the entire performance?
00:35:55I don't know.
00:35:56I might lick you off the second half.
00:35:58Dale, will you please just sit down?
00:36:00I'm trying to listen.
00:36:02Why don't you shut up, then?
00:36:04Will you please be quiet?
00:36:05I shall come down there and smack you in the eye in a minute, child.
00:36:10Dale, just take it easy, eh?
00:36:13Yeah, well, you're giving me the right ump, Rodney.
00:36:25Rodney.
00:36:26What?
00:36:29Do you want an ice cream?
00:36:31No.
00:36:33I bought you one.
00:36:34I don't want it.
00:36:39Vicky.
00:36:40Yes.
00:36:41Do you want an ice cream?
00:36:42No, thank you.
00:36:43I don't eat ice cream.
00:36:45And I bought it for you.
00:36:46She don't eat ice cream.
00:36:48I've never ever liked ice cream.
00:36:54What am I supposed to do with these two?
00:36:55Well, you can stick them where the sun don't shine as far as I'm concerned, as long as you sh...
00:36:59Shut up.
00:37:00Well, thank you, bruv.
00:37:01Thank you very much.
00:37:02Thank you, bruv.
00:37:03Thank you, bruv.
00:37:04Thank you very much.
00:37:17I love this one.
00:37:18Do you want an ice cream?
00:37:22Let's go over.
00:37:27All of them, some worship.
00:37:29Wait.
00:37:30Oh wait.
00:37:31I am sorry. I am so, so sorry.
00:37:52It wasn't your fault, Rodney.
00:37:55I'm not blaming you, and you shouldn't blame yourself.
00:37:57Oh, no, but if... Oh, God.
00:38:07A breath of fresh air, madam. Feel as right as rain.
00:38:11Thank you very much, Doctor.
00:38:18Well, the Phantom of the Opera strikes again, eh?
00:38:21Still, I don't suppose it's the first time someone's been sick in there, eh, Victoria?
00:38:24I honestly don't know. I haven't read a full history of the building.
00:38:27Oh.
00:38:29Well, if that's your bite to eat.
00:38:31No.
00:38:32I'm really not very hungry.
00:38:36Oh.
00:38:43Is everything all right, Miss Victoria?
00:38:46Not really, Eric, but not to worry.
00:38:49Ahem.
00:38:50Rodney, now you just behave yourself if you're seeing her back to her flat tonight.
00:38:53And what exactly is that supposed to mean?
00:38:56Listen to me, Rodney.
00:38:57The last thing we need at this delicate stage of development is for you to go tubbing her.
00:39:04Especially after we made such a good impression tonight.
00:39:06What? A good impression?
00:39:09Well, it was all right up until Junie's psychedelic yodel.
00:39:12Just get away from me, Del, will you?
00:39:15Just leave me alone.
00:39:22Oh, well, come on, Junie.
00:39:24Let's get you back home.
00:39:25I'm sorry about tonight, Del, boy.
00:39:29I don't know what come over me.
00:39:32Naughty the woman in front of you.
00:39:34I mean, you've only got yourself to blame, Junie.
00:39:37For what you've been shoving down your gullet tonight.
00:39:39I mean, Benedictine...
00:39:40Is this the shop you was on about?
00:39:46Yep.
00:39:47Del, when you said let's go and get some clothes for my weekend,
00:39:50I thought you meant we'd pop down to Solbroth's in Ballum for an airy shirt or something.
00:39:54I didn't realise I'd have to get dressed up like a free-range wally.
00:39:58Now, listen to me, Rodney.
00:40:00I'm not having you going down to Covington House,
00:40:02decked out like a Bob Geldof look-alike.
00:40:05I mean, have you had a look at yourself recently?
00:40:08I've seen wounds dress better than you.
00:40:11I'm not having anyone look down on you.
00:40:13You're as good as them and I want them to see that you are.
00:40:16I appreciate that, Del, and thank you.
00:40:18But putting me in a pair of green wellies
00:40:20will not turn me into Archduke Ferdinand.
00:40:23I will be Rodney trottering a pair of green wellies.
00:40:26And that is another thing...
00:40:28Don't do that.
00:40:29Another thing they're having a shooting party, ain't they?
00:40:31I disagree with blood sports.
00:40:33Do me a favour.
00:40:35You'll never hit one of them grouse things.
00:40:37They're fast.
00:40:38Yeah, tell them you've got a wart on your trigger finger.
00:40:41He ain't going to say nothing about warts, Albert.
00:40:44The old Duke would love that, wouldn't he, eh?
00:40:45His only child marrying someone covered in warts.
00:40:48Don't you say nothing about warts, Rodney.
00:40:50No.
00:40:51No, no problem, I assure you.
00:40:55I have to go, Sir Alan.
00:40:57Something's just come in.
00:40:59I mean, up.
00:41:00Goodbye.
00:41:02Good afternoon, gentlemen.
00:41:04May I help you?
00:41:07Well, I hope so.
00:41:07I want to buy some gear.
00:41:08I see.
00:41:10And what is Sir's pleasure?
00:41:12Well, uh, birds and curry, I suppose.
00:41:18Still haven't come here to chit-chat.
00:41:20I want you to talk him out for a weekend in the country, right?
00:41:22That's the acking jacket, stout brogues and all the exes.
00:41:26Now, look.
00:41:27Got a monkey there.
00:41:28That should cover it.
00:41:30Yes.
00:41:31Yes, of course.
00:41:32Uh, if you'd like to come this way, sir.
00:41:35Right, come on, Rodney.
00:41:36Let's sort this out.
00:41:37Of course, he's got some very strange measurements, you know.
00:41:40Don't you worry, Rodney.
00:41:41By the time he's finished with you, you'll look just like one of them.
00:41:46That's what I'm frightened of.
00:41:49Pull!
00:41:52Good shot, you, Grace.
00:41:53I was rather pleased with that myself.
00:41:55Pure luck, Henry.
00:41:57Pure luck.
00:41:57Ah, thank you, Charles.
00:41:58I thought you'd clear up the mystery.
00:42:00Come on.
00:42:01Let's see you do better.
00:42:01Now, stand back, old boy, and watch a real marksman.
00:42:07Pull!
00:42:11Good shot, sir.
00:42:21Are you hungry?
00:42:22Oh, no, no, I'm fine, thank you.
00:42:24Well, there's plenty to eat.
00:42:25Well, perhaps I'll have some in a moment.
00:42:28Well, what do you think of it so far?
00:42:31Oh, very interesting.
00:42:33You know, I'm really enjoying myself.
00:42:36Rodney, you keep on saying thank you.
00:42:39Do I?
00:42:40Yes.
00:42:41I just thought I'd mention it.
00:42:43I hope you don't mind.
00:42:44No, thank you.
00:42:46Sorry.
00:42:47Don't mention it.
00:42:49I said that one on purpose, though.
00:42:51I know you did.
00:42:53Have you ever used a double-barreled before?
00:42:58Oh, no.
00:43:00No.
00:43:00Well, I had an air gun, you know, when I was a kid.
00:43:03Would you like to try?
00:43:05No.
00:43:05No, you're all right.
00:43:06I'll just watch.
00:43:07Come on.
00:43:08Don't be such an old stick in the mud.
00:43:10Daddy, do you have a gun there for Rodney?
00:43:13Uh, yes, yes, of course, darling.
00:43:15Patterson, let's have that purdy there, will you?
00:43:17Yes, Your Grace.
00:43:19Have you done this sort of thing before, Rodney?
00:43:21Uh, no.
00:43:22Well, I'll just watch, if you like.
00:43:23Oh, nonsense, nonsense.
00:43:24There's nothing to it.
00:43:26Now, look, this is what you do to load.
00:43:27You close the gun, right?
00:43:28There's a safety catch.
00:43:30You let that off.
00:43:31Both triggers.
00:43:32What you do is keep this close in because of the kick
00:43:33and then get the two balance.
00:43:35Get both eyes open, cover it, and then fire.
00:43:37All right?
00:43:38Oh, right, yeah.
00:43:39Thank you, Your Grace.
00:43:40Oh, Henry, Henry, please.
00:43:41Henry, thank you.
00:43:42Would you like these?
00:43:44Oh, yeah, thank you.
00:44:03What do I say to him?
00:44:04No!
00:44:05Put it down, Rodney!
00:44:06What?
00:44:06Down!
00:44:07Put it down!
00:44:08Shut up, Victoria!
00:44:09Put it down!
00:44:09Put it down!
00:44:11Up, up, up, up, up!
00:44:12Look out, Rodney!
00:44:13You can't get down!
00:44:15Up, up, up, up!
00:44:16Look, I'm sorry, old boy, but when you have a gun,
00:44:19you never, never point at...
00:44:21I just realised what I did.
00:44:22I'm sorry.
00:44:23Sorry.
00:44:24Yes, well, it's probably my fault.
00:44:25I'm sorry.
00:44:25I should have told you, all right?
00:44:27Like that.
00:44:28Now, when you're ready, just say,
00:44:30pull, and then...
00:44:32Yes, all right?
00:44:33Pull, right.
00:44:34Yes.
00:44:44Paul!
00:44:56Is he of a nervous disposition?
00:44:58Not as far as I know.
00:45:01Would you like me to take that for you, sir?
00:45:05What?
00:45:07Oh.
00:45:14Well, that was a jolly good try, Radley.
00:45:19Are you all right?
00:45:20Yes, thank you.
00:45:21You seem somewhat shocked.
00:45:22It wasn't the gun, was it?
00:45:24No.
00:45:25No.
00:45:26No, I'm fine.
00:45:27I'll get you a drink.
00:45:34Are you all right?
00:45:36Yes, thank you.
00:45:37You seem somewhat shocked.
00:45:39It wasn't the gun, was it?
00:45:42No.
00:45:43No, I'm fine.
00:45:45I'll get you a drink.
00:46:07Come on, where are you?
00:46:10I know you're out there somewhere, you three-wheel jello.
00:46:22I'm sure it was there.
00:46:27I saw it.
00:46:29Tally-ho, there, Rogers!
00:46:37Tally-ho, there, Rogers!
00:46:56Good morning, tally-ho, there.
00:46:59You couldn't have picked a better day for it, could you?
00:47:05Come away!
00:47:06Hello again.
00:47:07I didn't expect to see you here.
00:47:10Oh, well, I didn't expect to see me here.
00:47:13And I didn't expect to see me here, either.
00:47:15I was supposed to be down at Lesion playing in a crib championship.
00:47:19Still that, he drags me all the way out to bloody Berkshire.
00:47:22Oh, cheers, darling. Thank you, I needed that.
00:47:25Mmm. Mmm.
00:47:27It's lovely.
00:47:27Listen, let me explain what happened, right?
00:47:30Well, I was tidying up the flat, and guess what I found in one of the wardrobes, eh?
00:47:36Only his evening suit, well, I thought to myself, he's left it behind.
00:47:41He can't go to dinner dressed like that, so I had no option but to drive it down here.
00:47:46Oh, I see.
00:47:47Well, that was very nice of you, wasn't it, Rodney?
00:47:51Yeah.
00:47:53Daddy!
00:47:54You bloody liar, I packed my evening suit, I packed it my...
00:47:58I, I packed it myself personally.
00:48:01Couldn't have done, Rodney, because I had to get back in the wardrobe.
00:48:03Because you took it out of my suitcase after I'd packed it.
00:48:06Now, why would I want to do a thing like that, eh?
00:48:07So's you could bloody well come down here.
00:48:09No, I didn't.
00:48:10Daddy, this is Rodney's brother, Derek Trotter.
00:48:14Derek, I'd like you to meet my father.
00:48:16No introductions necessary.
00:48:18I recognise your photograph from the Sporting Life.
00:48:20Tell me, how's, uh, Amson Sampson?
00:48:22Has he got over that fatlock sprain yet?
00:48:24Uh, yes, he's doing very nicely, thank you.
00:48:26Ah, good, and what about a derby next year?
00:48:28You know, will he be trying?
00:48:29Trying?
00:48:31Mr Trotter, it's a derby.
00:48:33Everyone will be trying.
00:48:34Ha, good.
00:48:34As long as no word to put my money, your grace.
00:48:36Victoria tells me you've driven all the way down from London
00:48:42with, uh, Rodney's dinner jacket.
00:48:44That's jolly decent of you.
00:48:45You must be exhausted.
00:48:46Well, I am cream cracker, your grace, but don't worry.
00:48:49I'll just mooch around here until I get me strength up
00:48:52for the journey back.
00:48:53Yes, well, do.
00:48:53Make yourself at home, won't you?
00:48:54And if you're around later, I'm sure,
00:48:56cook will provide you with something to eat.
00:48:58Oh, stay for dinner.
00:48:59Ah, well, pas de deux.
00:49:00And as luck would have it,
00:49:02as I was getting Rodney's evening suit out of the wardrobe,
00:49:04mine came along with it.
00:49:06So I've got all my gear here.
00:49:10A dinner, yes.
00:49:13Patterson, will you set another place for dinner tonight, please?
00:49:16For this gentleman?
00:49:17Yes, Patterson.
00:49:18Of course, your grace.
00:49:19Well, that's very civil of you.
00:49:21Thank you very much.
00:49:23Ah.
00:49:25Would you mind if, uh, I had a pot shot?
00:49:28Uh, no, no, of course not.
00:49:30Uh, Patterson, can I have a gun for Mr Trotter, please?
00:49:33No need, no need to.
00:49:34I have brought my own weapon.
00:49:38Albert, would you mind?
00:49:44Albert, would you mind?
00:49:46Couldn't care bloody less whether I minded or not.
00:49:49Fight for your country,
00:49:50go down shark-infested seas,
00:49:52what thanks you get?
00:49:53I tell you, no thanks,
00:49:56even from your own relatives.
00:49:58They turn you into a gunwaller.
00:50:00Here you are, and don't ask for nothing else.
00:50:07Thank you, my good man.
00:50:09You may retire.
00:50:10I thought I'd done that bloody ages ago.
00:50:12He's been with us for years.
00:50:16It's a bit like the income tax.
00:50:25Would you like these, sir?
00:50:28No, I can't listen to music while I'm shooting.
00:50:34Right, ready when you are, John.
00:50:35Do you mean Paul?
00:50:38Oh, sorry, Paul.
00:50:39In your own time, my son.
00:50:40I'll be all right when I get me eye in.
00:50:57Oi.
00:50:58Where did you get that gun from?
00:51:00Iggy Higgins.
00:51:01Iggy Higgins?
00:51:03Iggy Higgins robs banks.
00:51:04I know, but it's Saturday.
00:51:09Right, any smoked salmon sandwiches there, pal?
00:51:12All right?
00:51:29Look at that, Rodney.
00:51:31What a sight.
00:51:33Makes you proud to be British.
00:51:38They know the difference between cucumber sandwiches
00:51:40and an egg on toast this lot, doesn't they?
00:51:45All right?
00:51:47Spend it.
00:51:49Derek, Derek.
00:51:51Listen.
00:51:53I was nervous enough about this weekend,
00:51:55and that was without you being here.
00:51:58But you arrived,
00:52:00and your presence alarms me.
00:52:03What I'm trying to say is
00:52:05behave yourself, eh?
00:52:07Please.
00:52:09All right, all right, Rodney.
00:52:10Listen, I want you to know something.
00:52:12No matter what happens tonight, right?
00:52:14I'm doing it for you.
00:52:15All right.
00:52:18What do you mean?
00:52:19What's going to happen?
00:52:20No, no, nothing.
00:52:21Nothing.
00:52:21What are you going to do for me?
00:52:23Nothing.
00:52:23I'm just going to help you make a good impression, that's all.
00:52:25Look, I do not want to make a bloody impression.
00:52:27You will make an impression tonight,
00:52:29and you can cut that language out from the start.
00:52:33Look at that.
00:52:33Look.
00:52:34We've got the crem de monthe of British nobility down there.
00:52:38Look at that, mate.
00:52:39There's no one down there lower than a dowager.
00:52:42What do you want them to think?
00:52:43That we're just the hoi polloi?
00:52:46No.
00:52:47We'll be on our bestest behaviour tonight.
00:52:50Right.
00:52:51So we are agreed on that, then?
00:52:53Right.
00:52:58Oh, look at they lungs on that.
00:53:04Hmm?
00:53:06What?
00:53:08Right.
00:53:09Come on, then.
00:53:14All right?
00:53:16You mean?
00:53:17Evening.
00:53:18Good evening, dear.
00:53:20All right.
00:53:21Good evening.
00:53:22All right?
00:53:23Ah.
00:53:23Mm-hmm.
00:53:26Thank you, John.
00:53:31All right, Henry?
00:53:34Good evening.
00:53:34Good evening.
00:53:38Uh, is that a Da Vinci?
00:53:41No, it's not a Da Vinci.
00:53:43Ah, what a shame.
00:53:44Because he is my most favourite artist.
00:53:46Yeah.
00:53:46Have you seen that cartoon of his?
00:53:49Laugh.
00:53:50My whole ribs hate for days on that one.
00:53:53Because he did the old Mona Lisa and all, you know.
00:53:55Ah, really?
00:53:56Mm.
00:53:56Oh, yeah.
00:53:57She's the one with the, um, you know, she's got the energetic smile.
00:54:01You know, you can't tell whether she's just about to grin or she's sucking her sweet.
00:54:04That one.
00:54:04That is a Pissarro.
00:54:09Oh, I don't know.
00:54:09It's seen worse.
00:54:11It is by Camille Pissarro, a 19th century impressionist.
00:54:16Oh, what?
00:54:17Like Mike Yalwood?
00:54:17Yes, just like Mike Yalwood.
00:54:21Oh.
00:54:21And he did a bit of painting and all.
00:54:23Yes.
00:54:25Marvellous, isn't it, eh?
00:54:26You learn something new every day, don't you?
00:54:28Oh, I do.
00:54:28Yeah.
00:54:29Good evening, Phillips.
00:54:34Keep your eyes on those peas, Shirley.
00:54:39There you are, Albert.
00:54:41Thank you very much, Mrs. Miles.
00:54:44Here, I'll give you a word of warning.
00:54:46Don't give Mr. Trotter any peas.
00:54:49They go everywhere.
00:54:50I'll tell Mr. Patterson.
00:54:54Who are your people, Albert?
00:54:57They're not people.
00:54:58They're my nephews.
00:55:00So they're not of noble birth, then?
00:55:02Noble?
00:55:03The nearest them two had got the nobility was their great Uncle Jack.
00:55:07He was a tobacco baron.
00:55:08Now, the noisy one is a fly pitcher, and the young one's his apprentice.
00:55:13So that's what you lot do, then?
00:55:15Sell things on street corners?
00:55:18Not me, madam.
00:55:20I was a career man.
00:55:22I was in the Navy for 30 years, man and boy.
00:55:25I've been round the world more times than a satellite.
00:55:28I fought in the back of the Atlantic, back of the Pacific, Russian convoys,
00:55:32you name it, I was there.
00:55:34Oh, I bet you could tell a tale or two, eh, Albert?
00:55:37Never, never talk about it.
00:55:40I understand.
00:55:42I suspect it brings back too many memories.
00:55:45Yeah, you're right.
00:55:47I remember once we was in the South China Sea.
00:55:50We knew there were mines about.
00:55:52You see, and this...
00:55:52That little fella out there is really knocking back the champers.
00:55:55He's had nearly three quarters of a bottle to himself already.
00:55:58He keeps talking about Leonardo da Vinci.
00:56:00It's like he knew him.
00:56:02Tell Mr. Patterson.
00:56:05He might be able to discreetly suggest that the gentleman moderates his drinking.
00:56:10Anyway, as I was saying, I never talk about it.
00:56:16Never talk about what?
00:56:18About my days in the Navy.
00:56:20What were the battles and everything?
00:56:22But on this particular day in the South China Sea, the old captain came to us...
00:56:27Are we nearly ready to serve, Mrs. Miles?
00:56:29Ready when you are, Mr. Patterson.
00:56:31Good. I want to get Leonardo da Vinci's best friend sat down before he falls down.
00:56:36Some relation of yours, isn't he?
00:56:39Who? Leonardo da Vinci?
00:56:41No, no, no. The gentleman outside who thinks these stuffed olives are pickled grapes.
00:56:45Yeah, yeah, sort of.
00:56:47Is he an ex-Navy man as well, Albert?
00:56:49Him?
00:56:50You must be joking.
00:56:53He thinks a clip of something you do your hair with.
00:56:56No, I'm the only one in our family ever went to see.
00:57:00Watch out a lie.
00:57:01My grandmother's brother was safety officer on a Titanic.
00:57:06Yeah.
00:57:08Thought I'd never talk about it.
00:57:24Henry, who's that young chap of Victoria?
00:57:28Oh, he's just a friend.
00:57:30She's met him in a street market.
00:57:31She's going through her working artist stage at the moment.
00:57:35Just like her mother, bless her.
00:57:37It's just a phase.
00:57:38She often brings these colourful characters down for the weekend.
00:57:42Do you remember that chap who looked like a gypsy, arrived with a bull terrier and a stolen escort?
00:57:47Oh, yes.
00:57:48Oh, yes.
00:57:48Yes, he beat up Patterson at the library.
00:57:51Oh, yes.
00:57:52Oh, yes.
00:57:52Well, anyway, this chap, Rodney, Rodney, he's an artist too.
00:57:57And, er, the other fella, his brother?
00:58:00Yes.
00:58:01Well, he's the biggest, he's the biggest artist of them all.
00:58:06Yeah, Henry.
00:58:08Is that a da Vinci?
00:58:11No.
00:58:12Nice, though.
00:58:14It's just a phase, as I was saying.
00:58:18Yeah, right.
00:58:22Oh, dear.
00:58:24Oh, Patterson, give us a little topperoonie, will you, pal?
00:58:26Ha, ha, ha.
00:58:27Cheers.
00:58:28Go on, my son.
00:58:29Ha, ha, ha, ha.
00:58:30Yeah.
00:58:32Hello.
00:58:33Now, would you leave that wine alone?
00:58:36You're eating a star of Bengal now.
00:58:38What's that with you?
00:58:39I'm just enjoying myself, that's all.
00:58:41Ha, ha, ha.
00:58:42Oh, no, but when you enjoy yourself, nobody else does.
00:58:46Trust me, Rodney, trust me.
00:58:49You're reaching the point in the evening when I'm going to project you.
00:58:55Look, I do not want to be projected.
00:58:58Have you got that?
00:58:59I want to stay extremely unprojected.
00:59:05Hold her hand.
00:59:07What?
00:59:10Hold her hand.
00:59:14Shut up.
00:59:17I think he's a little drunk.
00:59:22He's always been a little drunk.
00:59:24That was a blinding meal at your ladyship, wasn't he?
00:59:27Yes.
00:59:28Excellent.
00:59:29Yeah.
00:59:30What did you have?
00:59:31The pheasant?
00:59:32Yes, pheasant.
00:59:33Yeah.
00:59:34Well, I had the quails with peas and gravy.
00:59:35So you did.
00:59:36Yeah.
00:59:37Tell me.
00:59:38It's Trotter, isn't it?
00:59:39Yes, that's right.
00:59:40But me friends call me Del.
00:59:42I see.
00:59:44Tell me, Trotter, how do you come to know Henry?
00:59:47Henry.
00:59:48Henry.
00:59:49Oh, Henry.
00:59:50Henry.
00:59:51Oh, yeah.
00:59:52Well, his daughter, the tricky one here in the blue, is getting engaged to my younger brother,
00:59:56Rodney.
00:59:57It's the ugly one over there in a way.
00:59:59Engaged?
01:00:00Shh, shh, shh, shh, shh, shh.
01:00:01Keep it under your tarara, huh?
01:00:03We don't want the media to hear about this.
01:00:05Remember what happened to Andrew and Fergie?
01:00:07They couldn't even fart without there being a newsflash.
01:00:09Oh.
01:00:10Couldn't they?
01:00:11Eh?
01:00:12Oh, there he is.
01:00:13Ha ha.
01:00:14Ah, good man.
01:00:16Whoops.
01:00:17Hello.
01:00:18You've drawn a blank there, you ladyship.
01:00:19Never mind.
01:00:20I expect your cariff will be coming along in a minute.
01:00:23Eh?
01:00:24You can have a slug of mine, if you like, while you're waiting.
01:00:26I was in the life raft about 20 yards from him.
01:00:31The cariff was so strong, I couldn't reach him.
01:00:34It was awful.
01:00:36That story will haunt me till the day I die.
01:00:39I know the feeling.
01:00:41That's how you can tell the pack of crystal.
01:00:59Really?
01:01:00Yeah.
01:01:02Pleasure.
01:01:03I, er, don't want to worry you, Henry, old man,
01:01:06but he actually threw his banana skin in your chest.
01:01:10Good grief.
01:01:11These are nice, Victoria.
01:01:12What are they?
01:01:13Rabinette or something?
01:01:14No, it's Doobridge crystal.
01:01:15It's been in the family for generations.
01:01:16Oh.
01:01:17Right.
01:01:18Put it down.
01:01:19Mm.
01:01:20Look at that.
01:01:21That's nice, isn't it?
01:01:22What a craftsmanship, that.
01:01:23Here, Henry, this knife.
01:01:24It is not a da Vinci.
01:01:25Ah.
01:01:26Shot in silver, though, I want you to get it.
01:01:27It's not a da Vinci.
01:01:28It's not a da Vinci.
01:01:29Ah.
01:01:30It's not a da Vinci.
01:01:31It's not a da Vinci.
01:01:32It's not a da Vinci.
01:01:33It's not a da Vinci.
01:01:34It's not a da Vinci.
01:01:35It's not a da Vinci.
01:01:36It's not a da Vinci.
01:01:37Ah.
01:01:38Shot in silver, though, I'll wager.
01:01:40Yes, they were made by William Cordhill in 1648.
01:01:43Cool.
01:01:44They come up well, though, ain't they, eh?
01:01:47Hear that tone?
01:01:48Yes.
01:01:49Great, innit?
01:01:50Makes you proud to be British, that.
01:01:51Of course, me and Rodney, you know, we're involved in cutlery.
01:01:54Well, it's, er, canteens of cutlery, par excellence, actually, I know, Rodney.
01:01:56Actually, I've got some in the van.
01:01:57I can pop out and get down some for you, if you like.
01:01:58Del.
01:01:59Eh?
01:02:00Just leave it, eh?
01:02:01All right, all right.
01:02:02All right.
01:02:03All right.
01:02:04All right.
01:02:05All right.
01:02:06All right.
01:02:07All right.
01:02:08All right.
01:02:09All right.
01:02:10All right.
01:02:11All right.
01:02:12All right.
01:02:13All right.
01:02:14All right.
01:02:15All right.
01:02:16All right.
01:02:17All right.
01:02:18Don't worry, girl.
01:02:19We'll pop out later on.
01:02:20All right.
01:02:21Which part of London are you from, Rodney?
01:02:24Er, Peckham.
01:02:27Peckham.
01:02:28Peckham in London.
01:02:31Really?
01:02:32Not too far from me.
01:02:34I have a flat in Chelsea.
01:02:36Rodney's taking me to Stamford Bridge to see someone play soccer.
01:02:39Oh, you're one of the faithful.
01:02:41I'm a blues fan myself.
01:02:43Have you taken a box?
01:02:45Er...
01:02:46Doesn't need a box, does he?
01:02:48He's tall enough to see, isn't he?
01:02:50No.
01:02:51I meant a private box in the new stand.
01:02:53No.
01:02:54I'm...
01:02:55I'm usually in the shed.
01:02:56Yes.
01:02:57I've often seen the chaps in the shed.
01:02:58Looks great fun.
01:02:59I'm a great Dixon fan.
01:03:02Mm.
01:03:03Which Dixon's that?
01:03:04Oh.
01:03:05Dixon of Chelsea.
01:03:06Him?
01:03:07I'd rather play Dixon than Doc Green.
01:03:10He can't dribble like Jimmy Greaves could.
01:03:12Hey.
01:03:13Hmm.
01:03:14Well, maybe not, but he's still a fine player.
01:03:16Yeah, I mean, he's good in the air.
01:03:18So's Biggles.
01:03:20Ah, Rodney.
01:03:22Rodney, he had a great future, you know, as an athlete.
01:03:26Well, it's jolly interesting.
01:03:28Rodney, which area of athletics?
01:03:31Er...
01:03:33Well, it was, um...
01:03:37It was all sorts.
01:03:38All sorts, ain't it, Rodney, eh?
01:03:39Was running and jumping over things
01:03:41and chucking things about.
01:03:43All sorts.
01:03:44Oh, yeah.
01:03:45In fact, the headmaster of his university
01:03:47wanted him to go on to the Olympics.
01:03:49Hmm?
01:03:50Yeah.
01:03:51But he said no, no, no.
01:03:52He said no.
01:03:53Because he wanted to concentrate on his business.
01:03:55But that is where his true talent lies, there.
01:03:57I mean, he's a future whiskey.
01:03:59Yeah.
01:04:00Well, it's got two GCEs.
01:04:03Hmm.
01:04:04Uh-uh.
01:04:05This time, next year, he's gonna be a millionaire.
01:04:07Hmm.
01:04:08That's very nice to hear.
01:04:10Which university were you at?
01:04:14Er...
01:04:15Er...
01:04:16Well, it wasn't actually a university.
01:04:19Rodney was at an art college, Daddy.
01:04:22In Basingstoke.
01:04:24But...
01:04:27Oh, yes, I've heard very good things about it.
01:04:30Er...
01:04:31How long you there, old chap?
01:04:34Er...
01:04:35Three weeks.
01:04:36Oh.
01:04:37Three...
01:04:38Weeks?
01:04:40Well, I left for personal reasons.
01:04:44Weren't his fault.
01:04:45What the hell?
01:04:46No, Rodney, no, no.
01:04:48It's important that these good people know to hold true.
01:04:51They weren't his drugs.
01:04:54What he was found in possession of.
01:04:57Right.
01:04:58Eh?
01:04:59Well, they weren't.
01:05:00They belonged to this Chinese top.
01:05:02The story, you see.
01:05:03That he went down to her room, right, to borrow a box of chalks.
01:05:06And he said...
01:05:07She said, like, you know, come in, Rodney, and have a puff of this.
01:05:10And before you know what happened, the old SGB, they burst in,
01:05:13and he was caught banged to rights with a reefer, you know, alethente.
01:05:18Well, I mean...
01:05:19I mean, he was two or three miles away in the Black Mariah
01:05:22before he even said, like, you know, man.
01:05:24Or anything like that, weren't ya?
01:05:26Eh?
01:05:27No.
01:05:28I just wanted you all to know, you know, about this drugs conviction,
01:05:31just in case, you know, it was ever brought up by the gut of press.
01:05:34You know, I just want you to know that he was done up like a kipper.
01:05:38Eh?
01:05:39Oh, good boy.
01:05:40Well, listen, let's liven the proceedings up of it, shall we, eh?
01:05:45Eh?
01:05:46Little recitation, entitled, um...
01:05:49Don't worry, mother, your son will soon be back.
01:05:52He's sailing round the world on a Grimsby fishing smack.
01:05:55Ha-ha!
01:05:56Right?
01:05:57Listen, I'll tell you...
01:05:58No, that's what I'll tell you.
01:05:59You'll like this, mate.
01:06:00Listen, listen.
01:06:01Ahem!
01:06:02Right, eh?
01:06:03The boy stood on the burning deck,
01:06:05the water shone like glass.
01:06:08A burning ember flew down his neck and burned him on the ankle.
01:06:11Ha!
01:06:12Ha-ha-ha-ha-ha-ha-ha-ha!
01:06:25You thought I was gonna say arsing, didn't you?
01:06:27Ha-ha-ha-ha-ha-ha-ha.
01:06:28It's a joke, you see.
01:06:30Listen, I've done another one. You like this one.
01:06:32Did you hear the one about the Irish bloke on a skiing holiday?
01:06:36There was this Irish bloke, right, and he won a holiday
01:06:40in a contest of some sort or another to go skiing, right?
01:06:43You'll love this. This is a killer.
01:06:45Shudder! I want a word with you outside now!
01:06:49Yeah, all right. All right, all right. Right on, Rick.
01:06:52All right, all right. We'll see you later.
01:06:56Now I'll clinch the deal.
01:07:13Now, listen to me, trotter!
01:07:15Are you still staying overnight?
01:07:20Or...
01:07:23Or not?
01:07:26No, I'd, uh, best get off home, eh?
01:07:30You're fine.
01:07:32It was...
01:07:38Yes.
01:07:40I want you and all your kith and kin out of my house and off my land now!
01:07:46Well, I don't want to talk about the arrangements.
01:07:48Arrangements? What arrangements?
01:07:51For Victoria and Rodney's wedding.
01:07:53Wedding? Wedding? Wedding?
01:07:55What do you mean, wedding?
01:07:57Oh, well, hey, hang on, Henry.
01:07:58Oh, no, don't tell me that no-one's told you.
01:08:01I hope I haven't gone and spoiled a wonderful surprise.
01:08:02A wonderful surprise for whom?
01:08:04Oh, for you.
01:08:07Yeah, I thought, um, you know, we might make the announcements in The Times,
01:08:11the Country Life and the Peck-a-Beck-o.
01:08:15What do you think, eh?
01:08:17I don't believe what I am hearing.
01:08:21My daughter is marrying no-one.
01:08:23In two months' time, she is going to America.
01:08:25She is doing a year's course at the New York School of Art.
01:08:30Hmm. Well, they're probably gonna take that in on their honeymoon.
01:08:33What? Two months?
01:08:34Cool, we'll have to book the old cathedral a bit lively, won't we?
01:08:37The only thing that you will be booking is a bed in intensive care.
01:08:41Your brother is not, I repeat, not marrying my daughter!
01:08:46Well, just a minute, Henry.
01:08:51We're not just a couple of yippity-oys.
01:08:53I mean, we know how to conduct ourselves.
01:08:56In fact, there is a rumour going round
01:08:58that we are related to the Surrey Trotters.
01:09:00I don't care if you are related to the Surrey Trotters,
01:09:03or to the Berkshire Trotters,
01:09:05or to the Harlem bloody Globetrotters!
01:09:08I want that young man out of my daughter's life!
01:09:11I don't know how you're gonna do that,
01:09:13because that Victoria seems pretty stuck on him, you see.
01:09:17Well, I will find some way of unsticking her.
01:09:19I have no fear of that.
01:09:21Well, it's not gonna be easy, cos I know Rodney,
01:09:23and I know him only too well.
01:09:25I can't think of anything that would make him leave her.
01:09:28Well, you know, when I say anything, well, it's one thing.
01:09:32And what's that?
01:09:34Hmm?
01:09:35Well, you know, why don't we go into your study
01:09:39and discuss it over a glass of, uh, brandy?
01:09:41All right, come on, come on, come on, in here.
01:09:43Come on!
01:09:44Ah!
01:09:45Oh, what is that one?
01:09:46That's a bloody Da Vinci!
01:09:48Oh, what is that one?
01:09:51That's a bloody Da Vinci!
01:10:18Well, Rodney, I was trying to make an impression.
01:10:30Oh, you made an impression, Del.
01:10:34It was similar to the impression the Americans made at Nagasaki.
01:10:38No, it's similar.
01:10:40Rodney, just a minute, will you?
01:10:43Why don't you just stay out of my life?
01:10:49For as long as I can remember, Del,
01:10:51it's always been the same as just you sticking your oar in.
01:10:58What about that time I joined the army, cadet, say?
01:11:01And then you discovered the boy I shared a tent with
01:11:04had a relative who was a big noise in show business,
01:11:07and, well, that was the end of my military career, wasn't it?
01:11:10I was gonna be a child star.
01:11:13So I was demobbed and straight into a tap-dancing school
01:11:16before I could say who goes there.
01:11:18And that was just an embarrassment as well, just like tonight.
01:11:22I was the only kid in that school
01:11:25who never had a proper set of tap-dancing shoes.
01:11:31It's only because your army boots made more noise.
01:11:34They made more noise, all right.
01:11:36I used to make zippity-doo-dah sound like the advance on Leningrad.
01:11:41You see? You had to interfere!
01:11:46And now you've interfered between me and Vicky, haven't you?
01:11:51You humiliated me.
01:11:53You destroyed me in front of all them people.
01:11:56And you ruined my opportunity of sharing a warm and friendly relationship
01:12:02with somebody I respected.
01:12:04And on top of all that, Del,
01:12:08on top of all that,
01:12:10I think I've broken my hand.
01:12:13Me?
01:12:15Just have a look at it, then.
01:12:17Oh, just don't wait for me.
01:12:19Leave me alone.
01:12:23You even went and told the joke about the Irish bloke on a skiing holiday, didn't you?
01:12:28You know what the most painful incident of the entire evening was?
01:12:39His grace called me into his study for a little chat.
01:12:46Said he wanted me to stop seeing Victoria.
01:12:50Said he wanted me out of her life now and for good.
01:12:54Do you know he even offered me money?
01:12:58No.
01:12:59Yeah?
01:13:00Well, you can imagine how I felt, can't you?
01:13:03Well, yeah.
01:13:04Horrible, Rodney.
01:13:06Must have felt really horrible.
01:13:08Well, I would have told him what he could do with his money.
01:13:10I did, son.
01:13:11Good boy.
01:13:16What?
01:13:17You said Nitto to a grand?
01:13:20Yes, I did.
01:13:23I still have some of my self-esteem left in ta...
01:13:29How did you know he offered me a grand?
01:13:32Eh?
01:13:34How did you know he offered me a thousand pound?
01:13:38Well, it's about the going rate to get a plonker out your daughter's life.
01:13:41You arranged it, didn't you?
01:13:44No.
01:13:45No, not actually arranged it.
01:13:48Look, them sort of people, they're looked after by the special branch in MI6.
01:13:53Don't you think that when they ran your name through their computer
01:13:55and found out that you'd got a conviction,
01:13:57if you'd refused to get out of Vicky's life,
01:13:59well, they would have sent a hit-team?
01:14:01You would have been brown-bred brother.
01:14:03I thought to myself,
01:14:04well, a grand on a hip is worth more than a poison umbrella up your jacksie, innit?
01:14:11But you turned it down, didn't you, you dipstick?
01:14:13Yes, I did.
01:14:15Del, I ref...
01:14:17I refuse to become a lot number in one of your auctions.
01:14:20But you can't understand that, can you?
01:14:22You just can't understand.
01:14:24You just can't understand.
01:14:27I don't know.
01:14:29You just can't understand.
01:14:33Yeah, of course I can understand, Rodney.
01:14:37Look, I'm...
01:14:39sorry I hurt you, Rodney.
01:14:43Come on, don't hate me, please, brother.
01:14:47I don't hate you.
01:14:51I don't bloody like you.
01:14:55Well, that'll do me, Rodney.
01:14:57Put it there.
01:15:05Now, what are you?
01:15:06What are you, eh?
01:15:07Eh?
01:15:08We've got some half-price crack ties, some miles and miles of carpet tiles.
01:15:18TVs, deep freeze, and David Bowie old pays.
01:15:20Pool games, gold chains, wuss names, and header push.
01:15:22And Trevor Francis tracksuits from a mush.
01:15:24And Shepard's bush, bush, bush, bush, bush, bush.
01:15:28No income tax, no VAT.
01:15:32No money back, no guarantee.
01:15:34Black or white, rich or broke.
01:15:38We'll cut prices and a straw.
01:15:42God bless, hooky street.
01:15:45Viva, hooky street.
01:15:48Long live, hooky street.
01:15:51St. Magnifique, hooky street.
01:15:54Magnifique, hooky street.
01:15:59Hooky street.
01:16:02Hooky street.
01:16:03hooky street.
01:16:04You king or white, or miss p- for every one of you.
01:16:16We'll share with you.
01:16:20która forever of my Anna Peterson.